Police Scotland launch BSL videos to support deaf survivors of domestic abuse

Police Scotland, supported by Heriot-Watt University, has created a series of British Sign Language (BSL) videos aimed at the deaf community affected by domestic abuse.

The series, comprising 13 videos, provides crucial information on domestic abuse, including how to recognise abusive behaviours and how to report them. These videos are available on the Police Scotland website, offering accessible resources for the deaf community.

Professor Jemina Napier, Chair of Intercultural Communication at Heriot-Watt University, collaborated with Police Scotland’s Domestic Abuse Coordination Unit (DACU) and its Equality, Diversity, and Inclusion Unit to develop the project.

As a leading expert in the field of sign language interpreting and translation, Professor Napier brought extensive experience, having led significant studies such as Justisigns2 and SILENT HARM, which were among the first UK research efforts to document the unique experiences of deaf women surviving domestic abuse and communicating via interpreters.

In this latest project, Professor Napier led a mixed deaf-hearing team of experts who created a BSL glossary of 33 key terms related to domestic, sexual, and gender-based violence. This glossary was integral to the videos, ensuring that critical concepts were accurately conveyed in BSL.

Professor Napier explained: “The translation of the videos was made possible through generous support from the Heriot-Watt University Impact Acceleration Fund, allowing us to effectively donate the BSL-translated videos to Police Scotland.

“Collaborative research and evidence-based development of resources like these are essential to ensure that deaf individuals reporting domestic abuse have equitable access to information, services, and support. It also ensures that BSL interpreters are equipped to meet the needs of deaf BSL users in such sensitive contexts.”

Early next year, Professor Napier will begin a new project examining the impact of domestic abuse on families across the UK.

The 12-month study will involve interviews with deaf survivors of domestic abuse and practitioners, documenting the impact on children as co-victims if they get drawn into interpreting for their deaf parents in domestic abuse situations.

The new Police Scotland videos tackle some of these barriers by translating key information into BSL. Topics include questions such as “What is domestic abuse?” and “What can I do if this is happening to me?”

Detective Constable Sarah Winters, from Police Scotland’s Domestic Abuse Coordination Unit, has been working with Professor Napier on the development of these videos.

She said: “The opportunity to collaborate on these groundbreaking projects has been one of the most profound and humbling experiences of my career. I feel incredibly privileged to have learned directly from those with lived experience.

“Their courage and insights have not only broadened my understanding but reignited a determination to drive meaningful change. The work is far from over – this is the start of a dedicated journey to ensure that all survivors of domestic abuse have access to the resources and services they need, delivered in a way that truly supports and empowers them.

“Partnering with Professor Napier and HWU has been a truly enriching experience, showcasing the power of collaboration in achieving transformative progress.”

The videos are available now and can be accessed on the Police Scotland website.

Exploring Cultural Heritage: Granton at the Seaside

Cultural heritage: Granton at the seaside

14th December from 10am – 1:30pm

Book here: https://eventbrite.co.uk/e/cultural-heritage-granton-at-the-seaside-tickets-1101784339619?aff=oddtdtcreator

Cultural heritage: Granton at the seaside

14th December – 10am – 1:30pm

This project, a collaboration between Universities in Edinburgh, Paris, and Madrid, in addition to granton:hub and Edinburgh World Heritage, explores:

-How we can balance new development with the protection of cultural heritage.

-How local people make cultural heritage.

-How this making can improve lives.

-How the edges of cities hold them together.

The days leading up to the event, a wide range of community representatives will share views on why and how these ‘elements’ are valuable – as heritage in Granton, but also to the city of Edinburgh and the world beyond.

In addition, school teachers, after-school providers, and workers in further and lifelong education, will also explore their contribution to local learning.

On Saturday 14th December, we shall be sharing our discussions with the general public through an exhibition.

We would like to invite anyone to come along and share their views.

Book here: https://www.eventbrite.co.uk/…/cultural-heritage…

Collaborations to research Arctic Whales is signed by Heriot-Watt and HX Hurtigruten Expeditions

Pioneering research to protect and conserve Arctic whale populations is to begin under a new five-year collaboration between Heriot-Watt University in Edinburgh, Scotland and HX (Hurtigruten Expeditions), a world leader in travel exploration.

The partners have signed a five-year Memorandum of Understanding (MoU), beginning in 2024, to research challenges facing marine life in the high Arctic – the most northern part of the Arctic region and one of the world’s most fragile ecosystems.

The agreement will see Heriot-Watt University and HX work together on the Whales & Arctic Vessels Project (WAVE), a collaboration driven by the urgent need to better understand how often and where whales are encountering vessels in the high Arctic, and how whales are responding to these interactions – an area of research that remains largely unexplored.

“We have very little understanding about how frequently Arctic whales are encountering vessels in the high Arctic and how they may be impacted by these interactions,” explained project lead Dr Lauren McWhinnie, an Assistant Professor at Heriot-Watt’s School of Energy, Geoscience, Infrastructure and Society.

“We know in other areas of the world that whales can be affected by vessels in a variety of ways, from exposure to underwater noise to being physically stuck or disturbed.

“As vessel activity increases in the Arctic, it’s important that we work with industry, policy makers and communities to ensure that the maritime sector is operating in a responsible and sustainable manner and is not placing any further pressure on these animals whose habitat is significantly changing due to climate change.”

Heriot-Watt University is the first UK university to partner with HX in a project of this scale. The collaboration will see the two organisations jointly publish findings, delivering impact reports and scientific results that will further the understanding of the pressures on Arctic whale populations and contribute to global conservation efforts.

The partnership will harness HX’s extensive expedition network and will benefit vastly from the company’s ability to engage both guest passengers and the wider public in this important environmental research.

Heriot-Watt’s researchers will benefit from access to multiple vessels within the fleet, enabling scientists to conduct multi-year data collection in areas rarely surveyed. Passengers aboard HX ships on planned commercial voyages will also have the opportunity to participate in citizen science programmes, both contributing valuable data and allowing them to see how their contributions can make a difference.

Dr Verena Meraldi, Chief Scientist for HX, said the research would help improve our understanding of the pressures on Arctic whales and enrich the knowledge and experience HX can provide to its guests: “As Chief Scientist for HX, I have the honour of working alongside various scientists across different disciplines to get a deeper understanding of the processes governing our planet, and the impact we (as humans) are having on it,”

Dr Meraldi said. “Conveying this to our guests and getting them involved in projects such as WAVE is exactly the kind of project we look to support. We hope by supporting this project we will support further knowledge and understanding of Arctic whales, and also enrich the journeys and mindset of our guests.

“This MoU represents a vital collaboration between academia and industry, aiming to advance the scientific understanding of Arctic ecosystems, while making a tangible contribution to whale conservation in the region.”

The collaboration aims to promote global awareness and support the conservation of Arctic whale species, while gathering critical data to inform and support evidence-based management strategies. WAVE also seeks to foster academic growth in marine sciences by supporting and developing the next generation of researchers.

With increasing vessel activity being documented in the Arctic, it is crucial for academia to work alongside industry partners, policymakers, and local communities to ensure that both future and current use of this marine space takes place in a responsible and sustainable manner, the scientists say.

This is particularly important given the significant changes to the habitat of Arctic whales, caused by climate driven sea ice reductions, and the need to avoid adding further pressures on these vulnerable species.

Dr McWhinnie said: “When we are working to conserve whales, we are so often on the back foot – reacting to deal with a problem that is already having a documented impact.

“What’s incredibly exciting about this research is that we are being more proactive, trying to make sure an impact doesn’t occur, and learning from lessons we’ve seen arise elsewhere.

“As a researcher this is a truly fantastic opportunity to bring about a positive change, and I’m incredibly excited to work with our partners, HX Hurtigruten Expeditions, to ensure that future vessels visiting the Arctic will have a minimal impact on these incredible animals.”

QMU teams up with Hearts FC and professional theatre company to revive historic plays at Tynecastle

A university in Edinburgh has formed a unique collaboration with an award-winning theatre company to co-produce two ambitious plays for Heart of Midlothian Football Club’s 150th anniversary celebrations this year.

The hugely popular and critically acclaimed shows, A War of Two Halves, and Sweet FA, will be revived in collaboration with BA (Hons) Acting & Performance and BA (Hons) Costume Design and Construction students at Queen Margaret University (QMU).

Taking place across November 2024, the shows will be performed at the renowned home of Heart of Midlothian FC, Tynecastle Park.

Sir Paul Grice, Principal and Vice-Chancellor of QMU, said: “It’s incredibly exciting that our students will get the opportunity to perform at such an iconic Edinburgh venue and help Hearts mark their special 150th anniversary – an experience that I’m sure will stay with them for years to come.

“As we celebrate 150 years of Queen Margaret University in 2025, we take pride in the many meaningful collaborations we’ve fostered over the years, each of which reflects our deep commitment to supporting our stakeholders and enriching the communities we serve. This new partnership, merging the vibrant worlds of theatre and sport, perfectly embodies QMU’s core values of creativity, innovation, and community engagement.”

Heart of Midlothian FC has welcomed productions at Tynecastle Park since 2018 and recognises their vital contribution to the heritage and cultural understanding of the club and its history.

Throughout this year of Hearts’ 150-year celebrations, the club has found a number of innovative ways to commemorate this important milestone. 

Ann Park, Director of Communities and Partnerships at Hearts, said: “Both of these productions highlight important episodes from the club’s proud history, and we are thrilled that both plays make these accessible and captivating for football and non-football audiences alike.”

A War of Two Halves is a powerful story about the Heart of Midlothian players who, in 1915, showed tremendous courage and team spirit and volunteered en masse for McCrae’s Battalion. This promenade performance leads the audience on a moving journey through various locations around Tynecastle Park, including the home dressing room.

Sweet FA is a companion piece to A War of Two Halves. It is a play with music that tells the inspiring tale of an Edinburgh women’s factory team in 1915, united by their passion for football and their unwavering support and love for one another against the backdrop of the ban on Women’s Football. It will be performed in a purpose-built stage within the main concourse at Tynecastle Park.

The cast of Sweet FA will also be performing at half time of the Women’s Premier League Capital Cup game on 17th November.

Ann, continued: “A War of Two Halves performed to sell out audiences in 2018, 2019 and 2022. BBC Radio 4’s Front Row listed Sweet FA as one of the three must-see shows across 2021’s Fringe and International Festival.

“It is fitting that it is being revived on the 50th anniversary of the lifting of the ban on Women’s Football in 1974. Brilliant dialogue and powerful songs deliver a timely, no holds barred, take on Scottish culture during the Great War.”

Bruce Strachan, co-founder of Two Halves Productions and Lecturer in Acting and Performance at QMU, said: “This new collaboration between us, Hearts Heritage and Queen Margaret University, looks to build on the award-winning success of these two ambitious plays, rooted in the history of Edinburgh.

“It is a wonderful opportunity for two young casts, on the cusp of their launch into the professional world, to explore the importance of these stories and their impact on local history and contemporary Scottish theatre. Given current global events, both pieces serve as a timely reminder of the horrors and futility of world conflict.”

A War of Two Halves and Sweet FA will take place at Tynecastle Park from the 9th to the 21st November 2024 with varying performance times. To purchase your ticket, visit Heartsfc.co.uk

The Tiger Keeper Who Came To Tea: Virgin Hotels launches a roarsome afternoon tea in collaboration with Edinburgh Zoo

Virgin Hotels Edinburgh is thrilled to announce an exciting new partnership with one of the city’s most beloved attractions, Edinburgh Zoo.

Together, they are set to launch a roarsome Afternoon Tea experience, taking inspiration from the cherished children’s book, The Tiger Who Came to Tea. This family-friendly event will debut on Friday, 18th of October, perfectly timed to coincide with the October school break.

The collaboration aims to provide a truly unique and unmissable experience for both locals and visitors to the capital. The event will take place in the hotel’s stunning Oculus Lounge, combining the opulence of the hotel’s popular Afternoon Tea service with a playfully wild twist for its younger guests.

Those who attend can expect a fun and immersive experience, hosted by one of Edinburgh Zoo’s talented Discovery Rangers.

The Ranger will kick off the event with an exciting storytelling experience, which allows guests to learn about the resident tigers at Edinburgh Zoo.

But that’s not all: the specially themed Afternoon Tea menu will also include a carefully curated selection of treats for children, ensuring that the whole family has a roaring good time.

Guests can enjoy a stylish Afternoon Tea menu of exquisite pastries paired with savoury treats and finely brewed teas, while the younger ones enjoy special treats like tiger cookies, milk chocolate pandas, scones and more! Pricing begins at £35 for adults and £15 for children, with two sittings available at 1pm and 3pm.

Adding to the excitement, guests will also get a glimpse straight into the ‘Tiger Den’ at Edinburgh Zoo on the day through a live stream.

Following the event, guests will be invited to the Scarlett Lounge for an exclusive screening of The Tiger Keeper Who Came to Tea animated film, giving adults the opportunity to relax with refreshments at Eve or Commons Club Bar.

Mafalda Albuquerque, General Manager at Virgin Hotels Edinburgh said: We’re thrilled to offer our guests this unique family Afternoon Tea experience.

“Our collaboration with Edinburgh Zoo for this themed Afternoon Tea allows us to craft a memorable and educational day out, perfectly aligning with our mission to deliver family experiences that can be enjoyed by all.”

You can find out more information about this partnership here. Reservations can also be made by emailing afternoontea@virginhotels.com

You can also follow along on social media here: 

InstagramFacebookTwitter and YouTube

SCVO and partners launch Scotland’s Digital Inclusion Charter

A trailblazing partnership between the national membership body for Scotland’s voluntary organisations and the Scottish Government has launched a milestone charter to improve digital inclusion.  

Scotland’s Digital Inclusion Charter is a collaborative initiative between the Scottish Council for Voluntary Organisations (SCVO) and the Scottish Government, aiming to ensure that, if they choose to, every individual and community across Scotland can benefit from the digital world. 

The Charter, hosted and managed by SCVO, states that digital inclusion is “everyone’s responsibility”, and demonstrates how people can get involved in supporting further digital equity in Scotland. 

The initiative commits organisations to tackling digital exclusion in any way that they can. By providing a framework for action, organisations can use the Charter to structure and resource digital inclusion work regardless of who they work with. 

Currently, around 700,0001 people don’t have access to the Internet in Scotland. This significantly impacts their ability to access health services, banking, online shopping, better deals and savings and communicating with loved ones. 

Sally Dyson, Head of Digital and Development at SCVO, underscored the vital role of the voluntary sector in achieving digital inclusion. She said: “SCVO has been leading the charge for digital inclusion in Scotland for more than ten years now.  

“We work collaboratively across our sector and beyond to make sure that we drive home the message that everyone is responsible for digital inclusion 

“We know that the digital divide seems to be widening over time, and we think that every organisation in Scotland can get involved in supporting the people they work with.  

“SCVO is proud to have developed and established Scotland’s Digital Inclusion Charter in partnership with Scottish Government, and we’re looking forward to supporting organisations of all sizes to sign up and show their support.” 

Ivan McKee, MSP and Minister for Public Finance, represented the Scottish Government and highlighted the importance of this initiative for Scotland’s future. He said: “I pleased to see the relaunch of the Digital Participation Charter as Scotland’s Digital Inclusion Charter.

“The Charter has been a collaborative effort between Scottish Government and SCVO and includes five new pledges to support organisations take ownership of digital inclusion.

“Digital inclusivity is fundamental to the Scottish Government in achieving our key priorities, and through working with SCVO we are able to support organisations to make substantial impact on the lives of people vulnerable to digital exclusion.” 

The launch event, held at Standard Life House and hosted by Standard Life, brought together key stakeholders in a united effort to bridge the digital divide. 

Andy Young, representing Standard Life, part of Phoenix Group, said: “We are a digital-first organisation,  but we recognise that digital can be a barrier for some people, so we’ve made it a priority to help those who need extra support through delivery of our digital inclusion strategy.

“We welcome and support the work that SCVO is doing in this space, and are pleased to commit to the principles outlined in the Digital Inclusion Charter, which will provide a vital framework for organisations across all sectors to help those who want to become more comfortable using technology in their everyday lives.”   

Find out more about Scotland’s Digital Inclusion Charter at digitalinclusion.scot.  

Scotland hosts global cultural leaders for festival hub of international exchange

The Momentum Delegate Programme kicks off in Edinburgh today, Wednesday 7 August, acting as a central hub from the world-leading Festival City to connect key cultural players from across the world with the wider Scottish and international cultural sector.  

Every August during the Edinburgh Festivals the capital of Scotland becomes a global celebration of culture and creativity, with citizens of the city and the country joined by artists and audiences from all over the world. 

At Momentum, a cohort of producers, government agencies, funders, stakeholders and programmers from invited countries will join a tailored programme of networking and meetings with creative practitioners, policymakers and educators in Scotland.

The collaborations established will enable long-term relationships, platforming Scotland and its artists and art organisations on the world stage and further cementing Scotland’s international cultural reputation.  

Led by Festivals Edinburgh, in partnership with Creative Scotland and British Council Scotland, with additional support from City of Edinburgh Council and Event Scotland, the hub will open its doors from Creative Scotland’s Edinburgh headquarters at Waverley Gate. 

On behalf of Momentum partners, Julia Amour, Director of Festivals Edinburgh said: “The Edinburgh Festivals are distinctively Scottish yet profoundly international, and we’re delighted to welcome cultural representatives from around the globe to our Momentum programme, where we will help them build relationships with our festivals and the wider Scottish cultural sector.” 

The 36 delegates arriving are from Viet Nam, Sweden, South Korea, the MENA region (Middle East & North Africa), Türkiye, Mexico and Poland – as well as two artform delegations for Literature and Visual Arts. Information on each area, its delegates and sessions are available on the Momentum website.  

Since 2011, Momentum has brought over 700 international delegates to Edinburgh during the buzz of the city’s August festivals. These have contributed to multiple collaborations, most recently:  

Scottish Dance Theatre (SDT) connected with Ciało/Umysł, an international contemporary dance festival in Warsaw, developed from a meeting set up by the Momentum team last year. After the initial introduction, with support from the Momentum follow-up fund, SDT Artistic Director Joan Clevillé visited Poland for Ciało’s dance platform.   

SDT’s Senior ProducerRobyn Jancovich-Brown said: “The visit enabled SDT to get a sense of the scene, visit venues, make more connections in the area, and, critically, really understand the cultural and political context in which the artists and organisations are working.

“We’re now talking about next steps and exploring plans for an artistic exchange programme in autumn 2025, in which Scottish and Polish dancers will be able to work together.” 

Stanza Poetry Festival Artistic Director Ryan Van Winkle met Manuela Moser from the Cúirt International Festival of Literature from Ireland at Momentum 2023. 

Ryan said: “Initially Manuela and I had some great chats just about being new in our roles and the challenges of directing festivals. We stayed in touch, sharing ideas about poets and writers, and then agreed to partner on a grant application.

“That enabled us to have an extra event at Stanza last year, in collaboration with Cúirt International Festival of Literature, called Companion Planting. An artist and an author visited from Ireland to talk about strategies of support and examined ‘care’ within collaborative artistic working practices.

“This was a perfect fit with Stanza’s theme last year. It’s rare to see a project happen that fast; I felt lucky to encounter Manuela, and get something going so quickly.”  

Edinburgh International Festival announces first Community Connections Hub

eif.co.uk / @edintfest  

The Edinburgh International Festival unveils the first Community Connections Hub following an  open call out earlier this year 

Space @ The Broomhouse Hub will work with the Edinburgh International Festival over a period of  at least 18 months to explore opportunities for collaboration and connection 

In August, the Community Connections Hub will host a free VR Experience where visitors can use a  VR headset to be fully immersed in a 360° concert by the Philharmonia Orchestra 

The Edinburgh International Festival today announces Space @  The Broomhouse Hub as the very first Community Connections Hub.

Space @ The Broomhouse Hub  was chosen following an open call out by the International Festival for an Edinburgh-based community organisation for a partnership that will last at least 18 months and will explore opportunities for collaboration  with the International Festival and the local community in Broomhouse. 

In August, Space @ The Broomhouse Hub will host a free VR experience from resident orchestra  Philharmonia. This 360° experience of Vaughan Williams’s The Lark Ascending makes its UK premiere  and features Festival Director Nicola Benedetti as the solo violinist.

This will allow the user to sit right in the heart of the orchestra through Virtual Reality, allowing them to experience the performance in  astonishing detail.  

As well as hosting the Philharmonia VR Experience, this partnership will be a fully collaborative process, and will be entirely shaped by Space @ The Broomhouse Hub and the International Festival’s shared ideas  and activities. 

This new residency model is designed to deepen understanding between the International Festival and the  local community, strengthen connections and enrich the local community and the spirit of the Festival. 

The Edinburgh International Festival is committed to developing long-term connections with Edinburgh’s Communities by exploring what our core values of discovery and connection mean for Edinburgh’s citizens whilst finding ways to reflect the ideas, ambitions and creative interests of different communities within our organisational commitments.

The International Festival wants to build long-term and sustainable  connections and have chosen a residency model working with one focused partner to allow for deepening  two-way understanding, allowing time to mature connections and realisation of joint ambitions. 

Caroline Donald, Head of Discovery & Participation, Edinburgh International Festival said: “The Edinburgh International Festival are really looking forward to working with our new community  partners Space @the Broomhouse Hub and working together to make new connections, getting to know all  the families and people in the community to create and share cultural experiences.” 

Neil Hay, CEO, Space @ The Broomhouse Hub, said: “This is fantastic news for Broomhouse and Southwest Edinburgh. This partnership will open up the  Edinburgh International Festival to new audiences, allowing local people and families to enjoy cultural  experiences our communities don’t normally access.

“We look forward to seeing all the exciting things the  partnership will bring this summer and the coming year.” 

More information on the Edinburgh International Festival’s Discovery and Participation programme, which runs year-round, can be found here:

https://www.eif.co.uk/social-impact.

Edinburgh pupils premiere new ‘Junk Food’ dance

P6 pupils from the Royal Mile and Abbeyhill Primary Schools and student dancers from Moray House School of Education and Sport came together yesterday to perform Junk Food, written and created for this year’s Pomegranates Festival.

Over the course of the spring term, pupils at both schools took part in several workshops to discuss themes such as why people dance, what dance looks like, and chose a topic of their choice to create a dance piece that was relevant to them.

The pupils chose to discuss ‘Junk Food’ and used this theme to create a short dance piece accompanied by new electronic music by Gourab Dey, with the help of students at the University. The pupils worked on themes like ‘hangry’ and what this looked like as a dance movement, and after several rehearsals they created today’s final dance piece.

Wendy Timmons, Co-Producer of Pomegranates Festival and Senior Lecturer in Dance at Moray House School of Education and Sport said: “Many children that we work with in schools experience dance as part of physical education, and therefore the aesthetic experience of being in a theatre and being on stage is completely new.

“What this project aimed to do was to create a dance piece using their ideas so they would feel more connected with the process. Today’s performance illustrates the quality of work that this process can create, and this came across in the piece.”

The Pomegranates Festival runs until tomorrow (Tuesday 30 April) and is Scotland’s annual festival of international traditional dance.

Initiated and curated by Traditional Dance Forum of Scotland it is presented and produced in partnership with Traditional Arts and Culture Scotland, Moray House School of Education and Sport, University of Edinburgh, Edinburgh City Libraries, Dance Base and the Scottish Storytelling Centre. 

The Festival finishes with a finale performance on International Dance Day 29 April which includes a new piece of dance created by MC, hip-hop dancer and choreographer-in-residence Jonzi D and performed by 20 Edinburgh-based traditional dancers.

The piece will be accompanied by newly-commissioned poetry by Perth-based poet Jim Mackintosh who will also be launching his new book of poetry We are Migrant at the event, and poems by BBC broadcaster Ian McMillan. 

Plus, there will be a screening of a new film by contemporary visual artist and human rights activist Mare Tralla who has been artist-in-residence at this year’s festival.

There will also be a live streamed keynote lecture by Jonzi D on ‘Decolonising the Expressive Arts Curriculum’ tomorrow – Tuesday 30 April at 10am at Paterson’s Land, Moray House School of Education and Sport, Holyrood Road, Edinburgh EH8 8AQ.

Edinburgh International Film Festival announces collaboration with Edinburgh Festival Fringe

Out of Competition, Midnight Madness and Repertory strands will showcase the best in UK and World cinema

The newly relaunched Edinburgh International Film Festival (EIFF) has today announced a landmark collaboration with the renowned Edinburgh Festival Fringe which will open up the Film Festival programme in new venues across the city including non-traditional cinema spaces at Summerhall and the heart of the Fringe footprint.

From August 15 to August 21 2024, the 77th edition of EIFF will see film embedded in the August festival ecosystem, allowing audiences to seamlessly experience the best of the Fringe along with the world-class programme of cinema at EIFF.

Spaces in Summerhall and others at the heart of the Fringe will serve as unique and unusual EIFF venues, creating a new EIFF footprint in close proximity to wider Fringe activity including theatre, music and comedy, ensuring audience engagement with Edinburgh’s summer festivals is easier than ever before.

This year’s cinema hub will be the Cameo Cinema on Home Street, one of the original venues for EIFF and home to some of its most iconic moments, including a speech from Orson Welles as part of the Festival in 1953. 

This year’s EIFF programme will include a strand of Out of Competition films including international premieres, UK premieres and additional world premieres sitting alongside the 10 world-premiere feature films competing for The Sean Connery Prize for Feature Filmmaking Excellence.

A Midnight Madness strand will showcase the best in genre cinema from around the world in a late night slot.

A repertory strand will champion retrospective and restored masterworks.

Innovative short film programmes will also run alongside this year’s EIFF Short Film Competition, which will award a cash prize of £15,000. The title of the Short Film Competition will be revealed soon.

Industry activity will run across the first weekend of the Festival with more announcements to follow in the next few weeks. Submissions to the 77th EIFF are currently open, with a final deadline of 19 April.

EIFF honours 70+ years of film festival history, showcasing the very best talent in filmmaking in a format rooted in a local Scottish context whilst embracing the international diversity of creative expression. The Film Festival encourages general audiences, film fans and industry professionals to make the trip this summer to Edinburgh, which is universally recognised as a place of beauty, history, discovery and adventure.

EIFF Director, Paul Ridd said: “We are so excited by the possibilities of August in Edinburgh and the shape of our programme as it comes together.

“Our collaboration with the Fringe will grow a powerful relationship between audiences across artistic forms. We will tap into the creative energy that is everywhere in the city, encouraging critics, tastemakers and above all audiences to engage with each other and all that is on show.”

Recently announced, The Sean Connery Prize for Feature Filmmaking Excellence is a £50,000 award given to a single filmmaker as part of a new features competition prize at the centre of the relaunched festival. 

10 world-premiere feature films will compete for the cash prize, to be determined by audience vote. EIFF will also inaugurate a short film competition with a cash prize of £15,000. Submissions are now open. Criteria for submitting films to the Festival can be found at www.edfilmfest.org.

Helmed by Festival Director Paul Ridd and Festival Producer Emma Boa, the team aims to create a world-class showcase for independent film and filmmaking talent.

Former Acquisitions Executive Ridd is supported by an expanding Board, including Chair Andrew Macdonald of DNA Films, producer of the iconic Edinburgh-based film Trainspotting; Peter Rice, former Chairman of General Entertainment at Disney and President of 21st Century Fox; and Amy Jackson, producer of last year’s BAFTA award-winning indie, Aftersun. EIFF 2024 is supported by Screen Scotland.