Film fans are in for a treat this weekend, with two of 2023’s biggest films – Barbie and Oppenheimer – returning to Vue sites in Edinburgh.
This week saw both films securing an impressive 21 Oscar nominations between them. Together, they created the cultural phenomenon ‘Barbenheimer’ – a huge moment not just in cinema, but in pop culture as a whole.
It was revealed on Tuesday (23 January) that Christopher Nolan’s Oppenheimer is up for 13 gongs, while Greta Gerwig’s Barbie is not far behind with eight.
To celebrate the impressive feat, film fans will once again be able to enjoy a DIY double feature of both titles at Vue Edinburgh Omni and Vue Edinburgh Ocean this Saturday.
Toby Bradon, General Manager at Vue UK & Ireland, said: ‘We’re thrilled to be welcoming back not one but two great blockbusters on Saturday 27 January and can’t wait to relive the magical movie moments from Great Gerwig and Christopher Nolan.
‘Both films performed brilliantly at the Golden Globes, and we can’t wait to see what’s in store for them at this year’s Oscars.’
Tickets start from just £7.99 when booked online. Visit myvue.com to find out more.
New and improved tax credit system for film, TV and video game production companies starts from today
An extra £42,500 in relief for children’s TV, animated TV and animated film production
£5,000 in relief for high-end TV, film or video game production
British film, TV and video game producers will benefit from new, more generous tax credits that start today (1 January 2024).
To maximise the potential of the UK’s cutting-edge production industry and help incubate unique British talent, the government’s Audio-Visual Expenditure Credit and the Video Games Expenditure Credit replace the previous tax reliefs for film, TV and video games.
All companies will receive more tax relief than they did under the previous system, greater flexibility over production decisions and greater clarity about the amount of credit companies can expect to receive.
Nigel Huddleston, Financial Secretary to the Treasury, said: “We are backing the makers of the next Barbie, Happy Valley and Grand Theft Auto with this new, more generous, tax credit system for British production talent.
“The UK is a world leader in creativity, and we want to ensure that continues well into the future by making it easier for British film, TV and video games to thrive.”
Under the new system, a children’s TV production, animated TV production or film with £1 million of qualifying expenditure will receive an additional £42,500 in relief. A high-end TV production, film production or video game will receive £5,000 in relief. To ensure fairness, the uplift in relief for animation will be extended to include animated films as well as TV programmes.
The credits will be calculated directly from a production or game’s qualifying expenditure, instead of being an adjustment to the company’s taxable profit.
Animation and children’s TV productions will be eligible for a higher credit rate of 39%, a rate increase of 5.5% under the previous reliefs. The 34% credit rate for film, high end TV and video games is roughly equivalent to a rate increase of 0.5% under the previous tax reliefs.
The new system applies to the whole of the UK.
The government has listened to feedback from industry that companies will need sufficient time to adapt to the new expenditure credits. For this reason, productions and games in development on 1 April 2025 may continue to use the previous tax reliefs until they end on until 1 April 2027.
The move to reform tax relief for entertainment productions and video games was announced at the Spring Budget in March 2023. The system implemented today was developed hand in glove with the UK entertainment industry, with consultations on both the policy itself and the draft legislation. It is being legislated as part of the Finance Bill 2023-24.
The UK’s creative industry is already worth £126bn and the UK has the largest video game employee base in Europe, at nearly 21,000 by the last estimate.
Today’s new tax credit system is the latest move by UK Government in support for British creative industries. The Chancellor also announced that full-expensing will be made permanent in 2023’s Autumn Statement, helping creative businesses invest for the less by saving them 25p in every £1 they spend on qualifying equipment and machinery.
At Spring Budget 2023, the Chancellor also extended the rates of relief for theatre, orchestra and museums for two additional years to April 2025.
In September last year, coinciding with a visit by the Chancellor Jeremy Hunt to Warner Bros. Studios in Los Angeles, it was announced that the production giant would expand their studio in Leavesden, Hertfordshire, in 2024. The move is expected to create 4,000 new jobs in the UK and contribute more than £200m to the UK economy.
Fort Kinnaird has partnered with local charity Magdalene Community Education Centre to treat young people in the city to a free screening of the newly released Wonka film and bring a smile to their faces this festive season.
Twenty children, aged between six and fourteen, were invited to see the highly anticipated movie and were also treated to popcorn and a range of other goodies to tuck into.
Magdalene Community Education Centre offers a weekly programme of activities for children, teenagers, adults and older people who face social and economic barriers, helping to bring local people together.
The centre plays a vital role in supporting the East of Edinburgh community and is run in partnership with the City of Edinburgh Council.
Rab Hogg, Senior Youth & Children’s Work Organiser at Magdalene Community Education Centre, said: “There were lots of happy faces as our young people enjoyed a trip to Fort Kinnaird’s Odeon cinema to see the new Wonka movie.
“Like many across the country, the families we work with are experiencing enhanced financial pressures at this time of year, so it is very important to have established partnerships like this to help take the pressure off those struggling in the community and spread some festive joy.”
Liam Smith, centre director at Fort Kinnaird, said:“Supporting our local community and giving back to those that work tirelessly to help make it a better place is extremely important to us.
“It was fantastic to welcome Magdalene Community Education Centre to Fort Kinnaird and work together with our partners at Odeon Cinema to put on a fun day out for the young people and volunteers.”
In a world that often seems filled with challenges and stressors, films targeted at an adult audience can offer not just entertainment, but also valuable psychological insights and a much-needed escape from the same old festive films …
Orange County CBD have teamed up with psychologist James Williams, who picked out 10 feel-good movies for adults, each chosen for their unique psychological insights and their ability to uplift and inspire:
The Grand Budapest Hotel
Psychological Insight:
This whimsical yet profound film illustrates the beauty of friendship and loyalty in a visually stunning and quirky way. It underscores the importance of human connections and the memories we create with others.
Silver Linings Playbook
Psychological Insight:
A candid look at mental health issues, this film highlights the power of optimism and finding the ‘silver lining’ in tough situations. It’s a poignant reminder of the importance of understanding, compassion, and accepting one’s flaws.
Lost in Translation
Psychological Insight:
This film explores themes of loneliness, connection, and the search for meaning in life. It beautifully captures the psychological journey of finding solace and understanding in unexpected places.
Little Miss Sunshine
Psychological Insight:
This dark comedy deftly balances humor with serious themes, exploring the complexities of family life and individual struggles. It highlights the psychological importance of acceptance, support, and unconditional love within a family.
Amélie
Psychological Insight:
A charming and visually rich film, Amélie explores the joy of small things and the impact of kindness. It shows the psychological benefits of altruism and its uplifting effects on mental health.
Garden State
Psychological Insight:
This film delves into themes of self-discovery, healing, and the search for authenticity. It’s a thought-provoking exploration of the journey towards understanding oneself and forming genuine connections.
Midnight in Paris
Psychological Insight:
A magical realist journey into the world of nostalgia and the allure of a ‘golden age.’ It offers a psychological exploration of the dangers of romanticizing the past at the expense of the present.
The Intouchables
Psychological Insight:
This heartwarming story of an unlikely friendship showcases the transformative power of human connection and empathy. It highlights how breaking down social and physical barriers can lead to fulfilling and life-changing relationships.
Sideways” (2004)
Psychological Insight:
A nuanced exploration of midlife crises, friendship, and personal growth. It demonstrates the psychological process of coping with disappointment and the journey towards self-acceptance.
Her
Psychological Insight:
This unique film offers a meditation on love, loss, and the human need for connection in an increasingly digital world. It explores the psychological impacts of technology on relationships and the nature of intimacy.
Each of these films, while catering to an adult audience, offers a deep dive into the complexities of human emotions and relationships. They are not just movies; they’re experiences that resonate on a psychological level, providing both entertainment and a chance for introspection and emotional growth.
Through their narratives, these films remind us of the power of resilience, the importance of human connections, and the endless possibilities that life offers, making them perfect for those seeking a feel-good experience with depth and maturity.
Cineworld are delighted to invite film fans to experience the4DX version of Wonka which will feature an all new special limited edition chocolate scent sure to transport viewers into Wonka’s world.
As an added bonus to celebrate the release of Wonka starring Timothée Chalamet, Cineworld is offering 4DX customers a sweet deal with a free chocolate scented scratch-and-sniff Wonka poster inspired by the unique limited chocolate smell experienced in 4DX.
The enchanting tale focuses on the origins of Roald Dahl’s iconic character, Willy Wonka, and boasts a star-studded cast including Timothée Chalamet, Hugh Grant, Rowan Atkinson and Olivia Colman.
Only at Cineworld in the UK and Ireland, the 35 4DX sites offer film fans an exhilarating experience that dives into the magical adventure like never before.
It’s not just the sweet smell of chocolate which will enliven the senses, as 4DX has effects like snow, wind and water timed to enhance the scenes playing out on screen so you feel like you’re discovering the magic of chocolate right along with Wonka and his friends. With musical numbers galore and magical elements in abundance, the 4DX seats will roll, sway and shake so it’s like you’re right there dancing, jumping and swimming along.
Casey Cohen, Head of Marketing at Cineworld Cinemas, said: “We’re thrilled to welcome movie lovers across the country to watch one of the most eagerly anticipated releases of the year.
“Wonka in 4DX is a treat for all the senses – the chocolate and candy scents will transport you into the world of Wonka while the dynamic 4DX effects for the film including snow, wind and water will make you feel like you’re living the adventure. As Wonka himself says, prepare to be amazed…!”
Cineworld is giving film fanatics across the nation the opportunity to watch the star-studded blockbuster in 4DX as well as additional formats with tickets now available from the Cineworld website or the Cineworld app.
Music fans will be thrilled to discover that they can enjoy the much-anticipated RENAISSANCE: A FILM BY BEYONCÉ on the big screen from 1st December.
With just weeks to go until the world premiere of the film on 30 November, tickets are now on sale at Vue Edinburgh Ocean and Vue Edinburgh Omni – with prices starting from just £14.99 when booked online.
RENAISSANCE: A FILM BY BEYONCÉ will be arriving at Vue Edinburgh Ocean and Vue Edinburgh Omni on Friday 1 December, with multiple screenings showing throughout the month.
Having started the first leg of her tour in Europe earlier this year, Beyonce played five sold-out gigs at Tottenham Stadium, London, in May and June.
Those who missed out on tickets – which ranged from £55 to £2,400 for VIP experiences – or fans who want to relive the experience can now catch a piece of the action at Vue Edinburgh Ocean and Vue Edinburgh Omni for a fraction of the price.
A combination of documentary and live footage from the show, RENAISSANCE: A FILM BY BEYONCÉ will give members of the BeyHive a chance to live and breathe the entire journey of the Renaissance World Tour from the best seat in the house.
Tapping into the anticipated Beyonce mania, Vue Edinburgh Ocean and Vue Edinburgh Omni will be offering limited edition merchandise.
Beyonce’s Renaissance album topped the charts this summer, garnering critical acclaim and saw the mega-star break the record for the most Grammys ever won.
Robert Smith, General Manager for Vue Edinburgh Omni, said: ‘Following on from the success of Taylor Swift’s concert film, which is still screening at Vue, it looks as if the success of Beyonce’s album and tour are going to be continued with the release ofRENAISSANCE: A FILM BY BEYONCÉ.
‘It’s been brilliant to see the growing buzz since the film’s announcement and we’re thrilled to be welcoming Beyonce to Vue venues in Edinburgh this December for what will no doubt be a must-see for music fans.’
Based on the incredible, and poignant, true story of British World War II Royal Navy veteran Bernard Jordan – played by Sir Michael Caine – who in June 2014 “broke out” of his nursing home to attend the 70th anniversary D-Day commemorations in Normandy, The Great Escaper has been released at the cinema.
Ahead of the general release, several premières have taken place around the country – including in Scotland – and volunteers from the Edinburgh & The Lothians Branch of SSAFA, the Armed Forces charity attended the screening by Edinburgh’s Army at The Fringe.
SSAFA Caseworkers Fran Good and Mags Granger, and Branch Chairman Walter Gallacher, were moved by the film, which co-stars the late Glenda Jackson in her last role as Bernard’s wife Irene.
No spoilers, but some thoughts on the film from SSAFA volunteers:
Mags commented that the film: “… is a humorous but moving reminder that life is more than the person you see in front of you.
“It really is a must-see film for all those who care passionately about others and the role we play in extending a hand of support and friendship to those who need us most.”
Walter added:“It’s as if the film was made for SSAFA and similar organisations and the people who work for us and volunteer with us and for all those we help.”
The Great Escaper – directed by Oliver Parker, whose credits include various adaptations of Oscar Wilde works, Johnny English Reborn, and Dad’s Army – is now on general release.
SSAFA was granted access to Oliver to interview him about the film. To watch the interview, visit vimeo.com/870713127.
In that submission, we stated the following regarding our Grant in Aid budget from the Scottish Government for 2023/24:
“While we welcomed the Scottish Government’s decision in February 2023 to reverse the 10% cut to our Grant in Aid Budget which was originally announced in December 2022, it should be noted that the £6.6m this cut related to has not yet been confirmed in Creative Scotland’s budget.”
We are extremely disappointed to report that the £6.6m budget has not been included in the Autumn Budget Revisions.
This has been confirmed in writing by the Cabinet Secretary for Culture, Angus Robertson, in a letter to our Chief Executive, Iain Munro on 20 September.
This relates to Grant-in Aid funding that we receive from the Scottish Government and that we use to support 119 cultural organisations across Scotland through Regular Funding.
Given the extensive messaging and advocacy regarding the pressures on culture budgets and risks to the culture sector that we, and many others have been making, this is a concerning development.
To address this reduction, the Creative Scotland Board agreed on 27 September, to use £6.6m of our National Lottery reserves to prevent us having to pass it on to the Regularly Funded Organisations, especially given the next payments are due in 2 weeks’ time.
Whilst the unprecedented pressures on public finances are understood, we are disappointed that the Scottish Government has taken this decision. However, Creative Scotland is acting swiftly and pragmatically to help stabilise the situation in the short term.
This step of using our National Lottery reserves in this way will only happen once. The budget for 2024/25 will not be decided by the Scottish Government for some months yet but should the Scottish Government choose to sustain this reduction, we will require to pass it on to the sector.
Creative Scotland appeared before the Culture Committee at the Scottish Parliament on yesterday (Thursday 28 September) to give evidence as part of the Committee’s ongoing inquiry into culture budgets in Scotland.
David Watt, chief executive of Culture & Business Scotland, said: “At a time when Scottish Government ministers repeatedly speak about the importance and value of culture to our society and economy, the reinstatement of the £6.6M cut to Creative Scotland’s annual budget for the current year is unfathomable.
““Just yesterday (Thursday September 28), I, alongside other cultural representatives, gave budget evidence to the Constitution, Europe, External Affairs and Culture Committee to hopefully ensure that this shortsighted budget decision does not extend into the 2024-25 budget for culture settlement.
“Investment in culture is essential for society, local communities, tourism, the economy and Scotland’s international reputation. The ongoing challenges of the legacy impact of Covid, Brexit and the cost-of-living crisis, are very real, with many arts and culture organisations operating on a knifes edge.
“These issues are exacerbated as the majority have a lack of unrestricted reserves and continue to struggle to build these up due to slow growth in ticket sales and increased overheads due to high energy prices.
“A reduction in public funding will rapidly increase the firefighting our culture organisations and venues are facing against challenge after challenge. If this budget pattern continues, with little opportunity to ensure future sustainability, there will be an inevitable shrinkage of the culture sector, and the economic and social impact of this will be significant for us all.”
As part of the Autumn budget review, the Scottish Government has re-instated a 10% cut to Creative Scotland’s 2023-24 annual budget (totaling approximately £6.6m), which following mass campaigning from the cultural sector, was overturned earlier this year (writes SMIA Interim CEO and Creative Director ROBIN KILPATRICK).
As the organisation which exists to strengthen, empower and unite Scotland’s music industry – representing a diverse membership of over 4,000 people working across all music genres and industry subsectors – we’re compelled to highlight the devastating impact of this decision; not just to music and culture, but to Scottish society at large.
The cut directly relates to the funding allocated to support Creative Scotland’s Regular Funding Network, comprising 119 cross-artform organisations (RFOs) that are structurally integral to both supporting and delivering Scotland’s cultural output. The SMIA is one of them.
In the short-term (for the rest of this financial year), Creative Scotland has had to divert to utilising National Lottery reserves to plug the gap and prevent the cuts from being passed on to members of the RFO network.
If this hadn’t been the case, in two weeks’ time when the next RFO funding payments are due, each of the 119 organisations would, in effect, have received a ~40% cut to projected funding.
In the SMIA’s case, this would have been two weeks ahead of the Scottish Album of the Year (SAY) Award Ceremony, and would have put the delivery of Scotland’s national music prize at significant risk.
The cut would have again been replicated in January at the next (and final) RFO payment for this financial year, which in the case of many organisations, would have meant the end. Whilst immediate disaster has been avoided, the use of Creative Scotland reserves at this stage means that they are now significantly depleted for what was their intended purpose.
Last month, Creative Scotland highlighted that over 500 cultural organisations stated their intention to apply for Multi-year funding; a new funding scheme that will replace the current Regular Funding one. From the intentions to apply, the indicative annual request was in excess of £113m – far exceeding what Creative Scotland expects to have available.
Inevitably, this means that Creative Scotland will not be able to support as many organisations on a multi-year basis as they currently do, and the application process will be highly competitive. Causalities are expected and imminent. Cultural organisations across all art forms are worried about their future, and the reserves that Creative Scotland has had to use now means that there’s far less available transitional funding for unsuccessful applicants.
Whilst the future for Scottish culture was looking bleak, there was at least some hope that organisations that are unsuccessful in securing Multi-year Funding would have some time to remain operational, pivot their business model and potentially find an alternative way forward. With Creative Scotland’s reserves now depleted, many unsuccessful organisations will soon vanish from the fabric of our cultural landscape, and with them, many creative opportunities and a significant part of our cultural identity as we know it today.
RFOs have been on stand-still funding since 2018. In the face of high inflation, rising interest rates, cost of living challenges, issues around staff retention and recruitment, the impact of Brexit, the legacy of Covid and a whole myriad of broader problems currently facing our sector, for Creative Scotland’s budget cut to have been re-instated, the future of music and culture in Scotland is now at significant and immediate risk. The foundations upon which it supported are being eroded at an increasingly alarming rate, and unless intervention is made by the Scottish Government, it will have impacts for decades to come.
Outwith the significant economic contribution that music makes to Scotland’s economy (£581m through music tourism alone in 2022, as noted in UK Music’s ‘Here, There And Everywhere’ report – and this is only based on events with 1500+ capacity), it’s important to remember that the value generated by the sector far extends an economic one.
With the Scottish Government has stated that they’re committed to building a well-being economy – which serves and prioritises the collective well-being of current and future generations – it’s fundamental to highlight just how intrinsic music and culture are to achieving that vision.
Culture is our identity; it’s how we see ourselves, how we see our place in the world and how we relate to others. It’s the stories of life in Scotland, and it underpins mental well-being – both collectively and individually – in many different ways. The silences that echoed across 2020 as live music vanished from our lives serve as a firm reminder of this. Unless intervention is made now, we’ll be lucky if there are whispers in the years to come.
We urge the Scottish Government to recognise the desperate situation of a vitally important sector; economically, socially and culturally. It’s essential that Creative Scotland has the resources to both support and preserve it.
Robert Kilpatrick – Interim CEO and Creative Director, Scottish Music Industry Association (SMIA)
CAMPAIGN FOR THE ARTS
The Scottish Government is breaking its promise on arts funding.
In February, thousands joined our campaign against plans for a £6.6 million cut to Creative Scotland, the public body responsible for investing in Scottish arts and culture. Ministers responded by abandoning the cut and instead heralded a “£6.6 million uplift … supporting the arts and cultural sector at this challenging time”.
But seven months on, the £6.6 million pledged to Creative Scotland hasn’t been delivered. And now the Culture Secretary Angus Robertson has told them that it won’t be.
This extraordinary short-changing of Scottish culture midway through the year has forced Creative Scotland to raid its limited reserves as a one-off, emergency measure. Otherwise, regularly funded arts organisations in Scotland would have seen their funding cut by as much as 40% as soon as next month.
This is absolutely no way to treat Scotland’s arts and culture, let alone in a perfect storm of economic pressures and post-pandemic challenges. This ‘U-turn on a U-turn’ puts treasured venues and companies, thousands of jobs and access to Scottish culture at risk.
We urge the Culture Secretary Angus Robertson to:
Honour the Scottish Government’s commitment in February to provide “an uplift of £6.6 million for Creative Scotland for 2023-24″.
Scrap any proposal to cut Creative Scotland funding from the 2023-24 Autumn Budget Revision.
Commit to maintaining and increasing investment in arts and culture from 2024-5, for the benefit of everybody in Scotland.
The SNP’s 2021 manifesto said “culture is central to who we are as a nation”, and that “the pandemic has demonstrated more than ever how vital it is to our wellbeing, mental health and sense of belonging”.5
But Scotland’s cultural sector has not fully recovered from the pandemic, during which it was one of the hardest-hit sectors. For many, incomes have fallen and reserves have dried up. Now, in the middle of a cost-of-living crisis, costs are rising and uncertainty is rife. This is not the time to cut vital, core funding on which artists and organisations depend.
Economic pressures have already led to the permanent closure of the Filmhouse cinemas in Edinburgh and Aberdeen, the Blue Arrow Jazz Club in Glasgow and the Nevis Ensemble, which worked across the country. We cannot afford to lose any more arts organisations – or the benefits they bring to our lives, communities and society
Creative Scotland’s 120 Regularly Funded Organisations (RFOs) directly employ 5,000 workers, support 25,500 individual artists and provide millions of opportunities for people across Scotland to engage with the arts and culture.
Of these, Edinburgh-based arts organisations include:
(Organisation – Art form– Average annual grant)
Arika – Multi – £200,000
Arts and Business Scotland – Creative Industries – £200,000
Work to embed film and screen education within the Scottish schools’ curriculum took a step forward today with the launch of new funding from Screen Scotland.
Available to early years, primary and secondary schools, the new Schools Screen Education Fund has been created to support programmes of work with the potential to develop increased understanding of the potential of screen education and support the provision of screen education and the new curriculum in a school setting.
Schools can apply for grants up to £5000 to test an element of the draft Film and Screen curriculum with classes from Early Years to S3, or to design and deliver screen education projects for schools.
Also going live today, is Screen Scotland’s refreshed Screen Education Fund which offers grants of between £500 – £20,000 to projects that support the provision of screen education in a variety of formal, informal and non-formal settings – schools, colleges, universities, cinemas, film festivals, libraries, media access centres and Local Authorities – aimed at developing increased understanding of the potential of screen education.
Fi Milligan-Rennie, Head of Education – Screen at Screen Scotland said: “Developing Film and Screen as an expressive art focuses on enabling pupils to make a film, rather than solely study the history or theory of film.
“This is core to Screen Scotland’s work to widen participation in film and screen production, cultivate a skilled screen workforce and develop the screen professionals needed to carry forward Scotland’s film culture.
“At the same time, the values and benefits of film and screen education reach far beyond careers. Engagement in film and screen activity strengthens fusion skills, supports attainment in other subjects and improves health and wellbeing. Film and Screen is the dominant language of our culture and Screen Scotland is committed to ensuring the democracy of opportunity to learn that language.”
The launch took place in tandem with Screen Scotland’s Screen Educators in Residence Programme. Over the past months, Screen Educators have been deep at work in primary and secondary schools in Argyll and Bute, Dundee, Edinburgh, Inverness and Shetland, testing the draft curriculum; trialling new learning and hands-on opportunities to develop students understanding, appreciation and practical knowledge of film and screen production.
Get ready to dance the night away at Cineworld with Barbie in 4DX! For one week only you can immerse yourself in Barbie Land with this multisensory cinematic experience across 35 Cineworld locations in the UK and Ireland. Tickets are now on sale for the 4DX release date TODAY – Friday, Sep 15.
Barbie is a dazzling and empowering tale for all ages with its inspiring storyline, incredible fashion, and unforgettable characters. Now, thanks to Cineworld’s state-of-the-art 4DX technology, viewers can be transported into the enchanting world of Barbie in the most immersive way imaginable.
What is 4DX, you ask? It’s a cutting-edge, multisensory experience which feels like a cinematic roller coaster with moving seats and 20 stimulating effects. Think: Beach. With water effects.
Barbies and Kens can also expect:
Motion Seats: Feel the excitement as your seats twist, sway, heave, shake and vibrate in sync with the on-screen action, whether Barbie is riding her dream car or dancing the night away.
Environmental Effects: Engage your senses and experience the magic as bubbles, misty smoke, gentle breezes, even captivating scents seamlessly blend into the cinematic adventure.
Lighting Effects: Synchronized lighting that transforms the atmosphere of the movie, immersing you in a giant blowout party where dazzling lights will leave you positively electrified.
The phenomenal success of Barbenheimer (Barbie and Oppenheimer), both released on July 21, saw a record breaking week for Cineworld which had its ‘best week ever!’ welcoming over 1.7 million guests over a 7 day period, making it the busiest in the exhibitor’s history. Cineworld came out on top as the number 1 exhibitor in the UK overall in terms of box office market share.
Customers are advised to book their Barbie 4DX tickets in advance to avoid disappointment at cineworld.com/4DX or using the Cineworld app.
Casey Cohen, Head of Marketingat Cineworld said: “Barbie has been the buzzworthy blockbuster of the year, and we’re tickled pink to welcome all of those who want to embark on an electrifying 4DX adventure with Barbie and Ken.
“Get ready for a rollercoaster of sensations, where your seats sway and your senses sway with them, propelling you headfirst into Barbie’s whimsical world. Whether it’s your Barbie movie debut or a thrilling reunion, this exhilarating format will have you bouncing in your seat with delight. We promise, it will be the best day ever!”
