Summer season of curious film experiences gets underway
All events as part of Film Feels: Curious, a nationwide celebration of curiosity and cinema officially launched by comedian Joe Lycett, have now been confirmed.
An event is taking place in Edinburgh this Saturday as part of CURIOUS, a film festival partnership between Film Feels and Changing Times supporting independent programming.
Edinburgh-based Cinetopia is collaborating with The Debutante (a feminist-surrealist magazine), and musician-composers Aurora Engine (Deborah Shaw), and Bell Lungs (Ceylan Hay) to bring audiences Electric Muses: a women-led evening of surrealist film.
Electric Muses celebrates women working in creative technology spanning across two centuries, bringing their overlooked input into the public eye. Since the birth of cinema, women filmmakers have used this “electric” art form to tell their stories. With Electric Muses Cinetopia will merge cinema and live, technologically enhanced music to highlight the profound contributions women have made in creative technology art forms.
The main feature will be ‘The Seashell and the Clergyman’ (1928) by Germaine Dulac, a female surrealist filmmaker and director active during the 1920’s. This will be accompanied by a live soundtrack composed and performed by Aurora Engine and Bell Lungs. In addition, audiences will experience a newly commissioned score of Maya Deren’s experimental short, ‘Meshes of the Afternoon’ (1943) composed and performed by the same musical team. Two additional short films will be screened curated by The Debutante.
Curiosity is the theme of this year’s FilmFeels season from the BFI Film Audience Network, made possible with National Lottery funding, taking place at independent cinemas across the UK following its launch by Joe at Flatpack Festival 2022.
For the first time since 2018’s inaugural Film Feels, event organisers have also partnered with the Screen Heritage programme Changing Times under the unifying theme for this year of CURIOUS.
A total of 27 projects have been funded across all the regions of the UK, including a curated programme of classics by The Place Bedford throughout June and July, a programme as part of London Short Film Festival on July 30th and 31st, and from July 8th, a three-day update of Cinetopia’s Electric Muses programme in partnership with feminist magazine The Debutante – a women-led evening of surrealist film and technologically-enhanced live music in Edinburgh.
In addition, throughout July, the charity Birds’ Eye View, which supports films by women and non-binary people, is touring Queerious both across the country and via streaming on BFI Player. Events will be accompanied by curated live or participatory events in select cinemas to explore the themes of sexual awakenings and re-awakenings, and queer love through a feminist lens.
Venues and organisations including Chester’s Story House, Fabrica of Brighton, Hove and Lewes, Birmingham’sVictoria Park Productions, Derby QUAD and Cornwall Film Festival are also taking part, with events touching upon the forgotten films of the 1990s and 2000s, Queer culture, Filmosophy for Families and more, all of which are designed to connect people through film.
Manon Euler is Major Programmes Manager at Film Hub Midlands, part of BFI FAN. She said: “With CURIOUS, we wanted to take audiences out of the ordinary and down the wonderful rabbit hole of cinema, with intriguing, exciting film programmes that will stimulate the mind and the senses and allow everyone to (re)connect with their wondrous selves.
“There’s absolutely no doubt that these projects will deliver exactly that, with both in-person and virtual options. We’ve been so impressed by the imagination that has gone into the creation of such a varied and intriguing season by programmers at all levels of experience, including young people. We can’t wait to hear what audiences think.”
CURIOUS was chosen as the theme for this celebration as it’s clear as we continue to recover from the worst of the pandemic that bringing people together to experience art collectively and learn more about the people and things around us, is more important than ever.
Over the past four years, Film Feels has funded more than 150 projects and more than 1,000 screenings have taken place across the festival seasons nationwide, with around 40 per cent of increasingly diverse audiences each year being new to the festival. Previous themes have included obsession, uprising, hopeful and connected, with almost £400,000 given to participating programmers in total so far.
Screen Heritage Producer Andy Robson added: “Inspired by our theme and our collective experience of multiple lockdowns, which gave many a new awareness of our communities as well as the wider world around us, this year’s programmers are helping us to both better understand the unfamiliar, and seek solutions.
“Through film’s ability to transport us, illuminate ideas and spark conversation, we can recognise things we may have missed or never considered before, and find new passions together.”
Find more information about the full nationwide programme for CURIOUS, including all participating venues and exhibitors, at filmfeels.co.uk.
Support for screen heritage screenings and events is also still available through Changing Times: Curious.
Love them or loathe them, the Royal Family in its various forms has been entertaining, enthralling and fascinating us for centuries.
The British Monarchy’s catalogue of blood feuds, forbidden love affairs, wars, abdications and endless scandals has supplied material for the writers of every age.
From Shakespeare’s thinly disguised commentaries on Elizabeth and James I respectively to Peter Morgan’s reimagining of the Royals as high-end Soap Opera in The Crown, the audience for these gilded dramas has never waned.
And now, as Elizabeth II, and indeed millions of Britons, celebrate her becoming not just the longest serving British monarch but the third longest serving monarch in world history, we take the opportunity to cast our gaze over some of the best Royalty-themed films of the first century of cinema.
In no particular order, here are the top 10 picks to watch over the Jubilee weekend:
Spencer
Kristin Stewart brings her own brand of sparkle and unpredictability to this intense, poetic take on Princess Diana.
Whether Diana was really like this or not is sort of missing the point.
Pablo Larraín’s film is a tightly wound character study of a woman unravelling under intense pressure and as a consequence plays out as much as a psychological horror as it does conventional drama.
The Queen
Given the intense scrutiny the modern day Royals find themselves under, it’s quite rare to find Elizabeth II at the centre of a movie narrative.
Helen Mirren transcends as a Queen in semi-exile after the death of Diana, facing a crossroads in her reign and, more immediately, a beguiling stag that haunts her estate in the Scottish Highlands.
Elizabeth
Radical choice of director (Shekhar Kapur): tick. Young actress ready for super-stardom (Cate Blanchet): tick. The rise of Elizabeth retold as The Godfather: tick.
A period film for all the ages.
The King
I confess to being on the fence about Timothée Chalamet until I gave this film a whirl. And it’s astonishing.
His spindly, hungover, sad rendition of Prince Hal slowly morphs into something raw, timeless and utterly believable.
Joel Edgerton and David Michôd’s masterful retelling of the ‘Henriad’ exerts a compelling, epic grip that makes it one of the best historical films since Gladiator.
Mrs Brown
Judi Dench cemented her reputation as one of the world’s most accomplished screen actors with this moving portrayal of a grieving Queen Victoria.
But perhaps the film’s biggest surprise was the unexpected, nuanced performance of Scottish comedian Billy Connolly as the ‘commoner’ who encouraged her to return to public life.
The Lion In Winter
One of three stage plays adapted for the screen on this list, The Lion In Winter brings together the titanic screen presences of Katherine Hepburn and Peter O’Toole for a heady dose of relationship fireworks.
They really don’t make ‘em like this any more.
Notable too for Anthony Hopkins making his screen debut. A Man For All Seasons
I was forced to watch this at school and was ready to write it off until the genius of writer Robert Bolt’s characters and the play’s moral conscience completely captivated me.
A film as relevant now as it was when first released.
Watch out for a late-period Orson Welles filling up the frame with his interpretation of Cardinal Wolsey.
The Madness Of King George
A film in which the a King descends into ‘madness’ only to be retrieved from the abyss by a radical form of treatment.
Gentle, funny, heartbreaking and sumptuous all at once, this is British period filmmaking at its finest.
Viceroy’s House
If all this feels too much like Royalist propaganda, then cleanse the palate with Gurinder Chadha’s brilliant, bold dismantling of the accepted history of the Queen’s Uncle’s attempt at managing the Partition between India and Pakistan. Moria Bufini and Chadha’s masterful script weaves the political and the personal together seamlessly to challenge and confront the dissolution of the ‘British Raj’.
Sid & Nancy
Since The Sex Pistols blew up pop music in the late 1970s, no Royal celebration is complete without an airing of their alternative jubilee anthem, ‘God Save The Queen’.
And why not indulge, then, in the film that launched the careers of Oscar Winners Gary Oldman, Roger Deakins, maverick director Alex Cox and Working Title chief Eric Fellner?
Leonardo DiCaprio officially has the most popular Academy Award acceptance speech of all time, with more than 47 million views.
Matthew McConaughey has the second most-viewed Oscar’s acceptance speech on record, with more than 21 million views.
Jennifer Lawrence’s fall up the Academy steps has more than 14 million views on YouTube.
New research reveals that Leonardo DiCaprio has the most-viewed Oscar’s acceptance speech of all time.
The study conducted by casino experts MapleCasino examined the verified Oscars YouTube account to reveal the most-viewed Acadamy Award acceptance speeches, to establish the Internet’s favourite Oscar speeches ahead of this year’s ceremony.
The research revealed that Leonardo DiCaprio has the most-viewed Oscar acceptance speech in history.
After multiple nominations, DiCaprio finally won his long-awaited ‘Best Actor’ Acadamy Award in 2016 for his role in The Revenant, attracting more than 47 million views on YouTube. The Hollywood actor used his speech to address critical issues, highlighting the threat of climate change and the damaging effects of big polluters, telling the audience to “not take this planet for granted.”
Matthew McConaughey has the second most popular Oscars acceptance speech, with more than 26 million views on YouTube. The Dallas Buyer’s Club actor won his ‘Best Actor’ award in 2014 – beating the likes of Leonardo DiCaprio and Christian Bale – and delivered a passionate talk thanking God, his family and colleagues, before finishing his speech with his signature phrase, “alright, alright, alright”.
With more than 21 million views, the Internet’s third favourite Oscar acceptance speech goes to Heath Ledger. As one of the most emotional speeches of all time, the late Heath Ledger won ‘Best Supporting Actor’ in 2009 for his role as the Joker in Christopher Nolan’s The Dark Knight. Due to Heath Ledger’s sudden death the year before, his family accepted the award on his behalf, going down in history as one of the most memorable award acceptance speeches of all time.
Kate Winslet has the fourth most popular Oscar’s acceptance speech, in addition to the most-watched speech for a ‘Best Actress’ winner. Kate Winslet won the Academy Award for Best Actress for her role in The Reader in 2009, beating the likes of Anne Hathaway and Meryl Streep. The actress struggled to hold back her emotions during her evocative speech, which has now received more than 17 million views.
The findings revealed that Jennifer Lawrence’s Oscar acceptance speech is the fifth most popular on record for her 2013 ‘Best Actress’ award for Silver Linings Playbook. Jennifer Lawrence will go down in Oscars history, sadly not for her speech, but for her fall up the Academy steps on her way to collect her award, which has now received more than 14.5 million views on YouTube.
Additionally, Marlon Brando’s acceptance speech also features as one of the Internet’s favourites, placing eighth overall, making it the oldest acceptance speech in the ranking.
Receiving the ‘Best Actor’ award for his role in The Godfather, Brando’s 1973 speech has more than 11 million YouTube views, despite him not making an appearance. During the iconic speech, actress and Native American civil rights activist Sacheen Littlefeather spoke on Brando’s behalf, protesting the treatment of Native Americans in the film industry.
A spokesperson for MapleCasino commented on the findings: “From Kate Winslet’s emotional speech to Leonardo DiCaprio’s political address, acceptance speeches can be used to not only celebrate wins but also as a vital platform to voice political and social change.
“The Internet celebrated when DiCaprio won his well-deserved Academy Award back in 2016, delivering such a powerful speech that it still sparks interest today.
“As a keen environmental activist, DiCaprio used his platform to call attention to the detrimental effects of climate change, which now has close to double the number of views of Matthew McConaughey’s speech.”
The study was conducted by Maple Casino – the premier authority for the best online casinos in Canada, devoted to connecting Canadian players with the top online casino reviews.
Top 10 most viewed Oscar acceptance speeches of all time
Film captures the harsh realities of life in temporary accommodation during a pandemic
A NEW film documents the hardships and challenging living conditions faced by asylum seekers in Glasgow during the Covid-19 pandemic.
I’m Still Here, based on video diaries and photos shared by people living in temporary accommodation and other forms of housing, highlights the insecurity of their lives and constant battle to find the strength to carry on.
Around 350 asylum seekers were moved from their settled flats into various hotels in the city centre following the outbreak of Covid-19 in March 2020 in what was said to be an attempt to curb the spread of the virus.
A study last year by Edinburgh Napier University researchers found that they faced unsafe conditions, mobility restrictions and a lack of communication from service providers.
The report said the asylum seekers’ accounts – in which they likened their hotel-type accommodation to detention centres – “pointed to a provision that was inattentive towards their needs, vulnerability and wellbeing.”
Now an 18-minute documentary film produced as part of the research project by staff from Edinburgh Napier is to be premiered at Glasgow’s GMAC Film hub at a stakeholder event from 11am-2pm tomorrow – Wednesday February 23.
Further public screenings are being organised across Scotland and the UK to highlight the challenges faced by the country’s asylum seekers and raise public awareness of the issue.
Film director Dr Kirsten MacLeod, the University’s Programme Leader for BA (Hons) Television, said: “I’m Still Here offers a powerful insight into the lived realities of men, women and children placed in temporary accommodation in Glasgow during the pandemic.
“Participants speak of the insecurity of the system in which they find themselves and of extremely challenging living conditions.
“From hotels, hostels and a mother and baby unit, they tell of the stress and hardships they have faced as well as their personal efforts to stay strong, bravely sharing their experiences in the hope that their stories can affect audiences and create change.
“Featuring footage from across 2021, the film aims to humanise and give voice to those seeking asylum and living in Scotland and highlights inadequate policy and treatment of asylum seekers.”
The research study – funded by the Economic and Social Research Council – and film were produced in collaboration with migrant-led grassroots organisation Migrants Organising for Rights and Empowerment (MORE).
Dr Taulant Guma, Principal Investigator and lecturer in Edinburgh Napier’s School of Applied Sciences, said: “The recent moves by private sector firms to relocate asylum seekers to hotels across the UK during the pandemic have led to a great deal of misinformation in the public and media about the ‘luxurious’ conditions offered by these temporary arrangements, misinformation which has further perpetuated the stigmatisation of asylum seekers during the pandemic.
“This co-produced documentary captures the impact and reality of these moves through the eyes and from the perspective of asylum seekers themselves.
“Through their video diaries, our participants tell a very different story from the one we often hear, a story that sheds new light on Covid realities for those individuals whose lives and mobility are largely regulated and restricted by the state and private companies.”
Yvonne Blake, co-founder of MORE, said: “The footage of the prison-like conditions the participants endured in the hotel capture the hostile environment at work and its significant impact on people’s mental health.
“Sadly, it has become common practice for the UK government Home Office through various contractors to subject international protection applicants to this kind of treatment.”
Ahead of the cinema release of video game adaptation Uncharted in the UK, new data has found the best video game movie, revealing Pokémon’s ‘Detective Pikachu’ to be a favourite across the globe.
Pokémon’s ‘Detective Pikachu’ scored the best video game adaptation with scores 53/100 on Metacritic and 68% via Rotten Tomatoes
Second is ‘Rampage’ seeing a box office of £350 million, Critic scores of 51% on Rotten Tomatoes and an IMDB rating of 6.1/10
‘Warcraft’ in third, this video game movie was the highest earner at the box office with £376 million
Gaming experts SolitaireBliss, analysed 34 video games made into movies looking at both critic and viewer ratings and box office income adjusted for inflation to find the most popular video game movie.
First is ‘Detective Pikachu’ from the Pokémon franchise. Released in 2019, the adventure game could be played on Nintendo, where players accompany Pikachu to solve mysteries. Starring Ryan Reynolds in the movie, the film took in £348 million at the box office, making it the third highest-earning video game movie adaptation.
The film received a Metacritic score of 53/100, and the highest Rotten Tomatoes score of all films in the list, at 68%.
‘Rampage’ is the second highest in the list, after placing second at the box office with £350 million. The video game was first created in 1986, made originally as an arcade game, and players control three monsters with aims to survive against the military. The movie claimed Hollywood stars Dwayne Johnson and Naomie Harris to play the lead roles.
The Third most successful movie based on a game is ‘Warcraft’. Starring Paula Patton and Dominic Cooper, the film scored 28% on Rotten Tomatoes and 32/100 on Metacritic, but ranked highly after being the highest earner at box office with £376 million. Warcraft is built up around five core games in the franchise, where opposing players order virtual armies to battle against each other.
The action-adventure game adaptation with Jake Gyllenhaal, Gemma Arterton and Ben Kingsley, ‘Prince of Persia: The Sands of Time’, ranked fourth in the listing with an average score of 51 in the viewer and critic score, the movie made more than £317 million at box office when it was released in 2010.
Released in February 2020, ‘Sonic the Hedgehog’ takes fifth place in the ranking. The movie featuring Jim Carrey received an IMDB score of 6.5/10 and 63% via Rotten Tomatoes. The series follows Sonic battling a mad scientist.
Sixth most popular is ‘Tomb Raider’ released in 2018, the film took in almost £225 million at the box office. ‘Lara Croft: Tomb Raider’, the first instalment of this series of movies in 2001, placed eighth in the list. The game ‘Tomb Raider’ is an action-adventure which follows Lara Croft travelling the globe for lost artefacts, involving puzzle solving and fighting enemies.
The Resident Evil series with Kaya Scodelario placed twice in the top ten with ‘Resident Evil: The Final Chapter’ ranking seventh in the list, and ‘Resident Evil: Afterlife’ in ninth. The Franchise is a survival horror series which includes zombies and puzzle solving.
Tenth in the list is the fighting, action-adventure game adaptation ‘Mortal Kombat’, the video game movie received a Metacritic score of 60/100 and IMDB rating of 6.1/10.
Most Popular Video Game Movie
Rank
Movie Title
1
Detective Pikachu
2
Rampage
3
Warcraft
4
Prince of Persia: The Sands of Time
5
Sonic the Hedgehog
6
Tomb Raider
7
Resident Evil: The Final Chapter
8
Lara Croft: Tomb Raider
9
Resident Evil: Afterlife
10
Mortal Kombat
Commenting on their findings, a spokesperson from SolitaireBliss said, “With the release of the new video game movie adaptation, Uncharted, it’s fascinating to see how viewers and professional critics score the movies based on games, and comparing that with how each film performed at the box office.
“Movies based on video games have the advantage of a set of fans already familiar with the brand, and likely keen to see it. However, it can be a double-edged sword as those same fans are likely to have strong opinions and high expectations. This data shows that plenty of video game films have made good money, but many have struggled to impress fans and critics.”
This study was conducted by SolitaireBliss, which provides an online gaming service allowing users to play a wide array of card games and challenges.
Filmmakers taking part in this year’s prestigious Gaelic short film competition FilmG 2022 have been inspired by nature, environmental issues and the great outdoors – with many of the shortlisted films exploring these topics.
Many films followed this year’s competition theme Lorg, which means search, find or trace, it could even be interpreted as footsteps, with some shortlisted films exploring the outdoors, getting closer to nature and appreciating and protecting the environment.
Nominees have now been confirmed across 17 categories and all the shortlisted films are available to watch on the FilmG website.
The competition received 91 entries this year, which covered various different stories and current events, and the judges had a tough job whittling down the entries over multiple days.
On the environmental theme, eponymous Uilleam Uaine (Green William) is in Staffin to help the pupils to make the right choices for the environment, in a film of the same name which was written and produced by pupils at Staffin Primary School on the Isle of Skye. It has been shortlisted as the Best Production (Under 12).
And a film by pupils at Sgoil Bhagh a’ Chaisteil on the Isle of Barra called ‘Cosgais A Churaim’, (The Cost of Caring) which looks into the effects of disposable face masks on our environment, has been nominated for Best Documentary.
Dihaoinean airson Teachd (Fridays of the Future) tells the story of a scientist who wants to save the world with a potion she has invented to create an Eco Superhero. However, the wrong people keep drinking it!
Made by pupils at Craighill Primary School in Tain, this film has also been shortlisted as the Best Production (Under 12).
Gaelic Medium pupils at Oban High School have been nominated for ‘GOP 26’, which is about an environmental conference GOP26 taking place in Glasgow with leaders from all over the world making speeches, but one of the speakers mysteriously goes missing. The film was shortlisted for the quality of the spoken Gaelic throughout.
Several films explore the great outdoors including a film about hillwalking and scrambling as a way to get a new perspective on the world from beyond the cold, dark glens and high above the clouds.
Called ‘Thar Nan Sgòth – Beinn Eighe’ (Above the Clouds – Beinn Eighe) this film, made by Anndra Cuimeanach from Gairloch, has been nominated for Best Documentary and Best Young Filmmaker in the Youth Category (12-17).
Also in the Youth Category a film by Emma Rose Passmore from Harris called ‘Falaichte Ann an Roghdal’ (Hidden in Rodal) which looks at the secret history of Roghdal in Harris, has been nominated for Best Documentary and Best Young Filmmaker.
In the Open category a short documentary called ‘A’ Mhuir’ (The Sea) about wild swimming and the students at Sabhal Mòr Ostaig in the Isle of Skye who take part in the sport, has been nominated for Best Film, Film Duthchais, Best Performance (Somhairle MacIain), Best Student Film and Best Director (Anna Garvin).
‘Am Buaile Dubh’ by Eòghan Stiùbhart from Inverness, which takes a look around Am Buaile Dubh on the outskirts of Inverness, has been nominated for Best Film, Film Duthchais (which translates as best heritage or community film), Best Performance (Eòghan Stiùbhart), Best Director and Best Script.
While a spoof of outdoor programmes called ‘Rachamaid’ by Ross Young from Inverurie has been shortlisted for Best Performance (Ross Young) and Best Student Film.
And ‘Eilean Lois’ (Lois’s Island) by Somhairle MacIain from Glasgow, which follows him and his girlfriend, Lois, as they cycled the Hebridean Way in the summer and he teaches her to speak Gaelic on the trip, has been shortlisted for Best Student Film.
This is just a few of an array of fantastic films by talented filmmakers, schools and community groups from across Scotland that have made it to the shortlists for the FilmG 2022 Short Film Competition.
Karen Elder, a journalist for An Là is a Scottish Gaelic-language news programme broadcast on the Gaelic-language channel, BBC ALBA, was one of the judges this year.She said: “It was a privilege to once again be a part of the judging panel for FilmG. There was a wide variety of films entered, from strong documentaries to comedy. It was no small task.”
You can watch shortlisted films on the FilmG website. FilmG is the Gaelic short film competition, funded by MG ALBA and delivered by Cànan Graphics Studio on the Isle of Skye.
The winners of this year’s prestigious Gaelic Short Film Competition FilmG will be revealed on BBC ALBA from 9pm on Friday, February 25 via a new, specially created, awards programme broadcast from Stornoway.
The show will be hosted by FilmG and BBC ALBA stalwarts Fiona MacKenzie and Niall Iain MacDonald.
Lorden, Bino and Ned have told the dinner ladies at Rockfield Primary School that their food is not good enough and they will make school dinners better.
The Gille Dubh, has lived in the Gairloch area for centuries.But after the laird had hunted him, he was not seen again … until he appeared in our own day
Finlay agus Calum Morrison
Glasgow
An Taigh-Òsta
Best Film (Fluent), Best Performance (Finlay Morrison)
It is the 1,500th anniversary of the birth of St Columba. The Comunn na Gàidhlig team works throughout Scotland and seven of our Iomairtean Cànain (language initiatives) looked for local links with Colmcille
St James Quarter has released episode four of its ‘Behind the Quarter’ series, giving viewers a look behind the scenes at Scotland’s top retail-led destination.
Episode four includes some never-before-seen footage of the latest brands opening in The Quarter this December and a look at some of the unique services available to guests.
Nick Peel discusses The Quarter’s first Christmas, the current success stories, latest openings, and a hint of what’s to come in 2022. Representatives from Thai Express Kitchen, Bar Hutte, The Alchemist, Pho and Moriconi provide a unique insight into their brand history and a first-hand look at life Behind the Quarter.
Viewers meet The Quarter’s Guest Services team for the first time who introduce some of the exclusive services accessible to guests, including ‘DropIt’ handsfree shopping and all the pawfect experiences available for any four-legged visitors.
‘The Nightmare Before Christmas’ and ‘Home Alone’ take second and third respectively
‘Love, Actually’ and ‘Last Christmas’ also make the list
The 2003 comedy ‘Elf’ is the most popular film to watch this Christmas period, according to new research.
Research conducted by PokerListings.com analysed IMDB and Rotten Tomatoes scores, as well as Google search levels and Wikipedia page views to see which Christmas movie is the UK’s number one fan favourite.
‘Elf’ ended up taking the top spot, with more than 30,000 Google searches a month for the Christmas classic, as well as praise from audiences and critics alike.
The film is currently sitting at 7/10 on IMDB and a 79% score from audiences on Rotten Tomatoes. The Jon Favreau-directed comedy featured an ensemble cast with Will Ferrell, Zooey Deschanel, James Caan and many more starring.
In second place is the animated musical ‘The Nightmare Before Christmas’. Released in 1993, the film is a high scorer with audiences sitting at an 8/10 on IMDB and a 91% audience score on Rotten Tomatoes.
It’s the biggest scorer for Wiki page views on the list, with more than 1.1 million visiting in the past month alone. The fantasy title was the first animated film to be nominated for the Academy Award for Best Visual Effects.
‘Home Alone’ sits in third place in the list as another audience favourite, with a Rotten Tomatoes score of 80% and a 7.6/10 on IMDB. It’s widely considered one of the greatest festive films ever, and the effect the film has is clear, with its success influencing the making of six sequels since its release in 1990.
Rank
Movie title
RT Audience score
IMDB Rating
Total Searches per month
Wiki Page Views (Past Month)
1
Elf
79%
7
30800
159,484
2
The Nightmare Before Christmas
91%
8
1070
1,100,610
3
Home Alone
80%
7.6
2450
530,980
4
Mickey’s Christmas Carol
90%
8
1920
75,212
5
Last Christmas
81%
6.5
11900
230,285
6
Love, Actually
72%
7.6
2050
335,226
7
Santa Claus: The Movie
66%
6.3
36900
38,795
8
It’s a Wonderful Life
95%
8.6
800
672,539
9
Love Hard
94%
6.3
30
699,162
10
The Snowman
91%
8.2
4400
93,672
‘Love, Actually’ also features in the top ten, sitting in fifth place. The film is one of the most prominent UK rom-coms set in the Christmas period, and features a star-studded cast including Hugh Grant, Liam Neeson, Keira Knightley, Emma Thompson and many more. It had a charity short film sequel, Red Nose Day Actually, which aired in 2017 on BBC One with the same cast.
The 2019 Romantic Comedy ‘Last Christmas’ makes an appearance in seventh place. Inspired by the music of George Michael, it stars Emilia Clarke in the leading role, with Emma Thompson and Henry Golding also starring.
It’s an example of a Christmas movie that divided critics and fans, with a Rotten Tomatoes audience score of 81% and only a 44% score from critics, with a 6.5/10 on IMDB. It’s also one of the most Googled entries on the list with more than 11,000 searches a month.
Commenting on the findings, a spokesperson for PokerListings said: “It’s great to see how diverse the market for Christmas movies is, with a variety of genres included on the list.
“Despite many new additions every year to the festive line up, many entries in the top ten are more than 20 years old now, which really emphasizes how timeless movies like ‘Elf’ and ‘Home Alone’ are and how they can be enjoyed for generations to come.”
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Taiwan Film Festival Edinburghreturns for its second edition between 25 and 31 October with a fantastic range of Taiwanese cinema gems, many of them UK premieres, dating from the 1930s up to 2020, presented through in-person screenings and digital talks at Glasgow Film Theatre and Summerhall in Edinburgh and a free digital programme of films.
With the theme of Disruptions and Transformations, inspired by the fast-changing and unsettling world in the past few years, the Festival explores both the monumental historic shifts the Taiwanese society experienced over the decades but also portrays the seemingly small disruptions of the everyday.
Featuring the work of legends such as Hou Hsiao-Hsien and Edward Yang, and exploring topics such as war, urban life and the struggles of the LGBTQ+ community, the free programme of digital screenings is now available to pre-book on the Festival’s digital platform. Access is limited to a specific number of viewers per film so audiences are advised to book early.
For the first time, the Festival also presents a range of in-person screenings. As part of their special climate-focused strand in the run up to COP26, Glasgow Film Theatre will host a screening of two environmental documentaries showing how Taiwanese filmmakers address environmental transformations caused by economic and industrial progress – after all, the climate emergency is the ultimate change and interruption we all must respond to together.
On 25 October, Sacred Forest (2019) will delve deep into the majestic cypress forest in Taiwan and on 30 October, Whale Island (2020) will explore how the ocean might become our home one day. Tickets on sale soon.
Sounds in Silence is a double bill of silent cinema gems offering an extraordinary glimpse into the everyday lives of Taiwanese people in the early and mid-20th century, presented at Summerhall on 27 October and featuring new score from acclaimed composer and musician Lim Giong and live music by Glasgow-based experimental musician Rory Green. With contemporary film scoring featuring on the archive films from decades ago, the event is going to take audience on a trip through time to Taiwan in the 1930s and 1960s.
Liu Kuan-Ping, Chief Curator at the Festival, said: “I am really excited that for the first time, Taiwan Film Festival Edinburgh is bringing three in-person screenings taking place at two fantastic arts institutions: Glasgow Film Theatre and Summerhall – all exploring Disruptions and Transformations on a macro and micro scale.
“I cannot wait to meet our audience face to face, with facial masks on of course. We are also pleased to be back with an inspired programme of free digital screenings this year available to nationwide audiences.
“We would like to thank the Ministry of Culture in Taiwan, our generous sponsor, as well as our partners Taiwan Film and Audiovisual Institute who have been instrumental in securing some of the cinematic gems we are now able to share with our UK audiences.”
Telling us the inspiration of the theme, one of theco-curators, Chiu Yi-Chieh said: “On 23 March 2020, all of our lives were interrupted in unimaginable ways by the global pandemic- it was precisely at that time that the Taiwan Film Festival Edinburgh was born.
“It made us reflect on how changes and interruptions are always present in our daily lives. When we were making the selection, we wanted to encourage audiences to look beyond the canons and fall in love with films that are overdue the world’s applause.
“We welcome audiences’ own interpretative grouping by putting all films under the theme of Disruptions and Transformations without the conventional curatorial classification.”
Head of Taipei Representative Office UK Cultural Division, Dr Chen Pin-Chuan said: “It is great to see Taiwan Film Festival Edinburgh continuing the great work. Through these wonderful films from Taiwan, we hope to establish connections with Scottish audiences, and will introduce more cultural and arts programs to Scotland in the near future.”
2021 TAIWAN FILM FESTIVAL EDINBURGH PROGRAMME
IN-PERSON SCREENINGS in Glasgow and Edinburgh
Sacred Forest 神殿| Ke Ching-Yuan| 2019 | 60 mins
In-person screening on 25 October at Glasgow Film Theatre; tickets on sale soon.
Sacred Forest takes an eco-philosophical approach to introduce the deeply unique nature of Taiwan’s cloud enveloped cypress forest ecosystems and to explore the nation’s oldest forests, tallest tree species, and priceless, multi-millennial stands of giant ‘sacred trees’. Sacred Forest follows six separate groups, each with different interests and field specialties, as they experience the raw majesty of the forest from multiple facets ranging from the analytically intellectual to the introspectively emotional and spiritually uplifting.
The screening will also feature a special introduction from the film director, Ke Ching-yuan.
Whale Island 男人與他的海 | Huang Jia Jun| 2020 | 108 mins | UK Premiere
In-person screening on 30 October at Glasgow Film Theatre; tickets on sale soon.
Taiwan is an island. Although it is surrounded by the sea, its people fear the sea since the history and the religious beliefs held on this island make people turn their backs to the sea. Oceanic literature author Liao Hung-chi and underwater photographer Ray Chin lead the audience out to the sea and into the water. They prompt us to understand the sea and to think about the possibility that the ocean might become our lives and the future of our living land.
The screening will also feature a special introduction from the film director, Huang Jia-jun
Sounds in Silence double bill at 6.30pm on 27 October in Summerhall, Edinburgh; also online 28-31 Oct on Festival website.
A Morning in Taipei 臺北之晨 | Pai Jing-jui | 1964 | 20 mins | UK Premiere
Director Pai Jing-jui’s 1964 short documentary depicts a modern, industrious Taipei full of diverse and determined individuals as they perform their morning routines. People begin their workday, actors prepare for a theatrical performance, and children play in the schoolyard; the day is full of wonder and possibility.
A pre-recorded conversation between Chen Chia-Huei (co-creator of the new score and sound for A Morning in Taipei and the art consultant and Head of Education at the Taiwan Sound Lab) and musician Rory Green will be screened after A Morning in Taipei.
Deng Nan-guang’s 8mm Movies 鄧南光8mm家庭電影| Deng Nan-guang| 1935-1941| 57 mins| UK Premiere
Deng Nan-Guang’s 57-minute collection of intimate home-style videos, filmed between 1935 and 1941, captures an overlooked side of Taiwanese life under Japanese occupation. The films serve as a well-preserved time portal to a bygone era, offering a glimpse of life in Taiwan under colonial rule in the lead up to the Second World War. Screened to a live music score from a Glasgow-based experimental musician Rory Green.
DIGITAL SCREENINGS on the Festival website between 25 and 31 October
The Best Secret Agent 天字第一號 | Chang Ying | 1964 | 102 mins
The first Taiwanese-language spy film produced in Taiwan; The Best Secret Agent is a remake of the 1945 movie of the same name that caused a sensation in Shanghai. During the Sino-Japanese War, Tsui-Ying flees with her father from the Japanese occupation. She meets a young man, Ling-Yun, and falls in love. In the meantime, Special Agent 001 leads the resistance against the Japanese.
Foolish Bride, Naive Bridegroom 三八新娘憨子婿| Hsin Chi | 1967 | 101 mins
The parents of two young lovers meet to discuss the possibility of their marriage, only to discover that they themselves were lovers 30 years ago.
Dangerous Youth 危險的青春 | Hsin Chi | 1969 | 95 mins
Khue-guan (Shi Ying), a penniless delivery boy for a cosmetics company, meets Tsing-bi (Zheng Xiao-fen), a young and charming waitress, in awkward circumstances just as his girlfriend leaves him for a wealthy suitor. Khue-guan is intrigued by Tsing-bi and tries to get her another job after meeting Giok-sian (Gao Xing-zhi), who runs a cabaret. Eventually, she finds out that her new job is as an escort to a lonely, elderly millionaire named Mr. Tshi.
The Homecoming Pilgrimage of Dajia Mazu 大甲媽祖回娘家| Huang Chun-ming | 1975 | 27 mins | UK Premiere
Viewers are transported back in time to 1974 to see the annual Taoist celebration of the Dajia Mazu Pilgrimage. Thousands of participants accompany a statue of the goddess Mazu on a 9-day, 8-night procession, stopping at several prominent temples along the way.
Taipei Story 青梅竹馬 | Edward Yang | 1985 | 115 mins
A headstrong and financially-secure woman, Chin (played by Chin Tsai), is anxious to move forward in life and escape from the dissatisfaction and pain caused by family troubles, urban alienation, a lack of job security, tumultuous friendships, and a distant past of baseball glory to which her boyfriend, Lung (Hou Hsiao-hsien), so desperately clings. Chin thinks moving to America may be the solution, but as time goes by, it becomes increasingly clear that may not fix all her problems.
Dust in the Wind 戀戀風塵 | Hou Hsiao-Hsien | 1986 | 109 mins
Dust in the Wind is a coming-of-age love story about two young individuals, Wan and Huen, from the Taiwanese mining village of Jio-fen. Their hope is to make enough money to be able to get married one day, believing like everyone else that they are meant for each other. Despite what fate may seem to have in store for them, they cannot help but care deeply for one another.
Peony Birds 牡丹鳥 | Huang Yu-shan| 1990 | 107 mins | UK Premiere
A multi-generational story about the troubled relationship between a mother and a daughter: from when she was a young child to adulthood and her joining her mother in the busy Taipei of the 80s and 90s and pursuing a career of her own.
Also available on the Festival’s digital platform will be a Q&A session with director Huang Yu-shan.
Hill of no Return 無言的山丘 | Wang Tung | 1992 | 175 mins
This 1992 drama, set in 1927, tells the tale of two brothers, Chu and Wei, who leave home following the death of their parents to work at a Japanese-occupied gold mine in the remote, poverty-stricken town of Jiou-fen in the northeast of Taiwan. The brothers dream of one day becoming rich and owning their own land and, taken in by the gold rush, they endure back-breaking labour for little reward. They then both fall deeply in love with partners that risk to complicate their lives even further.
Also available on the Festival’s digital platform will be a Q&A session with director Wang Tung.
The Personals 徵婚啓事 | Chen Kuo-Fu | 1998 | 105 mins
Du Jia-zhen is a 29-year-old eye doctor at a hospital, who decides to quit her job and find a husband. She places a personal ad in the newspaper, searching for a potential match to distract herself from recent heartbreak. The film depicts the urban dating scene of Taipei in the 1990s in all of its absurdity and hideousness, conveying humour through humiliation and evoking sympathy for the strangest people.
Splendid Float 豔光四射歌舞團 | Zero Zhou | 2004 | 73 mins
An aesthetically stunning, lightly humorous, and dramatic film that confronts traditional gender roles and explores the themes of conformity, grief, acceptance, personal struggle, and identity. A Taoist priest named Xiao Qiang-wei (James Chen) doubles as a drag queen by the name of Rose that performs at various nightlife venues.
Closing Time 打烊時刻 | Nicole Vogele | 2018 | 116 mins
Swiss filmmaker Nicole Vogele’s documentary Closing Time captures the calm after the storm of midnight living. The film draws attention to the quiet, fatigued period that follows the hustle and bustle of Taipei’s vibrant city life and the night shift workers that keep the city awake well into the early hours of the next day.
A film which won a prize in this year’s prestigious Gaelic Film Festival, FilmG, has been screened at a prestigious Film Festival in Glasgow which celebrates emerging filmmakers.
John Nicholson (22) from Bearsden, won Most Promising New Director at the FilmG awards in March for his film Bròn, and it was selected to be shown at the Assumption Studios short film showcase at SWG3 in Glasgow in July.
The film incorporates a dark atmosphere and clever writing to centre on the feeling of isolation – a topic many of us can relate to following this past year’s circumstances.
Bròn tells the story of two brothers that drifted apart who finally confront each other and their past. It then comes to light that after a freak accident one of the brothers had killed their father and lived with the guilt for all those years.
Speaking about his success, John said: “To think that I’ve only just started out and my short film has won an award and has been screened at a festival gives me the inspiration and the hunger to create more films and be even more creative.
“I really enjoyed writing and directing my own film which was made better by the chance to include my Gaelic.”
John’s passion for filmmaking began when he got the chance to do some work experience for BBC ALBA and he discovered he had a talent for directing and writing scripts.
A recent graduate from Edinburgh Napier University, the talented young filmmaker studied a BA (Hons) in Television, after previously studying at Glasgow College.
John grew up in Glasgow and attended Sgoil Ghàidhlig Ghlaschu (Glasgow Gaelic School) Primary and Secondary, where he immersed himself in learning through the Gaelic language.
Debbie MacKay, FilmG Project Manager, said: “This is a fantastic opportunity for John. We hope to see many films from him in the future and look forward to tracking what we believe to be a very promising career.”
This year’s FilmG competition will be launching soon, with this year’s theme announced on social media as ‘Lorg’ (Find).
