Edinburgh Tradfest’s programme of sensational live music, storytelling and film continues across the city this weekend.
Plus, just announced, BBC Radio Scotland’s Young Traditional Musician for 2025, singer Ellie Beaton will be performing at St Giles Cathedral on the Royal Mile today at lunchtime (1.30pm), ahead of her evening concert at the Traverse tonight.
This half hour event is free and is part of a new pop-up programme of impromptu events happening across the city.
Other highlights not to be missed include:
Gaelic singer, broadcaster, and cultural ambassador Joy Dunlop who is this year’s Rebellious Truth talk guest on Sunday afternoon. Joy will be sharing her story from when she first learnt Gaelic at school in Oban, to reading the weather on the BBC.
Finnish throat singer Pelkkä Poutanen (above) who mixes different folk traditions with classical, roots, electronic and pop music and, whose unique vocal techniques, rarely performed by women, are not to be missed!
A line-up of incredible emerging musicians performing at this year’s ETF Spotlight concert including Miwa Nagato-Apthorp whose debut album Noren is released this month; Parsisonic led by Iranian duo Aref Ghorbani and Amir Hossein Feyzi, a Glasgow based quartet bridging cultural gaps with their unique cross genre sound. Plus, one of the most respected Gaelic trad fusion bands Dlù, whose members originate from school days at the Gaelic School in Glasgow.
For film-goers the Folk Film Gathering continues its fantastic programme of world film which includes a whole day dedicated to the work of the late Douglas Eadie on Sunday, 11 May; and a screening of Gerda Stevenson’s recent documentary Paper Portraits which celebrates the history and working people of Penicuik’s paper mills.
Over at the Storytelling Centre The Poet and the Moon led by three Spanish artists including celebrated storyteller Inèz Àlvarez Villa of TuFlamenco presents a tribute to Federico Garcia Lorca, Spain’s most iconic poet, told through poetry and flamenco dance. And, storyteller and journalist Rachel Pugh shares her gripping true story about an ancient bog man found in Lindow Moss in Bog Standard, accompanied by award-winning harpist Lucy Nolan.
Finally, bringing the whole festival to a close will be Siobhan Miller with her sensational band at the Traverse on Monday night.
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “Don’t miss the final weekend of this year’s festival, there are some amazing bands coming up, and fantastic films and storytelling events still to come.
“The festival’s strength of programming this year is exceptional. So, make sure you squeeze in everything you can.”
Edinburgh Tradfest runs until Monday 12 May. For tickets and more information visit edinburghtradfest.com
Scottish music sensations Nathan Evans and Saint Phnx will be singing for the nation’s mental health at a special charity gig for SAMH (Scottish Action for Mental Health).
The unforgettable and intimate night of live music will be held at the stunning Royal Botanic Garden Edinburgh on Friday 6 June, with just 150 pairs of tickets up for grabs at this exclusive event.
Tickets are available through a text to win prize draw, powered by the Fonix platform (www.fonix.com), giving fans the chance to win a pair of tickets by texting GIG to 84903.
You will be charged your standard network rate charge and a voluntary £3 donation to SAMH – You must be 18 or over and have the bill payer’s permission to enter. Entries close at 11:59pm on 11/05/2025.
The event signals the start of SAMH’s new programme of special events, The Garden Sessions: an exclusive fundraising initiative that joins the magic of live music with support for vital mental health services.
Nathan Evans, known for his viral sea shanties, and chart-topping band Saint Phnx, will headline the first SAMH Garden Session, with more exclusive shows planned later in the year.
Nathan Evans said: “We’re absolutely buzzing to be part of the very first SAMH Garden Session. Playing an intimate show like this, in such a stunning setting, and for a cause as important as mental health, makes it really special for us.
“We can’t wait to be part of something so positive and memorable — it’s going to be an incredible night.”
Hazel McIlwraith, Director of Fundraising and Major Appeals at SAMH, said: “Music has an incredible ability to bring people together, lift spirits, and create lasting memories.
“Connecting with other people and being surrounded by nature is good for your mental health, and this special event will be an uplifting experience.
“With The Garden Sessions, we want to offer something truly unique that not only celebrates live music and gives fans the opportunity to see top artists up close, but also raises vital funds for mental health at a time when support is so desperately needed.”
SAMH recently announced plans to open The Nook, Scotland’s first ever network of walk-in mental health support hubs and proceeds from this event will help to support their establishment.
A packed programme of music, film and storytelling kicks off Edinburgh Tradfest next weekend (2 May to 12 May) thanks to continued support from The National Lottery through Creative Scotland and the William Grant Foundation.
The Festival opens with Terra Kin supporting celebrated piper Ross Ainslie and the Sanctuary Band (Greg Lawson, Paul Towndrow, Steve Byrnes, Hamish Napier, James Lindsay, John Blease),who have featured on Ross’s last four albums including Pool released in 2024.
Terra Kin aka Hannah Findlay has been a dynamic force in Glasgow’s jazz, folk and pop scenes for many years, and for this year’s opening they will be joined by master musicians and rising stars: Su-a-Lee (cello), Roo Geddes (violin) Emma Pantel (violin) and Sarah Hanniffy (viola).
This opening night concert at the Queens Hall in Edinburgh kick starts an incredible 11 days of traditional and traditional-inspired music taking place at The Traverse Theatre in Edinburgh, and other film and storytelling events happening across the City.
Other opening weekend highlights include Leveret, made up of some of the finest tunesmiths in modern folk music (Andy Cutting on melodeon, Sam Sweeney on fiddle, and Rob Harbron on English concertina); and the rich darkly-toned fiddle sounds of Lauren MacCollwho is joined by Rachel Newton (harp), Anna Massie (guitar), Mhairi Hall (piano), Mairearad Green (accordion) and James Lindsay on (bass) to play tunes from her most recent album Haar, along with a delve into her back catalogue.
This year’s festival commission on Monday night is For the Love of Trees featuring new tunes and old, by Mary Macmaster (The Poozies) and Donald Hay. Including The Cedar, Silent, a new piece about the tallest tree in Edinburgh’s Botanic Gardens that was felled by Storm Éowyn earlier this year, The Trees by rock band Pulp, and Chraobh nan Ubhal a traditional Gaelic waulking song.
Joining them will be super group of Scottish traditional musicians: Amy MacDougall (vocals, sampling), Mairearad Green (accordion, pipes, vocals), Pete Harvey (cello) and Ciaran Ryan (banjo/fiddle/guitar); andspecial guest Fiona Soe Paing who will open the concert with a selection of her electro alt-folk sounds.
Other hot tickets include: The Traveling Janes; BBC Scotland’s Young Trad Winner Ellie Beaton; Seckou Keita dubbed the ‘Hendrix of the kora’; Virginia’s finest string band The Hot Seats; piping legends the Finlay Macdonald Band; national treasures the Siobhan Miller Band; and singer, broadcaster and cultural ambassador Joy Dunlop who is this year’s Rebellious Truth guest. She will be sharing her story on 11 May, from when she first learnt Gaelic at school in Oban, to reading the weather on the BBC.
Plus, on Saturday 3 May, folk musicians playing at any level, can take part in #WorldPlayAStrathspeyDay by uploading a strathspey tune online using the hashtag, or by joining fiddlers, Anna Robertson, Catriona Price, Adam Sutherland and pianist extraordinaire Rory Matheson for a live afternoon of Scottish music to celebrate the beauty of the humble Strathspey. Alternatively, there is also the traditional May Day Parade which sets off down the Royal Mile at mid-day and finishes with a rally, music and speeches.
Fans of traditional storytelling can enjoy events at the Scottish Storytelling Centre including an introduction to Gaelic storytelling with the University of Edinburgh’s first Gaelic Writer in Residence Martin MacIntyre; storytelling from the Highlands and islands with Bea Fergusonand Heather Yule; and stories and songs told in the North-East Bothy Tradition by Phyll McBain, Jackie Ross, and ballad singer Allan Taylor, accompanied by fiddler Karin Paterson. In addition,storyteller Inez Alvarez Villa of TuFlamenco presents a tribute toFederico Garcia Lorca, Spain’s most iconic poet told through poetry and flamenco dance.
For film-goers there is this year’s Folk Film Gatherin’ – a fantastic programme of world film which includes a whole day dedicated to the late Douglas Eadie on Sunday, 11 May. This tribute includes screenings of docudrama An Ceasnachadh – An Interrogation of a Highland Lass starring a young Kathleen MacInnes, Ian MacRae and Dolina MacLennan.
The film tells the legendary story about the band of students who took the Stone of Destiny from Westminster Abbey on Christmas morning 1950. National treasure Kathleen MacInnes, fresh from starring in the acclaimed production of Macbeth in London’s West End, will also perform her latest songs at the festival on Friday 9 May, all of which are set to appear on her next album.
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “This year’s line-up represents the wealth of Scottish musical talent with some very special visitors from England and overseas.
“The breadth of musical brilliance that will open the festival next Friday at the Queens Hall is incredible, and reflects the festival’s strength of programme and position as a key player in Scotland’s year-round calendar of unmissable events.
“Be there!”
Edinburgh Tradfest runs from Friday 2 May to Monday 12 May.
The Great Edinburgh May Day Cabaret returns for the third year running. There’ll be comedy, music and poetry to celebrate International Workers’ Day.
Compered by Jim Monaghan, and featuring a fantastic line-up of poetry from Stirling Makar, Kevin P Gilday, comedy from Vladimir McTavish and music from Calum Baird, Elsie McDonald and award-winning English folk-punk, Joe Solo.
Supported by Fair Pley, The STUC, Allan McDougall Solicitors and The Edinburgh, Lothians and Borders May Day Committee.
In 2018, Runrig, one of Scotland’s most beloved bands called time on a career spanning five decades. But while Runrig may have said their goodbyes, their fans – the Riggies – weren’t ready to say goodbye to Runrig.
With the band’s blessing, tribute group, Beat the Drum – The Runrig Experience, hit the road in 2024 with over 50 tour dates across the UK, Germany and Denmark.
Made up of a range of generations from across the UK, Richie Muir from South Queensferry Edinburgh, Duncan MacDonald, a Skye native, alongside his son Scott from Glasgow, Jason Laing from Stornoway and Ben Marshall from Nottingham, formed the band during the COVID lockdown, creating a sound that celebrated their Celtic rock idols.
In a new two-part BBC ALBA documentary, Beat the Drum: Dìleab Runrig airing over Easter weekend on Saturday 19 and Sunday 20 April, we will join the Riggies and get an “access all areas” pass to the tour road trip.
The documentary follows the highs and lows of tour life, as Beat the Drum – The Runrig Experience embark on their most ambitious tour to date. In just four short years, Beat the Drum have grown from a little-known tribute band, to selling out tours throughout the UK and Europe. Viewers can watch as the band battle technical issues, traffic jams and beach-based breakdowns to ensure they put on a show worthy of their heroes.
As they approach their biggest gig, a night at Glasgow’s Royal Concert Hall with a capacity of two and half thousand, have they bitten off more than they can chew?
For bassist Duncan, who turned sixty last year, life as a touring musician has been fantastically exciting, and getting to share that with his son, Scott, has made it all the more special.
Duncan MacDoanld, Beat the Drum – The Runrig Experience, said: “Life has a funny way. If you had told me when I was in my 20s I’d be playing Runrig’s music and touring I’d have laughed out loud.
“But as a 60-year-old I can’t think of anything better. To get the chance to play one of the biggest venues in Scotland, with my son Scott on drums, is a dream I didn’t know I had! But it has come true.”
Calum MacDonald, founding member of Runrig, said: “Our fans are wonderful, and like a big family, but when Runrig stopped, the fans didn’t. Now they have concerts to be a part of and that just brings us so much happiness.”
Beat the Drum – The Runrig Experience are a band by fans for fans, and throughout the tour the documentary introduces the Riggies who followed the group across the world, embracing Gaelic culture and language, and creating friendships for life. This is a story of deep-rooted bonds and the songs that inspired them.
Filmed and produced by BEEZR, Beat the Drum: Dìleab Runrig premieres on BBC ALBA and BBC iPlayeron Saturday 19 April at 9pm (in Gaelic with English subtitles), with part two airing on Sunday 20 April at 9pm. Both episodes will be available to watch on demand on iPlayer on Saturday 19 April.
An Evening of Pink Floyd with String & Brass Ensemble at St Mary’s Cathedral, Edinburgh – ON SALE NOW!
Pink Floyd, in a cathedral, with a full live band, live vocalists, accompanied by the Mike Nowland string & brass ensemble…!
Let Me In Presents are back, following their acclaimed, sell-out UK Cathedral Tour of ‘An Evening of Radiohead’ – performing the music of Pink Floyd across the country, with the same team, and some special guests added, to capture the spectacle and epic scale of Pink Floyd’s timeless catalogue.
Edinburgh’s grass roots arts festival, Hidden Door, is set to transform a huge abandoned industrial site into an ambitious and unique multi artform experience.
Responding to the vast complex of forgotten warehouses, factory floors, offices and outbuildings, this year’s Hidden Door festival programme is built around the theme of ‘Building as a Myth’, with every rusted pipe, defunct machine and weathered surface becoming part of an artistic reclamation.
From Wednesday 11 – Sunday 15 June 2025, the festival brings together the talents of more than 100 creatives to offer live music, immersive art installations, dance performances, poetry, spoken word, unique collaborations and much more.
Music
The five nights will host a diverse roster of acts, kicking off with an unmissable opening night offering energetic and theatrical fare from Bikini Body, Mermaid Chunky and Snapped Ankles.
Thursday brings punk/pop attitude with Witch Fever, Sprints and SISTER MADDS, whilst Friday night sees Alice Faye’s lyrical Cabaret-come-Queen stylings programmed alongside Hidden Door favourites Tinderbox Orchestra and the dreamlike compositions of Erland Cooper.
No Windows, The Orielles and Katy J Pearson promise an alternative indie Saturday night to remember, with Sunday’s closing line-up welcoming Moor Mother’s poetic power alongside Bee Asha, MC Yallah & Debmaster and Ishmael Ensemble’s eclectic jazz infused energy.
Edinburgh institutions Samedia Shebeen and Paradise Palms Records are on board to bring the weekend club vibes, and an open call will shortly be launched to invite emerging local talent to join the line-up.
Other acts confirmed so far include Isabella Strange, Pearling, Roller Disco Death Party, Smag På Dig Selv, The Orielles, Theo Bleak, Tina Sandwich and Y with many more to come.
Visual Art
In true Hidden Door style, the visual art programme will make the most of the unique setting, inviting audiences to explore and discover every nook and cranny of The Paper Factory – from the cavernous Crane Shed and the labyrinthine Factory Floor, to transforming the mundanity of The Office Block.
Over 30 visual artists will show a range of work including large sculptural installations, wall-based work, projection and textiles, curated amongst the defunct machinery and spaces.
The visual artists confirmed so far include Adam Hogarth, April Lannigan, Claire Marion Black, David Lemm, Dorsey Kaufmann, Ewan Douglas, Felicity Saravia White, Gosia Walton, Iona Peterson, Izzy Osborn, Jackie Bell, Jo McDonald, Juliana Capes, Laura McGlinchey, Lucas Chih-Peng Kao, Lucy Mulholland, Molly Wickett, Muireann Nic an Bheatha, Olivier Jacques Julien, Paul Meikle, Sam Sharma, Silas T Parry, Sue Sim, Tom Fairlamb, Valerie Reid, Vicky Higginson and Waad AlBawardi.
Poetry and Spoken Word
Thought provoking, personal, funny and moving – this year’s programme brings the power of spoken word performance into a building that has fallen silent; the factory’s atmospheric chambers echoing with the voices of raw human expression. Expect stand out shows every night from 10 poets and performers including award winning Theresa Muñoz, Glasgow poet Charles Lang and post-punk-music-spoken word-comedy duo FEVER PEACH.
The spoken word programme also includes Aileen Lees, Imogen Stirling, Josh Cake, Julia Sorensen, Sarah Forbes Stewart, Theresa Muñoz and Victoria McNulty.
Dance
Expect dance at its most unconventional as Hidden Door presents a programme like no other in remarkable surroundings. Highlights include Yuxi Jiang’s ‘The Circle Unbound’, an immersive dance theatre inspired by Tibetan Buddhist circular culture, reimagining rhythmic machinery as a meditative force.
Participatory and playful performance ‘Dance Makes The Floor’ by Mark Bleakley centres around the creation of a collectively made dance floor, conjuring past dance floors, both loved and lost.
The dance programme will also feature works by ELELEI, Jessie Roberts-Smith, Katie Armstrong, Dorine Mugisha with even more to be announced.
Creative Collaborations
Threading throughout the 2025 programme are four newly commissioned interdisciplinary collaborations, waiting to be encountered by visitors as they explore The Paper Factory’s labyrinths. Visionaries from radically different disciplines – from electronic musicians and installation artists to contemporary dancers and theatrical innovators – have been challenged to create something that could only exist in this distinct moment and place.
Appearing each night of the festival, these utterly unique multi- disciplinary projects are not to be missed.
‘Ghost in the Machine’ is a site-responsive performance developed by Jill Martin Boualaxai, exploring memory, transformation, and industrial folklore through movement, drawing, and sculptural installation. The piece blends physical theatre, dance, visual art, and costume, evolving over time into performance drawings and sculptural traces that blur the boundaries between ritual, history, and the factory’s own mythology.
‘Time and Memory’ presents a narrative-driven installation by Eszter Marsalkó, featuring Stephanie Lamprea, exploring the lives of the factory’s former workers, weaving together real and imagined stories. This project includes film footage of the site, archival materials, and sculptural elements, bringing the past into dialogue with the present. It connects with broader festival themes of industry, labour, and personal histories embedded in place.
‘A Production Line’ by Acolyte is a poetic and psychedelic ensemble, blending soundscapes, spoken word, and rhythmic loops to reflect factory production cycles. Featuring bassist Ruairidh Morrison, synth and vocals by Gloria Black, percussion by Daniel Hill, and poet Iona Lee, the performance mirrors the repetitive rhythms of labour, incorporating field recordings from the site and hypnotic musical structures to create an immersive, trance-like experience.
‘SPECTRAL’ brings immersive dance and aerial performance to the Crane Shed, a work by Tess Letham developed in collaboration with All or Nothing. Performers move fluidly between floor-based choreography and aerial movement, embodying the physicality of labour and its transformation into something transcendent. Featuring lighting design by Sam Jones, aerial choreography, and a live music set by Dave House, SPECTRAL is a visually striking and physically immersive experience.
Film work created by Abby Warlow and Lewis Gourlay will be projected across the factory’s vast walls to bring moving image and cinematic storytelling to the Paper Factory.
Ticket prices for all
With an ongoing commitment to inclusivity, Hidden Door has expanded its concessionary ticket options, ensuring that financial barriers and accessibility won’t prevent anyone from experiencing the event:
As always, the festival will be free to attend each day until 6pm
D/deaf, disabled and neurodivergent people are entitled to 30% off the standard price ticket for each price tier
Anyone who is currently unemployed can also benefit from the 30% discount
Students and those under 26 are entitled to 20% off, whilst over 65s can claim 10% off the standard price ticket
And going even further to include as many people as possible, for those who need them, a limited number of “Pay What You Can” tickets are available for every evening.
Creative partnerships
Hidden Door is proud to partner with valued sponsors Artisan Roast and Bellfield Brewery, who will both craft limited-edition Hidden Door brews that will capture the spirit of artistic collaboration. Elsewhere, Jack Daniel’s Tennessee-inspired music stage will transport audiences to another continent.
Hidden Door gratefully acknowledges the support of Creative Scotland and other funders who continue to make this ambitious and unique celebration of creativity possible.
About The Paper Factory
The colossal 15.5-acre Paper Factory site sits in Edinburgh’s Maybury Quarter, a former paper and cardboard manufacturing facility on the western edge of the city. The site features a mix of warehouses, factory floors, offices and outhouses.
The site is well served by a variety of public transport links, with frequent bus, tram and train services all stopping nearby, making it easy to reach from anywhere in the city or beyond to the west and Glasgow.
The full address is 1 Turnhouse Road, Edinburgh EH12 8NP.
Hazel Johnson, Festival Director of Hidden Door, said:“Since November’s venue launch party, we’ve been busy clearing more of the vast industrial site and getting ready to fill every corner with our most ambitious programme yet.
“We exist to support the creative community and to connect audiences with emerging artists, and The Paper Factory will be at the heart of that ambition in 2025.”
The Paper Factory is located in the Maybury Quarter, a 15.5-acre site occupied by the former Saica paper and cardboard manufacturing facility on the western edge of Edinburgh. The site features a mix of warehouses, factory floors, offices and outhouses. Bounded by the Edinburgh Gateway tram and rail station, there are excellent transport links to the city centre as well as to Glasgow and the west.
Hidden Door will transform the entire site for a full-scale multi arts festival. The property has been empty since Saica’s relocation to a purpose-built facility in Livingston. Regeneration specialists Summix Capital are now developing proposals for the future of the site, and have offered Hidden Door access until the end of 2025.
Jill Martin Boualaxai, Creative Lead, said:“Our 2025 festival program, titled ‘The Building as a Myth,’ invites artists to collaboratively develop ambitious multidisciplinary projects.
“Guided by the overarching concepts of Transformation and Reclamation, Time and Memory, Rituals and New Narratives, and Feminisation and Reimagining the Space, the programme encourages exploration of how industrial spaces can be reclaimed by nature, layered with temporal narratives, and reimagined as inclusive, symbolic environments.”
Edinburgh International Festival’s 2025 programme offers opportunities to experience world-class artists in thought-provoking and unconventional ways – including an eight-hour choral extravaganza, a distinctive outdoor promedande dance piece and a circus infused opera. Audiences can also get involved in many Festival performances, from an outdoor mass-singlaong to interactive concerts where the audience chooses the repertoire.
The Truth We Seek is the timely theme underpinning the 2025 International Festival, as contemporary reflections on the world are presented alongside time-honoured tales, a place where fact meets faith and fiction.
The International Festival is the ultimate destination to experience world-class performances, with an exciting lineup of 133 performances, bringing 7 world premieres, 8 UK and Scottish premieres and 2 European premieres to Edinburgh this year. Programme highlights include the world premiere of a gripping new play by James Graham starring Brian Cox, a new narrative ballet from Scottish Ballet, and Festival debuts from rising classical stars – violinist Maria Dueñas, mezzo-soprano Emily D’Angelo, and 2024 BBC Young Musician of the Year Ryan Wang.
From 1-24 August 2025, Edinburgh International Festival presents a hand-picked selection of leading international and local artists in the world’s Festival City, with 24 days of world-class opera, dance, music and theatre.
The 2025 programme is defined by world-class artists bringing audiences and artists closer together in creative and unexpected ways. Audiences can experience an opera incorporating circus performers for a breathtaking fusion of music and acrobatics inOrpheus and Eurydice, a site-specific promenade dance work that transforms Edinburgh’s Old College Quad into a stage for Dance People, and enjoy Bach through a new lens in Breaking Bach, where hip-hop meets 18th-century period instruments.
Audiences can also actively participate in performances—whether by shaping the repertoire in a real-time Classical Jam or sharing their dreams to inspire Hanni Liang’s piano recital, Dreams. For those seeking deep immersion, eight-hour choral epic The Veil of the Templeinvites audiences to sit on beanbags and lose themselves in waves of harmonies, and a choral workshop welcomes amateur singers that will preview a powerful performance at the Festival’s Closing Concert, Mendelssohn’s Elijah.
Now in its third year under Festival Director and celebrated Scottish violinist Nicola Benedetti, the 2025 programme welcomes over 1,700 artists from 42 nations to Edinburgh —including 600 from Scotland—across 133 performances. The Truth We Seek is the theme underpinning the 2025 Edinburgh International Festival, inviting audiences to explore their relationship with truth – within themselves, between one another and in understanding our place in the world.
Ensuring that cost is not a barrier to live performance, over 50,000 tickets (more than half of all tickets available for the 2025 International Festival) are priced at £30 or under. Thousands of free tickets are available for young musicians, NHS staff and community groups, and £10 Affordable Tickets are available for all performances for anyone who needs them.
Programme highlights include:
Two major world premiere productions in UK theatre and dance: Make It Happen, an eye-opening take on the 2008 financial crisis set in Edinburgh, starring Brian Cox (Adam Smith) and Sandy Grierson (Fred Goodwin), written by one of Britain’s most in-demand playwrights, James Graham;and Mary, Queen of Scots, an iconic story of one of Scotland’s most famous women, unconventionally told with choreography by Sophie Laplane that blends classicism with modernity, and costuming that nods to haute couture and punk.
In a landmark year for choral music, marking the 60th Anniversary of the Edinburgh Festival Chorus, this renowned chorus of singers from around Scotland performs at the monumental Opening Concert, as well as Vaughan Williams’s Sea Symphony, Bernstein’s Chichester Psalms, and Mendelssohn’s Elijah (this year’s grand Closing Concert). The programme also includes the Monteverdi Choir and English Baroque Soloists performing works by Handel and Bach.
This year’s Opening Concert features the aforementioned Edinburgh Festival Chorus, Monteverdi Choir and the National Youth Choir of Scotland, offering a rare chance to hear John Tavener’s The Veil of the Temple in all its eight-hour glory, a colossal universal prayer performed in full for the second time ever in the UK.
The International Festival’s opening weekend welcomes all to Princes Street Gardens’ Ross Bandstand for The Big Singalong, a free event led by Stephen Deazley, artistic director of Edinburgh’s Love Music Community Choir. The following day, Norwegian folk ensemble Barokksolistene returns to lead The Ceilidh Sessions, an afternoon of music and storytelling inspired by the Gaelic ceilidh tradition.
The most substantial programme of Polish artists in the International Festival’s 78-year history is featured in celebration of the UK/Poland season 2025. Performances include two concerts from one of the Festival’s resident orchestras in 2025, NFM Leopoldinum Orchestra, and a showcase of Polish artists and repertoire from the Wrocław Baroque Ensemble, VOŁOSI, Piotr Anderszewski, Bomsori Kim to 2024’s BBC Young Musician of the Year, Ryan Wang.
Operatic works include a fully staged Australian reimagining of Gluck’s Orpheus and Eurydice featuring acrobatics; the UK premiere of Book of Mountains and Seas from Chinese composer Huang Ruo, puppeteer Basil Twist and Ars Nova Copenhagen, and two operas in concert: Mozart’s La clemenza di Tito with the Scottish Chamber Orchestra and Chorus and Puccini’s Suor Angelica with theLondon Symphony Orchestra, with a line-up of international soloists.
Residencies bringing leading orchestras to the International Festival for an extended, more sustainable stay that features multiple performances and community engagement. This year, three outstanding orchestras provide distinctive insights into their collective sound and ambitions: Carnegie Hall’s National Youth Orchestra 2, Poland’s NFM Leopoldinum, and the London Symphony Orchestra under the direction of new Chief Conductor Sir Antonio Pappano.
Intimate morning recitals at The Queen’s Hall featureInternational Festival debuts from on-the-rise young virtuoso María Dueñas andCanadian mezzo-soprano Emily D’Angelo, as well as a cohort of exceptional Scottish artists including the Dunedin Consort with John Butt and Scottish percussionist Colin Currie with peerless vocal group The King’s Singers.
A wider orchestral programme that stretches the globe to welcome the Melbourne Symphony Orchestra, the Budapest Festival Orchestra, and the NCPAOrchestra from Beijing, with conductor Myung Whun Chung and Bruce Liu as piano soloist. The London Philharmonic Orchestra returns to the International Festival for the first time in a decade under the baton of Edward Gardner with a stunning programme that features pianist Beatrice Rana performing Rachmaninoff’s inspired Rhapsody on a Theme of Paganini,and Holst’s The Planets, a seven-movement orchestral suite journeying through the cosmos to explore our true place in the universe.
Aurora Orchestra makes its International Festival debut with Shostakovich’s Fifth Symphony, in the 50th anniversary of the composer’s death. A work that grapples with the pursuit of truth under oppression, audiences are seated on beanbags as Aurora delve into the symphony from the inside out with a conversational presentation in the round, and then in full later that evening, performed entirely from memory.
The Scottish premiere of Figures in Extinction from the internationally acclaimed Nederlands Dans Theater,visionary choreographer Crystal Pite and ground-breaking theatre-maker Simon McBurney (Complicité), whichconfronts powerful truths about humanity’s impact on the world and art’s meaning in the face of mass destruction.
A stellar dance offering continues with works that expand the experience for audiences: Maqamat and Omar Rajeh take performance outdoors to Edinburgh University’s College Quad in promenade with Dance People; the Orchestra of the Age of Enlightenment combine hip hop with Bach in Breaking Bach with choreographer Kim Brandstrup, and an International Festival debut from Australian disabled dancer Dan Daw about identity and kink.
Leading theatre-makers exploring truth via the climate emergency, colonialism and politics, with Cliff Cardinal’s take on Shakespeare in As You Like It A Radical Retelling, a spectacular nonverbal work from Belgian theatre collective FC Bergman in Works and Days and a remount of acclaimed play Faustus in Africa!, 30 years after its original premiere, from Handspring Puppet Company and William Kentridge.
The Hub, the International Festival’s headquarters on the Royal Mile, brings together a hand-picked variety of global musical styles and traditions, experienced up close in an intimate performance space, including Up Late gigs from artists such as Kathryn Joseph and Kaitlyn Aurelia Smith. In a truly international programme, musicians from 16 countries including Australia, China, Poland, Norway and across East to West Africa come to the home of the Festival.
Edinburgh Tradfest is delighted to announce full details of its 2025 programme of traditional music, storytelling, film, workshops, talks, ceilidhs, and special events taking place at various venues across the city, thanks to continued support from The National Lottery through Creative Scotland and the William Grant Foundation.
The festival’s music programme kicks off on Friday 2 May at the Queen’s Hall with Scotland’s most sought-after piper and composer Ross Ainslie performing with the Sanctuary Band, and special guest Terra Kin.
Then, over the 11 days of the festival, there will be live music every night at the Traverse Theatre, Folk Film screenings predominately at the Cameo, and storytelling, music and special events taking place at the Scottish Storytelling Centre.
Some of the musicians headlining include folk song sensation and multi award-winner Siobhan Miller; Scots singer of the Year 2024 Beth Malcolm; Aberdeenshire’s crowning light, folk singer and Young Musician of the Year 2025 Ellie Beaton; national treasure Kathleen MacInnes; and cutting-edge piper Finlay MacDonald performing with his band which includes award-winning piper Ailis Sutherland (Hecla), guitarist/piper Ali Hutton (Ross & Ali, Old Blind Dogs, Treacherous Orchestra, Tryst), and drummer Paul Jennings (Croft No 5, Treacherous Orchestra). Plus, there will be a special event on Sunday 4 May featuring the music and enduring legacy of piper Martyn Bennett.
Also headlining are virtuoso English folk trio Leveret; leading Scots fiddler Lauren MacColl who will be playing tunes from her most recent album Haar; and Mary Macmaster (The Poozies) who will curate and perform as part of this year’s festival commission For the Love of Trees with some of Scotland’s finest musicians: Amy Macdougall (vocals), Donald Hay (percussion), Mairearad Green (accordion, pipes), Pete Harvey (cello) and Ciarán Ryan (banjo/fiddle).
Other Scottish highlights include Morag Brown and Lewis Powell-Reid who perform pacy traditional tunes from Scotland and as far afield as the Balkans; Divergence (Freya Rae, Siannie Moodie and Tim Lane) so named because of their passion for playing non-traditional instruments in traditionally inspired music; cinematic alt-folk duo Rhona Stevens and Joseph Peach; and the unmissable annual #WorldPlayAStrathspey Day presented by Hands Up for Trad and featuring Rory Matheson (piano), and Anna Robertson, Catriona Price and Adam Sutherland (fiddle) who will take audiences through some of the world’s best known strathspeys, reels and marches.
International musicians headlining at this year’s festival include Pelkkä Poutanen whose music weaves together Scandinavian and Finno-Ugric folk singing with electronic, roots and traditional world folk influences; Canadian singer Catherine MacLellan, and English folk musician Lucy Farrell, also based in Canada, who’ll be presenting a selection of self-penned songs; legendary Kora virtuoso Seckou Keita who has been dubbed the ‘Hendrix of the Kora’; Finnish power-fiddle duo Teho; and the Hartwin Trio from Belgium.
Plus, TheTravelling Janes led by Ali Affleck bring their unique mix of Americana, jazz and blues; and The Hot Seatsfrom Virginia whose combination of old-time, bluegrass and country make them the hot ticket of the festival.
At the Scottish Storytelling Centre there will be stories and music from the Highlands and Islands of Scotland (A Necklace of Stories) with Bea Ferguson and Heather Yule; and tales and tunes from in the North East Bothy Traditionwith ballad singer Allan Taylor, fiddler Karin Paterson and storytellers Phyll McBain and Jackie Ross; storyteller Rachel Pugh and harpist Lucy Nolan present Bog Standard the gripping true story of a tip off which led a rookie journalist to one of the most important archaeological finds of the 20th century; and MAIK (folksingers Jamie Cook and Kirsty Law) present folks songs in Scots and Cumbrian dialects; whilst cinematic-folk duo Dowally and innovative French drummer Philippe Boudot celebrate the release of their album Ici et Là-Bas.
Plus, TuFlamenco celebrates the rich cultural heritage of Spain with a tribute to poet Garcia Lorca, with Inma Montero (dance & vocals), Danielo Olivera (guitar & vocals), and Inés Álvarez Villa (storyteller); the Sangstream Scots Folk Choir led by renowned musician Corrina Hewat perform a cappella in Let Them Be Heard; and author Stuart McHardy launches his new book Scotland’s Ancient Goddess: Hidden in Plain Sight exploring the mythology of creation and the pre-Christian beliefs of the Scottish people, published by Luath Press.The popular Hearth Fire Sessions return with storytellers Dougie Mackay and Niall Moorjani, Moroccan filmmakers/storytellers Tizintizwa and musician Evie Waddell.
The Folk Film Gathering returns to Edinburgh Tradfest this year with a selection of films from the world’s archives including a screening of Ukranian film The Enchanted Desna (1964) directed by Alexander Dovzhenko’s widow Yuliya Solntseva; Fertile Memory (1981) the first full length film to be shot within the occupied Palestinian West Bank ‘Green Line’ introduced by Scottish-Palestinian poet Nada Shawa; George Nasser’s Ila Ayn (1957) the first ever Lebanese film to screen at Cannes; The Nouba of the Women of Mount Chenoua (1977) which explores the intergenerational experiences and histories of women in Algeria and of speech and silence; and Icelandic film The Juniper Tree (1990) which stars Björk in an early performance of this adaptation of a Brothers Grimm fairy tale.
Staying with horror, O’r Ddaear Hen (1981) the first horror film to be made in the Welsh language and set in a council house in Bangor about a mysterious stone head, will be screening; along with the Scottish premiere of the new restoration of cult classic of Irish independent cinema The Outcasts (1982); and a series of short dark Gaelic tales from 1996-1999 introduced by Edinburgh-based Gaelic storyteller Martin McIntyre who is also doing a separate session introducing Gaelic storytelling culture and history at the Storytelling Centre.
Also from Scotland there will be a screening of Paper Portraits (2025) a new documentary from Gerda Stevensoncelebrating the history and working people of Penicuik’s paper mills; and a rare chance to see Emma Davie’s Flight(1997) exploring how Scottish traditions continue to be expressed in Canada by the diaspora.
Finally on Sunday 11 May, to close the Folk Film Festival, in collaboration with the Storytelling Centre, there will be a full day of screenings celebrating independent film in Scotland through the lens of filmmaker Douglas Eadie hosted by poet Jim Mackintosh and author James Robertson who will be joined in conversation by former colleagues of Eadie including Robbie Fraser, Fiona MacDonald and Christeen Winford.
Screenings include Haston-A Life in the MountainsAn Ceasnachadh – An Interrogation of a Highland Lass (with Kathleen MacInnes, Dolina MacLennan and Kenny MacRae) and Down Home (with Aly Bain).
Families, at the Scottish Storytelling Centre can enjoy a morning of face painting and crafting ahead of the traditional May Day Parade down the High Street to the Pleasance; storytelling with the Beltane Fire Society; a traditional street games, rhymes and songs session with Claire McNicol and Fergus McNicol; sensory stories and play with Ailie Finlay; and family ceilidhs.
In addition, the Edinburgh Youth Gaitherin (EYG) returns with a three-day workshop programme supported by the William Grant Foundation for 13-18 year olds and led by some of Scotland’s finest musicians; and Claire Hastings hosts an hour-long relaxed session for babies and upwards, playing songs to join in with, accompanied by Ali Hutton and Adam Sutherland.
Other workshops held during the festival include: a singing workshop with Chandra Mather where participants will learn a selection of traditional songs from around the world picked up by Chandra on musical travels; a strathspey fiddle workshop with Lauren MacColl; tune writing with one of Scotland’s finest composers Adam Sutherland; and a masterclass in Highland piping from master of the pibroch Allan Macdonald. Plus, the Traditional Music Forum will present an interactive and fun workshop for musicians who want to improve their patter and be better storytellers on stage.
Rebellious Truth,this year’s popular talk presented in collaboration with Celtic and Scottish Studies at the University of Edinburgh, features Joy Dunlop who will give an insight into her Gaelic journey; from learning Gaelic songs phonetically to being the face of multi-platform learning brand SpeakGaelic. Joy is in high demand as a singer, broadcaster and Scottish step-dancer and is a well-known face on BBC Scotland, BBC Alba and host of the BBC Radio Scotland Traditional Musician of the Year. The talk will also include a special performance by musician Fraser Fifield.
ETF Spotlight, this year’s showcase concert presenting some of the most exciting new performers in folk and traditional music today returns with artist and musician Miwa Nagato-Apthorp, Parsisonic led by Iranian duo Aref Ghorbani and Amir Hossein Feyzi, and trad fusion band Dlù.
And, finally Masks: An Exhibition by Lorraine Pritchard (5 April to 12 May)displaying hand-crafted Venetian masks will be on at the Storytelling Centre alongside a series of photographs and a new behind-the-scenes documentary by Franzis Sanchez shot in Edinburgh and during this year’s Venice Carnival. This exhibition is part of the Pomegranates Festival of world trad dance and presented by the Traditional Dance Forum of Scotland.
Alan Morrison, Head of Music at Creative Scotland said: “Scotland’s traditions are vividly expressed and deeply felt in our words, our images and our music. As the beating heart of our national identity, they’re filtered through the 2025 Tradfest programme and across Edinburgh’s stages and screens, its walls and its streets.
“Supported by Creative Scotland through National Lottery funds, this important and inspiring event recognises not only the roots of Scotland’s revived folk culture in the city’s past but also the international ambition of our increasingly diverse country’s future.
“Thought-provoking, thrilling and straight-up fun in equal measure, Tradfest is a highlight on our cultural calendar.”
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said:
“Each year we give ourselves the challenge of building a festival packed with more superlative music than the preceding year. With more shows booked for 2025 than ever before, we think we have achieved that. It’s a wonderful mix of the exotic and the home grown. Virtuoso visitors from Senegal, Finland, Belgium, Canada, the US and England will grace Edinburgh’s stages joining an extremely strong Scottish contingent. Appearing are some of the best singers that Scotland has ever produced, the finest fiddle-players, harpists, strings-players, pianists, and, of course, pipers. We are also indebted to our partners at TRACS and the Folk Film Gathering who have provided a fabulous array of storytelling, family events and folk cinema that complement the musical offerings perfectly.”
Daniel Abercrombie, Head of Programming, Scottish Storytelling Centre said: “Edinburgh Tradfest is a great time of the year, with lighter nights and a chance for storytellers to celebrate with musicians, dancers and other creatives. We are offering a variety of traditional arts activities for all to enjoy, with several exciting new performances alongside workshops and family events. It is a highlight of our calendar at the Scottish Storytelling Centre and we’re delighted to be involved once again.”
Jamie Chambers, Folk Film Gathering said: “We are really excited to be collaborating with our sister festival Tradfest once again, to present a programme of films screenings, in parallel with their exciting music programming. Our 2025 programme features a number of very rare films from Scotland, alongside films from Algeria, Iceland, Lebanon, Morocco, Palestine, Ukraine and Wales, and provides a chance to once again consider how we look outwards from Scotland towards the rest of the world. We hope to see you there.”
Edinburgh Tradfest 2025 will run from Friday 2 May – Monday 12 May. For tickets and more information visit edinburghtradfest.com
Tonight Usher Hall is hosting UKRAINE FOREVER! A fundraising performance featuring various Ukrainian and Edinburgh-based artists. Tickets cost £12 and all proceeds go to supporting humanitarian relief in Ukraine
An Evening of Pink Floyd with String & Brass Ensemble at St Mary’s Cathedral, Edinburgh – ON SALE NOW! 
Date: Saturday 1 November 2025
“Time”: 7.30pm
Tickets are selling very fast, so get yours now!
