Roxburghe supporting Cash for Kids

Charlotte Square’s Roxburghe Hotel will play its part in Cash for Kids Mission Christmas this year – as a local toy drop-off point.

Radio Forth presenter Mark Martin (pictured above with porter Jamie Wood), paid a visit to the hotel yesterday to deliver its Mission Christmas donation box and meet the Roxburghe team.

As part of Cash for Kids Mission Christmas, locals are being asked to buy one extra gift to be given to a disadvantaged child or young person on Christmas morning.

Marcello Ventisei, general manager of The Roxburghe Hotel, said: “We’re delighted to play our part for such a great cause. It’s such a simple but effective way of making sure that children and young people living in more difficult circumstances still wake up to a gift on Christmas day. We would encourage anyone passing the hotel, staying with us or attending our Christmas party nights to donate a gift no matter how small.”

New, unwrapped gifts suitable for those aged 0 to 18 can be dropped off at The Roxburghe Hotel’s reception from anytime between now and 14 December.

Any other local businesses who wish to sign up as Cash for Kids Mission Christmas drop-off points have until 23 November to do so. Contact emma.kemp@radioforth.com for further information.

Pictures: Sandy Young

Let the presses roll!

Top Scottish authors on hand as Des McDonald opens his first Edinburgh edition

A new chapter opened on George Street yesterday when some of Scotland’s literary greats were the first guests at the official opening of the The Printing Press Bar & Kitchen.

To mark the opening of the new restaurant, respected restaurateur Des McDonald was joined by head chef Colin Fleming to serve some of Scotland’s literary elite, including leading Scottish crime writer Ian Rankin, Chris Brookmyre, Sue Lawrence, Doug Johnstone, Jenni Fagan and Lin Anderson.

Des, who has over 20 years’ experience running some of London’s most high-profile restaurants, has shaped every aspect of The Printing Press – including the concept design and menu – in what is his maiden venture in Scotland.

Housed in a Georgian townhouse on George Street, The Printing Press pays homage to the capital’s rich literary heritage: number 25 was home in the 1780s to the acclaimed novelist Susan Ferrier and in late 1840 records show one John Oliphant living there – Oliphant’s and Ferrier’s descendants founded Oliphant, Anderson and Ferrier, one of Scotland’s most prestigious publishing houses, best known for the series of Famous Scots books.

Now, a multi-million pound refurbishment has created an elegant, all-day, 180-seat restaurant and bar that restores many of the building’s original Georgian features alongside contemporary touches to create a series of rooms that are elegant and comfortable from morning though to the wee hours.

“We set out with a clear vision to create a warm, distinctive restaurant and bar in the heart of Edinburgh’s New Town that nods to the heritage of the building and the city itself,” says Des. “We’ve worked with some of the most reputable suppliers in Scotland, as well as talented designers and contractors to bring this new restaurant experience to Edinburgh’s dining scene.

“It’s a great achievement to see The Printing Press officially open its doors and I can’t think of a group of guests more fitting to join us on our first day of business than the literary greats of modern-day Edinburgh.”

Open seven days a week for breakfast, lunch and dinner – with a late bar serving food and drink till 1am – The Printing Press has already found favour with some of Edinburgh’s most influential food writers, including Alright Treacle’s Anna Hamilton, who loved the “quality of the ingredients” and “the incredibly flavoursome dishes”, which give the restaurant “all the makings of an Edinburgh gem.”

Pictures by Sandy Young

The painter that Britain forgot: city Gears up for new exhibition

William Gear exhibition opens this weekend

The story of a former Edinburgh College of Art student who became a highly-acclaimed abstract artist before slipping into obscurity will be remembered at a major retrospective exhibition arriving at the City Art Centre this Saturday.

Featuring around 120 works spanning his colourful career and coinciding with the centenary of his birth, William Gear 1915-1997: The painter that Britain forgot seeks to re-position William Gear in his rightful place as one of the most advanced British abstract painters of his generation.

Following a successful first run at the Towner Art Gallery this summer, the partnership exhibition between Eastbourne and Edinburgh will run alongside Jagged Generation: William Gear’s Contemporaries and Influences, an exhibition drawn from the City Art Centre’s collection which explores the artist’s links to Scotland.

Raised in Methil, a Fife mining community, Gear (self portait, above) studied at Edinburgh College of Art during the 1930s where he was taught by influential figures such as S.J. Peploe, John Maxwell and William Gillies.

He went on to train in Paris under the Cubist artist Fernand Léger before travelling widely during the Second World War, even becoming one of the ‘Monuments Men’ whose job it was to help save parts of Europe’s culture during and after the conflict.

After returning to Paris in 1947, Gear met the avant-garde artists of the CoBrA group and exhibited with them in Amsterdam and Paris in 1949. In the same year his work was shown in New York alongside paintings by Jackson Pollock. He eventually returned to live in the UK in 1950, and continued to exhibit both at home and internationally until his death in 1997.

Councillor Richard Lewis, Culture Convener for the City of Edinburgh Council, said: “How and why William Gear fell into obscurity is quite remarkable. Gear was an artist who was born in Fife 100 years ago, trained in Edinburgh and then went on to create some of the most radical compositions of the 1950s. He was one of the greats of British abstract art and his career and his works tell a fascinating story. These exhibitions cement his place as a pioneer and he is finally getting the recognition he deserves.”

William Gear 1915-1997: The painter that Britain forgot has been created in partnership with the Towner Art Gallery where Gear was curator from 1958 – 1964. It traces his prolific career, from his early pen and ink drawings and experiments in colour during the 1930s and 1940s, to his radical monochrome and block paintings of the 1950s and mature works created during the 1960s and beyond.

As one of the first British artists to present screenprints as works of fine art, the exhibition also presents Gear as a printmaker. This exhibition includes loans from The Estate of William Gear, the Royal Academy of Arts, London and The Redfern Gallery amongst many other lenders.

Jagged Generation: William Gear’s Contemporaries and Influences presents a selection of artworks from the City Art Centre’s own collection. This exhibition focuses on the vibrant circle of Scottish artists associated with Gear – his tutors, friends and contemporaries. It was at Edinburgh College of Art that Gear met like-minded fellow students including Wilhelmina Barns-Graham, Margaret Mellis and Alan Davie, who also made innovative contributions to the post-war art scene.

Gear spent most of his career outside Scotland, yet he retained many Scottish ties and friendships. Jagged Generation showcases Gear’s work within this wider Scottish context, shedding light on his personal and professional relationships, as well as his artistic development.

Find out more at the Council’s Museums and Galleries website

Samhuinn set to light up Grassmarket on Halloween

The Beltane Fire Society is to bring the renowned Samhuinn Fire Festival to Edinburgh’s Grassmarket on Halloween. This year’s event marks the 20th anniversary of the society’s modern twist on this ancient celebration of the turning seasons, and festivities will start at a new time – 7pm.

The Festival will bring a host of volunteer performers with fire, drums and wild costumes to the city centre for an evening of revelry, representing the end of summer and rise of winter. The event will be on Hallowe’en (31 October) from 7 – 9pm at the Grassmarket. No tickets are required, attendance is by donation.

David Simpson, Festival Secretary for the Beltane Fire Society said: “We are really excited to bring Samhuinn Festival to the Grassmarket for its 20th anniversary. It will be a fantastic setting for our atmospheric hallowe’en night event. We have so much planned to entertain everyone who will be joining us – from drums and fire to impressive stage performances and drama. Our performers will act out the battle between the summer and winter kings, keeping ancient traditions alive.”

The event is organised by the Beltane Fire Society, a charity run by volunteers, dedicated to marking the fire festivals of the ancient celtic calendar and keeping traditional Scottish skills of street theatre, music and pageantry alive.

Samhuinn Fire Festival is a modern ‘re-imagining’ of an ancient celtic festival marking the end of summer and rise of winter. The modern event has been held in Edinburgh since 1995. Its spring and summer counterpart, Beltane, takes place on Calton Hill on the last day of April each year, and has been running since 1988.

Exciting new chapter for Edinburgh Printmakers

New £6 million HQ in Fountainbridge will ‘place creativity at the heart of the community’

The former headquarters of the North British Rubber Company – birthplace of the Wellington boot, the modern motor car tyre and the first ever traffic cone – is to be saved from demolition and transformed into a world-class visual arts centre and creative hub thanks to Lottery funding of over £6million.

Creative Scotland has confirmed £1,728,075 funding and the Heritage Lottery Fund (HLF) is investing £4,994,000 towards Edinburgh Printmakers and the transformation of the historic former North British Rubber Factory HQ into a new centre for printmaking and creative industries.

The HLF grant is inclusive of a first stage award of £500,000 already received by the visual arts charity to develop the project and engage the community with the vast local heritage through creative activities.

The funding from Creative Scotland is in addition to an initial stage one capital funding award committed in 2012 of £60,000 to enable Edinburgh Printmakers to develop their proposal. The funding from Creative Scotland will support artistic excellence and engage audiences in diverse and inclusive exhibitions and education.

The project proposed by Edinburgh Printmakers will save a 19th century category C-listed building of significant architectural and historical value in Fountainbridge from decay and eventual demolition.

Once part of a vast industrial complex manufacturing goods such as rubber boots, hot water bottles and the car tyre, the Castle Mill Works building is now the only remaining physical reminder of what was once a world-renowned rubber factory that, for many years, was at the forefront of innovation and integral to the expansion of the city.

Fiona Hyslop, Cabinet Secretary for Culture, Europe and External Affairs said: “Thanks to funding from the Heritage Lottery Fund and Historic Environment Scotland to preserve the building, and Creative Scotland’s investment in setting up the new arts centre, Castle Mill Works will be an exciting addition to Scotland and Edinburgh’s cultural scene.

“The money raised through lottery contributions will be used to get this important project off the ground. Edinburgh Printmakers will transform this historic building and in its new form it will deliver a new home for Scottish printmakers and help shape the future of our country, as well as preserve its past.”

Iain Munro, Deputy Chief Executive, Creative Scotland, said: “Creative Scotland is delighted to be supporting the creation of a world class centre for printmaking for Edinburgh Printmakers, an organisation of considerable experience and repute. Edinburgh Printmakers plays an important role in the infrastructure for contemporary art in Scotland.

“This new facility will enable the organisation to build on this reputation by creating a state of the art, fit for purpose building which will be a more visible, accessible, facility appropriate to their needs and aspirations for the 21st century.

“The relocation of the Printmakers to Fountainbridge will unlock many opportunities for the organisation to engage with new and different communities and to partner with a range of schools and community groups.”

In August, Historic Scotland (Now Historic Environment Scotland) announced that they would be awarding £500k of grant funding to the project to restore this important part of Edinburgh’s built heritage.

Commenting from the Heritage Lottery Fund, Dame Seona Reid, Deputy Chair of HLF and Chair of Committee for Scotland, said: “We are delighted that thanks to players of the National Lottery, we are able to unlock the potential of this much-loved building. Not only will it provide a thriving cultural centre, benefitting many hundreds of national and international artists, but it will breathe life back into Foutainbridge. The community is justly proud of its industrial heritage so it is fitting that Castle Mill Works, which once supported so many families, will be the catalyst in its regeneration.”

The ambition to save Castle Mill Works stemmed from Edinburgh Printmakers’ search for the ideal home in which to build a contemporary arts centre specialising in Printmaking and Creative Industries, offering a year-round public programme of exhibitions, events and learning.

Opening to the public in 2018, Edinburgh Printmakers’ new home will be an international centre for printmaking with a state-of-the-art open access workshop, galleries, education spaces, a deli/wine bar with terrace, art retail area and production spaces for a wide range of creative industries. The total cost for the project will be £10 million.

Edinburgh Printmakers will continue to present a public programme of exhibitions, events and activities at its Union Street premises until summer 2018.

Chair of Edinburgh Printmakers, Alastair Snow, said: “We are delighted to have support from the Heritage Lottery Fund and Creative Scotland for this project. These awards will allow us to bring Castle Mill Works back from the very dilapidated state it has fallen into and transform it into a vibrant cultural resource.

“Castle Mill Works was once a powerhouse of industry and invention, our plan will bring production back to Fountainbridge and place creativity at the heart of the community. This neglected area will become a vibrant place to work or visit, foster a sense of community, and offer opportunities for everyone to engage with creativity.

“These awards provide a substantial amount of the funds required to realise the project and are a real vote of confidence for Edinburgh Printmakers as a leading arts organisation. But, just over £2M still needs to be raised. As well as applying to trusts and foundations, we are asking the public to join us on this new and exciting journey and help us reach a target of £10m.”

Sarah Price, CEO of Edinburgh Printmakers added: “The vision for Edinburgh Printmakers as a cultural provider has evolved hugely as a result of this project and in response to the heritage of the building. We can’t wait to get going on delivering artistic exhibitions and activities that will benefit local people and bring visitors to the area. Art has the power to transform lives and places and that is our aim, we have spent many years planning and now with these decisions we can start to make those dreams a reality.”

In the lead up to the opening of the arts centre, Edinburgh Printmakers will showcase a series of temporary artwork commissions at Castle Mill Works that respond to the unique heritage of the grand industrial building and its rich cultural environs.

The heritage of the building will also be a permanent feature within the complete arts centre as the legacy of the building is explored through newly commissioned artwork installations, each uncovering the past and creating a conversation between new and old that can continue into the future.

The project has already attracted widespread support and endorsement with local community groups keen to save the building for future use as a cultural venue.

The announcement of this award coincided with the launch of Edinburgh Printmakers public appeal for donations. The public can help Edinburgh Printmakers reach the £10m target by texting CMWS001 to 70970 to give £5, or by visiting www.edinburghprintmakers.co.uk to donate any amount.

Edinburgh’s Eat the Good Stuff campaign’s on track!

Rail commuters tuck into Britain’s biggest jeely piece!

The Monster Jeely Piece Challenge pulled into Waverley station yesterday as Edinburgh Social Enterprise Network (ESEN) teamed up with Breadshare and Tiphereth in a Jar to stage the creation of the biggest jeely piece (that’s a jam sandwich, visitors!) to date in the UK.

Sandwich construction started at 11am and the muckle piece was ready for munching at lunchtime, with tasting from 1pm. The challenge marked the launch of the “Eat the Good Stuff” campaign, which aims to promote the range of high quality food social enterprises in Edinburgh.

The event took place at Waverley Station’s LocalMotive Markets site alongside platform 2, where the new Borders Railway now comes in.

Speaking before the build of the mighty sandwich ESEN Coordinator Linsay Chalmers, said: “Weeks of preparation and logistical planning have gone into this world first ‘monster jeely piece’ attempt. There has been a lot to consider for the Breadshare and Tiphereth social enterprise teams who have calculated the jeely piece will be 1.8m x 1.6m in size and will need 12 kilos of strawberry jam to make it possible.”

The team worked against the clock to create the monster ‘master-piece’, which was then cut into 768 individual sandwiches for sharing with commuters, railway staff and passers-by.

Lindsay added: “We are keen to promote Edinburgh’s food social enterprises through our “Eat the Good Stuff” campaign and be the first in the UK to create a giant jeely piece – especially as it is Scotland’s Year of Food and Drink – we felt we had to mark the occasion with some great local and organic foodie, social enterprise produce.”

“And next year we hope to have a ‘monster scone bake-off’ with some of our other social enterprises.”

Juliet Donnachie, Station Manager, Waverley Station said: “Edinburgh Waverley is Scotland’s largest station so it’s only fitting it should also be home to the country’s biggest jeely piece. The market has been a popular addition to the station over the past year and events like this add a little unexpected fun to passengers’ journeys.”

Edinburgh is home to food social enterprises of all shapes and sizes including cafes, pubs and fair trade distributors. The campaign aims to place the spotlight on these food organisations and introduce the people of Edinburgh to the top quality and socially good products that they offer.

There are now over 200 social enterprises in Edinburgh with a wide range of products from culinary and craft to recycling, wellbeing, and sport – and new products are coming to the fore each week.

The “buy the good stuff” sticker campaign indicates to shoppers and visitors the wide range and diversity of businesses promoting social enterprise whilst highlighting the beautiful and unique products on offer and the stickers will help recognise those businesses with ease.

Be a Potter spotter!

Harry Potter competition launches at the magical Museum of Childhood today

Visitors to the Museum of Childhood in Edinburgh will picture the magic of Harry Potter as part of a nationwide competition with Bloomsbury Children’s Books.

Launching today to celebrate the publication of Harry Potter and the Philosopher’s Stone Illustrated Edition by J.K. Rowling, illustrated by Jim Kay, the competition will challenge people of all ages to seek out and photograph an image from the new book placed in locations around the country and share via social media.

Working with children’s charity Kids in Museums and The Telegraph newspaper, Bloomsbury has placed 12 Jim Kay prints in 12 different museums around the UK and Ireland, including the City of Edinburgh Council owned and managed Museum of Childhood on the Royal Mile.

With a clue to solve at each venue participants must find these images, take a photo of themselves with it and share via Twitter or Instagram using the hashtag #HarryPotterSpotter.

Jim Kay has always been a fan of museums, saying: “Museums are one of my favourite places to visit. The objects they contain tell the story of ourselves and our world, and I find them endlessly inspiring and fascinating. My illustrations owe so much to museum collections, it’s an honour to know they will appear in the places that made me want to become an artist.”

Councillor Richard Lewis, Edinburgh’s Culture Convener, added: “This is a great draw for our free-to-visit Museum of Childhood and a unique chance to celebrate the magic of Harry Potter in Edinburgh. Potter Spotters will find JK Rowling’s hand-prints just a stone’s throw away from the Museum at the City Chambers, and it’s also just a short walk to the Elephant House where she famously penned parts of her novels. With the October School break almost here, this is also a perfect opportunity for families to make a day of it and revisit the Museum.”

One overall winner will receive a family ticket to the Warner Bros. Studio Tour London – The Making of Harry Potter plus a Harry Potter tote bag, a Jim Kay signed print and a copy of the Deluxe Illustrated Edition of Harry Potter and the Philosopher’s Stone (RRP: £150). Twelve additional prize winners, one from each museum, will receive a Harry Potter tote bag, a Jim Kay signed print and a copy of Harry Potter and the Philosopher’s Stone Illustrated Edition (RRP: £30). Participants only need to spot one print to enter.

The Harry Potter Spotter competition launches today and closes at midnight on Sunday 1 November.

Click here for full details of the competition or find out more about a visit to the Museum of Childhood.

All the fun of the fair

Scotland’s biggest volunteer recruitment fair takes place in Edinburgh tomorrow

For most people at this time of year thoughts are turning to pumpkins and fireworks, but for Volunteer Edinburgh there’s only one thing on our minds – and that’s the annual Volunteer Recruitment Fair at St Paul and St Georges Church!

As usual the hall will be filled with stalls from charities and volunteer involving organisations from across the city representing the wide range of volunteering opportunities Edinburgh has to offer.

There are environmental groups; arts organisations; opportunities to work with people from both ends of the age spectrum; charities who deal with poverty and exclusion both here and abroad; animal welfare groups as well as organisations campaigning to raise awareness and funding for a variety of health issues.

With over 50 diverse groups taking part the chances of finding something to get involved with are pretty good and the opportunity to speak to directly to volunteers and organisers helps develop a much greater understanding of the organisation’s work and passion and commitment involved.

As well as the stalls, volunteer advisors will be on hand to help you with any questions you might have about volunteering and, for those looking to volunteer as a step towards employment, there will be workshops to help improve employability skills, C.V. writing and job hunting techniques.

There will also be special workshops on equality rights, and volunteering opportunities for older people.

And If all this information gets too much there will, as always, be delicious food and (non-alcoholic) drink on hand in the café, so you can rest and digest!

So if you want a break from thinking about ghosts, bonfires and premature tinsel and you’re looking to give a present a little more substantial than a pair of socks, then here’s the perfect opportunity to give some very grateful organisations the gift of you!

For more about the Volunteer Recruitment Fair, visit the Volunteer Edinburgh’s website, orFacebook page. You may also want to have a look at the photos from last year’s Volunteer Recruitment Fair here.

IT & Tea tonight

A free informal learning event for older people this evening

Breakthrough? UNISON postpones lobby of crunch finance meeting

‘Our mandate from our members remains. Industrial action remains a real possibility in the event of compulsory redundancies.’ – UNISON lead negotiator Tom Connolly

UNISON has postponed its lobby of Edinburgh Council’s Finance and Resources Committee tomorrow following assurances from senior councillors that privatisation plans will be dropped and redundancies delayed for further talks.

Amanda Kerr, Edinburgh UNISON branch secretary, said: “Following concerted UNISON pressure, we welcome this re-think and the dropping of privatisation plans. We also welcome the delay on redundancies, however we still have a long way to go and we will be building for a lobby of the next Finance and Resources Committee on 29 October.

“Our campaign has brought this to the public eye and that campaign will continue. We warned that the level of cuts envisaged would be devastating for services. After years and years of cut after cut, no council can sustain even more massive cuts.”

Lead negotiator Tom Connolly added: “This is an important victory. The damage privatisation would have caused cannot be overestimated. The union will focus on protecting jobs and conditions, engaging with our members and building towards the lobby on 29 October. Our mandate from our members remains. Industrial action remains a real possibility in the event of compulsory redundancies.”

Last week, UNISON warned that up to 3000 jobs could be lost as the council aims to balance it’s books, and councillors are set to consider a number of key proposals to address a £126m budget shortfall over the next four years at tomorrow’s meeting.

Councillor Alasdair Rankin, Finance Convener, said: “We are very clear about the scale of the financial challenge that the Council is facing. The Council is experiencing greater demand for services than ever before, with a growing population in Edinburgh and increasing numbers of older people and younger people, while our overall budget remains the same.

“We need to take action in order to achieve the necessary savings to meet this demand, and we are making every effort to do this in a way that will safeguard frontline services for the people of Edinburgh.

“We want to invest in the services that are important to the public but must also look to rationalise our spending where appropriate. We recognise that some of these proposals may involve tough decisions, including a reduction in Council jobs, particularly in middle management. But while this won’t to be easy, savings will allow us to prioritise the things that matter most to people.

“Our aim, as ever, is to improve and enhance the city for residents, and this package of measures is the next step to achieving this. Councillors will consider these proposals and we are looking forward to the discussions. ”