Dance Base announces the first shows in its 25th festival programme 

Scotland’s National Centre for Dance, Dance Base is known for curating an ambitious programme of Scottish and international shows every August, giving a world-class platform to up-and-coming and established dance artists.

Dance Base Festival 26 in partnership with Assembly, a collaboration now in its fourth year, is Dance Base’s 25th festival programme – a milestone the team is marking with a fantastic line-up of shows.  

2026 is also a landmark year for Dance Base as the organisation celebrates 25 years in its purpose-built home in the heart of Edinburgh’s Grassmarket which becomes one of the festival epicentres every August.  

As always, Dance Base nurtures and celebrates the breadth of Scottish dance talent, this year featuring, among others, YDance – Scottish Youth Dance company, Penny Chivas and her politically charged Where We Choose to Stand and Jack Anderson, Charlotte Mclean, Malin Lewis’ not for glory which dissects heritage and resuscitates tradition, Marc Brew’s moving Boys Don’t Dance and Two Destination Language’s 40/40 celebrating a life of a woman, artist and a migrant.

Outwith the UK, artists from Brazil, Basque Country, Italy, Netherlands, Japan and Taiwan call Dance Base their home this August, presenting work as part of Taiwan Season, São Paulo Showcase and Basque Showcase.

From Breakdancing to Butoh, from Pole Dance to politics – this diverse programme caters to both dance curious and Dance Base’s regular audiences.  

Tickets go on sale on Friday at 12 noon at assemblyfestival.com and on Monday 30 March at edfest.com with further shows to be announced in due course.  

NEW SHOWS ANNOUNCED  

Penny Chivas – Where We Choose to Stand (7-16 August)

A powerful dance-theatre show inspired by activism and political change. Blending movement, music, real stories and moments of audience connection, it invites reflection on the choices we make—and what it means to stand together. 

YDance & National Youth Arts Wales – Celtic Collective (7-16 August)

Bringing together the National Youth Dance Companies of Scotland and Wales for an electrifying night of bold choreography, this special show celebrates the power of dance, blending distinct cultural influences with cutting-edge vibrant contemporary dance. 

Erain / Helena Wilhemsson – Jarraibiderik Gabe / Trembling Frequencies (7-16 August)

A double bill of emerging choreographic voices from the Basque Country. Bodies and objects create shifting physical landscapes in Jarraibiderik Gabe, while the mysterious and dynamic solo of Trembling Frequencies takes a look at the shifting landscapes within. 

Marc Brew Company – Boys Don’t Dance (7-23 August)

A poignant dance theatre show by acclaimed disabled choreographer and dancer Marc Brew, it draws on his experience as the only boy in a rural Australian town who wanted to dance, defying societal expectations. It combines movement, BMX tricks, storytelling, lighting and an uplifting 80s soundtrack, alongside visual projections and animation. 

T.F. Cia de Dança – Border Bodies (7-30 August)

Border Bodies desires to rediscover ways of being together in times of social segregation. Despite their diverse backgrounds, artists unite, believing that their differences empower each other when they act as one.  

LEI Dance Theatre – Proximities (6-30 August) 

LEI Dance Theatre and Lao-French choreographer Olé Khamchanla create a captivating quintet about boundaries and rules, distance and closeness, alienation and connection. An intelligent, imaginative show, questioning blend of traditional, contemporary and classical styles. 

Mailantia Dance Company – Under Mask (6-30 August) 

What lies beneath the roles and identities we choose to play? Drawing upon folk ritual and a battery of cross-cultural movement styles, Lai Yun-Chi’s company Mailantia presents a bold, intricate quartet about concealment and transformation. 

COSMIC DANCE – Space In Between (9-16 August)

A South Asian triple bill exploring tensions between intention and outcome, self and society. Blending Bharatanatyam, Kathak and Contemporary movement, three interconnected works examine regret, conflict and misalignment, revealing unseen forces shaping identity, relationships and choice. 

Jack Anderson, Charlotte Mclean, Malin Lewis – not for glory (11-23 August)

A rebellious unravelling of traditional dance and music. not for glory is bodies and bagpipes, kilts and queerness, a battering, flinging skirl. This dance-theatre gig resuscitates tradition, dissects heritage, not for glory – but for what? 

Corpo Máquina – Poles (18-30 August)

A champion pole dance artist. A spider-like steel structure. A live soundscape. At the cutting edge of personal and public space, pole dance virtuoso Yvonne Smink delivers a performance of technical strength and intimacy, choreographed by Guilherme Miotto. 

Karl Jay-Lewin and Matteo Fargion – If I Can’t Dance I’m Not Coming (18-27 August)

Reimagining Fritz Lang’s 1927 Metropolis as a score for dance, an eclectic ensemble of performers embraces dignity over virtuosity, blending rebellion with humour in a process shaped with clarity and care. 

Compagnia Bellanda – Il canto dell’assiolo (18-30 August)

In the silence of a summer night, a call returns. A duet rooted in Breakin’ explores love’s borders – between desire and control, tenderness and violence. Breath, language, and movement intertwine, exposing intimacy as threshold, conflict, and transformation. 

Two Destination Language – 40/40 (18-23 August)

An inspiring and moving celebration of Two Destination Language co-artistic director Katherina Radeva’s 40 years as a woman, a migrant and an artist. Claiming space on a dance floor, she dances with joyous abundance and presents stories of her past and present.  

Dance Base Yokohama/Conan Amok – R/evolution(s) (18-30 August)

A contemporary Butoh work, this piece reimagines Butoh for the present while carrying its inheritance forward. Uniting Conan Amok – heir to the lineage of Dairakudakan, one of Japan’s leading Butoh companies – and contemporary dancers, renewing the form from within. 

Frauke Requardt and Vivienne Franzmann – Anatomy Of Survival (25-29 August)

A woman walks into a cafe. She orders a coffee. The barista doesn’t understand her request. The woman loses her sh*t. Chaos reigns.  

PREVIOUSLY ANNOUNCED 

Dance Base’s PRIME – We Are (6-9 August)

Who are we when we’re together? When we’re alone? When we fight for what we believe in? Hot off the heels of its 10th anniversary last year, Dance Base’s in-house company for dancers over 60, PRIME premiers new work from Artistic Director Kally Lloyd-Jones and choreographer Malcolm Sutherland. 

Dance Base’s Common Ground(11-16 August)

Dance Base’s two in-house companies PRIME (for dancers over 60s) and Lothian Youth Dance Company (for 14-21 year-olds) come together in a quadruple bill to explore the pressures we all face. Features new pieces created over the past year by PRIME’s Artistic Director Kally Lloyd-Jones, as well as guest choreographers Malcolm Sutherland, Tough Boys Collective and Rosie Mackley. 

Dance Base’s Fringe Fragments (24-25 August)

Catch a glimpse of the next big thing. An industry pitching platform open to audiences, Dance Base’s Fringe Fragments spotlights dance artists from Scotland and around the world as they share 15-minute excerpts of tour-ready performances. A unique event strengthening Dance Base’s position as the major launchpad for dance artists at the Edinburgh Fringe.  

Continuing Dance Base’s commitment to providing a home for Edinburgh’s thriving dance community throughout the Festival, the venue also hosts a vibrant programme of public and professional dance classes from Monday 3 – Sunday 31 August. 

Edinburgh Tradfest kicks off on Friday

FESTIVAL DATES: Friday 3 May – Monday 13 May 2024

A packed programme of music, film and storytelling kicks off Edinburgh Tradfest this weekend (3 May to 13 May) thanks to continued support from The National Lottery through Creative Scotland and the William Grant Foundation.

The eleven day Festival opens with electro-trad supergroup VALTOS one of Scotland’s best live bands, who are performing with folk trio Assynt and award-winning singer Josie Duncan at the Queen’s Hall.

Over the weekend the music programme continues with folk legend Martin Simpson whose latest solo album Skydancers has just been released; Americana, rock, folk and blues icon Alice Howe and legendary bassist Freebo; and late night sessions in the Traverse Bar. Plus, folk musicians playing at any level, can take part in #WorldPlayAStrathspeyDay on Saturday by uploading a strathspey tune online using the hashtag, or by joining fiddlers Eryn Rae, Matt Tighe, accordionist Megan Macdonald and pianist extraordinaire Rory Matheson for a live afternoon concert to celebrate the humble Strathspey.

This year the festival boasts an incredible line-up of master musicians including Gaelic singer Julie Fowlis who closes this year’s festival in concert with special guests Laura Wilkie and Ian Carr whose debut album Vent launches later this year. 

Other masters of traditional music playing this festival include singer, harpist and composer Rachel Newton; stalwart of the 1990s Edinburgh session scene Simon Bradley trio-ing with Anna-Wendy Stevenson and Michael Bryan; the newly formed Triptic featuring three musicians of peerless pedigree – Phil Alexander, Greg Lawson and Mario Caribe; dazzling instrumentalists Simon Thoumire and Dave Milligan; legend Archie Fisher; and West Highland high energy supergroup Dàimh.

Also playing this festival are a host of hugely talented Nordic musicians including Nordic Fiddlers Bloc, and raucous fiddler Lena Jonsson from Northern Sweden who duos with the legendary Brittany Haas from Northern California.

Other highlights include the incredible Malin Lewis who launches their new album Halocine at this year’s festival; soulful electro-trad tunes from Frankie Archer whose music is shaking up genres and traditions and championing women, challenging perspectives and calling for a fairer future;  BBC Radio Scotland’s Young Traditional Musician of the Year finalist 2024 Evie Waddell; and sixth generational fiddle player Clare Sands.

For film goers there is this year’s Folk Film Gatherin’ which includes on-screen highlights – Journey to the Isles: Marjory Kennedy Fraser an archive film with live accompaniment from storyteller Marion Kenny and multi-instrumentalist Mairi Campbell; and two films from Ukraine – the silent masterpiece Earth (1930) directed by Alexander Dovzhenko and accompanied by Scottish musicians Luke Sutherland and Semay Lu; and Shadows of Forgotten Ancestors – a tale of crossed lovers introduced with a short concert from Edinburgh’s Ukrainian Choir.

This year’s May Day Parade also takes place during the festival on Sunday 5 May setting off down the Royal Mile at mid-day and finishing with a rally, music and speeches.

Plus fans of traditional storytelling can enjoy events at the Scottish Storytelling Centre including old tales from Lithuania and around the world brought to life by Daiva Ivanauskaite and musician Gaynor Barradell in Fire from the Woods (Her Father Has Nothing to Say) a new production exploring the silence between generations and life growing up without hearing stories from your ancestors; and Welsh storyteller Milly Jackdaw presenting Mochyn Mryddin / Merlin’s Pig a fusion of traditional storytelling, physical theatre, music and ceremony based on the life of Myrddin, the inspiration for Merlin in Arthurian legend.

Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “We are beyond excited to present our biggest and best Edinburgh Tradfest ever.

“Every single show has been curated with care by our team, so you can book with absolute confidence. As usual we’ll be at every gig enjoying the music. See you soon!”

Edinburgh Tradfest runs fromFriday 3 May to Monday 13 May.

For tickets and more information visit edinburghtradfest.com