Princes Street at a Crossroads

Heritage, vision and the future of Edinburgh’s grand boulevard

Princes Street has long occupied an uneasy place in Edinburgh’s civic life: simultaneously its most recognisable address and one of its most contested (writes JAMES GARRY, COCKBURN ASSOCIATION).

Both our shop window and our common ground, it is the point at which the ordered confidence of the New Town meets the drama of the Old Town.

As is well documented, its magnificence was carefully curated,  and fiercely debated. From many vistas, Princes Street and Princes Street Gardens still retain their constructed beauty; from others, the street feels tired, fragmented and increasingly disconnected from the care and coherence that such a prominent civic space demands.

In recent months, that unease has sharpened. Vacant shopfronts, makeshift replacements, inconsistent materials and a creeping loss of identity have pushed Princes Street back into the spotlight once more.

The City of Edinburgh Council’s draft Princes Street and Waverley Valley Strategy was met with thoughtful but firm criticism from community councils and civic voices alike. The strategy was widely perceived as underpowered: incremental where ambition was required, procedural where leadership was needed.

Significantly, at the Planning Committee meeting on 12 November 2025, councillors formally requested that council officers convene an elected member / officer / stakeholder workshop, bringing together those with transport, culture, heritage and placemaking expertise so that a more ambitious and exciting strategy for Princes Street could be brought forward for approval.

This proposed convening has already been described in the press as a “summit”, following rejection of the existing strategy as insufficiently bold. The terminology matters less than the intent: this is an opportunity for genuine reset.

But it must not become another carefully managed procedural exercise. Princes Street does not need consultation for its own sake; it needs a bold, principled conversation that acknowledges the scale of the challenge and the opportunity before us.

This challenge is not unique to Edinburgh. Across the UK and Europe, the traditional high street model is buckling. The drift of big-name retail to enclosed malls and out-of-town centres, combined with online shopping and changing habits, has hollowed out historic cores. Some cities have responded with imagination and courage.

Others have relied on surface-level aesthetic improvements and marketing rhetoric, mistaking cosmetic change for meaningful renewal.

These pressures are not anecdotal but structural: research by Historic England and the UK Parliament highlights sustained long-term decline in traditional high-street retail, driven by changing consumer behaviour, the expansion of online commerce and rising operational costs, trends felt most acutely in historic city centres.

There are lessons to be drawn from elsewhere, and they are encouraging for proponents of local, ethical, sustainable, low-emission and bespoke urbanism.

York has rebalanced parts of its historic core through its Streets for People programme, prioritising pedestrian movement and smaller independent retailers in ways that reinforce place identity rather than dilute it.

Bath has used careful, phased public-realm investment to support its World Heritage setting, framing its centre as a place for lingering rather than simply passing through.

Bruges and Ghent have demonstrated, through people-first circulation strategies, how heritage streets can remain economically viable while reducing traffic dominance and strengthening civic life.

Vienna has quietly reimagined several of its central boulevards as dignified, coherent public environments that support everyday use as well as cultural richness.

London, despite its scale and complexity, offers particularly instructive examples grounded in formal policy and design evaluation.

Westminster City Council’s Covent Garden Public Realm Framework sets out a structured approach to balancing commercial vitality with pedestrian priority, heritage sensitivity and coherent materials, helping to reposition the area as a thriving mixed-use environment rather than a purely retail corridor.

Meanwhile, the Strand Aldwych scheme has transformed a former traffic-dominated gyratory into a generous pedestrian civic space, restoring historic connections between the Strand and Somerset House and creating substantial new areas of public realm.

These interventions demonstrate that historic streets can be reimagined as people-first civic environments without sacrificing architectural gravitas or cultural identity.

What these places share is not a single blueprint but a shared attitude: they treat their most historic streets as civic infrastructure, not merely commercial corridors. Retail remains part of the mix, but it no longer defines the entire purpose or identity of the space.

Princes Street has already begun, almost by necessity, to edge towards a more mixed future. The City of Edinburgh Council has itself acknowledged this transition, noting the shift from traditional retail towards a broader mix of hotel, leisure and experience-based uses as part of the wider “changing face” of the street.

Media commentary has likewise tracked the steady replacement of flagship retail with hotels and large-scale visitor destinations, reflecting both local pressures and national trends in retail restructuring.

While such evolution is not inherently negative, it risks becoming reactive and piecemeal if not anchored within a clearly articulated civic vision. The danger is not evolution itself, but drift.

For the Cockburn Association, this is a familiar and hard-won narrative. Princes Street and Princes Street Gardens have been central to our work for over 150 years. From early campaigns that expanded public access to the Gardens, to resistance against overbuilding, intrusive commercialisation and visual clutter, the consistent argument has been clear: these spaces are not commodities, but shared civic ground, and must be stewarded accordingly.

At this moment, the Cockburn Association, as Edinburgh’s Civic Trust, is uniquely positioned to help facilitate precisely the kind of workshop now being sought. With long institutional memory, independence from commercial interests and a track record of principled advocacy, the Association can provide a trusted platform for serious, solutions-focused dialogue. A workshop (or “summit”) convened or co-facilitated by the Cockburn would demonstrate that this is not simply another technical stage in policy development, but a genuinely civic exercise grounded in public interest, professional expertise and historical understanding.

The task now is not to resist change, but to ensure that it is guided by care, clarity and long-term vision. Poorly handled, Princes Street risks becoming a diluted stage set for transient retail cycles and short-term commercial expediency. With imagination and leadership, however, it could reassert itself as a coherent, distinctive and genuinely civic boulevard.

The Cockburn Association’s long record of principled intervention is explored in Campaigning for Edinburgh, which traces 150 years of advocacy, resistance and considered action. It demonstrates that the Association has never opposed change itself. What it has consistently challenged is lazy change. Change without memory. Change without craft. Change without respect.

Any credible vision for Princes Street must therefore begin with principle. The view matters. The Castle, the Old Town ridge, the Gardens and the open sky are not decorative extras; they are the street’s defining framework. Materials matter too. Paving, lighting, planting and seating must speak of coherence and dignity, not contribute to a fragmented collage of competing interventions.

Equally vital are inclusion and accessibility. Princes Street must feel welcoming and navigable for everyone: with generous seating, clear wayfinding, step-free routes and design that supports everyday use as well as major civic moments.

The vision must also respond to the climate emergency through reduced traffic dominance, prioritisation of walking and cycling, and climate-resilient design incorporating greenery, shade, permeable surfaces and sustainable drainage.

Streets that respond intelligently to environmental stress are not aspirational luxuries; they are future-critical necessities.

Edinburgh now has the opportunity to articulate a distinctly Scottish response to the high street question, rooted not in trend-following, but in stewardship. Not in glossy reinvention, but in thoughtful continuity. Princes Street should not be permitted to slide into generic urban sameness. It can remain both living and grounded; practical and poetic; evolving, yet unmistakably Edinburgh.

This is an important civic moment and it deserves seriousness as well as optimism. The Planning Committee’s request for a workshop, now popularly framed as a summit, should be seen not as a procedural footnote, but as a meaningful opening: a chance to reset ambition and reassert quality at the heart of decision-making.

Princes Street will change. That much is inevitable. The opportunity now lies in shaping how and with whom that change is guided.

With principled facilitation, inclusive dialogue and renewed civic confidence, Edinburgh can restore Princes Street as a place that reflects the city’s character, honours its history and meets the challenges of its future with integrity rather than compromise.

Dynamic Earth calls for support as Big Give Match Funding opens

Dynamic Earth has launched its 2025 Big Give Christmas Challenge campaign, inviting families, supporters and science enthusiasts across the UK to Double the Discovery and help give thousands of young people the chance to fall in love with STEM.

For one week only (2–9 December), every donation made to Dynamic Earth will be doubled through The Big Give, the UK’s largest online match-funding campaign.

With more than 30,000 children visiting Dynamic Earth’s Learning Bases each year, many from communities who face barriers to accessing high-quality science learning, the charity is calling on the public to help create classrooms where curiosity can truly come alive.

Upgrading the spaces where science starts

Funds raised through The Big Give will support essential upgrades to Dynamic Earth’s Learning Bases: hands-on, immersive classrooms where Scotland’s young explorers learn about volcanoes, space, climate, coding, engineering and the wonders of the planet.

Matched donations will go directly towards equipment that teachers, parents and community groups say makes the biggest difference:

  • £20 – new early years floor mats to support sensory storytelling for budding young scientists
  • £50 – flexible furniture to better support diverse needs, including young wheelchair users
  • £100 – tablets to build tech confidence for tomorrow’s coders and engineers

These improvements will help Dynamic Earth continue delivering more than 250,000 science learning experiences every year, ensuring every child, regardless of background, can experience the joy and excitement of discovery.

Dynamic Earth’s programmes have a powerful track record of removing barriers to STEM engagement.

Dynamic Earth’s impact is best reflected in the voices of the schools, teachers, parents and young people who experience its programmes first-hand.

Their feedback highlights how transformative, accessible, hands-on science learning can be, sparking curiosity, boosting confidence and opening doors to opportunities many learners would not otherwise have.

Teacher feedback:

“The workshops were excellent and engaged the pupils with plenty of interactive activities. Information was aimed at the right level and the course leaders were engaging and very knowledgeable. Highly recommend.”

“The workshop we attended was brilliant in the way the activities were so active and engaging. I feel that I gained a lot of information in different ways, and it gave me ideas of how to use active learning in my classroom.”

“The majority of pupils who came on the trip had never even been to Edinburgh let alone Dynamic Earth. This real life experience of leaving the classroom to visit an educational experience really does make the difference to our pupils and many refer to it as being the best day of S2.”

Parent feedback:

“It is an amazing club. The kids love it, learn from it and the staff are amazing. So lucky to have this club!!”

“Is enhancing my daughter’s interest in science and gives her an opportunity to meet like minded peers”

A call to support the next generation

Speaking about the campaign, Dynamic Earth Director of Fundraising and Marketing Helen Chomczuk said: “This is about giving every child the chance to feel that spark; the moment science suddenly makes sense, becomes exciting, becomes theirs.

“With matched funding in place, every pound goes twice as far, helping us build better spaces for learning and ensuring that more young people can experience the wonder of our planet. We’re asking the public to stand with us in giving the gift of discovery this Christmas and inspire tomorrow’s scientists.”

How to take part

The Big Give Christmas Challenge runs from 2–9 December 2025, with all donations doubled while match funds last.

Supporters can give via the campaign page: 

Learning Comes To Life at Dynamic Earth – Big Give

Over 16,000 people enjoyed free weekend events at Ross Bandstand

Over 16,000 people enjoyed free community and music events at Ross Bandstand over the St Andrew’s Day weekend celebrations, presented by Edinburgh’s Christmas.

Edinburgh Christmas, Red Hot Chilli Pipers

Among many others, audiences danced to the famous Red Hot Chilli Pipers (pictured) and whirled-away to The Sensational Jimi Shandrix Experience, renowned as one of the top ceilidh acts in the world!

Edinburgh’s Christmas events and activities continue until 4 January!

Another fantastic weekend of entertainment features Edinburgh Sings! this Saturday and the annual Santa Fun Run & Walk and Santa Paws on Sunday.

Multrees Walk reveals Longchamp is coming to Edinburgh

Luxury shopping destination shines this festive period

Multrees Walk ends 2025 on a high with the announcement that iconic French fashion house Longchamp will open a new boutique early next year.

This will be the first Longchamp boutique in Scotland and the first outside of London. This addition forms part of several exciting new announcements and developments due to be revealed in the New Year for Multrees Walk.

This news comes shortly after the shopping destination recently welcomed the opening of the luxury watchmaker OMEGA – its first standalone boutique – bringing the brand’s world-renowned craftsmanship and prestige to Edinburgh’s luxury shopping street.

Leigh Aitchison, Multrees Walk Centre Manager, said: “2025 has been a great year for Multrees Walk, with the new OMEGA boutique opening and now the upcoming arrival of Longchamp.

“We’re proud to see Multrees Walk continue to thrive as Scotland’s home of luxury retail and attract an increasingly growing range of brands and customers. 

“The festive season is always a highlight of the year for Multrees Walk, with our stylish Christmas decorations and our brands’ beautifully curated window displays, creating a magical atmosphere for shoppers.

“As 2025 draws to a close, we’re looking forward to the year ahead, with more exciting announcements to come in 2026.”

Whitbread gets the go ahead for Edinburgh’s Capital House hotel

Former office on Festival Square will be converted into 195-bedroom Premier Inn

Whitbread PLC, the owner of the Premier Inn hotel chain, has received confirmation from The City of Edinburgh Council that it has granted planning permission for the conversion of Capital House in the centre of Edinburgh into a 195-bedroom Premier Inn. 

Whitbread will invest £21 million in the conversion and rear extension of the 65,350 sq ft vacant office building into a latest format Premier Inn hotel with a ground floor restaurant and bar.   

The new Premier Inn is anticipated to generate an additional £8.1 million per year in visitor expenditure through the external spending of more than 56,000 business and leisure guests which are predicted to stay at the hotel every year once it reaches maturity. 

Whitbread believes half of this external year-round expenditure is anticipated to be spent supporting city centre businesses based on a comprehensive nationwide study of its customers in 2023.  

Jill Anderson, Acquisitions Manager for Scotland at Whitbread, said: “We are fortunate to have an established network of 14 trading Premier Inn hotels in Edinburgh which welcome a million visitors a year and drive £32 million in annual external spending in the city. 

“The strong year-round demand we are continuing to experience for our rooms in the city is driving the expansion of Premier Inn across Edinburgh, including at Capital House in the heart of the city centre. 

“It is a sensational location for a budget hotel given its proximity to iconic tourist destinations like Edinburgh Castle, a host of theatres and concert venues, the Edinburgh International Conference Centre (EICC) and the Exchange District.  

“Getting the green light to convert the 1980’s office into a latest format Premier Inn is a huge achievement for the team and we will waste no time in breathing fresh life into the empty building and adding another high-quality location for our customers in Scotland.”

Whitbread acquired Edinburgh Capital House freehold in late 2024 and submitted a planning application to change the use of the 1980s office block to a hotel in May 2025. 

In addition to its investment in Capital House, Whitbread is working to expand the presence of Premier Inn at Edinburgh Airport and add a fourth hub by Premier Inn hotel in the city to the east of the city centre.  

Premier Inn is the UK’s largest hotel chain with a network of 85,500 hotel bedrooms across the UK & Ireland trading from more than 840 hotel locations.  Across both countries, the company believes in the long-term potential for 125,000 Premier Inn bedrooms.

World AIDS Day service at St Mary’s

ST MARY’s EPISCOPAL CATHEDRAL – PALMERSTON PLACE

All are very welcome to our service for World AIDS Day, on Monday 1st December.

Whatever your faith or background, join us to remember those who have passed away, and those who are still living with this condition.

Winter Windows are Back!

Brighten up the nights with the magical Winter Windows

Winter Windows are back at Edinburgh’s Christmas! An arts competition for Edinburgh schoolchildren of all ages, it is an annual showcase of their creativity and skills.

With the 2025 brief to design a window that captures their vision of winter or the festive season, using any medium and style they wish, Edinburgh children’s 24 winning designs will be on display in West Princes Street Gardens along the top path from Thursday 27th November, each turned into a magical lightbox.

Edinburgh’s Christmas Winter Windows competition is in partnership with Arts & Creative Learning, Lifelong Learning, City of Edinburgh Council.

The judging panel consisted of Unique Assembly directors and City of Edinburgh Council representatives. Each of the 24 winners receives free tickets for a fun day out with their friends and family at Edinburgh’s Christmas – along with having their artwork on display throughout the festive season in one of the capital’s busiest locations!

Winter Festivals

Insta | FB | Tiktok @edinburghchristmas  

#edinburghchristmas 

The Real Mary King’s Close unveils festive events exploring the Edinburgh’s hidden past

This December, The Real Mary King’s Close invites visitors to escape into Edinburgh’s past with two interactive underground experiences: the return of its sell-out Victorian Christmas Experience and the once-a-year revival of Underground Unlocked.

The Victorian Christmas Experience, running across all weekends from Saturday 6th to Friday 28th December, brings guests face to face with a member of the Chesney family, among some of the last to live on the Close.

Through expert-storytelling, visitors will discover how Christmas slowly re-emerged in Scotland after centuries of suppression, and how Victorian Edinburgh shaped many traditions we still enjoy today.

Following the guided tour, visitors will gather in a candlelit room to enjoy tea, traditional scones with jam and clotted cream, and a craft activity inspired by authentic Victorian practices.

December will also see the return of the exclusive Underground Unlocked tours, offering two special evenings on Thursday 4th and 11th where visitors can roam freely through the preserved 17th-century streets at their own pace.

Rather than following a guided tour, guests will encounter a number of historical residents including merchants, plague doctors, poets, businesswomen and even those once condemned during the witch trials, each sharing their own vivid story.

For just a few hours, the Close will echo with the bustle of the people who once lived and worked beneath the Royal Mile.

Characters include Mary King herself, the sharp-witted merchant and burgess; Patrick Byrne the leather tanner; Dr John Paulitious, Edinburgh’s first plague doctor; Marie Maitland, the bold poet whose verses were hidden for centuries; and Euphame MacCalzean, determined to reclaim her voice after a wrongful accusation during the witch trials.

With more than a dozen figures appearing across the site, every turn reveals a new fragment of the city’s hidden history and offers a fleeting glimpse into Edinburgh’s past as it might’ve felt centuries ago. 

Paul Nixon, General Manager at The Real Mary King’s Close said: “December is always packed with events, and we know people have so much to choose from.

“That’s why we’re excited to offer something a bit different – an immersive festive experience that the whole family can enjoy together.

“It’s a fun and interactive way to learn more about Edinburgh’s past, and after the overwhelming response last year, we’re delighted to bring it back. 

“We’re also reintroducing our ever-popular Underground Unlocked evenings, which remain one of the most memorable ways to experience the Close. Together, the two events offer something truly unique for anyone looking to do Christmas a little differently this year.”

For more information and bookings please visit www.realmarykingsclose.com 

Royal Scottish Academy all set to mark 200 year anniversary in Edinburgh and the Lothians

In 2026, the Royal Scottish Academy (RSA), one of the oldest and most prestigious cultural institutions in Scotland, will be 200 years old. An independent artist-led organisation with links to every part of Scotland and beyond, the Royal Scottish Academy is planning a unique celebration involving hundreds of artists, partners, galleries and institutions.

The full programme is revealed today, with events taking place across Edinburgh and the Lothians in 2026.

Set to be the widest reaching project ever of its type in Scotland, Celebrating Together features over 100 cultural partners coming together to mark the occasion with their own tailored events, exhibitions, performances, talks and collection rehangs across multiple venues.

A series of major exhibitions will also take place at the RSA in Edinburgh, from new solo shows to group exhibitions that showcase the RSA and its Members (Academicians) and New Contemporaries then and now in a series of new and enlightening ways.

Throughout the year, the RSA will also open up its Collections to partners across the network, with 100 artworks on loan to over 30 galleries, museums and cultural venues. Celebrating Together is supported by Museums Galleries Scotland.

HIGHLIGHTS: 

Jessica Harrison RSA, Jasperware vase and cover with Pegasus finial and with reliefs of Apollo and the Muses,  made at the factory of Josiah Wedgewood, Etruria, Staffordshire, ca.1790, 2015. On display in Origin Stories.

At the RSA in Edinburgh, the year opens with a number of exhibitions which look towards the legacy and impact of the institution. Origin Stories (24 January – 8 March) focuses on art tutors and teachers, and the web of artistic relationships that have evolved over the last two hundred years, tracing lines of influence from the nineteenth century to the present day. 

Generation (24 January – 8 March) will trace the connections and routes of sixteen architects who formerly worked at the practice of Richard Murphy RSA, and have since gone on to establish their own practice. The Scottish Society of Artists (SSA) will highlight historical links between the society and the RSA within their 127th Annual Exhibition (11 January – 8 March).

Michael Agnew RSA, Three Scottish Owls for Megan Boyd, c. 2017. 

Courtesy of the artist. Showing in A Real kind of Fiction at Linlithgow Burgh Halls.

Linlithgow Burgh Halls celebrates with two solo exhibitions, starting with Species Morphology – A Living Archive (23 January – 17 May).

Coming from a family of landworkers and game keepers, Stuart Mackenzie RSA’s exhibition explores the characteristics of nature and species, embedded in painting, drawing and printmaking. A Real kind of Fiction by Michael Agnew RSA (18 September – 24 January 2027) rounds off the programme.

Combining recent and retrospective work, Agnew captures the ‘Anina Mundi’ reflected in the owl as an archetype, alongside subtle and overt critiques of the contemporary world of ‘fast media.’ The programme will also include Homecoming by Leo du Feu ( 22 May – 13 September).

In February, the Scottish Society for Art History and the Royal Scottish Academy present a two day conference in Edinburgh – Scottish Art and the Academy (5 – 6 February 2026).

The conference aims to celebrate, explore and interrogate the RSA’s history and showcase new research on artists connected to it. It also aims to cast an enquiring eye over the idea of the Academy and its ‘official’ status, looking at those who may have been excluded from it or reacted against it at different times. 

Ilana Halperin RSA, From Coral to Marble, 2014. RSA Diploma Collection. 

Showing as part of What is Us and what is Earth at Fruitmarket.

Edinburgh’s Fruitmarket will mount a major solo exhibition by Ilana Halperin RSA, titled What is Us and what is Earth (27 February –17 May). Halperin’s artwork explores the relationship between geology and daily life via media, writing, performance, printmaking, sculpture, drawing, and film. 

At Dovecot, a show highlighting the work of Dame Elizabeth Blackadder RSA opens in time for Summer (opens 20 June). Blackadder was the first woman elected to both the Royal Scottish Academy (1972) and the Royal Academy of Arts (1976).

The breadth of her work in oil, watercolour, and printmaking techniques has long been celebrated for its new perspectives in contemporary art. 

Blackadder collaborated with Dovecot across five decades to create over 30 tapestries and hand-tufted rugs. This exhibition will not only shed light on her illustrious career but also showcase her work in the context of the world-famous Studios.

Arthur Melville RSA, Homeward, 1880. Museums & Galleries Edinburgh.

Showing as part of  Jean F. Watson: An Artistic Legacy at the City Art Centre.

Work that is gifted through a bequest (after someone’s death) is important to the story of Scottish art.  There are many links to the RSA through these collections at institutions around the country that will be celebrated in 2026.

At the City Art Centre, Jean F. Watson: An Artistic Legacy runs across Spring and Summer (16 May – 4 October). Jean Fletcher Watson (1877-1974) was an Edinburgh resident who had a significant impact on the city’s cultural heritage.

During the 1960s and 1970s she presented a series of financial donations to the City of Edinburgh to develop a collection of Scottish art. Since then, the Jean F. Watson Bequest Fund has enabled the acquisition of more than 1,000 artworks.

Among the artists represented are many with links to the Royal Scottish Academy, including Anne Redpath RSAJoan Eardley RSALeena Nammari RSA, and Alison Watt RSA.

Hill and Adamson, Ramsay and Rutherford from The Fishermen and Women of the Firth of Forth Portfolio, 1843-1847.  The work will be displayed in an exhibition on Hill and Adamson at Studies in Photography, Edinburgh.

In May, an exhibition on Hill and Adamson will open at Studies in Photography, who will also host a seminar and book launch to coincide with the exhibition. As Secretary of the Royal Scottish Academy from 1836 to 1869, photographer David Octavius Hill shaped the institution’s identity and legacy. His partnership and work with fellow photographer Robert Adamson was a defining moment in the development of the photographic portrait.

Their work will be celebrated in the new book Hill and Adamson: The Fisherwomen and Men of the Firth of Forth, by Sara Stevenson.

This volume offers a fresh perspective on the pioneering work of David Octavius Hill and Robert Adamson, whose remarkable collaboration between 1843 and 1847 produced some of the most enduring images in the history of photography.

Their portraits of the fisherfolk of the Firth of Forth capture both the dignity and hardship of 19th-century coastal life.

Wendy McMurdo RSA, Avatar, 2008, City Art Centre, City of Edinburgh Council. 

© 2025 Wendy McMurdo. All Rights Reserved, DACS Images.

Wendy McMurdo: The Digital Mirror at National Galleries Scotland: Portrait (30 May – 25 October) charts 20 years of ground-breaking work of the pioneering photographer and Academician.

At a time where the digital landscape is changing faster than ever before,  McMurdo’s work reflects on childhood, the online world, learning and make-believe in her largest exhibition to date.

Scottish Art Specialists Alice Strang and Chantal de Prez viewing the forthcoming auction. Image by Stewart Attwood.

Auctioneers Lyon and Turnbull also mark their 200th anniversary in 2026, and will host a preview of Scottish Paintings and Sculpture auction (31 May – 4 June).

With some 200 works of Scottish art on display, works by Academicians will be highlighted in the preview. 

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Dame Barbara Rae RSA, Antarctic Memory, 2024. 

Presented in Barbara Rae: Charting South at the RSA.

The RSA in Edinburgh will host two exhibitions of important contemporary Academicians. Joyce W. Cairns: A Personal Odyssey (1 August – 2 September 2026) celebrates an important voice in Scottish art, as the first woman to be elected President of the RSA and an influential education to generations of Scottish artists. 

Barbara Rae: Charting South  (21 November 2026 – 24 January 2027) follows the hugely popular exhibition Barbara Rae: The Northwest Passage (2018).

This new body of work charts the landscapes and locations of Sir Ernest Shackleton’s ill-fated Imperial Trans-Antarctic Expedition (1914-17).

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Dalkeith Palace. Courtesy of Dalkeith Palace and Country Park. Home of PhotoDalkeith 2026.

Celebrations in Midlothian and Glasgow will put photography into focus. Entering its second year, PhotoDalkeith 2026 returns to Dalkeith Palace, Dalkeith Country Park (September – October). Studies in Photography curator Julie Lawson and artist Calum Colvin RSA will co-curate on the theme of photography and the Royal Scottish Academy..

Summerhall Arts will host the RSA Moving Image Programme 2026. Painter and filmmaker Ronald Forbes RSA has curated a programme of moving image work by Academicians and RSA award winners. The programme includes a wide variety of work reflecting artists’ moving image practice in Scotland from the past and present. It includes work from the RSA Collection and work being made today.

As part of the year’s programme, Tonic Arts (NHS Lothian) teams up with Scottish NHS Arts programme partners to bring together a nationally touring exhibition of visual artworks created by Academicians, New Contemporaries, Award Winners and Exhibitors from regional health board and national art-in-health collections. The work will be showcased in care settings, creating uplifting and healing clinical environments for patients, visitors and NHS staff.

Further details of the programme across Edinburgh and the Lothians will be announced soon. This includes an exhibition of paintings by John Bellany HRSA at the John Gray Centre Museum in Haddington, and exhibitions at Edinburgh Printmakers and Royal Botanic Gardens Edinburgh. 

In the Royal Scottish Academy building, a series of major exhibitions will also take place – from new solo shows to group exhibitions that aim to showcase the RSA’s vibrant and formative past, the pertinent present and a glimpse of a promising future ahead.

Their flagship Annual Exhibition (9 May – 14 June 2026) will have a special feel and New Contemporaries 2026 (28 March – 22 April 2026) will be a unique opportunity to Celebrate Together with Scotland’s schools of art and architecture.

The RSA’s website will be the main hub for the project, and will feature an interactive map and partners pages, which will enable audiences to discover everything that is happening in Celebrating Together across 2026.

Colin Greenslade, Director of the RSA, says: ‘This ambitious anniversary celebration will bring partners and communities together to celebrate the cultural history and present influence and connections of the Royal Scottish Academy across Scotland and beyond.

“The RSA has long supported art and architecture in Scotland and, in its 200th year, is a dynamic institution run by artists, for artists.

“This bicentenary celebration offers a fantastic opportunity to spotlight our unique independent heritage, our connections to (and support of) Scotland’s contemporary artists and architects; and to pave the way for the future prosperity of the visual arts in Scotland.’

Sandy Wood, Head of Collections at the RSA, says: ‘2026 will be a joyful celebration that honours the history of the Royal Scottish Academy  and looks forward to a promising future.

“The year-long celebration will help connect and celebrate RSA artists and architects, as well as established and emerging artists who have been part of the RSA family over the last 200 years.

“We’re delighted that so many cultural organisations across Scotland are joining the party and we’re looking forward to celebrating together in 2026. There’s still plenty of time to join in and we welcome contact with organisations and projects who’d like to be part of this special year.’ 

The Royal Scottish Academy was founded in 1826 to support artists and architects and promote art and architecture in Scotland.

They are an independent, non-governmental charitable institution led by Academicians. Royal Scottish Academicians are prominent artists and architects elected by their peers who govern the RSA on a democratic basis.

The RSA run a year-round programme of exhibitions, artist opportunities and events from their  base at The Mound in Edinburgh. The RSA holds an historic collection recognised as being of National Significance to Scotland.

RSA x Art UK

A partnership with Art UK will act as a hub to draw together strands across Scotland and UK-wide and will also feature stories, curations and artist features that highlight RSA connections. 

RSA x The Skinny

RSA are teaming up with The Skinny to deliver a series of bespoke advertising and editorial bicentennial showcases across print and digital platforms. 

RSA x Jack Arts 

Art will come to life across cities in Scotland with reimagined RSA art works on creative billboards in Edinburgh, Glasgow, Dundee and Perth. 

The full celebrations will kick-off in January 2026. It’s a birthday party not to be missed.

A message from North Edinburgh: Never Give Up!

Thanks to everyone who came along the National Gallery yesterday to take part in the Resistance – North Edinburgh panel discussion.

It was great to see so many old friends and colleagues and a pleasure to meet new ones too. Participants were not only from North Edinburgh, ‘outsiders’ were also welcomed: we had Leithers, we had folk from Gorgie, Stockbridge and a wee crowd from Wester Hailes too.

But there’s got to be a special mention for one particular online viewer – he was watching from Sydney, Australia (or maybe it was just a bloke called Sidney?)!

Wherever and however you were watching, though, I hope you enjoyed the discussion as much as we did. As you know we went slightly over our allotted time (at one point I thought we might have to apply for a late license!) and we appreciate the organisers at the National Gallery allowing us some leeway.

Even so, I know there was a lot more to share so apologies if you didn’t get the opportunity to ask your question – if it’s any consolation I know I didn’t get to ask half of mine!

Our hope before the event was that it would be informative, interesting and enjoyable and a celebration of vibrant communities, and I think we got there.

I’d like to think we could do it all again one day before too much longer, before we all get just too old and our memories and recollections of events, experiences and the characters who have helped to shape North Edinburgh’s proud history dim and fade.

And if there’s just one message to remember, it’s this: NEVER GIVE UP!

DAVE P

See below for a recording of the event

https://youtu.be/Zc5kFwp-XaY

The celebration continued at the National Portrait Gallery in Queen Street, where the Solidarity Wins: Creative Resistance in North Edinburgh exhibition was launched after an excellent lunch provided by North Edinburgh’s very own Empty Kitchens, Full Hearts.

The exhibition was created by a local collaboration of North Edinburgh Arts’ Art for Grown Up in partnership with Royston Wardieburn Community Centre’s Arts & Culture Group and features art works, music, archive films and research material.

The exhibition will be on display in the Portrait Gallery’s Contemporary Space until – do visit if you can.

And to end the day on a high note, there was music from the Resistance Choir – a new song, no less!

SOLIDARITY WINS: A SONG FOR GREATER PILTON may not become the Christmas Number 1, but it definitely struck the right note with Portrait Gallery punters yesterday!

All together now:

We all come from somewhere and now we’re all here …

PICTURES: CRAIG MCLEAN