Edinburgh Festivals welcome £1 million UK Government support

Edinburgh Festivals – the biggest combined festivals in the country – will benefit from £1 million from the UK Government this year

Half a million pounds will fund a new digital platform to promote UK talent and content to both international and domestic producers

£500,000 will be made available for Festival organisers to increase their digital capabilities

The UK Government will fund two new projects to expand the digital potential of the Edinburgh Festivals with £1 million investment, Culture Secretary Oliver Dowden has announced.

The Edinburgh Festivals are the biggest combined festivals in the UK, attracting audiences of nearly 5 million every year, generating £313 million for Scotland’s economy alone, and providing unparalleled opportunities for artists across the country. 

Last year many shows at the Edinburgh Festivals had to move online due to the coronavirus pandemic. 

The challenge of moving to a combination of physical and online events, and the increased demand for British virtual cultural content around the globe, revealed the need to expand the Edinburgh Festivals’ digital capabilities as part of the cultural sector’s post-Covid recovery. 

The UK Government is providing £1 million in funding for digital improvements that will enable more ways for people to virtually access the events across the country, increase opportunities for UK artists and ensure Edinburgh’s landmark events will continue to be major contributors to the UK’s economy and cultural landscape. 

The 11 festivals in the Festivals Edinburgh event portfolio will be able to apply for a share of a new £500,000 fund which will support innovative virtual solutions to the challenges of commissioning, producing and promoting festival programmes in an increasingly digitised cultural sector.

The funding will help encourage collaboration between events and develop hybrid events with live and digital elements. 

Another £500,000 will be provided to create a new digital platform that will help national and international buyers and producers search for talent and content from the festivals’ hugely varied programmes, which showcase thousands of artists and performers every year, and promote the work of British artists and performers around the world. 

The funds will be available to Festivals Edinburgh this financial year. Events with live audiences at limited capacities in Scotland will return no earlier than 17 May, and further details about the planning for this year’s Edinburgh Festivals will be released in due course.

This funding builds on £100,000 previously awarded to the Edinburgh Fringe Festival in 2018 to better connect UK artists with international producers. As part of ongoing support for culture in Edinburgh, the UK Government provided £10 million for the Dunard Centre, through the Edinburgh and South East Scotland City Region Deal.

It will be the city’s first dedicated new space for music and the performing arts in 100 years. Scotland also received £97 million from the UK Government’s Culture Recovery Fund to provide support for the nation’s arts and cultural sectors. 

Lothian MSP candidate for Edinburgh Southern, Miles Briggs, said: “This funding from the UK government is a very welcome investment into the arts and supporting the Edinburgh festival.

“It has been an exceptionally challenging year for artists and performers, many of whom have needed to adapt to virtual audiences.

“This investment will pave the way for hybrid Edinburgh Festival performances, which will allow people around the globe to see the creativity and talent on show in Edinburgh.”

Oliver Dowden, Culture Secretary, said: “Edinburgh’s Festivals have long been a springboard for the very best of British talent and a vital part of culture in Scotland and the UK.

“The UK Government’s investment will promote it to a worldwide audience online, helping the UK’s biggest combined festival build back better from the pandemic.”

“This is on top of £97 million we provided last year to the Scottish Government to support Scotland’s arts organisations through the pandemic. Like everyone else, I look forward to our fantastic arts and culture coming back better than ever before, as soon as it is safe to do so.”  

Iain Stewart, UK Government Minister for Scotland, said: “Edinburgh is world-famous for its festivals, bringing wider benefits to Scotland’s economy, tourism and arts sectors.

“We know the last 12 months have been difficult for the culture sector. This £1 million funding boost will support organisations to improve their digital capabilities and engage with audiences here in Scotland and further afield.”

Sorcha Carey, Chair, Festivals Edinburgh, said: “While live events in Edinburgh will remain the backbone of our world-class festivals, it’s crucial that we enhance our digital operations and so we’re delighted with this incredible support from the UK Government which will help reposition our work, and the work of creatives, across the digital world.”

Sir James Macmillan, Composer, said: “I’m delighted and encouraged to see this significant and notable support being given to the Edinburgh Festivals at this crucial point.

“The arts have been seriously affected by the pandemic and it is wonderful that the UK Government is showing its tangible commitment to culture in Scotland by investing in one of Scotland’s and Britain’s most important arts organisations.”

Edinburgh’s Christmas goes digital

Edinburgh Christmas sign and big wheel

The City of Edinburgh Council and event producers, Underbelly, have announced an update on this year’s Edinburgh Christmas, following latest advice and discussions with public health experts.

Following the recent national restrictions and taking into consideration the likely additional strain on services over winter, it has been agreed that any sort of event which could attract a gathering or crowd will be avoided. This includes market stalls, rides and all other attractions.
 
Instead, the focus will move to celebrating Edinburgh’s Christmas 2020 online. 
 
In August, Councillors unanimously agreed proposals to adapt this year’s festivals to prioritise Edinburgh’s residents and businesses whilst also recognising the uncertainty of running live events during a pandemic. All parties committed to continue with developing plans in order to meet the significant changes required to follow appropriate public health guidance.
 
Planning continued to reflect up-to-date government guidelines with the intention to have a far smaller scale physical presence in the city centre, however it is now clear that the best place to experience Edinburgh’s Christmas and Hogmanay will be from home. 
 
Further details of the revised plans for both will be announced in due course.
 
Cllr Adam McVey, Council Leader at City of Edinburgh Council, said: “As we’ve continued to adapt to the changing circumstances presented by the pandemic, we’ve continued to work with our partners to develop potential plans for events, which could meet public health guidance, to mark the end of what has been one of the most challenging years in living memory.
 
“However, as we’ve maintained throughout, our utmost responsibility is to keep our residents safe. Following the latest restrictions and through the development of plans, it became apparent that activities for Christmas were not going to be possible. 
 
“Christmas is a special time in our city and hugely exciting for individuals and families who take advantage of the City’s winter offer. Whilst we understand the absence of popular events will bring some disappointment, we want to be clear that Edinburgh’s Christmas isn’t cancelled and our businesses right across the City will be offering their usual festive cheer for us to take advantage of.

“We look forward to announcing details of an innovative digital 2020 programme soon to help in these celebrations.”

Cllr Cammy Day, Depute Leader at City of Edinburgh Council, said: “Christmas is usually an extremely special time for our Capital City and, as well as contributing to the wellbeing of our residents, our Winter Festivals deliver real economic impact, benefitting tourism, hospitality and leisure sectors in particular.
 
“Whilst, of course, we’re extremely disappointed we won’t be able to go ahead with public events and the city centre sites this year, our absolute priority must always be the health and wellbeing of the public, traders and the city as a whole and to follow public health advice. 
 
“I would like to thank Underbelly and our other event partners for all their work as we tried to plan for Christmas in an evolving situation and, whilst Christmas 2020 will take a different shape this year, rest assured the city of Edinburgh will celebrate Christmas.” 

Charlie Wood, director of Underbelly, producer of Edinburgh’s Christmas and Edinburgh’s Hogmanay said: “We very much wanted to bring some festive cheer and light to Edinburgh this Christmas and to support local makers and producers, at the end of what has been a challenging year for everyone.  
 
“Public health is our absolute number one priority, and with the ongoing uncertainty concerning Covid-19 and the possibility of further restrictions, we have taken the collective and very sad decision with the Council, NHS Lothian and Scottish Government not to proceed with this year’s Edinburgh’s Christmas sites in the city centre.

“There will be no public events which might encourage gatherings of people at either Edinburgh’s Christmas or Edinburgh’s Hogmanay.
 
“We appreciate today’s announcement will be disappointing to the many people, particularly families, who come each year to enjoy the Christmas sites; but we are exploring a different Edinburgh’s Christmas this year which will deliver a series of digital opportunities for residents and visitors to enjoy from their own homes. We will share more information on the revised winter festival programme in the near future.”

On Edinburgh’s Hogmanay, Charlie Wood added: “We announced back in July that the world-famous Street Party would not be taking place this year.

“Since then, we have been developing plans to mark New Year in the world’s home of Hogmanay, and to help Scotland celebrate with a sense of hope and new beginnings. We’ll be making further announcements in the coming weeks.”

Lothian MSP Miles Briggs said: “Given the circumstances surrounding Covid-19 this is the correct decision.

“It is now important for Edinburgh Council to focus on the economic recovery for Edinburgh and focus on the promotion of future festivals and ensure that these events can bounce back.

“Considerations needs to be given to innovative Covid-19 safe events for young families, to make Christmas as normal as possible for everyone.”

EDINBURGH’s FESTIVALS POSTPONED

For the first time in their seventy-year history, the five festivals that transform Edinburgh into the world’s leading cultural destination every August WILL NOT GO AHEAD this year due to concerns around the Covid-19 pandemic. 

Edinburgh Art FestivalThe Edinburgh Festival FringeEdinburgh International Book FestivalEdinburgh International Festival and The Royal Edinburgh Military Tattoo have been postponed.

Together, the five August festivals comprise over 5,000 events across Scotland’s capital each summer, welcoming audiences of 4.4 million and over 25,000 artists, writers and performers from 70 countries, making them the second biggest cultural event in the world after the Olympics.

The festivals’ history stretches back to 1947, where in the aftermath of the Second World War the Edinburgh International Festival was founded to reconcile and reunite people and nations through art, in an event that transcended political and cultural boundaries.

Many years later the International Festival continues to present the world’s leading theatre, dance and music artists in Edinburgh’s magnificent venues.

The Fringe story began when eight theatre groups turned up uninvited to perform on the fringes of the very first International Festival. Since the dawn of this spontaneous artistic movement, millions have flocked to the Edinburgh Festival Fringe to produce, and to enjoy art of every genre.

Conceived in 1950 the iconic major event, now known as The Royal Edinburgh Military Tattoo, brings together a huge cast of international military and folkloric performers to perform live to 220,000 visitors each August, with many millions seeing the show on BBC TV around the world.

The Edinburgh International Book Festival began in 1983 and has grown rapidly in scope and size, welcoming writers from all over the world to exchange ideas on some of the world’s most pressing issues. The youngest of the August festivals, Edinburgh Art Festival was founded in 2004 to provide a platform for the visual arts, each year bringing together the capital’s leading galleries, museums and artist-run spaces to present work by international and UK artists.

Since their visionary beginnings the August festivals have presented the very best established and emerging artists from all corners of the globe and across all aspects of the performing, literary and visual arts in what has become the most significant and important celebration of culture anywhere in the world.

Said Sorcha Carey, Director, Edinburgh Art Festival, said: “It is with deep sadness that today we announce the cancellation of Edinburgh Art Festival 2020.

“Our decision is taken in response to the ongoing risks posed by the Covid-19 pandemic, and the need to prioritise the safety of our audiences, artists, participants, staff and indeed all those working to combat coronavirus.

“While it has become impossible to deliver a festival this year, we remain fully committed to doing all we can to continue to support our visual arts community during what is going to be a hugely challenging time in the weeks and months to come.

“We hope that it will be possible for galleries, museums and production spaces across the city to reopen their doors in the coming months; and in the meantime, we will work creatively to find alternative ways to share the work of artists with audiences.

“We will be back next year – as always working closely with our partner galleries, and alongside our extended network of sister festivals, to celebrate the work of artists with audiences and communities across the city.”

Shona McCarthy, Chief ExecutiveEdinburgh Festival Fringe Society, said: “It’s heart-breaking that the Fringe and our sister August festivals will not take place as planned this summer. However, having taken advice and considered all the options, we collectively believe this is the only appropriate response.

“The safety of participants, audiences, local residents and indeed everyone connected to our festivals will always come first. Our thoughts today are with the doctors, nurses, health and social care professionals on the front line, as well as all those affected by this dreadful pandemic.

“Our sympathies too are with the thousands of artists and participants directly affected by today’s decision – we will do everything we can to support you over the coming months.

“Culture brings out the best in us. It gives the marginalised a voice, it shapes and reshapes how we think of ourselves and, crucially, it unites us. Since their inception in 1947 the Edinburgh festivals have existed to champion the flowering of the human spirit and, in the face of this truly unprecedented global emergency, we believe that this spirit is needed now more than ever.”

Nick Barley, Director, Edinburgh International Book Festival, added: “It is with great sadness that I can confirm that the Edinburgh International Book Festival will not take place as a physical entity in August of this year due to the risks surrounding the Covid-19 pandemic.

This is not a decision we have taken lightly, however the safety of not only our authors, our audiences, our staff and our suppliers, but also that of the people who live and work in our wonderful city, is of paramount importance and we believe that planning to bring large numbers of people from all over the world together in Edinburgh in August is not appropriate this year. We hope to be able to programme a series of online events to take place in the summer.

“We will be back! The Edinburgh International Book Festival is an integral part of the Scottish cultural offering, and we will return next year. We are already looking forward to authors and audiences coming together to celebrate the written word in 2021. In the meantime, please keep reading and please keep supporting your local independent bookshops, many of whom are offering a mail order or door drop delivery service.”

Fergus Linehan, Festival Director, Edinburgh International Festival, added: “We are hugely disappointed to announce this cancellation but given the current outlook we believe it is the correct decision.

“We recognise that Edinburgh’s festivals play a very important role in the cultural, social and economic lives of our city and country, and this decision has not been taken lightly. Our thoughts are with all the country’s key workers and we hope that we can celebrate your heroic efforts when this awful pandemic has passed.

“The Edinburgh International Festival was born out of adversity – an urgent need to reconnect and rebuild. The current crisis presents all at the Festival with a similar sense of urgency. Work begins straight away on a 2021 Festival season that will boost both our spirits and our economy.

“As we observe our essential social distancing we can, I hope, look forward to being back together soon: sharing brilliant music, theatre, dance, literature and art from the greatest creative minds of our time. Until then, thank you for all your good wishes and keep safe in the coming months.”

Edinburgh’s world famous Tattoo is another casualty. Brigadier David Allfrey MBE, Chief Executive, The Royal Edinburgh Military Tattoo, said: “Like most people, businesses and institutions, The Royal Edinburgh Military Tattoo has been working hard to adapt to the unprecedented conditions occasioned by the COVID-19 pandemic. 

“In the first instance, we have sought to comply carefully with Government advice and guidance in looking after our customers, staff, suppliers, stakeholders and all those who rely on our annual success and charity. In addition, we have been looking at how best to make a wider and constructive contribution to the national, regional, municipal and individual effort.

“The pandemic is impacting across the world, the Tattoo – along with other major events and festivals – will need to carefully understand and adapt to whatever is our new normal.

“We are keen to do this as a great many people have come to rely on our annual routines for their livelihood and their entertainment, with an associated benefit that stretches internationally and across Scottish and UK tourism. Now though, we judge it is impractical and undesirable to stage a Tattoo in anything like its normal form in August.

“Accordingly, we have decided – for the first time in our 70-year history – to cancel our 25 shows set previously for the period 7–29 August 2020.”

Edinburgh’s festivals bring millions of visitors to the city in summer, spending much-welcomed cash in the capital. Council Leader Adam McVey and Depute Cammy Day, said: “This was a profoundly difficult decision– leaving a massive gap in our Capital – but clearly it was the right one. Our thoughts are very much with all those fantastic artists, writers, performers and organisations who were working so hard to prepare for another busy festival season.

“The most important consideration is the health of our residents and the safety of everyone in the City. We’re all working closely together as a city and internationally with the common purpose of protecting each other, whilst taking up our shared responsibility for planning towards our recovery.

“With that in mind, we’re looking at every feasible option to help to sustain our key sectors, including the festivals, and have committed to honouring all grant payments due to our cultural partners for the current year, and to the repurposing of these, as required. We’ll do everything we can to assist our world-renowned cultural sector to remain at the centre of the city’s identity going forward.

“We’re incredibly proud to be known as the world’s Festival City and must never forget the positive contribution our festivals make to our lives, bringing art to Edinburgh in a way no other city enjoys.

“We’ll continue to work with all of our citizens, colleagues and stakeholders to do everything we can to make sure we come through 2020 and look forward to again bringing the world to Edinburgh and Edinburgh to the world for our summer festivals in 2021!”

Iain Munro, Chief Executive, Creative Scotland, said: “We understand and support the decision by Edinburgh’s Festivals to cancel this Summer’s activities at this extremely difficult time.

“Our hearts go out to all those involved with the Festivals who work tirelessly every year to deliver one of the highlights of the annual cultural calendar and to the many artists, performers and companies who will miss this year’s opportunity to be celebrated on a global stage.

“We look forward to their return when audiences can once more marvel at the extraordinary art and creativity that will be on offer.”

Adam French, Which? Consumer Rights Expert, said: “While understandable, the cancellation of the Edinburgh festivals will be disappointing news for the millions of people who flock to the Scottish capital to experience one of the world’s great cultural events.

“It’s good to see that some organisers have said they’ll be refunding registration fees, tickets and memberships, so those who planned to attend events may be able to get their money back.

“It could be trickier to get a refund for any related travel or accommodation. The good news is that National Rail has offered to refund tickets booked before 23rd March, but you will need to check the cancellation policies for any accommodation you have booked or any other mode of transport.”

 

Edinburgh’s Festivals have reached 92% of city schools

Edinburgh’s major festivals have revealed the extent of their year-round school engagement programmes, which have reached almost every school in the city over the period January 2018 – May 2019. 

The new report finds that Edinburgh’s festivals have reached more than 90% of schools across the city through wide ranging activity which takes place both during and out with live festival time.

Through mapping of activity across the 18 months period, the study shows that festivals have engaged with every secondary school in Edinburgh, and almost all the city’s primary and special schools.

The engagement has had a big impact locally.

In West Pilton, Forthview Primary School has a particularly strong relationship with the festivals, being involved in 8 programmes and with over 1,400 pupil engagements since 2018.

The school regularly attend performances at the Children’s Festival, and the Book Festival’s Bailie Gifford programme. It is also part of the Fringe’s Children and Young People scheme, which offers free Fringe vouchers and bus tickets, to help overcome some of the barriers for pupils and their families to see shows.

Forthview is one of six Edinburgh primary schools participating in the Children’s Festival’s Immerse project, an ambitious 3-year initiative which embeds creative learning in the classroom.

The project started in autumn 2019 with each school hosting the ground-breaking immersive theatre production ‘The Lost Lending Library’, which uses drama to support attainment in literacy.

 In Leith, Leith Academy have a long standing relationship with many festivals, regularly participating in programmes such as the Book Festival’s Bailie Gifford programme, the Science Festival’s Career Hive and the Film Festival’s Media Days workshops.

The Edinburgh International Festival has partnered with Leith Academy for a three-year residency, opening up a series of unique cultural opportunities for pupils. Three artists in residence are working in the school, with creative workshops linked to festival performances, and a culture club which offering social trips to experience theatre, music, visual art and dance in the city throughout the year.

The residency also looks to develop personal and vocational skills, with pupils being supported to work towards Personal Development Awards qualifications, and mentoring for senior students by festival staff to help build confidence and prepare for their next steps.

There have been over 58,000 pupil engagements – the number of times pupils have been involved in festival activities – with many benefiting from multiple opportunities. 

From Gilmerton to Granton, Corstorphine to Craigmillar, the festivals are working with children and teachers across the whole city to bring young people enriching experiences and opportunities for creative learning.

These cover regular longstanding education programmes as well as new projects, through which festivals have supported learning in areas including music, drama, visual arts, science, technology, film and many more. 

In addition to their spread throughout Edinburgh, there is a clear focus to the festivals’ engagement. It is within areas of the city with the lowest attendance at festivals that there is the highest participation in school programmes: a great step toward an Edinburgh where everyone regardless of background has the opportunity to make the most of the festivals.

Two thirds of residents attend shows and events at the festivals each year, but it is also hugely important to enable young people to engage with culture and develop the next generation of festival-goers. 

There are several examples of programmes working over a long-term period, involving deeper engagement to create truly collaborative projects that will be of lasting benefit.

As well as directly working with pupils, the festivals also work with teachers on continuing professional development opportunities. These encourage and enable teachers to see the wider creative learning possibilities of engaging with festivals and help teachers bring creativity into the classroom. 

A few examples of projects that the festivals have been working on, alongside some comments from teachers who are involved, include:

Teachers’ Theatre Club 

A new collaboration between Edinburgh International Children’s Festival and the Edinburgh Festival Fringe Society that aims to encourage Edinburgh’s teachers to see more live performance, become more confident in discussing this with their students and enhance students’ learning experiences. 

Serena Jagpal, Pentlands Primary School, said: “When applying to be a part of the Teachers’ Theatre Club, I saw it as interesting CPD. I never thought for a second that it would give me so much more.

“Over the course of the project I have engaged in discussions with a wide range of professionals in the arts, experienced theatre that I would never have thought to go see myself and discussed how I would use these shows with my pupils ….what has taken me by surprise is the camaraderie I have experienced. I hope this project runs for many years to come and I urge as many teachers as possible to experience this.”

Leith Academy residency

A three-year Edinburgh International Festival residency with Leith Academy, involving new cultural opportunities as well as developing pupils’ personal and vocational skills.

The residency includes a series of projects, from pupils working with artists in residence to learning about marketing and branding with the festival’s own teams. In addition, students are supported to gain a Personal Development Award at SQA level 6, with workplace experience with staff at the festival. 

Mike Irving, Head Teacher, Leith Academy said: “In 2019/20 there is an ever greater need to look creatively and collaboratively at our curriculum. Our work with the Edinburgh International Festival helps us harness the skills of creativity, teamwork, problem solving and communication daily.

“This particular branding event allowed our young people to not only see how branding ‘comes alive’, but to actually be part of creating it from start to finish with skilled professionals …

“In a world where the jobs young people will do is a dynamic and fluid one, we are very grateful to the wonderful opportunities the young people of Leith are being offered through the residency in order to open their horizons of what their ‘next steps’ may be.”

Edinburgh Science Festival

Every year, Generation Science offers a programme of interactive shows and hands-on workshops for primary schools, delivered in the classroom.

The Careers Hive, which gets underway this year from 25 February, is an interactive showcase for careers in science and technology, targeted at secondary school pupils and designed to highlight opportunities from studying STEM subjects. Through Generation Science and Careers Hive, Edinburgh Science reach 81 schools across Edinburgh and more than 12,500 pupils. 

With over 90% of the city’s schools already getting involved, the ambition of Edinburgh’s Festivals is to use the collective picture of schools’ engagement to inform the targeting of future projects and initiatives and enhance the lives of many more young people for years to come.

Brexit poses threat to future of Edinburgh Festivals, says MSP

SNP MSP Gordon MacDonald raised has concerns in The Scottish Parliament, over the threat that Brexit poses to the future of the Edinburgh Festivals.

The Edinburgh Pentlands MSP asked The Scottish Government “what impact the Tory government’s plans to impose further restrictions on EU workers coming to Scotland will have on our internationally acclaimed festivals.”

Festival organisers have previously described the visa process for performers who want to appear at Edinburgh arts festivals as “humiliating” and “Kafka-esque”.

In response to Gordon MacDonald, the Cabinet Secretary for Culture, Fiona Hyslop, highlighted that the additional restrictions on people to coming to this country will affect both artists and visitors. She said that the “attitude of the UK government and its attitude towards Europe will affect how people see this country”.

Gordon MacDonald has repeatedly highlighted the “devastating” impact that the UK government’s hostile environment has had on the ability to attract international guests to Edinburgh’s festivals.

In a Members’ Debate that he led last year, he argued that since the Tory government introduced hard-line visa controls, visa applications for performers have been hit by refusals, errors and delays, with some acclaimed international writers, actors and musicians forced to cancel trips to festivals across the capital.

The SNP MSP has now written to the UK government to raise these additional concerns for the future of the capital’s festivals.

SNP MSP for Edinburgh Pentlands, Gordon MacDonald, said: “The Edinburgh Festivals are world class and have enormous cultural and economic benefits, not only for our capital, but for Scotland.

“The success of the Festivals rely on the seamless flow of artists and people from across the world – something that the Tory government seem intent on preventing.

“For years now, artists have been deterred from coming here because of the UK government’s humiliating application process and their current obsession with a hard Brexit looks like it is going to make this situation worse.

“The UK government need to open their eyes to the damage they are causing to our festivals.”

Gordon MacDonald MSP’s letter to Rt Hon Baroness Nicky Morgan:

Dear Nicky,

Edinburgh Festivals – Restrictions on EU workers

As you will be aware, the Edinburgh Festival Fringe is the world’s largest arts festival and the city is well recognised for its world-leading festival scene.

Over the last few years it has become apparent that the Festivals have experienced significant challenges due to UK government hard-line visa controls. This is an issue that has been raised by myself, Deidre Brock MP and the industry on several occasions.

However, on this occasion, I am writing to express further concern for the Festivals following the announcement by the UK government of plans to impose further restrictions on EU workers coming to the UK.

The success of the Festivals rely on the seamless flow of artists and people from across the world, and the current immigration system has already had a negative impact on the Festival’s ability to attract international artists. I’m sure you can appreciate the concerns about even further restrictions for workers entering the UK.

Can you confirm that you be attending the Scottish Government’s summit on festival visas in February 2020? Can you commit to meet industry representatives to discuss the UK government’s new plans for EU workers and how this will affect the Edinburgh festivals?

Yours sincerely,

Gordon Macdonald MSP

City for Sale?

The commodification of our public places

One of the defining issues currently in front of the City of Edinburgh is how we value our public places. Should Princes Street Gardens be an oasis of green-ness and tranquillity, or should it be the city’s performance hub, the Go To place for happening events and Festival activities?

Should civic spaces be open for the unrestricted access of City dwellers and City visitors alike; or should they be a gated venue accessible only to ticket holders and promoters?

How we value public space is how we value the city overall. The Cockburn Association has been increasingly concerned about the commercialisation of our squares, our parks and our streets. We are concerned about the erosion of public investment in public places.

We are concerned that the voice of residents is decreasingly heard. We are concerned that this view is shared by many. Is this right?

As the city prepares numerous strategies and policies including City Plan 2030 (a new Local Development Plan) and a new Tourism Strategy, now is the time to galvanise opinion.

On Wednesday 22 January 2020, we will hold a Public Summit in the Central Hall, West Tollcross, open to all who share our concerns (and those who don’t too).

Save the Date. Further details will be available in early 2020.

Terry Levinthal

Director, The Cockburn Association

Edinburgh Civic Trust

 

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