ALLISTON PICKARD, Jane Patricia – Scottish Liberal Democrats: 3,334
BROCK, Deidre Leanne – Scottish National Party (SNP): 12,000
JOHNSON, Daniel Guy – Scottish Labour Party: 16,963
MUNRO, Marie-Clair – Scottish Conservative and Unionist Party: 3,421
TURNER, Charles – Reform UK: 3,317
WILKINSON, Marc – Edinburgh & East Lothian People: 524
Daniel Guy Johnson (Scottish Labour Party) has been duly elected as Member of the Scottish Parliament for the Edinburgh Southern constituency with 16,963 votes
Police are appealing for information following a serious crash on the A720 city bypass, Edinburgh. Around 1.10pm on Thursday, 7 May, 2026, we received a report of a crash involving a red, white and blue Honda CBR 1000RR motorcycle near the Hermiston Junction.
Emergency services attended and the 30-year-old male rider was taken to the Royal Infirmary of Edinburgh for treatment.
The road was closed to allow enquiries to be carried out and reopened around 2.30pm.
Constable Josh Allan said: “Our enquiries are ongoing to establish the full circumstances of this crash.
“I am appealing for anyone who witnessed the crash and who hasn’t already spoken to officers to contact us.
“I would also ask anyone who was in the area and saw the motorcycle prior to the crash or who may have dash cam footage which could assist to get in touch.”
Anyone with any information is asked to contact 101 quoting reference 1652 of Thursday, 7 May, 2026.
COWDY, Christopher – Scottish Conservative and Unionist Party: 1,900
DIJKSTRA-DOWNIE, Sanne – Scottish Liberal Democrats: 12,972
HYSLOP, Euan – Scottish National Party (SNP): 10,479
KINROSS-O’NEILL, Kayleigh Ferguson – Scottish Green Party: 5,289
MCLAUGHLIN, Andrew – Reform UK: 2,867
MERON, Abu – Scottish Workers Party of Britain: 258
RYAN-SAHA, Eleanor – Scottish Labour Party: 3,744
Sanne Dijkstra-Downie (Scottish Liberal Democrats) has been duly elected as Member of the Scottish Parliament for the Edinburgh Northern constituency with 12,972 votes.
A new service to help expectant parents with their emotional wellbeing during pregnancy has been launched in NHS Lothian by NSPCC Scotland this Maternal Mental Health Week (4-10 May).
Pregnancy in Mind (PiM) is an online group service that supports parents, who are expecting a baby, with complicated feelings that can arise during pregnancy. It is designed to create a safe and reassuring space for parents in weeks 12-26 of pregnancy so they can reflect on any concerns, worries, or low mood they may be experiencing.
PiM encourages them to reflect on their pregnancy as it progresses and their connection to their growing baby, encourages social support with other parents-to-be, and builds confidence for when their baby is born.
The programme has eight online group sessions, usually delivered weekly (for 90-120 minutes), from the start of the second trimester (12 weeks) plus two one-to-one online post-birth sessions.
The service is delivered by practitioners who are experienced in creating a warm, safe and supportive space where expectant parents can build confidence, develop helpful ways of coping, and connect with others as they navigate pregnancy and prepare for the arrival of their new baby.
The service brings together a range of evidence informed approaches, including mindfulness, relaxation, coping strategies, building confidence in understanding emotional wellbeing and developing supportive social connections.
Parents do not need to be experiencing severe symptoms to take part, the service is open to those who feel they would benefit from extra support during pregnancy. Introductions by health and social care workers to the service can be made at any point up to 26 weeks of pregnancy. The pregnant person, their partner, support person or the baby’s other parent can take part in the programme.
Alison MacDonald, Executive Nurse Director for NHS Lothian, said: “We are pleased to be working in partnership with the NSPCC to add this programme to the range of support available to expectant parents.
“Mental health is just as important as physical health and this service offers early, practical support to parents who need it most, helping them to give their babies and children the best possible start in life.”
Jen Dixon, Team Manager at NSPCC Scotland, said: “Maternal Mental Health Awareness Week reminds us of the importance of emotional wellbeing during pregnancy.
When parents are finding things difficult, offering support to them as early as possible, can help them feel less alone as they prepare to meet their baby.
“Often parents join Pregnancy in Mind feeling uncertain, isolated or overwhelmed. Through the sessions, they connect with other parents who are experiencing similar feelings. The programme supports them to develop ways to improve their own wellbeing, leading them to feel more hopeful, confident and less overwhelmed when their baby is born.
“This supports their ability to create nurturing foundations and connections with their babies from the very beginning, including during pregnancy.”
For further information about PiM contact NSPCC Scotland by email:
A service providing emergency accommodation for people sleeping rough over winter will be able to continue throughout the year, thanks to a funding commitment by the City of Edinburgh Council.
The Welcome Centre, run by Bethany Christian Trust at the Council-owned ELS House on Gorgie Road, was due to cease operations at the end of April. The service will now be provided until March 2027, following a funding decision by Finance and Resources Committee on 28 April.
The Centre currently accommodates 64 households who have been rough sleeping in Edinburgh. Service users are offered three meals a day and support from Bethany paid staff, volunteers and Council officers to help access further accommodation.
Councillor Tim Pogson, Housing, Homelessness and Fair Work Convener, said: “Bethany Christian Trust provides an essential service for people facing rough sleeping in Edinburgh and over the last three decades has helped thousands of people to secure a warm and safe place to sleep, particularly over the colder winter months.
“We don’t want people to have to sleep rough at any time of the year though, so I’m really pleased that we’ll be able to keep the Welcome Centre open throughout 2026.
“Reducing homelessness, and where possible preventing it in the first place, is central to our Housing Emergency Action Plan, alongside ambitious plans to increase the city’s housing supply, making sure everyone has somewhere to live.”
Alasdair Bennett, Chief Executive, Bethany Christian Trust, said: “It is a desperate circumstance to face the prospect of sleeping rough, and worse still to experience the trauma and harms involved.
“The Welcome Centre is a service borne out of adversity to relieve suffering and meet long-term needs when people have nowhere else to stay. I am deeply grateful to the many volunteers, supporters, churches, and our charitable and statutory partners who together enable this life-saving work, sharing a commitment to offer not only shelter and sustenance, but hope, dignity and the opportunity for a new start.
“We are very grateful to the City of Edinburgh Council for making this significant next step possible, and for the shared commitment to provide both immediate support and pathways out of homelessness all year round. As someone said to me recently: ‘when is it ever warm enough to be homeless?’
“Finally, I want to thank our staff team. Their dedication to love and service is inspiring. In the last 30 weeks alone, 400 people have been accommodated, supported and helped to move forward, each knowing that they are valued and cared for.”
Bethany Christian Trust has operated winter care shelters in Edinburgh since 1996 and the service has since evolved to provide 24/7 accommodation and support for people who would be otherwise sleeping rough from October to May each year.
The Welcome Centre moved to ELS house on Gorgie Road in 2025.
The Council’s Housing Emergency Action Plan sets out the requirement for a year-round Welcome Centre to meet increasing demand in the city.
Latest information on cases including British nationals
Statement from the UK Health Security Agency (UKHSA), Department for Health and Social Care (DHSC), and Foreign, Commonwealth and Development Office (FCDO):
The UK government continues to work with international authorities in preparing for the arrival of British nationals to the UK from the MV Hondius cruise ship where an outbreak of Hantavirus was confirmed by the World Health Organization.
Two British nationals have confirmed hantavirus, with an additional suspected case of a British national on Tristan da Cunha. None of the British citizens onboard are currently reporting symptoms but they are being closely monitored.
The ship is expected to dock in Tenerife on Sunday, according to the latest updates from the Spanish Health Ministry. UK government staff will be on the ground ready to support the British nationals disembarking. British Passengers and ship crew not displaying any symptoms of hantavirus will be escorted by UK Government staff to an airport and given free passage back to the UK.
FCDO and UKHSA teams will be on the ground to support these arrangements, bolstered by a Rapid Deployment Team sent from the UK. The FCDO is chartering a dedicated repatriation flight for British ship passengers and crew only. This flight will be free of charge.
UKHSA is working with partners to ensure the flight operates under strict infection control measures. Public health and infectious disease specialists from UKHSA and the NHS will be on board to monitor British Nationals whilst on the flight, to ensure that preventative measures are in place and to provide any care in the unlikely event that any passengers become unwell on the flight.
All British passengers and crew on board the MV Hondius will be asked to isolate for 45 days upon returning to the UK and UKHSA will closely monitor these individuals, with testing as required.
Follow up is already underway for individuals who may have been in contact with cases and have since returned to the UK or are in in UK Overseas Territories. The UK government will ensure those self-isolating are given appropriate support.
UKHSA is aware of seven British Nationals who disembarked the ship at St Helena on 24 April.
Two of those people have returned to the UK independently and are isolating at home in the UK. Neither of these individuals is currently reporting symptoms. They are receiving advice and support from UKHSA and have been advised to self-isolate.
Four of these individuals remain in St Helena. A seventh individual has been traced outside of the UK.
The FCDO is in direct contact with the ship and British nationals on board and has stood up consular teams across multiple countries to support British nationals.
UK government is working very closely with international partners in response to this incident, including the cruise ship operator and the governments of UK overseas territories which were visited by the ship.
UK government teams are working at pace to get medical support to all affected Overseas Territories. The Ministry of Defence has worked with UKHSA to provide vital diagnostic supplies, including PCR tests, which were delivered to Ascension Island via a military plane on 7 May.
The risk to the general public remains very low.
Professor Robin May, Chief Scientific Officer at UKHSA, said: “This is an evolving situation, and we are working closely with partners to support British Nationals on board the MV Hondius.
“The risk to the general population remains very low and the public can be reassured that established infection control measures will be put in place at every step of the journey to ensure the safe repatriation of British passengers on board.”
Further information on the repatriation of British nationals will be provided in due course.
JOURNALISTS and technical staff at STV will strike over pay, with the action affecting coverage of the Scottish election results today.
Around 100 workers will form picket lines outside the STV offices in Glasgow (Pacific Quay) and Aberdeen (Craigshaw Business Park) from 8:30am.
Please share solidarity messages with campaigns@nuj.org.uk or join them in-person if you’re in the area.
In March, members of both the NUJ and Bectu at STV voted for the industrial action over management’s decision to offer a 0% pay award, in one of the first strike ballots to be held under the new Employment Rights Act.
NUJ members also went on strike as part of a separate dispute in January, braving cold weather and heavy snow to oppose damaging cuts to jobs and local news.
Nick McGowan-Lowe, NUJ Scotland organiser,said: “It’s frustrating that due to the stubbornness of STV management, on the biggest news day in Scotland for years, Scottish viewers, listeners and readers won’t be able to hear what some of the most well-respected journalists, reporters and producers in Scottish broadcasting have to say.
“Our members would much rather be reporting the election results than standing on picket lines, but they have been driven to this action by management’s indifference as to how overworked and underpaid they are.
“CEO Rufus Radcliffe has once again failed to grasp the opportunity to end this dispute, and it is personally embarrassing for him that STV will be broadcasting reruns instead of the biggest news story in Scotland.”
Vote counting in the Scottish Parliament election will commence this morning, after Scotland went to the polls yesterday.
Ballot boxes will be opened at 9am at designated counting centres across the county and the first constituencies are expected to be declared around midday.
If English council results are a guide, it promises to be a long and difficult day for the beleaguered Labour party in particular. Will spectacular Reform advances be mirrored north of the border, or can the SNP deliver an unlikely outright majority?
This week (4-10 May) marks Deaf Awareness Week, which aims to raise awareness of deafness while celebrating the UK’s deaf community.
This year, the National Deaf Children’s Society is highlighting the early signs of deafness in children and reassuring families that support is available from the very start.
Deafness isn’t always obvious. Many children have mild or one‑sided hearing loss, meaning signs can be easy to miss. A child might not respond when called, struggle in noisy places, seem tired or withdrawn, or miss parts of conversations.
Spotting these signs early can be life‑changing. With the right support, deaf children can develop strong communication skills and grow up confident and proud of who they are. Sometimes, simply knowing what to look for makes all the difference.
If you’re worried about your child’s hearing, it’s important not to dismiss concerns. The National Deaf Children’s Society supports families of children with all levels of hearing loss, offering free information and advice.
National Theatre of Scotland announces programme for Edinburgh Festival Fringe in the company’s 20th anniversary year
The acclaimed Through the Shortbread Tin, written and performed by Martin O’Connor at the Scottish Storytelling Centre as part of the Made in Scotland programme.
One Hundred Voices – a new immersive installation, bringing creative insight into living in the care system, opening at the Scottish Parliament and running during the Scottish Parliament’s Festival of Politics. Part of Caring Scotland, a major project documenting the lives of care experienced people in Scotland.
Marking 20 years of NTS Edinburgh Festival presentations, with 42 productions across the Festival Fringe and Edinburgh International Festival, from Black Watch to Make it Happen.
National Theatre of Scotland presents
Through the Shortbread Tin
Written and performed by Martin O’Connor
Remount directed by Joanna Bowman Original production directed by Lu Kemp
With Josie Duncan and Iona Mairead
Musical Director and Composer – Oliver Searle, Sound and Video Designer – Rob Willoughby, Set and Costume designed by Emma Bailey and Rachel O’Neill, Lighting Designer – Michaella Fee, Gaelic Consultant – Alasdair Whyte
At the Edinburgh Festival Fringe 2026 at the Scottish Storytelling Centre from 7 to 31 August at 4.45pm with a preview performance on 6 August 2026.
Opening press performance at the Scottish Storytelling Centre on Friday 7 August 2026 at 4.45pm.
Part of the Made in Scotland Showcase
The story of the greatest literary hoax of all time.
Returning to the stage following a critically acclaimed and award-nominated Scotland-wide tour in 2025, Martin O’Connor’s Through the Shortbread Tin is a poetic, poignant and playful show, performed in Scots with Gaelic songs, which explores Scottish culture, myths, history and identity.
“Fierce, Funny and Challenging” The Scotsman ★★★★
“an entertaining and intelligent investigation into the illusions and inconsistencies of Scottish history, culture and identity.” The Stage ★★★★
“A tartan wrapped gift of a show” The Herald ★★★★
Through the Shortbread Tin will open in Edinburgh at the Scottish Storytelling Centre as part of the Made in Scotland Programme at the Edinburgh Festival Fringe on Friday 7 August 2026.
Twenty years since the internationally acclaimed production of Black Watch premiered at the Edinburgh Festival Fringe, Through the Shortbread Tin marks National Theatre of Scotland’s 42 productions at the Edinburgh festivals, including last year’s Edinburgh International Festival sell out success, Make It Happen.
Through the Shortbread Tin is remounted for this year’s Edinburgh Festival Fringe by Joanna Bowman, whose previous productions include the award-winning Tron Theatre Company production of Escaped Alone; Doubt: A Parable (Dundee Rep) and most recently, Sweat (Citizens Theatre and Royal Lyceum Theatre Edinburgh). Joanna won the 2024 CATS Award for Best Director.
In 1760 Scottish poet James Macpherson set the world ablaze with stories of the third-century Scottish bard, Ossian. This tartan-trimmed tale of Highland history spread far and wide, capturing the imagination of thousands– but was it built on a deception?
In 2026 Scottish poet Martin O’Connor decides to revisit Macpherson’s epic and begins to question his own relationship with Scottish culture. The sporrans, the stags, the shortbread – do these ‘gift-shop’ images of Scotland hold us back or bring us forward? What does it mean to be authentic, and is the truth sometimes better told in a lie?
Imagine that you were telt tae ignore the myths?
Imagine you didnae know anything about the country you came fae?
But imagine you started askin questions?
Imagine that you could jist replace wan myth wi another?
Martin will be joined on stage by Josie Duncan and Iona Mairead, distinctive Gaelic choral singers, singing original songs composed by Oliver Searle.
Audiences are invited to join Martin and Macpherson on an oral odyssey spanning centuries of Scottish history, exploring the myths we tell each other and the stories we tell ourselves.
A tour to sited venues in Scotland in partnership with Historic Environment Scotland will be announced at a later date.
Through the Shortbread Tin was nominated for Best New Play in both the Critics’ Awards for Theatre in Scotland 2025 and the UK Theatre Awards 2025.
Through the Shortbread Tin is part of the National Theatre of Scotland’s 20th birthday programme, marking twenty years of game-changing theatre.
National Theatre of Scotland is delighted to be part of the Scottish Storytelling Centre’s 20th anniversary celebrations, as well by being part of their specially curated Festival Fringe programme, the centre piece of their year’s anniversary offering.
BACKGROUND TO OSSIAN
In 1760 Highlander Macpherson published Fragments of Ancient Poetry to great critical and commercial acclaim. The poems were collected from oral sources around Scotland and were presented as the work of a third century bard, Ossian, soon dubbed The Homer of the North. There soon followed two other publications, Fingal and Temora, and together they set the Scottish and European literary world alight. The ‘Ossian effect’ soon saw a rise in interest in Scottish and Highland ways of life and an increase in tourism and cultural interest. The impact of Ossian was immediate and permanent, even if the individual poems eventually fell out of fashion. But soon after publication, debates over Ossian’s aesthetic and moral ‘legitimacy’ surfaced, which plagued the writer and the impact and legacy of the work.
Martin O’Connor is an award-winning theatre-maker, performer and poet from Glasgow. He is interested in exploring ideas of voice and identity through theatre and poetry, with particular interest in Scots, Gaelic and verbatim. Martin won Scots Performer of the Year Award at the Scots Language Awards 2024.
He was granted a Gavin Wallace Fellowship in 2018, hosted by Playwrights’ Studio Scotland and the Lyceum Theatre, marking the first stage in his research into James Macpherson and Ossian.
He makes work for solo performance as well as with, and for, other people. He was the National Theatre of Scotland Writer in Residence in 2020. Previous projects include Turntable (MJ McCarthy/Red Bridge Arts), Mark of the Beast (Martin O’Connor/Platform), Togail Nàisean/ Building a Nation (Glasgow Life).
This remount of Through the Shortbread Tin is directed by Joanna Bowman. Joanna has directed for the Royal Shakespeare Company, Citizens Theatre, Chichester Festival Theatre, Tron Theatre, Dundee Rep Theatre, Perth Theatre, and Òran Mór. Previous productions include the award-winning Tron Theatre Company production of Escaped Alone, Doubt:A Parable (Dundee Rep) and most recently, Sweat (Citizens Theatre and Royal Lyceum Theatre Edinburgh). She was Associate Director of the Tron Theatre between 2022 and 2025 and is Associate Artist with the Citizens Theatre. Joanna won the 2024 CATS Award for Best Director.
The original production of Through the Shortbread Tin was directed by Lu Kemp, a theatre director and dramaturg with a distinctive reputation for her work in new writing. Lu was Artistic Director of Perth Theatre between 2016 to 2023. Her tenure was notable for supporting the creation of new work by Scottish artists and community engaged productions. As a freelance director, Lu has worked for The Citizens, The Royal Lyceum Theatre, National Theatre of Scotland, Artangel, London, The Tricycle, Almeida and The Royal Shakespeare Company.
Josie Duncan is a folk-inspired songwriter and award-winning singer from the Isle of Lewis. Her songs have been showcased worldwide from the Hebridean Celtic Festival Opening Concert to the National Celtic Festival Australia. Josie’s music features in National Theatre of Scotland’s Carry Me Home – A Ferry Tale, an award-winning short film directed by Seth Hardwick.
Edinburgh Festival Fringe venue: Scottish Storytelling Centre
Dates: Thursday 6 August (Preview); Friday 7 August to Monday 31 August (no shows on Wed 12, Sat 15, Wed 19, Wed 26 August)
One Hundred Voices interactive installation opens at the Scottish Parliament as part of the Edinburgh Festival Fringe and the Scottish Parliament’s Festival of Politics 2026 before touring Scotland alongside the Ten Portraits photographic exhibition, as part of Caring Scotland
One Hundred Voices and Ten Portraits at the Scottish Parliament from 12 to 28 August and during the Scottish Parliament’s Festival of Politics 2026 on 27 and 28 August
Then touring across Scotland from 2 September to 10 October 2026: Citizens Theatre, Studio Theatre and exhibition wall; Easterbrook Hall, Dumfries; Millenium Centre, Stranraer; Reid Hall, Forfar; Hall B, Rothes Halls, Glenrothes.
A National Theatre of Scotland project in partnership with Who Cares? Scotland and the National Library of Scotland, funded with an award from The National Lottery Heritage Fund
Lead Artist and script by Nicola McCartney
Designer - Karen Tennant, Lighting Designer - Kai Fischer, Sound Design - Niroshini Thambar and Dramaturg - Roxana Cole
Artist Facilitators: Kevin Gilday, Jo Mango, Roxana Cole, Sara Shaarawi and Mal Fraser
Ten Portraits Exhibition Photographer - Chris Scott
Opening in Edinburgh at the Scottish Parliament and part of the Festival of Politics in August 2026, One Hundred Voices is an interactive installation responding to real life stories of care experienced people.
The stories were recorded for Caring Scotland, a three-year listening project, led by acclaimed playwright Nicola McCartney documenting and recording the lives of care experienced people in Scotland.
One Hundred Voices is created by a leading team of Scottish artists and theatre-makers with design by Karen Tennant, lighting design by Kai Fischer, sound design by Niroshini Thambar, script by Nicola McCartney and dramaturgy by Roxana Cole.
“Good. You’re here. Well, come on in… We understand that for many of you, this journey will be a new experience for you. We want you to feel safe with us.”
The audience is led through the installation by an audio guide. Each room presents an intimate landscape of memory, resilience and imagination, drawn from the lives of one hundred voices from Scotland’s care experienced community. Fragments of stories unfold through sound, light, and space.
This interactive installation transforms oral history into artistic encounters and asks the audience to imagine together a more compassionate Scotland where every child is cherished, every voice amplified, every future honoured. It serves as an artistic act of recognition and celebration of the one hundred testimonies recorded through the Caring Scotland project.
The experience is audio narrated by Scott Kyle and Genna Allan. Both are actors who are also involved in the wider Caring Scotland project. Scott Kyle is one of the Ten Portraits subjects and Genna worked in the project team during the story collection phase. Both are care experienced.
The Scottish Parliament’s Festival of Politics takes place in the home of Scottish politics on 27 and 28 August; and will feature over 30 events tackling some of the big political, cultural and social issues of the day.
Ten Portraits exhibition, by Caring Scotland photographer in residence Chris Scott, opened at Inverness Museum on 05 May ahead of touring to Shetland, Aberdeen and Edinburgh as well as touring alongside the One Hundred Voices installation at the Scottish Parliament and beyond.
The Sound Collection –a collection of stories forms part of the audio archive of the National Library of Scotland with short excerpts also available on the NTS website.
The Sound Collectionextracts can be listened to here.
Supported by The Weir Charitable Trust and The Rayne Foundation
The Sound Collection, Ten Portraits and One Hundred Voices are the public culmination of Caring Scotland, a three-year listening project led and inspired by the practice of playwright and socially engaged theatre-maker, Nicola McCartney, documenting the lives of care experienced people in Scotland since 2024.
The project is a unique partnership between National Theatre of Scotland, Who Cares? Scotland and the National Library of Scotland and is funded with an award from The National Lottery Heritage Fund.
Ten Portraits is a touring photographic exhibition of photographs captured by Chris Scott, inspired and informed by the Caring Scotland listening project. Chris is a Scottish photographer with a care experienced background, whose style is contemporary with a dramatic and atmospheric feel. Chris’s unobtrusive photography style captures the essence and personality of the people he photographs. He has taken individual portraiture photographs of ten of the personal story contributors during the project.
The Sound Collection – all stories gathered from the listening project have been safely deposited in a new Caring Scotland oral history audio archive, housed in perpetuity at the National Library of Scotland for public access as well as excerpts being made available online via the NTS website.
A team of multi-disciplinary artists worked with Nicola on the research into Caring Scotland. Artists Kevin Gilday (poet), Jo Mango (musician & songwriter), Roxana Cole (director) and Mal Fraser (filmmaker) and Sara Shaarawi (playwright), engaging with care experienced people from across Scotland, collecting their stories for this unprecedented oral history audio archive.
Lead artist, Nicola McCartney, has worked on many artistic projects with the care experienced community, and has worked within the system as a member of the Children’s Panel and a foster parent.
Caring Scotland is a continuation of her creative practice and her ongoing research into the care system in Scotland. Previously, in 2021, Nicola was commissioned by National Theatre of Scotland to create Holding/Holding On as part of their Care in Contemporary Scotland – A Creative Enquiry programme.
Nicola’s practice of active listening enables participants to take control of their narratives. Caring Scotland empowers the care experienced community by offering members a platform for their voices to be heard by the people of Scotland.
Nicola McCartney, lead artist, said: “It has been an honour and a challenge to lead such a large project, documenting the lives of Care Experienced people in Scotland in their own words.
“We look forward to now sharing these stories with the nation in many different and innovative ways. The testimonies we have listened to of how the Care system has impacted on people’s lives are a vital and often overlooked part of what Scotland’s story was, is now and what we can become.”
With The National Lottery Heritage Fund’s support, the project has been open to all members of the care experienced community across Scotland to contribute to and take part in.
One Hundred Voices and Ten Portraits at the Scottish Parliament as part of the Edinburgh Festival Fringe, Wed 12 to Fri 28 August 26; Festival of Politics, Thu 27 to Fri 28 August 26 then touring to
Citizens Theatre, Studio Theatre and exhibition wall, Wed 2 to Sat 12 September 26;
Easterbrook Hall, Dumfries, Thu 17 to Sat 19 September 26;
Millenium Centre, Stranraer, Thu 24 to Sat 26 September 26;
Reid Hall, Forfar Thu 1 to Sat 3 October 26;
Hall B, Rothes Halls, Glenrothes, Thu 8 to Sat 10 October 26.
Tickets are Pay What You Decide pricing.
Ten Portraits touring to Inverness Museum, Tue 5 to Fri 29 May 26;
Mareel, Shetland, Tue 2 to Fri 26 June 26;
Aberdeen Music Hall Gallery Space, Wed 1 to Fri 31 July 26;
Gallery Space, Rothes Halls, Glenrothes, Sat 10 to Friday 30 October;
Royal Infirmary Edinburgh, presented with Tonic Arts, Sun 1 November 26 to Sat 27 February 27.
More details on the Caring Scotland project can be found here.
