Celebrating Scotland’s Makar

Enriching lives through poetry

Jackie Kay’s tenure as Scotland’s national poet has come to an end after five years. Scotland’s third Makar – Jackie succeeded Edwin Morgan and Liz Lochhead – described her time in the role as an “incredible journey”.

Ms Kay’s time as Makar saw her read Threshold at the opening of the Scottish Parliament in 2016, take up residency at Young Scot during the Year of Young People in 2018 and develop a digital project bringing poets and musicians to the public during lockdown.

Other highlights include a collaboration in 2020 called Fare Well which formed the centrepiece of Edinburgh’s Hogmanay celebrations and the lullaby Welcome Wee One which has featured in every Baby Box, more than 167,000, since the scheme launched in 2017.

Ms Kay also wrote The Long View partly in Gaelic, partly sung and partly in sign language, which was performed for the 20th anniversary of the Scottish Parliament.

Her replacement will be announced in the coming months.

Jackie Kay said: “It has been an extraordinary journey these last five years and I’ve gained so much in terms of peoples’ love and interest in poetry.

“I’ve found out so many things about my country.

“I wanted to take poetry to unexpected places and I feel that I have achieved that. Up until the lockdown I was on and off boats, on and off trains, in and out of cars and  buses, travelling north, south, east and west, going to all sorts of different places I hadn’t been to before.

“It’s been a glorious, joyous, interesting ride to have been to every major city and to have been to so much of the Highlands and Islands, rural parts of Scotland. It gave me a real sense of the country and its changing attitudes to politics, to race to diversity and to poetry.”

First Minister Nicola Sturgeon said: “Jackie has made an outstanding contribution as Makar and helped widen the appeal of poetry to a broad and diverse audience both here in Scotland and internationally.

“The coronavirus (COVID-19) pandemic has brought unique challenges, but Jackie’s vitality, warmth and tremendous talent has helped to keep the role of Makar relevant.

“Her Fare Well Hogmanay collaboration was a memorable event which shows the universal appeal of poetry and her lullaby Welcome Wee One has been the first introduction to poetry for thousands of children.

“The legacy of Jackie’s tenure as Makar will be the enduring and positive impact she has had on so many, particularly the younger generation from her period in residence at Young Scot. She takes our best wishes for the future.”

The role of Makar involves taking a leadership role in promoting poetry nationally, as well as producing work relating  to significant national events.

During her time in the role, Ms Kay has attended hundreds of events across Scotland. The national commissions she undertook were Threshold, Sasine, the Long View, Queensferry Crossing and Fare Well.

To commemorate Jackie Kay’s term, a scroll which will include lines from the work of each Makar is being created which can be passed from one Makar to the next.

Work is underway to appoint a new Makar to succeed Ms Kay, which will be overseen by the new administration. Current planning is for the new Makar to be in place for the opening of Parliament.

Council’s arts and culture grants to be agreed next week

Edinburgh’s culture sector will be boosted by funding of around £4.7 million in the coming year if Councillors approve the cultural grants scheme next week. 

The Culture and Communities Committee will consider a report on Third Party Cultural Grants Funding 2021/2022 at their meeting on Tuesday, 16 March. 

The report seeks approval for the continued Strategic Partnership, flexible and project funding recommendations for 2021/22, the second year of the programme, originally agreed in 18 June 2019.

Last year, following the COVID-19 outbreak, the Council’s Leadership Advisory Panel agreed the funding recommendations for 2020/21 and pledged support for Edinburgh’s cultural sector with resources to be repurposed to help mitigate the impact of the pandemic.

Regular and ongoing reporting from funding recipients has allowed the Council to directly monitor and work with strategic partners on their progress throughout the year. 

Next week’s report recommends councillors approve the commitment of £4,689,279 to continue to support culture sector partners during the ongoing pandemic.

This funding would contribute to retaining jobs, creative practices and development, and responsive programming and delivery of activity throughout the city supporting freelancers, artists and companies towards sector recovery.

Councillor Donald Wilson, Culture and Communities Convener said: “It would be an understatement to say 2020 was extremely tough for our culture sector but we’ve been hugely impressed by the resourcefulness and resilience they’ve demonstrated throughout the crisis.

“We are committed to doing what we can to support the sector and its recovery as safely and as quickly as possible. Our grants programme has always supported the city’s year-round cultural offering and by approving the funding for 2021/22 we’ll be playing our part in boosting the sector following such a hard year.

“We’re in regular contact with all of our event and cultural partners in the city and look forward to their return to activity when that comes.”

Councillor Amy McNeese-Mechan, Culture and Communities Vice Convener said: “We know this is an extremely difficult time for so many in the culture sector and I’m very glad we’ll be able to maintain our commitment through the £4m+ culture sector funding programme, subject to the report being agreed next week.

“We’ll continue to do what we can to support the sector to make sure they’re in the best possible place to recover. This support will in turn play its part in the whole city recovering from the effects of the pandemic as we look forward to enjoying the positivity and dynamism that Edinburgh’s cultural offer will bring.”


 

Understanding the impact of Covid-19 on cultural participation

Creative Scotland has published the findings from independent research looking at public attitudes to cultural participation and attendance in the context of the Covid-19 pandemic. 

Surveying a representative sample of the population in Scotland, this is the second wave of research, following the first wave which was completed in August 2020. The survey provides valuable insight regarding how the Covid-19 pandemic has changed attitudes towards, and engagement with, cultural activity and also looks at public attitudes towards cultural participation in the future. 

Key findings include: 

  • More than half the population (56%) say they really miss attending cultural venues and events 
  • However, there is wariness amongst the culture-going public as regards returning to venues and events as restrictions ease, more so than with many other leisure activities 
  • The vast majority of the population (98%) are engaging with cultural activity from home during the Covid-19 pandemic but only a small proportion (17%) say they are willing to pay for cultural content that has moved online due to the pandemic 
  • Audiences are nevertheless looking forward to attending cultural activity when they can; are open to trying new experiences at different types of venue (70%); and audience levels look likely to return to pre-Covid levels, or increase, once a vaccine is widely available 

Iain MunroCreative Scotland Chief Executive said: “The impact on Scotland’s art and culture sector by the Covid-19 pandemic has been severe. This important and ongoing research helps us understand that impact from a public perspective and is helping inform our ongoing discussions with partners, including Scottish Government, regarding current and future support.  

“The research also provides invaluable insight that will help shape our collaborative work with the sector in terms of recovery and renewal as we emerge from the impacts of the pandemic through 2021.” 

The report summarising the findings from the research can be found on the Creative Scotland website. A further wave of this research is planned for Spring 2021. 

Emergency funding for culture

Small movie theater

Creative Scotland has published details of the Independent Cinema Recovery and Resilience Fund, the first of five emergency funds to be delivered over the coming weeks. 

The Independent Cinema Recovery and Resilience Fund is a £3.5million fund from the Scottish Government. The aim of the Fund is to help secure the survival of Scotland’s independent cinemas, enabling them to re-establish and adjust their business models in response to Covid-19.

The fund addresses the critical financial need faced by Scotland’s independent cinemas to enable them to return to full-time operation, significantly reducing the risk of wide-spread redundancies and closure of vital community assets.  

Guidelines for applying to the Fund have now been published ahead opening for applications on Monday 14 September.  

Sambrooke ScottHead of Audience Development at Screen Scotland said: “We very much welcome the First Minister’s recent announcement of £31.5m in emergency funding for culture in Scotland and are pleased, as part of that, to be able to quickly offer £3.5m of that funding to support Scotland’s independent cinemas.  

“These cinemas not only present a broad range of high-quality creative programming to a varied audience, but they also serve as community hubs in geographically diverse parts of Scotland, including some of our more remote places.  

“This fund will offer a vital lifeline to those independent cinemas which have been impacted by the Covid-19 pandemic, helping them to return to full-time operation and protect jobs.” 

The Independent Cinema Recovery and Resilience Fund is the first of five new emergency funds to be delivered by Creative Scotland over the coming weeks as follows: 

  • The £15m Culture Organisations and Venues Recovery Fund will support organisations that provide opportunities for cultural engagement and who have been unable to trade due to the impact of Covid-19. It includes both organisations who provide opportunities for audience engagement (such as galleries, performing arts spaces, commercial theatres, comedy clubs and nightclubs) as well as those that enable and deliver cultural activity (such as production facilities, music and dance companies). Eligibility criteria and guidelines for applying are currently in development and will be published on Thursday 10 September. The fund will open for applications on Thursday 17 September and awards will be made by the first week in November.  
  • The £5m Creative Freelancer Hardship Fund will address the current financial hardship being felt by creative freelancers who normally work in the culture sector, but whose work has been impacted by Covid-19. We are currently working to appoint partners to ensure a wide spread of coverage of this fund and we anticipate opening for applications from early October. 
  • The £5m Sustaining Creative Practice Fund will support artists to continue developing new creative work that will make a significant contribution to Scotland’s recovery from COVID-19. This includes £1.5 million for the Culture Collective programme, mentioned in the Scottish Government’s Programme for Government, supporting organisations employing freelance artists to work in and with communities across Scotland. The remaining £3.5m will be added to Creative Scotland’s existing open fund which is open for applications from individuals now.  
  • The £3m Youth Arts Fund will ensure creative opportunities for children and young people continue to exist across Scotland despite the Covid-19 pandemic. The fund will include targeted and open funding to youth music and wider youth arts organisations, a scheme to devolve grants locally to artists who work with young people and small grants delivered directly to young people to support them fulfil their creative ambitions. 

Details of all funds will be published on the Creative Scotland website and publicised through media and social media communications. 

Emergency funding for culture and heritage organisations

Culture and heritage sectors are to benefit from a £59 million funding package to protect jobs and help the industry weather the effects of the coronavirus (COVID-19) pandemic. 

A new £15 million Culture Organisations and Venues Recovery Fund will provide critical support to a range of businesses such as art galleries, studio facilities, comedy venues, large music venues, commercial theatres, orchestras, dance companies and nightclubs.

It will help to reduce the threat of insolvency, protect jobs and create conditions for a more viable and sustainable future for the sector.

The funding also includes £21.3 million for Historic Environment Scotland (HES) to protect jobs and support the reopening of properties in their care.

An additional £5.9 million will be made available to support heritage organisations through committed grants, and £270,000 for the New Lanark Trust (above) will help secure the future of one of Scotland’s six World Heritage Sites.

The package also includes:

  • £5 million to address the immediate financial hardship faced by creative freelancers
  • £5 million to support artists to continue developing new creative work that will make a significant contribution to Scotland’s recovery from COVID-19, including £1.5 million for the Culture Collective programme to support organisations employing freelance artists to work in communities across Scotland
  • £3.5 million for independent cinemas
  • £3 million for youth arts including a funding boost for the Youth Music Initiative which will provide work for musicians

Culture Secretary Fiona Hyslop said: “It’s been an extremely trying time for everyone in the culture and heritage sectors over the last few months. The major issues presented by the pandemic are not going away but as we slowly start to reopen, this funding will provide much needed emergency support and aid the recovery.

“We have taken time to work closely with and listen carefully to the sectors, to understand exactly what they need. We want to reach as many people as possible and I do believe these funds will make a marked difference in ensuring our culture and heritage sectors not only survive the pandemic but thrive in future.

“As extensive as this package of support is, we know there will still be more needed. Culture and heritage are vitally important to all of our lives in Scotland, at this time more than ever. Without significant borrowing powers, there is only so much the Scottish Government can do.  I urge the UK Government to consider extending the furlough scheme, to ensure longer term support as we continue to navigate this crisis.”

Iain Munro, Creative Scotland Chief Executive, said: “We very much welcome this significant announcement of much needed emergency support. This follows a great deal of work involving Creative Scotland and the Scottish Government, but also many people and organisations from across Scotland’s cultural community.

“We appreciate the challenges that everyone working in culture is facing and are pleased to now be able to offer some clarity. Creative Scotland will continue to work at pace to deliver this emergency funding to where it’s needed as quickly as possible.”

The culture funds will be delivered through Creative Scotland and follows on from the previously announced £12.5 million Performing Arts Venue Relief Fund and £2.2 million support for Grassroots Music Venues. It comes as part of the £97 million in UK Government consequentials for the culture and heritage sectors.

Creative Scotland are establishing the details of the funds and how they can be accessed. More information will be made available next week.

Funding that has been announced so far to support the culture and heritage sectors includes:

  • £10 million funding package for events
  • £4 million Museums Recovery and Resilience Fund
  • £3.8 million to protect jobs at the National Trust for Scotland
  • £12.5 million Performing Arts Venue Relief Fund
  • £2.2 million for Grassroots Music Venues

£1.57 billion to protect Britain’s cultural, arts and heritage institutions

  • Future of Britain’s museums, galleries, theatres, independent cinemas, heritage sites and music venues will be protected with emergency grants and loans
  • Funding will also be provided to restart construction work at cultural and heritage sites paused as a result of the pandemic

Britain’s arts, culture and heritage industries will receive a £1.57 billion rescue package to help weather the impact of coronavirus, the UK government has announced.

Thousands of organisations across a range of sectors including the performing arts and theatres, heritage, historic palaces, museums, galleries, live music and independent cinema will be able to access emergency grants and loans.

The money, which represents the biggest ever one-off investment in UK culture, will provide a lifeline to vital cultural and heritage organisations across the country hit hard by the pandemic. It will help them stay afloat while their doors are closed. Funding to restart paused projects will also help support employment, including freelancers working in these sectors.

Many of Britain’s cultural and heritage institutions have already received unprecedented financial assistance to see them through the pandemic including loans, business rate holidays and participation in the coronavirus job retention scheme. More than 350,000 people in the recreation and leisure sector have been furloughed since the pandemic began.

This new package will be available across the country and ensure the future of these multi billion-pound industries are secured.

Prime Minister Boris Johnson said: “From iconic theatre and musicals, mesmerising exhibitions at our world-class galleries to gigs performed in local basement venues, the UK’s cultural industry is the beating heart of this country.

“This money will help safeguard the sector for future generations, ensuring arts groups and venues across the UK can stay afloat and support their staff whilst their doors remain closed and curtains remain down.”

Oliver Dowden Culture Secretary said: “Our arts and culture are the soul of our nation. They make our country great and are the lynchpin of our world-beating and fast growing creative industries.

“I understand the grave challenges the arts face and we must protect and preserve all we can for future generations. Today we are announcing a huge support package of immediate funding to tackle the funding crisis they face. I said we would not let the arts down, and this massive investment shows our level of commitment.”

Rishi Sunak, Chancellor of the Exchequer, said: “Our world-renowned galleries, museums, heritage sites, music venues and independent cinemas are not only critical to keeping our economy thriving, employing more than 700,000 people, they’re the lifeblood of British culture.

“That’s why we’re giving them the vital cash they need to safeguard their survival, helping to protect jobs and ensuring that they can continue to provide the sights and sounds that Britain is famous for.”

The package announced today includes funding for national cultural institutions in England and investment in cultural and heritage sites to restart construction work paused as a result of the pandemic. This will be a big step forward to help rebuild our cultural infrastructure.

This ‘unprecedented’ package includes:

  • £1.15 billion support pot for cultural organisations in England delivered through a mix of grants and loans. This will be made up of £270 million of repayable finance and £880 million grants.
  • £100 million of targeted support for the national cultural institutions in England and the English Heritage Trust.
  • £120 million capital investment to restart construction on cultural infrastructure and for heritage construction projects in England which was paused due to the coronavirus pandemic.
  • The new funding will also mean an extra £188 million for the devolved administrations in Northern Ireland (£33 million), Scotland (£97 million) and Wales (£59 million).

Decisions on awards will be made working alongside expert independent figures from the sector including the Arts Council England and other specialist bodies such as Historic England, National Lottery Heritage Fund and the British Film Institute.

Repayable finance will be issued on generous terms tailored for cultural institutions to ensure they are affordable. Further details will be set out when the scheme opens for applications in the coming weeks.

Visit capital’s art favourites online

Edinburgh’s culture leaders and front of house staff at Museums & Galleries Edinburgh have highlighted some of their personal favourites from the City’s art collection in a special online exhibition as part of ART UK’s Curations initiative. 

Art UK is an online platform that allows public collections in the UK to share their artworks with audiences around the world with Edinburgh having approx. 1000 paintings listed. 
 
Curations are groups of artworks selected, arranged, and published by Art UK’s community of users – including Front of House Choices from Museums & Galleries Edinburgh by our team.
 
The exhibition highlights the personal choices of our Culture and Communities Vice-convener and staff including Visitor and Monument Assistants, many of whom deliver tours and interpretation to our visitors.
 
Culture and Communities Convener Donald Wilson said: “This wonderful online tool has allowed us to continue to share over 1000 pieces from our collection and is a great reminder of our treasure trove. Online is a wonderful way to preserve digital exhibitions and for now is the next best thing until we can welcome visitors back to the City Art Centre.
 
“The choices in the exhibition are very personal and showcase a variety of artworks. The selections represent our very valued, knowledgeable and enthusiastic front of house team who give tours and share their knowledge with visitors. For mine I selected The Black Hat by Francis, I’m a fan of the Scottish Colourists and the painting itself was on display in the City Chambers during my time as Lord Provost.”
 
Culture and Communities Vice Convener Amy McNeese-Mechan added: “It was great to browse the collection online, however being asked to choose a favourite from our City Art Centre is almost an impossible task!

“For my contribution I selected Victoria Crowe’s Italian Reflections (1993) as it contains so many elements I love: the drenched jewel-like colours, the mysterious framed view of a winding road lined with those iconic Tuscan poplars. It was very tough to settle on one, but the beauty of the initiative is I can now curate my very own. I’d encourage everyone to explore the collection for themselves.”

A Culture Strategy for Scotland

Culture’s ability to transform lives and empower people is the focus of A Culture Strategy for Scotland, published yesterday.

The document, which was developed through public engagement and consultation, outlines the Scottish Government’s commitment to strengthening the sector in order to value, protect and nurture culture.

As part of the strategy, which is supported by almost £1.25 million funding, the Scottish Government will:

• Establish a new National Partnership for Culture, an advisory group led by the former Edinburgh International Festival Managing Director Joanna Baker to support delivery of the strategy’s aims and advise Scottish Ministers on matters affecting culture

• Build an Arts Alive programme to bring up to 250 cultural sessions to schools and communities, including five artists’ residencies

• Support a pilot project with Museum Galleries Scotland to recruit volunteers from diverse backgrounds and help them achieve an SQA accredited qualification

• Develop the Arts, Culture, Health & Wellbeing Scotland Network to advocate for cultural approaches to prevent poor health and promote cultural intervention to tackle health inequality and support rehabilitation

• Encourage community-led and participatory arts activity through the Creative Communities programme, which has been match-funded this year by proceeds of crime to support projects for young people at risk of re-offending

• Help schools engage more with the arts through the Supporting Expressive Arts in the Curriculum programme

Culture Secretary Fiona Hyslop (above) said: “Culture is central to who we are. It is Scotland’s strength. This is why it must be valued first and foremost in and of itself – that is to say culture is worth more than any financial value that can be placed on it.

“A key pillar of the strategy is the recognition that we need to do more to nurture artistic talent and support artists and to add value, recognise and champion artistic excellence. We want to harness the power of culture to transform lives, to improve health and wellbeing, to contribute to the growing economy, and to bring creative approaches to design better communities.

“I am grateful to everyone who has helped to shape this strategy as part of our national cultural conversation – which will continue to grow and evolve. It places culture at the heart of Government, and sets a shared vision which I hope will inspire all those with an interest in its future in Scotland.”

Ms Baker said: “A Culture Strategy for Scotland is a powerful assertion of the importance of culture and creativity to the lives of everyone, and of the positive contribution that a rich diversity of cultures and artists makes to Scotland’s place in the world.

“I welcome the opportunity to work alongside colleagues from across the country and from many different sectors to help to shape the future of support for culture in Scotland.”

culture-strategy-scotland

The Great Tapestry of Scotland: Welcome Panel Tour

Visitors and residents across Scotland are being given a unique opportunity to become part of Scotland’s history, heritage and culture for generations to come through The Great Tapestry of Scotland: Welcome Panel Tour.

The programme of events will give people the chance to work with some of the country’s leading textile artists and add a stitch or two to the new welcome panels for the major new national visitor attraction housing the Great Tapestry of Scotland (one of the world’s most significant pieces of modern textile artistry).

The tour will take place across Scotland throughout 2020 at a variety of iconic historic properties, leading cultural venues, care homes and other venues that promote social inclusion in Scotland.

A range of venues for the tour have already been revealed in Aberdeen, Glasgow and the Scottish Borders and more will be confirmed later in the year.

When complete, the new Welcome to Scotland’s Story panels will be permanently displayed at the entrance to the Great Tapestry of Scotland’s £6.7 million purpose built interactive visitor centre, which opens in 2021 in the historic town of Galashiels (in the heart of Scotland’s premier textile region, the Scottish Borders).

Those who contribute a stitch will also be given the chance to have their names recorded in history as a contributor to the Tapestry’s visitor centre.

Recently appointed Great Tapestry of Scotland Centre Director Sandy Maxwell-Forbes said: “Telling the people’s story of Scotland and making this story accessible to everyone has always been at the heart of the Great Tapestry of Scotland, so we’re incredibly excited to be giving those who live in Scotland, and those visitors who love our country so much, an opportunity to stitch their name in Scotland’s history through our new Welcome Panel Tour.

We would like to thank all the venues and event organisers throughout Scotland who are making this this possible.

“In keeping with the Great Tapestry of Scotland’s ethos, it is vital that as many people as possible have an opportunity to contribute to the panels. As part of the tour, we’re taking the Welcome Panels directly to venues, such care homes, to remove some of the barriers that some individuals face to accessing such significant cultural projects. We will add more venues throughout the year.”

Many of the stories told through the Great Tapestry of Scotland, which was completed in 2013, have strong ties to the history, heritage and culture that can be experienced first hand on a visit to Scotland.

Building on this and, continuing the Tapestry’s ethos to tell the people’s story of Scotland, the new Welcome to Scotland’s Story panels will tell some of the true stories linked to the visitor centre’s new home in Scotland’s premier textile region, The Scottish Borders.

The panels will feature a reiver, a shepherd, a monk, a mill worker and a fisher lass. By the time they are complete, it is hoped that over 1,000 different people from across Scotland and beyond will have contributed to them.

The 21st Lady of Traquair, Catherine Maxwell Stuart, who is hosting the Welcome Panel Tour on 9 and 10 May said: “We are looking forward to the Great Tapestry of Scotland having a permanent home in the Scottish Borders where we hope it will draw visitors from far and wide to appreciate this outstanding cultural achievement.

“Over 900 years Traquair has witnessed extraordinary events in Scotland’s history, so we know only too well how important it is to hear Scotland’s stories as told by Scotland’s people. With our own strong heritage of textile and embroideries it is wonderful to see these unique traditions being carried on to the 21st century.

“We are delighted to be part of the Welcome Panel tour with this wonderful team of textile artists giving residents and visitors to Scotland in 2020 an opportunity to part of this story.”

Linda Wigley, Operations Director at Floors Castle, which is hosting the tour on 2 and 3 May 2020, said: “We are thrilled to be hosting the Great Tapestry of Scotland’s Welcome Panel tour.

“It is an incredible opportunity for people visiting Scotland to learn first hand from some of Scotland’s greatest textile artists and to firmly root themselves in Scotland’s history, heritage and culture for generations to come.”

Giles Ingram, Chief Executive of Abbotsford, home of Sir Walter Scott, which will host the panels on Saturday 30 May 2020, said: “We are really looking forward to the opening of the Great Tapestry of Scotland.  

“It’s a wonderful new attraction for the Borders that will engage visitors with its depiction of Scottish people, places and events, many of which were very important to Sir Walter Scott and his stories.

“Abbotsford is delighted to be a part of the tapestry’s story today and to give our visitors an opportunity to make their mark on an important piece of Scottish cultural history.”

Scottish Borders Council’s Executive Member for Business and Economic Development, Councillor Mark Rowley, added: “I’m delighted the Welcome Panel Tour will take in some of the exceptional venues we have in the Scottish Borders, highlighting both the region’s significant textile heritage and the vibrancy of today’s artists, makers and manufacturers.

“Its tour of Scotland is an opportunity to remind people of this great artwork and alert people across the country to the fantastic new home for the Tapestry currently being created in Galashiels.”

For more information or to book tickets for the Great Tapestry of Scotland Welcome Panel Tour visit scottishtapestry.com or follow @GreatTapestrySc on Facebook or Twitter, and @GreatTapestryScotland on Instagram.

Pictures: Phil Wilkinson

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