Road users in Edinburgh are being asked to consider distance, blind spots and visibility as part of an initiative by road policing officers in the city.
Police Scotland is working with partners including Scottish Fire and Rescue Service, Lothian Buses, Edinburgh City Council and David Philp Commercials, to encourage everyone to be more aware.
A number of vehicles were on Castle Street yesterday (Thursday, 28 August), demonstrating blind spots for cyclists and pedestrians.
PC Stewart Sinclair from Police Scotland’s Road Policing Unit in Edinburgh, said: “We are encouraging everyone to think about how visible and safe they are. Many of us are unaware how much or little a driver can see because of blind spots. This event will give awareness to more vulnerable road users how to keep themselves safe on the road network.
“Visibility is very important in terms of making our roads safer and I would like everyone, including pedestrians, to think about how they are seen, especially if a street is poorly lit after dark. Visibility is very different to that of a bus, car, lorry, motorbike or bike.
“I must emphasise the need for all road users to look out for each other and give each other space. Unfortunately, when a crash happens it is often a pedestrian, cyclist or motorcyclist injured.
Willie Hamilton, Operations Director, Lothian Buses, said: “We are delighted to continue our partnership with Police Scotland and other key stakeholders to help raise awareness around cyclist visibility and potential blind spots on our roads.
“With a network of over 70 routes across Edinburgh and the Lothians, we invest heavily in our driver training programme which covers all aspects of road safety including awareness of cyclists, pedestrians and other road users.”
Scottish Fire & Rescue Service Crew Commander David Main, said: “The Scottish Fire & Rescue Service welcomes the opportunity to support this initiative and work with partners to improve the safety of all road users in the Edinburgh area.
“By working to improve awareness and encouraging everyone to think about safe distances, blind spots, visibility when on or around our roads we can make our roads safer for everyone”
Musical performance by Steph Legg and ensemble at St Giles’ Cathedral
TONIGHT, audiences are invited to experience the life and work of one of Scotland’s most important painters through an entirely new medium: music.
On Thursday 28 August, which marks the anniversary of John Bellany’s death, saxophonist and composer Steph Legg will perform her debut album, Bellany, in the stunning surrounds of St Giles’ Cathedral.
A deeply personal and imaginative project, Bellany transforms the painter’s bold, autobiographical vision into a rich, genre-blending soundscape.
Steph was first captivated by Bellany’s work as a child after encountering his 1995 painting The Skate and the Kate. That moment sparked a lifelong fascination with his vivid imagery, religious symbolism, and deep reflections on Scottish identity, all of which find voice in this moving musical tribute.
Performed by a dynamic ensemble featuring:
Steph Legg (saxophone and voice)
Julia Hart (violin)
Cameron Smith (cello)
Erin Sawicka (piano)
The performance leads audiences through a folk inspired chasm into the centre of Bellany’s world, exploring the social and religious themes of his work and visiting key people, places and events which shaped him.
The ensemble paint their own portraits of this complex character and as the final chords fade out, the fragments of Bellany interfuse to reveal his extraordinary life.
The exhibition features over 80 works spanning Bellany’s remarkable career. The performance is accompanied by the installation of Bellany’s 1965 work Box Meeting which is on show in St. Giles’ until end of September.
Culture and Communities Convener Cllr Margaret Graham said: “Steph Legg’s Bellany is a powerful and deeply original response to the life and legacy of one of Scotland’s most celebrated artists.
“Her music captures the same emotional intensity and storytelling spirit that define Bellany’s works. We’re thrilled to see this performance complement our current exhibition, John Bellany: A Life in Self-Portraiture and offering audiences a rare opportunity to experience his work in both sight and sound.
A ‘major public consultation’ on the future development of Edinburgh’s tram network opened yesterday (25 August) and will run for 12 weeks.
The Council are seeking the public’s views on the proposed new tram routes from Granton in the north of the city to the Edinburgh BioQuarter and Royal Infirmary of Edinburgh in the south.
A detailed business case was developed to extend the existing route from Edinburgh Airport to Newhaven, which was successfully completed in 2023 and now carries over a million passengers a month.
This consultation will inform the development of a Strategic Business Case (SBC) for the expansion, which will then be presented to the Transport and Environment Committee in 2026.
The proposed new route can be broken down into three main sections:
GRANTON TO THE CITY CENTRE:
From Granton to Ferry Road / Crewe Toll there is a single route. From Ferry Road / Crewe Toll to the following section, two alternative route options are being considered: the Orchard Brae corridor or the Roseburn Path.
For Orchard Brae, the route would head to the west end of Princes Street along Orchard Brae, Queensferry Road (via the Dean Bridge) and Queensferry Street.
It is estimated that this option would cost between £650m – £850m and is forecast to carry around 3.75m passengers per annum by 2042.
For Roseburn Path, the route connects to the existing line west of Haymarket via an old railway line which winds from Ferry Road/Crewe Toll before reaching Craigleith and heading towards the west end and city centre.
This option is estimated to cost between £350m-£480m and is forecast to carry around 4.25m passengers per annum by 2042.
It also examines the potential to install high quality walking, wheeling and cycling alongside the tramline on the Roseburn Path, and look at the potential to protect and enhance the local ecological network.
The entire route is forecast to cost between £2bn-2.9bn, depending on the final options selected, and carry around 38m passengers by 2042.
CITY CENTRE TO BIOQUARTER & ROYAL INFIRMARY
The proposed route would begin at Princes Street on the existing tram infrastructure, allowing bus and rail interchange in the heart of the city centre.
The route would then cross the North Bridge, and run through Nicolson Street, Newington and on to Cameron Toll, then west towards the BioQuarter and Royal Infirmary of Edinburgh.
POTENTIAL EXTENSIONS TO MIDLOTHIAN and EAST LOTHIAN
The city council is working closely with Midlothian and East Lothian Councils and SEStran, the regional transport partnership, regarding potential future mass transit connections beyond the BioQuarter and Royal Infirmary.
This includes exploring a ‘tram-train’ (a light rail vehicle than can operate on tram and rail tracks) concept with Network Rail on the old Edinburgh South Suburban Railway (ESSR).
Other potential options include connections with Musselburgh Railway station and Queen Margaret University (QMU) in East Lothian and to Shawfair with interchange opportunities into Midlothian and the Scottish Borders.
Transport and Environment Convener, Councillor Stephen Jenkinson said: “I’m pleased that we’ve reached this key stage for extending our multi award-winning tram service.
“We need to prepare for the future. Edinburgh is the fastest growing city in Scotland, with more than 60,000 new residents expected over the next 20 years. Whilst this shift is a true sign of our success, it brings real pressure on our communities, and crucially on the city’s transport infrastructure on which we all rely.
“Managing this growth also means tackling the climate, nature and housing emergencies. To meet these significant challenges, we need to look for bold and ambitious solutions and the tram extension is central to this.
“Edinburgh Trams already offers a reliable and fast service, allowing residents and visitors to move around sustainably and efficiently, and with some of the cheapest fares in the country. The broader benefits of cleaner air and emphasis on active travel surrounding the network are equally as important.
“Our overarching vision is to truly link our city for the benefit of all. From our flagship £1.3bn development at Granton Waterfront through to the city centre, our world-famous universities, cultural hubs, brilliant local businesses, new housing developments, hospitals and beyond; our transport network must move with the times.
“The new developments we will see along the tram route will be key to Edinburgh’s prosperity for generations to come.
“I’d encourage everyone to engage with this consultation and help to shape the next chapter in the history of Edinburgh’s transport.”
The full details of all the sections mentioned above can be found in the consultation papers.
Residents can give their views until 17 November online on the Consultation Hub or at in person drop-in sessions. Details of these sessions are also on our Consultation Hub.
The next step, should members agree on the SBC, would be to move to the next stage of development, as set out by Transport Scotland, which is the OBC.
DROP-IN SESSIONS
Drop-in at Blackhall Primary SchoolFrom 2 Sep 2025 at 16:00 to 2 Sep 2025 at 19:00More informationBlackhall Primary School, 83 Craigcrook Road, EH4 3PH Add to my Calendar (.ics)
Prepare for lift-off as Six by Nico, the pioneering restaurant brand known for its ever-evolving tasting menus, unveils its most creative concept yet: SPACE.
Launching on August 25th across Edinburgh and all Six by Nico locations, this cosmic culinary experience invites diners to journey through the galaxies with a six-course menu inspired by the mystery, wonder, and adventure of outer space.
From cosmic textures to planetary plating, each dish on this interstellar culinary voyage is a step on a journey through time, space, and taste.
Following a series of beloved themed menus such as “The Chippie,” “Once Upon a Time,” and “New York,” SPACEmarks a bold new frontier for Chef Nico Simeone and his creative team.
The new menu draws inspiration from astronomy, interstellar travel, and the futuristic possibilities of food beyond Earth, resulting in an imaginative, multi-sensory dining experience unlike anything else.
Chef Nico Simeone said: “SPACE is about pushing the boundaries of flavour and presentation. We asked ourselves: what might food look and taste like on a space station, or on a distant planet?
“The result is a menu that’s both playful and thought-provoking – a journey for the palate and the imagination.”
Prepare to be spoon-fed stardust with a six-course tasting menu featuring galactic flavour combinations, innovative textures, and visually stunning presentations that are sure to delight both returning guests and first-time diners.
Each SPACE dish represents a different aspect of space exploration – from liftoff to the lunar surface, and beyond with highlights that includes:
Zero Gravity Oyster – Smoked Salmon, Granny Smith Apple, Kohlrabi, Oyster Emulsion
Solar Flare – Flat Iron, Ox Parcel, Saffron & Orange, Black Garlic, Squash
Goodbye Earth – Baked Vanilla Custard, Orange Marmalade, Grand Marnier
The SPACE menu will be available for a limited 12 weeks only, priced at £45 per person, with an optional wine pairing experience available for an additional £30. The menu is available from August 25th until 16th November 2025.
Join Six by Nico as they boldly go where no menu has gone before. To book visit:
The Skinny and Fest, Capital Theatres and Premier Scotland are delighted to announce the winners of the week three’s The Besties, in the following categories:
The Spooky Award – Ghouls Aloud for Elysium, Gilded Balloon
The New Writing Award – Emma Frankland for No Apologies, Summerhall
Lifetime Achievement Award for contributions to Scottish publishing – 404 Ink, Edinburgh International Book Festival
The Dissident Award – Abdolreza Kahani for Mortician, Edinburgh International Film Festival
The Radgie Award – Rosa Garland for Primal Bog, Assembly Roxy
The Alt Reekie Award – Liam Withnail for Big Strong Boy, Monkey Barrell
The Fringe Legend Award – Mark Silcox for The Gold Trader, PBH Free Fringe, Voodoo Rooms
The award ceremony took place today (Saturday 23rd August) at the Festival Theatre, hosted by Jess Robinson, whose show Jess Robinson: Your Song is at Assembly George Square Gardens until Sunday.
The Besties awards, designed by artist Camillo Feuchter a recent graduate of Interior & Environmental Design at Duncan of Jordanstone College of Art and Design in Dundee, use recyclable plastics gathered by the partners and leftover wood sourced locally.
Reflecting the broad and diverse coverage both magazines produce every summer and celebrating the breadth of Edinburgh’s Festivals, The Besties span all the festival activity taking place in the city over the month of August, including the Edinburgh Festival Fringe and Edinburgh International Festival, Edinburgh Art Festival, Edinburgh International Book Festival and the Edinburgh International Film Festival.
Winners of The Besties are chosen each week by the editorial teams of The Skinny and Fest, drawing on their cross-festival expertise to celebrate the best work happening anywhere in the festivals.
Edinburgh International Film Festival announces winners of this year’s Sean Connery Prize for Feature Filmmaking Excellence and The Thelma Schoonmaker Prize for Short Filmmaking Excellence Competition
The winner of the Sean Connery Prize for Feature Filmmaking Excellence isAbdolreza Kahani’s Mortician
Edinburgh International Film Festival (EIFF) has announced the winners of its prize for feature filmmaking and its prize for short filmmaking.
The awards were presented at a special ceremony at Cameo Cinema in Edinburgh by Jason Connery on behalf of The Connery Foundation and by legendary film editor Thelma Schoonmaker.
The winner of this year’s The Sean Connery Prize for Feature Filmmaking Excellence, decided on by an audience vote and funded by The Connery Foundation is Abdolreza Kahani’sMortician. Ten feature-length World Premieres were presented at EIFF as part of the competition with the winning filmmaker being awarded £50,000 to support their future projects.
In Mortician, a reclusive mortician faces an unusual request from a dissident singer in hiding, their bond providing the beating heart of this disarmingly elegant film. Combining a distinctive, lo-fi visual style, naturalistic performances and familiar wit and humanity, Director Abdolreza Kahani’s film is both utterly distinctive and affecting.
Mortician sees director Abdolreza Kahani return to EIFF following his film A Shrine screening as part of last year’s Festival. Mortician is presented as part of Spotlight Canada 2025, supported by The High Commission of Canada and The Beaverbrook Canadian Foundation.
The other films in competition films were:
Blue Film (Dir. Elliot Tuttle)
Powered by extraordinary performances, a tight script and an elegant visual style, this unusual thriller makes for a shocking and highly compelling cinematic experience.
Concessions (Dir. Mas Bouzidi)
Propelled by a witty and weirdly lyrical script, great performances and some unexpected cameos, this is a fresh, funny and robust ode to cinema in a time of uncertainty over its future.
In Transit (Dir. Jaclyn Bethany)
An elegant, subtle drama with a chilly edge, this is a restrained and emotionally intelligent exploration of selfish desires, hidden motivations and what it really takes to know yourself.
Low Rider (Dir. Campbell X)
Powered by finely drawn characters and a freewheeling narrative, this is a vivid and visually striking queer road movie that has a strong message of self-empowerment at its core
Best Boy (Dir. Jesse Noah Klein)
A bold, original and blackly comic satire that fearlessly skewers social constructs, the nuclear family and toxic masculinity.
Novak (Dir. Harry Lagoussis)
An offbeat, intriguing exploration of idol worship, consumerism and non-conformity in the modern world, this is dark, unpredictable and humorous in equal measure.
On The Sea (Dir. Helen Walsh)
The humdrum contentment and daily routine of a married mussel farmer are thrown into chaos by the arrival of a mysterious stranger in novellist and filmmaker Helen Walsh’s beautiful, erotic love story set on the Welsh coast.
Once You Shall Be One Of Those Who Lived Long Ago (Dirs. Alexander Rynéus and Per Bifrost)
An affecting, gorgeously crafted documentary about the remaining people in Malmberget in north Sweden, a small town slowly collapsing into the mines beneath it.
Two Neighbors (Dir. Ondine Viñao)
A wealthy socialite (Cherry) and a struggling writer (Chalotra) are thrown together at a debauched party in this remarkable satire of greed and excess with a supernatural twist in the tale.
The winner of The Thelma Schoonmaker Prize for Short Filmmaking Excellence Competition is Joanna Vymeris’s Mother Goose. The short film competition winner was also decided on by an audience vote and is awarded £15,000 to support their future projects.
After the death of her husband, Janet decides to distract herself by rearing a goose, which is to be the centrepiece of her Christmas dinner. However, as she grows ever more isolated from her daughter, Janet’s need to nurture the goose becomes an obsession: one which will cost her dearly. A modern day Grimm’s fairy-tale about grief, isolation and a goose.
Forced into homelessness after her release from prison, Chrissie searches for love in the margins of society.
Stray (Dir. Morven Christie)
From nightclub to wilderness, a young girl seeks shelter from a world that feels hostile.
Blondi (Dir. Jack Salvadori)
Can a dog still be man’s best friend if that man is the Führer?
The Golden Squacco Heron (Dir. Edward Smyth)
Two childhood friends search for the fabled golden Squacco Heron.
Fowl Play (Dir. Anabelle LeMieux)
A mother’s quest for a Thanksgiving turkey spirals into chaos.
Backstroke (Sırtüstü) (Dir. Asya Günen)
Burdened by pressure and isolation, a young swimmer finds freedom by reclaiming the water for herself.
She Said So (Dir. Madeline Clayton)
A persuasive teenage girl orchestrates a sleepover that tests her best friend’s sexual boundaries.
Jodie (Dir. Seb Tabe)
Jodie faces a moral dilemma as she contends with the harmful male influences in her life.
Your body in my room (Tu cuerpo en mi habitación) (Dir. Axel Cheb Terrab)
Knowing they will never see each other again, two former lovers are acutely aware of the passing of time.
EIFF Director, Paul Ridd has said: “As the 2025 Edinburgh International Film Festival draws to a close I am once again moved and humbled by the hard work and astonishing effort that everyone has put into making this Festival stimulating, entertaining and fun.
“I am so grateful to all the organisations, teams and individuals who put their hearts and souls into this. These past seven days are testament to our collective belief in the power of film to provoke, to stimulate and to inspire empathy.
“Our two competition winners showcase outstanding work from their respective filmmakers and teams, proving that with formal dexterity, humanity and grace, cinema is alive and kicking.
“I am hugely inspired by all the filmmakers in Competition and beyond as well as all our special guests, who have worked so brilliantly with us to platform their work on the big screen and have been so generous with their time with audiences and with industry who we know very well are hungry for something fresh and exciting. I cannot wait for 2026!”
EIFF 2025 is supported by Screen Scotland and the BFI Audience Projects Fund, awarding National Lottery funding, EventScotland part of VisitScotland’s Events Directorate, and the industry programme is backed by EXPO funding from the Scottish Government through Creative Scotland.
Edinburgh International Film Festival ran from Thursday 14 to Wednesday 20 August.
Edinburgh’s new trial cycle hire scheme, delivered by Voi, has been launched.
The public will be able to use the city’s new scheme of dockless e-bikes from Wednesday 3 September via the Voi app. A guide to using the scheme is available on their website.
A typical 20-minute journey on the e-bike will cost £2.20. There are a range of discounts and concessions for many groups including those on low incomes, people with disabilities, those over the age of 60, blue light workers, veterans, students, apprentices and many more.
In addition to pay as you go fares, Voi also offer day passes and multi day passes.
There will be an initial tranche of around 50 e-bikes in the city centre. Alongside Voi, we’ll then gather rider feedback and monitor initial performance. This will then be used to expand across the city over the coming months, with a target of approximately 800 e-bikes for the full scheme.
The contract between Voi and the Council runs from 22 August 2025 for a period of two years with the option to extend for up to a further 18 months undertaken at the sole discretion of the Council.
The contract will also run at no cost to the Council.
Transport and Environment Convener, Councillor Stephen Jenkinson said:“I’m really pleased that we’ve returned a cycle hire scheme to Edinburgh. Voi is a highly experienced operator, with many successful schemes across the UK and abroad, and I’m looking forward to working with them in this exciting new chapter for our city.
“The new scheme will allow everyone to be able to move around our city in a healthier and more sustainable way. We’re also ensuring that the scheme is accessible for all our residents and visitors, with a wide range of concessionary and discount fares available.
“We know that the demand and appetite for cycling is already strong, and getting stronger, here in Edinburgh. Just last week we saw the record for daily cycle journeys on Leith Walk being broken with 2,147 at the Picardy Place counter.
“Meanwhile, our other major active travel routes such as the City Centre West to East Link (CCWEL) and Roseburn to Union Canal have also seen increasing patronage since opening.
“The scheme will complement our existing active travel and transport infrastructure and enhance connectivity, while also cutting congestion and reducing emissions. I look forward to seeing the benefits the scheme will bring to the city and our residents.”
James Bolton, Voi’s UK General Manager said: “We’re excited to set up in Scotland, starting in the historic capital.
“We are working closely with the council to make an affordable scheme that is sensitive to, and learns lessons from, the previous scheme and our experience in similar cities like Oxford, Dortmund, and Regensburg.
“At Voi we see massive amounts of untapped potential in Scotland, where people are really looking for affordable, quick and convenient ways to get around.”
‘Preemark’ signs and window displays appear overnight in all 21 of the retailer’s stores across Scotland.
Scottish shoppers can enjoy the rebrand from today until Sunday 24th August as the retailer marks 50 years on the Scottish high street this summer.
The celebrations were inspired by Primark’s viral Instagram post earlier this year, designed to settle the debate once and for all on how to pronounce its iconic name.
Scottish shoppers will hardly believe it when they see it today as Primark finally relents on one of its biggest brand debates after 50 years.
To mark 50 years of Primark on Scotland’s high streets in style with both customers and colleagues, the retailer is tipping its hat to celebrate with a ‘Preemark’ rebrand, which has appeared in all 21 of its Scottish stores overnight.
The full ‘Preemark’ store takeovers are now live in Hamilton, Edinburgh Princes Street and Glasgow’s Argyle Street, alongside fun ‘Preemark’ themed window activations in its remaining 18 Scottish stores up and down the country.
Scots can enjoy the retailer’s significant milestone in every store until Sunday 24th August. The celebrations are a ‘wee nod’ to how most Scots pronounce the popular brand name as ‘Pr-EE-mark’.
This comes after the retailer tried to settle the debate about how to pronounce its brand in an Instagram post that went viral earlier this year. The ongoing speculation ranges from how most people know it, ‘Pr-EYE-mark’, to ‘Pr-AYE-mark’ and the favoured Scottish ‘Pr-EE-mark’.
Gavin O’Reilly, Area Manager for Primark Scotland West and Cumbria, who currently oversees Primark’s first store in Hamilton, Scotland, said: “Our loyal Scottish shoppers have been instrumental to our success over the last 50 years, so we thought it was high time we acknowledged it in true Primark style.
“It’s a proud moment for all our stores to be celebrating our milestone together with a fun ‘Preemark’ nod, which is simply what we know our Scottish shoppers and colleagues are calling us every day anyway!”
Today, Primark has 21 stores covering over 755,000 sq. ft of retail space across Scotland’s much-loved towns, city centres and retail parks, and employs over 2,637 retail colleagues nationally.
From day one, Primark was a hit with Scottish shoppers who initially queued up for its “unbeatable” opening offers in its first store in Hamilton, during the summer of 1975, including women’s tweed coats for £9.50, printed crepe blouses for 99p and briefs for 25p.
Across menswear, V-neck Shetland sweaters were sold for £2.85, poly-cotton shirts for 99p and socks for 23p. Children’s clothing highlights included slacks for 99p, ‘car coats’ for £1.99 and pinafore dresses for £1.65.
Over the years, some of its most popular products in Scotland include velour tracksuits – popular in the early 2000s – as well as a gold sequin dress and Saltire beach towels. Made exclusively for Scottish shoppers, the retailer has produced a line of Scottish pyjamas, Edinburgh-themed t-shirts from £3.00 and more recently its Scotland Euros t-shirts.
From its first and smallest store in Hamilton at just 9,300 sq. ft to the largest store on Edinburgh Princes Street, covering 73,900 sq. ft with stunning views of Edinburgh Castle, Primark has continued to grow in size and scale. Its in-store experience has evolved to now feature beauty studios, nail salons and a wide choice of destination cafes – including its popular evolving cafés in Edinburgh and Braehead.
Over the past three years, Primark has invested over £20 million in its stores which includes significant upgrades to stores in Clydebank, Hamilton, Stirling and Irvine so far this year. It has also introduced self-service checkouts and its popular Click & Collect service to all stores in Scotland.
Now every Primark shopper can access the full range, ordering online and collecting more easily and conveniently from their local store in just two days. Looking ahead, the retailer has confirmed it plans to invest a further £9 million in its Scottish stores over the next two years as it reaffirms its commitment to Scottish retail.
Kari Rodgers, UK Retail Director at Primark, said:“The high streets and fashions have changed a lot over five decades in Scotland, and Primark has been there every step of the way.
“As we’ve evolved to meet this change in demand, our commitment to offering people great quality clothing at affordable prices is stronger than ever. There is such pride in our stores in Scotland and our customers feel it too, so it’s fantastic to be celebrating such an important milestone together.
“Over the last three years we’ve invested more than £20 million in our stores across Scotland and we’ve a further £9 million planned over the next two years to improve our stores and support the future of Scottish retail.”
Across the UK, Primark operates 197 stores, including 21 in Scotland, and employs 30,000 colleagues. Meanwhile, 2.3 million people every week cite Primark as the main reason for visiting their local high street, and for every £10 spent in a Primark, shoppers spend an additional £3.60 which produces a positive economic ripple effect for local high streets*.
Picture – Chris Watt Photography
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Preemark Edinburgh
Timeline of Primark’s stores in Scotland
August 1975 – Hamilton, 29 Quarry Street, ML3 7AW
June 1995 – Motherwell, 20-26 Brandon Place South, ML1 1RB
September 1999 – Clydebank, Unit 2, 117 Sylvania Way, G81 2RR
March 2001 – Stirling, Goosecroft Road, FK8 2EA
April 2001 – Braehead, Unit 1a, Braehead Shopping Centre, G51 4BS
May 2001 – Aberdeen, 152 Union Street, AB11 6BH
June 2001 – Dundee, 40 High Street, DD1 1TU
April 2002 – Sauchiehall Street, Glasgow, G2 3ER
April 2003 – East Kilbride, Unit 4, Plaza Shopping Centre, G74 1LW
June 2006 – Ayr, Unit 8, Taran Walk, Kyle Street, KA7 1TU
September 2006 – Argyle Street, Glasgow, G2 8AG
October 2006 – Park Head, Glasgow, G31 4EB
October 2006 – Inverness, 16-18 Bridge Street, IV1 1HG
November 2006 – Greenock, Oak Mall Shopping Centre, PA15 1JW
December 2006 – Dunfermline, 127-137 High Street, KY12 7DR
March 2007 – Irvine, Unit 46, Rivergate Centre, KA12 8EH
November 2010 – Perth, 134-148 High Street, PH1 5UH
December 2011 – Livingston, The Centre, EH54 6HR
December 2011 – Edinburgh Princes Street, The Centre, EH54 6HR
December 2015 – Fort Kinnaird, The Centre, EH54 6HR
Edinburgh City Centre is likely to be very busy on tomorrow (Thursday, 21 August) due to several events taking place.
Alongside the Edinburgh International Festival and Fringe Festival, AC/DC will perform Murrayfield Stadium and Hibernian FC will play Legia Warszawa.
Divisional Commander for Edinburgh, Chief Superintendent David Robertson, said: “With multiple events on in Edinburgh on Thursday, locals and visitors are advised to leave plenty of time to travel around the city.
“Transport is likely to be busier than normal so please plan your journeys in advance.
“An appropriate policing plan is in place and additional officers will be on patrol in the city.”
£150,000 ‘Restore the magic’ fundraising campaign launched
Appeal for ‘fandals’ to support restoration
The original world-famous Elephant House Café, renowned as the birthplace of Harry Potter, is set to reopen following a devastating fire that forced its closure four years ago.
Today, the owners have announced an ambitious restoration plan, including the launch of the ‘Restore the magic’ fundraising campaign to help bring the beloved literary landmark back to life.
A must-visit destination for Harry Potter fans worldwide, The Elephant House Café became famous for being one of J.K. Rowling’s favourite writing spots in the early days of the series.
Fans from across the globe flocked to the café to soak up its magical atmosphere and, in true Potterhead tradition, scrawled messages of admiration, quotes, and artwork in the toilets – a spontaneous tribute that became an iconic feature of the café’s history and a symbol of the love people had for the café and the stories born within its walls.
As part of the fundraising efforts, the café owners are now appealing for the graffiti ‘fandals’ to support the crowdfunder for the opportunity to come back and leave their mark again.
“The Elephant House has always been a home for writers, dreamers, and fans of literature,” said David Taylor, owner of The Elephant House Café. “The fire was a heartbreaking loss, but the passion and enthusiasm from fans have been overwhelming.
“The scale of the devastation caused by the fire in such an historic building in the heart of a world heritage site means restoration is complex. We are determined to bring back this special place, and with the ‘Restore the magic’ campaign, we hope to unite the community and fans worldwide to help us rebuild.”
The restoration project aims to preserve the charm and legacy of The Elephant House while modernising it to create an even more welcoming space for writers, readers, and coffee lovers.
The fundraising campaign will offer multiple ways for supporters to contribute, including exclusive merchandise, sponsorship opportunities, and donation tiers that allow fans to leave their mark in creative ways within the rebuilt café.
