Over 30 opportunities for early career artists and creative practitioners aged 18-24 are being supported across the country thanks to a new Youth Arts Bursaries scheme with funding from the Scottish Government through Creative Scotland.
Twelve organisations across the country have been awarded over £270,000 to enable them to offer early career creatives the space, support, and platform to research, instigate, develop and share their creative projects.
The wide range of bursaries on offer includes opportunities in a diverse selection of sectors including visual arts, digital, crafts and traditional arts.
Among the range of opportunities, Eden Court will provide two six-month bursaries at £10,000 for a young artist to be embedded in the organisation’s engagement team with a dedicated mentor and support from creative producers. This opportunity will enable young artists to deliver a substantial project that will form part of Eden Court’s festive season offering.
The Work Room will collaborate with Barrowland Ballet in Glasgow to offer two early-career dance artists six-month bursaries, whereby financial support will enable the successful applicants to benefit from a supportive environment in which to instigate and develop their own creative projects.
In Orkney, Pier Arts (above) will offer a three-month opportunity with a two-week residency aimed at allowing an 18–24-year-old artist to engage with Pier Arts’ modernist art collection, network and meet with other professionals and experience Orkney’s unique environment.
Culture Minister Jenny Gilruth said: “The Scottish Government is pleased to provide further support to young artists and creative practitioners through Creative Scotland’s Youth Arts Bursaries. This funding will help talented young people across Scotland who have been significantly impacted by the challenges they’ve faced during the COVID-19 pandemic.
“Supporting young people is central to our approach to COVID-19 recovery and it’s good to see that these bursaries have been shaped by the young people themselves to develop specific projects to advance their artistic careers.”
The National Youth Arts Advisory Group (NYAAG) have been closely involved in the development of the programme.
Youth Arts Bursary panellist member Laura Walker said: “It was a great experience as a young person to be a part of this decision-making-panel, knowing too that other young people had been involved in the assessment process before us.
“Not only does this allow us as assessors and decision-makers to build skills and be introduced to a professional process, but it means that we have crucial youth representation throughout.”
Colin Bradie, Interim Head of Creative Learning at Creative Scotland said: “This fund, developed in direct response to feedback from young people, recognises them as professional artists and creative practitioners, and provides an important progression route, especially for those who lack the accessible support to develop their creative careers.
“For organisations, The Youth Arts Bursaries represent a valuable opportunity to work with young artists and creative practitioners and gain the opportunity to explore new ideas and innovative ways of working.
“We would like to thank the Scottish Government for their continued investment in young people through this vital arts funding which helps ensure opportunities for artists and creative practitioners in Scotland remain strong as we continue to emerge from the pandemic.”
Thirteen creative projects from Edinburgh-based artists and creative organisations are taking place thanks to more than £253,000 National Lottery funding through Creative Scotland.
And If Not Now When? – a new audio-visual installation being exhibited at National Museum of Scotland;Open Book – a project aimed at making literature accessible to diverse populations and Positive Imaginings, an innovative outdoor show presenting the issue of climate change for young audiences are among 44 projects in total sharing in £903,734 of funding.
And If Not Now When? (above) is a new work from sound-designer Philip Pinsky and film-maker Karen Lamond. The interactive audio-visual installation aims to inspire a re-imagining of our urban spaces and what our human experience of them is and can be.
The installation will be on public display at National Museum of Scotland, Edinburgh from 1st to 14th November 2021 (during COP26).
Co-creator and sound designer Philip Pinskysays: “Through our work we are inviting the public to experience a transformed urban reality with the aim of inspiring social change and provoking answers to the question, how can we respond to the climate emergency?”
Open Book uses literature as a tool for combating social isolation, supporting wellbeing, inspiring creativity and amplifying marginalised voices.
Open Book’s co-founder and development director Marjorie Lotfi says: “Participants describe our groups as ‘a lifesaver’, an ‘oasis’ and a ‘way to connect’ with others when they feel isolated by geography, disability or circumstance.
“Funding means we can continue this work from Shetland to Ullapool to Stranraer, in community groups, groups for the elderly and refugees and migrants, in prisons, and in public sessions in English, Gaelic, Scots and Arabic.”
Speactramis the debut album from vocalist, lyricist and poet Marcas Mac an Tuairneir. This debut release will see Marcas embrace the Gaelic language whilst showcasing musical influences from the genres of pop, pop-folk, R&B and dance.
A key element of this new work will be an exploration of LGBTQ’s place within the Gaelic corpus.
Marcas Mac an Tuairneir says: “I am grateful to Creative Scotland for seeing the worth in me as an artist and this new development in Gaelic music.
“As an urban new speaker of Gaelic, it is important to me that Gaelic arts represent the myriad experiences of the community across Scotland and in Canada too.”
Director Arran Sheppard said: “Creative Scotland funding will enable us to bring the Positive Imaginings show to communities in Edinburgh and Glasgow during COP26, giving children from disadvantaged backgrounds the opportunity to engage with the Climate Emergency in a creative and empowering way.”
Iain Munro, CEO, Creative Scotlandsaid: “Thanks to the generosity of National Lottery players who raise £34 million for good causes across the UK every week, our Open Fund awards are helping artists and creative organisations develop innovative projects that enrich the lives of people across Scotland, while raising questions about the important issues of our time and ensuring our collective creative voice continues to be heard.”
After an extraordinary 25 days, the 2021 Edinburgh Festival Fringe has drawn to a close, having brought artists, arts industry, media and audiences together once again to celebrate the magic of live performance.
This year, the Fringe looked very different. For the first time, audiences were able to engage with work both online and in-person, with performers, creators and producers embracing new ways to keep performance in our hearts and minds.
Shows happened in car parks, racecourses, tents and forests. There were brave new works-in-progress; exciting revivals; reimagined classics; solo shows; family-friendly shows; international showcases; sketch shows; interactive digital works; outdoor site-specific shows; walking tours; immersive experiences and late-night, mixed-bill, laugh-a-minute shows.
Some performers took the stage for the first time in 18 months, while others used the festival as a way of reconnecting with fellow artists and industry professionals.
There was support for arts professionals in new ways – with Fringe Connect offering a professional development, workshop and networking space for artists and industry, and Fringe Marketplace providing a digital platform to showcase export ready professional work from across the Fringe to delegates from around the world.
Our Street Events programme looked different, but was just as joy-filled as always, with everything from magic to live music happening in safe, managed locations from West Parliament Square to the Mound.
Street performers also went into communities across Edinburgh, while the Fringe Society worked with over 30 charities and community groups to distribute Fringe vouchers and Lothian bus tickets to give people the opportunity to experience the Fringe either in person or online.
The Fringe Society continued its commitment to accessibility. There was BSL interpretation of the street events at West Parliament Square, and a bespoke access bookings service on offer for customers who require it.
This Fringe was also a big step forward for sustainability. More performers marketed their shows digitally, through QR codes, social media and more. Our online strand meant less travel and a reduced carbon footprint for some participating artists, audiences and industry, extending our global reach even further.
We also strengthened the Fringe’s place in our local community. This year, over a third of audiences were from Edinburgh, and a further 17% were from the rest of Scotland. 44% were from the wider United Kingdom. Artists and creatives local to Scotland also added their stories to stages and screens in greater proportions than we have seen in recent years.
But that didn’t happen at the expense of the festival’s founding open access principle. 38 countries were represented on the Fringe this year, with work from nine countries featured as part of international showcases taking place. There was also increased international representation in proportion to the overall programme.
Commenting on this year’s festival, Shona McCarthy, Chief Executive, Edinburgh Festival Fringe Society, said: “Traditionally, this day in the Fringe calendar is all about statistics: how many shows took place, how many tickets were bought, and what that means.
“But this year, I’d like to stop defining success by scale. For me, that’s never been what makes the Fringe special. Success should be defined by the quality of experience we’ve all had – and what we’re hearing from performers and audiences alike is that this year’s Fringe has been hugely successful indeed.
“When registration opened in May, we had no way of knowing for sure what this summer would look like. Today, we celebrate every single show that has been brought to life. I’d like to personally thank and congratulate everyone that made it happen, as well as our audiences, sponsors and supporters who have cheered us on and offered much-needed support through this wild and unexpected year.
“We’ve still got work to do to ensure the Fringe recovers – but recovery isn’t about growth in the statistical sense. It’s about growth as a Fringe community. As we move forward with our Save the Fringe campaign and continue to champion this festival and the wider arts, we’ll be calling on everyone to help us shape what the future of this fantastic festival holds.”
Benny Higgins, Chair, Edinburgh Festival Fringe Society, said: “I’d like to offer huge congratulations to everyone that made this festival happen in the most challenging of circumstances.
“I’ve been blown away by the commitment, creativity and talent of those that have worked tirelessly to bring the magic of the Fringe back to Edinburgh’s streets – and for the first time – to screens around the world.
“As we look to the Fringe’s 75th anniversary in 2022, I am looking forward to being part of a wider conversation about how we make this festival the very best version of itself. This year proved that a small amount of public sector investment can bring about positive change, and it’s crucial that investment in this hugely important festival continues. The Fringe has a big role to play in our recovery, and as we look to build a renaissance for the Fringe in the future, we’ll keep working to support those that make it happen.”
Barbara Smith, Managing Director of Johnnie Walker Princes Street, said: “It’s been a fantastic month, seeing the phased return of the Edinburgh Festival Fringe and seeing Edinburgh locals and visitors get to enjoy what Edinburgh does best.
“As official whisky of the Edinburgh Festival Fringe, Johnnie Walker has celebrated the month with our residence ‘The Fringe Club’ on The Mound throughout the festival and gifting lucky festival-goers with exclusive prizes. We’ve our eyes firmly on the future, opening our doors to Johnnie Walker Princes Street on 6 September and joining in the celebrations once again in 2022.”
Next year’s Edinburgh Festival Fringe will run from 05 – 29 August 2022. It will mark the 75th anniversary of the festival.
SPONSORS and SUPPORTERS
As a charity, the work of the Edinburgh Festival Fringe Society would not be possible without the valuable support of our partners, sponsors and funders.
We are delighted to be working with Johnnie Walker for the third year running as our official whisky partner.
We are proud to be partnering with the newly opened St James Quarter and are excited to be working with them this year and beyond.
We are excited to be partnering with Crowdfunder again through our FringeMakers fundraising platform, supporting Fringe artists and venues with vital fundraising efforts.
We have teamed up with Rare Birds Books to a create a limited-edition book bundle with books selected by the women behind three of the Fringe’s most iconic venues; Rowan Campbell, the General Manager of Summerhall, Dani Rae, the General Manager of Assembly and Katy Koren, who co-runs Gilded Balloon. Proceeds of the sale of this bundle will support go directly to supporting Fringe artists bring work to the Fringe.
We would also like to thank Lothian Buses for their continued support of our Fringe Days Out programme.
We’re thrilled to welcome Edinburgh Gin on board as Official Gin of the Fringe and look forward to working with them.
We are grateful for funding through the PLACE Programme, a partnership between the Scottish Government -through Creative Scotland -the City of Edinburgh Council and Festivals Edinburgh; Scottish Government for Made in Scotland through the Festivals Expo Fund – managed through Creative Scotland – and the continued support of the City of Edinburgh Council. Thanks also to Scottish Government for funds from their Get into Summer campaign.
We are grateful for funding from the Pivotal Event Business Fund, the SCVO Adapt and Thrive programme, the Foyle Foundation and the UK Government to enhance our digital capabilities.
Our thanks also to the Paul Hamlyn Foundation, the Pump House Trust and the Turtleton Charitable Trust.
With thanks to EventScotland and City of Edinburgh Council for supporting Street Events.
Thank you to Brightcove, our streaming partners, for their support in delivering the Fringe Player.
Our thanks also to our Fringe Angels, Patrons, Friends and supporters whose passion and generosity made a real difference this year.
A series of innovative creative projects from Edinburgh artists and creative organisations have been set in motion thanks to funding awarded through Creative Scotland’s Open Fund.
Over £150,400 has been awarded to nine Edinburgh based projects including a new dance platform from Dance Horizons; Page2Stage, a new writing night produced by Michelle McKay and hosted by Assembly Roxyand a family-friendly festival in Vogrie Park.
These projects are among 45 across the country sharing over £1million of National Lottery funding.
These funds aim to support creativity across Scotland for artists, organisations and creative groups as they seek to build sustainability after emerging from COVID-19 restrictions.
Innovations from Dance Horizons is a new contemporary dance platform that will support artists through the production process to share their creative practice as a high-quality finished work to audiences.
CEO and producer Oliver James Anwylsays: “As we emerge from the pandemic, this funding is incredibly valuable to ensure the success of this year’s platform.
“Dance has been one of the hardest genres to present online during the last 18 months and we are so excited to bring work to the stage for our audiences to enjoy.”
Glacial Narratives – a report from the Arctic is an exhibition that aims to raise awareness of the wonder of ice as a material and ask questions about its disappearance in the run up to COP26.
Artist Mary Walterssays: “As artists, we can add to contemporary climate change discussions by articulating the wonder we have for this amazing material that is fast disappearing.”
Page2Stage Edinburgh is a new writing night produced by Michelle McKay and hosted by Assembly Roxy that will provide a supportive environment for playwrights to gain feedback on their work and offers the audience a unique insight into the writing process.
Producer Michelle Mackay says: “We are working at grassroots level, building a network in Edinburgh and the funding means we can continue to build and develop Page2Stage providing further opportunities to create new work and partnerships.”
VOGRIE POGRIE is a free, highly accessible and family-friendly festival taking place entirely outdoors in Vogrie Park from 11-12 September with pop-up performances from clowns and storytellers, activities and workshops and activities in the park and local community beginning from 3 September.
Callum Ross, Creative Directorsays: “Trotwork Events is delighted to have received funding and have the opportunity to work with lots of great creative artists and groups again.
“Vogrie Park will come alive, and it will feel like a lovely gift to us all to enjoy. We can’t wait.”
Iain Munro, CEO, Creative Scotlandsaid: “Thanks to the generosity of National Lottery players, who raise £30 million for good causes across the UK every week, alongside equally welcome funding from the Scottish Government, these Open Fund awards continue to build resilience within Scotland’s artistic community as well as provide creative engagement opportunities to enrich the lives of people across Scotland”.
A full list of recipients of Open Fund awards is available on the Creative Scotland website.
Scottish Book Trust, the national charity transforming lives through reading and writing, has today announced the shortlist for the 2022 Bookbug Picture Book Prize. Now in its sixth year, the shortlist includes Alastair Chisholm, Catherine Rayner, David Roberts, and Zoë Ingram.
The award was established to celebrate the most popular picture books by Scottish authors and illustrators and to encourage reading for pleasure.
The shortlist is selected by an independent panel of experts including Primary 1 teachers, a children’s librarian, children’s bookseller and Bookbug coordinator as well as experts from Scottish Book Trust’s Early Years Team.
The winner is then chosen by thousands of children across the country who can cast their votes online either at school with their teacher or at home with their families, via the Scottish Book Trust website.
THE BOOKBUG PICTURE BOOK PRIZE 2022 SHORTLIST IS:
Arlo the Lion Who Couldn’t Sleep by Catherine Rayner
Inch and Grub by Alastair Chisholm and illustrated by David Roberts
My First Book of Woodland Animals illustrated by Zoë Ingram
The 2022 shortlist features an exhausted lion who meets an owl friend; competitive cavemen; and a beautifully illustrated wild animal spotter guide.
Catherine Rayner is an author and illustrator of children’s picture books. She studied Illustration at Edinburgh College of Art where, for her final degree show, she created what would go on to be her debut picture book.
Originally from Yorkshire, Catherine fell in love with the city of Edinburgh and still lives there. She was winner of the 2009 CILIP Kate Greenaway Medal for Harris Finds His Feet. In 2010, she was the inaugural illustrator in residence at the Edinburgh International Book Festival.
Catherine Rayner said:“I’m so excited to be on such an amazing shortlist. “I’m a huge supporter of Scottish Book Trust and all they do so this is an exceptionally special honour. Arlo is extremely excited too!”
Alastair Chisholm is an award-winning children’s author and puzzle creator. He’s the author of the sci-fi middle-grade adventures Orion Lost and Adam-2, and children’s picture books The Prince and the Witch and the Thief and the Bears, as well as books of Sudoku, Kakuro and other puzzles, including the Kids’ Book of Sudoku and Kids’ Book of Kakuro series. Alastair lives in Edinburgh with his wife and two children.
David Roberts is a children’s illustrator originally from Liverpool. He has illustrated a large number of books in both black and white and colour. He has worked with such well-known authors as Philip Ardagh, Peter Bently and Julia Donaldson.
His sister Lynn Roberts is also a writer and the siblings have collaborated on several retellings of fairy stories, including Rapunzel: A Groovy Fairy Tale, which was shortlisted for a Blue Peter Book Award, and Little Red: A Fizzingly Good Yarn, which was shortlisted for the Kate Greenaway Medal.
Alastair said:“It’s a joy to see Inch and Grub shortlisted for the Bookbug Picture Book Prize, and especially to be included in the Bookbug bag!
“This is a brilliant and vital project, and one my own daughters benefited from when they were younger – it’s wonderful now to think of my and David’s book becoming part of it. Thank you so much!”
Zoë Ingram is an artist & illustrator based in Edinburgh. With a printed textile design degree under her belt and a career in the creative arts spanning over twenty years, Zoë now focuses on client commissions and personal work.
Zoë primarily works with mixed media and digital applications, often combining traditional and digital techniques. Zoë has also recently written and published her first book, Oh My Gouache!, a beginner’s guide to painting with opaque watercolour.
Zoë said:“I’m so thrilled to be shortlisted for the Bookbug Picture Book Prize.“It’s such an honour to be chosen and I just hope that everyone who reads My first book of Woodland Animals has as much fun finding out about all the lovely animals and insects in the book as I did when I was illustrating them.”
61,000 pupils across Scotland will receive a free copy of each of the three books on the shortlist, which are given to every Primary 1 child during Book Week Scotland (15 November – 21 November), in the Bookbug P1 Family Bag.
The winner of the Bookbug Picture Book Prize will be announced in an exclusive video to all registered groups on Wednesday 26 January. The winner will receive a specially commissioned trophy and £2,000 while shortlisted authors and illustrators receive £500 per book.
Marc Lambert, CEO of Scottish Book Trust, said:“Congratulations to all those who have been shortlisted for the Bookbug Picture Book Prize. We encourage schools and families across Scotland to read the shortlisted titles and vote for their favourite.
“We hope the children receiving their Bookbug P1 Family Bag will enjoy sharing these stories at home and with their classmates.”
Katalina Watt, Literature Officer at Creative Scotland, said:“The Bookbug Picture Book Prize is such a special award with its focus on reading for enjoyment and placing young readers at the heart of the selection process.
“Warm congratulations to all the authors and illustrators who submitted their stories and to those making up such a rich and varied shortlist.”
The deadline for voting is Friday 10 December 2021 at 5pm.
Musicians, bands, artists and venues will be able to apply to a £750,000 Scottish Government fund to bring new and additional concerts to venues and festivals in Scotland next year.
Scotland on Tour will support the staging of concerts across the whole nation from between January 2022 and January 2023.
Funded by Scottish Government and organised by Active Events, its decision-making panel includes representatives from across the music industry, as well as Creative Scotland, Scottish Enterprise, Highlands and Islands Enterprise, XpoNorth and South of Scotland Enterprise.
Participating artists, venues and festivals will be announced later this year.
Culture Minister Jenny Gilruth said: “Due to the impact of COVID-19, I know many concerts from 2020 and 2021 have been postponed – leaving little opportunity for artists to perform new concerts in traditional venues or concert halls up until late 2022, or even spring 2023.
“So I am very pleased to announce Scotland on Tour, a fund to help artists, venues and the wider music industry by creating new concert opportunities across Scotland next year.
“The fund is not only an exciting opportunity for artists and venues, but also for Scottish audiences, who will have the chance to see the best of Scottish music right on their doorstep.”
Director of Active Events Lisa Whytock said: “The past 18 months have been exceptionally challenging for musicians and promoters around Scotland.
“This fund will allow new concerts from professional musicians to take place across the country, bringing world class performances to cities, towns and local communities whilst simultaneously supporting production companies and skilled freelancers in their delivery.
“We are extremely excited about the project and would like to wholeheartedly thank the Scottish Government for their investment.”
Head of Music at Creative Scotland, Alan Morrison, said: “At the height of the pandemic, Active Events applied to Creative Scotland’s Open Fund for a research project that would identify community partners and increase touring opportunities for musicians when restrictions finally lifted.
“This bold vision for recovery has blossomed into a new touring fund, supported by the Scottish Government, that will breathe life back into the live music sector across the entire country.
“It’s extremely encouraging to see how a seed that was sown in darker times is growing into a major year-long programme that will bring music fans and professional artists of all genres back together again.”
Further details will be announced soon as to how artists and venues can apply to the Scotland on Tour fund, which is expected to open for applications in October.
Registrations of interest to the fund can be recorded by sending an emailto info@scotlandontour.com
Poet and essayist Kathleen Jamie has been appointed as Scotland’s next Makar.First Minister Nicola Sturgeon formally welcomed her to the role at the Scottish Poetry Library in Edinburgh yesterday.
The role of Makar involves taking a leadership role in promoting poetry nationally, as well as producing work relating to significant national events.
Ms Jamie was appointed by the First Minister for a three-year term on the recommendation of an expert panel representing Scotland’s literary sector.
She is the fourth person to hold the role since it was established by the Scottish Parliament in 2004, following in the footsteps of Jackie Kay, Liz Lochhead, and Edwin Morgan.
First Minister Nicola Sturgeon said: “I am delighted to confirm Kathleen Jamie as our national poet.
“Poetry is integral to Scotland’s culture and history. The Makar has a central role in celebrating that legacy, and preserving its future by encouraging the next generation of young writers to leave their mark.
“Kathleen is a highly accomplished poet who is known for her works in English and Scots, and the meaningful connections her writing draws between our lives and the landscape around us. I have no doubt she will continue to build on the exceptional work of her predecessors to promote Scottish poetry both here and abroad.”
Kathleen Jamie said: “I am honoured and delighted to be appointed as Scotland’s new Makar. The post confirms a weel-kent truth: that poetry abides at the heart of Scottish culture, in all our languages, old and new. It’s mysterious, undefinable and bold. It runs deep and sparkles at once.
“Liz Lochhead, Jackie Kay and the late Edwin Morgan have held this post before me, a trio of major poets. If I can achieve half of their outreach, humour and wisdom, not to mention their wonderful verse, I’ll be doing well. I am grateful to the selection panel for such a vote of confidence in my work, and to the First Minister for her endorsement and support.
“My task as I see it is to meet folk, to support and encourage poetry, to laugh and lament and witness, and occasionally speak to our national life. I’m excited to begin.”
Asif Khan, Director at Scottish Poetry Library said: “Kathleen Jamie is a generational talent – an exceptional Scottish writer of any era. Jamie’s poetry and prose sits with the best writing in English anywhere in the world.
“The poetry library looks forward to supporting the new Makar’s programme of engagement at a time when poetry is treasured as an art form that can heal and unite communities, as well as inspire our young people, including New Scots, to see the world differently and reflect on their role in it.”
Alan Bett, Head of Literature & Publishing at Creative Scotland said: “Kathleen Jamie is an excellent choice for The Makar, Scotland’s national poet. The quality of her work speaks for itself, and that work can and will speak to so many people across Scotland and beyond.
“The work can also speak to and challenge the current environmental context, with a strong focus on place and nature. I would like to offer my warm congratulations to Kathleen on this announcement and look forward to the creative projects that will connect her poetry with the nation.”
331 cultural organisations and performing arts venues across Scotland have received a total of £17million in the latest round of emergency Covid-19 funds from the Scottish Government through Creative Scotland.
From comedy clubs and theatres to galleries and production companies, the second round of the Culture Organisations and Venues Recovery Fund is designed to help prevent insolvency and/or significant job losses due to the impact of COVID-19, and the Performing Arts Venues Relief Fund (PAVR) is helping venues to remain solvent, return staff from furlough, and enable new artistic commissions from freelance artists.
In Edinburgh, the Usher Hall receives £182,445 from the PAVR 2 fund, DanceBase Scotland £223,887 and there’s £500,000 for Capital Theatres. There’s also £342,000 for Leith Theatre, £150,000 for the Traverse and £97,500 for The Queen’s Hall.
Organisations receiving COVR Round 2 support in the capital include North Edinburgh Arts, Hidden Door and Edinburgh Printmakers.
Culture Minister Jenny Gilruth said: “I am delighted that this vital funding is reaching the culture sector, which has endured some of the most challenging restrictions over the past 18 months.
“It’s exciting that the sector can now plan for full reopening. The communal experience of being part of an audience cannot be replicated, and it has been sorely missed since the start of the pandemic.
“The move beyond level 0 will allow the sector to reopen fully, but I know that it will take some time to rebuild. This funding will play a key role in stabilising many venues and businesses as the sector begins to recover.
“The Scottish Government has provided almost £175million of emergency support to the culture, heritage and events sector since the start of the pandemic, and I look forward now to working with the sectors to build for the future.”
Caroline Morgan, Managing Director atAberdeen’s Tivoli Theatre commented: “This money will mean we can retain our current staff, recruit part time staff, bring our freelance technicians back to work and undertake all necessary requirements to reopen in a safe way at the end of August.
“We’re full steam ahead now with testing equipment, organising staff training, first aid training, implementing a new app for ordering and setting up hand-held scanners for ticketing and deep cleaning the building. We’ll also be able to support local youth groups who perform with us who have also had a really tough time of it. This funding is a life-line having been closed with no income for 17 months.”
Joan Parr, Interim Director of Arts and Engagement said: “Our first priority continues to be supporting the recovery and renewal of Scotland’s art and creative sector as Covid-19 restrictions are eased and the sector can open up again more fully.
“Nevertheless, we remain acutely aware of the critical challenges faced by so many cultural organisations, and we know how vital this funding is in continuing to help protect jobs and support the sustainability of a sector that has felt the impact of the Covid-19 pandemic so significantly.”
A full list of organisations and venues receiving funding in this round of the Culture Organisations and Venues Recovery Fund and the Performing Arts Venues Relief Fund can be downloaded below:
Creative projects from Edinburgh artists and creative organisations are in motion thanks to National Lottery funding awarded through Creative Scotland’s Open Fund.
A new poetry project from Neu! Reekie!, a community arts project focusing on Edinburgh’s history and a 50th anniversary commission from Meadows Chamber Orchestra are among the 53 projects in total sharing in over £1.2million of National Lottery funding.
These funds aim to support creativity across Scotland for artists, organisations and creative groups as they seek to build sustainability while emerging from Covid-19 restrictions.
With new funding, independent publisher 404 Ink will be continuing their development of new and emerging Scottish voices, including new poetry, novels and memoirs.
Co-founder and Publishing Director Heather McDaid says: “As a small publisher trying to survive and thrive through the pandemic, this is an incredible opportunity to put real resources behind authors and titles we fully believe in, and create a large network of freelance opportunities, while also being able to develop our paid internship programme and look to 404 Ink’s long-term recovery and sustainability.”
Neu! Reekie!’s forthcoming The New Now! will draw focus on Scotland’s poets. From #NeuVoices publishing their first poem to Scotland’s new Makar making their mark, The New Now! will offer poets and audiences alike, a year-long series of live shows and broadcast-quality digital events.
Neu! Reekie! Co-founder Michael Pedersen says: “We’re elated to see this vital project taking flight — through it we hope to make sense of the last bewildering period and gather gusto for the future.”
ReDrawing Edinburgh is a community-led creative project from Edinburgh City Archives designed to commemorate the centennial of the 1920 Edinburgh Boundaries Extension and Tramways Act.
Activities around this project will include the projection a short, commissioned archive multi-media installation onto five buildings in the five boundary extension areas, on five evenings during September 2021.
Henry Sullivan, Information Asset Manager says: “The heritage of each community will be displayed to local audiences in their own community spaces in an innovative and engaging fashion.
“The hope is that this will be a model for future collaboration between content custodians, community organisations and local artists.”
Meadows Chamber Orchestra will celebrate its 50th anniversary with the commission and Scottish premiere of an exciting new orchestral symphony by renowned composer Eleanor Alberga.
Principal conductor and musical advisor, Peter Evans says: “As the Meadows Chamber Orchestra prepares to celebrate its 50th anniversary in June 2022, the ensemble is particularly delighted to receive financial support from Creative Scotland for the commission of a new symphony from the Jamaican -born British composer, Eleanor Alberga. The new piece will be a joint commission with the Bristol-based Brandon Hill Chamber Orchestra.”
INTO THE ALTERED STATES is a year-long project by artist Benjamin Owen celebrating voices across Scotland and bringing together an intergenerational group of musicians alongside the voices of elderly individuals.
Benjamin explained: “This funding is a vital opportunity for me to develop as a participatory artist after a twenty-year career in arts education.
“It allows me to integrate all sorts of skills and experiences gathered in teaching into a more experimental and flexible environment.”
Joan Parr, Creative Scotland’s Interim Director of Arts and Engagement, said: “Thanks to the generosity of National Lottery players, who raise £30 million for good causes across the UK every week, these vital funds are helping artists to continue to develop and present their work and to bring extraordinary creative experiences to life within our communities.”
A full list of recipients of Open Fund awards is available on the Creative Scotland website.
New funds are available for Scottish based artists, companies, producers and venues for touring live theatre and dance work from Summer 2022.
With support from The National Lottery as well as enhanced funding of £375,000 from the Scottish Government, Creative Scotland’s £2million Touring Fund for Theatre and Dance eligibility criteria is now live and will open for applications on Tuesday 17 August.
Culture Minister Jenny Gilruth said: “It is fantastic to see the Touring Fund for Theatre and Dance re-open for applications. Delivered by Creative Scotland with an additional £375,000 of Scottish Government funding, the fund will help support a range of touring theatre shows for more people across Scotland to experience and enjoy in places which normally have fewer opportunities.
“Fulfilling one of our 100 day commitments, this fund will not only generate increased opportunities for new audiences to experience the best of Scottish theatre, it will provide artists, producers and companies with an opportunity to showcase their creative works after such a difficult year for the sector. I look forward to hearing more about the productions which will benefit from this funding.”
Since the Fund’s inception in 2018, £4.2million has enabled a wide range of new and topical re-stagings of acclaimed theatre and dance shows including circus for babies, gritty drama, and musical comedy capers exploring themes from international friendship to mental health to criss-cross Scotland.
From small, medium and large-scale venues pre-covid, shows have been specially created and re-imagined during the pandemic, to suit outdoor spaces and unconventional places such as allotments, woodland trails, garden centres, loch-sides, and people’s gardens.
Laura Mackenzie Stuart, Head of Theatre at Creative Scotlandsaid: “It’s with thanks to the generosity of National Lottery players, who raise £30 million for good causes across the UK every week, and funding from the Scottish Government, that artists and companies can continue to re-connect with audiences as we slowly begin to emerge from the pandemic, bringing live in person performance back to communities throughout Scotland.
“Partnerships with established venues will play a vital role – being at the heart of the communities they work in year-round, every year. Whilst we have endured an incredibly challenging and disrupted period, those links have been kept vibrant and strong. They will be key as audiences begin once again to enjoy the uplifting experience of theatre and dance in person, and a physical reconnection with performing arts.”
