This summer, the City Art Centre will present Start from the Level, the largest exhibition ever staged of the work of Sandra George (1957–2013).
Start from the Level is produced in partnership with Craigmillar Now, an arts and heritage centre based in Craigmillar, who hold Sandra’s collection in their community archive, and is part of the Edinburgh Art Festival.
Opening on 27 June and running until 27 September 2026, the exhibition brings together photographs spanning more than two decades, many of which will be shown publicly for the first time. Drawn from Sandra’s extensive archive, the exhibition offers a powerful portrait of Edinburgh’s communities and explores themes of identity, activism, motherhood, belonging, and social justice.
Born in Nottingham and raised between Jamaica and the UK before settling in Edinburgh, she became widely known for her work as a community organiser and advocate. Alongside this, she developed a prolific photographic practice, documenting everyday life across Edinburgh and beyond from the late 1970s through to the early 2000s.
Through her lens, she captured both intimate personal moments and wider social movements, creating a remarkable visual record of the city and the people who shaped it. Her photographs are united by a deep sense of humanity and a commitment to representing people with dignity, openness, and care.
The exhibition takes its title from Sandra’s own words: her desire to “start from the level people are based”. This guiding principle informed her work throughout her life, resulting in an extraordinary body of photography that remains as relevant and resonant today as ever.
Culture and Communities Convener Margaret Graham said: “Sandra George’s photographs offer an invaluable record of Edinburgh and its communities, seen through the eyes of someone deeply committed to social justice, equality, and human connection.
“This landmark exhibition celebrates not only her extraordinary talent as a photographer, but also her lasting contribution to the cultural and community life of our city.
“We are proud to bring this important body of work to audiences and ensure that Sandra’s legacy continues to inspire future generations.”
In addition to the exhibition at City Art Centre, a special outdoor presentation of Sandra’s work will be displayed on street-side billboard and poster sites across Edinburgh from 22 June for three weeks in partnership with BuildHollywood.
Featuring photographs taken throughout the city, the displays will appear in Fountain Park, Teviot and Meadowbank, bringing George’s images directly into the public spaces she documented.
Virgin Money to offer Safe Spaces across 42 of its branches to support those impacted by domestic abuse
Nationwide Group provides more Safe Spaces on the high-street than any other financial services organisation as it pledges to keep all branches open until at least 2030
Research shows alcohol-related domestic abuse reports rose by 47 per cent on the day of an England victory at a World Cup or European Championship
Nationwide backs Hestia’s #SupportIsATeamSport campaign and urges anyone experiencing abuse to reach out for support
Nationwide is rolling out domestic abuse Safe Spaces across 42 Virgin Money branches as part of a commitment to tackling physical and financial abuse. It will bring the total number across Nationwide’s branch network – the UK’s largest – to 475.
Safe Spaces are private, confidential areas in branches where anyone experiencing domestic abuse can access support, make calls to specialist charities, and find safety away from their abuser.
Hestia, the specialist domestic abuse charity that runs the safe space initiative nationally, has confirmed Nationwide now leads the financial services sector in physical safe space provision, with 475 locations available across Nationwide and Virgin Money branches, and 82 of these in locations where Nationwide are the last branch in town.
The announcement comes as England prepares for its first FIFA World Cup 2026 game this evening against Croatia. Statistics show that during Euro 2024, police forces recorded 351 domestic abuse incidents classified as football-related – an 82 per cent increase on the 193 recorded during Euro 2021.
Researchers at Warwick Business School separately found that alcohol-related domestic abuse reports rose by 47 per cent on the day of an England victory at a World Cup or European Championship – meaning a win offers no protection for survivors.
Support for people impacted by domestic abuse:
Throughout the World Cup, Nationwide is backing Hestia’s #SupportIsATeamSport campaign, which encourages people to recognise the signs of abuse and download Bright Sky – a free, confidential app offering practical advice and access to local and national support services. The app also helps users find their nearest Nationwide or Virgin Money Safe Space and provides guidance on how to support someone safely. Customers can also locate their nearest Nationwide Safe Space using Nationwide’s Branch Finder.
Alongside its expanded Safe Spaces network, Nationwide offers a comprehensive package of support for those experiencing abuse, including a partnership with leading domestic abuse charity Refuge, providing specialist advice and emergency support. People can also access Shout, a free 24/7 confidential mental health text service, available around the clock.
For those experiencing financial and economic abuse – one of the most controlling forms of domestic abuse – Nationwide has introduced a pioneering in-app payment reference blocking feature, enabling survivors to stop seeing abusers threatening or coercive messages through bank transfers.
Mandy Beech, Director of Retail Services at Nationwide, said:“We urge anyone experiencing abuse to reach out – our in-branch Safe Spaces are here to support you.
“We know that a bank or building society might not be the most obvious or conventional place to turn in a moment of crisis, but through our charity partners and the tools we have built, there are real, practical things we can do to help people get the support they need.
“Colleagues across more than 600 branches have participated in our domestic abuse awareness training, because no one should face this alone.”
Sue Harper, Deputy Director | Domestic Abuse & Sexual Violence Prevention at Hestia said: “Hestia’s Support is a Team Sport campaign shines a light on domestic abuse during men’s football tournaments.
“While football does not cause abuse, we know that existing abusive behaviour often intensifies on match days. Heightened emotions and increased alcohol consumption can escalate harm, leaving victim-survivors dreading match days and feeling unsafe in their own homes.
“This summer, we all have a role to play. We can help people feel less alone and ensure they get the support they need. That means being alert to the signs of abuse, downloading the Bright Sky app, and checking in on those who may be at risk- before, during and after games”.
Anyone concerned about themselves or someone they know can visit a Nationwide or Virgin Money branch Safe Space, text Shout – the free mental health text service – on 85258, contact Refuge at nationaldahelpline.org.uk, or call them on 0808 2000 247.
Free Toy Hospital Pop-Up comes to OMNi this weekend
Edinburgh’s OMNi Centre is set to give beloved toys a new lease of life this weekend (20 – 21 June), as it hosts the Leith Toy Hospital for the very first time.Offering free toy repairs for local families. Coinciding with the buzz around Toy Story 5, visitors can bring along their well-loved teddies and dolls for expert TLC.
Run by skilled toy surgeons, the Toy Hospital based in Musselburgh specialises in soft toy and doll repair and restoration, giving cherished toys a new lease of life.
Visitors are invited to bring along teddies or dolls in need of repair to OMNi on 20 and 21 June where the Leith Toy Hospital team will be on hand to carry out first aid style repairs, along with prescription cards for toys needing further work offsite.
The pop-up toy hospital service is free of charge and charity donations for OMNi’s charity partner Children’s Hospices Across Scotland (CHAS) are welcome on the day.
Neil Mackie, OMNi Centre Manager, said: “We’re delighted to host Leith Toy Hospital’s expert team for the first time at OMNi.
“Offering free toy repairs is a fantastic way to give back to our community and bring families together around something truly special.”
Mari Jones, director of Leith Toy Hospital, added: “Favourite toys become part of the family, and just like Woody and Jessie, they each have a story to tell. It’s an honour to care for these treasured companions so that their stories can continue for many years to come.”
The free pop-up will take place from 10am-4pm on the 20th and 21st June, with no booking required. Free on-the-day repairs will include seam repairs, stuffing top ups, surface cleaning and sprucing up of fur.
The family fun doesn’t stop there… OMNi will continue its family entertainment into July, with money saving offers and a free craft station to keep little ones busy.
For full details, visit the OMNi website and join OMNi on its social channels for latest information and behind the scenes content: Instagram, TikTok and Facebook.
OMNi is open 6am – 1am, Monday to Sunday. Individual brand opening times may vary, including Bank Holidays.
Leading charity Poppyscotland is calling for volunteers to help man collection stations during Armed Forces Week in Edinburgh later this month.
Volunteers are being sought at both Waverley and Haymarket train stations in the city centre on Saturday, 27th June and Sunday 28th June, as well as at the Armed Forces Day parade at St Andrew Square on Saturday, 27th June.
Armed Forces Day is a chance to show your support for the men and women who make up the Armed Forces community: from currently serving personnel to Service families, veterans and cadets. It marks the culmination of a week of celebrations, beginning on Monday 22nd June, when the public show their appreciation for the Armed Forces community.
Poppyscotland requires volunteer collectors during Armed Forces Week to allow the charity to continue the valuable work they do in helping countless men, women and families with issues linked to their time in the Armed Forces.
There are roles that suit a range of interests and experiences, and no matter how much time you can spare, you will make a difference.
Volunteers will be ably looked after, supported and trained by dedicated Poppyscotland staff. But, most importantly, the chance to make a real difference is there for the taking.
Sean Walsh has been volunteering with Poppyscotland for six years. The 20 year old said: “I volunteer at various events throughout the year, including at Armed Forces Day. Sometimes I can manage full days and other times I sign up for a couple of hours at a time due to my busy shift patterns at work.
“I know that even a few hours can make a real difference.
“I really enjoy my volunteering with Poppyscotland, you definitely feel part of something bigger!
“It’s a very straightforward process too – I sign up online, where I get all the information I need.”
St John Scotland has unveiled its 300th Public Access Defibrillator (PAD) in Edinburgh city centre, marking a major milestone in the charity’s work to improve access to lifesaving equipment across the city.
The defibrillator was officially unveiled by the Lord Provost of Edinburgh during Volunteers’ Week (1-7 June 2026), a fitting moment to recognise the dedication and commitment of St John Scotland’s Edinburgh volunteers, whose efforts help make communities in the city safer every day. St John Scotland is now working with the local area to identify the best location for it.
PADs play a crucial role in improving survival rates from out‑of‑hospital cardiac arrest. Having a defibrillator nearby, and people confident enough to use it, can make the difference between life and death while emergency services are on their way. For every PAD St John Scotland help place, volunteers provide CPR and defibrillator training to the hosts.
The installation of the 300th defibrillator in Edinburgh reflects years of sustained effort by St John Scotland volunteers in the city, working alongside local partners, communities and supporters to identify gaps in provision and help make lifesaving equipment more accessible.
The unveiling also recognised the long‑standing support of Mike Pinkerton, whose work with St John Scotland has raised over £20,000 to support the expansion of community lifesaving initiatives across Edinburgh.
The Lord Provost of Edinburgh, Robert Aldridge, said:“This impressive milestone is a testament to the power of community action and the incredible long-standing support for St John Scotland.
“Reaching 300 Public Access Defibrillators across Edinburgh is a fantastic achievement that the city can be truly proud of. It reflects the dedication and generosity of volunteers, partners, and supporters who give their time to help protect lives in their communities. Across the city St John Scotland public access defibrillators have been used to save lives.”
“I hope this success inspires even more organisations and community groups to get involved and explore hosting a Public Access Defibrillator at their building. “
John Craig, Edinburgh Chair of St John Scotland, said:“Reaching 300 Public Access Defibrillators in Edinburgh is a huge milestone for us, but it’s one that simply wouldn’t be possible without our amazing volunteers.
“From installing and maintaining defibrillators to delivering training and raising awareness in their communities and much more, their commitment saves lives every day. It’s especially fitting to celebrate this during Volunteers’ Week.”
Mike Pinkerton said: “I know how lucky I am to still be here and to be able to do my bit for such a worthwhile cause. I’m also lucky to have had such great support from St John Scotland and their incredible team of volunteers.
“Of course, we hope these defibrillators are never needed but the truth is they will be and, when they are, we know we’re giving someone suffering a cardiac arrest the best possible chance of survival.”
St John Scotland’s volunteers give thousands of hours each year to support communities across Edinburgh and the rest of Scotland, delivering essential CPR education, transporting vulnerable patients to and from vital treatment and helping to build confidence in lifesaving skills.
With the support of existing host organisations across the city, St John Scotland has been able to expand access to lifesaving equipment in local communities. The charity is aiming to inspire more businesses, community groups and local organisations to host future defibrillators.
The charity continues to work towards its goal of safer, more resilient communities, ensuring that defibrillators are not only available, but visible, accessible and supported by training.
Adventure, swashbuckling and intrigue will take centre stage as Crown Square at Edinburgh Castle is transformed into an outdoor theatre for a production of The Three Musketeers later this month (Friday 19 and Saturday 20 June).
Visitors are invited to experience a rip-roaring adventure that will see the Musketeers cross swords with the scheming Cardinal Richelieu and the dastardly Milady de Winter.
Caught up in a whirlwind of excitement and romance in 17th century France, will D’Artagnan and the Musketeers be able to recover the Queen’s jewels and restore Her Majesty’s honour in time?
The production, based on the 1844 novel by Alexander Dumas and staged by theatre company Illyria, will be the first outdoor theatre performance at Edinburgh Castle in recent times. Visitors can take in the views of Edinburgh as they make their way to the top of the castle for an evening of thrilling entertainment in Crown Square.
Theatregoers should bring their own seating and are encouraged to dress accordingly for forecasted weather conditions. Theatre company Illyria specialises in outdoor performances, and the show will go on, rain or shine.
Shona Burns, Assistant Visitor Events Manager at Historic Environment Scotland said: “We cannot wait to get swept up in adventure by The Three Musketeers here at Edinburgh Castle. Visitors are in for a fantastic show, and there is no better backdrop to the dazzling storytelling on display than the walls of this iconic heritage site in the heart of the city.
“Live theatre is just one of the incredibly exciting ways that visitors and locals alike can experience Edinburgh Castle during the warmer months, with a variety of outdoor events and performances scheduled throughout the summer.”
Oliver Gray, Artistic Director of Illyria said: “Outdoors, with good company, good food and a glass of something bubbly is a much less formal way to enjoy theatre, and there’s something truly unifying about actors performing, and audiences listening, all under the same sky.”
Further information about The Three Musketeers and how to buy tickets can be found at edinburghcastle.scot.
Police Scotland is appealing to the public to help trace 15-year-old Hollie Thompson, who is reported missing from Grangemouth.
Hollie was last seen walking in the North Bridge and West Regent Street areas of Edinburgh city centre around 5pm on Friday, 5 June, 2026.
She is described as around 5ft 1 in height, of slim build with long brown hair. When last seen, Hollie was wearing a grey leather jacket, a pink top with cherries on it, black leggings and leopard print shoes.
Inspector Thomas Gorman said: “We are looking to trace Hollie who hasn’t been seen for around 24 hours now.
“She was last seen in Edinburgh city centre however several hours have passed so she could have travelled away from that area.
“I would ask anyone who may have seen Hollie, or has any information on her whereabouts to contact Police Scotland, on 101, quoting reference 2912 of 5 June, 2026.”
Living Streets Edinburgh to host special speakers and community discussion on 11 June
Residents from across Edinburgh are being invited to attend Living Streets Edinburgh’s annual public meeting on Thursday 11 June, bringing together campaigners, community leaders and local people passionate about making the city safer, healthier and more accessible for walking.
The event will take place from 6pm to 7.30pm at the Friends Meeting House, Victoria Terrace, Edinburgh (EH1 2JL), and is free and open to all.
Attendees will hear from two guest speakers who have made significant contributions to creating people-friendly places and improving public health:
Malcolm Fraser, architect, cyclist and pedestrian advocate, known for championing the renovation of existing buildings and promoting development that serves local communities.
Helga Rhein, former GP and trustee of B Healthy Together, who has campaigned extensively for healthier neighbourhoods and improved pavements in Broomhouse.
The meeting will also provide an opportunity for Edinburgh residents to share their experiences, identify walking-related problem hotspots across the city, and help shape Living Streets Edinburgh’s priorities for the coming year.
The organisation will celebrate a number of recent successes, including helping secure reduced waiting times at 24 standalone pedestrian crossings and supporting the pedestrianisation of the Lawnmarket in Edinburgh’s Old Town.
David Hunter, Convenor of Living Streets Edinburgh, said:“Walking is the most accessible form of transport and one of the simplest ways to improve our health and strengthen communities.
“We’re delighted to welcome Malcolm Fraser and Helga Rhein to this year’s meeting, and just as importantly, we want to hear directly from Edinburgh residents about their experiences and ideas.
“We’ve seen real progress over the past year, from shorter waiting times at pedestrian crossings to more space being given over to people rather than traffic. But there’s still much more to do.
“Whether you’re a regular campaigner, a local resident concerned about a particular street, or simply interested in making Edinburgh a better place to walk, I’d encourage you to come along and join the conversation.”
Living Streets Edinburgh is the local branch of the UK’s charity for everyday walking and works to improve conditions for pedestrians across the city.
Event details:
Living Streets Edinburgh Annual Public Meeting Thursday 11 June 6.00pm – 7.30pm Friends Meeting House Victoria Terrace Edinburgh EH1 2JL
Today, Thursday 4 June, the Edinburgh Festival Fringe Society is delighted to launch the 2026 Edinburgh Festival Fringe programme.
This year’s programme celebrates the diverse range of creativity at the Fringe and includes work from 71 countries – reinforcing the Fringe’s place within the world’s cultural landscape, with performers hailing from around the globe.
The programme features 3,649 shows across 258 venues, making up 53,884 performances, with themes tackling some of the most topical issues being discussed in the world today. Prominent themes include artificial intelligence, cults, the manosphere, identity crisis, social class, Y2K nostalgia, the state of the world and resilience and hope.
Launching the 2026 Edinburgh Festival Fringe programme, Tony Lankester, Chief Executive of the Edinburgh Festival Fringe Society, said:‘Programme launch is an exciting moment for everyone involved in making the Festival Fringe happen. Thank you to the artists, venues, producers, technicians, promoters, support staff and audiences that bring their unique creative lens and exceptional energy to Edinburgh each August.
‘Within the number of productions registering this year, we’ve seen a notable increase in artist registrations from overseas. This tells us that, despite the economic and political headwinds the world is facing, the Fringe continues to be relevant and important to our artists, and taking part marks, for them, a significant moment and investment in their careers.
‘This year’s Fringe programme is packed with every kind of performance, so we’re asking audiences to mix it up and explore the unique, creative performances available at this Fringe.
“From theatre or circus, or the best of comedy, music, dance, children’s shows, magic or cabaret, there is something for everyone in Edinburgh this August.’
In Cabaret and Varietyat theSpaceUK,Confirmation Sponsor Variety Hour presents ‘the best damn talent show ever’ that is ‘sponsored by God.’ Head to artSpace@St Marks for a Piano Recital of Dvořák’s Suite, with ‘much variety and richness.’show
In Dance and Physical Theatre, Korean Tightrope Walking explores the ‘edge of balance and freedom’ through the traditional theatrical form of jultagi at Meeting Point at the Meadows.
There are a range of new shows at the Scottish Storytelling Centre. In Children’s Shows, Romeo and Juliet for Bairns portrays ‘an immersive, theatrical, comical version of the love story of Romeo and Juliet’ just for children. Exhibition: Craigmillar Tapestry showcases ‘a community initiative to create a series of tapestry panels representing the rich history of Craigmillar.’ The Scottish Storytelling Centre also presents Spoken Word performances such as Traditional Tales, which explores ‘folk tales, fairie tales, myths and legends, stories which have been handed down to inspire and entertain across generations.’
In theatre,the Scottish Storytelling Centre’s Irrational explores the balance between mathematics and storytelling to ‘reflect on the role of mathematics in Western culture.’ In Marjolein Robertson: Shetland Folklore at Traverse, Robertson takes audiences ‘across the sea to the UK’s most northerly isles for an hour of immersive tales.’ Meanwhile, over at theSpaceUK, Until Hope Fades Away ‘follows Ali, a young man anxiously waiting at an old harbour for the return of his father.’
At Pleasance, Copycat features Fringe First winner Joe Sellman-Leava as he explores whether ‘AI spells the end of humanity, or a dawn of a new utopia?’ At Hoots, Australian freestyle comedian Stian Macshane challenges a custom-built AI controlled entirely by the audience to a fully improvised rap challenge in RapGPT: Macshane.
Head to Assembly for An Echo in the Void, ‘a darkly funny, emotionally charged chamber thriller’ about four strangers who must choose between a painful reality and a perfect world designed by AI.
At Just the Tonic, Improbotics Presents: Artificial Reality, letting ‘audiences become producers of a reality show… Because of budget cuts, “celebrities” are recreated using questionable artificial reality methods (deep fakes, video generation and AR glasses to send lines from a chatbot to control the “celebrity”).’
‘Can you create a new and exciting innovative business and still be ethical?… The Provocateurs: Ethical Innovators? / Satellites Destroy Privacy at The Stand Comedy Club explores if new ideas and technologies – including AI – can still be ethical and inclusive’. Over at Venue 13, ‘step into an intimate, immersive campfire where mythical forces of nature meet in the shadow of a changing world. Once again guided by AI database, Symbiolene, as she conjures figures from her past: The Green Man, Brigid and the Cailleach’ in AI Campfire (return).
At Laughing Horse, The Buddha Wears Prada is ‘a dark stand-up comedy hour about Sofia May’s experience as a former member of a Buddhist cult’s inner circle.’ All Religions Explained – The Cabaret Musical is ‘a piano-pounding cabaret musical celebrating faith and the human comedy of belief’ at PBH’s Free Fringe.
Taking place at Gilded Balloon, Brit Barron: CHURCH explores stand-up, storytelling and gospel music about Barron’s experience as a former megachurch pastor. Meanwhile, Prophets from Fringe First-winning writer Jack MacGregor is at Assembly,travelling to Saint John to research the ‘dangerous theology of the cult’ that has taken over.
At Laughing Horse, Eat Pray Cult is ‘ a stand-up comedy about getting divorced and joining a cult’ in a ‘seasonal, off-grid, techo-futurist protopia and decentralized intentional community’.
Sex, Drugs and Conscious Souls at PBH’s Free Fringe explores the unlikely love story built upon polyamorous throuples between a pastor and a prostitute. It focuses upon ‘healing from religious trauma and mental illness while exploring society’s stigmas around sex, drugs and new age consciousness.’
Audiences can also join Jonas and Sylas, who tell their experiences of escaping a cult in Oh My Jehovah! at Hoots.
At Pleasance,MAN!FEST: The Drag Boyband Musical is the ‘riotous drag musical that exposes toxic masculinity and its effect on boybands and fangirls.’
At Monkey Barrel Comedy, Finlay Christie: Champagne Casanova provides an hour of stand-up discussing ‘the myths constructed by incels, billionaires and even human people, that mean we don’t have to admit we’re ordinary, rejected or wrong. There’s also a strong section on air fryers.’ Alice Fraser: Oh Man! is alsoat Monkey Barrel Comedy, with some ‘stuff to say’ about masculinity, featuring ‘a sentient Roomba and some Ancient Greek philosophy’.
In Aideen McQueen: Wo-Manosphere at Gilded Balloon,McQueen ‘finally understands dating, boundaries, attachment and the male loneliness epidemic’ in a stand-up show exploring masculinity and female delusion.
Explore a single mother’s ‘real-world encounter with the Manosphere that stokes her rage’ in SLAYERS by Corinne Salisbury at Assembly.Also, No Hard Felix follows Felix as his ‘chaotic quest to “fix” himself spirals into an accidental journey into vulnerability and the scared parts of himself he’s spent a lifetime avoiding’ at Just The Tonic.
Over at Greenside, Shinjuku follows a woman’s unfinished business in a ‘darkly funny exploration of women’s choices in a man’s world.’
In Extraordinary Alien at Le Monde, a Jewish actress and mum new to New York must prove she’s exceptional in a stand-up about ‘ambition, impostor syndrome and never quite fitting in.’ In Why English?, an Indian woman ‘questions her life in the post-colonial era’ through physical theatre at Assembly.
At Greenside, Chloe Campbell Bites Back explores Campbell’s move from County Down to London and tackles her Irish/British identity. Also at Greenside,Abby tells the story of her ‘immaculate-conception-adjacent origin story’ featuring ‘gay divorce, coming out as straight, OCD, Jewishness and Germans who fetishise it, and career heartache’ in Most of My Moms Are Gay.
Former astrophysics researcher Rao explores being ‘a brown Australian navigating family expectations, creative work and burnout in a confusing world, whilst clinging to a sense of joy’ in How Now Brown Rao at Laughing Horse.
Tap Out! (Or I’ll Hit You Again) at Gilded Balloon is a ‘dramedy story about violence, masculinity and morality; an examination of identity, purpose and male loneliness.’ Lance Mao: The Pig with the Dragon Tattoo at Hoots offers ‘a dark confessional hour about racism, mental health, fear, and embracing your crazy’ as ‘a perpetual foreigner’
‘Expect class clashes, romantic disasters and the familiar feeling of trying to do the right thing, and rarely succeeding’ in Gareth Mutch Means Well at The Stand Comedy Club. Follow a portrayal of ambition, social mobility and culture shock featuring ‘pink shell suits, Playboy garms, and Britpop’s parting cries’ in comedy Giro Baby at Greenside.
Drag performance I AM JOHNNY explores the ‘fragile power dynamics, performative masculinity and ownership of the female body’ at Summerhall.
Irene Cleans Up tells the story of an unlikely partnership between a London cleaner and a successful competitive sommelier, exploring reinvention, friendship and the ‘courage to redefine yourself’ at Paradise Green.
haim. teeth. CLUB. explores the story of a ‘working class Scottish young woman at the centre of her own narrative – as a living, breathing, contradictory person’ at Underbelly.
At Pleasance, Emmeline Downie: Gail ‘gives a voice to the voiceless: vivacious middle-aged women from Milton Keynes’.
A&E at theSpaceUK ‘invites the audience to sit in the A&E waiting room and participate in humanity’s favourite activity: voyeurism’ while meeting hospital regulars.
At Pleasance,Cecily Hitchcock: Family Recipe dives into ’00s Britain where ‘Blair and Brown played in her child mind like a Greek tragedy’.
They’re Just Small Town (Northern) Lads at Summerhall explores boyhood, masculinity and the moments young boys must decide what kind of men they will become in a Northern UK working-class town in 2000.
At Underbelly, Saving Britney, inspired by the #FreeBritney movement, returns to the Fringe to explore how the princess of pop, Britney Spears, influenced millennials’ lives and led to ‘an unbelievable moment of self-discovery.’ Over at Laughing Horse,00s Throwback Party explores Noughties’ iconography of ‘Fad diets. Flip phones. MySpace. MSN.’ through a multimedia performance.
YUCK Circus: Naughties is celebrating a decade not to be forgotten, featuring ‘high-flying acrobatics, comedy and absolute bangers’ at Assembly. Based on the film, Brassed Off shows ‘the value of solidarity and friendship and the power of music’ at Inverleith St Serf’s Church Centre.
We Were Young is at theSpaceUK, telling ‘a powerful and hilarious story about the realities of gang culture and young team mentality in Glasgow during the 90s’.
In Broken Planet Show at Just the Tonic, ‘comedy, circus and indie cosmic lunacy collide in an ever-changing nightly riot of world-class weirdos, hellbent on healing our planetary divide.’ Also at Just the Tonic, Meka Mo uses New York as a lens to comedically explore the multicultural world in ‘an age of political chaos and cultural contradiction’ in New York City Dreams.
Lorraine Hoodless: Mean at PBH’s Free Fringe tells Hoodless’ account of ‘burnout, billionaires, consumer guilt, the myth of meritocracy, and the slow collapse of society.’ The Last Funny Womanat PBH’s Free Fringe features Kate, who thinks ‘it is time to burn [the world] down.’
Political comedian Matt Forde ’embarks on finding joy amid global political turmoil, the rising tide of populism and his own ongoing health challenges’ in Matt Forde: Project Holy Moly at Pleasance.
At Paradise Green, The Pod is a comedy play about grief, the state of the world and the importance of human connection, as Kaia and Adam move to a ‘doomsday bunker that might jettison into space when the world ends in eight minutes and 19 seconds’.
Will Adamsdale tell his robo-bromance about finally embracing his old enemy technology in Will Adamsdale: AI, AI, Oh… (Or How I Wrote a Hit Sitcom with ChatGPT But We’re Not Talking Now) at Underbelly.
Part of the Made in Scotland showcase, FLOWERCORE by Siobhan Wilson at The Gilded Saloon is a celebration of ‘preservation, belonging and resilience through music and immersive imagery featuring flower videography and flower art by Scottish artists’.
In his first show in 25 years, Bruce Devlin: Mummy Loves M&S at TheStand Comedy Club explores ‘the four Ds: death, dyslexia, divorce and Dundee’, as well as the need for resilience and the power of laughter in the face of life’s challenges.
At the Ukrainian Community Centre, the Solo Way Ukrainian Choir ‘connects audiences to the passion, resilience and joy of Ukrainian music.’ At the Scottish Storytelling Centre, The Dark Pool explores ‘disability and resilience in the face of trauma and societal expectations’.
Jessies at theSpaceUK ‘dives into the highs and lows of queer life’ between 1980 and 1995 for ‘three unforgettable drag queens.’ Also at theSpaceUK, A Forgotten Woman: Mrs Oscar Wilde explores Constance Lloyd’s life ‘told through letter excerpts written in her own hand’ which reveal her ‘wit to rival Oscar [Wilde’s]’.
At The Speakeasy at The Royal Scots Club, Alan Bennett’s Talking Heads, a ‘multi-generational company of Edinburgh-based women, perform four of Alan Bennett’s iconic Talking Heads monologues’ exploring loneliness, desperation and resilience through humour.
Gilded Balloon Teviotreopens for the Fringe after being closed for renovations since September 2023, featuring Brit Barron: CHURCH, Fab Goualin: Mixed Messages, Aideen McQueen: Wo-Manosphere and many more.
Sauna Theatre @ Summerhall is a working sauna and will feature shows such as Morning Sauna Rave, Mysteries of the Picts and Bubble Schmeisis (Remixed). Sauna Theatre will be a hub for relaxing and recharging, as well as experiencing choreography and storytelling through traditional sauna rituals.
Brown’s of Leith is hosting a ‘site-specific adaption of Andrew O’Hagan’s best-selling novel’ Mayflies, part of the Made in Scotland showcase, within Leith’s unique Victorian engineering works.
Pianodrome’s new, second location at St Oswaldsshares ‘the world’s first amphitheatre made entirely from disused pianos’ which will feature free shows, evening events and workshops such as Golden Beryl: Special Oblivion, Piano Dismantling Action and Vroni’s Streetpiano Party.
The Fringe Society is grateful to the many partners, supporters, funders and sponsors this year. They would like to thank Cheez-It, The Magnum Ice Cream Company, Edinburgh Gin, Baillie Gifford, Cirrus Logic, Apex Bars & Events, Binks Trust, Bloomberg Philanthropies, PPL, EventScotland, VisitScotland, and Young Start – The National Lottery Community Fund.
The Fringe Society would also like to thank the UK Government, Foyle Foundation, SP Energy Networks, and the Changing Places Toilets Scotland Fund for their support of Fringe Central. The Scottish Government and City of Edinburgh Council for strategic funding support, the Scottish Government’s Festivals EXPO Fund support for the Made in Scotland programme; and Screen Scotland for supporting Screen Fringe.
The Fringe Society works with accommodation partners who provide much needed affordable accommodation to artists – they would like to thank Queen Margaret University, the University of Edinburgh and Theatre Digs Booker.
Health in Mind are also returning in 2026 to support the delivery of mental health and wellbeing services within Fringe Central.
