Jupiter Artland announces a politically charged and ambitious Spring & Summer programme

On 5 February 2026, the award-winning sculpture park Jupiter Artland will reopen to launch a year of ambitious exhibitions and commissions that place landscape, power and identity at the centre of contemporary debate.

With artistic excellence and social purpose inseparable, the Spring and Summer programme brings together Scotland-based and international artists in a series of exhibitions, performances and events. Through Jupiter’s distinctive philanthropic model, where 100 percent of admission supports its Learning Foundation, every visitor directly contributes to creating opportunities for the next generation of artists and creative voices across Scotland.

From April, Extraction brings together work by Carol Rhodes, john gerrard, Marguerite Humeau, Siobhan McLaughlin and John Latham to explore how energy systems shape culture and land, set against Jupiter’s own layered history of shale oil, North Sea pipelines and on-site renewables.

For Edinburgh Art Festival 2026, Glasgow-based Irish artist Sgàire Wood presents a major solo exhibition in the Steadings Gallery and co-curates Jupiter Rising x EAF, transforming the park with a night of performance, music and spectacle.

EXTRACTION

11 April – 26 July, Ballroom & Steadings Galleries

Extraction is an exhibition exploring the cultural, psychological and environmental legacies of energy systems. It brings together works by Carol Rhodes, john gerrard, Marguerite Humeau, Siobhan McLaughlin and John Latham. Their practices are presented in dialogue with the unique landscape of Jupiter Artland, where the traces of three distinct energy eras exist simultaneously: the nineteenth-century shale oil industry, the twentieth-century North Sea petroleum economy and contemporary renewable infrastructure.

Rather than presenting energy history as linear progress, Extraction reveals a repetitive cycle built on belief, optimism and inevitability. Each energy era produces material wealth, cultural identity and technological confidence.

Each eventually becomes residue, memory or monument. Debates around energy transition are dominated by technological narratives and political urgency.

This exhibition instead investigates and reflects upon the emotional and ideological structure of energy systems, considering labour, identity and landscape without nostalgia or triumphalism.

After the erosion of energy systems, what remains is infrastructure, waste, altered land and symbolic fragments. Jupiter’s own landscape is also part of the exhibition – walking around the sculpture park, visitors can encounter views as they gaze in various directions out from the the artland; the historic shale bings – Scotland’s first oil industry – and the landing site for the Forties oil pipeline out to the North Sea, as well as the solar-field which powers Jupiter’s site. 

Extraction is not a survey, commemoration or an environmental warning, but a lens offering clarity on how societies build and unbuild worlds through energy. It invites the viewer to recognise themselves inside a cycle rather than at its conclusion, to reconsider progress, permanence and the future.

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john gerrard, Flare (Oceania), (2022). Simulation. Courtesy of the artist.

SGÀIRE WOOD

14 August – 18 October, Steadings Gallery (for Edinburgh Art Festival EAF26)

Jupiter Artland will present a solo exhibition of new work by Glasgow-based Irish artist and performer Sgàire Wood. With its origins in drag, fashion photography and multi-artform nightlife scenes, Wood’s practice is concerned with the layers of meaning behind everyday images, visual performances of identity, pop-cultural symbolism, authenticity and artifice.

Well-known for her humorous performance work combining dance, make-up and costume design, this show represents an exciting step for Wood into sculpture and immersive installation.

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Sgàire Wood, Tiger (2024). Photo by Spit Turner

In this new body of work, Wood utilises traditional heraldic imagery to examine notions of heritage, belonging and the violence embedded in visual culture at large, specifically positioning urban wildlife as representations of the precarity and oppression faced by minorities amidst the rise of fascism. 

Mythical heraldic creatures like the martlet – a footless bird purported to live its entire life in flight – symbolise a ceaseless struggle and sense of placelessness under our present political conditions of hostility and violence.

Wood critically questions the systems of belief historically associated with this visual culture and our current political urgencies, all while leaving room for humour, hope and the possibilities of belonging and solidarity.

Wood’s work has often been situated in nightlife spaces – she has performed at clubs, events, galleries and festivals across Europe, as well as co-founding the much-missed Glasgow queer club Bonjour.

This exhibition brings her multi-faceted practice into Jupiter’s Steadings Gallery, to create a poignant meditation on identity and inheritance.

Jupiter Rising x EAF

Saturday 22 August

Alongside this commission, Jupiter Rising x EAF returns on Saturday 22 August with Sgàire Wood as co-curator. Sgàiraoke, her hybrid of performance art and karaoke, has been a regular and much-loved feature of Jupiter Rising since the early days of the festival.

Expect the usual art-drenched chaos, late night dancing, music and stunning performance in the woodlands of Jupiter, all imbued with the glamour, allure and experiment at the core of Wood’s practice.

Full line up and pre-sale tickets to be shared in Spring 2026.

Currently on: 

February 2026 at Jupiter offers a final chance to see Georg Wilson’s The Earth Exhales in the Ballroom Gallery, alongside workshops inspired by Georg’s work – exploring poetry, collaboration and seasonal change, tickets limited and available online. 

Tai Shani’s The Spell or The Dream continues in the orchard through to autumn, evolving with light and the landscape. 

To Love and To Cherish by Florence Peake in the Glasshouse, our transformative new commission, can also be experienced as part of private hire for weddings and special occasions throughout the year.

The permanent collection at Jupiter Artland which includes major works by Anish Kapoor, Antony Gormley, Anya Gallaccio, Charles Jencks, Christian Boltanski, Cornelia Parker, Helen Chadwick, Joana Vasconcelos, Tracey Emin and others, remains on view throughout every season.

Christmas at Jupiter: Nine days of magical seasonal activities this December at Jupiter Artland

For the first time, Jupiter Artland is open throughout the Winter season. Christmas at Jupiter brings together art, landscape and festive tradition across nine consecutive days from 6 – 14 December 2025, transforming the park into a Festive Village alive with light, sound and winter magic, alongside a programme of outstanding contemporary visual art.

A truly unique and creative alternative for all ages to enjoy all the festive favourite activities within Jupiter’s iconic landscape, Christmas at Jupiter offers an alternative to festive fanfare, where the traditions of Christmas are blended with contemporary and creative flair.

This year, Jupiter Artland will be transformed into a Festive Village that will be open daily alongside the annual programme of bespoke activities, including Santa’s Grotto, the ELF workshop in MAKE Studio, Christmas Film screenings and S’mores Village, where you can enjoy hot chocolate and gooey marshmallows around a fire pit.

Cafe Party will be open daily, and will offer a festive themed Afternoon Tea including Cava and a gift from the Festive Shop, available to pre-book. 

In addition, at the weekend the experience will include the popular Christmas Fair – the new Glasshouse space and Lower Steadings will be the perfect place to discover thoughtful gifts, meet independent makers and soak in the festive atmosphere.

Across Jupiter Artland, you are invited to explore a range of experiences including a Live Nativity Scene, speciality wreath making, christmas tree cutting and choir singing on the terrace. 

Nicky Wilson, Director, Jupiter Artland, said: “We are delighted to be open through Winter for the first time, and to also extend Christmas at Jupiter to a nine-day event across the Artland for visitors to enjoy the festive atmosphere while discovering outstanding contemporary art.

“Join us to dine with friends at Cafe Party, bring your family to enjoy festive treats and creative activities or experience new artworks by Tai Shani, Georg Wilson and Florence Peake – there is something for everyone this season.” –

Meanwhile, organisers invite you to explore Jupiter Artland’s exhibitions programme through which three renowned artists draw upon the earth, folklore, mythology, love and both the human and nature around us. 

The programme includes The Earth Exhales by Georg Wilson, marking her first UK institution presentation (above); Florence Peake’s newly commissioned To Love and to Cherish, a new floor painting in the Glasshouse developed from a performance in August 2025 and The Spell or The Dream by Tai Shani, a remarkable multi-faceted work inviting audiences to collectively dream of new horizons. 

The Spell or The Dream (2025) was commissioned by and developed in residence at Somerset House Studios. The commission was made possible with Art Fund support. 

Across the landscape, you will also discover many other well known works including by Tracey Emin, Anya Gallacio, Phyllida Barlow, Ian Hamilton Finlay and more. 

20th birthday edition of Edinburgh Art Festival closes with record numbers of participating artists, partners and attendees

Edinburgh Art Festival (EAF24) closed on Sunday, with record numbers of attendees and of participating artists.

For the 2024 programme, which marked 20 years of the festival, EAF invited audiences to join them in a moment to collectively pause and reflect upon the conditions under which we live, work, gather and resist with a festival hub at City Art Centre.

The programme, the biggest yet for EAF, spanned the work of more than 200 artists in more than 30 venues, across 55 projects and with over 130,000 visitors across all venues, including 21,000 visitors across the EAF commissioned programme. 

Kim McAleese, EAF Festival Director, said: “We wanted to create a festival that felt rooted here in Edinburgh and connected to people local to the city but which was also balanced with a critical and nuanced global dialogue.

“We are delighted that audiences, collaborators and artists were so generous with their engagement, criticality and time for EAF24. At the core of our programme this year was over 200 artists who brought work to the city.

“Without them we would not be able to do what we do and we must continue to support those artists who share their ideas and knowledge with us year on year, especially in the face of devastating, life changing cuts to public funding such as those announced this week here in Scotland.”

The festival programme spanned from the city centre, with large scale works by Ghanaian artist El Antsui and flags by Rosie’s Disobedient Press visible for those in the city to see from the streets, to the glowing light of Prem Sahib’s nocturnal work at Bard, in Leith to the outer limits of the capital both East and West.

A festival within a festival took place at Jupiter Artland, with the theme of a ‘queer fete’ and Más Arte Más Acción (MAMA) were invited to present an artistic public intervention at the Royal Botanic Gardens Edinburgh, in the form of a large table around a tree, to discuss the interconnections between humans and plants in times of rapid biodiversity loss and which now travels to COP30 in Brasil.

Performances peppered the EAF24 programme including the highly acclaimed opening performance by Mele Broomes and Prem Sahib’s Alleus, which took place in a stairwell of Castle Terrace Car Park.

Four of Scotland’s emerging artists showcased work that surmised their current concerns  to critical acclaim in the City Art Centre, and recent and current socio-political history were explored in new ways at Women in Revolt! at  the National Galleries of Scotland in a survey of feminist art that celebrates the women who challenged and changed the face of British culture which was reimagined for Edinburgh to include new Scottish women artists.

Space, Nature, Nurture: dance residency artists announced

Dance Base and Jupiter Artland’s dance residency programme

Dance Base, Scotland’s national centre for dance, and Jupiter Artland, a contemporary sculpture park and art gallery just outside Edinburgh, are thrilled to announce the five artists selected for the Space, Nature, Nurture | Winter Residency Series – a new collaborative residency programme which offers dance and movement artists a unique opportunity to immerse themselves in and work with the natural and sculpted outdoor surroundings of Jupiter Artland.

Scotland is a hugely diverse and varied landscape that is not only an incredible source of inspiration, but which can also act as a creative collaborator and be a central element of performance work for artists.

Jupiter Artland encapsulates the richness of the Scottish landscape, incorporating wild woodland alongside sculpted spaces, and is a hugely inspiring and creative environment for artists to engage with. Space, Nature, Nurture is the first collaboration between Dance Base and Jupiter Artland and both partners are thrilled to be able to provide an opportunity for artists working in dance and movement to bring their practice in to this unique environment.

The five artists selected were chosen based on their genuine interest in developing material in, with and in response to the unique natural environment and in collaborating with ecologies as a central part of their work.

They are Thomas Goetz, Hamshya Rajkumar, Kate E Deeming, Jennifer Paterson (All or Nothing Aerial Dance Theatre) and Simone Kenyon.

Each of the Space, Nature, Nurture artists will receive a fully funded 1-2 weeklong residency at Jupiter Artland over November and December when the Park is closed, providing them with full and unlimited access to the Artland.

As part of their residency, they will each present an element of audience engagement, reconnecting or establishing a link with their audience. These will be delivered in person and online.

This Residency programme has been made possible thanks to funding from the Performing Arts Venue Relief Fund and is part of a wide programme of artist support that Dance Base are delivering to support Scotland-based dance artists to return to their practice after this very difficult 18 months.

MEET THE ARTISTS

Thomas Goetz is an Edinburgh-based choreographer, performer; movement facilitator who draws inspiration from themes related to nature, philosophy and science. His recent work is concerned with emergence, behaviour, and (eco-)systems in nature and the role we play as part of these systems.

Talking about his residency, he said: “All living organisms occupy specific ecological niches which describe the role they play in an ecosystem. Animals & plants evolve unique adaptations to survive, live and thrive in a specific habitat under certain environmental conditions.

“In this residency I will be exploring how we can evolve into creatures which occupy the natural and artistic habitats of Jupiter Artland. These evolving imaginary creatures will differ in the way the move, are able to perceive the environment, communicate (with sound/voice or movement) & interact with one another.”

Hamshya Rajkumar is an inter-disciplinary artist who navigates through embodied movement, intention and ritual.

She said: “Through movement I will be exploring various human interventions within the Jupiter Artland estate in the form of Gardens, Woodlands and Land artworks that reflect the human need for beauty versus the understanding of the ecological community. An element of my practice involves embedding within Land +| Sea:scapes who are devoid of my ancestors.

“I am curious about forming an intra-species alliance with the much debated invasive Beech Tree and introduced ornamental exotic Plants. An extended focus will include the relationship between manicured foot and manicured grass. As Heavy Rain is likely during November, I will be experimenting with using second hand clothing as an extension of the bodily self as well as skin that absorbs and moves with Weather.

Kate Deeming. With decades of outdoor dance experience, Kate E. Deeming describes herself as an ‘artist who uses dance to make good stuff happen’. Kate E. creates public facing work largely in urban environments and outside of traditional arts hierarchies.

Kate said: “I am interested in creating moments and reminders that build empathy and connect us to our individual and collective power, to reinforce and manifest a joyous and loving world.”

For the Space Nature Nurture Residency Kate E. is to create a week-long durational dance piece inspired by the Jupiter Artland Landscape. Utilising costume and wearable speakers, she will create giphys of wee dance moments which will feed into her wider community practice.

Jennifer Paterson is an aerial and dance director and Artistic Director of All or Nothing Aerial Dance Theatre, Scotland’s leading aerial dance company. She trained at London School of Contemporary Dance before discovering aerial and that she could overcome her fear of heights, going on to perform worldwide with several companies and directors.

For her residency, Jennifer will be working with other dance and aerial artists: Chrissie Ardill, Beverley Grant, Marie Williamson and Freya Jeffs.

She said: “Starting within the woodland at Jupiter Artland, taking movement from the ground, and moving it up into the air and around the trees, the woodland and back into the landscape, utilising our aerial dance harness skills and how we can play and create together in this environment.

“Our audience engagement will be through 2 workshops within the environment, allowing participants to play and explore both in and out of harness, just as we are doing. One for adults and one for children.

“Being so close to the Edinburgh International Climbing Arena at Jupiter Artland we will look to connect with climbers there, as well as recreational aerialists from the Scottish aerial dance community.”

Simone Kenyon is a Scotland-based artist, performer, Feldenkrais practitioner and academic. For the past 20 years she has worked across performance and dance that embraces the complex interrelationships of movement, people and place.

Talking about her residency, she said: “The residency will focus on new research exploring the practices of drystone dyke building; including the choreographic, material agency, conservational, ecological, cultural and social aspects of wall building.

“Working for the first time, in-person with Master Waller, George Gunn, we will work with an existing wall in need of repair within the grounds to explore building techniques, place relational performance, creative conversations and take time to develop this new collaboration.

“Filmmaker Emma Dove also joins to make our collaborative trio to further explore and develop ways of working with film in the process. On the last day of our residency, we will share our findings and explorations though conversation in-situ with a small group.

“Post residency we will share a film for a wider audience online. Beyond the physical residency, Simone will begin new critical-peer conversations with artist Robbie Synge, to stimulate questions and ideas as a way of continuing the development of the work.”

Tony Mills, Artistic Director at Dance Base: “Jupiter Artland is an incredibly innovative arts space with a team that is forward thinking. We feel it is the perfect place where artists can be supported to explore new connections between dance and the environment within an artistic context.

“As we come back to working together creatively, the desire for collaboration and making things happen is so much stronger. This has resulted in this exciting cross-city partnership that will challenge the notions of what dance is and where it happens, and open up new avenues for dance artists and their work. We look forward to creating more opportunities with Jupiter Artland in the future.”

Nicky Wilson, Director of Jupiter Artland: “It is an honour to host Dance Base and their Space, Nature, Nurture residency at Jupiter Artland. Working alongside other cultural institutions creates great networks across the city, and the country, which are incredibly powerful vehicles for change.

“I am a huge advocate for bringing creativity outside, enjoying the outdoors, watching nature, and being inspired by art. It is more important than ever to embrace this freedom and I am so excited to see the residents flourish in the landscape.”