TUC: Reflections on the General Strike, 100 years on

This year’s May Day celebrations have an added historical resonance for trade unionists (writes TUC General Secretary PAUL NOWAK). Monday 4 May marks the centenary of the start of the General Strike – a momentous event in British industrial and political history.

But what is its real legacy? How did it shape trade unions in the decades after? And a century on, what are its lessons for today’s movement?  

I’ve just had the pleasure of addressing a fascinating event run by the Institute of Historical Research alongside US academic Jonathan Schneer, author of a brilliant new book on the General Strike: Nine Days in May. It was a great opportunity to take a step back from my day-to-day work and think about the immense historical forces that have shaped the modern trade union movement. 

Reflecting on the General Strike

I have two personal connections to the events of 1926. Firstly, as the current General Secretary of the TUC – an organisation of which I am immensely proud – I have a keen sense of our heritage. No organisation can claim to be infallible and the TUC is no exception, but for nearly 160 years we have advanced the cause of labour and bent the arc of history towards social and economic justice. And I am ambitious that we continue to do so in the future. 

Secondly, I have a strong affinity with one of the key players in the General Strike, the acting TUC General Secretary Walter Citrine. He grew up just a couple of miles from where I was born and still live in Birkenhead. 

And while not a household name, I believe he was one of the most consequential figures in the modern trade union movement, shaping the TUC as we know it today, playing a key role in the effort to defeat fascism, and building international trade unionism. 

The scale of solidarity during the strike

While the General Strike ended in defeat for the trade union movement, it remains one of the greatest acts of solidarity in British history. Three million workers answered the TUC General Council’s call to stop work, with two thirds selflessly walking out in support of miners whose jobs, terms and conditions were being slashed. This unprecedented working-class mobilisation shook the establishment to its core. 

Some have argued the defeat was rooted in the TUC’s failure to properly prepare for the strike and prosecute it with a view to bringing down the government. But I think it is fair to posit that the leadership of the TUC, our unions and – more importantly – the three million workers who answered the call to action were motivated by a desire to bring ministers and mine owners back to the negotiating table. 

Their goal was to win a fair deal for the miners, not overthrow the government or usurp parliamentary democracy. The General Strike was a moment of solidarity, not revolution. 

How the government responded in 1926

Of course, this distinction mattered not one bit to prime minister Stanley Baldwin. His government’s aim was simple: outright victory. And that’s why ministers deployed every instrument of state power at their disposal to crush the strikers – not just the civil service, local authorities, police and volunteer strike breakers, but the armed forces too. 

Despite this, the TUC ran an incredible operation from our offices in Eccleston Square, bringing the UK economy to a virtual standstill. But as Jonathan Schneer’s new book makes clear, the government executed its response with the same ruthlessness as Margaret Thatcher did during the miners’ strike of 1984-85. In both instances, the question was not so much “who runs Britain?”, but “who is Britain run for”. And in both instances, the answer was clear: not its workers. 

Trade union recovery after the General Strike

For all the General Strike was a devastating setback for unions, this retrenchment proved temporary. From a low of less than 3.7 million in 1929, our membership grew steadily for the next half century, reaching a peak of nearly 13 million in 1979. This owed much to the reshaping of the TUC by Citrine, learning the lessons from 1926, as well as our role in the war and the fight against fascism. And it was proof of our resilience in the face of periodic political hostility. It was growth fuelled by the very same solidarity that drove the 1926 strike.  

The role of the TUC in the modern movement

For me, the events of 1926 pose some fundamental questions about the TUC itself. We have always been more than the General Secretary, the staff of the organisation and our physical premises. Instead, we are the collective embodiment of our 47 affiliates and 5.3 million members, a vibrant federation of sovereign unions. And for us to be truly effective, each union has a responsibility to its own members, but also to the wider movement. Solidarity will always be a two-way street: something we should expect to give as well as receive. 

And that matters just as much in 2026 as it did a century ago. Unlike our forebears, we currently enjoy a much more positive political climate.

Labour’s Employment Rights Act is not just the biggest upgrade to our rights in a generation – it’s also a huge opportunity for us to rebuild our movement.

Let’s seize it. 

St Columba’s: Time to Remember

FRIDAY 20 JUNE from 2 – 2.45pm

You’re invited to join us on Friday 20th June as we gather together to remember loved ones who have died.

This free event on the theme of ‘The Longest Day’ will feature quiet music, readings and reflections, an item to make and/or take home as well as the chance to pause and think about about loved ones.

Everyone is welcome at this inclusive, non-religious event, suitable for all ages.

Time: 2pm-2.45pm

Venue: No17, 17 Boswall Road, EH5 3RW

A seat must be booked for each person attending, including children. Book your place(s) today on our website:

https://stcolumbashospice.org.uk/events/time-to-remember

or email wellbeing@stcolumbashospice.org.uk.

Reflections: The Light and Life of John Henry Lorimer

Saturday 6 November 2021 to Sunday 20 March 2022

The first exhibition dedicated to the Scottish artist John Henry Lorimer (1856-1936) will open at the City Art Centre in Edinburgh on Saturday 6 November. 

Reflections: The Light and Life of John Henry Lorimer sees almost 50 oil paintings, watercolours, sketches and objects come together in celebration of the artist’s skill and creativity. 

Over the years, Scottish audiences have shown a lot of support for John Henry, voting Spring Moonlight at the Kirkcaldy Galleries and The Flight of the Swallows at the City Art Centre (above) as their favourite paintings in the galleries’ permanent collections.  Both paintings will be included in the exhibition, along with many from private collections, some of which have not been on public display for several decades. 

Further highlights include the Tate Galleries’ portrait of the artist’s younger brother Sir Robert Lorimer, A.R.A., as a Boy and the Musee d’Orsay’s painting Grandmother’s Birthday. Also known as Benedicte Grandmother’s Birthday, the first painting by a Scottish artist to be bought by the French Government, is displayed with one of the chairs that features in the painting, designed by architect and furniture designer Sir Robert Lorimer. The painting was last exhibited at the Musee d’Orsay in 1989, alongside paintings by Millet, Whistler and Morisot. 

Co-curator Charlotte Lorimer said: “While artists such as Claude Monet and Edgar Degas pushed the boundaries of painting and were rejected by traditional galleries and the Paris Salon, John Henry developed a more classical style and won medals from the Salon and praise from critics.

“History tends to remember the rebels. But there is also a place for the quiet craftmanship of artists such as John Henry.”

Co-Curator David Patterson added: “Here at the City Art Centre, we are really excited to be hosting the first ever major exhibition dedicated to the work of John Henry Lorimer.

“His work, which is so often overlooked in favour of his more radical contemporaries, is technically brilliant and his elegant interiors and light-filled landscapes will uplift everyone’s spirits during the winter months. 

Culture and Communities Convener Councillor Donald Wilson, said: “I’m delighted that the City Art Centre is able to showcase this fantastic exhibition of the rarely seen works of John Henry Lorimer.

“It’s incredible to think this is the first exhibition dedicated to him since his passing in 1936.  Reflections: The Light and Life of John Henry Lorimer will take visitors on a journey of his work through five themes of light, identity, family, femininity and home.  Not only will it be an opportunity to celebrate his work, there are pieces from both public and private collections, the majority of which have not been on public display in decades!”

Culture and Communities Vice Convener Councillor Amy McNeese-Mechan said: “We’re excited to be exhibiting the first retrospective of John Henry’s work.

“A technically gifted, but somewhat forgotten artist, this is a chance for audiences to discover his work and learn about the artist himself and the role he played in Scottish art history.  Alongside the exhibition there will be a programme of events and we look forward to revealing more details soon.”

In order to protect and maintain the safety of our visitors and staff, the City Art Centre has introduced a range of safety measures and procedures throughout the venue, including a one-way system, installation of screens at reception, hand sanitiser stations, extra barriers and signage. Staff will be wearing face coverings while offering visitors a very warm, socially distanced welcome.

Reflections: The Light and Life of John Henry Lorimer at the City Art Centre opens on Saturday 6 November 2021, and runs until 20 March 2022.

Admission is free.

Reflections: the Light and Life of John Henry Lorimer has been generously supported by The Lorimer Society, The Inches Carr Trust, The Binks Trust, The East Fife Members Centre and all those who contributed to our crowdfunding campaign.