120 shows make up The Stand’s 2022 programme across Stand 1 (5 York Place), Stand 2 (16 N St Andrew St) & The Stand’s New Town Theatre (96 George St)
We may be world-famous for our stand-up, but that doesn’t mean The Stand is a one-trick pony. Several spoken-word mainstays such as ‘The Cabaret of Dangerous Ideas’ and ‘In Conversation With’ are back thanks to our partnership with Fair Pley, but there’s also brand new shows from comrades Jeremy Corbyn & Len McCluskey, legendary actor David Hayman, former Makar Liz Lochhead and much more …
An ongoing series of intimate conversations with some of the country’s biggest names, including Jeremy Corbyn MP, Ian Rankin, Darren McGarvey, David Hayman, Val McDermid, and now – a last minute addition – our First Minister Nicola Sturgeon! £12.50 – £15
Are you brave enough to challenge your own preconceptions and opinions on hot-button issues? Susan Morrison introduces a different academic speaker every day. £11
Are you brave enough to challenge your own preconceptions and opinions on hot-button issues? Susan Morrison introduces a different academic speaker every day. £11
Jeremy Corbyn is joined by his friend and comrade Len McCluskey for a unique event. No strangers to controversy; their love of poetry is the softer counterpoint to their firm political beliefs. One night only. £12
What does it really mean to be working class? A blend of theatre, stand-up and spoken word from critically acclaimed writer and performer Kevin P Gilday. £12
Mark Billingham, Val McDermid, Chris Brookmyre, Luca Veste, Doug Johnstone and Stuart Neville switch out pens for guitars. Murder on the dancefloor is guaranteed …
The cast has been announced for Hiya Dolly! ahead of its Fringe 22 run at the Space @ Surgeons Hall.
The true story of how a cute, attention-seeking lamb became the most famous sheep in history, the world’s first cloned mammal. Lab created and born at the Roslin Institute outside Edinburgh, Dolly lived the good life.
A worldwide celebrity who never left her farm. Mother to six lovely lambs. She changed biology forever – and irrevocably changed the lives of all her human parents. Who were they? How did they do it? Where are they now? Come find out how to clone a sheep in this new play by Vince LiCata, laced with Dollified Scottish tunes and plenty of woolly humour.
Hiya Dolly! is a play with live music that explores the science, human relationships, and public reaction surrounding the remarkable cloning of Dolly the sheep at the Roslin Institute outside Edinburgh. At the time many high profile scientists had declared that cloning a mammal was impossible.
It’s a whirlwind excursion through the creation of the world’s most famous sheep and the story of the people who made it happen. Itmixes science, human drama, music, humour and a talking sheep. Its songs are set to traditional Scottish folk tunes arranged by Edinburgh based musician Ciaran McGhee.
Writer Vince LiCata says, “The explosion of publicity about the cloning of Dolly the sheep was outrageous: scientific advances just don’t get that type of public hype.
“And yet all that mania included little about the actual cloning. So Hiya Dolly! is an attempt to tell the story of the cloning itself, but in a way that retains the atmosphere of the runaway circus that surrounded it.”
Director Andy Jordan comments: “I am delighted to be directing Hiya Dolly!, a highly unusual play about a truly remarkable animal. Dolly is an Edinburgh icon who was created, lived and died just outside the city, so I feel honoured to be involved in telling her truly astonishing story.
“This play brings a talking Dolly to the stage with chutzpah, wit and charm, in a way that can only happen in theatre. I can’t wait to meet her.”
Hiya Dolly!
Written by Vince LiCata,
Directed & Produced by Andy Jordan
Music Direction by Ciaran McGhee
Designed by Robbie McDonnell
Listings info
Venue: theSpaceUK @ Surgeons Hall (Grand Theatre)
Dates: Friday 5 to Saturday 27 August No performance 14 Aug
Having temporarily put down their pens and picked up guitars, this crime-writing super-group – Mark Billingham, Val McDermid, Chris Brookmyre, Luca Veste, Doug Johnstone and Stuart Neville – happily murder much-loved songs by The Clash, Elvis Costello, The Beatles, Talking Heads, The Jam, The Pretenders, Johnny Cash and many others who are currently considering legal action.
Between them, they have sold over 20 million books worldwide and won every major crime-writing award, but now they’re rocking out on the stage instead of the page and performing killer tunes in a series of killer shows at major festivals and venues, including this first ever run at the Edinburgh Fringe.
The band have rocked the stage at Glastonbury, blown the roof off The Queen’s Hall, and performed to international audiences from Reykjavik to Toronto. The unlikely band formed at the House of Blues in New Orleans in 2016, when an open mic night at a crime-writing festival got out of hand.
Fuelled by whisky, beer and distinctly murderous tendencies, the Fun Lovin’ Crime Writers deliver the most rocking night out this side of a library. Murder on the dancefloor is guaranteed!
The European Broadcasting Union (EBU) and the BBC have confirmed that the 2023 Eurovision Song Contest will be hosted in the United Kingdom on behalf of this year’s winning broadcaster, Ukraine’s UA:PBC.
BBC to take on hosting duties with Contest to be held in United Kingdom in 2023
Logo reflecting unique circumstances of staging to be revealed later
The European Broadcasting Union (EBU) and the BBC are pleased to confirm that the 2023 Eurovision Song Contest will be hosted in the United Kingdom on behalf of this year’s winning broadcaster, Ukraine’s UA:PBC.
Following the decision that, regrettably, next year’s event could not be held in Ukraine for safety and security reasons the EBU explored a number of options with the winning broadcaster.
As a result of discussions, the BBC, as runner up in the 2022 Contest, was invited by the EBU to act as Host Broadcaster for the 67th Eurovision Song Contest.
“We’re exceptionally grateful that the BBC has accepted to stage the Eurovision Song Contest in the UK in 2023,” said Martin Österdahl, the Eurovision Song Contest’s Executive Supervisor.
“The BBC has taken on hosting duties for other winning countries on four previous occasions. Continuing in this tradition of solidarity, we know that next year’s Contest will showcase the creativity and skill of one of Europe’s most experienced public broadcasters whilst ensuring this year’s winners, Ukraine, are celebrated and represented throughout the event.”
Mykola Chernotytskyi, Head of the Managing Board of UA:PBC, added: “The 2023 Eurovision Song Contest will not be in Ukraine but in support of Ukraine. We are grateful to our BBC partners for showing solidarity with us.
“I am confident that together we will be able to add Ukrainian spirit to this event and once again unite the whole of Europe around our common values of peace, support, celebrating diversity and talent.”
Representatives from UA: PBC will work with the BBC to develop and implement the Ukrainian elements of next year’s shows. Ukraine, as the winning country of the 2022 Eurovision Song Contest, will also automatically qualify to the Grand Final of the upcoming Contest.
Tim Davie, Director-General of the BBC said: “It is a matter of great regret that our colleagues and friends in Ukraine are not able to host the 2023 Eurovision Song Contest. Being asked to host the largest and most complex music competition in the world is a great privilege.
“The BBC is committed to making the event a true reflection of Ukrainian culture alongside showcasing the diversity of British music and creativity. The BBC will now begin the process to find a Host City to partner with us on delivering one of the most exciting events to come to the UK in 2023.”
The BBC has staged the Eurovision Song Contest more times than any other broadcaster, hosting in London in 1960, 1963, 1968 and 1977, Edinburgh in 1972, Brighton in 1974, Harrogate in 1982 and Birmingham in 1998.
Next year’s Host City will be chosen in the coming months following a bidding process to be launched this week. The dates for the 2023 Eurovision Song Contest will be announced in due course.
The logo for the 2023 event will also be revealed later and will reflect the unique staging of next year’s Contest and the cooperation between the host country and this year’s winners.
The Eurovision Song Contest is the world’s largest live music event, organised annually since 1956 by the European Broadcasting Union (EBU), which represents public service media in 56 countries in Europe, the Middle East, and Africa.
The 2022 competition reached over 180 million viewers on TV and digital platforms.
Ukraine, as the winning country in 2022, will automatically qualify for the Grand Final of the upcoming Contest along with the so-called ‘Big 5’ (those countries that financially contribute the most towards the Contest: France, Germany, Italy, Spain and the United Kingdom).
Kalush Orchestra on stage having won the Eurovision Song Contest in 2022 – EBU / Corinne Cumming
Representatives of UA: PBC will work with the BBC to develop and implement the Ukrainian elements of next year’s shows.
The logo for the 2023 event will also be revealed later and will reflect the unique staging of next year’s Contest and the cooperation between the host country and this year’s winners.
Search for Host City begins
Next year’s Host City will be chosen in the coming months following a bidding process to be launched this week.
Bidding is expected to be competitive, with several mayors, councillors and MPs already informally expressing an intention to bid, including representatives from: Aberdeen, Belfast, Birmingham, Brighton, Bristol, Cardiff, Edinburgh, Glasgow, Manchester, Leeds, Liverpool, London, Newcastle, Nottingham, Sheffield, Swindon and Wolverhampton.
Not all of these locations will formally apply, and the BBC and the EBU will await official approaches and applications from this week onwards, publishing the long-list later in the Summer.
As well as selling their vision for a fantastic Contest, potential Host Cities are expected to demonstrate that they can meet a list of expectations.
Last year, the EBU’s Host City criteria was based on providing a venue able to accommodate at least 10,000 spectators (as well as a press centre), that should be within easy reach of an international airport and with ample hotel accommodation.
Acclaimed shows shine a spotlight on the life and career of two legendary musicians
Two music shows which celebrate the talent of a pair of legendary musicians are set to be staged at the Assembly Festival at the Edinburgh Fringe this summer.
Something About Simon – The Paul Simon Story and Something About George – The George Harrison Story will join the line-up at the UK’s most hotly anticipated Summer event.
The two shows from Something About Productions will run between Thursday 4 August and Thursday 18 Augustin The Bijou – a striking 250-seat Spiegel tent – and will join a busy programme of music, comedy, cabaret, theatre, and family shows planned for the 2022 Fringe. Tickets for both productions are now on sale.
Something About Simon – The Paul Simon Story returns to Edinburgh after triumphing at the Fringe in 2019. It was then chosen for a residency at the Fringe Encore Series at the SoHo Playhouse in New York City, where it playedsix sell-out performances. The show, which was premiered in Liverpool in 2018, then also went on to form part of the programme at the inaugural Liverpool Theatre Festivalin 2020.
Singer songwriter Gary Edward Jones not only recites the music of one of his idols, but also tells the unique story of Paul Simon combining visuals, stage design and, of course, the music.
A natural storyteller with charisma and charm, Gary weaves together songs and stories that cross The Atlantic from New Jersey to the North West of England. He traces the sometimes poignant moments in Simon’s life and career, that occasionally mirror his own.
The show is co-written by Jon Fellowes and features classic ballads like Sound of Silence and America to Wristband, The Boxer, and Bridge Over Troubled Water.
Meanwhile Something About George – The George HarrisonStory enjoys its Edinburgh premiere this Summer. The show pays tribute to the man dubbed the “quiet Beatle”, and was met with acclaim by both audiences and critics when it closed Liverpool Theatre Festival in September 2021.
Now West End performer and musician Daniel Taylor is set to bring it to the Fringe at the culmination of an eight venue UK tour.
Featuring beautiful songs like My Sweet Lord, Something, and Handle With Care, Something About George showcases Harrison’s incredible solo material and music from rock ‘n’ roll’s greatest supergroup, The Traveling Wilburys which was made up of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty.
And any show celebrating one of the Fab Four just has to include a few classics from The Beatles. From heartbreak to hedonism and songwriting to success, Something About George celebrates a life that was anything but quiet.
Daniel is an award-winning actor, producer, and director. He has previously played John Lennon in the award-winning Lennon Through A Glass Onion; Sammy in Blood Brothers; and appeared at the very first Liverpool Theatre Festival in his show, The Very Best Of Tommy Cooper.
Both ‘Something About’ shows will be performed in 60-minute one-act festival version. They are also set to be staged at the Assembly Festival Gardens in Coventry ahead of Edinburgh.
Something About George is written by Jon Fellowes, who co-produces the show alongside Gary Edward Jones and theatre producer Bill Elms. Together they make up Something About Productions.
Co-producer Bill Elms said: “We’re absolutely thrilled to be able to bring Something About Simon and Something About George to the Assembly Festival at the Edinburgh Fringe.
“The Bijou is a really magical and atmospheric venue in which to tell these compelling musical stories. These shows capture and celebrate the life, work, and spirit of two legendary musicians, Paul Simon and George Harrison, and both have enjoyed a fantastic reception from audiences at venues here at home and, in Something About Simon’s case, across The Atlantic too.”
Gary Edward Jones commented: “We had an amazing time when we brought Something About Simon to Edinburgh three years ago. Audiences really responded to the heart in the show and to have the chance to perform it in New York too was very special.
“I’m really proud of what we’ve created, and I’m looking forward to returning and sharing Paul Simon’s story and music again.”
Daniel Taylor added:“There’s nothing quite like the atmosphere at the Edinburgh Fringe, and I can’t wait to get out there on stage and perform for Assembly Festival audiences.
“After all his achievements, George is still one of the most underrated songwriters that has ever lived, and this is a perfect chance to celebrate and shine a spotlight on his musical genius.”
Facebook: /somethingaboutproductions
Twitter: @SomeAboutProds
Instagram: /somethingaboutproductions
LISTING INFORMATION
Something About Simon – The Paul Simon Story
DATE: Thursday, 4 August – Thursday, 18 August 2022
TIME: 1pm
Something About George – The George Harrison Story
DATE: Thursday, 4 August – Thursday, 18 August 2022
Back for its fifth year, with a new Chief of Engagement and a new Creative Director, Army @ The Fringe is poised to provoke public discussion through plays, art, poetry, and talks programmed to act as a foil to the Royal Edinburgh Military Tattoo, showing the Army in a different, unexpected light.
As the Fringe emerges from Covid, Army @ The Fringe is playing its part in recovery. None of its visiting artists pay rent to perform in the venue, which keeps ticket prices affordable and means over a quarter of shows are free or pay what you want.
For the first time Army @ The Fringe has commissioned research and development works and play readings. Some are being performed by graduands from the Royal Conservatoire of Scotland which sees their Fringe Debuts fully funded.
Lt. Col Hugo Clark MBE, who is responsible for Military Engagement across the whole of Scotland, is no stranger to Edinburgh and its festivals, having Commanded Edinburgh Garrison and the Military aspects of the Royal Edinburgh Tattoo for three years.
Lt. Col Clark said: “We’re trialing lots of initiatives to reach new audiences. For instance, we’re working with the University of Dundee to offer free tickets to humanities students from Scottish Secondary Schools up to 90 minutes from Edinburgh for productions and post show talks about history and international relations.
“We’re also collaborating with Scotland’s new Centre for Military Research, Education and Public Engagement at Edinburgh Napier University on a programme of post-show talks about veterans, spouses and mental health.
“In a year where the Fringe is on its way to recovery by having 80% of its 2019 programme, I’m pleased to support this by increasing our own capacity by 60% from last year through innovative programming and deploying a team who really have pulled out the stops to support this logistically.”
Leading the Creative Direction of Army at the Fringe is veteran producer, writer and artist Harry Ross who brings over two decades of experience to the artistic programme. He is also a serving Reservist, part of a new direction for Army @ The Fringe which will see soldiers start to play a more interactive role in creating work.
Interestingly, the venue in Hepburn House, an Army Reserve Centre on East Claremont Street, a fifteen-minute walk from Fringe Central, has some pedigree for artistic soldiers – two of Scotland’s well known modernist painters, Francis Caddell RSA and William Geissler enlisted into the Royal Scots at Hepburn House in the 20th Century.
Harry Ross said: “I rejoined the Army reserve as part of Artistic Research I am undertaking into the Hagiography of the Highland Warrior at Duncan of Jordanstone College of Art and Design, University of Dundee.
“As part of the University’s ethical approval process, I had to explain what I was doing to my military superiors who have been exceptionally supportive of my research. When I was asked by HQ Army in Scotland to help Army @ The Fringe, I felt it was a way of returning that support.
“I’m no stranger to life in the British Army, my father commissioned half a century ago and retired in 2006. Today’s army is very different to the one I grew up next to, and I hope that my programme reflects the values of a contemporary, diverse, and moral organization that the British Army seeks to become, with plays that accentuate how the moral component is key to an army that needs its soldiers to be reflective on choices made during service and respectful of all communities.”
The arts have always been interwoven with the British Army and cultural influences are reflected in works of art and poetry that soldier artists have created on their return from operations overseas, and music that has been composed during and after conflict.
As part of Army @ The Fringe’s strategy to present more work outside central Edinburgh, the art of conflict will be in the spotlight at a special concert of chamber music composed by 20th and 21st century composers at war, and Edinburgh Napier University Music Students that will be presented by members of the Band of the Royal Regiment of Scotland at the War Poets Collection, Edinburgh Napier University, Craiglockhart Campus on 28th August.
Soldiers creating works of art and music is one element of how the army interacts with the arts, another important interaction is that all soldiers must understand how to protect cultural property. This is not just the physical works of art or architecture but also the intangible heritage of oral history, performing arts, the values, traditions, and identities of communities.
“The Baltic Countries have a UNESCO Protected Intangible Heritage in their music and dance festivals. The one in Estonia is known as Laupupidu”, said Lieutenant Colonel Wendy Faux, the lead for arts in the Army for the last three years.
“The Kings Royal Hussars Battlegroup formed a choir whilst deployed in Tapa. They had a Russian Musical Director and performed with local choirs from the region around Tapa – in old Estonian.
“For me this was the coming together of communities through a mutual respect of music. It was interesting that many in the crowd could not believe the soldiers were singing in an old Estonian dialect that many of them would not attempt.”
It was this event along with the links Ross has nurtured over the years that has inspired a programme that brings together different voices through Intangible Heritage, with a highlight of the Poetry and Plays of young playwrights from the Baltic nations and modern writers from the Visegrád Group.
Continuing with the cultural heritage theme there are workshops and readings that investigate Scotland’s own linguistic diveristy, with an event exploring exploring why so many British Army units celebrate the Scots poet Robert Burns with senior non-commissioned officers form the Royal Regiment of Scotland, and a workshop on Gaelic war poetry produced in collaboration with the Scottish Poetry Library and led by Outlander’s very own Bard – Gillebrìde MacMillan.
Army @ The Fringe is also presenting two photographic exhibitions: – One is a remount of Alex Boyd’s acclaimed photographic exhibition at Stills Gallery – Tir An Airm (Land of the Army), that explores the largely unseen places in Scotland that are used to train our armed forces and those of our NATO allies.
The other is a retrospective of the work of prizewinning military photographer Bdr. Murray Kerr – To Spur a Running Horse, a collection of Portraits of veterans at rest and Officer Cadets in the field.
This year presents an opportunity for audiences and creatives to immerse themselves in a finely-honed programme of premières that bring the questions that really matter to light – what is our Army for; how do we train it; what are our values; how do we treat our veterans; who do we serve with and why; and what is our place in contemporary Scotland, the UK, and the wider world?
Rising female artists, Riley, Becki Rutherford, and Megan Black surprised passers-by on Castle Street today with a busking set and free tickets to their upcoming Glasgow gigs as part of Glasgow Life’s Glasgow Music Nonstop busking tour.
The busking tour, which makes its second stop in Edinburgh, is bringing together musicians from across Scotland to get people excited about Glasgow’s jam-packed programme of music events this summer.
The three Glasgow artists kicked off the second day of the tour and gave away tickets to their upcoming gigs in Glasgow (all three artists are performing at King Tut’s Summer Nights Festival), in support of the city’s summer of music.
The tour is now gathering pace and makes its final stop in Dundee tomorrow (Friday 22 July).
Riley said: “Glasgow is one of my favourite cities to play in, so I was thrilled when I was asked us to join the Glasgow Music Nonstop busk tour in Edinburgh.
“I’m delighted to be headlining King Tut’s this Sunday and love that Glasgow Music Nonstop is supporting all the fantastic artists that are playing Glasgow this summer.”
Edinburgh resident, Michelle Finlayson was one of the lucky passers-by who managed to snap up a ticket to Becki’s gig. She said: “Being given these tickets totally cheered me up and Becki’s beautiful voice had us dancing along and joining in.
“I absolutely love the live music scene in Glasgow, there’s always a great atmosphere at gigs, so I’m really looking forward to seeing Becki perform there.”
Glasgow Life Chair, Bailie Annette Christie said: “Glasgow enjoys a global reputation as a live music hotspot, with our venues regularly playing host to some of the world’s biggest artists. As the UK’s first, and Scotland’s only, UNESCO City of Music, Glasgow’s music scene has something for all fans, which is a major reason visitors choose to come here.
“The Glasgow Music Nonstop busking tour is our way of bringing a flavour of Glasgow’s summer of music to our fellow Scottish cities and celebrating the artists that make Glasgow’s music scene so vibrant. We’re delighted to support homegrown talent and hopefully get people excited about Glasgow’s upcoming events with some free tickets to enjoy our city’s summer of music.”
Developed by Glasgow Life’s Destination Marketing team, and with the support of VisitScotland’s Destination and Sector Marketing Fund, the ‘Glasgow: Music Nonstop’ busking tour is bringing a line-up that includes Riley, Megan Black, Becki Rutherford, Pages, BOOTlace and Silvi to Aberdeen, Edinburgh, and Dundee to promote Glasgow’s lively music scene and give music fans across the country the chance to scoop free tickets to upcoming gigs.
Glasgow Life is a charity which delivers culture and sport across Glasgow.
Glasgow’s summer of music kicked off with a bang in June as some of the industry’s biggest names descended on the city’s venues. From Green Day at Bellahouston Park, to Liam Gallagher at Hampden, to the city’s 5th year of TRNSMT festival and King Tut’s Summer Nights, Glasgow is living up to its title of Scotland’s UNESCO City of Music.
With plenty of music events lined up this summer, Glasgow is playing host to Summer Nights at Kelvingrove Bandstand (27 July – 13 August), Merchant City Festival (28-31 July), Piping Live! (6-14 August), the World Pipe Band Championships (12-13 August), and a whole host of other live gigs that span a wide range of genres.
With an impressive range of accommodation, Glasgow is an ideal place to enjoy a music-themed short break and make the most of the city’s lively nightlife. Perfect for music lovers, the Ibis Styles Glasgow Central features showstopping music memorabilia and themed murals in contemporary surroundings.
Fans can follow in the footsteps of music icons Frank Sinatra, The Beatles, and The Rolling Stones by booking a stay at Voco Grand Central Hotel.
For those attending gigs in the city centre, Radisson Blu is a top choice with its music-themed illustrations and photography, and for music fans visiting big names at the OVO Hydro, Radisson Red offers unparalleled views from across the street and plays host to DJs in its rooftop bar.
MORE than sixty artists will open their studios to visitors as Largo Arts Week kicks off on Saturday July 16 in Fife’s “Robinson Crusoe” village of Lower Largo.
The festival combines art, concerts, free gigs and talks with renowned crime novelists Sir Ian Rankin and Val McDermid each featuring in “an audience with” session.
The third annual Largo Arts Week – www.largoartsweek.com – runs from Saturday July 16 – Sunday July 24 and will also feature appearances by folk music legend Rab Noakes, Americana R&B guitarist Brooks Williams, international sculptor David Mach, singer and broadcaster Richard Jobson and children’s illustrator Jill Calder.
A total of 66 artists – nearly double the number who participated in the festival’s inaugural year in 2019 – will be exhibiting in 36 homes and studios, which will be open to the public throughout the week.
Lower Largo is famous as the birthplace of Alexander Selkirk, the man who inspired the story of Daniel Defoe’s Robinson Crusoe.
Val McDermid and Ian Rankin will take part in “an audience with” events in the village’s Crusoe Hotel, being interviewed by Skids frontman and broadcaster Richard Jobson, who also hails from Fife.
The Crusoe Hotel will be the main ‘hub’ for the Festival with the Upper Largo Hotel and community café The Aurrie as other key venues.
Festival director Andrew Stenson said: “It’s shaping up to be a fantastic week of art and music and we hope there is something for everyone in the programme with the combination of internationally-known artists and writers along with local artistic talent.”
Key highlights of the festival include:
Scots folk music legend Rab Noakes, who is making his third appearance at the Arts Week, will join Georgia-born guitarist and Americana songwriter Brooks Williams in a gig at community venue, The Aurrie.
Internationally recognised opera singer, soprano Charlotte Whittle, will also give a recital at the community venue.
Award winning illustrator and calligrapher Jill Calder, whose work has featured in children’s picture books, huge hospital murals and global advertising campaigns, will be stage a Children’s Workshop at the Community Library.
Lower Largo’s harbour, next to its historic pier, will be the location for an open-air free concert for the community on Friday 22nd July, featuring a retro 80’s band.
Local bands Astral Suns, Longway, The Passing Stages and The Best Dressed Blues Band will be playing in a series of free gigs at the Upper Largo Hotel.
Edinburgh hip-hop artist, CTRL, highlights the racism experienced by his grandfather in 1960s Scotland in hotly anticipated single and EP release
Edinburgh hip-hop artist, CTRL, has announced the release of his latest single and hotly anticipated EP, the lyrics of which reveal a deeply honest insight into his backstory and personal life.
From the racism his grandfather endured after arriving in the UK from Sierra Leone, right through to his own present-day struggles – CTRL tackles tough topics and delivers them with finesse.
CTRL, 24, first made a name for himself in the Edinburgh rap and hip-hop scene as a regular DJ in the capital, before founding the record label, New Vision Records, with Paddy Do Rego in 2021.
Solo artist, Chris Thomas, also known as CTRL – a play on his initials and a reference to his determination to control his own future – speaks openly about his past on the single, See it Now, and the EP, Life and Times.
The subject matter covers the many tough decisions CTRL has made, addressing them in the unashamedly open and frank manner his fans have come to admire.
See it Now sees CTRL team up with Jock Begg, a singer, songwriter, multi-instrumentalist, and producer. The single, produced by Leftmind, is a reflective, progressive track about CTRL conquering problems and becoming who he is today.
I plot the X on my map to grow the riches, Cross all these bridges ‘n’ ditches, which is nothing new, I been problem solvin’ Solve all the problems that I’m involved in (Taken from ‘See It Now’)
Staying true to himself is something that resonates throughout the entire EP, with CTRL’s backstory brought to the fore in the track, Hard to Love.
I unlock the scent of Mr Me Mr Confident I gotta vent, pain harder than it’s evident This relevant from my tone I’m tryna be grown Cos my roots lead back to Sierra Leone I’m the clover of the founder of the diamonds you own Grandad was black and 14 surviving all alone Prone to the racism. Taught that we don’t moan For a long time without a place that he could call home Thank you to the man that rescued his chance It’s eventually birthed CTRL to give you a glance The future I create it, the past is what has made it You can try and save it, maybe you phase it Best I hiatus, go and create this Future arena status Be patient
Commenting ahead of the single release, CTRL hinted that despite baring all in these tracks, there was still more to come, with an album set to be released in Autumn 2022.
‘I take inspiration from what I’ve been through, and as life continues to throw challenges my way, I’ll continue to flip those experiences into something positive and try to find the lesson in each one of them’ he said.
To celebrate American Independence Day, The Royal Edinburgh Military Tattoo has revealed further details about the debut of The United States Army Field Band, who will perform on the iconic Edinburgh Castle Esplanade this August.
The band, known worldwide as the Musical Ambassadors of the US Army, and 81 of these musicianswill bringa diverse and dynamic fusion of traditional and contemporary music to their much-anticipated performance for the 5th – 27th August run.
For their first ever performance at the Tattoo, members of the Concert Band, Soldiers’ Chorus, Jazz Ambassadors, and newly added rap artists will be performing.
Audiences will be treated to the best of Americana by the band with iconic music including classic pop and indie rock hits that will entertain Tattoo fans of all ages. Staff Sergeants, Lamar Riddick and Nicholas Feemster, will make their Field Band debuts with the Tattoo, bringing rap to the United States Department of Defence and the Edinburgh Castle Esplanade for the first time ever.
The Band was formed in 1946 as a way for America to connect to the Army and share their stories while honouring all of the brave soldiers and veterans. This year, the band’s female vocalists’ will pay tribute to original members of the band through their costumes which have been inspired by the iconic look and fashions of the Andrews Sisters – an American close harmony singing group of the swing and boogie-woogie eras.
Performers from The United States Army Field Band recently featured on “Soundtrack of the American Soldier,” whose production team won the Immersive Audio Album at the 63rd Grammy Awards held in March 2022.
Fellow American performers The United States Air Force Honor Guard Drill Team, who are the official ceremonial unit of the Air Force, will also return to the Esplanade with their dynamic display of precision and skill from one of America’s top display teams.
Michael Braithwaite, Creative Director of The Royal Edinburgh Military Tattoo, said: “It’s always a delight to welcome performers to the Tattoo for the first time. And when it’s one of the finest US military bands in existence, direct from Washington DC, then I know our audiences are in for a real treat.
“The US Army Field Band have wowed audiences across the USA for many years and have now put together a brand-new performance just for Edinburgh. They are world renowned for their exceptional music and visual displays and we can’t wait to see them live on the Castle Esplanade.”
This year’s Tattoo performance is called Voices and will be a celebration of expression, giving a stage to performers and acts to share their voice. Voices draws inspiration from people across the globe who, despite physical separation, continue to connect and share their voices creatively through spoken word, song, music, and dance – languages common to all.
Sergeant Major Erica Russo, Director of Operations, of The United States Army Field Band, said: “We were absolutely thrilled to be invited to perform at The Royal Edinburgh Military Tattoo this year. We are immensely proud and excited to be able to represent the United States of America on such a tremendous international stage.
“Our performance this year is truly presenting the very best of Americana. We’re playing a huge range of music from Leonard Bernstein to modern pop favorites, as well as the extremely exciting inaugural performance of the Department of Defence’s first dedicated rap artists.
“Everyone who attends the Tattoo this year will be able to connect with and enjoy one of the musical elements of our performance and we just cannot wait to get out there on the Esplanade!”
Almost 900 performers from across the globe will take part in in this year’s Tattoo, bringing with them extraordinary music, dance, and performance talents. There will be vivid and exciting acts from Mexico, The United States, Switzerland, Germany, Canada, Australia, and New Zealand, along with homegrown talent from the UK. Military personnel will continue to play a central role in the performance, with the Army as the lead Service this year.
Audiences can expect to hear the skirl of the Massed Pipes and Drums that will echo around the Esplanade as part of Voices, supported by Tattoo Pipes and Drums, Tattoo Dance Company, Tattoo Fiddlers, and musicians from a number of UK Military Bands.
The Show will run from 5-27 August 2022. Tickets are on sale now and can be purchased at edintattoo.co.uk/tickets or on the phone on 0131 225 1188.
