BPS survey reveals high level of parents’ fears about effect of pandemic on primary school playtime
A survey for the British Psychological Society (BPS) has revealed that more than three-quarters of parents of primary-aged children believe play is now more than or just as important as academic catch-up, amid fears the pandemic has reduced opportunities for their children to engage in playtime at school.
Almost all parents who responded to the BPS survey said access to playtime in the primary school day was important for their children (96 per cent).
Yet research shows that since 1995, children’s break times in the school day have been reduced by 45 minutes a week, resulting in eight out of ten children now having less than one hour of physical activity per day.*
As a result of the findings, the BPS is launching a Time to Play campaign to put more play back in the school day, restore the playtime eroded and reverse the negative impact on children’s wellbeing and development.
The YouGov survey, commissioned by the BPS, had more than 1,500 respondents from across the UK. Key findings include:
96 per cent of parents surveyed said access to playtime in the school day was either very important (79 per cent) or important (17 per cent) for their children
79 per cent of parents said play was more important or equally as important as academic catch up for their children post-pandemic.
69 per cent were very or fairly concerned that the pandemic has impacted on the opportunities their children have for unstructured playtime at school.
61 per cent ranked social development as the most important benefit of play to their child.
Dr Dan O’Hare, co-chair of the BPS Division of Educational and Child Psychology, said: “It’s clear from the survey findings that play is valued highly by parents. We now need the government to take bold action and prioritise school playtime for our children’s development.
“This isn’t an ‘ask’ for more playtime, it’s about reclaiming what has been lost. There needs to be adequate support, funding and resources for teachers who are already under increasing pressure to deliver the curriculum.”
The campaign will urge the government to put back 10 minutes each day onto school playtime, effectively reversing the years of decline by restoring 50 minutes spread over a week.
In June this year, in a Statement to Parliament on the education recovery programme, the previous Education Secretary Gavin Williamson said the next stage of the government’s recovery plan would include a review of time spent in school and college. The findings of the review are scheduled to be set out this year.
Against this backdrop, the BPS is calling for a focus on unstructured, child-led play in school, highlighting its benefits including aiding social development, problem solving and physical development as vital priorities alongside academic catch-up.
Dr O’Hare added: “We know that pre-pandemic children’s playtime has been eroded and now, against the landscape of ‘academic catch up’ after lockdowns, closures and pressure on children and schools, this issue is even more urgent.
“Reduced opportunities to play will likely have a negative impact on the wellbeing and development of children, and it is vital that we don’t forget that children have also missed out on play with their friends, physical activity and fun.
“It’s important to understand the role play has in children’s development to really understand why we are campaigning to get more play in the school day. Play is fundamental to children’s health and wellbeing. It can develop children’s skills in coping with challenge, facing uncertainty and how to be flexible and adaptable to different circumstances.
“The intrinsic value of play is that it brings entertainment, enjoyment and freedom to children. It is important that there are opportunities for all children to have high quality play throughout the school day, regardless of their needs, skills and abilities.”
‘Great presence, energetic style, full of talent’ – BBC Studios
‘ A confident, engaging and extremely likeable host’ – Dabster Productions
‘Zara is a compelling storyteller and powerful speaker who clearly wants to make a positive impact on the world.’ – Pinky Lilani CBE DL, Women of The Future
Scottish-Pakistani comedian shortlisted for the Comedy Writing Award 2021 and Comedy Shorts Award 2021
Scottish-Pakistani comedian Zara Janjua has been shortlisted for two Funny Women Awards this year. She is one of 10 comedians listed for the Comedy Writing Award, sponsored by Sky Studios and is also up for the Comedy Shorts Awards, sponsored by NextUp Comedy.
Funny Women is an important industry platform for women looking to break into comedy. So far, over 4,000 gob-smackingly talented comics have taken part in 17 competitions, and their alumni include, Sarah Millican, Zoe Lyons, Sarah Pasco, Katherine Ryan, London Hughes, Desiree Burch, Kerry Godliman, Rachel Parris.
Comedy writer, Zara Janjua entered a pilot for her sitcom ‘Doulas’, a story about a Scottish-Pakistani Muslim news presenter who is having baby with a sperm bank. The former STV News presenter turned to comedy in 2016 and won a spot in the BBC Comedy Writers Room, ITV 50:50 Female Pilot Club and was recently awarded a runner-up prize for comedy writing with the David Nobbs Memorial Trust.
She said: “I am genuinely thrilled to be on the shortlist for these two awards, alongside some incredibly talented women. The awards are an exciting platform for women and help to create opportunities for us in the industry.”
In 2018 a study revealed that less than 11% of comedy on TV in the UK is written by women.
Zara said: “I wanted to be part of the solution and break into the boy’s club. The industry is dominated by white, middle-aged, privately-educated men. The lack of diversity means there are so many untapped pockets and untold stories out there.”
Zara’s entry for the Comedy Shorts Award ‘Match of the Yesterday: Euro 1314’ was a collaboration with Mid-Brow and was released during the Euros ahead of the Scotland-England game. She plays a medieval news presenter during the Battle of Bannockburn. It is available on the BBC iPlayer.
Finalists will be announced on September 14th and award ceremony takes place on September 24th at the Bloomsbury Theatre, London.
Winners receive cash prizes, mentorship from Funny Women and the Comedy Shorts winner will also receive a funded development prize.
Edinburgh Festival Fringe gets underway with dynamic programme of over 700 in-person and online shows
Today, Friday 06 August, the world-renowned Edinburgh Festival Fringe officially comes to life with an exciting hybrid programme of over 700 in-person and online shows.
From 06 – 30 August, Edinburgh will once again be host to a diverse and exciting selection of work from the worlds of theatre, dance, circus, comedy, music, musicals and opera, cabaret and variety, children’s shows, spoken word, exhibitions, events and more.
This year’s Fringe also features a scaled-back programme of street events in managed locations; a range of community engagement work, including the return of Fringe Days Out; and a programme of activity for artists and arts industry professionals via Fringe Connect and Fringe Marketplace.
All work is being delivered in strict accordance with Scottish Government covid-19 guidance, to ensure a safe, secure and enjoyable festival for artists, audiences and residents. More information can be found below.
Commenting on the launch of the festival, Shona McCarthy, Chief Executive, Edinburgh Festival Fringe Society, said: “The Fringe is always a remarkable feat, but this year, it’s nothing short of extraordinary.
“In the face of complex restrictions and enormous challenges, the Fringe community has created a diverse and engaging programme of over 700 shows to entertain us, bring us joy, and ultimately, do what culture does best: tell stories that help us understand where we are, what we’ve been through, and where we need to go.
“I’m enormously proud of the artists, venues, creatives and workers that have made this festival not only possible, but safe, engaging and entertaining. It’s so good to be celebrating the Fringe again this August, and I’d like to thank every artist, producer, worker, audience member, funder, sponsor and supporter that has got us here today.”
Phoebe Waller-Bridge, President, Edinburgh Festival Fringe Society, said: “The Edinburgh Fringe is BACK! In an act of pure artistic heroism, the Fringe Society and thousands of artists, writers, dancers, actors, designers, comedians, musicians and creatives have fought to bring this festival back to the streets of glorious, glittering Edinburgh. We have a lot of time to make up for and this festival is more than ready for you.
“With hundreds of live and online events you can see as many shows in a week than you would have in the whole of last year and we are finally able to reconnect, inspire, surprise, and entertain each other like we used to. I have never wanted to have a leaflet thrusted at me more. We’re being offered a giant cultural sprinkler after a year of drought and I can’t wait to jump through it, shrieking, with you all.”
Benny Higgins, Chair, Edinburgh Festival Fringe Society, said: “The Edinburgh Fringe is a remarkable arts festival that has created an unparalleled legacy for the city and the country, and it will have an important part to play in how we move forward after such a difficult period.
“The cultural value that the Fringe holds is enormous, and its launch today is the first step on a long road to recovery – for the festival and for Scotland. We must all play our part in ensuring an inclusive, diverse, and accessible festival for the future, with wellbeing at its heart.”
Angus Robertson, Cabinet Secretary for Culture, Scottish Government, said: “A huge amount of work has gone on behind the scenes to support the return of these globally significant cultural events and the benefits they bring to Scotland in terms of tourism, trade and our place on the world stage.
“Edinburgh’s festivals were sorely missed last summer and their return is another step in the right direction and testament to the determination of festival organisers, along with the artists, venues and businesses involved. I’m delighted that the Fringe will be able to welcome back audiences and give festival goers something to cheer this year.”
Councillor Amy McNeese-Mechan, the City of Edinburgh Council’s Culture and Communities Vice Convener, said:“The return of live August festivals events and performances truly reflects our city’s on-going recovery and, of course, our cultural DNA, and we’re delighted to see an exciting Edinburgh Festival Fringe programme.
“There’s no doubt it was greatly missed last year and it’s so lovely for our city to be welcoming audiences again to the Festivals this August. To everyone taking part, we ask you to continue to follow the safety guidance and to enjoy this year’s fantastic festival experiences safely.”
Barbara Smith, Managing Director of Johnnie Walker Princes Street, said:“As Johnnie Walker moves closer to opening the doors to our new venue on Princes Street, it’s fantastic to see Edinburgh continue to open up for cultural events, and for locals and visitors alike to enjoy the best that the city has to offer.
“The Fringe Festival will always be an important part of the city’s cultural calendar and the team at Johnnie Walker are delighted to once again support the Fringe Society in bringing the festival to life through our Fringe Club whisky bar on The Mound. We can’t wait to welcome visitors from home and away as they enjoy the best of what this world famous festival has to offer.”
In-person, online and on-demand shows
In 2021, audiences will be able to access a wide range of amazing Fringe shows through socially distanced in-person events, scheduled online performances and on-demand digital shows. Tickets and information for all kinds of registered Fringe shows – live, online, paid and free – can be found at edfringe.com.
Around 440 shows are taking place in person. Many shows are taking place in new, creative outdoor locations across Edinburgh, including a football ground, a car park and a racecourse.
Familiar Fringe operators such as Acoustic Music Centre, Assembly, Dance Base, French Institute, Gilded Balloon, Laughing Horse Free Festival, Monkey Barrel, PBH’s Free Fringe, Pleasance, Scottish Storytelling Centre, the Stand, theSpaceUK, Summerhall and Zoo are all taking part in this year’s festival with physical spaces in the city.
All in-person performances will be fully Covid compliant, following the latest guidelines on social distancing, mask wearing, ventilation and hygiene.
Currently, live events must operate at one-metre distancing. On 09 August, Scotland moves to level zero and restrictions on distancing will be dropped.
Every Fringe venue operates individually. For up to date information on capacity and distancing at individual Fringe shows, please check with the relevant venue.
In an exciting move for the festival, more than 260 shows are taking place online, providing a global platform for artists, while enhancing the Fringe’s commitment to accessibility and sustainability.
There will be two kinds of online events available this year: scheduled and on demand.
With scheduled shows, audiences can buy tickets as they would to a traditional in-person event. Shows will have a dedicated start and end time and are treated as an ‘appointment to view’ event. For on-demand shows, audiences can buy tickets to watch at their leisure.
Audiences can view Fringe shows on online platforms including the new Fringe Player streamed by Brightcove (NASDAQ: BCOV), the global leader in video for business.
Available via edfringe.com, this bespoke digital platform offers an easy-to-use viewing experience for audiences whilst giving artists a platform to present and showcase their work digitally. The player will be accessible to audiences from 06 Aug, with auto-subtitling built in. Both on-demand and scheduled online shows are available on this platform.
Where other platforms (such as Zoom, YouTube and Vimeo) are being used to host online work, information on how to access these is clearly provided at the point of purchase.
Online shows will be available to watch from August but can be pre-booked from today.
Street events
The city’s world-famous street events are returning this year, with a scaled-back programme of live performances.
A fantastic starting point for any Fringe-goer, events will run daily from 11.30am until 8.30pm in the High Street’s designated Fringe safe street performance area, West Parliament Square.
There will also be a programme of activity on the Mound, as well as additional opportunities for buskers and other street artists well known in the Fringe landscape.
All performances will be delivered in accordance with current and relevant Covid guidelines. Limits on audience numbers will be introduced in line with social distancing, and event details will be published online to audiences in advance to allow them to plan.
Strict hygiene measures will also be in place, including masks and sanitisation, to help everyone enjoy the events safely.
Community, access and learning
We are continuing to work alongside communities, venues and artists to ensure the Fringe is as inclusive as possible.
Our Fringe Days Out scheme is a long-term commitment by the Fringe Society to reach out to communities that have not traditionally engaged with the Fringe. Through this programme in 2021, we have delivered Fringe vouchers, Lothian bus tickets and access support through our 30+ community partners, including The Welcoming, The Citadel Youth Centre, Lothian Autistic Society, Vintage Vibes and Capability Scotland.
In response to some groups being unable to visit the festival in person, or being hesitant about attending, we are also continuing our Fringe in Communities programme. This will see street performers going out to locations across the city to perform during July and August.
The Fringe’s commitment to improving disabled access remains a priority. Customers with access requirements can use our Access Bookings system and search specific shows which are accessible such as relaxed, audio described, captioned and signed performances. Plus, a free personal assistant ticket is available for anyone who needs assistance to attend the Fringe. Customers can also search for shows in performance spaces with wheelchair access.
This year, we are once again providing sensory bags for children and adults on the autism spectrum. Each bag contain a fidget toy, earplugs, water bottle and a stress reliever. These items are designed to help users relax and overcome stressful or intense situations and are distributed to select partners across the city.
Our street events offering will see BSL interpretation on the West Parliament Square Stage on Saturday 21 August, and there will be a wheelchair accessible viewing area on the High Street throughout the festival.
We are also continuing Teachers’ Theatre Club, our partnership with Imaginate, which brings Edinburgh teachers to the Fringe. Each show seen will be followed by a group discussion with some of the artists and creative teams who made and/or presented the work, covering both the content of the show and how it could enhance and inform teaching practice.
And we’re making sure that Edinburgh’s schoolchildren can also take part in the Fringe fun by working with Gracemount High and selected Edinburgh primary schools to make sure they see Fringe shows too. .
Support for artists and arts industry
This year, the Fringe Society is hosting two digital platforms for artists and industry professionals: Fringe Connect and Fringe Marketplace.
Launched last month, Fringe Connect is an exciting new year-round platform, designed to bring Fringe artists together with peers and members of the arts community.
Described as ‘part social network, part events space’, Fringe Connect gives users the opportunity to populate their own profile with information about their professional experiences and interests (both Fringe-related and otherwise).
Registered users will have access to exciting industry news and opportunities, alongside access to year-round digital events aimed at supporting and facilitating professional development.
Guests and speakers during the Fringe include Lyn Gardner, Andrew Miller, Amy Conachan, Tarek Iskander, Jo Clifford and Richard Jordan, plus many more.
And after a successful pilot year in 2020, Fringe Marketplace has returned for2021. This dedicated showcase platform aims to connect arts industry delegates all over the world with professional and tour-ready artists.
The work that will appear on the platform has been selected by Fringe venue programmers and assessed by Fringe associates: an independent cross-genre industry experts who have experience and understanding of the Fringe.
Work with strategic partners
The Fringe Society is delighted to be working with three strategic partners this year: Something to Aim For, Parents and Carers in Performing Arts and Somewhere EDI. All three partnerships help us to better support and engage with significant groups of participants and understand the barriers they might be facing at the Fringe.
Something to Aim For is the charity devoted to supporting public health and (re)building social fabric through the creative industries.
Parents and Carers in Performing Arts work to promote best practice employment and support for parents and carers in the performing arts sector.
Somewhere EDI is a platform for positive LGBTQ+ culture, learning and activism, championing and empowering LGBTQ+ people to be out and visible in business, culture and in wider society.
Johnnie Walker
The Fringe Society is delighted to be working with Johnnie Walker for a third year. 2021 sees the return of the popular Fringe Club, a dedicated bar space for visitors to the festivities for the entire duration of the festival. Located on the Mound, an exciting spot with live street performances, the bar will once again serve a number of delicious highballs, cocktails and drams for guests in the dedicated whisky lounge.
Festival-goers will also have the chance to win exclusive prizes through the Johnnie Walker Ticket prize giveaway. Prizes include complimentary highballs at the Fringe Club, bottles of Johnnie Walker Blue Label, £20 vouchers for shows at the Fringe and tour tickets to Johnnie Walker Princes Street. With each ticket bought via the Fringe, customers can click on the ticket banner in their booking confirmations to be entered into the prize draw.
Edinburgh Gin
2021 is the first year of our exciting new partnership with Edinburgh Gin, who are working to support Fringe artists affected by the pandemic.
The team have collaborated with Fringe Society president Phoebe Waller-Bridge to create a special limited-edition bottle, which captures the wonder of Edinburgh through the lens of Fleabag.
Every penny of profit will go towards a new fund, being run in partnership with the Fringe Society, which will support artists to create and bring work to the Fringe. More than £150,000 is hoped to be raised.
Sponsors and supporters
As a charity, the work of the Edinburgh Festival Fringe Society would not be possible without the valuable support of our partners, sponsors and funders. We are delighted to be working with Johnnie Walker for the third year running as our official whisky partner.
We are proud to be partnering with the newly opened St James Quarter and are excited to be working with them this year and beyond.
We are excited to be partnering with Crowdfunder again through our FringeMakers fundraising platform, supporting Fringe artists and venues with vital fundraising efforts.
We have teamed up with Rare Birds Books to a create a limited-edition book bundle with books selected by the women behind three of the Fringe’s most iconic venues; Rowan Campbell, the General Manager of Summerhall, Dani Rae, the General Manager of Assembly and Katy Koren, who co-runs Gilded Balloon. Proceeds of the sale of this bundle will support go directly to supporting Fringe artists bring work to the Fringe.
We would also like to thank Lothian Buses for their continued support of our Fringe Days Out programme.
We’re thrilled to welcome Edinburgh Gin on board as Official Gin of the Fringe and look forward to working with them.
We are grateful for funding through the PLACE Programme, a partnership between the Scottish Government -through Creative Scotland -the City of Edinburgh Council and Festivals Edinburgh; Scottish Government for Made in Scotland through the Festivals Expo Fund -managed through Creative Scotland -and the continued support of the City of Edinburgh Council. Thanks also to Scottish Government for funds from their Get into Summer campaign.
We are grateful for funding from the Pivotal Event Business Fund, the SCVO Adapt and Thrive programme, the Foyle Foundation and the UK Government to enhance our digital capabilities.
Our thanks also to the Paul Hamlyn Foundation, the Pump House Trust and the Turtleton Charitable Trust.
With thanks to EventScotland and City of Edinburgh Council for supporting Street Events.
Thank you to Brightcove, our streaming partners, for their support in delivering the Fringe Player.
Our thanks also to our Fringe Angels, Patrons, Friends and supporters whose passion and generosity made a real difference this year.
World leading festivals begin bounce back from impact of COVID-19
Edinburgh’s world-leading summer festivals are back, with their recovery from the impact of the COVID-19 pandemic supported by more than £5.4 million from the Scottish Government.
The Edinburgh Festival Fringe opens today, followed by the Edinburgh International Festival (EIF), with the Edinburgh Art Festival already open.
The Edinburgh International Book Festival will open a new chapter in a new venue on August 14, and the Edinburgh International Film Festival will welcome audiences from August 18.
The Scottish Government’s Gateway process has also allowed a small number of flagship events with national significance to take place in 2021, with limited numbers of spectators and subject to health advice, and both the EIF and the Fringe will stage events as part of the process.
Cabinet Secretary for Culture Angus Robertson said: “Edinburgh’s festivals are back – a significant moment for these landmark, world-leading events, and for our nation’s capital.
“The festivals were sorely missed last summer, and their return is a major step in the right direction as well as testament to the determination of festival organisers, along with the artists, venues and businesses involved.
“Already a huge amount of work has gone on behind the scenes to support the return of these globally significant cultural events and the benefits they bring to Scotland for our culture, for tourism, for trade and our place on the world stage.
“I’m delighted to welcome the Edinburgh Festivals’ return and see the world’s leading festival city come back to life in 2021.”
Chair of Festivals Edinburgh Sorcha Carey said: “The support of the Scottish Government and its agencies has been crucial to the very survival of our world-famous festivals, and we’re deeply grateful.
“All those who’ve worked tirelessly and are now able to manage a careful restart will be delighted to reconnect the people of Scotland with the live culture they’ve so badly missed.
“We want to support the vision of the First Minister and her team that culture will be at the heart of recovery, and we look forward with hope that Edinburgh’s peak festivals season can mark a turning point for Scotland’s culture sector.”
The award-winning Grid Iron Theatre Company is pleased to announce further details for its hugely anticipated outdoor, site-specific staging of Doppler, an adaptation of the best-selling novel by Norwegian author Erlend Loe.
The world premiere will take place in the woods of Newhailes House on the outskirts of Musselburgh between 8th and 23rd of August (no shows on 10th, 17th and 19th) with previews on 6th and 7th.
Tickets go on sale today at 12 noon on edfringe.com.
The show will be staged in front of a small number of people to allow for social distancing and therefore audiences are encouraged to book early to avoid disappointment. Tickets for Doppler will be released in batches to coincide with the changes in Covid-19-related restrictions with further ticket release announcements taking place on Grid Iron’s social media.
I am a man of my time. A failed man of my time. Or just a man of a failed time. Depending on how you look at it.
Doppler had everything. He thought. Wife, two kids, 23 hour working week, time to ride his bicycle. Until the accident. Now he lives in the forest with an elk… Doppler is a funny and subversive fable about existence, consumerism and trying to live life in isolation when nobody will leave you alone.
Adapted and directed by Ben Harrison from the translation by Don Bartlett and Don Shaw,with dramaturgy by Eszter Marsalko, Doppler is produced by Judith Doherty with a cast that includes Keith Fleming, known for his role of Lesley in Outlander, in the eponymous role with Grid Iron-regular Sean Hay and Chloe-Ann Tylor known to wider audiences from Citizen Theatre’s Trainspotting portraying all the remaining characters.
The Company is also working with several talented freelancers, including Fergus Dunnetwho is producing the puppets for the show, Nik Paget-Tomlinson on music and foley, David Pollock on music and Becky Minto who is responsible for design.
Judith Doherty, Grid Iron’s Chief Executive and Co-Artistic Director said: “Doppler is back and this time he is LIVE! We are beyond excited to finally be able to confirm the details for the world premiere of Doppler. It has truly been a roller-coaster of a ride and we are so delighted to now be on terra firma and able to welcome our audience in person.
“We also want to say a massive thank you National Trust for Scotland for hosting Doppler and to all the wonderful staff and volunteers at Newhailes House and Gardens. We look forward to welcoming our audiences to the beautiful, shady woodland of Newhailes on the 6th August!”
Doppler was originally planned to be performed at Edinburgh Festival Fringe in 2020 but had to pivot to a digital sharing in light of the Covid-19 related restrictions.
With only a few days of outdoor filming achieved due to Storm Francis, the Company decided to instead produce a documentary film charting the story of the show and its production, Doppler – The Story so Far, which was released for free in March 2020 and watched by almost 10,000 people worldwide. You can watch the documentary on the Company’s website.
Grid Iron, one of Creative Scotland’s Regularly Funded Organisations, is grateful to be one of a group of 15 shows and five venues awarded first ever Fringe Artist and Venue Recovery Fund.
This generous support goes toward presenting a BSL-interpreted sharing of Doppler which will take place on Saturday, 14th August at 2pm and on Saturday, 21st August at 6pm.
Tickets starting from £8 are on sale at 12pm on Thursday, 22 July via edfringe.com.
Dates, times, prices:
• Aug 6-7 14:00 – £8.00
• Aug 8-9,11-16,18,20-23 14:00 – £15.00 (£8.00 concession)
• Aug 14-15,18,20-22 18:00 – £15.00 (£8.00 concession)
Running time: 1 hour and 30 minutes
Age recommendation: 14+
#DopplerShow
Facebook and Twitter: @GridIronTheatre
Grid Iron Theatre Company
Grid Iron are an Edinburgh-based theatre company who, following their incorporation in 1995 and their first show Clearance at the Traverse, Edinburgh, swiftly gained a reputation for creating high-quality, high profile shows.
The Company went on to specialise in presenting shows in unusual locations. They are a new writing company who work in challenging sites that lend themselves especially well to Grid Iron’s taut production style. Occasionally they create work for the stage or use theatre buildings in a site-specific, promenade manner.
In 1997 Grid Iron produced their first full-scale site-specific production, The Bloody Chamber, their adaptation of Angela Carter’s Bluebeard fairytale, which they presented in famously haunted underground vaults beneath Edinburgh’s historic Royal Mile.
It was the company’s first appearance at the Edinburgh Festival Fringe and, by the opening night, the show had sold out for its entire three-week run. Awards: Herald Angel for Outstanding Contribution and Achievement in Theatre and Total Theatre Nominations for Best Newcomers and Best Design.
We are very pleased to announce that the Tolpuddle Martyrs’ Festival 2021 will be hitting your screens again this weekend.
With Covid restrictions still uncertain for large events, together with our unions and sponsors, we are organising yet another packed agenda online.
From Friday 16th – Sunday 18th July 2021, we will be bringing you discussions, debates, radical history lessons, lots of music and all the best of the Festival straight into your living room.
Edinburgh Jazz & Blues Festivalis back for 2021 with an exciting programme showcasing the amazing music coming out of Scotland! We can’t wait to welcome you online and in-person at Assembly Roxy.
Live Assembly Roxy
We are delighted we can welcome some small, socially-distanced audiences to Assembly Roxy over the ten days of the festival. We have 20 concerts with live audiences. Tickets are priced at £20 per person and are sold in bubbles of 1 or 2 people to allow us to seat you safely. Please note that our capacity is very limited so book early!
All of our live concerts will also be live-streamed so, if you can’t make it in person, you can buy a digital ticket for £10.
20 pre-recorded concerts
In addition to our live concerts, we also have 20 pre-recorded online concerts, each costing £10. All our online content is available for 72 hours so you can watch at your leisure!
Concerts will be sold individually, but you can buy a Festival Passgiving access to all 40 online concerts, plus a few exclusives, for just £40!
ASPIRING musicians from Edinburgh College blew care home residents away during a private garden concert.
The three performers, Nualla Macgregor, Seonaid Wilson and Chloe Mak, visited Mansfield Care’s Pine Villa to deliver an outdoor musical extravaganza consisting of singing, piano, clarinet and clarsach – a Celtic harp.
Inspired by a class project, the group, NCS Collective, chose to play for the Midlothian-based care home after it was recommended to them by a teacher.
Band member, Seonaid said: “After hearing about the concerts our teacher had performed at Pine Villa, and how much the residents loved it, we all decided to perform there ourselves.
“It was our first concert out of lockdown and first concert at a care home so we were especially keen to organise a socially distanced performance to bring some in-house entertainment while venues are still closed.
“It was amazing to finally be able to make music again and perform for other people. It was really gratifying.”
After hosting a successful concert in April, the group were eager to schedule a summer performance in the sunshine.
The band perform a variety of songs from Disney anthems to The Beatles and are all selected by the residents themselves.
Clarsach player, Nualla, added: “It’s important to us that we perform songs the residents want to listen to, so we prepare a questionnaire with lots of different choices for residents to fill out.
“From there, we compile a set list and rehearse together ahead of the concert. Some top picks included Abba, Disney, The Beatles and pop songs – which were all so fun to perform and very different from our usual classical music set list.”
“We’re hoping to keep this going on a regular basis and arrange for concerts every couple of months if we have the time and if the residents want us back.”
Denise Williams, Pine Villa Care Home Manager in Loanhead, said: “It was amazing. We had residents tapping their feet and singing along, they really enjoyed it.
Margaret Morton, resident at Pine Villa said: “It was lovely sitting in the sunshine listening to the music.
Rena Flavell, resident at Pine Villa added: “The harp music was very special, it was all really lovely.”
20 year old Chloe said: “It was a great time! I think both the staff and residents really enjoyed it. The residents loved seeing all of our individual instruments and talents, so we prepared more solos as well as ensemble pieces.
“As classical performers, this isn’t something we usually get to do, so seeing how much everyone at Pine Villa enjoyed our performance was really inspiring and has definitely encouraged us to go back.”
Mansfield Care specialise in small, friendly residential care homes in Edinburgh, Borders and west of Scotland; each designed to an exceptional standard with state-of-the-art facilities.
The Mansfield Care ethos is inspired by the kind of care we would wish for ourselves in later life – supportive, friendly, bright, positive, empathetic, respectful and homely.
A brand new production of The Cher Show will open next year, with book by Tony and Olivier Award-winning Rick Elice (Jersey Boys, The Addams Family, Peter andthe Starcatcher), direction by Arlene Phillips (Saturday Night Fever, Starlight Express, Grease), choreography by Oti Mabuse (two-time Strictly Come Dancing champion) and costume design by Gabriella Slade (Six, In The Heights, Spice World 2019 Tour).
The tour will open at Leicester’s Curve on 15 April 2022 and will continue through to 1 April 2023.
Arlene Phillips said of directing The Cher Show, “I have been a fan of Cher since I first heard I Got You Babe in the mid-sixties and cannot wait to direct her musical. I love stories about strong inspirational legends like Cher and I am proud to be joined in the creative team by two women who have already made a huge impact in their careers: Oti Mabuse as choreographer of the many different genres in the show and Gabriella Slade for the iconic costume designs.
“This exciting show will be a non-stop journey of Cher’s rollercoaster life, bringing to the audience Cher’s iconic songs, glorious dance numbers, unique costumes and her epic drama. All they need to do is come along and Believe!”
Oti Mabuse said, “I cannot WAIT for audiences to see what we’re doing with The Cher Show. Cher’s music covers so many styles, genres and rhythms, which makes it so exciting to choreograph.
“Every song in the show is a hit and we are going full out with exciting routines and movement. It’s going to be a party! Cher has been such an inspiration to so many people and this musical is going to be a celebration of everything people love about her.”
Gabriella Slade added, “Cher is quite literally a style icon. Her fashion moments pushed the boundaries of the time and continue to do so. I’m so excited to be taking huge influence and inspiration from these looks as I embark on creating the costume design for this new production of The Cher Show.”
From a young child with big dreams, the shy daughter of an Armenian American truck driver, to the dizzying heights of global stardom, The Cher Show tells the incredible story of Cher’s meteoric rise to fame.
Cher takes the audience by the hand and introduces them to the influential people in her life, from her mother and Sonny Bono, to fashion designer and costumier Bob Mackie. It shows how she battled the men who underestimated her, fought the conventions and, above all, was a trailblazer for independence.
The musical is packed with 35 of her biggest hits, including ‘Turn Back Time’, ‘I Got You Babe’, ‘Strong Enough’, ‘The Shoop Shoop Song’ and ‘Believe’.
With over 100 million record sales, an Academy Award®, an Emmy®, a Grammy®, three Golden Globes® and an award from The Council of Fashion Designers of America, Cher has influenced popular culture more than most.
Her on-screen career started in 1971 with her weekly television show that attracted 30 million viewers a week, and went on to include starring roles in iconic films from Moonstruck, for which she won the Oscar for Best Actress, to Mamma Mia: Here We Go Again!, which prompted the New York Magazine to realise “every single movie—no matter how flawless—would be infinitely better if it included Cher.”
Her ‘Farewell Tour’ became the highest grossing music tour in history – in true Cher fashion, she followed up her ‘Farewell Tour’ with two further sell-out, worldwide arena tours. She is the only artist in history to have a number one hit in the Billboard chart for six consecutive decades; an achievement that caused Vogue to deem her “eternally relevant and the ruler of outré reinvention”. She became known as the Queen of Reinvention.
In the 1990s, she established The Cher Charitable Foundation to support causes around the world. She has been a long-time donor and supporter of Habitat for Humanity, The Intrepid Fallen Heroes Fund and Keep A Child Alive, an organisation that helps to combat the AIDs epidemic. Most recently, she co-founded Free the Wild to help rescue Kaavan the Asian elephant from Islamabad zoo.
Written by Tony Award-winning Rick Elice, The Cher Show made its debut on Broadway in 2018 in a production that earned two Tony Awards and delighted fans from around the world. This new production will be the European premiere.
The Cher Show UK & Ireland Tour will have lighting design by Ben Cracknell and sound design by Dan Samson.
Hidden Door Festival 2021 is heading to Granton Gasworks, with the festival taking place in the shadow of the historic gas holder.The site at West Shore Road will be transformed into an outdoor celebration of music, visual art, theatre, dance and spoken word from 15 – 19 September 2021.
Organisers plan on building two stages for music performances, lighting up the gas holder to create a dramatic backdrop, with sculptures displayed throughout the site.
The large, open space will allow Hidden Door 2021 to be flexible, adapting to comply with the coronavirus restrictions in place at the time.
Over five days, the event will showcase the work of at least 30 graduates, four site artists, eight dance groups and two theatre companies, highlighting some of the best emerging talent in Scotland.
David Martin, Creative Director of Hidden Door, said: “Taking on the site of the Granton Gasworks is an exciting opportunity for Hidden Door to adapt, as we need to, in order to start bringing live events back to the city. We are used to working in the nooks and crannies of disused buildings, so moving to a big open site like this is really liberating!
“We are designing the event so that there will be enough space for everyone to be safe and to be able to accommodate social distancing if we still need to work with those restrictions, but the epic nature of the site, with the incredible gas tower landmark looming over us, means we will be able to create a spectacle and an atmosphere, and bring about the wow-factor that our audience expects from a Hidden Door venue.
“We can’t wait to get on site and start turning it into a creative and joyful showcase of Scotland’s emerging talent. Early career artists and performers have been so badly affected by the pandemic, so they are front and centre for this event, and we are looking forward to showing how much talent there is to celebrate.”
Edinburgh College, who occupy the area close to the Gasworks where the festival will be held, are enthusiastically welcoming the festival on to the site. As well as opening the gates to Hidden Door, they hope to use the festival as a training opportunity for students on a number of courses.
Jakki Jeffery, Head of Creative Industries at Edinburgh College, said: “It’s fantastic that Hidden Door have chosen this site close to the iconic Granton Gasworks to host their 2021 festival.
“It will be wonderful to see the space transformed to showcase creative talent which we hope our students can play a part in, and take inspiration and experience from to boost their future careers.”
Tickets
Tickets are available via www.hiddendoorblog.org/tickets or from Citizen Ticket. Once the full programme is announced, ticket holders will be able to select which days they would like to attend.
This year’s hybrid Festival consists of a digital programme (available to watch 25 May-6 June) and a mostly outdoor programme presented over the Festival’s two weekends (29-30 May and 5-6 June).
The Digital Programme includes a mixture of streamed performances which you can watch at any time during the Festival and innovative digital interactions presented live over Zoom (book now).
Family Encounters programme presents FREE innovative performances and activities mostly outdoor.
Events will take place in the stunning Royal Botanic Garden (book now), as well as in site-specific venues (book now).
