Join us for a world première!
Our renowned choir will give the first performance of Joanna Marsh composer‘s new piece ‘The Everlasting Covenant’ at Choral Evensong on Sun 6th Oct at 3.30pm!
All welcome to join us, for FREE. https://tinyurl.com/3w9pnztw
Today is #NationalPlaylistDay.
Playlists of personally meaningful music can improve the lives of those living with dementia, their families and carers.
What songs make up the soundtrack of your life?
Looking for inspiration on what music to add to the soundtrack of your life this #NationalPlaylistDay?
Have a read of the prompts below that can help you think about the songs that have soundtracked your personal story:
Songs from your childhood
Songs that remind you of friends
Songs that make you feel happy
Songs that you danced to at school discos
Songs that are linked to your faith
Songs that are associated with your sports team
Songs from your favourite films and TV shows
Create your playlist today. http://nationalplaylistday.org
SUNDAY 29th SEPTEMBER 4pm in STOCKBRIDGE CHURCH
Help support Stockbridge Primary Parent Council’s musical fundraiser! 
Come along to our Autumn Magic Carpet Concert at Stockbridge Church, 4pm on Sunday 29 September!
Our live music concert is a great opportunity to get close to incredible live music played by world-class musicians 
You’ll get the chance to see talented musicians perform – accordionist Sofia Ros from Spain 
, double bassist Nikita Naumov & concert pianist (& City of Edinburgh Music Schoolteacher) Shola Sharbakova Miller from Kazakhstan !
You can buy your tickets here 
https://www.tickettailor.com/…/stockbridgeprima…/1389996
Funds raised secure much needed carpets for our classrooms 
Our poster has been designed in collaboration with students from Submarine Art & Design School 
check out their courses – there’s loads on for teens! https://www.submarineart.co.uk/
or follow them on instagram @submarineartstudio
One of Lammermuir Festival’s most enduringly popular artists, Royal Northern Sinfonia, will celebrate the fifteenth festival coming to a triumphant close tonight (Monday).
They play the two most influential of early Romantic composers, Mendelssohn and Schumann, making for a great pairing for the final concert. Schumann’s Violin Concerto – composed at the end of his life and still very much a rarity in concert – is a gloriously lyrical, heroic work perfectly suited to Maria Wloszczowska’s sweet-toned virtuosity.
This is the last chance to catch Maria Wloszczowska who has had astonishing success in her concerts throughout the 2024 festival.
The sparkling beauty of Mendelssohn’s enthralling Shakespearian score brings the 2024 Lammermuir Festival to a magical conclusion.
Monday 16 September, 8pm
Royal Northern Sinfonia
St Mary’s Parish Church, Haddington
Tickets on sale at: https://www.lammermuirfestival.co.uk/event/closing-concert-royal-northern-sinfonia/
Organisers of Edinburgh’s Hogmanay have announced that Scottish music icons TEXAS will headline the Concert in the Gardens on Tuesday 31 December, welcoming party-people from around the globe to dance their way into 2025 at the world-famous New Year festival.
The homegrown heroes announced their Hogmanay headline slot live on stage during their sold-out show at the Glasgow Hydro tonight (Sunday 15th September) and will be joined by special guest Callum Beattie this December, with Concert in the Gardens hosted by award-winning comedian Susie McCabe.
Following a recent run of sell-out arena shows and rave reviews across the UK; including two triumphant sold-out nights at the Glasgow Hydro, Texas’ appearance at Edinburgh’s Hogmanay 2024, makes them the first band to ever headline the festival three times, and marks their first appearance at Edinburgh’s Hogmanay for almost 20 years, having last performed back in 2005.
Fronted by multi award-winning singer-songwriter Sharleen Spiteri, Texas will play beneath the spectacular backdrop of Edinburgh Castle amidst one of the world’s greatest New Year firework displays, performing the last show of 2024 and first of 2025, bringing in the bells with a hit filled set of career spanning anthems including I Don’t Want a Lover, Say What You Want and Inner Smile.
35 years since ‘I Don’t Want A Lover’ exploded into the charts back in 1989, Texas have gone on to produce ten studio albums, selling over 40 million records worldwide, becoming one of the UK’s most enduring and loved bands.
Their headline appearance at the Concert in the Gardens will once again make Edinburgh the best New Year party on the planet with a Scottish show like no other at the ‘Home of Hogmanay’.
Texas frontwoman Sharleen Spiteri said: “We can’t wait to play here for a third time. So get on your glad rags and let’s party for the New Year.”
Joining Texas at the Concert in the Gardens is very special guest Callum Beattie. Edinburgh-born Callum has progressed from busking outside the city’s Usher Hall, to recently selling-out two nights at the iconic venue. A special guest slot at the country’s biggest Hogmanay party closes a triumphant year for the singer-songwriter, who’s punchy, rousing, emotive and gloriously catchy debut album scored a No.1 in The Official Scottish Albums Chart.
Callum Beattie said: “In just a few years I’ve gone from selling 30 tickets, to sold out shows including three sold out Barrowlands and two sold out Usher Halls, but being asked to play the Concert in the Gardens at Hogmanay is without a doubt the greatest highlight of my career so far, and to be doing it with Sharleen and the guys just makes it even sweeter. I can’t believe it!”
Plus, award-winning comedian Susie McCabe will return to host Concert in the Gardens, leading the country in a countdown to midnight. The winner of 2024’s Sir Billy Connolly Spirit of Glasgow Award, Susie McCabe is one of the country’s most beloved comedians and a fitting host for the night.
Also on the 31st December, the world-famous Edinburgh’s Hogmanay Street Party will this year welcome 45,000 revellers into Edinburgh city centre and Princes Street, to party their way into 2025 with friends old and new from around the world, counting down to the spectacular Midnight Moment from Edinburgh Castle.
Revellers will once again enjoy a feast of live music, DJs, international street theatre, thrilling funfair rides, along with delicious food and drink, creating a carnival atmosphere throughout the city centre for one massive outdoor party. Tickets are on-sale now, with full programme details to be announced in the coming weeks.
Edinburgh’s Hogmanay 2024/25 is supported by Principal Funding Partners City of Edinburgh Council and Major Partners the Scottish Government’s Festivals EXPO Fund and Essential Edinburgh, all working together to create spectacular Edinburgh’s Hogmanay celebrations for Scotland.
City of Edinburgh Council Culture and Communities Convener Val Walker said: “The capital’s Hogmanay celebration is not only an Edinburgh tradition – it’s world renowned.
“It will be wonderful to welcome back the iconic Texas performing a career-spanning set. With Edinburgh’s own Callum Beattie joining them as a special guest, I’m delighted that this year’s Concert in the Gardens has such a strong Scottish line up. It promises to be a fantastic party to welcome 2025, where gig-goers will have unequalled views of midnight fireworks over Edinburgh Castle.
“Edinburgh will continue to be THE place to welcome in the new year and I look forward to the full Hogmanay programme being unveiled.”
Directors of Unique Assembly who create and produce Edinburgh’s Hogmanay on behalf of the City of Edinburgh Council said:“We are thrilled to welcome Texas back to headline Edinburgh’s Hogmanay, 25 years after their very first appearance at the festival.
“Plus, with the addition of Edinburgh’s own Callum Beattie, it’s fantastic to have a stellar Scottish line-up for the very last show of 2024 and the first of 2025.
“With a hit-packed show from Texas and the world-famous Midnight Moment from Edinburgh Castle, the Concert in the Gardens will kick-start 2025 with a bang, and give party-goers from around the world the perfect start to the year.”
Concert in the Gardens with Texas and special guest Callum Beattie, takes place on Tuesday 31 December 2024 in West Princes Street Gardens, from 9pm to 12.50am.
Tickets go on general release Friday 20 September at 10.00am from www.edinburghshogmanay.com priced from £72.50 plus booking fees, ticket price includes £1.00 charity donation to CHAS (Children’s Hospices Across Scotland).
A limited Concert in the Gardens pre-sale is available to those registered with www.edinburghshogmanay.com and will begin Wednesday 18 September at 10am.
Edinburgh’s Hogmanay Street Party tickets are on-sale now priced £30.00 plus fees and includes 50p charity donation. Discounted EH Postcode Resident Street Party Tickets £24.00 plus fees and includes 50p charity donation.
The full Edinburgh’s Hogmanay programme and ticket details will be released in the coming weeks, but other confirmed events taking place over the 4-day Edinburgh’s Hogmanay 2024/25 festival include the Night Afore Disco Party (30 Dec) beneath Edinburgh Castle, and a packed programme of free New Year’s Day events for young and old, with the return of the First Footin’ culture trail, which welcomes artists from across Scotland to perform in landmark buildings, pubs, cafes and venues throughout the city centre, and Sprogmanay family events in the Old Town.
Our piano from Pianodrome is waiting for new players!
Try it out in the packing shed – Fridays, Saturdays, Sundays 2-4 pm.
In Lammermuir Festival’s history, the 2024 programme marks the first time it will offer a rare returning event. And with the comeback of Path of Miracles and Tenebrae proving hugely popular with audiences, organisers have added a second performance on the night giving festivalgoers a second chance to grab a ticket this year.
Joby Talbot’s Path of Miracles, performed in the Concorde Hangar at the National Museum of Flight, is at the heart of the 2024 programme. Sung by one of the finest choral groups in the world, Tenebrae, for which it was written 20 years ago, the work is both ravishingly beautiful and hugely dramatic.
Last performed at Lammermuir back in 2017, the sold-out audience stood cheering when it finished. The tour de force is inspired by the famous pilgrim route to Santiago de Compostela and performed alongside one of the technological marvels of modern travel in the Concorde Hangar.
Sunday 8 September, 8pm / 10pm
Tenebrae – Path of Miracles at Concorde
Concorde Hangar, National Museum of Flight
8pm tickets on sale at https://www.lammermuirfestival.co.uk/event/tenebrae-path-of-miracles/
10pm tickets on sale at https://www.lammermuirfestival.co.uk/event/tenebrae-path-of-miracles-extra/
Almost 4,000 children and young people will have the opportunity to realise their potential through music education supported by £2.6 million of Scottish Government funding.
Sistema Scotland’s Big Noise programme uses music and nurturing relationships to improve the lives of children and young people and strengthen communities. It offers all instruments, tuition, snacks and participation free of charge to families across Stirling, Glasgow, Aberdeen, Dundee and Edinburgh.
First Minister John Swinney confirmed the funding as he watched performances from school pupils at Sistema Scotland’s dedicated space at the Community Campus in Raploch.
Among those taking part were a group of Primary 2 pupils from Our Lady’s Primary School in Raploch, as well as the centre’s beginner strings group, a woodwind, brass and percussion group made up of primary school pupils, the Redfire intermediate strings group and the Raploch string ensemble, made up of high school students and school leavers.
The First Minister said: “Music and the arts have power to bring people together, and I am consistently impressed with Big Noise’s efforts to ensure children and young people across five cities have the opportunity to learn, play and perform.
“As well as the opportunity to perform, Big Noise gives the young people they work with a community – and as they progress through the programme they have developmental opportunities including to gain leadership skills, which are beneficial to them in the world of work even if they do not pursue a musical path.
“I am grateful to Sistema Scotland for continuing to enrich the lives of so many children and young people by making music accessible and inclusive.”
Vicky Williams, Sistema Scotland Chief Executive said: “We are enormously grateful to the Scottish Government for their continuing support of Big Noise in Scotland.
“This funding means we can do more to support young people and families, tackle poverty and inequality and help build firm foundations for the future of our young people.
“Our work over the past 15 years has transformed lives throughout Scotland and we look forward to continuing this critical work with the support of our partners and funders.”
Shannon Galloway, 17, from Raploch, joined Big Noise when she was five years old. She spent the summer working as an intern at the Raploch centre, and has a place at Aberdeen University to study music, with her sights set on becoming a music therapist.
She said the programme had given her opportunities she would never have dreamed of – including her first trip abroad to India last year, and playing on stage with the RSNO and Nicola Benedetti. It also boosted her confidence and skills and helped her towards a positive future.
Shannon said: “I just don’t know what I would have done without Big Noise. I wouldn’t be going to university because I wouldn’t have discovered music. I had no interest before and now it is my entire life. It opened this whole life path for me.”
Big Noise (makeabignoise.org.uk)
Meanwhile uncertainty remains over arts and culture funding in Scotland. Here’s hoping that this can be resolves soon and at least some of these talented and enthusiastic young people will have the opportunity to perform in later life.
#NoArtWithoutArtists
TWO EDINBURGH MURRAYFIELD GIGS NEXT SUMMER
Oasis will tour the UK & Ireland in summer 2025!
Tickets go on sale this Saturday 31st August.
https://OasisMusic.lnk.to/oasisinet
Tickets on sale 9am (UK) & 8am (IRE) Saturday 31st August
*These dates will be the band’s exclusive European appearances.
EIF attracts new audiences with Affordable Tickets and Innovative Experiences
The 2024 Edinburgh International Festival concluded yesterday after an exhilarating 24-day celebration of opera, dance, music and theatre in Scotland’s capital. With over 160 ticketed performances and more than125,000 attendees across the city’s venues, the Festival showcased 21 world, European, UK and Scottish premieres affirming its role as an essential destination for arts and culture.
Under the leadership of Festival Director and Scottish violinist Nicola Benedetti, the theme Rituals That Unite Us successfully brought together over 2,000 internationally renowned artists from 42 nations, exploring the deep connections which bind us all through live performance.
At the heart of this year’s Edinburgh International Festival was a commitment to ensuring that cost is not a barrier to cultural discovery, making high-quality art accessible to the broadest possible audience.
Over 50% of tickets were sold at £30 or less, and more than 5,000 targeted £10 tickets were sold — a 100% increase on last year. Double the number of free tickets were taken up by NHS staff, charity workers, and low-income benefit recipients through the Tickets for Good programme, marking the highest uptake since the Festival signed up to the initiative.
Additionally, the number of D/deaf, disabled, and neurodivergent concession tickets doubled, with twice as many people enrolling for the Access Pass, which provides a tailored experience for audience members with access requirements.
The International Festival reaffirmed its dedication to nurturing the next generation of artists and audiences, with a notable increase in young people attending and participating. This year saw more than triple the number of free tickets to young musicians issued through the Young Musician’s Pass compared to 2023 and U18s ticket purchases rose by 100% from 2023.
Over half of all bookers were new to the Festival this year, the highest level since the pandemic. The International Festival also focused on talent development, with initiatives like Rising Stars providing early career artists with invaluable opportunities to work and perform alongside professional mentors such as the Leonore Piano Trio and Yura Lee.
As an international festival deeply rooted in Scotland, an impressive 50% of the artists were from Scotland in 2024, highlighting the exceptional calibre of local talent alongside their international peers.
This included approximately 250 multigenerational performers in the world-first Healing Arts Scotland Opening Celebrationat the Scottish Parliament, and representation from all five Scottish national performing arts companies—National Theatre of Scotland, Royal Scottish National Orchestra, Scottish Opera, Scottish Ballet and Scottish Chamber Orchestra.
The International Festival also employs over 200 specialist freelancers and relies every year on a pipeline of talented writers, actors, musicians, dancers, singers, producers, facilitators, technicians and cultural workers.
In the precarious funding landscape currently faced by the Scottish arts sector, the Festival remains committed to supporting and advocating for the indispensable community of creative individuals and organisations of which Scotland can rightly be proud.
Under the theme of ‘Rituals That Unite Us’, the 2024 International Festival programme also reimagined ways in which live performance could bring audiences and artists closer together.
Audiences sat in beanbags to enjoy six informal concerts at the Usher Hall, including Brazil’s Ilumina, The Hallé, and the European Union Youth Orchestra, while The Hub series once again welcomed audiences into the home of the International Festival for intimate and unforgettable performances from around the world.
Six artist rehearsals were made accessible to the public and schools, offering a unique behind-the-scenes glimpse into the creative process, while 20 Q&A sessions were offered by artists after their performances to deepen the experience for attending audiences.
Offering a deeper look into the Festival’s inner workings, 36 audio introductions, hosted by Kate Molleson and Nicola Benedetti, featured insights from artists, programmers, and creatives behind the programme’s performances.
Listened to 32,794 times by audiences, The Warm Up invited artists to discuss the unique rituals they undergo before creating a piece or stepping onto the stage. Nicola Benedetti also made her BBC Radio 3 presenting debut in a six-part series focusing on the origin story and impact of the International Festival, which continues to broadcast until 7 September.
Additionally, nineteen concerts from the Festival were recorded for BBC Radio 3 and will be available on BBC Sounds. More than 130 behind-the-scenes videos shared across the International Festival’s social media channels garnered 1 million views from online audiences.
Additionally, over 300 people enjoyed a free VR experience with the Philharmonia Orchestra at the Festival’s inaugural Community Connections Hub, held this year in the Edinburgh suburb of Broomhouse. Following this, 2,000 attendees attended a Family Concert at the Usher Hall, where young music lovers had the chance to experience the Philharmonia Orchestra in person, with Festival Director Nicola Benedetti performing on violin.
Over 7,000 people joined together for a new ritual for the city and the International Festival at the highly anticipated Opening Event: Where to Begin, presented in partnership with The Macallan. Where to Begin launched Edinburgh’s festival season with an immersive experience at the historic Old Town site of George Heriot’s, brought to life by the creative team at Pinwheel.
Festival Director, Nicola Benedetti said, “Our Festival has been an outstanding success this year. The theme, Rituals That Unite Us, resonated in profound ways with our visiting artists and home community. Although we bring stories from around the world, they change when they interact with the unique spirit of Edinburgh, artist upon artist expressing their awe and desire to return.
“We diversified the experiences in our venues, making the Festival as accessible and affordable as possible. Beanbags returned, as did the intimacy of our home, the Hub. We programmed exceptional international premieres, doubled the number of Under 18 tickets on last year, and tripled the Young Musician’s Pass attendees – an initiative that offers free Festival tickets to young musicians.”
“Against a tumultuous backdrop of funding crisis, two aspects of our identity were reinforced and strengthened. We are deeply rooted in Scotland, and will continue to present the best of Scottish talent alongside our international counterparts.
“Most importantly, we are making an indelible impact on access to culture for our local community. To present the world’s greatest art to the broadest possible audience is what we are here to do.”
Chief Executive, Francesca Hegyi said “Our theme for this year’s programme, Rituals that Unite Us, beautifully captured the sense of togetherness felt throughout this past month. There’s something profound and powerful about this shared experience that brings people from every corner of the world and all walks of life together.
“As we celebrate this year’s Festival, we must also recognise the current fragility of the Scottish cultural sector. With 50% of our 2024 artists hailing from Scotland, the Festival relies on exceptional local talent both on and off the stage and we are deeply concerned about the ongoing survival of our creative community.
“The International Festival is the original spark that lit this city’s path to becoming the world’s Festival City. “Now, 77 years later, we thank you for joining us once again for the ritual that we look forward to each year: the Edinburgh International Festival.”
