Film fans in Edinburgh can now enjoy the latest releases in the ultimate comfort with the arrival of Vue’s signature Ultra Lux seat at its Ocean Terminal venue.
The Ultra Lux is the best seat in the screen and is available for Ocean Terminal customers to experience from 7 November.
To mark its arrival, Vue has worked with The Flash Pack to create a bespoke video booth for customers, to give a taster of the immersive experience they can expect from watching a film in an Ultra Lux seat.
Customers visiting Ocean Terminal on 7 and 8 November tried out the special 360 video booth which was located within the foyer, and took a 360 video of customers sitting in the luxurious seat.
112 Ultra Lux seats have been installed across Vue Ocean Terminal’s 12 screens.
Each seat provides the very best view of the screen and comes with a host of premium features including an extra-wide armrest and personal table for snacks and beverages, and a back and legs which recline independently, allowing customers to find the most relaxing viewing position possible.
Speaking ahead of the launch, Ian Chester, General Manager at Vue Ocean Terminal, said: “We have invested in bringing Vue’s best seating option to Ocean Terminal and look forward to unveiling it to customers from 7 November. It is truly the best way to immerse yourself in a film and to have the most comfortable experience.
“The interactive video booth is a fantastic opportunity to test out the Ultra Lux and have a fun video to keep and share on social media, which will be emailed to each customer who visits the booth.”
Tickets for Ocean Terminal can be booked online by visiting myvue.com.
IRON LADIES is a new documentary about the inspirational women who were the backbone of the 84/85 Miners’ Strike, as told by them.
From Scotland down to Kent, women from the coalfields shed light on their experiences of the year long struggle trying to save their communities. The film features Carol Ross from Cowdenbeath and Linda Erskine from Lochgelly, and they will both be appearing at the Edinburgh screening for a Q&A.
Shut Out The Light Filmsis thrilled to announce that their upcoming documentary Iron Ladies will be released in UK and Irish cinemas from 10th October.
The inspiring story of working-class women who, during the 1984–85 Miners’ Strike, found themselves at the forefront of a battle against the British state.
From Scotland down to Kent, women from the coalfields shed light on their experiences of the year long struggle, and how they became the backbone of the Strike. With many still active today, their actions reshaped the landscape of political activism for working-class women.
Directed by Daniel Draper(Nature of the Beast), Iron Ladies is a celebration of the iron willed women who maintained the 1984/85 Miners’ Strike as they fought for the future of their communities.
Iron Ladies shines a spotlight on the previously overlooked narratives of women, who still fight for their communities today. Heather Wood, Lorraine Stansbie, Rose Hunter, Kate Alvey, Betty Cook, and Aggie Currie are amongst the 20 unsung working-class heroes to share their stories.
Speaking on the film being released in UK and Irish cinemas producer Christie Allanson said “Working-class narratives by working-class filmmakers are a rarity.
“The communal viewing of this film on the big screen is important to spark those conversations about the political landscape past and present.
“The funding, the approach to filmmaking and the contributors all have one thing in common – passion. As the producer, I feel inspired and empowered by these women, and I hope audiences will feel that way too.”
Iron Ladies will be in UK and Irish Cinemas from 10th October
Edinburgh screening with Q & A is on Friday 21st November at 6.15pm
Magic is in the air at Vue as Wicked: For Good, the follow-up to last year’s global big screen sensation, returns to venues on 21 November.
Fans wanting to catch Wicked: For Good before anyone else – spreading a little magic in the process – can attend a special MediCinema screening at 11am on Thursday 20 November. All proceeds from this special screening will go directly to MediCinema, which offers therapeutic cinema sessions across NHS hospital in the UK.
There’s also a chance for filmgoers to see a special double-feature screening of both titles later the same day, allowing audiences to experience the epic saga in one sitting.
The excitement doesn’t start there, with Vue’s in Scotland hosting special Magic Seat Screenings for two consecutive weekends (22 and 28 November), which will see two lucky fans from each screening being chosen at random to win a magical treat – all depending on which seats they’re in.
Prizes up for grabs include Ozian-themed LUSH body sprays, signed and framed Wicked posters, Wicked-themed LEGO sets and a Westfield shopping experience for two, including one night in a four-star hotel plus £500 to spend at the mall.
And for those wanting to bring home a piece of the magic, limited-edition merchandise will also be on offer – including emerald green and blush pink reusable cups, topped with either mini Glinda or Elphaba figurines, as well as a light-up popcorn bucket in the shape of a hot air balloon.
Rob Lea, Head of Screen Content of Vue UK and Ireland, said: “After the spellbinding success of last year’s Wicked, we have high expectations for this star-studded conclusion.
“To mark the occasion, we’re treating audiences to an extra special experience at Vue with our exclusive merch, double bill feature and extra special Magic Seat Screenings.
“We welcome fans to enjoy every musical note and magical moment of this highly anticipated release, the way it was meant to be seen – on the big screen”.
Tickets for Wicked: For Good, including Vue’s exclusive Magic Seat Screenings, are on sale now. To book your tickets, visit www.myvue.com
A new film highlighting the significant impact of violence and disorder involving fireworks on communities, services and emergency workers has been shared by Police Scotland.
The film features interviews with a mother, whose son was injured, a bus driver whose bus was struck by a brick, a police officer who underlines the impact of blue light-personnel and a community representative who calls on people to take pride in their local area.
Police Scotland, Lothian Buses, and Places for People, a social enterprise organisation, contributed to the package as part of work to reduce disorder and criminality over the Bonfire Night period.
In 2024, despite a positive reduction in serious disorder offences, police officers, firefighters, bus drivers, and local communities were subject to unacceptable levels of violence between 31 October and 5 November.
As a result of the criminal investigations that followed, 61 people were charged with fireworks-related criminality across Scotland.
Inspector Scott Casey, an experienced Public Order Officer, discusses how he and his colleagues came under attack during the disorder that took place in 2023 and the feeling of being struck with fireworks, as well as seeing members of his team sustain injury.
Tony Beecher from Lothian Buses recounts a terrifying experience where his bus, which had several passengers onboard, was targeted with a brick and warned of the serious consequences that could arise if a bus was to crash after being struck.
Over the last few years, the Niddrie area has experienced significant and unacceptable levels of disorder, resulting in damage to public property and causing fear and alarm to local residents and businesses.
Cheryl Neil, Places For People’s Community Safety Area Manager for Scotland gives an overview of how those living within this region have suffered greatly and urged people to take pride in their community and help prevent it being the scene of mass disorder this year.
The video also includes a harrowing interview with Catherine, whose 11-year-old son sustained third-degree burns to his legs after he and some friends started a fire for a social media stunt.
Catherine recalls the anguish of seeing her child in extreme pain after sustaining the injuries and calls on all parents to talk to their own kids about the dangers associated with starting fires.
To celebrate Black History Month, Vue venues in Edinburgh have curated a collection of biographic movies that champion Black representation.
Screening across the entire month of October, the season kicks off today (8 October) with biographical drama Ray, which focuses on the life and career of musical legend Ray Charles.
Written by the late James L White, and directed by Academy Award winning director Taylor Hackford, the icon comes alive beautifully through music, drama and stellar performances from Jamie Foxx, Kerry Washington, Regina King and more.
Also screening as part of Black History Month on 15 October is Straight Outta Compton.
The film tells the true story of how cultural rebels NWA – armed only with their lyrics, swagger, bravado and raw talent – stood up to the authorities that meant to keep them down. As they spoke the truth, their voice ignited a social revolution that is still reverberating today.
From 22 October, movie fans will also be able to watch the life of one of the most awarded performers of all time in Whitney Houston: I Wanna Dance with Somebody.
The biographical musical creatively depicts the life and career of Whitney Houston with Naomi Ackie, Stanley Tucci and Ashton Sanders bringing their roles to life.
To conclude the season, on 29 October Vue will be welcoming breakout stars, Kingsley Ben-Adir and Lashana Lynch as they star in biographical drama musical, Bob Marley: One Love.
The movie depicts the life and musical career of the reggae singer in a unique and engrossing story from the perspectives of those closest to the music legend.
Robert Smith, General Manager at Vue in Edinburgh Omni, said: “We’re proud to be showing a variety of content on the big screen this Black History Month and we encourage film fans from all walks of life to immerse themselves in these incredible, true stories.”
Jali Collective is proud to reveal the full programme for the first ever Jali Film Weekender, taking place at Filmhouse, Edinburgh from 30 October – 2 November 2025, with tickets now on sale.
Following the earlier announcement of the festival’s opening and closing films and its Extended Realities exhibition, the complete line-up now brings together a dynamic mix of award-winning features, Scottish and UK premieres, discussions, workshops and short films under the festival’s inaugural theme, Dreams and Apparitions.
Spanning more than a dozen countries across Africa, the diaspora and beyond, the programme presents stories that move between the intimate and the cosmic, the past and the future. With premieres direct from major festivals including Berlin, Sundance and Locarno, and films representing their countries at the Academy Awards, Jali Film Weekender positions Edinburgh as a new gathering place for Black, African and diasporic cinema.
PROGRAMME HIGHLIGHTS
In addition to opening film Memory of Princess Mumbi and closing film Promised Sky, among the headline feature film titles is the Scottish Premiere of Imran Hamdulay’s The Heart is a Muscle, fresh from its award-winning premiere at Berlinale in February and selection as South Africa’s official Oscar submission.
Other highlights include a special preview of Sofia Alaoui’s Sundance prize-winning sci-fi thriller Animalia, ahead of its highly anticipated UK and Ireland theatrical release later in the year and the Scottish Premiere of Denise Fernandes’ award-winning Hanami, which offers a dreamlike coming-of-age story set on the volcanic islands of Cape Verde.
Acknowledging the ongoing humanitarian crisis in Sudan, Jali Film Weekender will also present the Scottish Premiere of Berlinale stand-out Khartoum, in partnership with Scottish Documentary Institute, which offers a moving portrait of life amidst revolution and war. The screening will be followed by an in-conversation with Talal Afifi, producer and founder of Sudan Film Factory.
“We are honoured to be partners of the Jali Film Weekender as it launches in Edinburgh’s cultural landscape,”says Flore Cosquer, Director of Scottish Documentary Institute.
She continues: “The festival’s dedication to building authentic community connections through exceptional cinema resonates deeply with our own values, reflecting our shared belief that communities across Scotland deserve access to storytelling that speaks to the richness of our collective experiences.
“The Jali Collective has poured their passion into this project and created something truly special: a layered, magical programme that goes beyond traditional screenings to foster meaningful conversations.
“This is cinema as community-building at its finest. We are proud to be part of its first chapter, and to get the opportunity to bring to Edinburgh audiences the genre-defying, bold and poetic documentary Khartoum.”
Another documentary work featured in the programme is the Scottish Premiere of Celia Boussebaa‘s Amakki, presented in partnership with maona art, a lyrical meditation on womanhood and motherhood in Ethiopia. The festival also proudly honours cinematic legacy of the late Souleymane Cissé who passed away earlier this year, with a screening of his seminal work Yeelen, now restored in 2K by Les Films Cissé, the production company of Souleymane Cissé.
Finally, the festival’s short film programme spans multiple continents, with new works from across Africa, the Caribbean, North America and Europe, demonstrating the depth and range of diasporic storytelling today.
The programme includes the European premiere of Jard Lerebours’ LESPRI, the UK premiere of Justice Rutikara’s Ibuka, Justice, and Scottish premieres of Yasmine Djedje-Fisher-Azoume’s Dédé (Ancestor), Barbara Minishi’s Inheritance, Samuel Suffren’s Blue Heart (Coeur Bleu), Tomisin Adepeju’s Journey Mercies and many more.
TALKS, WORKSHOPS & GATHERINGS
The Weekender is as much about conversation and participation as it is about film. A central highlight is a public discussion on how to centre Black, African and diaspora audiences in Scotland. Rooted in Jali Collective values of representation and co-creation, the session will bring together creative practitioners, programmers, and community organisers to explore challenges and best practices in making Scotland’s cultural landscape more inclusive, and to share approaches such as community-centred outreach, intentional partnerships and co-programming.
Workshops and interactive experiences also offer audiences ways to connect beyond the cinema screen. The festival will host hands-on creative activities and the previously announced Extended Realities (XR) Exhibition, which will runevery day of the festival and is free to attend.
This includes ARGO, an augmented reality experience designed with children in mind, offering fun and engaging activities for younger audiences, alongside Enkang’ Ang’, an immersive VR journey into Maasai heritage.
Together, these elements ensure that the Weekender is a space for gathering, dialogue and play, welcoming audiences of all ages and backgrounds.
“From films and extended realities to conversations and workshops, our first programme brings together stories that are as urgent as they are visionary” say Jali Collective membersTomiwa Folorunso, Isabel Moura Mendes and Carmen Thompson.
“We are proud to have curated an intentional programme which we hope will resonate with both Edinburgh’s Black, African and diaspora communities as well as the city’s wider filmgoing community. We cannot wait to share it with our audiences!”.
All events will take place at Filmhouse, Edinburgh, which reopened earlier this year as a renewed hub for independent and international cinema.
Jali Film Weekender 2025 is supported by Screen Scotland and Film Hub Scotland (part of the BFI’s Film Audience Network, awarding funding on behalf of Screen Scotland and the BFI National Lottery), alongside the British Council and The Africa Centre, programme partners Scottish Documentary Institute, maona art, and additional support from Jack Arts, Premiere Scotland.
Jali Film Weekender 2025 artwork and branding by 080 Studio, based in Lagos, Nigeria.
To celebrate the 10th anniversary of the beloved Broadway phenomenon, Vue is bringing the award-winning Hamilton to the big screen this September.
From 26 September, for three days only, the global stage sensation heads to the big screen at Vue venues in Edinburgh, telling the story of one of America’s foremost founding fathers Alexander Hamilton. The screening brings the show straight from the Richard Rodgers Theatre on Broadway and features the original cast.
Created by and starring Lin-Manuel Miranda, the production first hit stages back in 2015 and since has toured the world, winning over worldwide audiences with iconic and award-winning songs such as Alexander Hamilton and My Shot.
This groundbreaking musical, which packs a score of more than 40 songs in total, can be experienced on the big screen, allowing theatre fans to enjoy all of their favourite moments in this fully immersive experience, all from the comfort of their local Vue.
Ian Chester, General Manager at Vue Edinburgh Ocean, said: “Since it rocked the theatre world over 10 years ago, Hamilton has gone on to be a legendary musical that fans always eagerly want to see.
“At Vue this month, we’re thrilled to provide audiences a fantastic way to watch this iconic production, complete with the original Broadway cast, up on the big screen for a limited time.”
Cineworld is excited to announce the return of 4DX Rewind this September across Cineworld 4DX cinemas nationwide. From Friday, September 19 to Thursday, October 2, film fans and families alike can enjoy the ultimate immersive experience from just £5.99 per film or FREE for Unlimited members.
Available only at Cineworld, 4DX is a thrilling multisensory experience, featuring motion-synchronised seats, gusts of wind, sprays of water, aromatic scents, bubbles, fog and strobe lighting, bringing every scene to life in the comfort of your seat.
Audiences can experience the excitement of multi-sensory cinema during this exclusive two-week celebration, showcasing some of the most exciting films that 4DX has to offer. This includes two blockbusters screening in 4DX for the very first time in the UK – smash hit Frozen will make you feel every icy gust of magic while 90s classic Jumanji will capture the adrenaline rush of the adventure with moving seats.
The full list of films available to watch include:
Frozen (2013) – never before seen in 4DX in the UK!
How To Train Your Dragon (2025)
A Minecraft Movie
Jumanji (1995) – never before seen in 4DX in the UK!
F1 The Movie
Jurassic World: Rebirth
Twisters (2024)
Mission: Impossible – The Final Reckoning
Top Gun: Maverick (2022)
Final Destination: Bloodlines
28 Years Later
Casey Cohen, VP of International Marketing at Cineworld, said: “We’re thrilled to bring back 4DX Rewind this year. There’s nothing like a 4DX experience which is why we’re excited to be screening such a wide range of films this year, including two epic films never seen before in 4DX with Frozen and Jumanji.
“4DX really makes you feel every spark of magic, every monsoon lashing down rain, and every single adventure. It’s perfect for a family day out or for fans looking to experience their favourite films in a whole new way.”
Tickets for the first week of 4DX Rewind are available now via the Cineworld website and Cineworld app, with further tickets to follow.
From one of Britain’s most acclaimed and beloved filmmakers, classic genre comedies Shaun of the Dead and Hot Fuzz are back on the big screen at Vue this September and October as part of a special Edgar Wright season.
Ahead of his reimagining of the Stephen King’s action-thriller classic The Running Man, the works of the fan-favourite director will once again take centre stage, including his iconic Cornetto Trilogy.
The three cult classics Shaun of the Dead, Hot Fuzz and The World’s End, all starring actors Simon Pegg and Nick Frost as they face off against the undead, a murderous cult and aliens, will be back on the big screen starting from 12 September.
Wright’s other celebrated work – including Scott Pilgrim Vs The World, Baby Driver and psychological horror Last Night In Soho- also make their big screen return throughout October.
Robert Smith, General Manager of Vue Edinburgh Omni, said: “At Vue, we celebrate the very best of British filmmaking, and there are few names who have done more for the UK film scene over the past few decades than Edgar Wright.
“Ahead of his upcoming release The Running Man, we’re excited to showcase his very best work where it belongs – right at home up on the big screen at Vue.”
For the first time pupils across Scotland, from age 3 to 18, will have the opportunity to study Film and Screen as a practical arts subject
Screen Scotland, with Education Scotland and Scottish Government has officially launched the national rollout of Film and Screen into Scotland’s Curriculum for Excellence.
Over the last three years, Screen Scotland has devised, designed and delivered a programme to test and evaluate the Film and Screen Curriculum, a curriculum for every level of formal Scottish Education for learners age 3 to 18.
Schools in 30 local authority areas across Scotland, including Shetland, Scottish Borders, Glasgow, Edinburgh, Dumfries and Galloway and Angus have been involved in this globally unique programme delivered to over 6000 children across early years, primary and secondary education.
Fi Milligan-Rennie, Head of Education – Screen at Screen Scotlandsaid: “Screen Scotland’s film and screen curriculum creates democracy of opportunity for every child and young person to learn about the film and screen industries in Scotland, to understand how it works and most importantly to recognise that they can be part of it.
“Filmmaking, making television programmes or content online requires the ability to tell stories well, to persuade colleagues to work with you, to gather resources and plan ahead. It builds confidence and we have seen across the development period the tremendous positive impacts it has already had for pupils across Scotland.
“It is thanks to the enthusiasm, commitment and willingness to creatively experiment from schools across the country that we can now celebrate Film and Screen as a subject in its own right.”
The curriculum is endorsed by some of Scotland’s key acting, filmmaking and presenting talent, including James MacAvoy, Lucy Halliday, Mark Bonnar, Julie Wilson Nimmo, Edith Bowman, Chloe Pirrie, Martin Compston, Dougray Scott, Sanjeev Kohli, Mark Cousins and Lauren Lyle.
Neil Millar from Education Scotlandsaid: “Over the last three years I have been proud to work with, and support, the inspiring work that has been undertaken in creating and facilitating the draft Film and Screen Curriculum across Scotland.
“From the outset, the educational and social impact of the pilot Film and Screen curriculum on schools, teachers and most importantly pupils, has been immense. The proof of this is in the curriculum work developed and showcased by the children and young people themselves.”
Laura Heggie, Teacher at Graeme High Schoolsaid: “I’ve been so impressed…by how much the curriculum gives pupils ownership over their own learning. They’re so engaged and want to get it right that they are working and challenging each other within their film crews.
“I can hear them critiquing each other’s work and offering suggestions to improve as I walk round the room. This is unprompted by me. The development in their confidence and ability to contribute has really grown…as they have moved to working within the production groups.”
Kian McLear, S5 pupil at Drummond Community High School said: “Film and Screen has allowed me to express creativity with my fellow classmates, as well as giving me an in interest in the film industry as a whole.
“There’s a very good balance between practical work and analysis, and there’s never any lessons or practical tasks that drag on.”
James MacAvoy, Actor and Director said: “Teaching film and screen in schools is the most equitable way to engage in an art form, while demystifying something that can seem distant or inaccessible.
“It’s not just about the next generations of Scottish filmmakers, it’s about understanding the creative right to be seen and heard and making the space and time for that to happen, for every child in Scotland.”
Julie Wilson-Nimmo, Actor said: “I’m so happy that the Film and Screen curriculum is going on the school curriculum, when I was a young girl growing up in East Kilbride and I went to see my favourite film of all time Gregory’s Girl, I never thought I could be a part of that world, as an actor or behind the camera.
“The fact nursery, primary and secondary kids will be able to tap into this on their school curriculum is amazing. I’m 100% behind it.”
Education Secretary Jenny Gilruth said: “The arts are vital to the success of Scotland’s young people, inspiring them to develop a wide range of skills – film and screen learning is very much part of this story.
“The initial Film and Screen pilots demonstrated the innovation that lies at the heart of Scotland’s curriculum. This further roll out of support and advice to teachers across Scotland will help to support the continued growth of film and screen learning in our classrooms.”
Culture Secretary Angus Robertson said: “I’m delighted to welcome this world-first curriculum, which brings the magic of film and screen to the classroom for learners of all ages. In addition to encouraging untapped creativity, it will be instrumental in the career development of the next generation of Scottish film and screen talent.
“The Scottish Government is clear that a skilled, diverse workforce is essential to the continued success of our screen sector, which is set to be worth £1 billion to Scotland’s economy by 2030.
“Working with Screen Scotland, we are investing in Scottish skills and talent to ensure Scottish voices are represented throughout the production journey, and that this growth leaves a legacy of an ever-stronger crew base across Scotland.”
