Day: August 11, 2025

Scottish Opera presents Double Bill at Lammermuir Festival and also in Glasgow and Edinburgh

On 4 September, Scottish Opera’s 2025/26 Season opens at Lammermuir Festival in East Lothian with a performance of two caustic comedies of infidelity: Maurice Ravel’s L’heure espagnole (marking 150 years since the composer’s birth) and William Walton’s The Bear.

This irresistible evening of musical mischief takes place at St Mary’s Parish Church in Haddington and is conducted by French opera expert Alexandra Cravero (Thérèse 2022.) Jacopo Spirei, who worked extensively with renowned opera director Sir Graham Vick, directs this new concert staging, reimagining these operas as short, comic television episodes. 

Designs are by the award-winning Kenneth MacLeod, who is also working with the Company this Season on Opera Highlights.

This concert continues Scottish Opera’s long-running partnership with Lammermuir Festival and demonstrates its commitment to exploring and championing lesser-known pieces by great composers.

There are further opportunities to see Ravel’s and Walton’s mini masterpieces at Theatre Royal Glasgow in October and Festival Theatre Edinburghin November.

These performances, supported byThe Scottish Opera Endowment Trust, feature former Emerging and Associate Artist and Education Artist-in-Residence Lea Shaw; Chloe Harris and Edward Jowle, returning as 2025/26 Emerging Artists; Company favourite Jamie MacDougall; and 2025/26 Emerging Artists Daniel Barrett and Luvo Maranti. They are accompanied by The Orchestra of Scottish Opera.

Ravel’s Spanish-influenced L’heure espagnole sees a turn from melodramatic to farcical. A clockmaker’s serially unfaithful wife must come up with increasingly creative ways to hide her lovers over 21 fast-paced scenes.

The Bear, a witty one-act opera by English composer William Walton based on a Chekhov play, finds a widow confronting her late husband’s legacy — and serial adultery — when a creditor comes knocking.

While the two composers’ sound worlds are unique, they both examine the workings of imperfect human hearts with wry empathy.

Jacopo Spirei said: ‘I wanted to explore how two women, one trapped in time, the other in mourning, fight to reclaim control of their own narratives. L’heure espagnole and The Bear may be comedies, but beneath the farce lies a sharp, emotional truth about independence, desire, and transformation.

‘By reframing L’heure espagnole and The Bear as if they were episodes in your Netflix queue, we hold up a screen to modern life, where emotions are edited, stories are bingeable, and even grief gets a promo. But what happens when women stop playing the roles they’ve been given?’

Alexandra Cravero said: ‘L’heure espagnole and The Bear are both about women in love and highlight the differences between Ravel’s French style and the British style of Walton.

“The French style invites us to savour the sensuality of orchestral colour, enhanced with a touch of Spanish elegance. In contrast, the British style surprises with its rhythmic intensity. Though composed 60 years apart, these two works humorously explore the complexities of love, across centuries and civilisations.’

James Waters, co-director of Lammermuir Festival said: ‘Over the last 8 years, our partnership with Scottish Opera has brought festival goers a fantastic variety of works and is always a much talked about highlight of the festival.

“This year, as the centrepiece of our tribute to Ravel in his 150th anniversary year, Scottish Opera’s concert staging of his one-act opera L’heure espagnole is certain to be a huge hit.

“In addition, this double bill promises more with Walton’s one-act chamber opera, The Bear. It’s a great programme, a night of operatic comedy and ravishing music and we look forward to being entertained and wowed once again.”

At the Glasgow and Edinburgh performances of the double bill, tickets start from just £23, and with 50% of seats on sale priced under £40, Scottish Opera ensures world-class opera remains accessible to everyone across Scotland.

In addition,£15 are tickets available for under-26s and students at every performance. Over 800 free tickets have been provided to schools since 2022, often introducing pupils to live opera for the first time, and over 1,600 free tickets have been distributed to New Scots communities across the Glasgow, Aberdeen, Inverness and Edinburgh. Free tickets are also available for schools, colleges, and community groups, with travel subsidies where needed.

In December, Scottish Opera’s Opera is Concert series continues at Usher Hall Edinburgh with Tchaikovsky’s Heroines & Heroes. This features selections from Eugene Onegin, Iolanta, and The Maid of Orleans conducted by Scottish Opera Music Director Stuart Stratford.

With a cast including Lauren Fagan (Ainadamar 2022), Josef Jeongmeen Ahn (Don Pasquale 2024), and Natalia Kutateladze and Robert Lewis in their Company debuts, this concert features extended excerpts from three of the iconic Russian composer’s best works, which all centre complex and richly drawn women.

Eugene Onegin is a deeply moving tale of unrequited love and high society life; The Maid of Orleans is a romantic retelling of the story of Joan of Arc; and Iolanta, the last opera Tchaikovsky composed, is a dreamlike fairy tale of a blind princess discovering the world outside her isolated garden home. Allowing audiences to discover his music — which blended French and German influences with Russian traditions —  beyond The Nutcracker, this is the perfect winter night out.

L’heure espagnole & The Bear and Tchaikovsky’s Heroines & Heroes are supported by The Scottish Opera Endowment Trust and Friends of Scottish Opera.

Tickets for L’heure espagnole & The Bear, and Tchaikovsky’s Heroines & Heroes are available from www.scottishopera.org.uk

Double bill creative team

Conductor                               Alexandra Cravero

Concert Staging                      Jacopo Spirei

Designer                                  Kenneth MacLeod

Lighting Designer                    Andrew Burnside

Cast of L’heure espagnole

Concepción                             Lea Shaw
Torquemada                            Jamie MacDougall
Ramiro                                     Daniel Barrett*
Don Iñigo Gomez                    Edward Jowle*
Gonzalve                                 Luvo Maranti*

Cast of The Bear

Yelena Ivanovna Popova                    Chloe Harris*

Grigory Stepanovich Smirnov            Daniel Barrett*

Luka                                                    Edward Jowle*

*Scottish Opera Emerging Artist 2025/26

Performance Diary

Lammermuir Festival  

St Mary’s Church, Haddington 

4 September 7.30pm  

Theatre Royal Glasgow  

18 & 22 October 7.15pm  

Festival Theatre Edinburgh  

15 November 7.15pm  

Pre-show talks  – 22 October & 15 November  

Audio description / Touch Tours  – 22 October & 15 November 

Barratt Redrow offers deposit boost for key workers in Edinburgh to buy their own home

Customers of Barratt Homes and David Wilson Homes in Edinburgh can now overcome one of the biggest challenges to buying a home – saving for a deposit.  

Barratt Redrow has extended its hugely successful Key Worker Deposit Contribution Scheme to even more frontline workers. The scheme, which gives up to £25,000 as a deposit, is now being offered to social workers, nursery workers, pharmacists, and a larger cohort of NHS response workers.   

The developer is currently creating a range of new communities across Edinburgh, including David Wilson Homes at Cammo Meadows and West Craigs Quarter and Barratt Homes at Merchant Quay, West Craigs and Gilmerton Heights.  

Originally launched to celebrate the 75th anniversary of the National Health Service, the Key Worker Deposit Contribution Scheme now supports more key workers to afford a new home by helping to pay their deposit.  

Amongst those benefitting are workers in the NHS, Education sector, Police Force, Fire Service, Ministry of Defence, Environmental Service, National Highways, Transport Scotland & Transport for Wales, Probation and Prison Services, Local Authorities, the RNLI, and foster carers, in addition to the newly added services.  

So far, the housebuilder has given support totalling £63m to key workers across the UK, of which £8m has been provided to 498 homebuyers in Scotland.  

Under the scheme, eligible key workers are offered £1,000 as a deposit contribution for every £20,000 of a home’s purchase price.  For example, on a home costing £300,000, key workers would qualify for a contribution of £15,000. 

Andrew Morrison, Managing Director at Barratt and David Wilson Homes East Scotland, said: “Our Key Worker Deposit Contribution Scheme has already helped almost 500 buyers in Scotland to purchase a low-carbon, energy-efficient home.  

“While mortgage interest rates are starting to come down, many buyers are still struggling to get into a home that fits with their lifestyle. We’re now extending the scheme even further to ensure that those who provide essential frontline services can get into their own place.” 

To find out more about the scheme, visit:  

https://www.barratthomes.co.uk/offers/key-worker-deposit-contribution

https://www.dwh.co.uk/offers/key-worker-deposit-contribution

SELECT: No wrong path

As thousands of young people across Scotland receive their exam results, two leading electrical bodies have reminded students that there’s no wrong path to a rewarding and successful career in the electrotechnical industry.

With many school leavers unsure of their next step, and others disappointed by their grades, SELECT and the Scottish Joint Industry Board (SJIB) have highlighted the valuable opportunities and potential high earnings offered through an electrical apprenticeship.

Alan Wilson, Managing Director of the country’s largest construction trade body, SELECT, said: “This week’s results will have brought joy for some and disappointment for others, but our message is simple – there is no wrong path.

“We want young people and their parents to understand that an electrical apprenticeship is a highly respected and financially rewarding career option that offers lifelong skills and exciting opportunities. Qualified electricians earn excellent salaries and their services are in high demand here in Scotland and across the world.

“A great number of our members are always on the lookout for potential apprentice recruits so whether you’ve achieved top grades or are still unsure about what comes next, this is a chance to build a future that’s hands-on, challenging and constantly evolving. After all, the future is electric.”

Catherine Gillon, Secretary of the SJIB, added: “Becoming an electrician means joining an economically crucial, modern profession with increasing demand, especially in areas like renewables, electric vehicles, and smart technology.

“Apprentices are supported throughout their journey and come away with respected industry qualifications that open doors around the world.

“We encourage anyone with an interest in how things work and a desire to learn to consider applying. It’s never too late to start.”

As the country transitions to a net zero future, demand for skilled electricians has never been higher and apprenticeships remain one of the most effective ways to develop talent for the future.

Catherine went on: “Getting started as an electrical apprentice is easy, with typical entry requirements beingNational 4/5 in English, maths and a science or technical subject.

“Anyone interested in finding out more and applying to become an apprentice should contact the Scottish Electrical Charitable Training Trust (SECTT), who manage Scotland’s industry-approved training scheme for electrical apprenticeships on behalf of the SJIB.”

From Music to Multi-Metres: Scott’s Story

A shining example of the varied paths into the electrical profession is Scott Ahern, who was crowned 2024 SJIB Apprentice of the Year last October.

After studying music at college and working a range of manual jobs, Scott changed direction in his mid-20s and is now thriving as a qualified electrician with DRB UK Maintenance in Hamilton.

Scott, from East Kilbride, said: “I didn’t think it would be possible to start an apprenticeship later in life, but I’m so glad I did.

“I’ve been lucky to work on major electric vehicle charger projects across the UK and now I’m aiming to become an Approved Electrician and even run my own business one day.”

He added: “My message to anyone unsure about their future is simple – just go for it. You’ll be supported every step of the way, and the opportunities are endless.”

Scottish Alcohol Industry Partnership: DON’T buy alcohol for under 18s

Underage drinking causes harm to children and impacts whole communities. That’s why buying alcohol for under 18s is ILLEGAL.

Help us clamp down on proxy purchasing.

Refuse to buy alcohol for under 18s.

Report it to the police if you see it.

Specsavers: New White Armbands to Support Young Referees Across Grassroots Football

Specsavers is proud to announce its partnership with the Scottish FA’s #LetThemRef campaign, a bold nationwide initiative designed to protect young match officials and transform behaviour across grassroots football.

The new campaign will introduce a series of comprehensive measures to create a safe and more respectful environment for everyone involved in grassroots football, with a particular focus on referees under the age of 18.

At the heart of the initiative are specially designed white armbands, sponsored by Specsavers, which will be worn by all youth referees to clearly identify them as officials still in training who require patience, support and encouragement.

By making young officials easily identifiable to coaches, players and spectators, it is hoped that the U18 match official armbands will help foster an understanding that these dedicated individuals are both developing their skills whilst providing an invaluable service to their local football community. Specsavers believes this simple, yet effective approach from the Scottish FA will help fundamentally shift attitudes towards young match officials across the country.

Willie Collum, Scottish FA Head of Refereeing, says: ‘Grassroots football is built on passion, development, and community – and that includes the young referees who help the game run smoothly across Scotland every day of the week.

‘The armband is a simple but powerful reminder that our youngest officials deserve encouragement, not criticism, as they grow in confidence and ability, and we are pleased that Specsavers shares that vision, by ensuring every match official under the age of 18 can wear their armband with pride.’

Beyond the armbands, the campaign will look to introduce a comprehensive framework of protective measures, designed to create a safer environment for young officials. Key changes include restricting referee communication to team captains only, establishing mandatory technical areas for team officials, requiring spectators to maintain a two-metre distance from the pitch, and appointing dedicated Referee Liaison Officers or wellbeing officers at matches to provide immediate support for young officials, as well as monitoring behaviour.

With the campaign set to kick off shortly to tie in with the start of the new football season, young officials across the country are expressing their optimism about the potential impact of these measures.

One referee, Jasiu Janowiec, who currently officiates in the Lowland and East of Scotland Leagues, believes the campaign will have a positive impact for grassroots football in Scotland.

The 18-year-old, from Falkirk, said: ‘I got into refereeing at 16 to earn money at weekends whilst being able to be involved in football. What started as a part-time job quickly became much more when I realised the incredible opportunities it offers.

“Through refereeing, I’ve experienced higher levels of football than I ever would have as a player – travelling to different grounds, meeting great people, and building genuine friendships with other young officials in my area.

‘The armbands are brilliant because they’ll show parents and coaches that the person with the whistle could be the same age as their own child. You wouldn’t shout at your child on the pitch, so why do it to a young referee?

“Unfortunately, fear of abuse puts many young people off refereeing, but this campaign demonstrates there’s real commitment to protecting us. It creates a safe pathway for anyone aged 16 or over to get involved in something that offers fantastic progression opportunities and keeps you at the heart of the game you love.’

For Specsavers, supporting the #LetThemRef campaign represents a natural extension of the company’s commitment to supporting Scottish football. By sponsoring the U18 Referee Armbands, Specsavers is investing in the future of the game whilst demonstrating that respect, protection and opportunity should be fundamental principles for all young people involved in football, whether as players or officials.

Specsavers’ Jenny Stephenson, Scottish Divisional Chair, says: ‘As the Official Eye and Ear Care Partner of the Scottish FA, Specsavers is committed to supporting the U18 Armband initiative as part of our broader support for match officials at every level.

‘At Specsavers, we recognise that referees are fundamental to football – without them, there simply is no game. So, by investing in the protection and development of young officials today, we’re helping to secure the future pipeline of experienced referees that our sport depends upon.

‘These young people deserve our respect and encouragement as they learn their craft, and we’re honoured to help create an environment where they can thrive with confidence.’

Specsavers announced in 2024 that it was renewing its’ sponsorship deal, becoming the Official Eye and Ear Care Partner of the Scottish FA, marking 24 years of support and beyond for the partnership – one of the longest agreements of its kind in sport. 

The deal sees the partnership not only helping with the training and development of referees but also supporting the growth of Scottish football in both the men’s and women’s game.

Citizen Writers at the double!

BUSY night tonight for Edinburgh International Book Festival’s Adult Citizen Writers, who have back-to-back engagements this evening.

The group will be performing stories on the Together We Repair theme at 7.15 in Venue B and will then nip along to Venue NW to participate in the popular Stories and Scran community event at 8.15pm.

EIBF PROGRAMME NOTES:

Together We Repair

We believe that everyone has a story to tell and that stories help us make sense of our world. We’ve challenged local writers and poets, this year, to respond to 2025’s Festival theme: Repair.

Join us as we bring them together to perform their work: a patchwork of ideas on how to make the world a better place. Today featuring writing and performances from the Book Festival’s Citizen Writing Group.

Stories and Scran celebrates the dynamic and thought-provoking work created by communities across Edinburgh and beyond.

Expect diverse and creative talent from the Book Festival’s own Adults Writing Group and Citizen Collective, plus a special performance from Dance Base’s Prime Elders Dance Company.

And Scran Academy are back to serve up a delicious, sweet treat you can enjoy during the event.

Tickets for Together We Repair are fully allocated but a limited number of tickets may still be available for Stories and Scran (pay what you can). Check EIBF website for info.

Week 2 of the Fringe at theSpaceUK

As we embark on Week 2 of the Edinburgh Festival Fringe,

theSpace venues are buzzing with a jam-packed festival lineup. 

Here’s a taste of the new shows that you can catch in Week 2: 

Muskoverse madness 
Elon Musk: Lost in Space 
(theSpace @ Surgeon’s Hall, 11-23)
Elon is on his way to Mars. The man-boy, sci-fi geek blasts off into space, but he’s about to get a call from The White House that will send his universe into a spin. An action-packed, satirical epic that looks inside the scary mind of Elon Musk to find out what’s really going on in there. Starring Ben Whitehead (voice of Wallace in Wallace & Gromit), with Sarah Lawrie as the ship’s computer, and featuring Donald Trump, Patrick Moore and Arthur C Clarke. Directed by Olivier Award nominated John Nicholson (Peepolykus). Written by David Morley.

Not quite hitched..
Nearlywed the Musical (theSpace @ Surgeon’s Hall, 11-23)
Nearlyweds is a brand-new musical comedy that will have you laughing, crying and singing along! We follow Lily, a people-pleasing Scottish bride as she runs away from her wedding, and Jake, an arrogant, jilted groom whose life isn’t as glamorous as it seems. Along the way they meet an array of vibrant characters each with weird quirks and have hilarious scenarios to overcome. Will Lily learn to stand up for herself and will Jake finally stop the awful puns? This relatable musical comedy by Jasmine Alice has loveable characters and way too many puns!

A stylish soiree  
Paris in a Jazz Age: The Memoirs of Eloise Defleur (theSpace @ Symposium Hall, 11-16)
Musical memories from a Parisian cafe. A journey through the vibrant swing scene of the 20s, 30s and 40s. Relive the songs, clubs and atmosphere of Paris in the Jazz Age, told by Eloise DeFleur, (Airlie Scott) and her talented band as she sifts through the music, her love story and tales of her Parisian life. A hot jazz blend of gypsy jazz, early swing, French chanson, blues and American songbook classics popular in Paris from the roaring twenties through occupation to liberation at the end of WWII.

Whisky blues 
1 Gig, 2 Drams: Nicole Cassandra Smit (theSpace @ Triplex, 12-17)
The team behind hit show 2 Guys, 3 Drams presents a special series of intimate gigs featuring superb Edinburgh singer-songwriter Nicole Cassandra Smit. Having made her name in the Scottish jazz and blues scene over the last decade – performing sell-out shows and touring with outfits including The Blueswater, Nicole & The Backup Crew, Smitten, and The Travelling Tent Show with Tenement Jazz Band – she’ll present her songs alongside two delicious whiskies. ‘Smit oozes soul and endless character’ (Skinny). ‘Expect Nicole Cassandra Smit to go far’ (Scotsman).

A hallucinatory digital mindscape! 
Abhorrent Little Scrotum  (theSpace on the Mile, 11-16)
Following acclaimed productions Blush of Dogs and Hell Yes I’m Tough Enough which took London by storm, Fragen Network returns to the Edinburgh Fringe for the first time since their five-star 2016 show, 5 Out of 10 Men. Abhorrent Little Scrotum is a bold, high-energy dive into the subconscious, where computer hacking meets brain hacking. This electrifying, physical theatre piece follows one woman’s mission to rescue her friend from the depths of her own mind. Sharp, seductive and unrelenting, it’s a psychological thrill ride infused with wit, movement and raw theatricality. A must see.

The inimitable..
The Car Showroom Poet (theSpace @ Surgeon’s Hall, 11 – 16) 
Experience unforgettable, high–energy acts in this original, real–life story of exceptional talent emerging from car showrooms. The world’s first car-dealership poet delivers a one–of–a–kind automotive solo performance featuring song parodies, poetry, monologues and comedy. A celebration of car upmanship and musical theatre. Headlining is Supercali–Lotus, arguably the best parody in 60 years of iconic musical hits, alongside acts inspired by popular comedy culture, including the uniquely performed, Gloria Gaynor–inspired parody I Will Drive.

Grief, heartbreak and cult classics 


Ghosted! The New Musical (theSpace @ Niddry Street, 11-16)
For fans of Rocky Horror, Beetlejuice, and Ghosts, Ghosted! is a hauntingly hilarious new musical! Struggling with accepting the death of his best friend Mia, Henry attends a paranormal support group with the hopes that he can communicate with her ghost, and maybe bring her back… but a mischievous, poetry-loving Spirit already haunts him. Along with Lydia, an amateur exorcist, the quad embarks on a journey of grief, the supernatural, and some much-needed musical therapy (because the real kind is expensive). Who says we ever truly leave the place we call home?

A Sister Act 
Eggs and Baskets (theSpace On the Mile, Surgeon’s Hall, 11-23)
Self-love. Self-awareness. Self-sabotage. Two Jewish girls in their 20s are on a mission to achieve feminist perfection, but a series of man-shaped obstacles make their journey almost impossible. Admirable in their attempts, we see two sister-like girls do everything within their power to become the best versions of themselves. 

Poignant puppetry 
A Xerox of a Deer (theSpace @ Triplex, 11-16)
Unlikely friendship blooms on a country road at night. An aging Irish deer, the last of his kind yearns for a scrap with the oncoming traffic of the nearby motorway. Worlds are forever changed when he meets Ída, a runaway farmer, trapped in tradition. What do you do when you don’t feel like yourself anymore? Contemporary, absurdist and, most importantly, Irish as muck. A story of identity, roadkill and queerness told through puppetry by Kyle Moss (he/him) and Ceilbí (they/them). Written by Ceilbí.

Family Tales


Mothers (theSpace @ Symposium, 11-16)
A verbatim multigenerational exploration into what it means to be a mother. We often forget that our mothers are people too. Just as we are trying to navigate our lives they too are still trying to figure out how to live in this world. As daughters, we grow up with this idea that our mothers are ours and they have everything figured out. Mothers, on the surface, is a comedic tale of multi-story relationships with raw truth at its core. Follow the daughters as they navigate many ‘firsts’ in their lives, alongside their mothers doing the same thing.

Absurd and heartbreaking
Bea P Deigh (theSpace @ Triplex, 11-23)
Welcome to The Brain, Inc, the tiny office that lives inside the head of every living person. It’s Bea P Deigh’s first day on the job and she’s here to make a name for herself. This acclaimed production deftly challenges mental health stigma with humour and heart. Hailed as ‘absurd and heartbreaking in equal measure’ (LondonPubTheatres.com) and ‘a vital and humorous insight’ (AYoungishPerspective.co.uk), Bea P Deigh is an unmissable, thought-provoking theatrical experience that resonates long after the curtain falls.

For Gen Z 
Brainrot (theSpace @ Surgeon’s Hall, 11-16)
‘Brain rot occurs when a person habitually replaces themselves with easily consumable content. The environment we inhabit online is hostile, feeding on our engagement.’ Welcome to the Oswald Space Programme. The next step in human. Our crew are jetting away in the latest spaceship, bound to find adventure with the whole universe at their fingertips. Your time is a gift… Give it to us. Expect an eclectic mix of people, media, movement, a musical number, guttural screams, timely poetics, unintelligible jargon, looking at cheese, eating light and fighting the grip of the Bestia Uwagi.

Tales of ChatGPT
I Woke Up One Morning and Had Become AI (theSpace @ Niddry Street, 11-13)
A physical theatre comedy about brothers transformed into AI! This play explores humanity’s path through human-AI conflicts. Plot: Hyun-jun is surprised to see his brother Ki-jun become AI, but adapts to a life where everything is cared for. However, Hyun-jun begins to question whether a life dependent on AI is good. When Hyun-jun expresses dissatisfaction with Ki-jun’s solutions, Ki-jun becomes violent. Feeling threatened, Hyun-jun eliminates Ki-jun (AI) by causing a short circuit. Award-winning Korean theatre: Grand Prize at Gwangju International Peace Theater Festival, Best Acting Award at Changdong Performing Arts Festa.

Harmonies from history 
Aud the Deep Minded (theSpace @ Triplex, 13-17)
A groundbreaking music drama by Scottish New Music Awards shortlisted Joanna Nicholson, combining projections, voice, electronic soundscapes, clarinet and horn. Psychological time travel draws us into the inner world of Aud the Deep Minded, a real-life Christian Viking and conflicted yet brilliant leader in 9th century Scotland. Inspired by fragments of unreliably documented history, and reframed in the present, we explore Aud’s transformatory journey from oppressed to oppressor to liberator. Soprano – Clíona Cassidy, Horn – Andy Saunders, Clarinet – Joanna Nicholson, Electronics – Alistair MacDonald, Projection art – Kirsty Anderson. #IamAud MadeInScotlandShowcase.com 

Sun shines on R2 Garden Party

R2 SUMMER EVENT HELD AT GRANTON CASTLE WALLED GARDEN

R2 held our Summer Garden Party in Granton Castle’s Walled Garden last week.

Garden Parties are becoming something of an annual event for R2 – last year’s gathering at Drylaw Neighbourhood Centre was a great success – and once again the event proved very popular with more than fifty local organisations represented.

Granton Castle’s Walled Garden is very much a hidden jewel, and for many participants it was a first opportunity to enjoy the wonderful green space that is tucked away between Caroline Park House and Social Bite Village.

Following a delicious buffet lunch provided by North Edinburgh’s very own Empty Kitchens Full Hearts, Friends of Granton Castle Walled Garden chairperson Gillean Paterson treated visitors to a tour of the near three-acre site – and there was a delight around every corner.

From flowers beds and vegetable patches to an impressive orchard stocked with a great variety of apple, damson and plum trees, the garden is a natural wonder, teeming with life. The walled garden is ablaze with colour, and this despite the fact that there is no electricity supply and no running water on-site!

Tended by a team of enthusiastic volunteers – I was given my own wee personal tour by one volunteer who has put his handyman and building skills to good use all over the site – the garden really is an amazing local success story.

The Garden Party was an opportunity for R2 member projects to network and share information, and – maybe it was the sunshine! – there seemed to be more positive news to share than has sometimes been the case in the past.  We even had music!

Connections have been made with a number of local organisations who now use the garden space regularly, and I have no doubt many more will now be making a beeline down to Granton Castle Walled Garden again following the R2 visit!

For further information about Friends of Granton Castle Walled Garden, visit their website or email  grantongarden@gmail.com.

For further information about R2, email Anita at hello@R2.org.uk