Edinburgh International Film Festival (EIFF) is pleased to welcome legendary British filmmaker Ken Loach and his longtime creative collaborators, writer Paul Laverty and producer Rebecca O’Brien, for a special In Conversation event at this year’s Festival.
The trio will discuss the acclaimed films they have created together over the years including Palme D’Or Winners The Wind That Shakes The Barley (2006) and I, Daniel Blake (2016). The event takes place on Wednesday 20 August at 11am at Tollcross Central Hall.
This event will then be followed by a special retrospective screening of the filmmakers’ 2006 Palme D’Or winning film The Wind That Shakes The Barley. Starring Cillian Murphy, the film is a heartfelt and stirring epic exploring the rift that emerges between two brothers who find themselves fighting against one another in the conflict over Irish independence in the early 1920s.
Presented from a 35mm print, this screening will be preceded by a special introduction by the filmmakers. The event takes place on Wednesday 20 August at 1.30pm in Filmhouse Screen 1.
Tickets are now on sale for both events via the EIFF website.
EIFF’s In Conversation strand also features a range of other major filmmaking talent who will discuss their creative careers to date including director Kevin Macdonald (The Last King of Scotland, Touching the Void, One to One: John & Yoko) speaking with his brother, producerAndrew Macdonald (Trainspotting, Civil War, 28 Years Later), in a wide ranging conversation about filmmaking and their respective careers. Kevin will also present a screening of The Cranes are Flying (1957), a film which has heavily influenced his work.
Trailblazing filmmaker Nia Da Costa will discuss her acclaimed work which spans independent film, horror sequels and major studio comic book adaptations including The Marvels, Candyman and upcoming film 28 Years Later: The Bone Temple. Nia will also present a special 4K restoration of Doug Liman’s 90s black comedy Go, a film that was a source of early inspiration for her.
From breakout horror thriller Kill List to EIFF Midnight Madness Opening Film Bulk, via hilarious black comedy Sightseers and many more, filmmaker Ben Wheatley and long time producing partner Andy Starke will discuss their collaborations and their working dynamic.
Award-winning writer and director Andrea Arnold is one of the UK’s most outstanding filmmakers. She will discuss her searing debut feature Red Road (2006), also screening at EIFF this year, which won the BAFTA Award for Outstanding Debut, along with her critically acclaimed work such as Fish Tank, American Honey, Cow and, most recently, Bird.
Legendary producer Jeremy Thomas (Eureka, 13 Assassins, Sexy Beast) will discuss his long and varied career, which includes collaborations with Nicolas Roeg, Takeshi Miike and Jonathan Glazer, in a conversation with filmmaker Mark Cousins (A Sudden Glimpse to Deeper Things, The Story of Film, The Storms of Jeremy Thomas). Jeremy Thomas will also introduce a special 35mm screening of Nicolas Roeg’s Bad Timing (1980), one of his earliest films.
Edinburgh International Film Festival will run from 14-20 August 2025. Building on EIFF’s reinvigorated vision under new leadership from CEO and Festival Director Paul Ridd and Festival Producer Emma Boa, the Festival will continue to accelerate the discovery of new film talent and engage with audiences, industry members and local, national and international media.
The Festival team aims to create a world-class showcase for independent film and filmmaking talent. Ridd is supported by the EIFF Board, led by Chair Andrew Macdonald of DNA Films, producer of the iconic Edinburgh-based film Trainspotting; and Vice Chair Amy Jackson, producer of BAFTA award-winning indie, Aftersun; as well as Peter Rice, former Chairman of General Entertainment at Disney and President of 21st Century Fox; Teresa Moneo, Former Director of UK Film, Netflix; Isla Macgillivray, Partner at Saffrey; and Romana Ramzan, Producer at No Code Studio.
Paul Ridd, CEO & Festival Director, said: “It is a great honour for us to welcome Ken Loach, Paul Laverty and Rebecca O’Brien for what promises to be a lively and fascinating discussion of their work together, with two Palme D’Ors to their names and a body of work that includes ferociously powerful films produced across decades.
“We are also delighted to be presenting one of their major films THE WIND THAT SHAKES THE BARLEY from a 35mm print. It is a genuine thrill to be able to add this formidable trio to a roster of speakers at EIFF in a programme of In Conversation events which already includes Jeremy Thomas, Nia Da Costa, Andrew and Kevin Macdonald, Andrea Arnold and Ben Wheatley.”
Amazon launches the Regional Creatives Fund, offering multiple grants of up to £30,000 for charities in Edinburgh and around the UK which focus on upskilling people for careers in creative industries.
Grants are available for charities in Edinburgh which run programmes aimed at boosting skills and increasing access to creative industry careers in gaming, publishing, fashion, film, advertising, TV, and music.
The fund is open for applications today from single charitable organisations and consortiums in Edinburgh and across the UK. Applications close on 31st August 2025.
Amazon today launches the Regional Creatives Fund, offering grants of up to £30,000 to UK charities that develop creative industry career pathways.
The Regional Creatives Fund is open to organisations in Edinburgh and across the UK that help underserved communities access careers in publishing, music, gaming, film, TV, fashion, advertising, and more.
The aim of the Regional Creatives Fund, which aligns with the Government’s recently announced Creative Places Growth Fund, is to increase access to careers in the creative industries for people from underserved communities.
The fund is open for applications from single charitable organisations and consortiums based in the same region that are currently running impactful skills projects and are seeking additional funding to scale, sustain, or innovate their efforts.
Applications for up to £30,000 can be made by individual organisations that meet eligibility criteria, while consortium applications for up to £100,000 are also available. Regional Creatives Fund grants will give charities with existing creative upskilling programmes the flexibility to address their most pressing needs.
Applications are open for small to mid-size organisations who are registered charities in the UK[2]. Applicants must currently be running a programme that focuses on upskilling people from underserved communities for careers in creative industries.
Increasing access to creative industries
Creative Access, the UK’s leading inclusivity organisation in the creative industries, defines underserved communities as a population proven to be under-represented in the sector.
A study from The Sutton Trust, the UK’s leading social mobility charity, shows that many people, particularly those who identify as ethnic minorities, people with disabilities, neurodivergent individuals, and people from lower socioeconomic backgrounds, continue to face significant barriers to entering and progressing in the UK’s creative industries.
Research released by The Sutton Trust found that younger adults from working-class backgrounds are four times less likely to work in the creative industries compared to their middle-class peers. Data from Arts Council England shows only 9% of the creative workforce identifies as disabled, compared to 22% of the general working-age population.
Applicants must be able to demonstrate that the fund will be used to expand or continue an existing, impactful programme. Examples of programmes that a Regional Creatives Fund grant can be used for include funding for placements in game development studios, music production training, and portfolio development for future advertising creatives.
Grants will be awarded by an independent judging panel. The panel includes senior leaders from Amazon, The National Theatre, the Culture, Media and Sport Select Committee, Help Musicians, and Music Minds Matter.
Funding applications will be assessed across five key areas. Strong proposals will reflect the fund’s spirit with energy, optimism, and a clear creative purpose; deliver real impact through skills, access, and industry links; show a smart, achievable plan with confident delivery; centre inclusion by amplifying underrepresented voices; and build on existing programmes to grow what’s already working.
More information on the judging criteria is available here.
Culture Secretary Lisa Nandy said: “I want every young person to have the opportunity to build a successful career within the creative industries, which is one of this country’s greatest assets.
“Whether it’s in film, TV, gaming, fashion or music, we have so much homegrown talent and I am delighted that the Regional Creatives Fund will help shine a spotlight on that right across the country helping people contribute to our national story.
“Alongside our Creative Industries Sector Plan this new fund will help to support growth in these fast-growing sectors by preparing the next generation of creatives to tell our national story on the world stage.”
Dame Caroline Dinenage MP, Chair of the House of Commons Culture, Media and Sport Committee and RCF Board Member added: “The creative industries are one of the UK’s greatest success stories, but for too long access to careers in this sector have been limited by social and economic barriers.
“Amazon’s Regional Creatives Fund is exactly the kind of initiative we need – offering substantial grants and practical support to help level the playing field.
“By supporting local charities with both funding and industry expertise, this programme will help unlock creative talent across our communities and ensure the UK’s creative sectors truly reflect the diversity of our society.”
“Amazon has been a passionate supporter of creative industries in the UK for many years and the Regional Creatives Fund will supercharge that support in Edinburgh and across the country,” added Paul Firth, Director, Global Music Industry, Amazon Music.
“The aim of the Regional Creatives Fund is to help charities amplify the reach of existing programmes that support pathways to careers in the creative industries. We understand talent is everywhere, but access isn’t, and we’re working to change that. Through the Regional Creatives Fund, we want to help create a future where creativity belongs to everyone.”
Amazon has invested over £4.2 billion in the UK’s creative industries since 2010, with over 2,000 people permanently working across our Film and TV, music and audio, books and publishing, fashion, and gaming businesses, and supporting 16,000 additional jobs.
Amazon’s creative industries footprint extends across the entire UK: from acquiring the historic Bray Film Studios in Berkshire last year, which will house the production of the next season of Citadel; to the long-term contract with Shepperton Studios for exclusive use of new state-of-the-art production facilities at the Surrey studios where The Lord of the Rings: The Rings of Power is currently filming; Guy Ritchie’s Young Sherlock in Wales; Harlan Coben’s Lazarus in Manchester; productions at First Stage Studios and Leigh Studios in Edinburgh; and multiple productions on location in and around London such as the live action movie Masters of the Universe.
The Amazon Literary Partnership has been awarding grants to inspiring non-profit literary organisations, writing centres and community engagement programmes groups since it was first launched in the UK six years ago.
While each has a different focus, all have a shared goal of uplifting and offering opportunities to aspiring writers at any stage of their creative journey, and empowering those from underrepresented communities to experience and contribute to the magic of storytelling through the written word.
Amazon Music is committed to expanding access to UK music talent through a series of targeted initiatives. Partnerships with organizations including the BRIT Trust, Amplify, and the Association for Independent Music support new creative professionals entering the industry.
The Step-Up Fund, a collaboration with the Featured Artists Coalition, will launch its fourth year in 2025. This fund provides financial support to emerging independent artists by offering development grants.
Since its inception, Step-Up has distributed £250,000 to more than 30 UK musicians, including both bands and solo artists across multiple genres. These grants enable artists to fund new recordings, touring costs, marketing campaigns, PR activities, video production, and content creation.
As part of its global strategy to shape a more inclusive audio-storytelling industry, Audible is partnering with multiple institutions in the UK to support creative development programmes, from funding scholarships and classes at the London Academy of Music & Dramatic Art (LAMDA), to sponsoring the Barbican Young Poets Program and Women’s Prize for Fiction Discoveries Programme.
To find out more about the Regional Creatives Fund, visit:
A brand-new musical outing starring everyone’s favourite CBeebies characters is arriving at cinemas this summer.
Featuring a star-studded cast – including Justin Fletcher, Maddie Moate, and Andy Day – CBeebies Musical: The Great Ice Cream Hunt promises to add a sprinkling of joy to the holidays.
Showing in 300 cinemas nationwide, the film is arriving from July 11. The musical is an original piece that includes song performances that are exclusive to the cinema and the big screen. The hour-long special won’t be appearing on the small screens until later this year.
The musical tale follows Lolly the cow and Pinecone the hedgehog as they investigate the disappearance of ice cream across the land.
During their adventure, the pair befriend Storyland Rangers at Coconut Cove, learn magical moves at Mermaid Falls and help a stressed-out caterpillar find his voice at the Summer Fruits Festival. But when they finally catch up with their prime suspect – the rain-loving Professor Raindrop – things aren’t quite what they seem…
Eve Gabereau, Director of Distribution at Vue Lumiere, said: “After bringing two bumper collections of Bluey to cinemas up and down the country, we can’t wait to showcase this original musical treat from CBeebies to young fans.
“It’s a great continuation of our work with the BBC and their Children & Family content on the big screen.”
BTS fans take the spotlight in latest K-Pop documentary heading to Vue venues in Edinburgh
It’s been a big week for BTS fans around the globe, as the K-Pop sensation announced they will return next spring with a new studio album (their first since 2020’s Be) and an accompanying world tour.
For those itching for new content from the band, arriving somewhat sooner than the reunion is BTS Army: Forever We Are Young, a brand-new documentary celebrating the fans that helped catapult 21st century pop icons BTS into global stardom.
Screening at Vue venues in Edinburgh from Wednesday 30 July to Sunday 3 August, tickets for the screenings are on sale now. Not only that, fans will also be able to buy limited edition merch for the film – a themed reusable drinks cup and popcorn tin.
The film travels the globe, showcasing fans at a BTS-focused ReactorCon in Lewisville, Texas; a dance instructor in Seoul who only teaches BTS choreography; and fans who’ve been organising since 2013 to help BTS dominate the charts.
Defying stereotypes of the typical K-Pop fan, BTS Army: Forever We Are Young explores the intergenerational, culturally savvy, and socially active world of the band’s fans.
Robert Smith, General Manager at Vue Edinburgh Omni, said: “Without fail, our BTS screenings have captured the hearts of audiences, with thousands of fans up and down the country coming to Vue to celebrate the K-Pop mega-band.
“This documentary will spin the camera, focusing on the amazing fan base that has made BTS the global sensation they are today – we can’t wait to share it with our customers.”
To mark the arrival of the highly anticipated relaunch of Superman, Vue is holding an extra special screening of the film – with those who book the slot taking home a very special piece of comic book history.
Taking place during the film’s opening weekend, on Friday 11 July, there will be just one Superman Hero Screening at Vue venues in Edinburgh and every booking for the limited screening will come with a copy of All Star Superman No.1 – the comic that inspired James Gunn’s new take on the Man of Steel – to pick up on the day.
Tickets for the screening are available to book now however the offer will only be available while stocks last.
The film introduces David Corenswet as Clark Kent (Pearl and Hollywood) and Rachel Brosnahan (The Marvelous Mrs. Maisel) asLois Lane, alongside a whole new roster of DC characters.
The latest superhero outing has fans excited for what is expected bold new take on the franchise – with Superman as you’ve never seen him before.
Robert Smith, General Manager at Vue Edinburgh Ocean, said: “We know how excited audiences are for James Gunn’s interpretation of Superman.
“This exclusive screening gives fans the rare opportunity to take home a special piece of cinematic history – the very comic issue that helped shape the film’s story.”
The All Star Superman No.1 giveaway is one comic per booking – not per ticket – and only applies to tickets purchased for the Superman Hero Screening on 11 July.
For the avoidance of doubt this does not apply to Superman screenings without the ‘Hero Screening’ tag.
EXCLUSIVE HOW TO TRAIN YOUR DRAGON GIFT FOR 2 IN 4DX
FATHER’S DAY GIFT INCLUDES 2 4DX TICKETS AND 2 PONCHOS
BUTLER SAYS “I’M SCOTTISH. FEAR’S NOT IN MY VOCABULARY.”
This Father’s Day, Cineworld is giving Dads the full hero treatment – with the launch of its first-ever 4DX gift experience, made for fathers who thought they were brave… until their seat started moving.
Available to buy now in 4DX cinemas and online, Cineworld’s Father’s Day gift box includes two 4DX tickets and a pair of ponchos. How to Train Your Dragon, now reimagined in a breathtaking live-action format, soars into 4DX with fire-breathing effects, like air bursts in front and behind, sudden drops, windstorms and water sprays. Because nothing says bonding like braving a splash zone together in matching ponchos.
You’ll want to hold onto your popcorn too, because the motion will test you, especially when you’re dodging mid-air dragon battles. Just don’t let Dad ask the Cineworld team if they can “turn down the effects” (spoiler: they can’t).
This Father’s Day, take Dad on the adventure of a lifetime with How to Train Your Dragon in 4DX – only at Cineworld. 4DX launches you into the skies with swooping seat movements that track every aerial battle, and environmental effects that whip from fire to fog. Just make sure Dad doesn’t toss any of his popcorn in the air, as dragons might mistake it for a snack.
To prepare the nation, Cineworld has dropped a video guide featuring Gerard Butler and his young co-star, Mason Thames, who offer survival tips on how to train your dad in 4DX.
Gerard Butler declared “I’m Scottish, fear’s not in my vocabulary.” before being rocked, shaken and sprayed in his seat, with a death grip on the armrest.
Give Dad a Father’s Day he won’t forget with the 4DX Gift experience for 2 – and remind him there’s no need to give his seat a pep talk before it starts moving. As for the bubbles? They’ll arrive when the dragons see fit.
Grainne Clarke, Head of Corporate Sales & Partnerships at Cineworld, said: “With two 4DX tickets and matching ponchos, our Father’s Day 4DX Gift Experience is part bonding exercise, part survival test – just enough splash to test Dad’s bravery and see who flinches first.
“Expect airborne popcorn, dragon breath, and a cinema seat with a mind of its own. This is extreme cinema – not for the faint-of-heart. Or faint-of-poncho.”
4DX Gift experience for 2 is available now while stocks last – in Cineworld 4DX foyers or online at Cineworld.com
Not sure your Dad can handle the thrill of 4DX?
We’ve got more heroic gift ideas – from a Cineworld Gift Card (with a FREE How To Train Your Dragon Gift Wallet, when bought in-cinema) to a 3-Month Unlimited Gift for all the upcoming summer blockbusters! Available in-cinema and online.
A SCREEN ICON RETURNS!SCOTLAND’S FLAGSHIP CINEMA, ‘FILMHOUSE’ IN EDINBURGH REOPENS ITS DOORS TO THE PUBLIC ON 27 JUNE 2025
REOPENING MARKS THE CULMINATION OF A THREE-YEAR ‘OPEN THE DOORS’ CAMPAIGN THAT HAS ATTRACTED ATTENTION AND SUPPORT FROM CINEMA’S FINEST TALENT AND FILM FANS BOTH LOCALLY AND AROUND THE WORLD
THE MUCH-LOVED FILM HUB ENTERS A NEW ERA WITH A NEW OUTLOOK AND NEWLY REFURBISHED SCREENS
This summer marks the long-anticipated return of Scotland’s leading independent cinema. On 27 June 2025, Filmhouse opens its doors and looks to the future as a home for community connection and cinematic discovery.
Following a £2 million refurbishment, Filmhouse returns with new leadership, a vision which builds on the venue’s legacy as a space for learning and discovery, and a commitment to building a sustainable future for this iconic cultural landmark.
With, ultimately, a total capacity of 350 seats, the venue will once again be a hub for film enthusiasts, offering a cutting-edge cinematic experience, a vibrant social space, and a platform for film lovers and filmmakers to engage with the very best in global cinema. Previously a three-screen venue, the new Filmhouse will become a four-screen cinema and will be unveiling a fourth screen with a capacity of 24, allowing for an even more expansive programme, as well as being available for private screenings and hires.
Opening on 27th June are the beautifully refurbished screens 1, 2 and 3 and all the public areas. Screen 4 will open later in July as part of a second phase of work and fundraising also continues for some remaining elements of the project.
Following its closure in October 2022, the reopening of Filmhouse marks the culmination of a three-year long campaign to save the historic cinema backed by film lovers in Edinburgh, Scotland, and around the world and by A-list film talent including patrons Jack Lowden and Charlotte Wells, as well as Dougray Scott, Brian Cox, and Emma Thompson.
The cinema will relaunch with a programme of films missed during the venue’s two-and-a-half-year closure.
The cinema has been brought back to life by a group consisting of Filmhouse Chair Ginnie Atkinson, Head of Programming Rod White, cinema strategist at Mustard Studio, James Rice, Technical Manager David Boyd, and strategic financial consultant, Mike Davidson.
The group is now joined by newly appointed Executive Director Andrew Simpson and a raft of new staff members. The cinema rebuild is designed by Unick Architects and built by Clark Contracts.
This next chapter for Filmhouse has been shaped by extensive research, expert consultation, and overwhelming community and industry support that emerged in the wake of its closure – notably through the Open the Doors crowdfunding campaign.
A successful campaign
With support from Screen Scotland, the reopening of Filmhouse began with the Filmhouse team negotiating with the building’s owners, Caledonian Heritable, to lease the building back for a minimum twenty-five-year period as a modern cinema space, before raising capital funding to refurbish the building.
Funding came from a successful ‘Open the Doors!’ Crowdfunder campaign which launched in September 2023 and has raised over £324,000. The project also fitted the criteria for the UK Government’s Levelling Up Community Ownership Fund (COF), which has supported community groups to take ownership of assets and amenities at risk of being lost. COF granted Filmhouse £1.5 Million with other capital funding coming from a raft of donations and from Trusts.
Further project support came from major funder Screen Scotland and Creative Scotland, and the City of Edinburgh Council.
In July 2024, the cinema’s 25-year extendable lease was signed, and in February this year contractor, Clark Contracts, began refurbishment work on the cinema.
State-of-the-art facilities in a historic building
Filmhouse’s historic home is a repurposed church on Edinburgh’s Lothian Road which has been a cinematic landmark since 1978. Originally opening with a single 90-seat screen, the venue expanded over the years to include three screens, a bustling café-bar and a welcoming front entrance, becoming a cherished gathering place for filmgoers.
Before the relaunch of the cinema, the building has undergone substantial repair work to the roof and stonework alongside an entire refit inside the cinema.
Filmhouse’s technical capabilities include 70mm, 35mm, 16mm, 8mm, and digital projection. The cinema also includes a Clipster Unit for creating Digital Cinema Packages (DCPs) required for festival and theatrical distribution.
Comfortable seats and a new food and drink offer
Comfort has been prioritised across the new Filmhouse. Film-lovers can expect extra legroom and comfortable seats across the cinema’s screens, alongside a completely reworked foyer space.
The Filmhouse Bar has also been completely refurbished and will be able to seat 100 people for lunch and dinner, with drinks available throughout the day, catering for the many communities who enjoyed the welcoming atmosphere, and placing an emphasis on produce from Edinburgh and Scotland, offering great food and drink alongside environmental sustainability. Filmhouse fans will be pleased to know that the cinema’s world-famous nachos are staying put too.
The cinema will announce new membership offers and multiple-tier ticket pricing over the next few weeks.
A wide-ranging film programme
Filmhouse has long been celebrated as a cultural cornerstone, showcasing world cinema in all its brilliance and diversity, from crowd-pleasing favourites and family films to avant-garde arthouse works, restored classics, and curated retrospectives.
Alongside this, the cinema will also look to screen events such as National Theatre Live and live Metropolitan Opera broadcasts for the first time, with more details to be confirmed in the coming months.
Details of Filmhouse’s involvement with this year’s Edinburgh International Film Festival are yet to be announced.
Embedded in the community for everyone
Filmhouse will continue to prioritise its education and outreach work with facilities to inspire anyone with an interest in film.
A Learning & Engagement Officer has been appointed by the cinema, supported by a grant from the City of Edinburgh Council, and there will be forthcoming collaboration with the National Film and Television School’s Sean Connery Talent Lab, whose graduation shows will take place at the Filmhouse this summer.
The stage is set, the screens are ready, and the story of Filmhouse continues.
Andrew Simpson, Executive Director of Filmhouse, said: “The love for Filmhouse never went away, it was just waiting to be reignited.
“The incredible response to its closure showed us how vital this space is, not just for Edinburgh, but for audiences across Scotland and beyond.
“We are returning with fresh energy, a clear plan for the future, and a commitment to delivering world-class film experiences for everyone. Filmhouse belongs to its community, and we’re excited to welcome people back.”
Patron Jack Lowden said: “Filmhouse is a place utterly dedicated to the promotion and celebration of independent cinema. Films need to be watched, not just made. Now, after months of hard work, the incredible team at Filmhouse have managed to pull one of Scotland’s few truly independent cinemas back fae the brink.
“To have such a place on the streets of our capital providing the platform to give our world class filmmakers and storytellers the lift off they need, and continue to ask the big questions of ourselves through cinema, is exciting and vital.”
Patron Charlotte Wells has said: “The Filmhouse was an essential part of my own story and I’m delighted it can continue to be that for others too through its film and education programming and its role as a public forum for film lovers.
David Smith, Director of Screen Scotland said: “Reopening Filmhouse has been the mission for many people across the last three years.
“From the moment it closed the Screen Scotland team were working to get Filmhouse back. In the end that effort, our support, became focused around Ginnie, Rod, James and David and it was those four individuals who put in hours upon hours of hard work that made it a reality.
“Edinburgh – and everyone who loves film – owes them and the thousands of people who supported their crowdfunder a huge thank you. The revitalised, reimagined, reborn Filmhouse will bring back all that was lost and much more, and once again be the heart and home for cinema culture in Edinburgh.”
Councillor Margaret Graham, Culture and Communities Convener, said: “It is wonderful that the Filmhouse will be opening its doors once again. I am sure that many people across Edinburgh and beyond will be looking forward to this event.
“This much-loved cinema is both a community hub and cultural asset for the city. Its refurbishment will allow even more people enjoy the magic of global cinema in the heart of the city. I look forward to seeing the programme of events that will be on offer once the Filmhouse opens for business.”
Scottish Secretary Ian Murray said: “It’s blockbuster news that the much cherished Filmhouse in Edinburgh is re-opening its doors after three years.
“Thanks to £1.54 million UK Government funding and much hard work from the Filmhouse team and partners, cinema-goers are set for a thrilling experience in a fully refurbished venue that meets modern audience expectations. I can’t wait to take in a movie there.”
This Christmas, Love Actually, perhaps one of the most quotable and adored Christmas films of all time, will be presented live in concert, with a full orchestra playing its score live-to-film.
The film will be brought to life on a 16-date UK wide tour, following a sell-out run last Christmas. Kicking off on 28th November in Poole and taking in all major cities across the UK, the tour will run right up until the 17th December.
‘A stunning orchestra provides the perfect festive ambience.’Yorkshire Live
‘The whole performance was simply spectacular, enhancing the magic of this classic Christmas movie tenfold’Bournemouth Echo
The score for Love Actually was written by Golden Globe®, BAFTA and Emmy-winning Scottish composer Craig Armstrong OBE, known for his work on films such as Me Before You, Moulin Rouge, Far From The Madding Crowd and Elizabeth: The Golden Age.
The score and music for Love Actually is considered some of the most recognisable across the modern romcom genre, featuring covers of Mariah Carey’s All I Want For Christmas Is You and the Troggs’ Love Is all Around.
Written and directed by Richard Curtis, Love Actually follows 10 different, yet interweaving stories of love around the festive period, involving a variety of individuals, many of whom are interlinked as the plot progresses.
The film boasts an all-star cast, featuring Liam Neeson, Colin Firth, Laura Linney, Bill Nighy, Martine McCutcheon, Alan Rickman, Emma Thompson, Keira Knightley, Rowan Atkinson, Martin Freeman and many more.
Tour dates:
28th November Poole Lighthouse 29th November Portsmouth Guildhall 30th November Brighton Centre
1st December Liverpool Philharmonic Hall 3rd December Manchester Bridgewater Hall 4th December Southend Cliffs Pavilion 5th December Bath Forum 6th December London Eventim Apollo *Matinee and evening performances 7th December Sheffield City Hall 8th December Glasgow Royal Concert Hall 10th December Aberdeen P&J Live 12th December Birmingham Symphony Hall 14th December Edinburgh Usher Hall 15th December Nottingham Royal Concert Hall 16th December York Barbican 17th December Bradford Live
Film fans, families and comic book enthusiasts are invited to rediscover the original big screen superhero team as a series of classic X-Men films return to the big screen at Vue this month.
Marking 25th anniversary of their big screen debut, Marvel’s mutant team-up including favourites such as Cyclops, Storm, Professor X and a career defining role for Hugh Jackman as Wolverine has gone on to become one of the genre’s most beloved franchises with some of the cast even returning in the upcoming Avengers: Doomsday.
Back from today, Friday 16 May, X-Men and X-Men 2 introduces us to the world of the X-Men as Professor Charles Xavier (Patrick Stewart) and his band of heroes must protect the world, and mutant-kind themselves, from the evil forces such as Sabretooth, William Stryker and the legendary villain Magneto (Ian McKellan).
Revisiting the origins behind the friendship and mortal adversary between Professor X and Magneto (this time played by James McAvoy and Michael Fassbender), X-Men: First Class and X-Men: Days of Future Past dives back into the 1960’s & 70’s to explain how the team originally learned how to control their powers and got together from Friday 6 June.
The series most acclaimed spin-offs will also be returning to the big screen as the beloved final tale starring Hugh Jackman’s Wolverine Logan, sees the character embark on a claws out adventure with a mysterious young girl who is showing similar mutant powers to him on Friday 13 June.
Robert Smith, General Manager of Vue Edinburgh Omni, said: “With fantastic stories and climatic action sequences, superhero films have easily become one of the most popular genres to catch up on the big screen.
“That’s why we’re hugely excited to bring one of the first franchises to start it all, The X-Men, back to Vue – offering a way for families and fans to enjoy their favourite mutant moments on the big screen.
“Whether you’re a fan of the original films, the prequels versions of the team or just excited to rewatch these adventures before the X-Men show up in the MCU with Avengers: Doomsday next year, we welcome fans to enjoy these films as they’re meant to be seen on the big screen at Vue.’
Edinburgh International Film Festival (EIFF) has announced the world premiere of Ben Wheatley’s ingenious new film BULK as the opening night film of the Festival’s Midnight Madness strand.
Produced by Andy Starke of Rook Films and financed by Film4, BULK marks a return to the thrillingly free-spirited filmmaker’s homegrown, kaleidoscopic works In The Earth and A Field in England. Executive producers for Film4 are Ollie Madden and David Kimbangi.
BULK will be presented as part of EIFF’s Midnight Madness strand which runs throughout the Festival and unleashes the very best in new genre cinema from around the world.
Edinburgh International Film Festival will run from 14-20 August 2025. Building on EIFF’s reinvigorated vision under new leadership from CEO and Festival Director Paul Ridd and Festival Producer Emma Boa, the Festival will continue to accelerate the discovery of new film talent and engage with audiences, industry members and local, national and international media.
Paul Ridd, CEO and Festival Directorof EIFF, said “I have been sworn on pain of death to not give too much away about BULK!
“Suffice it to say this is a truly unique film that took our breath away then fried our brains. We could not think of a better way for us to launch the second year of Midnight Madness at EIFF than with a new trip from a true visionary of cinema.
“It is guaranteed to bring the house down in August. Bring it on!”
Ben Wheatleysaid: “I’m very excited and proud to be premiering BULK at Edinburgh International Film Festival’s Midnight Madness.
“This is a midnight film through and through. Car chases, gun fights, sci-fi and romance. Thanks to Edinburgh for having us. It’s going to be a wild night.”
Ollie Madden, Director of Film4 comments: “Ben Wheatley is one of a kind, and BULK is truly the result of his unique and brilliant filmmaking brain.
“It was an honour to work with him on this secret project, for which Midnight Madness at EIFF is the perfect launchpad. Can’t wait for it to surprise and delight audiences in the way it did us!”
Helmed by CEO and Festival Director Paul Ridd and Festival Producer Emma Boa, the Festival team aims to create a world-class showcase for independent film and filmmaking talent.
Ridd is supported by the EIFF Board, led by Chair Andrew Macdonald of DNA Films, producer of the iconic Edinburgh-based film Trainspotting; and Vice Chair Amy Jackson, producer of BAFTA award-winning indie, Aftersun; as well as Peter Rice, former Chairman of General Entertainment at Disney and President of 21st Century Fox; Teresa Moneo, Director of UK Film, Netflix; Isla Macgillivray, Partner at Saffrey; and Romana Ramzan, Producer at No Code Studio.
More information will be released on the 2025 Festivalin the coming weeks.
