Category: Old Town

“I work at one of the UK’s top Halloween attractions – here’s how we prepare for spooky season”

  • The Dungeons share insights into Halloween prep at one of the UK’s top October destinations
  • The attraction performs over 1,000 Halloween shows each year
  • Visitors to The Dungeons increases by 98% during Halloween season

The Edinburgh Dungeon, renowned for bringing scare-seeking guests the most terrifying tales from the past, has revealed how the attraction prepares for its busiest time of the year.

Lyndsay Hebert, Performance Manager at The Edinburgh Dungeon, has been perfecting the art of fear for over two decades. With 23 years of experience at the attraction, Halloween is her favourite time of year. 

For her, it’s not just about costumes and decorations—it’s about blending history, creativity, and horror to deliver an unforgettable experience.

Lyndsay reveals that preparations for Halloween begin as early as January. Edinburgh, known as one of Europe’s most haunted cities, provides the perfect backdrop, with its ghost stories and local legends offering endless inspiration. Lyndsay takes pride in the city’s dark history, saying, “There’s always a new chilling tale to tell.

“The concept might evolve, but starting early ensures we deliver the best experience,” she explains. With over 50 performances on peak days and more than 1,000 over the Halloween season, the entire team works tirelessly to create a terrifying experience every time.

The actors are key to The Dungeon’s success, with quick costume and makeup changes happening throughout the day. Each performer begins with a base of scars, cuts, and bruises, adding more layers as they switch roles.

“The messier the hair, the better,” Lyndsay says. Hair and makeup touch-ups are ongoing to maintain authenticity, and it’s the actors’ relentless energy that brings The Dungeon to life.

“There’s nothing a Dungeon actor loves more than hearing the screams of the audience—you know you’ve done your job well!” Lyndsay enthuses.

Behind the scenes, the work is just as intense as what happens onstage. “There’s never a dull day in The Dungeon!” she exclaims. “The actors move quickly, switching costumes, makeup, and characters every hour.”

This year’s Halloween event, Halloween: The Monster of Glamis, runs from 12th October to 3rd November. Guests will explore the eerie passageways of Glamis Castle, where a monstrous presence awaits.

What starts as an innocent birthday celebration for the Laird’s youngest family member quickly turns into a nightmare as guests confront the terrifying Monster of Glamis and the chilling Room of Skulls, filled with ominous whispers from the past.

For those brave enough to enter, The Edinburgh Dungeon promises a Halloween experience like no other. With fresh stories, immersive settings, and a dedicated team ready to create the ultimate fright, visitors are in for a hauntingly good time!

Will you survive the Monster of Glamis and escape the Room of Skulls?

Pre-book now, or for more information, visit the Edinburgh Dungeon’s website: 

https://www.thedungeons.com/edinburgh/whats-inside/events/monster-of-glamis/.

George IV Bridge assault: Do you know this man?

Police have released an image of a male they wish to speak to who may be able to assist with their enquiries into an assault which took place on Saturday, 14 September, 2024 on George IV Bridge. The incident took place at around 8pm.

The male (pictured above) is described as a white male, medium build, mid-30s, approximately 5ft 9” tall with short dark hair. He was seen to be wearing a red short sleeved polo shirt, dark skinny jeans and white trainers.

Detective Constable Adam Campbell said “I would urge the male pictured or anyone who may recognise him or has information about this incident to contact us as soon as possible.

“Anyone who can assist is asked to contact Police Scotland via 101, quoting incident number 3442 of 14 September 2024. Alternatively, you can contact Crimestoppers on 0800 555 111 where information can be given anonymously.”

Roadworks in Old Town to last NINE months

The city council is improving the roads, pavements and drainage at Lawnmarket – between Castlehill and George IV Bridge – and Upper Bow. Work is due to start on 23 September 2024 and end in July 2025.

The improvement work includes the reconstruction of the existing natural stone setts on the streets, and will improve walking and road conditions, whilst enhancing road safety.

This will take place in four phases, which will be completed consecutively. Work will take place Monday to Saturday typically between the hours of 7.30am and 5pm.

Phase 1: 23 September – December 2024
Upper Bow – full length. Upper Bow will be closed. The Lawnmarket will continue to operate eastbound only.

Phase 2: December 2024 – February 2025
Lawnmarket – roundabout area. Road closed at the roundabout area with no through route for vehicles. Access may still be available from George IV Bridge. Deliveries to Castlehill will be via Ramsay Lane.

Phase 3: March – April 2025
Road closure of the eastern half with no through route for vehicles. Local access to the western half and Castlehill can be obtained via Johnston Terrace.

Phase 4: May – July 2025
Road closure of the western half with no through route for vehicles. Local access via Johnston Terrace – some access may be available from George IV Bridge.

Pedestrian access to the area will be maintained at all times, restrictions will be placed on vehicle access. Eastbound traffic will be maintained during phase 1, but Lawnmarket will be closed to through traffic from December 2024.

Access will be maintained at all times for emergency services vehicles.

Temporary parking restrictions will be introduced to make sure the work is done safely, with on-street signage providing details of specific restrictions. 

Full details on bus access, diversion routes, loading and servicing are available on our website.

Transport and Environment Convener, Councillor Stephen Jenkinson said: “Maintaining and enhancing our streets is a key priority and I’m proud that we’re taking these steps to make improvements in the Lawnmarket area.

“The Old Town is world famous for its setts and cobblestones and we need to preserve these for the future. I appreciate these works may cause some disruption for our residents, businesses and visitors so I’d like to thank them for their patience.”

Throughout the works the council says it will monitor progress and keep residents and businesses updated.

Greyfriars Kirkyard: Community Update & Public Consultation

SATURDAY 7 SEPTEMBER from 12.30 – 3pm

Join us for a community update & public consultation on the Greyfriars Kirkyard conservation management plan, Saturday 7 Sept 12.30 – 3.00pm in Greyfriars Kirk.

All welcome! Booking not required.

Note there is free entry to @greyfriars_kirk for this event.

Meet Robert Fergusson on the 250th Anniversary of his death

The Real Mary King’s Close, one of Edinburgh’s most iconic historic sites, is proud to announce an exciting new experience as part of its 2024 calendar: Meet the Poet: Robert Fergusson. This special event marks the 250th anniversary of the death of one of Scotland’s most influential yet often misunderstood poets, Robert Fergusson.

In collaboration with the University of Glasgow’s research project, The Collected Works of Robert Fergusson: Reconstructing Textual and Cultural Legacies, The Real Mary King’s Close offers an extraordinary opportunity to step back into 18th-century Edinburgh and engage directly with the life and work of the poet who captured the essence of the city like no other.

Guests will begin their journey back in time with a one-hour guided tour of Mary King’s Close, exploring Edinburgh’s only 17th-century preserved street beneath the Royal Mile.

This experience is particularly poignant as Robert Fergusson himself would have walked these very streets, frequently visiting Craig’s Close—located just next to Mary King’s Close—where he was a member of the Cape Club, an after-hours drinking society. Following the tour, guests will be treated to a unique 30-minute “meet and greet” with Robert Fergusson himself.

During this session, Fergusson will recount the story of his short but vibrant life, share some of his most beloved poems, and invite guests to try their hand at writing their own verse, inspired by his work and the rich history that surrounds them. For those wishing to elevate their experience, an optional upgrade is available, including a dram of whisky, to be shared in a toast with Fergusson.

This event is part of a broader initiative by the University of Glasgow’s research project The Collected Works of Robert Fergusson: Reconstructing Textual and Cultural Legacies, which is funded by the Leverhulme Trust.

The project is preparing a new edition of Fergusson’s complete works, due for publication by Edinburgh University Press in 2026. As part of this initiative, they are holding numerous events to commemorate the 250th anniversary of Fergusson’s death in 2024.

The project aims to give Fergusson’s literary, textual, biographical, linguistic, medical and cultural legacies the timely recognition they deserve.

Rhona Brown, Professor of Scottish Textual Cultures at the University of Glasgow, explained the significance of Fergusson’s work: “Robert Fergusson (1750-74) is one of Scotland’s most important poets, but he is often misunderstood.

“He is known for his enormous influence on Scotland’s national poet, Robert Burns, and for his tragic early death in an asylum at just 24 years of age. But there’s so much more to Fergusson than this.

“Writing in both Scots and English, one of Fergusson’s key themes is the ordinary life of Edinburgh, and he depicts the city, warts and all, in his masterpiece, Auld Reikie (1773). His poetry is astute and satirical, funny and razor-sharp. So, although the end of his life may have been tragic, his legacy is anything but.

“At the 250th anniversary of his death in 2024, we have an opportunity to rethink Robert Fergusson and to understand his legacies in new ways. We urge you to read the poems and see for yourself!”

Paul Nixon, General Manager at The Real Mary King’s Close, said: “We are thrilled to be part of the celebration of Robert Fergusson’s life and legacy.

“The Meet the Poet experience offers our guests a rare and immersive experience, where they can not only walk in the footsteps of Edinburgh’s past but also engage with one of its most compelling voices.

“This collaboration with the University of Glasgow allows us to bring Fergusson’s work to life in a way that is both educational and deeply personal.”

The Meet the Poet: Robert Fergusson event is a must-see for those interested in Scottish history, literature, and culture. It offers a unique chance to explore the lesser-known aspects of Fergusson’s life and appreciate his impact on the literary world, all within the atmospheric setting of Mary King’s Close.

Booking Information:

Tickets for the event are now available for purchase on The Real Mary King’s Close website. Due to the intimate nature of the event, spaces are limited, and early booking is recommended.

The events will be held on Friday 20th and Friday 27th of September.

For more information or to book your tickets, please visit:

https://www.realmarykingsclose.com/event/meet-robert-fergusson/

Living Spaces: Outdoor photography exhibition opens in city centre vandalism hotspots

A new outdoor exhibition of photographs by five local photographers has gone on display in Edinburgh’s busy urban thoroughfares.

Living Spaces, commissioned by Places for People Scotland, part of the UK’s leading social enterprise, has been installed in five different locations across the city, all of which were identified as vandalism hotspots following numerous repairs and treatments by the Places for People Scotland team over the years. 

After identifying the locations, Places for People Scotland brought local photographers on board, who suggested various images which they believed would work well across the sites.

The artists and Places for People Scotland recognised the importance of resident participation in this project – as these are ‘living spaces’ –  and customers living in the area were invited to  select the final images to go on display using an online poll.

The chosen photographs vary from moments of calm within the natural world, to colourful snapshots of interior and exterior life around the city.

Katie Smart, Director of Places for People Scotland said: “We are delighted to see this project come to life, our goal with this project was to transform living spaces across the city that had been victim to vandalism for both our customers whose homes are in the area and the wider Edinburgh community.

It was important to us to involve our customers in the decision process, it feels extra special knowing that the artwork has been chosen by those most affected whilst being able to provide incredible local photographers with a platform for their work.”

Christina Webber, participating photographer and Director of AGITATE, said: “It’s such a joy to see this project realised and AGITATE are proud to host a version of the work at 6WS during the Festival season.

“We love the August buzz and to be able to platform local artists to a visiting international audience is a really important opportunity.

“As a photographer, exhibiting work in alternative spaces with so many people passing each day is really exciting. Engagement with photography is so often digital, having the chance to be part of people’s everyday journeys is a privilege.”

Smaller scale versions of all the works are on display at 6 William Street (6WS) throughout August, alongside a Festival ‘rest space’ and a short programme of drop-in workshops to complement the work.

The artists whose work is included in the project are:

Dave Ferrie

Everything that exists in cities is of interest to Dave, but particularly the areas where old and new meet, and the spaces where nature and man-made structures coexist.

Dave loves exploring urban environments and photographing the moments, places and sights which grab his attention.

Kat Gollock

Kat is a graduate of both Stevenson College (now Edinburgh College) and Edinburgh Napier University, where she graduated with first class honours, and has over 15 years experience in the photography industry. 

Kat specialises in events, portraiture and live performance. As well as commercial photographic work, she teaches photography, and is an exhibited photographic artist and a published writer on the subject. 

Zoe Hamill

Zoe is a photographer from Co. Antrim, now living in Edinburgh.

She is interested in the relationship between humans and the environment, as well as the systems of classification that we use to make sense of the world around us. 

Jack Low

Jack Low is a lens-based visual artist based in Glasgow, having studied Photography and Film at Edinburgh Napier University.

Drawn into photography at a young age through an interest in technology, he has produced works critically examining modern culture, social media and the human condition through means of installation pieces and typologies.

Christina Webber

Christina is a visual artist who loves pictures, words, and their potential when put together. She completed a First Class BA (Hons) in Photography & Film from Edinburgh Napier University in 2015, and works as a Freelance Digital Communicator for a variety of clients.

Additionally, Christina is Co-Director of AGITATE, a hub for photography based in Edinburgh’s West End.

Festival of Politics starts on Monday

The Festival of Politics starts on Monday and we can’t wait to welcome you into the Scottish Parliament!

For those of you needing last-minute tickets, here’s a list of handy links to every single event …

MONDAY 19th

Dementia – the power of dance and playlists

In Conversation with Jack Lowden

Healing Arts Scotland performance with Edinburgh International Festival

In conversation with Benedetta Tagliabue with a performance by Roberto Cacciapaglia

TUESDAY 20th

The power of age-friendly communities and the arts

Who controls AI – ethics and legality?

Health creators: health inequalities in Scotland

20 years of Holyrood

What is local government for?

Home sweet home?

Place and displacement: reconnecting to the world through the arts

WEDNESDAY 21st

AI and creativity

Why do we need whistle-blowers?

Space – launching Scotland’s ambitions

Jobs and the just transition – back to the 80s?

Are standards in public life really declining?

U.S. elections – Trump or Harris?

Making amends for the Empire – has Scotland done enough?

THURSDAY 22nd

Global politics in 2024 – testing times ahead?

Consent

GameApocalypse now: can games solve Scotland’s digital skills crisis?

Sexism in the workplace

Not the end of the world?

Reading between the lines: information literacy

25 years of the Scottish Parliament – where are the young women?

Join the Climate Café ®

FRIDAY 23rd

Mental health and young people

AI – deep fake politics

Raising the curtain on St Andrew’s Day

Incel culture

Elections in 50 countries

Think local, act global? – international cultural ambition in perilous times

Responsible debate

The Scottish Parliament at 25

There’s also live music, exhibitions, book signings, food and drink and merch on offer! 

Find more Festival information here.

Gilded Balloon celebrates Pink Wednesday today with £5 tickets for charity

THOUSANDS OF DISCOUNTED TICKETS WILL RAISE FUNDS FOR WAVERLEY CARE FOR 24 HOURS ONLY

It’s time to paint the town pink once more as Gilded Balloon, one of Edinburgh Festival Fringe’s longest-running venues, kicks off their legendary Pink Wednesday – a 24 hour charity day with £5 tickets for some of the Fringe’s most in-demand shows. 

Gilded Balloon’s staff, performers and customers join together to don their best pink outfits and fundraise for this year’s charity partner Waverley Care, all whilst enjoying discounted tickets for Fringe shows, fancy dress, competition prizes and more.

With 130 shows across two venues in 2024, Patter House and the National Museum of Scotland, fans can snap up £5 tickets for comedy, theatre, family, cabaret and more, with a percentage of ticket sales donated directly to Waverley Care, Scotland’s leading HIV and hepatitis C charity. 

Acts raising funds for Waverley Care include Jack Docherty in The Chief – No Apologies, Martin Brock, Juliette Burton,  Hypnotist Matt Hale, Chris Hall, Pop Off, Michelangelo, Grace Campbell and more, with £5 tickets available for these shows via Gilded Baloon’s box offices and websites.

Visit tickets.gildedballoon.co.uk to view all shows offering £5 tickets today across family, comedy, cabaret, theatre, magic and more. 

Ts&Cs: £5 plus handling fees. Tickets to participating shows only, whilst stocks last 

Traditionally nicknamed ‘Black Wednesday’ and known as a day of slower ticket sales across the Fringe, Gilded Balloon introduced Pink Wednesday in 2018 to encourage locals and Fringe fans to take a chance on a new show and enjoy discounted tickets, all whilst raising vital funds for charity.

Each £5 ticket sold will see money donated to Waverley Care, as well as charity staff fundraising throughout the day with bucket collections, QR codes and information points. 

Waverley Care was founded in 1989 in response to the HIV epidemic in Edinburgh, the charity now focuses on ending new HIV transmission in Scotland by 2030, while continuing to support people and communities affected by HIV, hepatitis C and sexual health inequalities. 

Katy and Karen Koren, Artistic Directors of Gilded Balloon said: “It’s officially time to paint the town pink again as we launch £5 tickets for one day only, in support of the wonderful Waverley Care.

“Pink Wednesday is a chance for acts, customers and staff to join together and raise money for charity, support our brilliant artists and see some fantastic shows for only £5. It’s a great opportunity to take a chance on something new and buy a ticket for a show you haven’t heard of before, and maybe discover your new favourite comedian!

“We’re thrilled to see so many acts opt in to support Waverley Care by donating a percentage of their ticket sales for today to the charity, as they do unparalleled and vitally important work across Scotland. We hope everyone embraces the Pink Wednesday spirit, dons their best pink outfits today and comes down to get involved!”  

Grant Sugden, Chief Executive, Waverley Care said: “Waverley Care is delighted to be chosen as Gilded Balloon’s charity partner for this year’s Pink Wednesday event. This collaboration is an incredible opportunity to tackle HIV stigma and raise vital funds. 

“Scotland is on the verge of becoming one of the first countries to achieve zero new HIV transmission. To reach this goal, we need more people to get tested, to improve access to HIV prevention medication Pre-Exposure Prophylaxis (PrEP), and to end harmful HIV stigma.  

“We look forward to engaging with people attending shows, sharing our mission to end new HIV transmission by 2030, and raising money to support those affected by HIV and hepatitis C across Scotland.”

Waverley Care is Scotland’s leading HIV and hepatitis C charity, and everything they do is guided by the experiences of the people they work with – this ranges from shaping the services they deliver through to how they influence national policy around sexual health and blood-borne viruses (BBVs).

Waverley Care’s vision is a Scotland where anyone living with or at risk of HIV can expect to be treated with acceptance, support and respect. Find out more information and support Waverley Care – www.waverleycare.org 

With over 130 shows across two venues including Patter House and the National Museum of Scotland, Gilded Balloon’s programme covers comedy, theatre, magic, kids shows and much more. 

Tickets  via  www.tickets.gildedballoon.co.uk 

Edinburgh’s festival season takes centre stage

Culture and Communities Convener Val Walker writes about the summer festival season and finding the balance:

There’s already a fantastic buzz building across Edinburgh as the summer festival season starts to get into full swing. It’s undeniable that the festivals continue to be a central part of the fabric of our city.

They contribute year-round to our worldwide reputation as an outstanding destination and showcase our identity as a welcoming place to be, both for those of us lucky enough to live here and the millions who visit each year.

Edinburgh in August is a place like no other, with our residents and visitors enjoying access to thousands of outstanding performers and shows that we’d otherwise have to travel the world to find. From the Jazz and Blues Festival at the start of this month, through to the Fringe, Art, Film, Book, Tattoo and International festivals throughout August, we’re truly spoiled for choice here in the culture capital of the world.

Beyond the cultural benefits, it’s important also to remember just how important the festivals – and the tourism industry as whole – are to our economy. Tourism in Edinburgh sustains over 30,000 jobs, bringing in £2.7 billion worth of visitor spend each year, with the festivals alone supporting over 7,000 FTE jobs and contributing £407 million to our local economy. Beyond that, of course, it affords us, as residents, the choice of restaurants, bars, and other attractions that would simply not exist otherwise.

We do acknowledge, of course, that there is another side to this – for all the buzz we enjoy in August, it is also extremely busy – and we’re fully aware of our responsibility to manage this and find the right balance between the needs of our residents and visitors.

I was delighted, then, that following our long campaign to introduce a visitor levy, we’re now able work with the tourist industry and other partners to develop our plans, with a view to introducing a levy by early summer 2026 (following an 18-month mandatory stand still period).

This presents a major opportunity for us, generating millions of pounds in additional revenue to sustain and develop the city – just as so many other major cities already do so successfully – and to support and enhance our world class festivals. As an example, had a 5 per cent levy been in place over the weekend of Taylor Swift’s concerts, it would have generated an (estimated) additional £632,000.

With the city’s population effectively doubling during August, it’s important that we also consider short-term measures to keep the city moving. That’s why, we’ve re-introduced a series of changes in and around the Old Town, all designed to make our streets and pavements easier and safer to navigate.

Our transport partners are also doing what they can to help us get around smoothly and safely and I’m delighted that, once again, Edinburgh Trams will be operating an all-night service every weekend throughout August, while Lothian Buses will be offering additional on-street support during busy periods.

Alongside our festival season this summer, we’re also eagerly anticipating the launch of Edinburgh 900 – a celebration of nine centuries of our shared history and traditions as a Royal Burgh.

With the programme launching next week, we can look forward to 18 months of community and other events, shining a light on the wonderful and often colourful history of our fantastic city, and on the people and communities who’ve helped make our city what it is today.

I do hope that, like me, you’re looking forward to another fantastic August here in Edinburgh, the best city in the world.

Youth arrested and charged following city centre chase

Around 7.50pm on Wednesday, 17 July, 2024, police officers observed a stolen vehicle being driven in the West Port area.

It failed to stop, and a short pursuit took place on Lady Lawson Street towards Lothian Road where it was cancelled for safety reasons.

Shortly afterwards, the same vehicle then struck a female pedestrian on Princes Street, before continuing onto South Saint David Street where it crashed into another vehicle.

A 17-year-old male was arrested on Market Street by officers following a short foot chase. He has been charged in connection with road traffic offences and released on an undertaking to appear in court at a later date.

Emergency services attended, and the female pedestrian was taken to the Royal Infirmary of Edinburgh for treatment to minor injuries. The driver of the other vehicle wasn’t injured.

One lane of Princes Street was closed near the Scott Monument for around three hours as enquiries were carried out, which caused some disruption to public transport.

Police would like to thank members of the public who assisted officers in tracing the male.