city centre – Page 95 – The NEN

New group to promote healthier and greener town centres

Diverse views from urban, town, rural and island communities must be heard if town centres are to be revitalised and renewed in the wake of the Coronavirus (COVID-19) pandemic, according to Communities Secretary Aileen Campbell.

Experts in town planning, public health, transport, and business will take on board views of local communities to build on the progress of the Scottish Government’s 2013 Town Centre Action Plan.

Professor Leigh Sparks of the University of Stirling will chair the expert group alongside members from COSLA, the Royal Town Planning Institute, South of Scotland Enterprise, the Carnegie Trust, the Federation of Small Businesses, Public Health Scotland, Sustrans, Inclusion Scotland and the Scottish Government.

Ms Campbell said: “Town centres are crucial to our economic recovery and renewal as we emerge from lockdown and it’s important we do all we can to support them. COVID-19 has changed the way we all live, work and shop, and we must develop safe spaces that meet the diverse economic, social and environmental needs of city, country, village and island populations.

“By nurturing connections between local producers and retailers and their communities we enhance the wellbeing of our communities.

“Our town centre-first approach has been held up as an example throughout the UK and globally. Now we have the opportunity to develop healthier, vibrant, and greener town centres that support communities to thrive.”

Professor Sparks said: “Our town centres need to be successful places which are socially and economically inclusive.

“The National Review of Town Centres in 2013 and the Town Centre Action Plan which followed have provided a pathway for towns in recent years.

“COVID-19 provides a challenge to our towns and town centres, but also an opportunity to rethink and re-energise our efforts to make towns fit for all in Scotland.

“I am delighted therefore to have been asked to lead this new group at this critical and important time.”

Laura Ashley stores reopen … for Closing Down sales

British retail heritage brand, Laura Ashley has confirmed that its Edinburgh stores, located on George Street and at Straiton Retail Park, re-open today to commence the closing down sale, with dramatic reductions on fashion.

Laura Ashley’s extensive closing down sale launches with at least 50% off fashion in-store and online, plus all furniture now 30% off. Everything has been reduced and has to go, including stock being cleared from the warehouse. Customers are encouraged to take advantage of these fantastic discounts while stocks last.

The stores are ‘COVID secure’ and adhere to a strict policy of social distancing with a limited number of shoppers allowed in-store at any time, as well as regular deep cleaning. Card payments are encouraged.

Laura Ashley began in the 1950s, quickly becoming famous for its unique printed fabrics. Over time, the brand grew to become the household name of today, synonymous with quality fashion, interiors and home furnishings.

Despite the store closures that will follow the ‘everything must go’ sale, the Laura Ashley brand will remain online (www.lauraashley.com) and at retailers nationwide.

The Edinburgh stores will continue to trade until further notice.

A spokesman for Laura Ashley said, “There are some fantastic deals to be found in-store, as everything is now reduced and, with at least 50% off fashion, we expect clothing ranges to sell out fast. We are extremely mindful of the current COVID crisis and customers can be assured that the store will be COVID secure.”

Visit capital’s art favourites online

Edinburgh’s culture leaders and front of house staff at Museums & Galleries Edinburgh have highlighted some of their personal favourites from the City’s art collection in a special online exhibition as part of ART UK’s Curations initiative.

Art UK is an online platform that allows public collections in the UK to share their artworks with audiences around the world with Edinburgh having approx. 1000 paintings listed.

Curations are groups of artworks selected, arranged, and published by Art UK’s community of users – including Front of House Choices from Museums & Galleries Edinburgh by our team.

The exhibition highlights the personal choices of our Culture and Communities Vice-convener and staff including Visitor and Monument Assistants, many of whom deliver tours and interpretation to our visitors.

Culture and Communities Convener Donald Wilson said: “This wonderful online tool has allowed us to continue to share over 1000 pieces from our collection and is a great reminder of our treasure trove. Online is a wonderful way to preserve digital exhibitions and for now is the next best thing until we can welcome visitors back to the City Art Centre.

“The choices in the exhibition are very personal and showcase a variety of artworks. The selections represent our very valued, knowledgeable and enthusiastic front of house team who give tours and share their knowledge with visitors. For mine I selected The Black Hat by Francis, I’m a fan of the Scottish Colourists and the painting itself was on display in the City Chambers during my time as Lord Provost.”

Culture and Communities Vice Convener Amy McNeese-Mechan added: “It was great to browse the collection online, however being asked to choose a favourite from our City Art Centre is almost an impossible task!

“For my contribution I selected Victoria Crowe’s Italian Reflections (1993) as it contains so many elements I love: the drenched jewel-like colours, the mysterious framed view of a winding road lined with those iconic Tuscan poplars. It was very tough to settle on one, but the beauty of the initiative is I can now curate my very own. I’d encourage everyone to explore the collection for themselves.”

‘For better or worse’: New plaque for Melville Monument

The city council is to draw up new wording to tell the story of the Melville Monument in St Andrew Square.

Council Leader Adam McVey said: “Edinburgh is a progressive, diverse and welcoming City and we must continue to fight against racism in all spheres of Government and across society.

“I share the anger of people that we are still, in 2020, debating the issue of racial prejudice – something that should be consigned to the history books. The Black Lives Matter demonstration at the weekend, where no arrests were made, proves the overwhelming power of peaceful action.

“What is essential is that we tell our City’s story more accurately – for better or worse. We have a lot to celebrate about the contribution black and ethnic minority Edinburghers have made and are making to our City’s progress and success and that should be clear.

“Yet, we also need to address and talk openly about those moments in Scottish history where people have been killed, enslaved or discriminated against, simply because of their race.

“As part of this, we’ll be reviewing our own museum and gallery collections through the lens of BAME history to make sure that Edinburgh’s stories are accurately told.

“Building on the progress we’d already made with Prof Geoff Palmer and others, I’m pleased to say that we’ve come to a form of words on a plaque at the statue of Henry Dundas (above) – and this will be published tomorrow (Wednesday 10 June).

“It will be finalised and installed at the foot of the Melville Monument as soon as possible. This is just one part of Edinburgh’s history and one small change we can make. We should make many more.”

Henry Dundas, 1st Viscount Melville, was a leading figure in the Scottish Enlightenment – but the Royal High School and Edinburgh University educated advocate also did all he could to delay the abolition of slavery while president of the Board of Control of the East India Company, which was heavily involved in the slave trade.

Action Plan for Safer Walking and Cycling in Edinburgh

Council to close more streets to car traffic

An action plan has been drawn up for creating safe and accessible spaces for walking and cycling in Edinburgh during the coronavirus outbreak, and when the city emerges from the crisis.

On Thursday (14 May), members of the Policy and Sustainability Committee will consider a report setting out criteria for temporary walking and cycling infrastructure, as well as a package of short and long-term measures to establish safer routes for cyclists and pedestrians.

We have already begun implementing changes to help those making essential journeys and taking daily exercise by foot or bike to stay 2m apart, with road closures in Greenbank, Leith and Silverknowes.

Additional improvements are proposed for other ‘pinch points’ across the city, such as road closures, the introduction of bus gates and temporary cycle lanes. As restrictions are eased and traffic increases, further changes to facilitate safe movement are likely to include pedestrian priority at signalised road crossings, extended bus lane hours, widened pavements and a review of speed limits.

To provide extra space in the city centre, and as residents return to a ‘new normal’, it is also intended that key proposals from the Edinburgh City Centre Transformation plan are brought forward to prioritise pedestrians and cyclists.

In particular, Bank Street, East Market Street and East Princes Street would be closed to car traffic while on Victoria Street and Cockburn Street through traffic would be eliminated and parking provision reduced.

Council Leader Adam McVey said: “We’re leading the way with our approach to safer, more accessible streets and we’ve received a huge amount of support for our plans to create more room for pedestrians and cyclists. It’s clear that people want and need to make essential journeys and take daily exercise by foot or bike safely and we need to give them the space to do so.

“It’s no secret that we face many months of upheaval as we work to emerge from this crisis, and this will no doubt impact on the way we move around the city. As we return to a ‘new normal’, our citywide strategy will support people to make journeys by foot, bike or public transport while continuing to observe physical distancing.

“We’ve been working closely with the Scottish Government and Sustrans to make improvements such as these easier in the long term. By bringing forward more permanent plans to prioritise these modes of transport, we’re also looking to a cleaner, greener and more sustainable future for Edinburgh.”

Depute Leader Cammy Day said: “We’re already seeing the benefits in areas where we’ve implemented changes and we’re working to introduce improvements to other pinch points across the city, helping people to reach nearby open spaces, essential services and to get to and from work safely. We’ve already identified several streets but we’d also welcome any suggestions from the public.

“It’s crucial that these measures work for everyone living on or near the streets concerned. We’ve been engaging closely with local communities to make sure access is maintained for deliveries, those with mobility issues and emergency services, and these conversations will help us as we continue to roll out changes.”

David Hunter, from the Living Streets Edinburgh Group, said: “With the need for physical distancing continuing, and more people walking and cycling, it’s vital there are safe ways for people to get around. Walking should be the top option for people to get around their local community.

“Living Streets Scotland and the Living Streets Edinburgh Group welcome the council’s intent to help people walk and cycle safely. We’re especially keen to see practical measures which give adequate space to pedestrians in congested streets.”

Since the implementation of restrictions in March, it is estimated that cycling and walking has increased by 15 to 20%, while travel by car and public transport has dropped. During this time, we have seen a rise in reports of congestion on pedestrian and cycling routes, with people finding it difficult to maintain physical distancing.

As we plan for Edinburgh’s recovery, we are expecting to see a change in the way people move around the city. By facilitating a growth in walking, cycling and public transport use, we want to sustain improvements to air quality seen during recent months as well as contributing to meeting the Capital’s target to be carbon neutral by 2030.

On Thursday (14 May), councillors on the Policy and Sustainability Committee will be asked to approve the submission of an application for funding from the Scottish Government’s £10m ‘Spaces for People’ scheme supporting local authorities to deliver temporary improvements for walking and cycling.

Our own criteria for making improvements would be in line with the Spaces for People objectives and measures would seek to:

Make space for people to exercise.
Make space for people to travel safely around the city.
Reduce risk to people who use the carriageway for travel or exercise.
Make space for people in shopping streets and in the city centre.

We are currently reviewing our existing active travel programme to identify routes which could be brought forward to support these objectives. We have been working with key stakeholders and Police Scotland to highlight other streets which are not part of the programme but where changes would improve the safety of pedestrians and cyclists.

These include:

The closure of Waverley Bridge to traffic.
Temporary footway widening on Morrison Street, Morningside Road and Easter Road.
Temporary footway widening and cycle segregation on George IV Bridge.
A 24-hour bus gate with loading and parking restrictions on Liberton Road, Craigmillar Park and Minto Street.
The closure of road on East Fettes Avenue.
Installation of bus gates on Dundee St at Fountainbridge and closure of Viewforth, as well as some temporary cycle segregation on Dundee Street.
The introduction of a bus lane on Queensferry Road.

Measures would be subject to a detailed design and risk assessment process, which may result in an alternative approach. Officers will consult with local ward members and other public services to prioritise routes and changes for implementation.

Full details of proposals are available in the report, Creating Safe Spaces for Walking and Cycling, which can be downloaded from the Council website.

Transport Secretary Grant Shapps is expected to encourage active travel when he gives the UK Government’s coronavirus media briefing later today

The Citizen Network: A Revitalised City is Possible

There is no better time for the citizens of Edinburgh to pitch in and contribute to a Manifesto for the City Creating Our Manifesto for the City ⋆ The Citizen Network

Calls for no return to unequal and unjust normalcy following Covid-19 have come from many quarters, some of them quite unexpected, and there’s no doubt that many of the persistent problems of city life will be reassessed by those who govern us, whether that be Westminster, Holyrood or Edinburgh City Chambers.

But let’s not fool ourselves, what’s promised by politicians now may never transpire. Real change will not happen without direct action by citizens; for Edinburgh, Citizen’s Manifesto is the first step.

The need for citizens to hold politicians to account is already evident from reports of ‘stakeholder’ discussions pertaining to post-pandemic Edinburgh.

Consider first what Council leader Adam McVey had to say about the city’s Summer festivals: “By working together we can make sure that when our festivals return, they do so with even more of a focus on our people, place and environment.” So far so good but one is tempted to question the ‘even more’ – there has been scant attention to people place and environment in festival planning in recent years.

[“Edinburgh festivals face calls for overhaul before they return in 2021”]

In the same Scotsman article note that the city’s residents are absent when our cherished heritage is flagged up as needing not just preservation but enhancement by the festivals. Clearly, this pipe-dream does not extend to those who live in this ‘remarkable backdrop’.

But it’s the reaction of Essential Edinburgh that confirms that not all stakeholders are thinking about anything other than business as usual post Covid-19.

Roddy Smith, the Chief Executive, says “We need to reactivate the city, promote it strongly and widely and seek over the next couple of years to return to our numbers pre the virus.”

The same message can be deduced from the report from the meeting last week of the new tourism ‘oversight group’ for Edinburgh.

The group includes Edinburgh Tourism Action Group (ETAG), Edinburgh Airport, Festivals Edinburgh, Visit Scotland, Essential Edinburgh and the Chamber of Commerce – again not one resident has a seat at the table. Adam McVey reported that the group had reaffirmed the aims of Edinburgh’s new Tourism Strategy which was agreed pre-pandemic.

How can this be? Have we learned nothing these last few weeks?

So, the coronavirus will not miraculously change our world for the better. The citizens will have to insist on it, and the Manifesto for the City is an excellent starting place.

Let’s face it, change is difficult – most of us are stuck with at least one foot in the past and are in some way resigned to the way things are. To paraphrase a French philosopher, we are all ‘half accomplices’, demanding radical change while at the same time clinging to what we have become accustomed to.

But the city will change whether we like it or not, and citizens need to rise to the challenge and drive that change – now is the time to articulate our values and our aspirations; now is the time to really get beyond ourselves.

SEAN BRADLEY

Image credit: Astrid Jaekel

Princes Street Gardens – no more business as usual!

As per my previous post, this will be an issue in Edinburgh when the world returns to what passes as normality:

A message from The Citizen Network:

PRINCES STREET GARDENS – NO MORE BUSINESS AS USUAL

This is an appeal for concerned residents of Edinburgh and any others who care about the protection of green spaces to submit emails to the Parks Dept of the Edinburgh City Council parks@edinburgh.gov.uk on behalf of the wellbeing of Princes Street Gardens, their use as gardens, memorials, appropriate community focused activities and crucial city centre green space for the benefit of the residents of Edinburgh as communal owners of this common good land and our guests. The deadline is 6 March, 2020.

This appeal relates to the proposed Summer Sessions concert series for 2020.

The Issue:

With issues coming to the fore concerning city centre parks, (especially those that are on our common good land and collectively owned by the people of Edinburgh), being prioritised as event venues over the gardens, memorials and green spaces that they are, we have seen the compounding damage that has been inflicted on our parks.

Perhaps it is time to tell the city that events and festivals, especially those for private profit are better suited to more appropriate venues.

Tourism, events and festivals will always be a part of Edinburgh.

However, the industry needs to better choose venues for their events that will not cause compounding, and in many cases, irreversible ecological damage to our crucial and historically valuable green spaces.

The industry should also be more mindful of the scale and size of their events and festivals as we are a finite city with limited resources currently facing austerity and cuts to our crucial services. Our green spaces deserve crucial and vital protection from the impacts of this misuse.

What you can do:

Send an email by 6th March 2020 to Parks Dept of the Edinburgh City Council parks@edinburgh.gov.uk

Tell them your concerns about the gardens and object to their use to host the Summer Sessions of 2020.

Finally, the Old Town Community Council recently made public on twitter the following:

@EdinOldTownCC

#WPSG will be predominantly closed for 25 days in August. If you don’t want to be effectively barred from #WestPrincesStreetGardens for those 25 days, then please email your objection to parks@edinburgh.gov.uk by Friday 6th March. More objections mean it’s less likely to happen!

Events have clearly moved on since the Ciziten Network first posted this in March, but organisers are keen that the issue is kept in the public eye. Happy to help – Ed.

EDINBURGH’s FESTIVALS POSTPONED

For the first time in their seventy-year history, the five festivals that transform Edinburgh into the world’s leading cultural destination every August WILL NOT GO AHEAD this year due to concerns around the Covid-19 pandemic.

Edinburgh Art Festival, The Edinburgh Festival Fringe, Edinburgh International Book Festival, Edinburgh International Festival and The Royal Edinburgh Military Tattoo have been postponed.

Together, the five August festivals comprise over 5,000 events across Scotland’s capital each summer, welcoming audiences of 4.4 million and over 25,000 artists, writers and performers from 70 countries, making them the second biggest cultural event in the world after the Olympics.

The festivals’ history stretches back to 1947, where in the aftermath of the Second World War the Edinburgh International Festival was founded to reconcile and reunite people and nations through art, in an event that transcended political and cultural boundaries.

Many years later the International Festival continues to present the world’s leading theatre, dance and music artists in Edinburgh’s magnificent venues.

The Fringe story began when eight theatre groups turned up uninvited to perform on the fringes of the very first International Festival. Since the dawn of this spontaneous artistic movement, millions have flocked to the Edinburgh Festival Fringe to produce, and to enjoy art of every genre.

Conceived in 1950 the iconic major event, now known as The Royal Edinburgh Military Tattoo, brings together a huge cast of international military and folkloric performers to perform live to 220,000 visitors each August, with many millions seeing the show on BBC TV around the world.

The Edinburgh International Book Festival began in 1983 and has grown rapidly in scope and size, welcoming writers from all over the world to exchange ideas on some of the world’s most pressing issues. The youngest of the August festivals, Edinburgh Art Festival was founded in 2004 to provide a platform for the visual arts, each year bringing together the capital’s leading galleries, museums and artist-run spaces to present work by international and UK artists.

Since their visionary beginnings the August festivals have presented the very best established and emerging artists from all corners of the globe and across all aspects of the performing, literary and visual arts in what has become the most significant and important celebration of culture anywhere in the world.

Said Sorcha Carey, Director, Edinburgh Art Festival, said: “It is with deep sadness that today we announce the cancellation of Edinburgh Art Festival 2020.

“Our decision is taken in response to the ongoing risks posed by the Covid-19 pandemic, and the need to prioritise the safety of our audiences, artists, participants, staff and indeed all those working to combat coronavirus.

“While it has become impossible to deliver a festival this year, we remain fully committed to doing all we can to continue to support our visual arts community during what is going to be a hugely challenging time in the weeks and months to come.

“We hope that it will be possible for galleries, museums and production spaces across the city to reopen their doors in the coming months; and in the meantime, we will work creatively to find alternative ways to share the work of artists with audiences.

“We will be back next year – as always working closely with our partner galleries, and alongside our extended network of sister festivals, to celebrate the work of artists with audiences and communities across the city.”

Shona McCarthy, Chief Executive, Edinburgh Festival Fringe Society, said: “It’s heart-breaking that the Fringe and our sister August festivals will not take place as planned this summer. However, having taken advice and considered all the options, we collectively believe this is the only appropriate response.

“The safety of participants, audiences, local residents and indeed everyone connected to our festivals will always come first. Our thoughts today are with the doctors, nurses, health and social care professionals on the front line, as well as all those affected by this dreadful pandemic.

“Our sympathies too are with the thousands of artists and participants directly affected by today’s decision – we will do everything we can to support you over the coming months.

“Culture brings out the best in us. It gives the marginalised a voice, it shapes and reshapes how we think of ourselves and, crucially, it unites us. Since their inception in 1947 the Edinburgh festivals have existed to champion the flowering of the human spirit and, in the face of this truly unprecedented global emergency, we believe that this spirit is needed now more than ever.”

Nick Barley, Director, Edinburgh International Book Festival, added: “It is with great sadness that I can confirm that the Edinburgh International Book Festival will not take place as a physical entity in August of this year due to the risks surrounding the Covid-19 pandemic.

This is not a decision we have taken lightly, however the safety of not only our authors, our audiences, our staff and our suppliers, but also that of the people who live and work in our wonderful city, is of paramount importance and we believe that planning to bring large numbers of people from all over the world together in Edinburgh in August is not appropriate this year. We hope to be able to programme a series of online events to take place in the summer.

“We will be back! The Edinburgh International Book Festival is an integral part of the Scottish cultural offering, and we will return next year. We are already looking forward to authors and audiences coming together to celebrate the written word in 2021. In the meantime, please keep reading and please keep supporting your local independent bookshops, many of whom are offering a mail order or door drop delivery service.”

Fergus Linehan, Festival Director, Edinburgh International Festival, added: “We are hugely disappointed to announce this cancellation but given the current outlook we believe it is the correct decision.

“We recognise that Edinburgh’s festivals play a very important role in the cultural, social and economic lives of our city and country, and this decision has not been taken lightly. Our thoughts are with all the country’s key workers and we hope that we can celebrate your heroic efforts when this awful pandemic has passed.

“The Edinburgh International Festival was born out of adversity – an urgent need to reconnect and rebuild. The current crisis presents all at the Festival with a similar sense of urgency. Work begins straight away on a 2021 Festival season that will boost both our spirits and our economy.

“As we observe our essential social distancing we can, I hope, look forward to being back together soon: sharing brilliant music, theatre, dance, literature and art from the greatest creative minds of our time. Until then, thank you for all your good wishes and keep safe in the coming months.”

Edinburgh’s world famous Tattoo is another casualty. Brigadier David Allfrey MBE, Chief Executive, The Royal Edinburgh Military Tattoo, said: “Like most people, businesses and institutions, The Royal Edinburgh Military Tattoo has been working hard to adapt to the unprecedented conditions occasioned by the COVID-19 pandemic.

“In the first instance, we have sought to comply carefully with Government advice and guidance in looking after our customers, staff, suppliers, stakeholders and all those who rely on our annual success and charity. In addition, we have been looking at how best to make a wider and constructive contribution to the national, regional, municipal and individual effort.

“The pandemic is impacting across the world, the Tattoo – along with other major events and festivals – will need to carefully understand and adapt to whatever is our new normal.

“We are keen to do this as a great many people have come to rely on our annual routines for their livelihood and their entertainment, with an associated benefit that stretches internationally and across Scottish and UK tourism. Now though, we judge it is impractical and undesirable to stage a Tattoo in anything like its normal form in August.

“Accordingly, we have decided – for the first time in our 70-year history – to cancel our 25 shows set previously for the period 7–29 August 2020.”

Edinburgh’s festivals bring millions of visitors to the city in summer, spending much-welcomed cash in the capital. Council Leader Adam McVey and Depute Cammy Day, said: “This was a profoundly difficult decision– leaving a massive gap in our Capital – but clearly it was the right one. Our thoughts are very much with all those fantastic artists, writers, performers and organisations who were working so hard to prepare for another busy festival season.

“The most important consideration is the health of our residents and the safety of everyone in the City. We’re all working closely together as a city and internationally with the common purpose of protecting each other, whilst taking up our shared responsibility for planning towards our recovery.

“With that in mind, we’re looking at every feasible option to help to sustain our key sectors, including the festivals, and have committed to honouring all grant payments due to our cultural partners for the current year, and to the repurposing of these, as required. We’ll do everything we can to assist our world-renowned cultural sector to remain at the centre of the city’s identity going forward.

“We’re incredibly proud to be known as the world’s Festival City and must never forget the positive contribution our festivals make to our lives, bringing art to Edinburgh in a way no other city enjoys.

“We’ll continue to work with all of our citizens, colleagues and stakeholders to do everything we can to make sure we come through 2020 and look forward to again bringing the world to Edinburgh and Edinburgh to the world for our summer festivals in 2021!”

Iain Munro, Chief Executive, Creative Scotland, said: “We understand and support the decision by Edinburgh’s Festivals to cancel this Summer’s activities at this extremely difficult time.

“Our hearts go out to all those involved with the Festivals who work tirelessly every year to deliver one of the highlights of the annual cultural calendar and to the many artists, performers and companies who will miss this year’s opportunity to be celebrated on a global stage.

“We look forward to their return when audiences can once more marvel at the extraordinary art and creativity that will be on offer.”

Adam French, Which? Consumer Rights Expert, said: “While understandable, the cancellation of the Edinburgh festivals will be disappointing news for the millions of people who flock to the Scottish capital to experience one of the world’s great cultural events.

“It’s good to see that some organisers have said they’ll be refunding registration fees, tickets and memberships, so those who planned to attend events may be able to get their money back.

“It could be trickier to get a refund for any related travel or accommodation. The good news is that National Rail has offered to refund tickets booked before 23rd March, but you will need to check the cancellation policies for any accommodation you have booked or any other mode of transport.”

Seedy Hotel?

Edinburgh hotel swaps single-use plastics for Scottish wildflowers

THE LARGEST independent hotel in Edinburgh has removed single-use plastic toiletries from their bedrooms, instead offering guests the gift of Scotland’s natural beauty.

Guests at Ten Hill Place Hotel are being encouraged to take home their free packet of Scottish wildflower seeds, available in every bedroom, to plant this spring.

The decision is the latest in the four-star hotel’s series of sustainable changes which have included removing plastic water bottles and introducing recycling waste management on every floor.

The hotel is run by Surgeons Quarter, the commercial arm of the Royal College of Surgeons of Edinburgh (RSCEd). All profits made by the hotel and Surgeons Quarter’s six other venues are put towards the College’s charitable aims of improving patient outcome and advancing surgical standards across the world.

Scott Mitchell, Managing Director of Surgeons Quarter, said: “It’s really important to us that we make decisions which positively impact the environment as well as our guests.

“As part of our feedback, we ask guests for suggestions on how we can become more environmentally-friendly – we’ve made some small but powerful changes over the past few months as a result.

“After taking the decision to remove single-use toiletries and plastic bottles of water from our 129 rooms, we wanted to give something back to our guests – what better to give guests than a reminder of Scotland to bring home with them?”

Surgeons Quarter partnered with UK company Seed Promotions to create a customised selection of Scottish wildflower seeds, which include trefoil birdsfoot, poppy and ox-eye daisy seeds.

Claire Sellars at Seed Promotions said: “The team at Surgeons Quarter is really ahead of the curve when it comes to creative ways to be more sustainable.

“Scotland is home to around 1,600 native flowering plants which help to support wildlife across the country. It’s really brilliant to see Surgeons Quarter supporting Scotland’s natural wildlife in this way.”

The hotel, located in Edinburgh’s Old Town, has been recognised with a Gold Green Tourism Award which promotes sustainable tourism worldwide.

Ten Hill Place changes its menus with the seasons to make the most of Scotland’s natural larder, sourcing as much local produce as possible.

The hotel has also taken the decision to implement low flow showers and chemical free cleaning systems, and offers guests the option of not changing their towels and bedding daily to save water. A selection of toiletries will remain available at the reception of Ten Hill Place for guest use.

Surgeons Quarter promotes, sells and manages all commercial activities held within the RCSEd campus. All profits support the charitable aims of the College which are education, assessment and advancement in surgical standards worldwide.

New plans revealed for Edinburgh Filmhouse

Edinburgh’s Filmhouse has today revealed a bold new vision to create an internationally significant, fully accessible and environmentally sustainable landmark home for film and screen culture in Edinburgh.

It will provide unrivalled spaces and facilities for everyone to watch film, to make film and to learn about film and filmmaking in all its diversity.

The planned new Filmhouse building has been designed by award-winning Edinburgh based Richard Murphy Architects and will significantly improve and increase the quality and quantity of spaces available to and needed by Filmhouse and EIFF for their audiences, customers, participants and industry partners.

It will create a hub for Edinburgh’s film and broader cultural community to base themselves in, and be a focal point for Edinburgh’s citizens to learn about film.

Filmhouse’s audiences have made it clear what they value and these have been built into the design: location, atmosphere, diversity of programme, education and learning activities, great locally sourced food and drink in the Café Bar, and a safe and comfortable space for people to gather. Most importantly, these will all be delivered to contemporary standards of access and comfort.

Filmhouse has been at the centre of Edinburgh’s cultural landscape for more than 40 years. As well as a year-round programme of inspiring films, creative learning, special events and partnership working, Filmhouse is home to the Edinburgh International Film Festival (EIFF), hosts more than 20 other film festivals, and plays a key role in promoting a vibrant and successful film and moving image industry and culture across Scotland. The new building will secure Filmhouse’s future for generations to come.

The new Filmhouse will:

Provide six new cinema screens allowing Filmhouse and EIFF to programme even more great films, festivals and partnership events.
Improve the audience experience with a world-class venue that is fully accessible for all, with comfortable seating and state-of-the-art facilities.
Continue to screen film on all formats, including 4K digital, and 16mm, 35mm and 70mm film.
Ensure accessibility for all, with a commitment that all public and office spaces are fully accessible for audiences, staff and guests.
Increase Filmhouse’s education and outreach activity, with dedicated education spaces to host year-round activity for learners of all ages.
House Filmhouse’s award-winning Café Bar, which will be designed to retain the intimate and safe atmosphere of the existing space.
Create a brand-new Festival Centre to provide a venue to support EIFF and other festivals and special events year-round.
Introduce a new Cultural Industries hub, supporting the Scottish screen sector with much-needed flexible workspace in Edinburgh’s city centre.
Create a restaurant and rooftop event space.
Keep Filmhouse’s iconic character and atmosphere, in a new building that has been thoughtfully designed to represent its independent spirit and ethos.
Reduce impact on the environment by creating a carbon-neutral building.
Increase financial sustainability, by creating greater capacity, diversifying sources of income generation, and becoming more self-sufficient over the longer term.

The oculus design reflects the eye on the world that Filmhouse, EIFF and the myriad of festivals, events and learning opportunities in the building will provide, whilst also providing a striking addition to Edinburgh’s architectural landscape.

Its location in Festival Square is designed to be the catalyst that brings to life a currently underused public space and as part of the development would place a responsibility on Filmhouse to manage the curation of activity within the surrounding square.

The architect drawings and visualisations for the new Filmhouse give people a good idea of the thinking on the position and shape of the building, and the spaces it would contain, howeverthe design is still in development.

Due to the significance of this project to Filmhouse and to Edinburgh, the project team are consulting as widely as possible on this proposal. The consultation stage will officially run for 12 weeks from 11th March to 3rd June.

Filmhouse is looking to engage with customers, partners, stakeholders including programming partners, creative learning partners and the Scottish film sector, community councils and councillors, and residents of Edinburgh to gauge support for the plans and further develop the designs before submitting a formal Planning Application to the City of Edinburgh Council during the summer.

Information on the proposed development including architect drawings and visualisations, the background to the development and FAQs will be available on the Filmhouse’s website. There will also be information and images on display at the Filmhouse including a scale model.

People will be able to give feedback through a simple online survey through the Filmhouse and EIFF websites, through comment cards in the Filmhouse, and formally and informally at events, meetings and discussions with Filmhouse staff.

Three all-day (10am – 7pm) public consultation events will take place in Filmhouse on Sunday 29 March, Wednesday 1 April and Tuesday 28 April where members of the Filmhouse team, Richard Murphy Architects and Montagu Evans will be present to answer questions and collect feedback.

There will be two Filmhouse Members’ Events for its more than 5,500 members on Sunday 29 March and Monday 6 April with opportunities for this key group of stakeholders to hear more and ask questions.

An annual Programme Partners’ event in March gives the Filmhouse’s festival and cultural partners an opportunity to focus on this consultation and how they can engage with the proposed development.

In addition, Filmhouse will actively engage with a range of audiences, customers, interest groups and stakeholders, for example presenting information specifically to its Young Programmers and Senior Selections volunteers, and will invite people from organisations or networks representing special interests to attend individual or group meetings to have more focused discussions about the designs.

Full costing of the project will take place later in 2020 to coincide with the formal Planning Application, but the cost is currently estimated to be in the region of £50m.

An indicative timeline, contingent on the Planning Application decision and fundraising success, hopes to start work on the building in 2023 with it opening in 2025.

This project is led by CMI’s Board and Senior Management Team, with support from property consultancy Montagu Evans.

Ken Hay, CEO of Centre for the Moving Image (inc Filmhouse and Edinburgh International Film Festival) said: “For more than 40 years Filmhouse has been at the centre of Edinburgh’s cultural life, and for more than 70 years Edinburgh International Film Festival has been an international beacon for film and film culture.

“This proposed new building will transform what we’re able to do for Edinburgh’s residents and Scotland’s film community, as well as providing Scotland with a physical celebration of the most popular artform. Through doubling the number of screens and seats for regular cinema-goers, creating dedicated education and learning spaces, and developing an iconic festival centre, all within a fully accessible and carbon neutral building, this really is a 21st century temple for film.

“We are hugely excited about sharing this vision during the consultation period, and are looking forward to engaging with as many people as we can in helping us shape the future for Filmhouse and lovers of film.”

Sandy Begbie CBE, Chair of Centre for the Moving Image (inc Filmhouse and Edinburgh International Film Festival) said: “These are very exciting times for the Filmhouse – the opportunity to create a new home for film in Edinburgh, with a landmark building in the city centre.

“This will provide a new state of the art home for Filmhouse and Edinburgh International Film Festival, but at its heart this is for the citizens of Edinburgh and Scotland and the entire film industry.

“The building will retain the purpose, values and culture that has served us so well over many years but in a building that will take us forward for the next 50 years. This will also allow us to continue the valuable work we do in the community and the development of talent for the Scottish film industry. This is what makes us different and the new building will provide the facilities to grow and develop that work.”