A Christmas Tale

BIG DICK and the CHRISTMAS PRESENT

The Pensioners Christmas Party was the social event of the year for the Doocot’s senior citizens. The Big Do(o), if you like.

Call him a bad-tempered auld bastard -and many did! – but Big Dick knew how to put on a do for his regulars – and it was all free.

Soup, turkey and all the trimmings, Christmas pudding followed by tea and coffee was the menu every year, all prepared by Dick’s wife Maggie with the help of Doocot staff.

And if the food was good, the entertainment was just as fine. There would be two turns, usually a comedian and a band or singer. And just to make the afternoon go with a swing, the partygoers were issued with vouchers for free drinks.

One year, never to be forgotten by those who witnessed it, Dick booked local ventriloquist Harry Lamb to entertain his punters. Harry was a hugely popular turn on the club circuit across central Scotland, his blue material in constant demand for stag nights and smokers.

Harry lived in Drylaw and he knew many members of his audience. Years of experience in the clubs had given him the ability to pick out a likely victim, usually someone who had had slightly too much bevvy and was getting quite loud – and on this particular afternoon Harry was spoilt for choice!

He singled out auld Tommy as his target, and went through his usual routine – which he, and doubtless many of his audience, could recite backwards – while he awaited his chance.

When Tommy stood up to make his way to the toilet, Harry seized his opportunity.

“TOMMY … OH, TOMMY …”, Sonny Boy, the ventriloquist’s dummy called through the darkness.

Tommy stopped in his tracks and turned.

“TOMMY … have you pished yersel’, Tommy?” the dummy asked.

“Naw, I’ve no’!”, Tommy shouted back indignantly, checking the front of his trousers just to make sure.

“Are you pished, Tommy?” asked the dummy.

“Naw, I’m no’ drunk!” Tommy shouted back.

“You must be daft, then?”

“Naw, I’m no’ daft, either!” Tommy was getting riled now.

“Then why the fuck are you standing arguing wi’ a wooden dummy?”

The audience loved it as Tommy stormed off to the toilets, seething.

For years afterwards, whenever Tommy turned up he would be subject to quiet wee ‘TOMMY … OH, TOMMY’ remarks from his mates. The story was even recounted at Tommy’s funeral, where Dick gave a fine oration before rushing back to the Doocot to make sure everything was just right for Tommy’s funeral tea.

There was no doubt ex-policeman Dick could be a hard bastard when he had to be, mind. Punters who had seen him in action were sure never to cross him. Dick’s reputation and no-nonsense attitude ensured that there was seldom any trouble in the Doo’Cot – and on the odd time there was, Big Dick was more than able to handle it.

Usually, a warning word or a long hard stare was enough, but, very occasionally, he was called into action from behind the bar. Ejecting wrongdoers, Dick was efficient, ruthless and, some reckoned, a sadistic bully. He was no spring chicken, but he still had it … and, just for insurance, he also had his trusty Alsation dog and his ex-service truncheon behind the bar.

But keeping order was only part of Dick’s role, important though that was in a pub in a tough working class neighbourhood. It took a special person to run a pub like the Doocot and even his fiercest critics grudgingly had to admit there was no-one better suited to the role.

He kept the riff-raff out, and he looked after his beer. The Doocot’s heavy was only bettered by that legendary pint served up at The Gravediggers – and some loyal Doocot regulars argued that it was even better.

And if Dick usually looked miserable, sometimes angry – a face like a well-kept grave, someone quipped – he had his reasons for not always appearing like a ray of sunshine behind the bar.

Frequent meetings with the brewery meant the writing was on the wall for The Doocot, and for Dick himself. Scottish & Newcastle Breweries was selling off it’s pub chain, and The Doocot was being sold off to Yorkshire brewer Samuel Smith’s.

Dick knew that Smith’s ran a different style of boozer, a style that did not suit him and a type of boozer that would not suit most of his regulars either. Smith’s had taken over the Cramond Inn, another local pub, and had immediately taken out televisions and the juke box. Dick knew his own punters: they would hate it.

Dick was too long in the tooth to learn new tricks and, in all honesty, too tired now to try something new. A Samuel Smith’s would not work in Drylaw, he had argued forcefully – but the brewery bosses were not interested. All they could see were £ signs.

Dick decided he had no option but to retire, but he would leave it for a while to break the news to his clientele. First, he had one last Pensioners Party to organise …

ALEC and his cohorts sat at a long table in The Bird Cage, the Doocot’s lounge bar. The Christmas party hats were now worn at a jaunty angle, and there was a warm fug created by beer fumes and the smoke of pipes, fags and cigars.

The windows were running with condensation and the temperature was dropping sharply outside. It had been a memorable afternoon – although, after all the drink they had consumed, it was doubtful that any of them would remember too much the following morning!

The lights had been dimmed and vocal duo Jim and Tonic were entertaining the punters with a selection of Christmas hits

“Anybody want another drink?” Alec asked, shouting above ‘I Wish It Could Be Christmas Every Day’. Only Bobby said aye, the rest had had enough.

Archie had had more than enough: his head was down in his plate of Christmas pudding and his new Christmas tie was ruined.

Alec made his way unsteadily to the bar. “Two nips of Grouse please, darlin’”

Big Dick was serving at the other end of the bar, but he must have heard Alec above the hubbub.

“Who are the nips for?” he asked.

Alec, half-cut, thought maybe Dick was going to pay for them. “Me and Boaby. On the house? Make them doubles!”

“No chance. Nae nips for Bobby, Alec. I’ve been well warned by his missus – don’t let him get started on the nips. Tell him he can have one last pint, but he’s no’ getting a nip in here.”

“So much for the season of goodwill to all men!” Alec said. He threw back his whisky in a oner before returning to break the bad news  to Bobby.

Bobby, not unexpectedly, did not take the refusal well. “Dick’s a miserable bastard. Is he scared of women or something? I’m the boss in my hoose, I wear the troosers! I decide what I have to drink; nobody else!”

While not quite drunk enough to challenge Dick, Bobby worked out a plan to get his nip. He called over auld Paddy the Potman.

Paddy collected empty glasses and emptied ashtrays when the pub was busy and Dick would pay him with a couple of drinks.

“Paddy, can you do me a wee favour?” …

It was a good hour later that Dick noticed Bobby was missing.

“Where’s Bobby? Is he away to the Ferry Boat in the huff?” Dick asked Alec.

Alec was guttered and the long table was beginning to look like a casualty clearing station. “I couldnae tell you, Dick. I haven’t seen him. Great party, mate!”

Dick looked under the table and checked the toilets, but there was no sign of Bobby.

Dick called The Ferry Boat and Bobby’s house, but without success. There was no option: Dick put on his coat on and went outside. It was snowing quite heavily now. Bobby lived just five minutes up the road, but he was pretty drunk; surely he couldn’t have got lost?

Dick checked out the chip shop next door Groathill Fish Bar and yes, a seriously pished Bobby had bought a fish supper some time back; a peace offering for his wife, apparently.

There was a tell-tale trail of dropped chips in the snow and halfway along Easter Drylaw Place, Detective Dick got his man. He spotted a pair of legs sticking out from a privet hedge alongside a discarded fish supper.

And while it’s not impossible that more than one person came to grief in Drylaw hedgerows that night, it was, of course, Bobby. Flat on his back, covered in a thin film of snow, snoring.

“Look at the state of you, man! Come on, get up!” It was awkward, but Dick was able to drag him back through the hedge and get him onto the pavement.

“Can you get up?”

“Fugg off, ya big bastard. Ge’ yer fuggin’ hands off me! I’ll have you now!”

“Have me? Ye cannae even stand!”

With that, Dick hauled Bobby upright and slung him over his shoulder. Bobby protested feebly – he also accused Dick of stealing his fish supper – but he was powerless as Dick marched through the thickening snow towards Bobby’s house.

They passed one of Dick’s regulars on the way: “Is that you oot delivering Christmas  presents, Dick? Nice night for it!”

It was treacherous underfoot and Bobby was a dead weight but Dick got the ‘Christmas Present’ home.

Bobby’s wife Violet was, to put it mildly, slightly displeased but between them Rose and Dick were able to get Bobby onto his bed.

“How on Earth did he get in that state, Dick?

“The staff were well told no’ to serve him any nips. He must have been getting somebody else to buy them for him. I’m sorry about this, Violet. I tried to keep an eye on things but we were really busy. I’ll try to find out what happened.”

“Och, it’s no’ your fault, Dick. He’s auld enough and ugly enough to look after himsel’. He’ll pay for it tomorrow, though!”

Dick turned to go back to the Doocot, but paused.

“Oh, Violet, could you do me a wee favour? Could you keep this between you and me? Dinnae tell Bobby how he got home … I don’t want the boys in the pub thinking I’m a soft touch. That would never dae.”

And with that Dick set off through the snow back to The Doocot.

Tell Us Your Story!

North Edinburgh – Tell us your Story!

Do you have a story to tell or a memory to share about North Edinburgh Arts or the local area? We’re collecting local stories before North Edinburgh Arts closes for refurbishment.

Join writers Eleanor Thom and Luke Winter in the Story Wagon, a beautiful, purpose-built storytelling and writing caravan, situated in the North Edinburgh Arts Garden tomorrow – Wednesday 17 November, drop-in between 10am and 2pm.

No writing required!

Part of the Edinburgh International Book Festival Citizen programme. Part of Book Week Scotland.

Citizen is supported by players of People’s Postcode Lottery and funded through the PLACE Programme, a partnership between the Scottish Government— through Creative Scotland — the City of Edinburgh Council and the Edinburgh Festivals.

Find out more about Citizen here: https://ontheroad.edbookfest.co.uk/

Story Valley: Cities of Literature meet in Edinburgh to forge new ideas for improving literacy skills

Edinburgh, UNESCO’s first City of Literature, last week played host to the first meeting of a unique European partnership group, The Story Valley initiative, to coincide with the Scottish International Storytelling Festival and the 250th anniversary of the birth of Sir Walter Scott.
 
The City of Edinburgh Council, together with Edinburgh College, welcomed Story Valley partners from three other European UNESCO Cities of Literature – Leeuwarden, in the NetherlandsLjubljana, Slovenia’s Capital and Nottingham, UK – as the group came together to create new policy ideas.

This is part of its manifesto to use storytelling to improve literacy skills, while preserving and enriching cultural heritage through collaboration. 

As part of the visit, the programme has brought together the city’s literary sector and cultural partners – Edinburgh UNESCO City of Literature, Scottish Poetry Library, Edinburgh International Book Festival (EIBF) and Scottish Storytelling Centre – and showcased the exciting work and projects taking place in Edinburgh.

During the three-day programme Story Valley partners visited Edinburgh College to see the project in action, share best practice and explore potential collaborations, visited the Scottish International Storytelling Festival and spoke to representatives from innovative projects happening across the city.

These included: Super Power Agency, a creative writing programme, using writing for confidence building amongst hard to reach 8-18 year olds in Edinburgh; the Creative Words for Well-being project by the Scottish Poetry Library; Street Reads Library, a safe space connecting homeless people with books; the Digital Storytelling project by the Scottish Book Trust; and EIBF’s Citizen Project

The programme was topped off by a light spectacular on Thursday (28 October) as the Granton Gasholder, recently brought to life in partnership with Edinburgh College, as part of the £1.3billion Granton Waterfront project, was lit up in Story Valley colours. 

The Story Valley initiative is funded by the ERASMUS+ Programme of the European Union.

The City of Edinburgh Council, Culture and Communities Convener, Councillor Donald Wilson, said: “As the world’s first UNESCO City of Literature, we’re very proud to be hosting the Story Valley partner cities in Edinburgh for the first time, sharing ideas, inspiring one another and working together with the ultimate goal of improving literacy across Europe through the wonders of telling stories of our past.  

“Through this visit’s programme our Edinburgh partners have captured our Scottish culture and Edinburgh’s passion for its literary and cultural heritage while also showcasing our world-renowned Storytelling Festival. Everyone has gained a lot from this experience and I’m sure will be taking a lot away with them while planning the next gathering to progress the initiative.”

Ali Bowden from Edinburgh City of Literature, said: “We’re really pleased to be working with Edinburgh College, the Council and our sister Cities of Literature on Story Valley.

“Edinburgh has a strong storytelling tradition and it’s great that the students and organisations working on this project are finding new ways for storytelling to make a difference in people’s lives.”  

Edinburgh College Assistant Principal of Curriculum for Creative Industries, Jakki Jeffery, said: “We’re really excited to welcome our partners from Leeuwarden, Ljubljana and Nottingham to Edinburgh as part of the Story Valley project and are looking forward to showcasing the work of Edinburgh College’s Creative Industries faculty and sharing examples of good practice between the VET and further education institutions.

“Partners will have the opportunity to work on each of the Intellectual Outputs face-to-face for the first time and to meet some of our staff and students involved in the project to see first-hand what they have been working on.”

Citizen Winter Warmer Weekend

The Edinburgh International Book Festival has teamed up with The Brunton Theatre and North Edinburgh Arts to host a weekend of inspiring creative activities and conversations.  

The second Citizen Winter Warmer presents two days of heart-warming, interactive and fun events celebrating local community voices and creating opportunities for new stories to be heard.  

Featuring fun-filled afternoons of art and stories for families and an evenings of celebration featuring local residents side-by-side with professional writers, the Citizen Winter Warmer will take place on Friday 19 and Saturday 20 November 2021 and is part of Book Week Scotland.  

The Edinburgh International Book Festival’s Citizen project is supported by the players of People’s Postcode Lottery and through the PLACE programme. 

Noëlle Cobden, Communities Programme Director at the Edinburgh International Book Festival, said “We’re delighted to be working with our partners North Edinburgh Arts and The Brunton on our Citizen Winter Warmer.

“Through our year-round Communities Programme, the Book Festival provides a platform for local people to share their stories, helping to bring us together in challenging times.

“The Winter Warmer all is about celebrating community and connection, spreading a little bit of light in the darkest point of the year, and we hope that everyone, whether or not they’ve been to a Book Festival event before, feels welcome to join us either in Musselburgh or North Edinburgh.” 

The Citizen Winter Warmer is all about sharing stories from local communities and, prior to the event itself, writer Luke Winter is joined by Citizen Writer in Residence Eleanor Thom as they park the Story Wagon outside each venue (Tuesday 16 November at The Brunton, Musselburgh and Wednesday 17 November at North Edinburgh Arts, 10.00am to 2.00pm each day).  

Local residents are encouraged to drop in, have a chat and tell their stories to Luke and Eleanor. 

The Winter Warmer kicks off on Friday 19 November at The Brunton in Musselburgh, moving to North Edinburgh Arts in Muirhouse on Saturday 20 November.  

The Great Big Story Show presents two afternoons of family entertainment, with the fun-loving duo Macastory bringing their hilarious songs and stories to the stage.   

Writer Luke Winter creates a fresh story live on stage from audience suggestions and much-loved children’s authors Maisie Chan and Elle McNicoll read from their brand-new book The Very Merry Murder Club – packed with Christmassy crimes, festive foul play and murderously magnificent mysteries – perfect for inquisitive kids!  

In Musselburgh on Friday author Christopher Lloyd also joins to explain how to stand up for the environment with his beautifully illustrated nature book It’s Up to Us, while at North Edinburgh Arts on Saturday illustrator Eilidh Muldoon creates a beautifully illustrated map of North Edinburgh featuring all the audiences’ favourite places. 

Audiences can tuck into two evenings of terrific tales and delicious food as the Book Festival’s Citizen participants share stories of life in Musselburgh and Muirhouse, and writers explore what community means today in the popular Stories and Scran event.  

The evening offers a sumptuous three course meal provided by the Scran Academy, a social enterprise catering company supporting vulnerable young people, and brilliant new writing inspired by the surrounding areas from local people who have taken part in Citizen’s creative conversations and workshops.    

In Musselburgh the writers from the community will be joined on stage by the award-winning author of Scabby Queen, Kirstin Innes, and poets JL Williams and Andrés Ordorica, who share their own powerful writing and discuss their views on community, identity and home.  

At North Edinburgh Arts the evening is hosted by Scran Academy founder, social entrepreneur, youth leader and campaigner John Loughton. The local community writers are joined by the award-winning poet, playwright and author of Luckenbooth Jenni Fagan, as well as poets Courtney Stoddart and Ryan Hay, who share new work and reflect on what community, identity and home mean today. 

In 2019, local photographers Karmen Bermudez and David Coxon took to the streets around North Edinburgh Arts to shoot the urban landscape, capturing incredible images which inspired short written responses from visitors to that year’s Edinburgh International Book Festival.  

As part of the Citizen Winter Warmer celebration in north Edinburgh, a free exhibition titled Who Lives in a Place Like This? showcases these photos and the writing inspired by them, returning to the community that birthed them along with words and images created by young people from The Alternative School at Spartans Community Football Club which offer a vital snapshot of their lives and a sense of their world and their community.  

Michael Stitt, Chair of Brunton Theatre Trust, said “The Brunton is dedicated to bringing the very best theatre, music, dance, comedy, children’s theatre, film and live screenings to East Lothian for the enjoyment and enrichment of as many people of all ages, as possible.

“Situated within the heart of the vibrant and creative community of Musselburgh, the breadth of our programming is ambitious and takes account of the interests of all communities we serve. We also have an exciting creative participation programme.

“We are delighted to be working in collaboration with our partners Edinburgh International Book Festival to deliver the Citizen Winter Warmer programme that supports creative activities with local communities.” 

The Citizen Winter Warmer is part of Edinburgh International Book Festival’s Citizen project– an ongoing programme of events, festivals and residences taking place around Edinburgh and the Lothians throughout the year, supported by players of People’s Postcode Lottery and through the PLACE programme. 

Laura Chow, Head of Charities at People’s Postcode Lottery said: “I’m delighted that players are supporting the Citizen programme, helping bring communities together and hearing their stories.  The Winter Warmer is an opportunity for us all to learn more about this city and its residents.” 

As part of the Winter Warmer, featured children’s authors Christopher Lloyd, Maisie Chan and Elle McNicoll will be visiting local schools. Children will get to explore their fascinating stories through a mix of interactive activities, readings and Q&A sessions led by the authors themselves. 

Tickets to all events at The Brunton, Musselburgh are available through http://thebrunton.co.uk  or on 0131 653 5245 (Monday to Saturday, 10am to 4pm).  

Tickets to all events at North Edinburgh Arts are available through  http://northedinburgharts.co.uk or on 0131 315 2151 (Monday to Friday, 10am to 4pm). 

Full details of the Citizen Winter Warmer Programme can be found at https://ontheroad.edbookfest.co.uk/.   

Engaging Citizens: Edinburgh International Book Festival

With prison visits, cinema screenings, walking tours and communal meals, the Edinburgh International Book Festival engaged a wide audience in different communities this year. 

Citizen, the Book Festival’s ongoing programme of long-term partnerships with organisations and residents across the city and Musselburgh, presented a series of events and activities reflecting on Edinburgh, its residents and their sense of place and home, while StoryNation reached out to those further afield who were unable to visit the Book Festival in person. 

 Citizen is supported by the players of People’s Postcode Lottery through their Postcode Culture Fund and through the PLACE programme. 

Noëlle Cobden, Communities Programme Director at the Edinburgh International Book Festival, said “This August, through our Citizen programme, we celebrated a diverse range of voices, bringing local people from across the city to the Book Festival, in many cases for the first time. Whether eating together, taking part in events or joining the audience, a sense of community flourished that hasn’t been possible over the last 18months.  

“For those who weren’t able to visit our new site at Edinburgh College of Art, as part of our Story Nation, we took authors and streamed events to them. Our prison sessions were extremely popular and have already begun to yield positive results with attendees reading more widely and developing their own writing following our visits.

“Our work in communities in Edinburgh and beyond will continue over the coming year with projects in schools, community venues, hospitals, prisons and care homes, as well as online.” 

In partnership with Scran Academy, a social enterprise catering organisation working with vulnerable young people, Stories & Scran brought together 40 participants in the Citizen Collective, the North Edinburgh/Musselburgh Citizen Writers, pupils from the Alternative School @ Spartans and local people from Tollcross for a community meal at the Book Festival’s new home at Edinburgh College of Art followed by performances of their words and music created in writing workshops held online throughout the Covid pandemic.  

The work of other Citizen participants, including The Warblers, the Citizen Collective and the Citizen Saheliya Group, was also featured in R Words, a Scotland-wide game of poetry consequences. 

As part of StoryNation, Pat Nevin, Chris Brookmyre and Andrew O’Hagan participated in workshops and readings in HMP Edinburgh, Perth and Kilmarnock.  

Stellar Quines theatre company along with actors Genna Allan and Chloe Wyper from the Citizens Theatre’s WAC Ensemble – Scotland’s first professionally supported theatre company for performers and theatremakers with care experience – worked closely with novelist Jenni Fagan to create a masterful adaption of Jessie Kesson’s radio play You’ve Never Slept in Mine.  

This was performed twice in HMP Edinburgh following its premiere at the Book Festival.  The Book Festival donated three copies of the books from the authors who visited to each Prison Library, and HMP Edinburgh advises that there was immediately a waiting list to read Pat Nevin’s The Accidental Footballer

Andrew O’Hagan also visited the new Streetreads Library in Edinburgh to read from Mayflies.  Streetreads is a charity that takes books and stories to people affected by homelessness and the new library received 15 copies of Mayflies donated by the Book Festival. 

StoryNation also worked with The Birks Cinema, a community owned social enterprise in Aberfeldy – a rural area that suffers from a lack of reliable broadband – to screen a series of live conversations direct from the Book Festival.  

Perthshire audiences enjoyed events with Salman Rushdie and Pat Nevin, the launch of the Golden Treasury of Scottish Verse with the new Scottish Makar Kathleen Jamie who was joined by poets Don Paterson and Peter Mackay, the Summer Crime Wave event featuring Val McDermid, Ambrose Parry, Doug Johnston and Mary Paulson-Ellis and finally a conversation with Ian Rankin as he launched The Dark Remains, his completion of the late William Mcllvanney’s final manuscript.  

The Book Festival’s Citizen City Tour, developed by with photographer Alicia Bruce and Citizen Writer in Residence Eleanor Thom in collaboration with residents of Tollcross, is free, self-guided audio tour which encourages participants to explore the gap between Edinburgh’s postcard exterior and its inner heart.  

300 maps with QR codes were picked up from the Book Festival and to date some of the stories have already been listened to over 45 times. 

Edinburgh International Book Festival’s Citizen programme returns with the Citizen Winter Warmer – a weekend of events and activities at North Edinburgh Arts and Brunton Theatre Musselburgh from 18 to 20 November 2021.  

The programme will be announced in late October, and full details can be found at https://ontheroad.edbookfest.co.uk/ 

Citizen: A hearty helping of Stories and Scran at the Book Festival

I was delighted to be part of Edinburgh International Book Festival’s ‘Stories and Scran’ event on Tuesday evening.

The event was a celebration of the book festival’s Citizen programme.

Over the last 12 months, Citizen Writer in Residence Eleanor Thom and poet Leyla Josephine have been working with local groups to discuss and respond creatively to themes such as home, identity and belonging.

The evening – a lively mix of live readings, stories and short films – showcased impressive work by participants from Spartans Alternative School, the Citizen Collective (some brilliant young writers aged 16-18) (above), the Citizen adult writing group, the Saheliya Champions and more. And all in front of a live audience, too!

The event was preceded by a delicious community meal prepared and served up by by a team from North Edinburgh’s very own Scran Academy. 

Congratulations to the organisers – coronavirus restrictions must have made this a very difficult event to plan and stage, but it really couldn’t have gone better.

Stories and Scran was live streamed and you can view it here:

 https://www.edbookfest.co.uk/the-festival/whats-on/stories-scran-1/player

Stories and Scran

Playing my part in Edinburgh Book Festival

TUESDAY 17th AUGUST: 8.30 – 9:30pm

Join us for an evening of food and entertainment, hosted by our Citizen Writers in Residence Eleanor Thom and Leyla Josephine.

With live readings, audio recordings and a film created by Citizen participants, our community meal will showcase the insightful and thoughtful work of local people from North Edinburgh and Musselburgh.

This live event is part of Citizen, our long-term creative programme working in partnership with organisations across Edinburgh, offering local people a platform to explore identity, connection, place and everything it means to live in our world right now.

Following on from the success of last year’s virtual event, Stories and Scran returns for a second helping.

This community meal, enjoyed by participants in our Citizen programme, will take place in Edinburgh College of Art, with dinner provided by The Scran Academy.

The meal will be followed by a showcase of live readings, audio stories and short films in a celebration of community spirit. 

Find out more at on citizen@edbookfest.co.uk.

TALES FROM THE DOOCOT

During lockdown I took the opportunity to try something new and signed up to North Edinburgh Arts’ Writing the Times creative writing group.

I so enjoyed the experience of meeting up with others – fair enough it was still Zoom, but at least it seemed more like normal life! – that I went on to take part in the Citizen creative writing project this Spring (above).

We were asked to choose and write about a local building, and, living in Drylaw, I chose The Doocot.

While I would never describe the Doocot as a place of worship, pubs, like churches, are more about the people in them than the actual buildings themselves, so I wrote a series of short stories about unforgettable characters – real, imagined and some a bit of both – who made the Doocot such a popular place in it’s heyday.

I will be reading a Doocot tale at the Stories and Scran celebration tomorrow evening. The event is fully subscribed, but Edinburgh International Book Festival will be streaming it live.

Cheers!

Book Festival opens this morning

Today’s the day! The 2021 Edinburgh International Book Festival begins!

Join us in-person at Edinburgh College of Art at the University of Edinburgh or live online for the first day of our first ever hybrid Festival, from our brand new home!

See what’s on today at a glance below, and head to our website to book tickets to watch live in-person or online:

https://edbookfest.co.uk/the-festival/events?

New chapter for Edinburgh International Book Festival

The Edinburgh International Book Festival, which takes place this year from Saturday 14 to Monday 30 August, will do so in the beautiful indoor and open, grassy outdoor spaces of the University of Edinburgh’s Edinburgh College of Art on Lauriston Place.

Full programme details will be announced in June, but Book Festival fans can expect a range of live online author talks, workshops and readings as well as, if circumstances permit, some events for live socially-distanced audiences. 

This new strategic partnership with the University of Edinburgh gives us use of the ECA’s buildings and grounds in August. The University will operate catering and bar provisions if permitted by the Government’s Covid19 guidelines during the Festival.

EIBF Director, Nick Barley, explains this important move: “While we are now experiencing a full lockdown in Scotland which is challenging for so many people on so many levels, we very much hope that the combination of this, together with the ongoing vaccination programme, will bring the virus under control by August.

“While 2020 proved extremely challenging for the Book Festival it also opened up some extraordinarily exciting opportunities.  Building on the success of our online Book Festival we can now announce that we will be entering into a new strategic partnership with the University of Edinburgh that will enable us to inhabit this innovative space in 2021 with facilities to create events for both digital and, if circumstances permit, physical audiences.

“Covid19 has created a huge tectonic shift in the way that live events, ourselves included, can reach their audiences. With in-person ticket sales impossible to forecast this August, we simply can’t justify incurring the costs of the tents and infrastructure we’d normally put into Charlotte Square Gardens. It is highly probable that most events will take place online, and the need for broadcast studios is more likely than large venues for an audience.   

“In the grassy courtyard of Edinburgh College of Art we will, if rules allow, recreate the elements of the Book Festival that our audiences love – bookshops, cafes and open spaces in which to come together safely offering the ‘oasis of calm’ for which the Book Festival is renowned. The College offers excellent studio and theatre facilities for both online broadcasting and potential events with a socially distanced audience.

“We intend that this strategic partnership with the University will be a long-term arrangement, and the Book Festival will continue to occupy their spaces when a Covid-free Festival, with audiences able to enjoy live events in person, can be staged.

“However digital events will continue to be a key part of future Book Festivals, enabling us to reach truly global audiences as well as those closer to home who face barriers to attending the event. We are excited that our hybrid festivals of the future will engage with authors and audiences around the world in a more environmentally responsible way.”

It’s a new chapter for the Book Festival. Look out for more announcements in the coming months, with full programme details to be revealed at the end of June.