Regeneration specialist Artisan Real Estate has submitted a planning application to the City of Edinburgh Council (CEC) to transform a sandstone office building on the edge of Edinburgh’s New Town into a sustainable 102-bedroom city centre hotel.
The current occupiers of Albany House, located at 58 Albany Street on the corner of the capital’s Broughton Street, are relocating to new offices in the city centre later this year. The five-storey building was constructed in the 1980s and was designed to reflect the adjacent Georgian neoclassical town houses along Albany Street.
Artisan have agreed terms with Whitbread to operate the completed hotel under its popular hub by Premier Inn brand. The proposals will retain much of the external structure of the building whilst replacing the top floor facade with a contemporary new cladding and finish to meet current building standards.
Internally, the hotel’s design specification will meet high environmental and sustainability standards, with air-sourced heat pump technology replacing the existing fossil fuel water system.
Artisan Real Estate has an established track record of delivering innovative hotel development in architecturally sensitive city centre locations.
This includes three hotels as part of the award-winning New Waverley development in the heart of the Edinburgh’s Old Town – including partnering with Whitbread to deliver a Premier Inn and hub by Premier Inn.
Most recently, the developer has completed the transformation of Glasgow’s historic Clydeside Custom House into a new hotel quarter.
Welcoming the submission of the planning application, Artisan’s Managing Director for Scotland, David Westwater, said: “This design proposal will bring continued interest and investment to a vibrant corner of Edinburgh’s eastern city centre.
“The existing sandstone building is well-suited to hotel development with high levels of natural daylight and an established entrance area.
“We are pleased to be once again working with Whitbread to create a modern and contemporary interior providing the high levels of insulation and energy technology, delivering both a sustainable and attractive addition to Edinburgh’s successful hospitality sector.
“Albany House is the latest in a succession of high-profile planning proposals delivered by Artisan in Edinburgh’s city centre during the last 12 months and reinforces our stated commitment to bring substantial investment coupled with high quality development to the heart of Scotland’s capital.”
Whitbread currently welcomes close to a million visitors to its established network of hotels within the City of Edinburgh Council area. The business calculates its guests staying at these hotels generate more than £32 million in visitor expenditure to the Edinburgh economy every year.
Jill Anderson, Acquisitions Manager for Whitbread, added: “Premier Inn has been part of Edinburgh’s hospitality scene for more than 30 years.
“We’re incredibly proud to have built a network of popular, good-value hotels across the city, and we see great potential for further investment given that budget hotels like Premier Inn account for just 20% of the city’s bedroom stock.
“The hub by Premier Inn brand is designed to appeal to budget, short-stay travellers. It offers all the comfort, consistency, and reliability of Premier Inn, but with a smaller bedroom, and the format allows us to offer great-value rooms in the most connected and interesting city centre locations.
“Albany House is an excellent location for us, and I am very pleased to be working with Artisan to expand our footprint in the city in a sustainable way through the proposed conversion of the 1980s office building.”
Artisan Real Estate was founded in 2009 as an independent, entrepreneurial, values-led property developer and investor operating primarily in key regional city centre locations across the UK – including Scotland and the north of England.
During the last 16 years, Artisan has established itself as one of the UK’s most progressive and respected commercial and residential developers, specialising in transforming complex sites in sensitive urban locations into residential, commercial, leisure and mixed-use quarters.
The Albany House planning proposal follows Artisan’s successful application to transform the city’s historic Caledonian Brewery into a new residential neighbourhood which received planning consent from CEC in May 2025.
The developer is also progressing with the homes-led regeneration of a vacant office block on the city’s Ferry Road, to the north of the city centre.
The school summer holidays are quickly approaching, starting with the term ending on Thursday, 26th June. Kids are ready to start the fun, but that doesn’t mean adults should miss out on a little break, too.
Hard Rock Cafe Edinburgh is spicing things up during the week by introducing ‘Own The Week’, with a different deal hitting the menu from Monday through Thursday each week, allowing guests to treat themselves without breaking the bank and turn a weekday night into a weekend vibe.
Mega Monday Margaritas start the week right with jumbo versions of the classic, bursting with flavour – perfect for sharing (or keeping all to yourself). At £13.95 each, they’re the ideal way to toast to summer.
Tako Tiki Tuesdays lets you pair your choice of two tacos and a tiki drink, for the perfect summer match. Choose from either Baja shrimp, chopped cheese, buffalo chicken or al pastor, paired with a cocktail like the ‘Cheeky Tiki’ or ‘Tiki Tiki Boom Boom’ for just £20. As an extra treat, collective tiki glasses can be purchased for £7.50 – it’s tiki time somewhere!
Winning Wednesdays are for the wine lovers. Order a bottle of house wine to receive a complimentary plate of the delicious Tupelo Dippers – crispy hand breaded chicken tenders served with your choice of two dipping sauces.
Throwback Thursdaysare made for dining on old-school throwbacks, prepared the Hard Rock way. Dive into an iconic classic burger, fries, a side of onion rings and refreshing Coke Float for just £19.71.
Poppyscotland, working in partnership with Legion Scotland, are calling for volunteers to help man collection stations on the upcoming Armed Forces Day in Edinburgh.
Taking place on Saturday, June 28, volunteers are needed to help at Waverley or Haymarket train stations during timed slots over the course of that weekend (28th and 29th).
Armed Forces Day is a chance to show your support for the men and women who make up the Armed Forces community: from currently serving personnel to Service families, veterans and cadets.
There are many ways for people, communities and organisations across the country to show their support, including making a donation to Poppyscotland to allow us to continue the valuable work we do in helping countless men, women and families with issues linked to their time in the Armed Forces or with struggles adjusting from military to civilian life.
We even help with needs that have arisen long after someone has left the Armed Forces. Whenever, wherever support is needed, we are here.
If you would be interested in volunteering on Saturday, June 28 at Haymarket train station then please sign up now at https://www.poppyscotland.org.uk/AFDHaymarket
or
to volunteer on either Saturday, June 28 or Sunday, June 29, at Edinburgh Waverley station, please sign up at www.poppyscotland.org.uk/AFDWaverley.
For more information on Poppyscotland and how we can help, please visit, www.poppyscotland.org.uk
From 27 June, Edinburgh’s landmark cinema Filmhouse will re-open its doors with a hand-picked programme of the very best films the cinema missed out on playing during the venue’s two-and-a-half-year closure.
The programme will have a strong emphasis on films that did not screen in the city because of its absence. Tickets are on sale now via the Filmhouse website.
Filmhouse has long been celebrated as a cultural cornerstone, showcasing world cinema in all its brilliance and diversity, from crowd-pleasing favourites and to avant-garde arthouse works, restored classics, and curated retrospectives.
The first film to welcome audiences back to the venue will be the much-loved film gem and ode to the beauty of the cinemagoing experience, Giuseppe Tornatore’s Cinema Paradiso (1988).
On opening weekend, audiences can also enjoy Martyn Robertson’s acclaimed new film Make It To Munich, an inspiring documentary which follows 18-year-old Ethan Walker, who just months after nearly losing his life in an accident, embarks on a 1200km cycle ride to Munich for Scotland’s Euros opening game against Germany.
Ethan himself will attend a special Q&A screening on Filmhouse’s opening day, alongside the film’s director Martyn Robertson and former Motherwell, Chelsea, Everton and Scotland winger Pat Nevin.
Edinburgh based filmmaker Matt Palmer will present a free double-bill of his gutsy thriller Calibre (2018) starring Jack Lowden and Tony Curran alongside his hit horror Fear Street: Prom Queen (2025) which debuted at No.1 on Netflix on its release earlier in the year and will have its first ever public cinema screening at Filmhouse. Matt will also take part in a Q&A after the screening.
Lotte Reiniger’s classic feature length paper cut animation The Adventures of Prince Achmed (1926)will screen in a special event soundtracked with live music by Edinburgh based musical improvisers and innovators S!nk in a transportive performance filled with swirling, spiralling strings, saxophones, accordion, percussion and voices.
Also screening at the cinema are a selection of recent acclaimed films from around the world from new and established filmmakers including Payal Kapadia’s soulful All We Imagine As Light, Sébastien Marnier’s thrilling Origin of Evil, Christian Petzold’s riveting Afire, Gints Zilbalodis’s enchanting animation Flow, Hlynur Pálmason’s nuanced drama Godland, Alice Rohrwacher’s radically adventurous film La Chimera, Maryam Moghadam & Behtash Sanaeeha’s joyous My Favourite Cake, Mario Martone’s brilliantly shot Nostalgia, Rodrigo Sorogoyen’s tense thriller The Beasts, Ilker Çatak’s uncompromising TheTeachers’ Lounge, Alexandre de La Patellière & Matthieu Delaporte energetic take on Count of Monte Cristo, Manuela Martelli’s compelling noir 1976, Víctor Erice’s mysterious Close Your Eyes, Robert Zemeckis’s Here and Celine Song’s acclaimed Past Lives.
70mm engagements at the cinema will include Brady Corbet’s award-winning The Brutalistand Christopher Nolan’s epic Oppenheimer alongsideRobert Egger’sNosferatuon 35mm.
More upcoming screenings will be announced via Filmhouse socials soon.
Alongside this, the cinema will also screen events such as National Theatre Live for the first time, with more details to be confirmed in the coming months. Details of Filmhouse’s involvement with this year’s Edinburgh International Film Festival are yet to be announced .
With, ultimately, a total capacity of 340 seats, Filmhouse is set to once again become a hub for film enthusiasts, offering a cutting-edge cinematic experience, a vibrant social space, and a platform for film lovers and filmmakers to engage with the very best in global cinema.
Previously a three-screen venue, the new Filmhouse will become a four-screen cinema and soon will be unveiling a fourth screen with a capacity of 24, allowing for an even more expansive programme, as well as being available for private screenings and hires.
Filmhouse’s technical capabilities include 70mm, 35mm, 16mm, 8mm, and digital projection. The cinema also includes a Clipster Unit for creating Digital Cinema Packages (DCPs) required for festival and theatrical distribution.
Comfort has been prioritised across the new Filmhouse. Film-lovers can expect extra legroom and comfortable seats across the cinema’s screens, alongside a completely reworked foyer space.
Built in a repurposed church on Edinburgh’s Lothian Road, Filmhouse has been a cinematic landmark since 1978. Following a £2 million refurbishment, Scotland’s leading independent cinema Filmhouse returns with new leadership, a vision which builds on the venue’s legacy as a space for learning and discovery, and a commitment to building a sustainable future for this iconic cultural landmark.
The completely refurbished Filmhouse Bar will be able to seat 100 people for lunch and dinner, with drinks available throughout the day, catering for the many communities who enjoyed the welcoming atmosphere, and placing an emphasis on produce from Edinburgh and Scotland, offering great food and drink alongside environmental sustainability. Filmhouse fans will be pleased to know that the cinema’s world-famous nachos are staying put too.
The cinema will announce new membership offers and multiple-tier ticket pricing over the next few weeks.
Following its closure in October 2022, the reopening of Filmhouse marks the culmination of a three-year long campaign to save the historic cinema backed by film lovers in Edinburgh, Scotland, and around the world and by A-list film talent including patrons Jack Lowden and Charlotte Wells, as well as Dougray Scott, Brian Cox, and Emma Thompson.
The stage is set, the screens are ready, and the story of Filmhouse continues.
Rod White, Programming Director of Filmhouse, said: “Looking into the films that simply didn’t make it on to Edinburgh cinema screens at all during Filmhouse’s closure only hammered home the need for it in this great City of Culture.
“It’s been tough – whilst Filmhouse was closed – to watch some brilliant films come and go from cinemas without being able to offer a venue to watch them in. The good news is, Filmhouse has never been a better place to watch a film (and talk about it afterward!) than it is today and we simply cannot wait to welcome everyone back, or, for the first time! ”
Police Scotland have released images of a man they believe may be able to assist officers with an ongoing investigation into an assault in Edinburgh which occurred at around 2.05am on Saturday, 26 April, 2025 on Lothian Road.
The man in the images is described as being of South Asian appearance, slim build, 5ft 6in to 5ft 9in tall and aged late teens to early twenties, with short dark hair. He was wearing a dark hooded jacket, dark bottoms and dark trainers.
Detective Constable Christopher Stewart said: “I would urge this man or anyone who recognises him to please make contact with us.
“I would also ask anyone who witnessed the incident, or anyone with information relating to the incident, to please speak to officers via 101, quoting reference 1272 of 27 April 2025.
“Alternatively, information can be passed anonymously to Crimestoppers on 0800 555 111.”
Edinburgh’s premier leisure and entertainment destination, Omni Centre, has announced a £5 million refurbishment and works are set to begin this month.
International investment group Triple B acquired OMNi in April 2024 and announced its commitment to enhancing communities and promoting positive experiences through transformative real estate projects. The investment will help OMNi kick-start its journey of evolution, with locals at the heart of the project.
The public realm refurbishment will include improvements to walkways and new flooring throughout the centre, an enhanced main entrance with improved visibility, replacement LED lighting, new seating zones and substantial internal structural work to create inviting spaces for visitors to meet, dwell and enjoy. Works are expected to be completed later this year.
Martin Botha, OMNi Edinburgh Centre Manager, said: “We are thrilled to announce our improvement plans for OMNi, a project that reflects our commitment to providing an exceptional experience for our visitors and a bustling environment for our brands.
“This transformation will bring exciting new features, modern amenities, a brand revamp and the introduction of live events and experiences, creating a space that not only meets but exceeds the expectations of the 4+ million visitors we welcome each year.
“We’re on a mission to inject a sense of fun and excitement into everyone’s visit and at each brand touchpoint, whether that’s meeting up with friends before venturing out into the city or spending quality downtime in-centre, day or night.
” We look forward to embarking on this exciting new chapter and truly owning the title of Edinburgh’s top leisure destination.”
Thomas Archer Bata, Director at Triple B, said: “Triple B is committed to investing in OMNi to enhance the wider community and support the brands within.
“This refurbishment marks the start of a brand-new phase for OMNi; the physical enhancements, coupled with a new mission to integrate and connect further into the vibrant city of Edinburgh, will deliver a greatly improved and welcoming space for our visitors, whilst enhancing the overall customer experience.”
The centre refurbishment coincides with brand-led refurbishments with more news on this soon. OMNi and its brands will remain open and fully accessible throughout the refurbishment project.
Refurbishment updates will be available throughout via the OMNi website and social media channels. OMNi Edinburgh is open 6am – 1am, Monday to Sunday. Individual brand opening times may vary, including Bank Holidays.
On Saturday 7 June 2025 HRH The Princess Royal, Patron of The Royal Scots Regimental Association, unveiled a bronze medallion containing a figurehead of Her late Majesty Queen Elizabeth II as a final addition to The Royal Scots Monument in Princes Street Gardens.
The monument, originally unveiled on 26 July 1952, commemorates the service rendered by The Royal Scots (The Royal Regiment) to 16 monarchs from its founding in 1633 under a Royal Warrant from King Charles I until its amalgamation under Defence Review in 2006. The additional medallion marks the final monarch under whom the Regiment served.
Her Royal Highness, accompanied by Councillor Robert Aldridge, the Right Honourable Lord Provost and Lord Lieutenant of Edinburgh, was met by the Chair of the Regimental Trustees, Brigadier (retd) George Lowder MBE, and by the Governor of Edinburgh Castle, Major General Robert Bruce CBE DSO.
The unveiling was attended by many former Royal Scots and their families as well as members of The Royal Scots Club and representatives of the City of Edinburgh Council. A service of dedication was conducted by Reverend Dr Iain May, Chaplain to The Royal Scots Regimental Association.
In 2007 The Princess Royal, who was the Regiment’s Colonel in Chief from 1983 until 2006, had graciously unveiled an addition to the monument to mark the Regiment’s amalgamation, the final chapter in its history, and to acknowledge and commemorate the Regiment’s 373 years of proud and loyal service to Crown and Country.
After the unveiling, Her Royal Highness then spent time with former members of the Regiment before leaving for The Royal Scots Club in Abercromby Place where The Princess Royal graciously took the salute at the Club’s annual ceremony of Beating Retreat.
Brigadier George Lowder, Chair of the Regimental Trustees, said: “The Royal Scots have always been, and continue to be, very proud of their long service to Crown and country which is commemorated on this monument.
“Her late Majesty Queen Elizabeth II, the last Sovereign under whom the Regiment served, appointed HRH The Princess Royal to be Colonel in Chief of The Royal Scots (The Royal Regiment) in 1983.
“We have been greatly honoured, therefore, that The Princess Royal, whose long and continued connection with the Regiment we cherish, has unveiled this final addition to our monument today.”.
Visitors to St Giles’ Cathedral will come face-to-face with those of the first ‘Edinburghers’ in a new exhibition as part of Edinburgh 900 celebrations.
Marking the joint 900th anniversaries of both Edinburgh and St Giles’ Cathedral, this extraordinary exhibition presents the results of new scientific research into the medieval citizens buried within the grounds of the Cathedral.
Originally excavated in 1981, these remains have undergone new detailed analysis using advanced methods including ancient DNA sequencing, isotopic analysis, radiocarbon dating, and forensic facial reconstruction.
This collaborative project offers a compelling look at the lives, diets, health, origins, and identities of Edinburgh’s earliest residents.
The exhibition will feature:
Facial reconstructions of five individuals by Maria Maclennan, projected throughout the Cathedral using immersive lighting designs by artist Mettje Hunneman.
A specially commissioned short documentary by Cinetopia, featuring interviews with the research team and members of the Cathedral community.
A focus on three key burial groups – individuals from the birth of the burgh and foundation of the Cathedral in the 12th century, two 15th-century male pilgrims and eight women buried inside the Chapel of Our Lady between the 15th and 16th centuries.
Lord Provost Robert Aldridge, said:“This exhibition invites visitors to travel back through nine centuries of Edinburgh’s history, to meet the earliest people who called this city home. Thanks to scientific research and creative collaboration, we are able to share new insights into their lives, origins, health, and identities and, to actually see their faces once again.
“Edinburgh 900 is a year-long celebration of our city’s rich history, culture, and bright future. This exhibition brings the faces of our very first residents to life for our audiences of today. My thanks to our partners, scientists, artists, and all those whose contributions have brought this exhibition to life.”
City of Edinburgh Council Archaeologist John Lawson added: “This has been a fascinating project that brings together new archaeological science and the creative arts to tell the story of Edinburgh’s first residents in an imaginative and exciting way.
“Visitors to the exhibition will come face-to-face with the first inhabitants of the city, ordinary individuals who lived through extraordinary chapters of history. While we are accustomed to the tales of the famous and powerful, this project shifts the spotlight to the everyday citizens, telling their stories in the very place they once walked, worshipped, and were laid to rest.
“To honour their lives in such a meaningful location has been a rare and powerful opportunity. It’s been an immensely rewarding partnership to be part of, and I’m grateful to the church, talented specialists and the artists whose hard work and dedication have have helped to tell these stories.”
Sarah Phemister, Head of Heritage and Culture, St Giles’ Cathedral, said: “This exhibition is a celebration of the remarkable talent, collaboration, and creativity of the scientists and artists who have breathed life into the faces of the past.
“Their work connects us across centuries, reminding us that St Giles’ has always been a place where history, innovation, and human stories have met at the very heart of Edinburgh.”
Free and open to the public from 6 June to 30 November 2025, the exhibition invites visitors to explore the Cathedral’s medieval past in a new way—bringing faces and stories from Edinburgh’s early history to life.
Maria Maclennan, Senior Lecturer School of Design, Edinburgh College of Art (ECA) The University of Edinburgh, said:“It has been an enormous privilege to contribute to such a fascinating and interdisciplinary project, which adopted a truly interdisciplinary approach requiring collaboration on the part of many.
“Each craniofacial approximation involved the marriage of archaeological evidence together with myriad scientific analyses undertaken by the research team, to help inform final facial appearance: forensic anthropology, radiocarbon dating, isotopic signature, DNA profiling, and forensic-artistic techniques.
“Craniofacial Approximation is a hybrid sci-art practice dedicated to restoring the face of an unknown individual from their skeletal remains. In archaeological contexts, as is seen here in St. Giles’ Cathedral, the practice is often an important means of restoring visibility, identity, and humanity to those long lost or forgotten, and/or in promoting education and encouraging public engagement with historical figures of interest from the past.
“For each reconstruction, I produced both a more ‘neutral’ face (depicting how the individual may present in contemporary day Edinburgh), in addition to a ‘historical’ face, depicting the individual dressed in clothing/artefacts typical of the time in which they lived.”
Dr Tobias Houlton, Lecturer in Craniofacial Identification and Forensic Imaging at University of Dundee, said:“This exhibition marks a significant milestone in the longstanding partnership between the City of Edinburgh Council Archaeology Service (CECAS) and the University of Dundee.
“While this particular project has been a year in the making, it builds on many years of collaboration and graduate involvement from the Centre for Anatomy and Human Identification (CAHID). It provides a unique opportunity for CAHID graduates to further develop their expertise in facial identification while contributing to meaningful research in partnership with CECAS.
“The exhibition showcases the powerful synergy between science and art in restoring the faces of Edinburgh’s earliest citizens and enriching our understanding of the city’s medieval past.”
This project has been made possible with support from Historic Environment Scotland, and all partner organisations.
– The Real Mary King’s Close and The Lost Close partner for the first time to reveal a forgotten side of Edinburgh’s rich history –
This summer, Edinburgh visitors and locals can delve beneath the city’s streets and explore not one, but two of its best-kept secrets thanks to a new underground experience that unites The Real Mary King’s Close and The Lost Close for the very first time.
Launching on Thursday 19th June and running every Thursday, Friday and Saturday until 30th August, this exclusive dual-site tour invites guests to journey through two unique underground closes.
The experience begins at The Lost Close, where guests gather at the historic John’s Coffee House – once a vibrant meeting place for Scottish Enlightenment thinkers like Adam Smith and David Hume.
From there, guests will descend into underground vaults and a close sealed off for nearly 200 years following Edinburgh’s Great Fire, only rediscovered in 2019. Guided by an expert storyteller, learn about the fascinating journey of coffee in Scotland, from its early trade roots to the rise of the city’s first coffeehouses and their enduring influence today.
During the tour, guests will enjoy a cup of specialty coffee from local roaster, Common Coffee, before encountering one of the most extraordinary industrial discoveries in recent Scottish history: the world’s second-oldest surviving Crossley four-stroke engine. Originally installed at the Royal Aquarium and later used to ventilate the city’s police chambers, this rare Victorian relic offers a remarkable glimpse into Edinburgh’s innovative past.
Following the 35-minute Coffee Tour at The Lost Close, the journey continues just a few steps away at The Real Mary King’s Close, one of Scotland’s most celebrated heritage attractions. Voted the UK’s best tourist attraction in the Tripadvisor® Travellers’ Choice® Awards – Best of the Best for 2024, the award-winning experience invites guests to step directly into 17th-century Edinburgh.
Led by character guides, guests explore a perfectly preserved warren of underground streets, homes and passageways that once bustled with life above ground. As the Close was gradually buried under the foundations of the Royal Exchange, its stories were sealed in time.
On the immersive one-hour tour, guests will uncover tales of plague, poverty, politics and the perseverance of residents who once called the Close home. Rich in historical detail and theatrical storytelling, The Real Mary King’s Close offers an unfiltered look at Edinburgh’s hidden past and the people who shaped its future.
Paul Nixon, General Manager at The Real Mary King’s Close, said:“We’re delighted to be partnering with The Lost Close to offer a fresh and unique way to experience Edinburgh’s hidden history.
“This joint ticket gives our visitors a rare chance to explore two underground closes in one morning, each with its own powerful story. From coffee culture and Enlightenment thinking to industrial innovation and everyday life, it’s a journey through the layers that have shaped the city we know today.
“We expect this to be a highly popular experience and anticipate that tickets will sell out quickly.”
Copyright James Armandary Photography
James Armandary, Tourism Development Lead at The Lost Close, added:“This partnership with The Real Mary King’s Close is an exciting first for us at The Lost Close.
“With one ticket, guests can explore two very different underground closes and uncover the rich, hidden history they share – from the story of coffee in Scotland to the everyday lives of people who once walked these streets. It’s a unique way to experience Edinburgh’s past from two fascinating perspectives.”
Tours last approximately 1 hour 45 mins. Tickets are priced at £40, including access to both tours and a cup of coffee, making it the perfect experience to start your day. With a maximum of 12 guests per session, availability is limited, and early booking is advised.
Tour Schedule:
Thursdays, Fridays and Saturdays from 19th June – 30th August.
09:15 – 09:50: Coffee Tour at The Lost Close
10:00 – 11:00: Guided tour at The Real Mary King’s Close
Today, Tuesday 03 June, the Edinburgh Festival Fringe Society is delighted to launch the 2025 Edinburgh Festival Fringe programme. The programme celebrates the diverse selection of work at the Fringe, with performers from across the world and work from 58 countries.
This year’s programme features work from 3,352 shows across 265 venues, with themes tackling some of the most topical issues in the world today.
From rebellious women to the paranormal; the apocalypse to nostalgia; queer joy to life with illness; rave and club culture to science and technology.
Edinburgh Fringe Programme Launch 2025
Launching the 2025 Fringe programme, Tony Lankester, Chief Executive of the Edinburgh Festival Fringe Society, said: ‘Programme launch is such an exciting moment for everyone involved making the Fringe happen.
“Thank you to all the Fringe-makers – the artists, venues, workers, producers, technicians, promoters, support staff and audiences that bring their un-matched, exceptional energy to Edinburgh in August.
‘This year’s Fringe programme is filled with every kind of performance, so whether you’re excited for theatre or circus, or the best of comedy, music, dance, children’s shows, magic or cabaret; get ready to dare to discover this August.
“Jump right in, book your favourites, shows that intrigue you and take a chance on something new.’
At Traverse Theatre,Gary McNair’s ‘award-winning show’ A Gambler’s Guide to Dying returns ‘back home for a special run to mark its 10th anniversary’.
‘Four generations of Northern Irish women, reunited’ in Consumed (Traverse Theatre), ‘a tale of twisted family dynamics and national boundaries’.
‘Inspired by his involvement in the Egyptian revolution of 2011, and experience of the counter-revolution that followed, Khalid Abdalla brings together the personal and the political’ in Nowhere (Traverse Theatre).
At Scottish Storytelling Centre, join the Loud Poetsfor ‘fist-thumping, pint-drinking, side-tickling, heart-wrenching fusion of poetry and live music’ or ‘Scottish and Welsh traditional storytellers Ailsa Dixon and Ffion Phillips as they weave folk music, language and story across these isles and between worlds’ in Aderyn/Bird.
Also at Scottish Storytelling Centre, Cassandra ‘blends Greek myth, Scottish folklore and personal narrative to explore prophecy, protest and survival across time and space’.
At Summerhall, Amazons is a ‘gripping new solo show about the Amazon rainforest and the generations of women who have fought to protect it’.
‘From Parisian hysteria to the glowing Radium Girls’, Fragile Creatures at theSpaceUK ‘reveals gripping stories of women’s rebellion, resilience and their relentless fight for bodily autonomy and equality’.
In Alice Hawkins – Working Class Suffragette at the Arthur Conan Doyle Centre, ‘Peter Barratt gives a stirring and passionate account of his great-grandmother’s hard-fought campaign for the vote’ while VOTE the Musical at Paradise Green takes a ‘gripping look at the Suffragette movement exploring imprisonment, activism and the fight for electoral freedom’.
Three resilient Scottish sex workers, dream of escaping the lives they’ve been trapped in, but the patriarchy stands in their way in Happy Ending Street at Leith Arches.
In Well Behaved Women at Gilded Balloon, in 1888 ‘three chaotic twentysomething women decide to host a séance’ and make ‘a bit of a mess of things.’
‘Get ready for a powerful performance’ at Women in Socks and Sandals at ZOO, ‘filled with quirky stunts, mental courage and celebration of the right to be oneself’.
With ‘history, sermons and singalong’, Church of the Clitori at Paradise Green aims to ‘satirise and crash-tackle anatomy, religious ads and female sexuality politics’.
At Braw Venues @ Grand Lodge, Fallen Angel by Liam Rudden tells the story of Angel, who’s been ‘tortured’ by angels for ‘500 years’, while ‘startling revelations about Edy Hurst’s relations have set him on vision quest to contact his ancestors’ in Edy Hurst’s Wonderfull Discoverie of Witches in the Countie of Himself at Assembly.
Do Zombies Dream of Undead Sheep? is a ‘one-man (and one puppet) musical journey through a zombie outbreak, combining live performance, puppetry and animation’ at ZOO.
‘Get to know Frankenstein’s Monster like you’ve never been able to before’ at Fatherless Monster (Paradise Green), ‘face to face with only a mic and some stage lights between you and him.’
0.1% Accurate: Magdalena the Fortune Teller Show ‘will predict the future, summon the spirits, answer your life questions and send you home smiling’ at Alchemist Cocktail Bar and Restaurant.
Listen to the tales of Haunted Edinburgh at Arthur Conan Doyle Centre ‘and discover a host of terrifying stories of hauntings from the city’s dark past’ or visit The Mother Superior to ‘unveil women’s role in shaping the history of alcohol, including sharing how some were framed as witches’ in Whisky & Witches.
A Haunted House at Assembly is a ‘hysterical, terrifying and surreal tale, about one hair-raising night in a haunted house’ ‘for those who like their laughs big and their scares spine-chilling!’
‘The world-renowned paranormal expert Baron Vordenburg and his helpers, Gothic and Grotesque, give away trade secrets and expertise on hunting the unknown’ in Baron Vordenburg’s Guide to the Paranormal at theSpaceUK.
‘A man commits the ultimate act of cowardice’ and ‘a woman’s spirit gains terrifying embodiment’ in ‘dark, twisted folk horror tale’ Tom Hiccup’s Well at Greenside.
At theSpaceUK, ‘apocalyptic anti-romcom’ Horny for the End of the World follows ‘Gen Z, try-hard, pick-me Ebeth gets dumped by the man of her dreams the day before everyone realizes the world is going to end’.
Apocalipsync is a ‘high-energy solo show blending physical theatre, mime, dance and lip-sync mastery’ ‘exploring themes of isolation, hyper-connectivity and human expression’ at Assembly.
Original musical The Real Housewives of the Zombie Apocalypse at Greenside asks if the ‘OGs of reality TV’ can ‘survive the hordes, and each other, and self-produce their way to the end?’ while 4’s a Crowd (Or What Not to Do When Stuck in a Bunker During the Apocalypse) at theSpaceUK ‘follows the idiots left behind after the world ends’.
Apocalypse Cabaret: Songs for the End of the World (Underbelly) is a ‘powerhouse Fringe debut packed with original songs, pop bangers, audience interaction, and existential musings’ following ‘a lonely karaoke jockey is the sole survivor at the end of the world and decides to go out singing.’
Scenes of Unfathomable Horror brings ‘absurd, twisted and entertaining take on modernity, celebrity and existential dread’ to Just the Tonic.
At Underbelly, A Small Town Northern Tale is a ‘Y2K coming-of-age story, charting life in a small Northern town as a mixed-race boy’ and WANTED tells the story of ‘two girls from opposite worlds’ ‘fated to meet on the 00s queer scene’.
At Club NVRLND (Assembly), ‘where the party goes on till morning’, ‘Wendy and Peter reunite for an unforgettable night of adventure, nostalgia and staying forever young, featuring the biggest 2000s anthems’
‘All set to the soundtrack of the 2000s’ Jake Donaldson Is The Fifth Weezer at Laughing Horse is set to be ‘packed with nostalgia, punchy jokes and stories about finding your place in the world’.
‘The perfect nostalgic show for pop fanatics and chart aficionados’, Margot and Martha’s Chart Show Mixtape at theSpaceUK will ‘take you on a journey from mixtapes to Spotify wrapped, celebrating pop music through what was in the charts on the 18th of August – the very week they’re performing at the Fringe’.
‘Party like it’s 1999’ at MASSAOKE: 90s Live (Underbelly) with ‘an epic 90s sing-along’.
‘Through everyday conversation, hilarious comedy, and music-hall style songs’ at The Steamie (Gilded Balloon) ‘we learn from four working-class women about their lives, husbands, technology and the approaching New Year in this time capsule of Glasgow in the 1950s’.
A ‘love letter to the queers, the weirdoes, the trailblazers, the fringes and the night-walkers’, Anatomy of a Night at Summerhall isan ‘exploration of personal identity through a reflection of memories from queer and club spaces’.
‘Queer, chic and outrageous’ – head to the Big Gay Afterparty at Just the Tonic for the ‘biggest, gayest party at the Fringe (fun straights allowed)’.
‘A queer love story but no one dies at the end? Welcome to the world of’ Blooming at Greenside.
Join a ‘plus-sized, 72-year-old lesbian’ sharing ‘intimate stories celebrating inclusivity’ at Tales From Your Queer Elder (Greenside).
At Carpet Muncher at the Scottish Storytelling Centre, ‘the contemporary folklore of the Mothman is brought to life, using vibrant surrealist costuming to explore themes of queer alienation, metamorphosis, cross-border solidarity and homoerotic hot-hub encounters’.
Follow a young trans girl as she navigates the hilarity of rural Argentina during the 1900s at Cecilia Gentili’s Red Ink at Underbelly.
‘Expect chaos, drag, stand-up, glitter, queer joy and an ever-changing line-up of LGBTQIA+ acts’ at Comedy Queers (Laughing Horse) or check out Midnight at the Palace (Gilded Balloon) for a ‘night of radical joy and glitter-encrusted anarchy’.
3 Kidneys No Colon at Braw Venues @ Grand Lodge is ‘the medical diaries (or rather… diarrheas) of Dave who suffers from chronic kidney disease, ulcerative colitis and has had multiple organ transplants’.
Learn about ‘narcolepsy from a true-life perspective’ at theSpaceUK, Fragments of Fatigue is a ‘coming-of-age story to transform your world and prove just how much fight is required to beat the fatigue’.
‘Artfully weaving between generational trauma and chronic illness’, Robyn Reynolds: What Doesn’t Kill You at Assembly will have you ‘roaring with laughter’.
In The Nature of Forgetting at Pleasance, ‘Tom is living with early onset dementia’ and ‘we meet him as he prepares for his 55th birthday party and past memories come flooding back’. At theSpaceUK, Ah-Ma is ‘a hauntingly beautiful new play, weaving together natural and social disasters, bodily deterioration and family sorrow’.
At Assembly, Ohio tells the story of ‘when Shaun turned his back on the church’ and ‘found a new home in music’ before he is ‘confronted now with acute degenerative hearing loss’.
Yvonne Hughes: Absolutely Riddled is ‘a fresh and bold dive into the reality of living with cystic fibrosis (CF) – a journey that’s as phlegmy as it is funny’ at Gilded Balloon.
At Summerhall,TheButterfly Who Flew Into The Rave is ‘the atmosphere and culture of a three-day rave condensed into an hour’ while PUMP ‘drops you in the middle of a nightclub dance floor in a desperate search for validation, intimacy and identity’.
Her Raving Mind is ‘a Greco-British rave tragicomedy unravelling the complex mind of an abuse survivor’ at Just the Tonic.
‘Loud, lawless, and laced with naughty bits’, Watch Me Die! is ‘rave theatre: performance, film, stand-up and pounding basslines, dragging Shakespeare into a civil war where star-crossed love and vengeance make their scene’ at theSpaceUK.
At Rave, Colin and Rosie ‘are battling through their own worlds of crisis using the music of the rave club to help, encourage and solve their problems’ at Braw Venues @ Grand Lodge.
Created by an AI researcher, AI: Save Our Souls at Greenside features ‘an immersive future world of AI, polystylistic music and a dynamic plot’ while at Paradise Green, Rise of the Solar Punks asks ‘what can we learn from ancient cultures regarding climate adaptation, and how can we fuse this with technology and AI?’
As part of the Made in Scotland showcase, MUO Live at the French Institute in Scotland is ‘a unique fusion of music, science and unseen cosmic forces.’
Head to Just the Tonic, Excel Comedy and Mathem-antics for a ‘themed stand-up show for spreadsheet experts and rookies alike’ or check out Sci-larious – Science Stand-up at Laughing Horse for ‘bi-lol-ogy or pharm-ha-cy’.
Mark Thompson’s Spectacular Science Show at Gilded Balloon is ‘science like you have never seen it before’ exploring ‘the magical properties of matter’.
At PBH’s Free Fringe, Freya McGhee: Experimental blends ‘science, comedy and dating into one unforgettable experiment’ investigating ‘the chemistry of attraction to the mechanics of mixed signals’.
Check out Hot Rubber (Gilded Balloon) to see ‘eight comedians pit their homemade remote-control cars against one another in the world’s smallest demolition derby’ or ‘form a team, select a knockoff Roomba, customise it, then pit it against a dozen rivals’ at Robot Vacuum Fight Club (Outhouse Bar).
Braw Venues @ Grand Lodge ‘on busy George Street’ is new with a number of shows this August, including well-known musicals Little Shop of Horrors, High School Musical and Footloose, as well as a range of theatre, cabaret and children’s shows.
Welcome to the Fringe, Palestine, ‘a mini-festival to celebrate Palestinian art and culture’, takes place in new venue Portobello Town Hall.
Citadel Youth Centre is ‘hosting two fundraisers for the Citadel’s valuable work with young people and families in Leith’ Storm in the Citadel and Punchline on Leith.
The Bowlers Rest in Leith is home to Beggared, ‘the story of a privileged white South African whose life collapses into homelessness’.
Easter Road Stadium joins the Fringe as a venue, hosting two shows: Dropped, in which ‘former Chelsea FC trainee Alfie Cain tells his moving story of dashed football dreams and explores the darkness and pressures young men go through trying to make it as professional footballers’ and Frankie Mack Showman – The Next Stage: The Leith San Siro ‘a high-energy, show-stopping night of swing, rock’n’roll and modern classics’.
All the way from Italy is Mirage Spiegeltent at Gyle Shopping Centre, hosting Spirit of the Favela, a ‘dynamic fusion of circus and theatre showcasing Rio de Janeiro’s vibrant culture and communities’.
Gilded Balloon have introduced a new space at Appleton Tower for twenty shows, including Frances Floats and Not My Grandmother’s Daughter.
Now in St. Andrew’s Square, The Famous Spiegeltent returns, offering theatre, cabaret, music and musicals, including La Clique – ‘the global phenomenon that redefined a genre, with its mélange of cabaret and circus’.
Josie Long: Now Is the Time of Monsters is ‘a new show about extinct, gigantic, charismatic megafauna from three-time Edinburgh Comedy Award nominee’ at Pleasance.
Gilded Balloon marks their fortieth anniversary with ‘a series of special in-conversations featuring comedy greats’ including Jenny Eclair and Michelle McManus.
Also at Gilded Balloon, Rosie O’Donnell: Here & Now ‘reflects on her life in the present, including why she moved to Ireland from the USA, and how that shift has shaped her future’ and Michelle Brasier: It’s a Shame We Won’t Be Friends Next Year is a ‘show for the theatre kids, the freaks, the queers; for anyone who’s spiralled about something they did years ago’.
Fringe favourite Nina Conti: Whose Face Is It Anyway? is back at Underbelly, with ‘an unparalleled, unscripted show that delves deep into who we are, hijacking faces to spark a bold, hysterical reality warp’.
‘Direct from a sell-out West End season’, Bill Bailey is at Edinburgh Playhouse with Thoughtifier while Miriam Margolyes brings ‘more characters, more Dickens and more fascinating stories about the man behind the classics’ to Pleasancewith Margolyes and Dickens: More Best Bits.
‘The talented comedian, writer and host of A24 late-night variety sketch show’ Ziwe brings Ziwe’s America to Pleasance.
At The Stand Comedy Club, ‘expect to hear the glorious mess of being a professional polymath – from medical school to quiz championships, comedy clubs to Parkinson’s advocacy’ at In Conversation with… Paul Sinha or ‘jokes, rants, politics, swearing and possible nudity’ at Mark Thomas: WD40.
At Monkey Barrel, there’s ‘new material from the Rose d’Or, Southbank Sky Arts and Edinburgh Comedy Award winner’ Bridget Christie. Also at Monkey Barrel, ‘the Taskmaster treasure, Live at the Apollo star and voice of Netflix’s Too Hot to Handle presents a new hour about our bodies corporeal and politic, and what remains through ascension and destruction’ with Desiree Burch: The Golden Wrath.
‘A love letter to people pleasers everywhere’, Laura Benanti: Nobody Cares at Underbelly is ‘a hilarious, heartfelt and sometimes brutally honest tribute to recovering ingenues, mothers and anybody working on themselves’.
‘Comedy veteran’ Karen Dunbar ‘returns to the Fringe for a limited run of her stand-up tour’ at Just the Tonic.
At Assembly, David O’Doherty: Highway to the David Zone has ‘has got the lot’ with ‘talking, songs, talking during songs, talking while walking around’.
There are 325 free shows and 529 Pay What You Can/Want shows in this year’s programme.
10,001 Ideas by Robyn Perkins at Laughing Horse offers a ‘uniquely different hour of critically acclaimed stand-up and storytelling’.
Huge Davies: Free Work in Progress is at PBH’s Free Fringe with ‘his wearable keyboard for a free hour-long work in progress’. Also at PBH’s Free Fringe, Escape the Rat Race is a ‘a must-see for anyone who has ever worked in an office’.
At Laughing Horse, Three Bad Sisters is a ‘cacophony of the best and darkest materials from these three female rising stars of Irish comedy: Aideen McQueen, Shinanne Higgins and Louise O’Toole’.
‘Imagine an Englishman, an Irishman and a Scotsman in the same bar as a therapist’ and you’ll imagine 5 Mugs, No Tea at Leith Depot. At the Mother Superior, you can ‘expect a fever-dream of love, loss, and existential dread’ at Crying at the Meat Raffle.
Disco Picnic at The Three Sisters is a ‘Fringe fiesta serves up a delicious mix of toe-tapping disco tunes’.
The Fringe Society are grateful to the many partners, supporters, funders and sponsors this year. In particular, they would like to thank the official Education Partner of the Fringe Anthropic, the official Beer of the Fringe Innis and Gunn, Cirrus Logic and Baillie Gifford.
They would like to thank the UK Government and the Department for Culture, Media and Sport for their Keep it Fringe Fund support, the Scottish Government and City of Edinburgh Council for strategic funding support, the Scottish Government’s Festivals EXPO Fund support for the Made in Scotland programme; and Screen Scotland for supporting Screen Fringe.
The Fringe Society would also like to thank accommodation partners who provide much needed affordable accommodation to artists – Queen Margaret University and the University of Edinburgh, Theatre Digs Booker. Health in Mind are also returning in 2025 to support the delivery of mental health and wellbeing services within Fringe Central, which is once again kindly delivered in partnership with Grassmarket Community Project.
