On Friday 22 August, the Scottish Parliament’s Festival of Politics hosted Dreaming of a Fairer Future for Culture, an inspiring event exploring the role of creativity in building a more equal and hopeful Scotland.
Chaired by Foysol Choudhury MSP, the discussion brought together an engaging panel of voices from across Scotland’s creative sector, including Katie Goh, Matthew Hickman, Claire Dufour and Jen Collins.
Together, they reflected on how creativity can drive equity, collaboration and shared resources, reimagining artists, art workers and cultural organisations as vital partners in shaping Scotland’s future.
A moving film by Indra Wilson, commissioned by Culture Counts, shared voices and aspirations of some of the people living in North Glasgow: “I am a son, a brother and an uncle.” “I am the guitar that my mother gave me.” Everyone has a story, and artists and creative minds can help us to tell them in a meaningful way.
Artist and writer Harry Mould urges us to remember that culture “isn’t caviar, it’s salt. You sprinkle it on everything because it brings out the flavour.”
The event focused not just on creativity but also on equity, shared resources and seeing artists, art workers and organisations as viable partners and collaborators.
Building on this, the discussion turned to the importance of collective action and connectivity. Speakers highlighted the many artistic projects already thriving in village halls and community spaces across the country, and the need for better data to capture and sustain this work.
As one participant put it: “Voices need to be heard, not just individual voices, but collective voices. That is how we can rally behind these efforts and make a difference.”
Reflecting on the event, Foysol Choudhury MSP said: “It was a privilege to chair this conversation, and to hear how deeply culture is rooted in people’s everyday lives, whether in community halls, local projects, or the shared stories that bind us together.
“When those voices unite, they do more than celebrate creativity: they challenge inequality, demand accountability, and help shape a fairer Scotland for all.
“I am grateful to everyone who shared their perspectives, and especially to Kathryn Welch of Creative Counts, whose vision and leadership were the driving force behind this important discussion.”
The event demonstrated that Scotland’s creative community continues to be a driving force for positive change, showing that culture is not a luxury, but an essential part of building a fairer society.
Asian Art Awards – Award Ceremony at MOXY Fountainbridge
Members of the Scottish Indian community were prominent among the winners of the 2025 Asian Art Awards at the Edinburgh Fringe. The awards have been running since 2014 and exist to bring Asian artists together at the Fringe and reward the best of them.
90 shows participated in 2025, up significantly from 55 in 2024.
The highly acclaimed “Kanpur: 1857”, written and co-performed by Edinburgh-based Niall Moorjani and which showed at the Pleasance, won the award for Outstanding Production.
Set at the time of the Kanpur uprising in India, this new play “comically satirises contemporary conflicts around gender, colonial violence, and making art in times of crisis”. The award was collected by the production’s musician, Sodhi.
Shows by Sanjay Lago (Love me Like a Chai Tea Latte [wearing the colourful shirt]) and Dance Ihayami, with their show Dansa Rickshaw, also won awards for Highly Commended performances (i.e. Runners Up). Sanjay is Scottish Indian while Dance Ihayami is “Scotland’s Indian dance company”. Like Sodhi, Sanjay is from Glasgow (“Ibrox, don’t judge me” he says).
Hahaha-Hamlet from Hong Kong, which played at the Paradise Green venue on George IV Bridge, won the award for Outstanding Show.
The award reviewers simply loved this “captivating reimagining of Shakespeare’s classic tale, blending original musical with dark humour [..and..] intertwining the struggles of contemporary Hongkongers with Hamlet’s timeless tale”.
Energetic, inventive and incredibly affecting with some reviewers moved to tears as the tales of Hamlet and Hong Kong coincided at the end. The whole cast were in attendance to receive the award [red and black t-shirts under their clothes] and they were delighted.
Mayuri Bhandari of the Anti “Yogi” took home the award for Outstanding Female while Jeremy Rafal won Outstanding Male for The Boy from Bantay “a heartwarming journey of growth and self-discovery”.
Mayuri was in attendance with her percussionist Neel Agrawal while Jeremy sent a video message to the audience. Both shows were hugely popular. At the Anti “Yogi” the audience were invited to “Join Mayuri Bhandari and Kali, the Goddess of Death every day as they navigate the absurdities of Western Yoga culture. Liberation, not Lululemon!”
The Outstanding Youth Performance was won by the show “Landscape of the Other Shore” from Shenzhen University which was also inspired by another European classic: Géricault’s painting and Georg Kaiser’s play The Raft of the Medusa.
The Asian Arts Special Award was shared between GENDAI TOKYO and Up-cycle Music by Creative Art of Korea. GENDAI TOKYO had a simply incredible laser show playing at WU Asia Pacific three times per night. Everyone who sees it simply loves it.
Up-cycle Music is a “response to climate change from a uniquely artistic perspective. They use waste to make music – cellos from abandoned equipment from rural areas, stringed instruments of thrown away plastic toys – and compose piano songs based on the characteristics of endangered animals, to ask vital questions about the climate crisis”.
Lyndsey Jackson from the Fringe presented the awards along with Richard Lewis and Chelsea Zhou of Asian Art Fund Scotland, the charity which runs the Asian Art Awards.
Winners – 2025 Asian Art Awards
Outstanding Show
Winner: Hahaha–Hamlet – Chai Wan Rabble (Hong Kong)
Highly Commended: 1Shoulder Pad: Galaxy Train, Japanese Musical Theatre (Japan)
Highly Commended: Practice of Zen – Theatre Ronin (Hong Kong)
Glasgow is set to honour one of its most iconic sons, Sir Billy Connolly, with a celebration this September as part of the Glasgow 850 programme.
The Big Yin Weekend, taking place on Saturday 6 and Sunday 7 September, will honour to the legendary Glaswegian comedian, musician, storyteller and artist through a vibrant mix of music, comedy, film and walking and cycling tours.
Sir Billy Connolly, who was awarded the Freedom of the City of Glasgow in 2010, has long been regarded as the voice and spirit of the city. His enduring career has brought laughter, insight and pride to generations of Glaswegians, and this celebration of his life and career reflects the deep affection the city holds for him.
The Big Yin Weekend is part of the wider Glasgow 850 programme – a year-long celebration marking the city’s 850th birthday. Led by Glasgow City Council, the programme showcases the people, culture and creativity that make Glasgow a truly unique place to live, work and visit.
Highlights of the weekend include:
The Big Yin Tune-In – A free pop-up musical performance at The Park Bar featuring Gary Innes & Friends and the premiere performance of a new song entitled ‘Big Yin’ by Scottish supergroup Mànran, to celebrate Billy Conolly’s contribution to folk music and commemorate the 60th anniversary of The Humblebums.
‘Big Yin’s Best Of ‘– A comedy showcase presented by Glasgow International Comedy Festival, featuring past winners and nominees of the Sir Billy Connolly Spirit of Glasgow Award.
Big Banana Feet screening – A special showing at Glasgow Film Theatre of the fly on the wall documentary following Billy Connolly on his 1975 tour of Ireland, introduced by comedian Scott Agnew.
Walking and cycling tours – Gallus Pedals Tours will host walking and cycling tours across the weekend inspired by Billy’s life and legacy, taking in key locations and mural sites across the city.
While the pop-up musical performance is free to attend, tickets for the other events are being sold at reduced prices to allow as many people as possible to attend.
Leader of Glasgow City Council, Cllr Susan Aitken, said: “Throughout our birthday year Sir Billy Connolly’s name has come up time and time again. As arguably the city’s best loved and most famous modern-day Glaswegian, we couldn’t celebrate this landmark year for the city without honouring Billy.
“Billy’s pioneering stand-up has always drawn on Glasgow’s spirit, resilience and uniquely funny bones, and then added his very own special brand of freewheeling genius to bring laughter and joy to millions. This weekend responds to the huge affection people have for the Big Yin with a living tribute to his comedy, music, storytelling and contribution to the arts – and to Glasgow.”
Gary Innes of Mànran and Hoolie in the Hydro, said: “Billy Connolly is a true representation of Glasgow – the city’s wit, warmth, spirit and love of music. This year’s Hoolie in the Hydro on 13th December is called The Big Yin and we will round off Glasgow’s birthday year with a tribute to one of the city’s most famous sons.
“As a warm-up to our own toast to Billy, it is fantastic to be part of The Big Yin Weekend and join other institutions from across the city in celebrating the Glasgow legend. Get along to the legendary Park Bar to see the first ever performance of The Big Yin, a tune that I have composed in honour of Sir Billy and raise a glass to the man himself, and Glasgow’s 850th year.”
Krista MacDonald, Festival Director, Glasgow International Comedy Festival, said, “Sir Billy Connolly is the heartbeat of Glasgow’s comedy spirit, a trailblazer whose wit, warmth and honesty put Scottish comedy on the world stage.He embodies the humour, resilience and character of this city, and continues to inspire every performer who steps onto our stages.
“At the Glasgow International Comedy Festival, his legacy is felt in every laugh, reminding us that comedy here isn’t just entertainment, it’s part of who we are. We are excited to celebrate the Big Yin and Glasgow’s 850th celebrations with a special comedy event in the new Stand Comedy Club.”
Paul Gallagher, Head of Programme at Glasgow Film, said: “We’re thrilled to be part of The Big Yin Weekend with a special screening of Murray Grigor’s Big Banana Feet at GFT, complete with an introduction from Glasgow-based comedian Scott Agnew.
“Rarely screened since its initial release, the documentary captures Billy Connolly’s comic genius, musical flair and unmistakable Glaswegian charm off-stage.
“Lovingly restored by the BFI using the only 16mm print known to exist, the film was a sell-out hit when it premiered at Glasgow Film Festival in 2024, and we’re sure audiences will jump at the chance to experience Connolly’s larger-than-life talent on the big screen.”
Martin Heaney, Founder of Gallus Pedals, said: “As perhaps the most loved Glaswegian there’s a Billy Connolly reference on almost every one of our tours – not because every guest has heard of him, but because he brings humour to the most ordinary parts of life and has influenced how many of us describe this place.
“It’s been a real joy discovering and exploring parts of the city that helped shape him both as a person and shaped his career and being able to share those locations on our tours.”
More information on attending the free music event or booking tickets at glasgow850.com or on each of the partners’ websites.
The four-strong cast have completed a knockout Edinburgh Festival theatre run
A group of Edinburgh Napier University acting students have claimed an industry award for an Edinburgh Festival Fringe show that packed a punch.
Starring Daniel John Doherty, Liam Scobie, Arran Hogg and Ruairi Francis McCormack – and directed by Lecturer David Wotton from ENU’s School of Arts & Creative Industries – Cornermen tells the story of a young boxer and the exploitation of his success.
Following a successful run at theSpace on the Mile throughout this month, the cast have been presented with the coveted ‘Bright Spark’ award by The Scottish Theatre Awards on the Fringe.
Awarded every year by the Scottish Arts Club, the prize recognises Scottish actors or theatre-makers just embarking on their career, with the winner selected by a panel of expert judges.
Put on by in-house company Authentically False Productions, Cornermen stood out from the crowd of theatre acts on show across the city during August, drawing praise for its assured performance.
Responding to their award win, Daniel, Liam, Arran and Ruairi said: “We are all absolutely thrilled to have won the ‘Bright Spark’ award at our first foray into the professional theatre world after our training at Edinburgh Napier University.
“The hard work and dedication we put into Cornermen has paid off and we couldn’t be prouder to represent Edinburgh Napier and the Scottish theatre scene in this way.
“Hopefully, this award will be a great kick start to our career. We’ll always remember this moment, this award and this training.”
Cornermen director David Wotton said: “It’s awards like this that highlight our department and the hard work we do to make sure our training actors thrive in such a competitive market.
“This award marks a year of dedication by the cast of Cornermen, Daniel John Doherty, Liam Scobie, Arran Hogg and Ruairi Francis McCormack, and our department.
“Year upon year our course has exceptional National Student Survey results, and industry recognition like this shows that Edinburgh Napier University is a great place for an actor to train.
“Directing these four talented actors has been so very rewarding. It’s great that the industry sees and appreciates the work and dedication shown by both our talented actors and staff alike.”
Cornermen was one of many theatre productions put on by ENU students during the Edinburgh Festivals, which draw to a close this week.
It also follows previous shows such as Everything Under the Sun in being recognised by the industry.
Musical performance by Steph Legg and ensemble at St Giles’ Cathedral
TONIGHT, audiences are invited to experience the life and work of one of Scotland’s most important painters through an entirely new medium: music.
On Thursday 28 August, which marks the anniversary of John Bellany’s death, saxophonist and composer Steph Legg will perform her debut album, Bellany, in the stunning surrounds of St Giles’ Cathedral.
A deeply personal and imaginative project, Bellany transforms the painter’s bold, autobiographical vision into a rich, genre-blending soundscape.
Steph was first captivated by Bellany’s work as a child after encountering his 1995 painting The Skate and the Kate. That moment sparked a lifelong fascination with his vivid imagery, religious symbolism, and deep reflections on Scottish identity, all of which find voice in this moving musical tribute.
Performed by a dynamic ensemble featuring:
Steph Legg (saxophone and voice)
Julia Hart (violin)
Cameron Smith (cello)
Erin Sawicka (piano)
The performance leads audiences through a folk inspired chasm into the centre of Bellany’s world, exploring the social and religious themes of his work and visiting key people, places and events which shaped him.
The ensemble paint their own portraits of this complex character and as the final chords fade out, the fragments of Bellany interfuse to reveal his extraordinary life.
The exhibition features over 80 works spanning Bellany’s remarkable career. The performance is accompanied by the installation of Bellany’s 1965 work Box Meeting which is on show in St. Giles’ until end of September.
Culture and Communities Convener Cllr Margaret Graham said: “Steph Legg’s Bellany is a powerful and deeply original response to the life and legacy of one of Scotland’s most celebrated artists.
“Her music captures the same emotional intensity and storytelling spirit that define Bellany’s works. We’re thrilled to see this performance complement our current exhibition, John Bellany: A Life in Self-Portraiture and offering audiences a rare opportunity to experience his work in both sight and sound.
Every August, Edinburgh transforms into the world’s cultural epicentre, with festivals filling every corner of the city (writes FOYSOL CHOUDHURY MSP).
This year, however, the stage will be busier than ever. Alongside the usual theatre lovers and comedy fans, the capital will welcome an additional influx of visitors as thousands arrive for concerts by Oasis and AC/DC.
It’s a month that draws global attention and economic opportunity. Yet, beneath the spotlight lies a more pressing truth: a festival economy that, while world-renowned, places intense pressure on the very infrastructure residents rely on year-round.
Nowhere is that strain more visible than in housing. When tourists arrive, hotels and B&Bs fill up fast. For people already living in vulnerability, August can mean being pushed further into homelessness. Shelter Scotland warns that major events create a “bottleneck” in temporary accommodation, with people displaced at short notice to make room for tourists.
However, the pressures do not end with housing. Edinburgh’s cultural season is built on the dedication of stage crews, technicians, hospitality staff, and many others who work tirelessly in the supporting industries.
Yet for many, the reality is long, exhausting hours for very modest pay. Often, those hours come under contracts that offer little or no security. With low wages, unstable work, and the seasonal nature of these jobs, it’s a constant struggle to make ends meet, even as the city’s economy thrives on their efforts.
Emerging artists face similar barriers. Simply being in Edinburgh in August can be a financial gamble; some take on debt to perform, while others are priced out entirely. When workers can’t afford to work and artists can’t afford to perform, diversity shrinks, innovation slows, and the cultural richness on which our festivals rely begins to erode.
The Scottish Government is quick to celebrate record visitor numbers, but slower to address the inequalities behind them. A fair cultural strategy cannot be measured by ticket sales alone. It must guarantee that no one is pushed into unsuitable accommodation and ensure fair pay and decent conditions for festival workers, as well as provide real support for emerging artists so they can take part without risking financial hardship.
Last Friday, I hosted a conversation at the Festival of Politics, “Dreaming of a Fairer Future for Culture,” alongside Culture Counts and a panel of inspiring voices from across Scotland’s creative sector.
Edinburgh’s festivals are a treasure, but pride alone will not protect them. Their future depends on whether we confront the pressures that threaten them and act decisively to safeguard the people and communities who make them possible.
If Scotland is to remain a cultural leader, it must honour not just the art on stage, but the lives and livelihoods that keep the curtain rising each year.
With just two weeks until one of Scotland’s most spectacular cultural celebrations, families from across the country are preparing to descend on Perth for 125 Live! – an extraordinary street party that promises world-class entertainment at pocket-friendly prices.
Taking place on Saturday 6 and Sunday 7 September, 125 Live! will transform Perth’s Mill Street into Scotland’s biggest family-friendly street party, celebrating 125 years of entertainment in the historic city.
With adult tickets for the evening performances capped at just £20 and a comprehensive programme of free daytime activities for all the family, the event offers exceptional value at a time when household budgets are under pressure.
In 2025, families are increasingly seeking “celebreaktions” – celebratory experiences where adults can relax while children are entertained, and 125 Live! delivers exactly this combination.
The event’s accessibility extends beyond pricing, with Perth’s unique location placing it within 90 minutes’ travel time of 90% of Scotland’s population – making it easier than ever for families to create lasting memories without the expense of overnight stays.
“We’ve deliberately kept ticket prices low with a maximum adult price of £20, plus a family ticket offer so that the event is accessible to as many people as possible,” explains Christopher Glasgow, Director of Perth Theatre and Concert Hall.
“Our Ticket Bank with Perth Citizens Advice Bureau also gives audiences the option to buy tickets for those whose financial circumstances may not otherwise allow them to attend.”
Leading the stellar evening line-up is Walt Disco, the Glasgow glam-pop sensation whose debut album earned Scottish Album of the Year nominations. Fresh from their biggest US tour yet – over 30 dates supporting Orchestral Manoeuvres in the Dark – the six-piece band includes three Perth-raised members, making their hometown debut extra special.
The carefully curated programme showcases Scotland’s diverse musical landscape, featuring:
Valtos – Skye’s innovative trad and electronic duo making their Perth debut;
Parliamo – Perth’s own indie darlings praised by BBC Radio 1 and 6 Music;
Ross Ainslie & The Sanctuary Band – the dynamic Perthshire piper who performed at Perth Concert Hall’s opening 20 years ago;
Jack David – Scottish DJ and songwriter with over 200 million streams;
Musical theatre stars Hannah Howie & Matthew Tomlinson alongside local students.
Understanding the needs of modern families, 125 Live! offers a full day of FREE activities before the evening ticketed performances:
Drop-in workshops and activities for all ages;
Beatles for Babies* interactive shows (perfect for 0-3 year olds);
Gig On A Truck performances sponsored by St Johnstone FC;
Family-friendly performances throughout the day;
Food stalls and festival atmosphere in the heart of Perth.
*Beatles for Babies tickets £8 (1 adult + 1 baby)
Unlike traditional festivals, the 125 Live! evening event presents a unique sequential performance across four live stages stretching from Perth Concert Hall Plaza to Perth Theatre Courtyard repeated over two nights. The evening will be enhanced by:
Dramatic projections from Catalonian visual artist Alba Corral (her first UK outdoor work);
Spectacular light show by award-winning designer Will Potts (whose credits include Disclosure and Sam Smith);
Live projections bringing Mill Street’s buildings to life;
Pyrotechnic finale to cap off each evening.
With affordable travel becoming increasingly important for Scottish families, Perth’s central location makes 125 Live! uniquely accessible. Major transport links connect the city to (travel time is an average):
Glasgow (1 hour by train)
Edinburgh (1 hour 15 minutes by train)
Stirling (45 minutes by train)
Dundee (30 minutes by train)
Aberdeen (1 hour 45 minutes by train)
Inverness (2 hours 15 minutes by train)
Free parking is available at nearby locations, with clear signage directing visitors to the Mill Street venue entrance via Perth Concert Hall Plaza.
More than just entertainment, 125 Live! represents a genuine community celebration. Local groups, schools, and organisations are participating alongside international stars, creating an authentic Scottish festival atmosphere that reflects the venues’ 125-year history of bringing people together.
Hannah Howie, musical theatre headliner, said:“What a privilege to celebrate this iconic space here in the heart of Scotland with the very best of all things musical, theatrical and joyful; roll on the next 125.”
Tickets and Information
Evening Performance Tickets: From £15 (under 18s) to £20 (adults); Family ticket £40 (max two adults) Daytime Activities: Completely FREE* Doors: 18:00 for evening shows Venue: Mill Street, Perth (entering via Perth Concert Hall Plaza).
*Excluding Beatles for Babies priced at £8 for 1 adult + 1 baby.
Tickets are available now at perththeatreandconcerthall.com or by calling the Perth Theatre Box Office on 01738 621031 (10:00 – 18:00, Tuesday – Saturday).
For families requiring financial assistance, the Ticket Bank scheme provides opportunities to obtain tickets through Perth Citizens Advice Bureau.
Culture Secretary Angus Robertson has announced £1.8 million in grant support for arts and cultural festivals to put the spotlight on artistic talent across the country.
The funding is available to non-profit arts and cultural festivals in Scotland and is designed to help them ‘push creative boundaries’ and enhance their international reputation on the world stage.
The fund builds on the success of the Scottish Government’s Festivals EXPO Fund and helps deliver a key commitment in the Scottish Budget 2025-26 to expand the reach of the fund across Scotland.
Awards of up to £200,000 will be available in the first year and will be administered by Creative Scotland. The grants can be used for raising the international profile of festivals and to support other areas vital to their success, such as for sector and talent development and to open access to educational groups.
Culture Secretary Angus Robertson said:“Scotland has a wealth of outstanding festivals up and down the country. They are at the at the heart of our culture sector and national life, bringing us together through our enjoyment of art, literature, music and other performing arts.
“By increasing investment into festivals across the country we are supporting their commissions of and collaborations on new and exciting works, increasing opportunities for participation in creative pursuits and ensuring Scotland’s cultural highlights can be enjoyed at home and abroad.
“The new fund is a direct result of discussions through the Strategic Partnership for Festivals, a focal point that brings together diverse representation from arts festivals and a broader range group of partners who support them.
“Collaboration with the sector is vital and this group will be crucial in supporting the implementation and development of this fund in the coming months.”
Chief Executive of Creative Scotland Iain Munro said:“Scotland’s festivals are a vibrant celebration of our creativity and culture, recognised and enjoyed by local communities and people from around the world.
“The expanded festivals fund is a new opportunity to profile incredible creative work in every corner of the country and support other areas vital to success – from sector and talent development to further experimentation and space to develop ambitions with specific groups and communities.
“Working with festivals nationwide, this investment will support artists, widen community engagement and further strengthen Scotland’s impressive international reputation.”
Further information and detailed guidance notes for festivals will be available through Creative Scotland.
A flagship community culture fund that supports people across Scotland to take part in the creative arts has opened for new applications.
Backed by £320,000 from the Scottish Government, the Creative Communities Scotland fund is open to organisations delivering activities such as dance, filmmaking, creative writing, music-making and storytelling.
At least ten new projects are expected to benefit with a focus on reaching those who face barriers to taking part in creative activities and grants of up to £35,000 available.
Funding will be managed by Inspiring Scotland which will also provide project support to successful organisations while they plan, deliver and assess the impact of those activities.
Previous examples of projects delivered through the fund include work by Promoting a More Inclusive Society (PAMIS), which used art, drama, music and photography to support children and young people in Aberfeldy and Angus with complex disabilities to come together and tell their stories.
Culture Secretary Angus Robertson said:“Taking part in the creative arts can transform lives, improve wellbeing, strengthen relationships between people and create a distinct sense of place, belonging and confidence within communities.
“In this latest round of funding, our focus is on groups and charities helping people who face challenges to taking part and reaping those benefits. We are looking for applications from diverse groups all across Scotland with projects that engage communities in the creative process.
“The Creative Communities Scotland fund forms part of a £34 million increase in support to the culture sector this year and will enable communities to drive forward creative activities in their areas. This is about making sure that everyone has the opportunity to take part in and benefit from the creative arts, no matter their background or location.”
Creative Arts Director at PAMIS Maureen Phillip said:“Our project has enabled family carers to gain and enhance their skills, build their confidence and support their wellbeing by easing isolation and loneliness.
“It has also widened knowledge of the benefits of working with story to enhance learning for children with profound and multiple learning abilities.
“Both the Aberfeldy and Angus programmes clearly demonstrate the benefits of having a programme led by families as experts by experience. They know the children and young people they support and understand how much it means for them to feel part of their communities.”
Inspiring Scotland Chief Executive Celia Tennant said:““We know the vital role that cultural activities play in bringing people together, improving wellbeing and strengthening communities.
“We are pleased to be managing the Scottish Government’s Creative Communities Scotland fund and we look forward to supporting organisations that are making a real difference in their local area through participatory arts.”
Scotland’s most internationally recognised cultural brands will work alongside the Scotland Office to promote Brand Scotland, in a ‘landmark partnership’ selling the best of Scotland overseas and encouraging investment and growth.
This is the third Brand Scotland partnership agreement to be signed, following on from recent agreements with the Royal Edinburgh Military Tattoo and Scottish Chambers of Commerce.
These cultural partnerships demonstrate the vital role arts and creativity play in opening doors for Scottish businesses worldwide, whilst showcasing the best of Scottish talent to global audiences. Part of our Plan for Change, our Brand Scotland work overseas will bring real returns for people back home.
The Fringe deal will be signed as the Scottish Secretary makes a keynote speech about the value of Scotland’s cultural sector.
Speaking during the first week of Edinburgh’s summer festivals, at the newly-refurbished Filmhouse, Mr Murray will say:
Scotland’s world renowned cultural sector is a key part of his work to sell the best of Scotland overseas, and encourage inward investment in Scotland. The sector has a key role to play in driving economic growth and putting more money in people’s pockets.
Our arts sector is also an important part of the UK’s soft power – building links and relationships around the world.
The UK Government is a champion of the arts and culture in Scotland – including investing in vital projects such as the Edinburgh Filmhouse (£1.5 million), the King’s Theatre (£2 million), V&A Dundee (£2.6 million), a new cultural hub in Kilmarnock (£20 million), plus a new year-round home for the Fringe and funding for Keep it Fringe grants for artists (£7 million).
Mr Murray will talk about how the Edinburgh Festival Fringe plays a key role in widening access to the arts. Ensuring everyone can have the chance to enjoy events which spark imagination, laughter and emotion.
He will say: “For some, art and culture is a tool of power, of wealth. For others it is a tool of nation building, of defining who we are and who we are not.
“For me, it is something which transcends states and systems, and teaches us something about the human condition which other experiences simply cannot do.
“But that value, that treasure, that ability for our cultural pursuits to let us see into our souls and those around us is something we cannot take for granted.”
Speaking ahead of his speech, Ian Murray said: “Scotland’s excellent arts and culture sector opens doors right around the world. From the global stage of the Edinburgh Fringe to the pageantry of the Military Tattoo, our arts and creativity don’t just entertain – they build the relationships and showcase the innovation that drives real economic returns for communities across Scotland.
“Our partnership deal with the Edinburgh Fringe will help us sell Brand Scotland around the world, helping us deliver the economic growth that will put more money in people’s pockets.”
Tony Lankester, Chief Executive, Edinburgh Festival Fringe Society, said: “The Edinburgh Fringe is arguably one of the UK’s finest cultural exports and, in recognising that, this partnership gives us the opportunity to proudly put it at the heart of a global conversation.
“We’re proud of the artists and audiences who make the Fringe possible and who create this joyous celebration of creativity each year. Putting the Fringe at the centre of Brand Scotland recognises that work, and opens up a world of new platforms for participants.”
The Scottish Secretary will also announce the first round of successful bids from the overseas Brand Scotland fund, which is investing £250,000 this financial year to promote Scottish soft power, culture and trade opportunities worldwide.
The new fund is supporting the Fringe’s international event today at the Filmhouse.
Funding has also been signed off for initiatives including supporting an event in Berlin with the National Youth Orchestra of Scotland [which Mr Murray attended earlier this week], a ‘Travelling Museum of Whisky’ in Bolivia, a celebration of Scottish heritage and craftsmanship in Switzerland and St Andrew’s Day events to promote Scottish exports and cultural engagement.
The overseas Brand Scotland fund has already approved several cultural initiatives across the UK’s overseas network of over 250 posts.
The Brand Scotland programme complements the work the UK Government is doing to strike trade deals around the world, and to reset relationships with our European neighbours.
The Westminster government ‘will continue to drive forward Brand Scotland in the coming months, with ministerial visits planned to India, Japan, France, Canada, Spain, New Zealand, Australia, Germany and Sweden’.
