A flagship community culture fund that supports people across Scotland to take part in the creative arts has opened for new applications.
Backed by £320,000 from the Scottish Government, the Creative Communities Scotland fund is open to organisations delivering activities such as dance, filmmaking, creative writing, music-making and storytelling.
At least ten new projects are expected to benefit with a focus on reaching those who face barriers to taking part in creative activities and grants of up to £35,000 available.
Funding will be managed by Inspiring Scotland which will also provide project support to successful organisations while they plan, deliver and assess the impact of those activities.
Previous examples of projects delivered through the fund include work by Promoting a More Inclusive Society (PAMIS), which used art, drama, music and photography to support children and young people in Aberfeldy and Angus with complex disabilities to come together and tell their stories.
Culture Secretary Angus Robertson said:“Taking part in the creative arts can transform lives, improve wellbeing, strengthen relationships between people and create a distinct sense of place, belonging and confidence within communities.
“In this latest round of funding, our focus is on groups and charities helping people who face challenges to taking part and reaping those benefits. We are looking for applications from diverse groups all across Scotland with projects that engage communities in the creative process.
“The Creative Communities Scotland fund forms part of a £34 million increase in support to the culture sector this year and will enable communities to drive forward creative activities in their areas. This is about making sure that everyone has the opportunity to take part in and benefit from the creative arts, no matter their background or location.”
Creative Arts Director at PAMIS Maureen Phillip said:“Our project has enabled family carers to gain and enhance their skills, build their confidence and support their wellbeing by easing isolation and loneliness.
“It has also widened knowledge of the benefits of working with story to enhance learning for children with profound and multiple learning abilities.
“Both the Aberfeldy and Angus programmes clearly demonstrate the benefits of having a programme led by families as experts by experience. They know the children and young people they support and understand how much it means for them to feel part of their communities.”
Inspiring Scotland Chief Executive Celia Tennant said:““We know the vital role that cultural activities play in bringing people together, improving wellbeing and strengthening communities.
“We are pleased to be managing the Scottish Government’s Creative Communities Scotland fund and we look forward to supporting organisations that are making a real difference in their local area through participatory arts.”
Scotland’s most internationally recognised cultural brands will work alongside the Scotland Office to promote Brand Scotland, in a ‘landmark partnership’ selling the best of Scotland overseas and encouraging investment and growth.
This is the third Brand Scotland partnership agreement to be signed, following on from recent agreements with the Royal Edinburgh Military Tattoo and Scottish Chambers of Commerce.
These cultural partnerships demonstrate the vital role arts and creativity play in opening doors for Scottish businesses worldwide, whilst showcasing the best of Scottish talent to global audiences. Part of our Plan for Change, our Brand Scotland work overseas will bring real returns for people back home.
The Fringe deal will be signed as the Scottish Secretary makes a keynote speech about the value of Scotland’s cultural sector.
Speaking during the first week of Edinburgh’s summer festivals, at the newly-refurbished Filmhouse, Mr Murray will say:
Scotland’s world renowned cultural sector is a key part of his work to sell the best of Scotland overseas, and encourage inward investment in Scotland. The sector has a key role to play in driving economic growth and putting more money in people’s pockets.
Our arts sector is also an important part of the UK’s soft power – building links and relationships around the world.
The UK Government is a champion of the arts and culture in Scotland – including investing in vital projects such as the Edinburgh Filmhouse (£1.5 million), the King’s Theatre (£2 million), V&A Dundee (£2.6 million), a new cultural hub in Kilmarnock (£20 million), plus a new year-round home for the Fringe and funding for Keep it Fringe grants for artists (£7 million).
Mr Murray will talk about how the Edinburgh Festival Fringe plays a key role in widening access to the arts. Ensuring everyone can have the chance to enjoy events which spark imagination, laughter and emotion.
He will say: “For some, art and culture is a tool of power, of wealth. For others it is a tool of nation building, of defining who we are and who we are not.
“For me, it is something which transcends states and systems, and teaches us something about the human condition which other experiences simply cannot do.
“But that value, that treasure, that ability for our cultural pursuits to let us see into our souls and those around us is something we cannot take for granted.”
Speaking ahead of his speech, Ian Murray said: “Scotland’s excellent arts and culture sector opens doors right around the world. From the global stage of the Edinburgh Fringe to the pageantry of the Military Tattoo, our arts and creativity don’t just entertain – they build the relationships and showcase the innovation that drives real economic returns for communities across Scotland.
“Our partnership deal with the Edinburgh Fringe will help us sell Brand Scotland around the world, helping us deliver the economic growth that will put more money in people’s pockets.”
Tony Lankester, Chief Executive, Edinburgh Festival Fringe Society, said: “The Edinburgh Fringe is arguably one of the UK’s finest cultural exports and, in recognising that, this partnership gives us the opportunity to proudly put it at the heart of a global conversation.
“We’re proud of the artists and audiences who make the Fringe possible and who create this joyous celebration of creativity each year. Putting the Fringe at the centre of Brand Scotland recognises that work, and opens up a world of new platforms for participants.”
The Scottish Secretary will also announce the first round of successful bids from the overseas Brand Scotland fund, which is investing £250,000 this financial year to promote Scottish soft power, culture and trade opportunities worldwide.
The new fund is supporting the Fringe’s international event today at the Filmhouse.
Funding has also been signed off for initiatives including supporting an event in Berlin with the National Youth Orchestra of Scotland [which Mr Murray attended earlier this week], a ‘Travelling Museum of Whisky’ in Bolivia, a celebration of Scottish heritage and craftsmanship in Switzerland and St Andrew’s Day events to promote Scottish exports and cultural engagement.
The overseas Brand Scotland fund has already approved several cultural initiatives across the UK’s overseas network of over 250 posts.
The Brand Scotland programme complements the work the UK Government is doing to strike trade deals around the world, and to reset relationships with our European neighbours.
The Westminster government ‘will continue to drive forward Brand Scotland in the coming months, with ministerial visits planned to India, Japan, France, Canada, Spain, New Zealand, Australia, Germany and Sweden’.
The 2025 Edinburgh International Festival begins today with the first of more than 133 performances: the ultimate destination to experience world-class artists across music, theatre, opera and dance in creative and unconventional ways in Edinburgh this August.
Exploring the theme The Truth We Seek, more than 2,000 internationally renowned artists from across 42 nations, including a third of artists based in Scotland, will perform.
Upcoming highlights include: the world premiere of theatre blockbuster Make It Happen from James Graham, monumental 8-hour choral work The Veil of the Temple, an Australian reimagining of opera Orpheus and Eurydice featuring acrobatics, and the Scottish premiere of Nederlands Dans Theater, Simon McBurney and Crystal Pite’sFigures in Extinction.
To ensure that cost isn’t a barrier to cultural discovery, half the tickets for the 2025 International Festival will be sold at £30 or less, and £10 tickets have been made available for every performance across the programme. Tickets can be purchased from www.eif.co.uk.
THE CURTAIN rises today on the 2025 Edinburgh International Festival, welcoming over 2000 artists from 42 countries to Edinburgh for a 24-day global celebration of world-class performing arts.
The third year under Festival Director and celebrated Scottish violinist Nicola Benedetti, this year’s International Festival welcomes audiences to explore opera, music, theatre and dance through the lens of the theme The Truth We Seek, a journey into the elusive nature of truth in our personal and public lives.
This year’s programme invites audiences to experience bold, thought-provoking performances in fresh and unconventional ways. The opening weekend features large-scale participatory events The Big Singalong and The Ceilidh Sessions, celebrating the collective joy of singing and dancing outdoors in Princes Street Gardens, set against the iconic backdrop of Edinburgh Castle.
Elsewhere, the historic Old College Quad becomes the stage for the world premiere of Dance People, an outdoor dance performance, and a classic opera is reimagined with a twist in Orpheus and Eurydice, bringing together world-class musicians and performers with breathtaking acrobatics from Australia’s Circa.
The 2025 programme also opens up barriers to cultural discovery: more than 50,000 tickets are priced at £30 or less, £10 Affordable Tickets have been made available to all performances, and wide-reaching initiatives offer free tickets to NHS workers, young people and community groups to a range of Festival performances.
Stand-out performances across the International Festival include:
Make It Happen(1–9 August, Festival Theatre) The world premiere of a gripping new drama by James Graham, tackling the 2008 financial crisis in Edinburgh. Starring Brian Cox as Adam Smith and Sandy Grierson as Fred Goodwin, this timely co-production with the National Theatre of Scotland and Dundee Rep reframes the collapse of global markets through a distinctly Scottish lens.
Opening Concert: The Veil of the Temple(2 August, Usher Hall) A spiritual epic: over 250 singers from the Edinburgh Festival Chorus, Monteverdi Choir and National Youth Choir of Scotland perform John Tavener’s The Veil of the Temple in its complete eight-hour form with the audience seated on beanbags. This year also marks the first performance in the Festival Chorus’s 60th anniversary year.
Dance People(7–10 August, Old College Quad) Lebanese choreographer Omar Rajeh and Maqamat company present an open-air activation of dance, movement and activism. Performed outdoors in the heart of the city, it dissolves the lines between performance and real life.
Orpheus and Eurydice(13-16 August, Edinburgh Playhouse) A highlight of the 2025 Festival’s opera programme, a fully staged Australian reimagining of Gluck’s Orpheus and Eurydice fuses together circus, acrobatics and world-class opera, in its European premiere.
Figures in Extinction (22-24 August, Festival Theatre) Nederlands Dans Theater present the Scottish Premiere of Figures in Extinction in collaboration with Crystal Pite and Simon McBurney, confronting the hard truths about humanity’s impact on the world and art’s meaning in the face of mass destruction.
The Hub, the International Festival’s headquarters on the Royal Mile, brings together a hand-picked variety of global musical styles and traditions, experienced up close in an intimate and informal performance space, including Up Late gigs from Alabaster DePlume(8 August) and Kathryn Joseph (9 August), and an interactive concert from Hanni Liang(7 August) inviting audience members to share their dreams, with a live response created on the piano.
Residencies bring London Symphony Orchestra, Poland’s NFM Leopoldinum and Carnegie Hall’s National Youth Orchestra 2 to Edinburgh for an extended, more sustainable stay that features multiple performances and community engagement. Highlight performances include NYO2’s Prokofiev’s Fifth Symphony, NFM with Bizet’s Carmen Suite andBeethoven and Shostakovichfrom the LSO, presented with insight from Sir Antonio Pappano and Festival Director Nicola Benedetti.
Edinburgh International Festival Director, Nicola Benedetti said: “This year’s International Festival is a bold invitation to question the world around us – to seek, challenge and reflect on truth through the extraordinary lens of live performance.
“We’re honoured to welcome artists and audiences from across the globe to Edinburgh, and we remain deeply committed to making that experience more accessible than ever. Whether you’re here for an intimate recital, a powerful play, a mass singalong or an eight-hour choral epic, you’ll encounter connection, curiosity, and the power of great art to shift perspectives.
“This year’s Festival offers the possibility of truly transformational encounters and I look forward to sharing this with you.”
Councillor Margaret Graham, Culture and Communities Convener said: “Each year the International Festival offers a real variety of innovative and striking art and performance. 2025 is no different, with the programme encouraging Deep Thinkers, Social Butterflies, The Curious and Romantics.
“The range, from outdoor ceilidhs to epic opera, means there is truly something for everyone, bringing together world class performers from around the globe and here in Scotland. There are several different price options that will let even more people discover the magic of the International Festival too. These include Young Musician’s Pass, Tickets for Good and substantial discounts for art workers and under 30s.”
Multi-Artform Manager at Creative Scotland, Lorna Duguid, said: “The Edinburgh International Festival continues to be a beacon for artistic excellence and cultural exchange, bringing the world to Scotland and showcasing Scotland to the world.
“This year’s theme, The Truth We Seek, speaks powerfully to the times we live in- inviting artists and audiences alike to explore, question and connect through extraordinary performances.
“With a third of this year’s programme featuring artists based in Scotland and an unwavering commitment to accessibility, the International Festival exemplifies how world-class culture can be both globally relevant and locally rooted.”
Tickets to world-class performances across a hand-picked programme of music, theatre, opera and dance at the Edinburgh International Festival in August 2025 are available at www.eif.co.uk.
BBC ALBA is bringing the best of The Belladrum Tartan Heart Festival to viewers, live from the Belladrum Estate in Kiltarlity across the weekend (from Thursday 31 July to Saturday 2 August).
Presenters Fiona MacKenzie and Niall Iain MacDonald will lead audiences through the festival with exclusive coverage featuring live performances from established and emerging artists.
Known for its unique and diverse showcase of music and the arts, Belladrum attracts tens of thousands of visitors, and this year is no exception with headliners including Texas, Supergrass and Paul Heaton.
Other chart-topping acts set to perform, and appear on BBC ALBA, across the weekend include Tom Walker, Natasha Bedingfield, Example and The Hoosiers. And Scottish artists are well represented with folk rock and pop favourites Skipinnish, Kassidy, Rianne Downey and Tide Lines.
The 2025 festival will also provide a platform for local musicians building a name for themselves, including 17 year old swing singer Michael Lewis from Newtonmore, who has recently secured a musical residency at a renowned music venue in Texas, USA.
Accordion playing sensation and Britain’s Got Talent semi-finalist RuMac will perform on the Garden Stage, having recently made an appearance in Danny Boyle’s new film, 28 Years Later.
Kicking off the coverage on BBC ALBA will be Falasgair – the six-piece up-and-coming contemporary trad band who won this year’s Belladrum Tartan Hearts Festival talent search.
The band, who hail from Skye and take their name from the Gaelic word for seasonal heather burning, will take to the Belladrum main stage from 4pm on Thursday 31 July with their high-energy take on traditional Scottish music.
Belladrum 24. BBC ALBA
Pics Trevor Martin
Ahead of their Belladrum debut, Finn MacPherson of Falasgair, said: “Having attended Belladrum quite a few times since I was young, I never thought I’d see myself on the main stage playing alongside my pals so it’s a pretty surreal feeling.
“We’re incredibly grateful to everyone who voted for us — we couldn’t have done it without the amazing support from our family, friends, and the local community. It really shows the strength of the music scene here.
“This has come at a great time for us a band as we’re recording our debut album and will release it later this year. We’re looking forward to kicking off the festival in a traditional manner – with the pipes!”
Belladrum talent search judge Robert Robertson, lead singer of Tide Lines who are due to perform on Saturday, added: “It’s brilliant that the festival will be opened by a young, island band playing traditional music with such dynamism and energy – they will have the place bouncing!”
True to its longstanding support of Scottish artists, BBC ALBA supported the search which provides a platform to propel newcomers into the country’s celebrated music scene.
Calum McConnell, commissioning editor at BBC ALBA, said: “Falasgair are a brilliant, young traditional band whose star is definitely on the rise and we’re proud to support emerging talent like this as part of our wider Belladrum partnership.
“This year’s coverage promises to capture the colour, energy and incredible talent that makes this festival so special. From headline sets to hidden gems, BBC ALBA will bring audiences at home the very best of Belladrum 2025 live across the weekend and on demand on BBC iPlayer. Whether you’re tuning in for the trad, the pop or something a little different, it’s going to be an unforgettable few days.”
Belladrum festival producer, Dougie Brown, said: “Belladrum is more than just a music festival — it’s a celebration of creativity, community and culture, all set against the stunning Highland backdrop.
“We’re marking our 21st birthday with a line-up that brings together household names, rising stars and a few surprises along the way so whether it’s your first time or your fifteenth, there’s always something new to discover.
“And with BBC ALBA bringing the magic to screens across the country, even more people can share in the Belladrum buzz.”
For those unable to attend, tune into BBC ALBA and BBC iPlayer for its live annual coverage with exclusive broadcasts across the weekend.
This week, the globally acclaimed venue, The Famous Spiegeltent makes her grand return to St Andrew Square after almost a decade away from her spiritual home.
An iconic fixture at the Edinburgh Festival Fringe for 20 years since 1996, The Famous Spiegeltent has been instrumental in promoting the international careers of variety, cabaret, independent music and new circus arts.
This summer the grand dame of travelling venues opens her doors for 8 weeks of spellbinding performances, hosting the Edinburgh Jazz & Blues Festival before delivering her own mesmerising programme of live performances, magic, enchanting melodies, and maybe a few surprise faces!
Opening its Edinburgh festival season, The Famous Spiegeltent will be hosting the renowned Edinburgh Jazz & Blues Festival for almost 30 concerts from 11 – 20 July.
Beginning with raconteur and brilliant jazz violinist, George Washingmachine, over 9 days, The Famous Spiegeltent will welcome performances from renowned musicians including leading force on the UK jazz scene, Joe Webb, and one of Scotland’s foremost trumpeters, Colin Steele.
Full programme and ticket details for The Edinburgh Jazz & Blues Festival can be found here.
La Clique
2025 marks both The Famous Spiegeltent’s 105th anniversary as well as the 21st birthday of her notorious, multi-award-winning house show, La Clique!
Since its inception in 2004 in The Famous Spiegeltent at the Edinburgh Festival Fringe, La Clique has taken the world by storm.
The very essence of live entertainment, the international Oliver Award-winning sensation is a unique blend of daring acrobatics, jaw-dropping stunts, scintillating burlesque and raucous comedy. Visceral, ethereal and in-your-face, each act a masterpiece of artistry and athleticism, La Clique showcases a riotous troupe of crème de la crème artistes from around the world.
From 23 Jul – 31 Aug leave your troubles at the doors of The Famous Spiegeltent, be a part of history and come raise a glass to the 21st Birthday of this trailblazing icon of entertainment! This iteration of La Clique celebrates over two decades of cult status as the true pioneering classic within the cabaret/circus canon, bringing heritage artistes and the next generation of performers together for a spectacular six-week season of subversive revelry.
Whether you’re a longtime fan or a first-time visitor, La Clique’s birthday show promises an unforgettable night of pure wonder, joy and delight. Sexy, funny, and dangerous, the handpicked cast includes: the iconic Ursula Martinez, Captain Frodo, Tara Boom, LJ Marles, David Periera, Daredevil Chickens, Aurora Kurth, Masha Terentieva, Mikael Bres, Byron Hutton, Heather Holliday, Miranda Menzies and more
Over your head, under your skin, and below the belt! Hang on to your hat and strap yourself in, as we present … La Clique!
Bold Performances
Watch closely … are you paying attention? Introducing The Unfair Advantage (1 – 25 Aug)an intimate,unique and unprecedented hour-long theatrical event. Take a seat at the card table, sign a legal contract of secrecy and Australia’s leading sleight-of-hand magician Harry Milas will reveal the secrets behind the skill that saw him become a security weapon for the world’s top casinos.
Edinburgh’s own Captivate Theatre enter The Famous Spiegeltent to deliver two stellar musical theatre shows. Performed entirely by talented students, Les Misérables (School Edition), running from 1 – 10 Aug,has been seen by an estimated 22,000 people, with sell-out crowds, standing ovations and multiple five-star reviews.
Les Mis is the story of love, compassion and redemption, featuring hit songs I Dreamed A Dream, Bring Him Home and many more – don’t be put off by School Edition! From 12 – 24 Aug, prepare to be drawn into a dark and ghoulish world as the streets of Victorian London come to life in their thrilling production of Sondheim’s Sweeney Todd.
Mesmerising Music
The Paris icon and the Glasgow girl, Christine Bovill established her reputation as one of Europe’s finest interpreters of French song with her smash-hit Piaf. With a fresh take on this self-penned work, she now returns with Christine Bovill: Piaf Revisited on the 5, 12 & 19 Aug, to the venue of her original triumphs, looking back on her remarkable journey.
Performing for two nights only, on 11 and 18 Aug, see multi-award-winning vocalist Niki King take to the stage of The Famous Spiegeltent for Time. A deeply connecting musical experience, Time explores universal truths of loss, fear and the power of love and connection, while reflecting the concept of time itself.
What are synths? Where did they come from? And why are they synonymous with cats in space? Laurie’s got answers. Part live gig, part TedTalk, Laurie Black: Deadly Synths (12 & 19 Aug) tells the history of the sound of the future through seven decades of synth tunes.
Sounds of Scotland
Presented in association with Scary Biscuits Promotions, The Famous Spiegeltent is delighted to announce Sounds of Scotland. From African dancebeats, Americana, Folk, Roots, Funk, Blues, Rock and Indie, this strand of the 2025 programme, running outwith the Edinburgh Festival Fringe, showcases some of the best music being created in Scotland, welcoming artists and audiences to The Famous Spiegeltent for a series of intimate, one-off performances.
Enjoy an evening of exuberant Afrobeat, Mbalax, Ska, Reggae dance grooves with double-bill Samba Sene & Diwan + Makossa (28 Jul). Samba Sene & Diwan is an eclectic mix of musicians, led by charismatic Dakar-born singer Samba Sene.
The music is a thrilling fusion of funky mbalax/Afrobeat grooves, with undercurrents of ska, rock and Senegalese soul. Makossa is a long-standing Edinburgh institution, a feelgood band, led by Peter Akyeampong, with influences from African to Latin, Funk, Reggae and Classic Rock.
BBC Radio 2 Young Folk Award nominee, and daughter of Proclaimer Craig Reid,Roseanne Reid, takes to the stage of The Famous Spiegeltent on 29 Jul supported by The Rezillos’ Fay Fife, with her alt country Countess of Fife band member, guitarist Brian McFie.
In a night that promises to be musical medicine for the soul, acclaimed Edinburgh singer-songwriter and one of the brightest stars of the UK roots music scene Adam Holmes performs with some very special guests on 30 Jul.
On 4 Aug enjoy a stunning double bill with Liz Jones & Broken Windows and Steve Ray Ladson. Taking tones dynamically from blues, folk-rock and psychedelia for a classic stage buzzing live performance, Broken Windows will be led by force of nature singer Liz Jones. After blowing audiences and judges (including Simon Cowell) away on his recent performance on America’s Got Talent, singer Steve Ray Ladson brings his specialty Blackgrass Brothercana to the tent.
Award winning troubadour and proud Leither Dean Owens occupies the unlikely common ground between post-industrial Scotland, America’s desert states and the lush Italian hills. On Aug 6, he will be accompanied by his band The Sinners – expect a joyous, melancholy mix of songs and stories from Dean’s 12 album international career.
A darkly magnetic experience as blues meets alternative rock in a cinematic descent through Edinburgh’s shadowy underbelly The Filthy Tongues on13 Aug. Spawned from Goodbye Mr Mackenzie, expect pounding rhythms, brooding melodies, and razor-sharp storytelling.
On 20 Aug, Main Street Blues bring their popular show Kings of the Blues to The Famous Spiegeltent celebrating the music of blues legends BB King, Albert King, and Freddie King. Following their forthcoming sell-out show at The Famous Spiegeltent as part of The Edinburgh Jazz & Blues Festival 2025, Black Cat Bone bring their raucous, blues infused rock’n’roll to the tent again on 26 Aug.
Experience the primal force of their music: thunderous guitar riffs, pounding drums, prowling, fuzzing basslines and a haunting voice that carries the ecstasy and agony of a lifetime.
Award winning Kirsten Adamson (daughter of rock legend Stuart Adamson Big Country/Skids) is performing double duties on 26 Aug. She headlines with her band The Tanagers, who have just finished recording the highly anticipated follow up album to her widely acclaimed Landing Place album. She’ll also play a short opening set with her duo band, The Marriage.
Closing the Sounds of Scotland music programme in style, get ready for a night of fearless funk, creative jazzy fire, and groove-soaked energy from Edinburgh- based collective James Brown is Annie on 27 Aug.
Keep an eye out for more special events and some surprise faces yet to be revealed in The Famous Spiegeltent’s grand return to Edinburgh!
Creative producer and Spiegelmaestro David Batessaid: “Leave your troubles at the gates to St Andrew Square and step into our world to discover our specially curated spellbinding programme.
“After almost a decade away, we are delighted to return to Edinburgh, where it all began, to salute The Famous Spiegeltent’s 105th anniversary and the coming of age 21st birthday of the one and only La Clique.
“We are honoured to share this celebration with the people and the place that has forever changed all our lives. To our Edinburgh devotees and newcomers alike, we can’t wait for you to join us and raise a glass to this historic season!”
For the opening weekend of the International Festival, Scottish national treasure Dougie MacLean headlines free event The Big Singalong with iconic song Caledonia, joined by a range of community choirs led by choir director Stephen Deazle
Famed Scottish folk musician Donald Shaw leads The Ceilidh Sessions for an afternoon of music and dance inspired by the Gaelic ceilidh tradition
Festival Director Nicola Benedetti and jazz pianist Joe Webb lead improvisational music sessions alongside up-and-coming young musicians in The Hub
A lineup of world-class musicians at the forefront of their fields are today added to the Edinburgh International Festival programme to lead performances this August that celebrate the joy of music-making.
Highlights include Scottish music icon Dougie MacLean headlining free event The Big Singalong, celebrated folk musician Donald Shaw leading The Ceilidh Sessions with traditional Gaelic music and dance, and Festival Director Nicola Benedetti and jazz pianist Joe Webb leading improvisational sessions featuring emerging young talent.
In a free, outdoor event to mark the start of festival season in Edinburgh, one of Scotland’s most beloved musical figures, Dougie MacLean will lead The Big Singalongon Sunday 3 August.
Set against the stunning backdrop of Princes Street Gardens, the Perthshire-born singer-songwriter and composer behind the iconic anthem Caledonia will start a mass singalong that welcomes all voices, curated by Edinburgh’s Love Music Community Choir Artistic Director, Stephen Deazley.
Choirs include The Phoenix Choir, the Maryhill Integration Project Joyous Choir and the Westerton Male Voice Choir. Tickets are free and available at midday at www.eif.co.uk.
The joy of music making continues the next day with The Ceilidh Sessions, also in Princes Street Gardens. Scottish tradition meets Baroque flair, as Norwegian folk ensemble Barokksolistene join forces with Donald Shaw, known as founding member of Scottish folk legends Capercaillie, accompanied by his ceilidh band.
Alongside beloved ceilidh tunes like the “The Gay Gordons” and “Strip the Willow”, Barokksolistene add Baroque music, sea shanties and alehouse tunes to the mix for a truly international afternoon of music and dance. Both events are presented with support from EventScotland, part of VisitScotland.
Jazz takes the spotlight at The Hub on the Royal Mile, with acclaimed pianist and composer Joe Webb leading the Up Late Jazz Jam on Friday August 15th.
Originally from Wales and now one of the most exciting forces on the UK jazz scene, Webb brings his distinctive energy and improvisational flair, honed through his work with Kansas Smitty’s and as part of the Wynton Marsalis Quartet, with whom he made his Festival debut last year.
The late-night session sees seasoned professionals and fresh talent share the stage for an electrifying night of improvisation and raw creativity in action.
Renowned violinist and Festival Director Nicola Benedetti leads a cohort of the world’s most promising young musicians in Rising Stars: Classical Jam. This spontaneous, informal concert brings emerging and professional musicians together for a dynamic, performance where audiences choose the repertoire. This event is inspired by the behind-the-scenes energy of rehearsal rooms and post-concert jams that classical musicians usually enjoy off stage.
For the third year running, the International Festival’s Rising Stars programme unites up-and-coming young musicians with mentors for professional development and performance opportunities.
This year’s performances include the first cohort of vocalists in Rising Stars of Voice on 19 August, Rising Stars of Woodwind with clarinettist Mark Simpson on 8 August, and a return from the original 2023 cohort of Rising Stars in Benedetti and Sitkovetsky’s Tribute to Menuhin with NFM Leopoldinum on 11 August.
To read more about the Rising Stars selected to perform at this year’s International Festival, see here.
Nicola Benedetti, Festival Director, Edinburgh International Festival said:“At the heart of our Festival is a commitment to connection – providing a closer communion between artist and audience.
“From our mass ceilidh dancing, to singing Dougie MacLean’s iconic anthem ‘Caledonia’ at the top of our lungs in the Princes Street Gardens, to spontaneous jam sessions for jazz lovers and classical enthusiasts alike, these events invite everyone to take part in the magic of live performance.
“We are all about celebrating artistry in its most human, communal form, and I can’t wait for everyone to experience it with us in August.”
Stephen Deazley, Artistic Director of The Big Singalong, said: “Caledonia has become more than just a song—it’s a reflection of Scotland’s spirit. Nearly 50 years on, it still speaks powerfully about what it means to find home, especially for those who are new to Scotland or have journeyed far.
“Singing it together in Princes Street Gardens this August for the International Festival opening weekend isn’t just about music; it’s about connection. It’s a way for people to feel they belong, to share in something bigger.
“When thousands of voices come together, you feel that sense of welcome, of joy, of community—and that’s what Scotland is all about.”
Rob Dickson, Director of Industry and Events at VisitScotland, said: “The Edinburgh International Festival is one of Scotland’s signature events, and we’re proud to support The Big Singalong and The Ceilidh Sessions as part of the festival’s opening weekend.
“These events not only celebrate our rich musical heritage—with icons like Dougie MacLean and Donald Shaw—but also play a vital role in growing the value of Scotland’s visitor economy.”
“Free, inclusive events like these are essential in ensuring that everyone has the opportunity to experience the joy and connection that live events bring.
“Together with our enviable portfolio of cultural and sporting events, the Edinburgh International Festival reinforces Scotland’s global reputation as a world-class destination for tourism and events.”
Tickets to all performances at the 2025 Edinburgh International Festival are available at www.eif.co.uk.
Arts venues and cultural events need your support now more than ever: Hazel Johnson, Festival Director at Hidden Door, invites you to be part of something special at The Paper Factory this week
Scotland’s arts scene is vibrant, innovative, and utterly vital to our national identity, wellbeing and economy. Yet, like many sectors, it faces unprecedented challenges, from funding pressures to the ever-shifting landscape of audience engagement. Cities like Edinburgh are at their best when they have cultural venues that can thrive all year round, not just in festival season.
This week, we launch our most ambitious venture yet. The Paper Factory is a magnificent, abandoned industrial site which we’re transforming into a vibrant new arts venue hosting an amazing programme of music, visual art and performance. It’s a monumental undertaking, driven by a passionate team of volunteers, and its success hinges, quite simply, on audiences coming along to experience it.
Hidden Door was born from a belief that Edinburgh needs vibrant cultural venues that offer something different. By literally and figuratively opening up forgotten spaces for the arts, we create a place where creative talent can flourish.
We exist to provide a vital platform for new and emerging artists in Scotland, offering them the crucial opportunity to experiment and reach new audiences.
From our diverse music lineup, including promising local bands selected from hundreds of open call applications, to the captivating, site-specific art installations and immersive performances that bring The Paper Factory’s history to life – every element of Hidden Door is designed to be unique and unforgettable.
We were fortunate this year to benefit from the Creative Scotland Development Fund – a fiercely competitive pot of funding. We are also hugely grateful to the sponsors and partners who believe in us enough to generously give their support.
This support has meant we can be as accessible and inclusive as possible. This year we have offered more concessions and free tickets than ever before, including a “pay what you can” option to help us better serve the many different communities across the city.
But the stark truth is that as a volunteer-run charity, we rely on ticket sales. The magic we create, the opportunities we provide for artists, and our ability to keep opening up new, surprising spaces for the arts across our city – all of it depends on you stepping through our ‘hidden door’.
Your ticket isn’t just access to a great night out; it’s an investment in Edinburgh’s creative future, a vote of confidence in the artists who are shaping our cultural landscape, and a lifeline that allows us to continue our unique work. Without you, non-profit organisations like Hidden Door simply can’t exist.
We’ve all seen much-loved venues and arts organisations forced to close, a worrying trend accelerated by ongoing economic uncertainties. The impact from these external factors on the arts sector is all too real, with arts venues and cultural events needing your support now more than ever.
So I invite you to join us at The Paper Factory this week, from Wednesday to Sunday. Come and discover the energy, witness the innovation, and be part of a truly unique cultural moment.
If you want Hidden Door to keep doing what we do, transforming forgotten spaces and championing incredible local talent, then please come down and support us. We’ve been doing this for over a decade, and with you on board, we’ll keep doing it.
Following the success of the 2024 talent search, BBC ALBA has teamed up with The Belladrum Tartan Heart Festival once again with a new quest to find the best up-and-coming musical talent from the Highlands and Islands.
Open to solo artists and bands (where at least 50% of its members have a Highland home address) across all genres, one newcomer will be given the opportunity to perform on the main stage at this year’s Belladrum Tartan Heart Music Festival.
Known for its unique and diverse showcase of music and the arts, the festival has grown in popularity over the past 20 years, now attracting thousands of visitors. As it prepares for its 21st year, with acts including Texas, Supergrass, Paul Heaton, Tom Walker and Natasha Bedingfield confirmed, the team is on the hunt to find the best new homegrown talent to open the main stage at the Hot House Arena on Thursday 31 July.
True to its longstanding support of Scottish artists, BBC ALBA is supporting the search, providing a platform to propel newcomers onto the celebrated Scottish music scene, as well as an additional opportunity for the winner to record an acoustic session in the BBC ALBA studio at the festival.
Calum McConnell, commissioning editor at BBC ALBA, said: “While there is nothing quite like the atmosphere of being in the field at a festival, shoulder to shoulder with fellow music and arts fans, BBC ALBA remain committed to bringing the magic of Belladrum Tartan Heart Festival to audiences who can’t be there in person, as we have done for the past 13 years.
“Our festival highlights are always a popular fixture in BBC ALBA’s summer schedule, and this year will be no exception. The addition of the talent search will shine an even brighter light on the incredible creativity emerging from the Highlands and Islands.”
Musicians can apply by submitting a bio and link to their music to tartanheart@bbc.co.uk, with entries judged by a panel of experts, including representatives from the BBC and Belladrum, alongside an independent musician appearing at the festival, before the shortlist goes to a public vote.
Applications opened yesterday (Tuesday 27 May) and will close at 11.59pm on Sunday 8 June.
It is expected that the public vote will open on Friday 13 June on the Belladrum website, closing on Friday 20 June, ahead of Belladrum Tartan Heart Music Festival 2025 from Thursday 31 July to Saturday 2 August.
Belladrum festival producer, Dougie Brown, said: “We’re so excited to be teaming up with BBC ALBA once again to uncover and celebrate the next wave of incredible Scottish talent.
“This opportunity is so much more than a performance slot — it’s a potential launchpad for an artist’s future. Over the years, we’ve seen past talent go on to build amazing careers, and that journey often starts right here, on the Belladrum stage.
“Our partnership with BBC ALBA has been instrumental in showcasing not just the festival, but the creativity and energy coming out of the Highlands and Islands. Fourteen years on, it’s still a huge moment when a fresh new voice gets the chance to share their music with thousands, both on site and at home. We can’t wait to see who takes that spotlight this year.”
Last year’s BBC ALBA x Belladrum talent search winner, Cameron Ferguson, said: “Almost a year on from winning the 2024 Belladrum talent search, I can still say that opening up that stage was the proudest moment of my musical journey to date.
“The feeling of playing on a stage I had once only dreamed of playing was surreal, especially one so close to home. Thank you Belladrum, you’ve opened a lot doors for the band and I. We will be back soon enough!”
Belladrum brings together top musical acts, comedy, cabaret, spoken word, dance, drag and even wrestling as part of the annual family-friendly festival. A wealth of new names and popular crowd-pleasers have been added to the festival line up in recent weeks, including The Pigeon Detectives, Example, The Hoosiers, Irish singer and songwriter CMAT, and Scottish folk rock and pop favourites Skipinnish and Tide Lines.
For those unable to attend, BBC ALBA will be bringing the best of the festival to viewers at home with its annual live coverage broadcast across the weekend, available on BBC ALBA and BBC iPlayer.
Edinburgh International Festival’s Art of Listening workshops celebrate 25 years of inspiring schoolchildren through live classical music, reaching a record 3,000 young people in 2025, and expanding with a new family-friendly workshop open to the public.
A summerprogramme for young people includes an interactive Family Concert, a free outdoor singalong event The Big Singalong, and the Young Musician’s Pass, a programme offering over 2,000 free concert tickets to young music fans.
From Discover Opera school tours set to introduce over 1,000 pupils to opera this year, to ongoing initiatives that bring events to community and healthcare settings, the Festival’s year-round programmes deeply engage with Edinburgh’s communities, enhancing wellbeing and expanding access to live performance.
This year the Edinburgh International Festival’s flagship workshop Art of Listening celebrates 25 years of bringing live classical music to schoolchildren across Edinburgh.
Across this quarter century, the workshop has been delivered to an approximate approximate 23,000 pupils, and so far in 2025 has reached an unprecedented 3,000 young people — its largest audience to date.
Designed for pupils aged 10-12, Art of Listening introduces children to the artforms of classical music and opera through an imaginative blend of live performance, songs and activities. Taking place at the International Festival’s home, The Hub, these two-hour workshops feature music ranging from Beethoven and Britten to the Harry Potter film scores and Taylor Swift.
Led by a facilitator, professional opera singer and pianist, the sessions encourage participants to engage their imaginations, strengthen listening skills and respond creatively to music. For many children, this is their first experience of live classical music.
The workshop has been delivered across every ward in Edinburgh, and are offered every year to every state primary school in the city, anchoring the International Festival’s strong commitment to culturally impacting the cultural and civic life of the city.
For the first time,Art of Listening for Families will also be open to the public as part of the International Festival’s 2025 programme, with an interactive workshop designed for children aged 7-11 and their accompanying adults to discover the joy of active listening together.
Back due to popular demand, the Family Concert is recommended for ages 7-11, but suitable for all ages. In a special interactive introduction to classical music, Scottish musical traditions are contrasted with the sounds of America, performed by the inspirational young musicians of the National Youth Orchestra 2 from New York’s prestigious Carnegie Hall, with presenter Lucy Drever introducing the musicians and the music.
During the International Festival’s opening weekend, singing enthusiasts of all ages are also invited to Princes Street Gardens’ Ross Bandstand for The Big Singalong, a free event led by Stephen Deazley, artistic director of Edinburgh’s Love Music Community Choir.
Every year, the International Festival’s Young Musician’s Pass opens up opportunities for young people who live in Scotland and play a musical instrument or sing to discover a world of music for free.
With over 2000 tickets available, each budding musician can claim up to three pairs of free tickets for Festival performances from the world’s finest orchestras and ensembles. A free scheme that is open to anyone aged 8-18, the full details and range of performances will be released today and can be found at www.eif.co.uk/ymp.
Secondary school pupils are invited to performances and activities during August across music, theatre, opera and dance in the Discover series, an annual commitment to creating pathways to each artform and foster a lifelong love of the arts. This year, Discover Opera tours Edinburgh schools in June to introduce 1,000 students to the story and music of Orpheus and Eurydice, as well as offering 500 tickets to students to attend the spectacular opera for free in August, enabling many to see opera on stage for the first time.
This summer will also see flagship projects that bring groups into the heart of August’s performances, developing long-term connections with Edinburgh’s communities to find ways to reflect the ideas, ambitions and creative interests of different groups within the International Festival’s year-round work.
In 2025, for the first time the International Festival has established a Youth Collective, inviting fifteen young people from across Edinburgh to co-create the youth experience of the 2025 Festival, such as a Youth Takeover Day for senior pupils from across Edinburgh.
Culture Clubs for community groups, and pop-up performances at NHS settings, with the NHS Lothian Charity, extend the joy of the International Festival beyond concert hall and theatres, into local communities.
The International Festival’s multi-year Community Connections Hub partnership with Space @ Broomhouse Hub also continues, creating work experience opportunities for young people, co-curated projects and inviting artists including Aga Khan Masters, London Symphony Orchestra and Scottish Ballet to connect with the Broomhouse community.
Nicola Benedetti, Edinburgh International Festival Director, said: “For a quarter of a century, Art of Listening has opened the doors of classical music to thousands of Edinburgh’s young people.
It’s a programme rooted in the belief that live performance should be accessible to everyone, and we’re thrilled to welcome a record number of eager schoolchildren in 2025. Expanding the workshops to families in our 2025 Festival marks a wonderful new chapter, inviting audiences across generations to connect with music in fresh and inspiring ways.”
Caroline Donald, Head of Discovery and Participation said: “Removing financial barriers and creating a welcoming space for families and schools are cornerstones of the year-round work we do.
“The International Festival provides workshops like Art of Listening free of charge to all participating schools, including transport costs, ensuring children from all backgrounds can experience the power of live classical music — often for the very first time.
“Underpinning the International Festival is an ambition to build relationships and offer meaningful, valued, world-expanding experiences through the performing arts, and we’re excited to continue our work with the young people of Edinburgh and their communities.”
Tickets to experience the Art of Listening for Families and other performances at the 2025 Edinburgh International Festival are available at www.eif.co.uk.
Pic Greg Macvean 27/04/2025
City of Edinburgh Council – reception at City Chambers for the Arts Festivals Summit
215 festival specialists gathered this week in Edinburgh for the European Arts Festivals Summit 2025.
Hosted by the Edinburgh International Festival, Festivals Edinburgh, and the City of Edinburgh Council, the Arts Festivals Summit 2025 of the European Festivals Association’s (EFA) welcomed over 200 festival professionals for a four-day conversation about festivals, arts, and the role of arts festivals today.
With 215 delegates participating from 44 countries, it has brought diverse perspectives, questions, and themes forward on how festivals can assume a responsible role towards their artists, audiences and societies in an ever-changing world.
Edinburgh International Festival Director, Nicola Benedettiopened the Summitwith a keynote talk on her experience of taking on the role and how her perspective as a performing artist has shaped her approach to curation, collaboration and connection.
Ms Benedetti shared reflections on the importance of holding in balance a deep respect for the past whilst providing a fertile ground for daring innovation, risk and unbridled creativity.
Delegates heard from a range of different voices and perspectives to gain a greater understanding of the interaction between festivals and their city, particularly in the case of Edinburgh, and explored the different aspects that contribute to Edinburgh’s success story.
They had the chance to meet the network of Festivals that exists in Edinburgh and the eleven festivals that contribute to Edinburgh’s unique reputation as The Festival City.
Fittingly Edinburgh is one of the founding members of the recently established EFFE Seal for Festival Cities and Regions, run by EFA which was developed by seven cities – Belgrade, Bergen, Edinburgh, Ghent, Krakow, Leeuwarden, and Ljubljana – to build on the achievements of the EU-funded Europe for Festivals, Festivals for Europe – EFFE programme and sets out to build co-operation between cities and their festivals across Europe.
During the Summit, four cities signed up to the EFFE Seal: Nis (Serbia), Budapest II District (Hungary), Coimbra (Portugal) and Tampere (Finland).
The EFFE Seal recognises cities for their commitment to their festival communities and aims to promote creativity, sustainability, internationalism, and resilience through knowledge exchange.
The future of festivals and their place in society focused delegates on how festivals contribute to societal topics such as sustainability, inclusion, well-being and freedom of speech, discussed from the point of best practices, learning from failures, perspectives and innovative proposals.
Inspiring keynotes by Roman Krznaric, author and social philosopher, and Elena Polivtseva, independent researcher and a co-founder of Culture Policy Room, challenged participants to think through the current tests the arts are facing, their vision for the future and the importance of long term thinking.
Nicola Benedetti, Festival Director, Edinburgh International Festival, said: “The Edinburgh International Festival exists to spark dialogue and cultural exchange – not only on our stages, but across communities and borders.
“It was a privilege to host the European Festivals Association’s 2025 Summit at The Hub, our home in the heart of the Festival City – where the International Festival sparked what is now the largest cultural celebration after the Olympics, every August in Edinburgh.
“Being surrounded by such a dynamic gathering of cultural leaders was a powerful reminder that the most enduring festivals and institutions are driven by a deeper desire to change society for the better.
“Coming together with our international counterparts to reflect, challenge, and collaborate on how we can deepen our impact was both energising and essential.”
Jan Briers, President of European Festivals Association affirmed: “The Summit in Edinburgh was full of new information, permanent networking, and making new collaborations and friends.
“It was a wonderful edition during which festivals coming from many different contexts discussed the future and its shape.”
Lori Anderson, Director of Festivals Edinburgh added:“Seeing our European festival colleagues inspired by cultural conversations across the city, and exhilarated by the beauty of Edinburgh, has been not only heartening but deeply moving – and reminds us that, in the current climate of global uncertainly, there is so much that unites us and so much to gain from deeper international relationships”.
EFA Members elected their President giving a continued mandate to its current chair, Jan Briers
Jan BRIERS shared: “I am pleased to continue to chair this wonderful organisation and being elected in Edinburgh is very meaningful for my new mandate.”
Michael Herrmann, Founder and Director of the Rheingau Music Festival, has been appointed as new Honorary Member of EFA.
The Summit concluded with the handing over of Edinburgh to Budva, Montenegro.
“We are excited about the opportunity to host the Arts Festivals Summit in Budva next year. The gem of the Western Balkans has many things to offer.
We are committed to make sure delegates enjoy a fruitful and unforgettable stay.“, said Milena Lubarda Marojević, Director of Theatre City Budva that will host EFA’s next Arts Festivals Summit in April 2026.
During the Summit, 22 new organisations joined EFA, reinforcing EFA’s desire to increase the more diversity of its membership and adding to the Association’s relevance at a geographical and artistic level.
New members include Africa Simply The Best (Belgium), Anibar International Animation Festival (Kosovo), DokuFest (Kosovo), Festival Fabula (Slovenia), Festival Música Viva (Portugal), Food Film Fest Bergamo (Italy), I Suoni Delle Dolomiti (Italy), KotorArt International Festival (Montenegro), Maribor Theatre Festival (Slovenia), Oeiras International Piano Festival (Portugal), ReMusica Festival (Kosovo), SPRING Utrecht Performing Arts Festival (Netherlands), Turkish State Theatres (Türkiye), and Vicenza Opera Festival (Italy). Five Ukrainian festivals have been reconducted in their membership, expressing EFA’s solidarity with the country: Construction Festival, Festival of Contemporary Art “Gogolfest”, Kharkiv Music Fest, Odessa Classics Music Festival, and Ukrainian Festival Association “Art-Ethno Fest”.
Three organisations also joined as collective and affiliate members: Creative Island (United Kingdom), the Association of Asia Pacific Performing Arts Centres (AAPPAC) and the World Federation of International Music Competitions (WFIMC).
