ARTS & CULTURE CASH CRISIS

Update on Creative Scotland Budget 2023/24

Creative Scotland recently made a submission to the Scottish Parliament Culture Committee’s ongoing inquiry into culture budgets in Scotland – read the submission on the Scottish Parliament website

In that submission, we stated the following regarding our Grant in Aid budget from the Scottish Government for 2023/24:

“While we welcomed the Scottish Government’s decision in February 2023 to reverse the 10% cut to our Grant in Aid Budget which was originally announced in December 2022, it should be noted that the £6.6m this cut related to has not yet been confirmed in Creative Scotland’s budget.”

We are extremely disappointed to report that the £6.6m budget has not been included in the Autumn Budget Revisions.

This has been confirmed in writing by the Cabinet Secretary for Culture, Angus Robertson, in a letter to our Chief Executive, Iain Munro on 20 September.

This relates to Grant-in Aid funding that we receive from the Scottish Government and that we use to support 119 cultural organisations across Scotland through Regular Funding.

Given the extensive messaging and advocacy regarding the pressures on culture budgets and risks to the culture sector that we, and many others have been making, this is a concerning development.

To address this reduction, the Creative Scotland Board agreed on 27 September, to use £6.6m of our National Lottery reserves to prevent us having to pass it on to the Regularly Funded Organisations, especially given the next payments are due in 2 weeks’ time.

Whilst the unprecedented pressures on public finances are understood, we are disappointed that the Scottish Government has taken this decision. However, Creative Scotland is acting swiftly and pragmatically to help stabilise the situation in the short term.

This step of using our National Lottery reserves in this way will only happen once.  The budget for 2024/25 will not be decided by the Scottish Government for some months yet but should the Scottish Government choose to sustain this reduction, we will require to pass it on to the sector.

Creative Scotland appeared before the Culture Committee at the Scottish Parliament on yesterday (Thursday 28 September) to give evidence as part of the Committee’s ongoing inquiry into culture budgets in Scotland.

David Watt, chief executive of Culture & Business Scotland, said: “At a time when Scottish Government ministers repeatedly speak about the importance and value of culture to our society and economy, the reinstatement of the £6.6M cut to Creative Scotland’s annual budget for the current year is unfathomable.

““Just yesterday (Thursday September 28), I, alongside other cultural representatives, gave budget evidence to the Constitution, Europe, External Affairs and Culture Committee to hopefully ensure that this shortsighted budget decision does not extend into the 2024-25 budget for culture settlement.

“Investment in culture is essential for society, local communities, tourism, the economy and Scotland’s international reputation. The ongoing challenges of the legacy impact of Covid, Brexit and the cost-of-living crisis, are very real, with many arts and culture organisations operating on a knifes edge.

“These issues are exacerbated as the majority have a lack of unrestricted reserves and continue to struggle to build these up due to slow growth in ticket sales and increased overheads due to high energy prices.

“A reduction in public funding will rapidly increase the firefighting our culture organisations and venues are facing against challenge after challenge. If this budget pattern continues, with little opportunity to ensure future sustainability, there will be an inevitable shrinkage of the culture sector, and the economic and social impact of this will be significant for us all.”

As part of the Autumn budget review, the Scottish Government has re-instated a 10% cut to Creative Scotland’s 2023-24 annual budget (totaling approximately £6.6m), which following mass campaigning from the cultural sector, was overturned earlier this year (writes SMIA Interim CEO and Creative Director ROBIN KILPATRICK).

As the organisation which exists to strengthen, empower and unite Scotland’s music industry – representing a diverse membership of over 4,000 people working across all music genres and industry subsectors – we’re compelled to highlight the devastating impact of this decision; not just to music and culture, but to Scottish society at large.

The cut directly relates to the funding allocated to support Creative Scotland’s Regular Funding Network, comprising 119 cross-artform organisations (RFOs) that are structurally integral to both supporting and delivering Scotland’s cultural output. The SMIA is one of them.

In the short-term (for the rest of this financial year), Creative Scotland has had to divert to utilising National Lottery reserves to plug the gap and prevent the cuts from being passed on to members of the RFO network.

If this hadn’t been the case, in two weeks’ time when the next RFO funding payments are due, each of the 119 organisations would, in effect, have received a ~40% cut to projected funding.

In the SMIA’s case, this would have been two weeks ahead of the Scottish Album of the Year (SAY) Award Ceremony, and would have put the delivery of Scotland’s national music prize at significant risk.

The cut would have again been replicated in January at the next (and final) RFO payment for this financial year, which in the case of many organisations, would have meant the end. Whilst immediate disaster has been avoided, the use of Creative Scotland reserves at this stage means that they are now significantly depleted for what was their intended purpose.

Last month, Creative Scotland highlighted that over 500 cultural organisations stated their intention to apply for Multi-year funding; a new funding scheme that will replace the current Regular Funding one. From the intentions to apply, the indicative annual request was in excess of £113m – far exceeding what Creative Scotland expects to have available.

Inevitably, this means that Creative Scotland will not be able to support as many organisations on a multi-year basis as they currently do, and the application process will be highly competitive. Causalities are expected and imminent. Cultural organisations across all art forms are worried about their future, and the reserves that Creative Scotland has had to use now means that there’s far less available transitional funding for unsuccessful applicants.

Whilst the future for Scottish culture was looking bleak, there was at least some hope that organisations that are unsuccessful in securing Multi-year Funding would have some time to remain operational, pivot their business model and potentially find an alternative way forward. With Creative Scotland’s reserves now depleted, many unsuccessful organisations will soon vanish from the fabric of our cultural landscape, and with them, many creative opportunities and a significant part of our cultural identity as we know it today.

RFOs have been on stand-still funding since 2018. In the face of high inflation, rising interest rates, cost of living challenges, issues around staff retention and recruitment, the impact of Brexit, the legacy of Covid and a whole myriad of broader problems currently facing our sector, for Creative Scotland’s budget cut to have been re-instated, the future of music and culture in Scotland is now at significant and immediate risk. The foundations upon which it supported are being eroded at an increasingly alarming rate, and unless intervention is made by the Scottish Government, it will have impacts for decades to come.

Outwith the significant economic contribution that music makes to Scotland’s economy (£581m through music tourism alone in 2022, as noted in UK Music’s ‘Here, There And Everywhere’ report – and this is only based on events with 1500+ capacity), it’s important to remember that the value generated by the sector far extends an economic one.

With the Scottish Government has stated that they’re committed to building a well-being economy – which serves and prioritises the collective well-being of current and future generations – it’s fundamental to highlight just how intrinsic music and culture are to achieving that vision.

Culture is our identity; it’s how we see ourselves, how we see our place in the world and how we relate to others. It’s the stories of life in Scotland, and it underpins mental well-being – both collectively and individually – in many different ways. The silences that echoed across 2020 as live music vanished from our lives serve as a firm reminder of this. Unless intervention is made now, we’ll be lucky if there are whispers in the years to come.

We urge the Scottish Government to recognise the desperate situation of a vitally important sector; economically, socially and culturally. It’s essential that Creative Scotland has the resources to both support and preserve it.

You can help directly by signing the Campaign For The Artist Petition against this move.”

Robert Kilpatrick – Interim CEO and Creative Director, Scottish Music Industry Association (SMIA)

CAMPAIGN FOR THE ARTS

The Scottish Government is breaking its promise on arts funding.

In February, thousands joined our campaign against plans for a £6.6 million cut to Creative Scotland, the public body responsible for investing in Scottish arts and culture. Ministers responded by abandoning the cut and instead heralded a “£6.6 million uplift … supporting the arts and cultural sector at this challenging time”.

But seven months on, the £6.6 million pledged to Creative Scotland hasn’t been delivered. And now the Culture Secretary Angus Robertson has told them that it won’t be.

This extraordinary short-changing of Scottish culture midway through the year has forced Creative Scotland to raid its limited reserves as a one-off, emergency measure. Otherwise, regularly funded arts organisations in Scotland would have seen their funding cut by as much as 40% as soon as next month.

This is absolutely no way to treat Scotland’s arts and culture, let alone in a perfect storm of economic pressures and post-pandemic challenges. This ‘U-turn on a U-turn’ puts treasured venues and companies, thousands of jobs and access to Scottish culture at risk.

We urge the Culture Secretary Angus Robertson to:

  1. Honour the Scottish Government’s commitment in February to provide “an uplift of £6.6 million for Creative Scotland for 2023-24″.
  2. Scrap any proposal to cut Creative Scotland funding from the 2023-24 Autumn Budget Revision.
  3. Commit to maintaining and increasing investment in arts and culture from 2024-5, for the benefit of everybody in Scotland.

The SNP’s 2021 manifesto said “culture is central to who we are as a nation”, and that “the pandemic has demonstrated more than ever how vital it is to our wellbeing, mental health and sense of belonging”.5

But Scotland’s cultural sector has not fully recovered from the pandemic, during which it was one of the hardest-hit sectors. For many, incomes have fallen and reserves have dried up. Now, in the middle of a cost-of-living crisis, costs are rising and uncertainty is rife. This is not the time to cut vital, core funding on which artists and organisations depend.

Economic pressures have already led to the permanent closure of the Filmhouse cinemas in Edinburgh and Aberdeen, the Blue Arrow Jazz Club in Glasgow and the Nevis Ensemble, which worked across the country. We cannot afford to lose any more arts organisations – or the benefits they bring to our lives, communities and society

Creative Scotland’s 120 Regularly Funded Organisations (RFOs) directly employ 5,000 workers, support 25,500 individual artists and provide millions of opportunities for people across Scotland to engage with the arts and culture.

Of these, Edinburgh-based arts organisations include:

(OrganisationArt form – Average annual grant )

Arika – Multi – £200,000

Arts and Business Scotland – Creative Industries – £200,000

Centre for the Moving Image – Screen – £1,066,667

Collective – Visual Arts – £283,333

Craft Scotland – Craft – £333,333

Creative Carbon Scotland – Creative Industries – £150,000

Creative Edinburgh – Creative Industries – £94,667

Curious Seed – Dance – £132,318

Dance Base – Dance – £408,333

Drake Music Scotland – Music – £126,667

Dunedin Consort – Music – £100,000

Edinburgh Art Festival – Visual Arts – £100,000

Edinburgh International Book Festival – Literature – £306,500

Edinburgh International Festival Society – Multi – £2,317,333

Edinburgh Printmakers – Visual Arts – £160,000

Edinburgh Sculpture Workshop – Visual Arts – £233,333

Federation of Scottish Theatre – Theatre – £265,000

Fruitmarket Gallery – Visual Arts – £666,667

Grid Iron Theatre Company – Theatre – £224,400

Imaginate – Theatre – £365,000

Luminate – Multi – £100,000

Lung Ha Theatre Company – Theatre – £146,818

Lyra – Theatre – £100,000

Magnetic North Theatre Productions – Theatre – £100,000

Publishing Scotland – Literature – £307,833

Puppet Animation Scotland – Theatre – £183,667

Red Note Ensemble – Music – £215,000

Regional Screen Scotland – Screen – £206,783

Royal Lyceum Theatre Company – Theatre – £1,210,000

Scottish Book Trust – Literature – £859,931

Scottish National Jazz Orchestra – Music – £216,667

Scottish Poetry Library – Literature – £300,833

Starcatchers Production – Theatre – £100,000

Stellar Quines Theatre Company – Theatre – £176,000

Stills: Centre for Photography – Visual Arts – £147,000

Tinderbox Collective – Music – £100,000

Traditional Arts and Culture Scotland – Multi – £313,333

Travelling Gallery – Visual Arts – £126,667

Traverse Theatre – Theatre – £866,667

Voluntary Arts Scotland – Multi – £130,000

Youth Theatre Arts Scotland – Theatre – £133,333.

SIGN THE PETITION:

https://campaignforthearts.org/petitions/scotland-cuts-reimposed/

New Schools Fund to expand film and screen education across Scotland

Work to embed film and screen education within the Scottish schools’ curriculum took a step forward today with the launch of new funding from Screen Scotland. 

Available to early years, primary and secondary schools, the new Schools Screen Education Fund has been created to support programmes of work with the potential to develop increased understanding of the potential of screen education and support the provision of screen education and the new curriculum in a school setting.   

Schools can apply for grants up to £5000 to test an element of the draft Film and Screen curriculum with classes from Early Years to S3, or to design and deliver screen education projects for schools. 

Also going live today, is Screen Scotland’s refreshed Screen Education Fund which offers grants of between £500 – £20,000 to projects that support the provision of screen education in a variety of formal, informal and non-formal settings – schools, colleges, universities, cinemas, film festivals, libraries, media access centres and Local Authorities – aimed at developing increased understanding of the potential of screen education. 

Fi Milligan-Rennie, Head of Education – Screen at Screen Scotland said: “Developing Film and Screen as an expressive art focuses on enabling pupils to make a film, rather than solely study the history or theory of film.

“This is core to Screen Scotland’s work to widen participation in film and screen production, cultivate a skilled screen workforce and develop the screen professionals needed to carry forward Scotland’s film culture.

“At the same time, the values and benefits of film and screen education reach far beyond careers.  Engagement in film and screen activity strengthens fusion skills, supports attainment in other subjects and improves health and wellbeing.  Film and Screen is the dominant language of our culture and Screen Scotland is committed to ensuring the democracy of opportunity to learn that language.” 

The launch took place in tandem with Screen Scotland’s Screen Educators in Residence Programme. Over the past months, Screen Educators have been deep at work in primary and secondary schools in Argyll and Bute, Dundee, Edinburgh, Inverness and Shetland, testing the draft curriculum; trialling new learning and hands-on opportunities to develop students understanding, appreciation and practical knowledge of film and screen production.  

Welcomed by Scotland’s Educators, independent production companies and Scottish screen stars like Outlander’s Sam Heughan, the ultimate aim of the two-year pilot programme is to introduce film and screen within the Scottish curriculum from Early Years through to Senior Phase.

Full details about the Funds and how to apply are available on the Screen Scotland website: https://www.screen.scot/funding-and-support/funding/screen-education-fund 

Barbie arrives in 4DX screens nationwide only at Cineworld

Get ready to dance the night away at Cineworld with Barbie in 4DX! For one week only you can immerse yourself in Barbie Land with this multisensory cinematic experience across 35 Cineworld locations in the UK and Ireland. Tickets are now on sale for the 4DX release date TODAY – Friday, Sep 15. 

Barbie is a dazzling and empowering tale for all ages with its inspiring storyline, incredible fashion, and unforgettable characters. Now, thanks to Cineworld’s state-of-the-art 4DX technology, viewers can be transported into the enchanting world of Barbie in the most immersive way imaginable.

What is 4DX, you ask? It’s a cutting-edge, multisensory experience which feels like a cinematic roller coaster with moving seats and 20 stimulating effects. Think: Beach. With water effects.

Barbies and Kens can also expect:

Motion Seats: Feel the excitement as your seats twist, sway, heave, shake and vibrate in sync with the on-screen action, whether Barbie is riding her dream car or dancing the night away.

Environmental Effects: Engage your senses and experience the magic as bubbles, misty smoke, gentle breezes, even captivating scents seamlessly blend into the cinematic adventure.

Lighting Effects: Synchronized lighting that transforms the atmosphere of the movie, immersing you in a giant blowout party where dazzling lights will leave you positively electrified.

The phenomenal success of Barbenheimer (Barbie and Oppenheimer), both released on July 21, saw a record breaking week for Cineworld which had its ‘best week ever!’ welcoming over 1.7 million guests over a 7 day period, making it the busiest in the exhibitor’s history. Cineworld came out on top as the number 1 exhibitor in the UK overall in terms of box office market share.

Customers are advised to book their Barbie 4DX tickets in advance to avoid disappointment at cineworld.com/4DX or using the Cineworld app. 

Casey Cohen, Head of Marketing at Cineworld said: “Barbie has been the buzzworthy blockbuster of the year, and we’re tickled pink to welcome all of those who want to embark on an electrifying 4DX adventure with Barbie and Ken.

“Get ready for a rollercoaster of sensations, where your seats sway and your senses sway with them, propelling you headfirst into Barbie’s whimsical world. Whether it’s your Barbie movie debut or a thrilling reunion, this exhilarating format will have you bouncing in your seat with delight. We promise, it will be the best day ever!” 

#experience4DX

Long live the Bat! Celebrate Batman Day on the big screen with Vue Edinburgh

Catch the caped crusader at Vue on Saturday

To mark 83 years since his very first appearance in DC’s Detective Comics back in 1939, Vue is celebrating the iconic superhero Batman by bringing some of the most iconic films back to the big screen this Batman Day this Saturday (16 September).

Throughout the day, Vue Edinburgh Omni and Ocean Terminal will be allowing comic book fans to enjoy three films featuring the caped crusader and his gang of infamous rogues in some of their most beloved and acclaimed moments.

With Michael Keaton donning the famous cowl, Tim Burton’s Batman from 1989 brought the world of Gotham City to life with thrilling action pieces, an iconic score from Danny Elfman and a comically wicked turn from actor Jack Nicholson, who played his iconic archnemesis The Joker.

In 2009, director Christopher Nolan took the helm with The Dark Knight, portraying the DC superhero in his most daring and dramatic role yet, leading to one of the most entertaining blockbusters to date, complete with award-winning performances and jaw-dropping set pieces.

With Christian Bale grappling the dual role of Batman / Bruce Wayne against a very different take on the clown prince of crime, Heath Ledger’s legendary performance as The Joker which saw the actor win an post-humous Academy Award.

Finally, Gothamites can revel in the more recent capers that put DC’s fictional city in Joker, starring Joaquin Phoenix in a much grittier and personal take on the infamous Batman villain. Watch the warped world of the man who would put a smile on people’s faces, for better or worse, become the iconic big screen baddie we know and hate to love.

All three of these epic Batman blockbusters also return to the big screen as part of Warners Bros 75th anniversary, which Vue has marked by rescreening a number of the production company’s most iconic films, including the The Lord of the Rings Trilogy and sci-fi film Interstellar, all of which will be screening at Vue venues later this year.

Robert Lea, Head of Screen Content at Vue Entertainment, said: ‘Some of the most recognisable big screen moments of all time come from the adventures of Batman in his many blockbusters, so we’re thrilled to offer film fans to chance to catch some of his greatest adventures this Batman Day.

‘Our Back on the Big Screen releases have been proving incredibly popular with film fans looking to rewatch their favourites or even see classics for the first time – and we’re hugely excited to bring Batman back at Vue this September.’

Super Saver Tickets available online from just £4.99 at selected venues. Book now at myvue.com

Exciting opportunities with Screen Education Edinburgh

Screen Education Edinburgh is delighted to announce two exciting opportunities aimed at young people passionate about film

BFI Film Academy Short Course for Edinburgh and South East Scotland, delivered by Screen Education Edinburgh (SEE), and the SEE Young Filmmakers Hub

The BFI Film Academy Short Course for Edinburgh and South East Scotland, delivered by Screen Education Edinburgh (SEE), and SEE Young Filmmakers Hub are both projects designed to help aspiring young filmmakers gain practical knowledge and experience, while highlighting the various pathways into the screen industries.

These courses seek to empower learners to pursue their passion for filmmaking, inspiring them to future careers and success within the screen industries

BFI Film Academy Short Course 2023 for Edinburgh and South East Scotland, delivered by Screen Education Edinburgh: 

The BFI Film Academy Short Courses offer opportunities for ambitious 16 to 19-year-olds to get to know more about film and how to forge a career in the screen industries. Delivered by Screen Education Edinburgh and supported by the BFI, awarding National Lottery funding, and Screen Scotland, this introductory, hands-on course builds knowledge and skills and shows the different pathways into the industry.

BFI Film Academy Short Courses take place across the UK for talented and committed young people aged 16-19, and they have proven to have an excellent track record of inspiring the next generation of filmmakers and crew.

Participants of the Course will make short films, learn from top talent working in the industry through masterclasses, and acquire the necessary knowledge and experience to build a career within the screen industries.

Not only does this course provide practical filmmaking experience, but also instils confidence, develops teamwork skills and creates a sense of being a part of a community of aspiring screen industry professionals. Along with filmmaking experience, these soft skills are crucial in finding success within the industry.

‘Prior to the BFI, I really lacked in confidence with film equipment and experience on set, and now I feel comfortable vocalising what I need done and know how to achieve it.

My biggest achievement on the course was when we were filming, my teammates and I worked well together, communicating and asking each other for help and advise.

This cemented the fact that I want film to be my chosen career and that I have new found skills. The course has given me a realistic understanding, as well as an appreciation of the film industry – inspiring me to make films of my own.’ – BFI Film Academy Short Course Participant 2022

Subject to successful completion of required assessments, this course can award learners the Preparing to Work in the Film Industry qualification, an NCFE Level 2 award. This qualification will benefit their professional development, whether through further film education courses or entering the industry.   

This course is open to young people aged 16-19 years old, living in the Edinburgh, Clackmannanshire, East Lothian, Falkirk, Fife, Midlothian, Scottish Borders, Stirling and West Lothian areas. No prior experience is required.

The deadline for applications is the 24th of September 2023, at 5pm.

More information and the application form can be found at https://www.screen-ed.org/bfifilmacademy.

The BFI Film Academy Edinburgh and South East Scotland Short Course will take place on the following dates:

October 2023 – 16th, 17th, 18th, 19th, 20th, 24th, 28th.   

November 2023 – 4th, 11th, 12th, 14th, 18th, 19th, 25th, 26th.   

Sessions will take place from 11am to 6pm, while shooting days will last from 10am to 6pm. The sessions taking place on the 24th of October and 14th of November will be online, from 6pm to 8pm.

The course fee is £25; however, for those unable to pay this, we still encourage applying. Bursaries will be available for those who require assistance with fees or travel costs.

We understand that people have different accessibility needs, and that some communicate better through different mediums. Therefore, there is an option to submit a video application, rather than a written online form; further details regarding this can be found here.

In addition, we will be holding an open day for applicants at SEE on the 9th of September, 10am – 1pm. During this drop-in session, we will be on hand to help with the application process, as well as answer any questions.

SEE Young Filmmakers Hub: 

Supported by the Sean Connery Foundation, the SEE Young Filmmakers Hub offers young people the opportunity to learn more about the art of filmmaking, regardless of their circumstances. Aimed at those aged 12-18 living in Edinburgh, learners will gain experience of working in a variety of filmmaking roles.

From sound and lighting design to cinematography and directing, this practical course provides valuable hands-on training in all aspects of filmmaking, allowing young people the chance to discover new interests and strengths. 

Working in groups learners will be tasked with developing, shooting and editing their very own narrative short film. Through this course, we seek to empower young people to create their own ideas and tell stories that are meaningful to them, gaining self-confidence and fostering good teamwork skills. 

My long term goal is to get into the film industry. I haven’t decided exactly what I want to do but I think I have a clearer idea after this course.

It feels like a very effective introduction to film as you gain an understanding of a wide range of different aspects of film, such as directing as well as sound and editing, rather than just one. I gained a lot of confidence with the technical side of filmmaking.’ – Participant Young Filmmakers Hub

The next stage of the Young Filmmakers Hub will take place from September/October to December 2023. Young people aged 12-15 years old living in Edinburgh are eligible to apply. More information and an application form can be found at https://www.screen-ed.org/yfh.

Learners will be split into groups based on age, with the course running on the following dates:

Group 1 (12-14): starting 21st September and continuing every Thursday

Group 2 (14-15): starting 19th September and continuing every Tuesday

Group 3 (16-18): starting 6th September and continuing every Wednesday

SEE is dedicated to making filmmaking accessible to people of all backgrounds and experience levels. The Hub is free, and no previous filmmaking experience is necessary; the only requirement is a love for films, and a desire to make your own. 

Upon completion of this course, learners will be invited to enrol in more year-round filmmaking activities here at SEE. We are committed to providing ongoing support and development, nurturing the talents of aspiring filmmakers and empowering them to pursue their passion further.

Delilah Films announces Spiked premiere in Scotland on 23rd August

The short film in partnership with Scottish spiking charity Spike Aware UK will screen at The Old Well Cinema in Moffat this month

21st August 2023, Scotland: Today film production company Delilah Films announces the premiere of its debut short film Spiked will take place in Scotland on Wednesday 23rd August at The Old Well Theatre in Moffat. Doors open at 7pm for a 7.30pm start.

When single-mum Becky suspects she’s been spiked, she seeks frenemy police officer Andrea’s help in getting tested. Spiked is a short film set in the North-East of England.

An image from the film is available here: https://we.tl/t-xXpIClV1ag (L: Phoebe Lorenz, R: Emma Zadow)

Spiked was co-created by Delilah Films’ founder Phoebe Lorenz and BBC New Creative Emma Zadow. The film was created with support from Scottish charity Spike Aware UK, and in association with Northern Fortress Films.

It was directed by Alex Shipman (Female, Fifty and Fighting: Bam Bam).

Spiked has already been selected for numerous BIFA-qualifying festivals including Women X and Sunderland Shorts Film Festival 2023.

Spike Aware UK is a registered Scottish charity covering England, Scotland, Wales & NI, and is a group who want to raise awareness of young people having their drinks drugged or spiked at social events.

It is the first registered charity and support network for victims of drink and needle spiking in the UK, and it organises, cooperates, supports and campaigns locally and nationally to spread awareness.

The event will also screen short film A Victim’s Story made by local filmmaker Rachael Ovens, and Still (also directed by Alex Shipman), an experimental documentary using real testimonies from women about their experiences in night clubs, visualised through an interpretive dance piece.

Phoebe Lorenz, founder of Delilah Films, says, “Having the premiere of this film in Scotland, timed just at the end of Edinburgh Film Festival, is a testament to our phenomenal partners at Spike Aware UK.

“The team behind Spiked want this film to make as big of an impact as possible for victims of spiking and to raise awareness of the issue, and we are really looking forward to the event.”

Colin Mackie, founder of Spike Aware UK, says, “We at Spike Aware UK are delighted to have played a part in bringing Spiked to the screen.

“We have been impressed by the professionalism and the enthusiasm of all involved in the project and hope this production will help highlight what is a growing problem.”

Spikeds creator and founder of Delilah Films Phoebe Lorenz is a British-German actor, writer and producer. She co-wrote/produced award-winning film I’m Still Ethanin 2020 with Freida Films’ Amelia O’Loughlin and starring BIFA-Winning actor Dave Johns (I, Daniel Blake). 

Co-creator of Spiked Emma Zadow is an actor, writer and BBC New Creative. Her short film JIGGING, commissioned by BBC Arts & Screen South, won Best Short and Best Actress at Seattle Independent, Sydney Australian, Hong Kong Indie, Hollywood Boulevard and Red Moon Film Festivals.

Alex Shipman is a Director and DOP across documentary and fiction content. She works as a DOP for EPK/Behind the scenes content on Warner Brothers and Lucas film productions. As a director her short films have been selected for Cannes Film Festival (as part of the Straight 8 Challenge) and her last short film about women’s experience in nightclubs screened at the BFI Future Film Festival.

Northern Fortress Films was founded by Louisa Rose Mackleston in January 2021. Louisa is a Director, Writer & Producer from Bradford. Her production company aims to convey socially conscious stories through factual and narrative formats and has received funding from organisations such as UNESCO, the NHS & Bradford Council.

Explore more of Edinburgh International Film Festival 2023

Edinburgh International Film Festival, this year hosted by the Edinburgh International Festival, has announced more information about guests involved in its Encounters discussion sessions, along with details about this year’s Curate-It programme:

Encounters

A chance for audiences to go deeper into the EIFF programme in a series of creative conversations with filmmakers and guests. Taking the talk beyond the post-screening Q&A, the Festival is proud to present a series of generous and expansive discussions about some of the ideas bubbling away in this year’s film selection.

Each session will feature BSL interpretation, and tickets are priced as Pay What You Can, £6 / £4 / £2.

Visit eif.co.uk/edfilmest for speaker biographies and full details of contributors.

Encounter 1: Casual Intimacy  

Sunday 20 August 14:15-15:45 Everyman 3 [BSL]

What does it take to make a film about somebody else, or about your own lived experience? How much can you really know about a person or character through the act of filming them? The panel of creatives from across film, literature and performance will explore crafting intimacy in storytelling.

Speakers will include the co-directors of queer revenge thriller FemmeSam H. Freeman and Ng Choon Ping, writer and performer Colm McCready (whose show Scaredy Fat is playing at this year’s Fringe), author Kirsty Logan (The Unfamiliar: A Memoir of Queer Motherhood) and filmmaker Ella Glendining (Is There Anybody Out There?)  

Encounter 2: Creative Survival  

Monday 21 August 16:30-18:00 Everyman 3 [BSL]

Survival as an artist is a question of resilience. How do we make work without sacrificing ourselves or others? A panel of multidisciplinary creatives convenes to discuss how to keep on making art when everything seems stacked against artists.

Author and critic Katie Goh (The End), author and agency founder Nikesh Shukla (The Good Immigrant, Brown Baby), author and filmmaker Guy Gunaratne (Mister Mister), author and screenwriter Huw Lemmey (Ungentle, Bad Gays) and filmmaker Paris Zarcilla (Raging Grace).  

Encounter 3: Defining Belonging  

Tuesday 22 August 16:30-18:00 Everyman 3 [BSL]

The sense (or absence) of belonging permeates this year’s most powerful works. How do we shape stories about fitting in, or standing out? Babak Jalali, director of Fremont, the EIFF Closing Night film, joins author Heather Parry (Orpheus Builds a Girl, This Is My Body, Given For You) and writer and editor Anahit Behrooz (BFFs) to discuss how the exploration of belonging has informed their work, and what makes these stories feel so universal.  

Curate-It online film programmes

Edinburgh International Film Festival (EIFF) and Curate-It have once again partnered to showcase the work of new curators based in Scotland. Curate-It is an innovative new digital training application developed, with support from Screen Scotland, to provide users with the information and skills needed to implement their own film screening events.

The platform has been designed to actively ensure that knowledge of film curation is easily accessible within the digital space and is focused on providing access to curatorial talent from backgrounds that are underrepresented in the film sector.

As part of this year’s edition, Edinburgh International Film Festival (EIFF) and Curate-It offered two fellowships to early career curators and programmers working in Scotland. Beulah Ezeugo and Zainab Ashraf have undertaken the Curate-It course and are each presenting a programme of events. 

no gaze or hand can hold you there

From 19:00 Friday 18 August

Curator Beulah Ezeugo presents a programme that centres on 20th-century photography through the black gaze. The selected films invite audiences to examine the importance of visual agency and how the ability to represent oneself can become means for salvation, for revelation, for pleasure, for exposure, or for emergence.

Heritage Withheld.

From 19:00 Monday 21 August

Curator Zainab Ashraf invites viewers to look at the importance of heritage. Juxtaposing work from filmmakers working in Scotland and Palestine, the programme explores forms of resilience where an aspect of heritage is withheld.

Each Curate-It programme will be available for audiences to watch for free for 72 hours on Curate-It’s VoD platform Screen-it.

Curate-It Project Director, Justine Atkinson said: “It is always such a privilege to guide and witness curatorial ideas take form and flourish, and I’m so delighted this was once again possible through the EIFF x Curate-It collaboration.

“The programmesthat Beulah and Zainab curated allow audiences to navigate interesting and poignant subject matter through distinctively formed cinematic journeys. We are so looking forward to sharing them with you all’’.

The 2023 EIFF & Curate-It Curatorial Fellowship is supported through the Scottish Government’s Festivals Expo Fund. View the full programme details here.

Edinburgh International Film Festival runs from Friday 18 to Wednesday 23 August.

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Guests and ‘Talent Assemble’ at Edinburgh International Film Festival

  • First wave of exciting film talent set to visit the city at this year’s EIFF include  Shane Meadows, Irvine Welsh, Ella Lily Hyland, Ira Sachs, Paul Higgins, and Fran Rubel Kuzui
  • Industry professionals and EIFF alumni invited to reconnect at Talent Assemble event

Edinburgh International Film Festival, this year hosted by the Edinburgh International Festival, has announced its first wave of guests appearing at this year’s edition alongside a special Talent Assemble event celebrating the festival’s community of filmmaking talent. 

Talent Assemble 

Talent Assemble is a special event to celebrate EIFF’s community of filmmakers and give thanks to the wider industry for the goodwill and supportive energy shown to the Festival this year. 

In partnership with BBC Film, BBC Scotland and MG ALBA, Talent Assemble will introduce and reconnect alumni of EIFF’s many talent development initiatives and raise a glass to the wealth of emerging and established talent who have made EIFF a vibrant Festival, bursting with creativity year after year. 

Filmmakers who have screened work in the Festival in the past, and industry professionals who have taken part in the myriad EIFF talent development schemes, who are interested in attending are encouraged to get in touch with the Festival. More information can be found at https://www.eif.co.uk/edinburgh-international-film-festival/talent-assemble 

Guests at EIFF 2023 

On 18 August, the Festival opens with the world premiere of Silent Roar, the debut feature from BAFTA-nominated Scottish writer and director Johnny Barrington.

Barrington will be in attendance to present the film, alongside the film’s stars Ella Lily Hyland (Fifteen Love), Louis McCartneyMark Lockyer, and Chinenye Ezeudu (Sex Education).   

On 19 August, acclaimed director Ira Sachs (Love is Strange, Little Men) will be on hand to present his intimate new feature Passages, the thorniest and horniest film of the year. Sachs will also be taking part in a special Sunday Salon event on 20th August, discussing queer cinema and representations of intimacy with 2020 Booker Prize nominated writer Brandon Taylor (Real Life, The Late Americans).  

Filmmaker Ella Glendining will be at the festival to present her smart, honest and beautifully illuminating documentary Is There Anybody Out There? which examines questions of disability on a journey to find herself in others. 

Writer/director Karoline Lyngbye joins the Festival to present Superposition, her stylish and chilling existential thriller.  

While in the Festival’s weekend of outdoor screenings, Cinema Under the Stars, director Charlotte Regan presents her Sundance award-winning feature film Scrapper  

On the 20 August, feel-good LGBTQ+ romance Chuck Chuck Baby receives its World Premiere, with director Janis Pugh in attendance.    

Filmmakers Sam H. Freeman (whose television work includes Industry and This Is Going To Hurt) and Ng Choon Ping attend the Festival to present their tense, stylish thriller about desire and self-loathing, Femme. 

Director Bette Gordon joins the Festival for the special 40th anniversary retrospective screening of her neo-noir feminist classic Variety

Huw Lemmey (host of podcast Bad Gays) presents Ungentle, a thought-provoking study of British espionage and homosexual identity.   

At Cinema Under the Stars, artist Julia Parks presents Wool Aliens (and other films), a series of short films, created during a residency in Hawick in the Scottish Borders. The screenings are preceded by a performance from musician Miwa Nagato-Apthorp.  – 

On 21 August, Director Hope Dickson-Leach (The Levelling) joins cast member David Hayman to present the World Premiere of her atmospheric Edinburgh-set period thriller The Strange Case of Dr Jekyll & Mr Hyde. 

David Hayman also joins writer/director Paris Zarcilla to present his chilling debut film Raging Grace, a haunting gothic horror which recently took the Grand Jury Prize at South by Southwest (SXSW) Film Festival.   

Jeanie Finlay arrives in Edinburgh to present her rousing portrait of author, activist and podcaster Aubrey Gordon in Your Fat Friend

On 22 August, Kill, a nail-biting debut feature from director Rodger Griffiths, assembles an exceptional cast of Scottish talent in a gritty and bloody revenge story. Griffiths will attend the Festival alongside the film’s stars Paul Higgins (The Thick of It), Daniel Portman (Game of Thrones), Callum Ross, Anita Vettesse, and Brian Vernel (Dunkirk).  

A forgotten gem of American indie cinema, Tokyo Pop is newly restored to mark the film’s 35th anniversary, and the Festival is thrilled that writer/director Fran Rubel Kuzui (who later went on to direct the original Buffy the Vampire Slayer movie) and producer Kaz Kuzui will present the film. 

Lead actor Thomas Schubert of Afire is in town to present the Festival’s screening of the film: a sharp and funny take on the struggles of creativity.    

Dead Man’s Shoes, Shane Meadows’ radical revenge thriller, had its world premiere at the Edinburgh International Film festival in 2004. Now nearly twenty years on, Shane Meadows joins the Festival alongside producer Mark Herbert for a special retrospective gala to celebrate the film’s extraordinary legacy.   – 

On closing night 23 August, celebrated author Irvine Welsh will join director Ian Jeffries to present the World Premiere of their collaborative new documentary Choose Irvine Welsh, charting the author’s life and philosophy in his own words and those of his collaborators and admirers.   

The 2023 Edinburgh International Film festival closes with stylish deadpan dramedy Fremont, presented by the film’s director Babak Jalali and writer Carolina Cavalli (Amanda).  

Edinburgh International Film Festival runs from Friday 18 to Wednesday 23 August.  

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From kitchen table to top table …

LS Productions – a global production company that started life on a kitchen table by a former air stewardess – is officially recognised as one of the UK’s fastest growing private companies

  • Set up in Edinburgh by Marie Owen – with 3 kids under the age of 5 – the company has gone from strength to strength being named on two prestigious lists of fastest growing UK private companies
  • LS Productions was Grammy-nominated for its work on its second Harry Styles music video (‘Adore You’) and works with high profile celebrities including Zendaya, Ed Sheeran and Cristiano Ronaldo
  • With ambition to become a £40 million turnover business in the next two years, the company provides production services to clients for commercials, fashion, sport, music videos and film and TV projects working across the globe.

LS Productions – whose headquarters are in Leith – is celebrating appearances on The Sunday Times 100 and FEBE Growth 100 lists – which recognise the UK’s fastest growing private companies.

Both lists celebrate British business at its best – highlighting founders that are driving their companies to deliver significant sales, revenue and profit, against a backdrop of unprecedented economic challenges.

With their headquarters in Edinburgh, LS Productions are the UK’s largest production service company with additional offices in London and Manchester.

LS’s recent growth is down in part to the expansion of their services into the international film & TV sectors, taking on global TV and film production service projects over the last 18 months, with recent projects including  Ghosted (Skydance / Apple TV),episodes of the Bachelor (NZK Productions / Warner Bros Entertainment / ABC) and a Kind of Spark (CBBC / BYUtv America).

As part of this growth they have also added a warm water production and location facility in Malta to further bolster their international offering.

In conjunction with this expansion, the LS growth can also be directly attributed to a commitment to invest in and recruit talent in the LS’s core production specialisms, including commercials, fashion, music and sport.

Mimi Webb, Aviemore, Scotland, 5th April 2023

The diversification of these business streams was a deliberate move to weather the storm faced by the production industry in a post Covid landscape.

Across this period LS has worked on a succession of high profile service production projects ranging from Ed Sheeran’s latest album Subtract (Freenjoy / Directed by Mia Barnes), Harry Styles ‘Adore You (Freenjoy / Directed by Dave Meyers), Valentino’s Pink Dreams starring Zendaya (Marcell Rev / Michael Bailey Gates) and ‘You’re Up’ featuring Cristiano Ronaldo for Nike (Wieden & Kennedy/ Directed by Megaforce).

Not only this but Covid also provided cause for reflection about where the business saw itself creatively in the long term and how they could look to continue to stay true to their values of being ‘creative at heart’ which drove further diversification with the arrival of an original content arm in the form of LS Films.

Thanks to this successful business strategy, LS has seen a two year growth of 273% and boasts sales of £20 million.

Speaking about the recognition, CEO and Founder Marie Owen – who has lived in Edinburgh her whole life, said: “I’m beyond thrilled to see LS Productions name appear on such prestigious lists, in fact I can’t quite believe it!

“If you could have told me that we’d be appearing on lists like these when I started the business back in 2006 from my kitchen table I’d probably have laughed and said ‘are you joking’! I

“t’s such a fantastic achievement and so rewarding to see all the incredible hard work and dedication that myself and the team have put in to get recognised.

“Both in terms of growing a world-class global production company, but also a business that people genuinely love working for that is firmly rooted in the values of kindness, hard work and learning.”

Marie continued: “”Post Covid we had to completely re-evaluate where we wanted to go – not just professionally but personally. So we went, quite literally back to our roots – which meant investing heavily in specialised expertise to develop focused business streams; Fashion, Sport, Commercial, Music Videos, Film & TV Service and an original content division called LS Films.

“This robust diversification gives LS a solid foundation in an industry that is notorious for huge highs and steep lows because we’re not overly dependent on one particular stream and it also allows us to explore our creative passion with LS Films.”

The full 100 rankings can be viewed:

www.febe.com

https://www.thetimes.co.uk/sunday-times-100-fast-growth

Edinburgh International Film Festival reveals 2023 programme

Special edition of EIFF runs from 18 – 23 August

Full programme announced of 24 new feature films, 5 retrospective titles, 5 short film programmes, and an outdoor screening weekend including 7 further features in a six-day celebration of bold and eclectic cinema at the heart of the world’s biggest celebration of arts.

Complementing the previously announced Opening Night film ‘Silent Roar’, the Festival presents a selection rich with new voices. Amongst the festival’s 11 debut features, the Festival is delighted to champion a new generation of UK talent.

Scottish productions include 5 feature films and 19 short films, including the World Premiere presentations of six freshly commissioned documentaries in the Bridging The Gap Documentary Short Films programme.

Closing Night film ‘Fremont’ caps an international selection that includes work from celebrated arthouse directors Kelly Reichardt, Ira Sachs, Cauleen Smith, and Christian Petzold, and showcases enticing work from Argentina, Brazil, China, Denmark, France, Germany, Hong Kong, India, Japan, South Korea, and the United States.

American independent cinema is celebrated in a retrospective of four films made by rebellious filmmaking voices in the 1980s and 1990s, while Shane Meadows’ ‘Dead Man’s Shoes’, which had its World Premiere at EIFF in 2004, is given a Retrospective Gala presentation.

Five feature films will be presented as World Premieres, and the Festival also sees the launch of The Lynda Myles Project, including a discussion event on the living legacy of Myles’ contributions to film culture, and a special work-in-progress preview of new documentary, ‘The Lynda Myles Project: A Manifesto’.

Placing an emphasis on deeper engagement for audiences, Encounters is a new series of discussion events place dialogue at the centre of the Festival and positioning cinema in conversation with other artforms.

Themes across the film programme include: incisive works of non-fiction activism; films making thrilling use of genre to explore social, sexual and psychological issues; films made by artists; LGBTQIA+ stories; a lip-smacking selection of animation; and category-defying films that are just damn stylish and entertaining.

Listings will go live on the EIF website from 10am on Thursday 6 July with tickets going on sale midday on Friday 7 July via https://www.eif.co.uk/edfilmfest  

Edinburgh International Film Festival (EIFF), which this year is hosted by Edinburgh International Festival, has today announced the programme for its special 2023 edition.

The hand-picked programme celebrates the work of exceptional local and global filmmakers ensuring the flame of independent cinema burns bright for future generations of passionate film fans.

EIFF is pleased to be working with its cinema venue partners Vue Edinburgh Omni and Everyman Edinburgh at the St James Quarter, while the Old College Quad at the University of Edinburgh is the beautiful setting for a weekend of outdoor screenings, Cinema Under the Stars, offering audiences a welcoming selection of films set to make the heart sing.

This year’s Edinburgh International Film Festival programme has been brought together by a team of programmers led by Kate Taylor, Programme Director of the Festival, including feature film programmers Rafa Sales Ross and Anna Bogutskaya, and short film programmers Abigail Addison, Lydia Beilby and Holly Daniel. Alongside Taylor, the EIFF Team is led by Executive Producer Tamara Van Strijthem and Festival Producer Emma Boa.

EIFF is supported by Screen Scotland, and enhanced engagement activities are supported by the Scottish Government’s Festivals Expo Fund alongside the PLaCE Programme (a partnership between the Scottish Government, City of Edinburgh Council and the Edinburgh Festivals).

Kate Taylor, Programme Director, Edinburgh International Film Festival, said: “With this year’s vivid film selection the EIFF programme team has favoured the bold, drawn to filmmakers with searching perspectives and style to burn.

“Designed for an eclectic spectrum of film fans, and defined by a love of independent cinema, this compact programme shines a light on new talent, and offers a smashing six-day journey for the EIFF’s passionate audiences.”

Isabel Davis, Executive Director of Screen Scotland said: “EIFF has put exceptional debut filmmakers front and centre, from Johnny Barrington’s Silent Roar, Rodger Griffiths’ Kill’, to Ella Glendining’s Is There Anybody Out There? alongside an impeccable curation of internationally acclaimed work.

“The infectious energy of Edinburgh in August is palpable in the EIFF team and we’re excited for audiences to discover this year’s wonderful programme.”

Francesca Hegyi, Chief Executive, Edinburgh International Festival, said: “A festival is a gathering of perspectives in a moment in time that reflect the world around us.

“This year, the Edinburgh International Festival is proud to host the return of this forward-looking programme from the Edinburgh International Film Festival, and support these moments of curiosity and connection that imbue our festival city each August.”

Culture Secretary Angus Robertson said: ““I’m delighted to see so much Scottish and international film talent represented in this year’s Edinburgh International Film Festival programme.

“The Scottish Government is proud to support the festival with £155,000 from the PLaCE Fund – run jointly with the City of Edinburgh Council – and £59,000 from our Expo Fund. They both support Scottish talent development particularly emerging film programmers and mid-career writers in the case of our Expo Fund.”

Edinburgh International Film Festival runs from Friday 18 to Wednesday 23 August 2023.    

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