Day: May 2, 2023

The Royal Opera House announces 2023/24 Season

Public booking opens on Wednesday 2 August

The Royal Opera House has announced its 2023/24 Season, unveiling a bold programme of thrilling new work, UK premieres and much-loved revivals, alongside the biggest national learning programme in our history, exciting new regional partnerships, and a host of daytime events, behind the scenes tours, exhibitions and artistic Insights at our home in the heart of Covent Garden.

The Royal Ballet Season

The Royal Ballet presents a tapestry of works that celebrate the Company’s rich heritage and celebrated house choreographers, and brings creativity into spaces across the Royal Opera House with a Festival of New Choreography. The Season features revivals from Frederick Ashton and Kenneth MacMillan alongside contemporary classics by Wayne McGregor, Christopher Wheeldon and Cathy Marston.

The Company’s illustrious legacy from Founder Choreographer Frederick Ashton and Principal Choreographer Kenneth MacMillan is marked in a number of productions. Ashton’s boundless invention is displayed in two mixed programmes, with The Dream and his virtuosic Rhapsody. One of these programmes also features Les Rendezvous while the other includes Five Brahms Waltzes in the Manner of Isadora Duncan, Hamlet and Ophelia, and a guest performance by The Sarasota Ballet of The Walk to the Paradise Garden.

The Sarasota Ballet will also demonstrate the genius of Ashton in the Linbury Theatre with a vibrant array of his creative output. The Royal Ballet and The Sarasota Ballet’s Ashton performances during the Season mark the opening of ASHTON WORLDWIDE, the Frederick Ashton Foundation’s five-year international festival conceived to celebrate the work and legacy of Frederick Ashton. Further information on the festival will be announced by the Foundation in due course.

Kenneth MacMillan’s dramatic flair is celebrated with the romantic tragedy Manon, which this Season celebrates its 50th birthday, and a mixed programme – Requiem, Danses Concertantes and Different Drummer – plus performances and a film premiere by Yorke Dance Project, illustrating the choreographer’s exceptional artistic development across the decades.

In other revivals, Carlos Acosta’s vibrant production of Don Quixote opens the Season for The Royal Ballet. This celebrated production, which premiered in 2013, is the perfect showcase for a Company dancing at its peak. The enduringly popular 19th-century classics The Nutcracker and Swan Lake will also feature in the Season.

Royal Ballet Resident Choreographer Wayne McGregor’s The Dante Project returns following its critically-acclaimed world premiere in 2021. Inspired by Dante’s Divine Comedy, the afterlife is brought into blazing life through the poetic vision of McGregor and his creative team, including pioneering composer Thomas Adès and artist Tacita Dean.

Artistic Associate of The Royal Ballet Christopher Wheeldon’s adaptation of Shakespeare’s late romance The Winter’s Tale celebrates its 10th anniversary. With striking designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is widely considered a modern ballet classic.

Two award-winning works, Cathy Marston’s The Cellist, which takes its inspiration from the life and music of Jacqueline du Pré, and Valentino Zucchetti’s breezy Anemoi, receive their first revivals in a mixed programme of powerful musical heft.

The Festival of New Choreography champions new and diverse choreographic voices through the many spaces of our iconic Covent Garden home. A collection of new work will be seen on the Main Stage, and also included is an immersive new work for The Royal Ballet by Robert Binet presented in the Linbury Theatre and co-produced by the National Ballet of Canada.

The Royal Ballet presents the world premiere of a new production in the Linbury Theatre adapted from the play Lemons, Lemons, Lemons, Lemons, Lemons by Sam Steiner. The Limit combines spoken word and dance with choreography by Royal Ballet Principal Character Artist Kristen McNally and direction by Ed Madden and features Royal Ballet Principals Francesca Hayward and Alexander Campbell in one of the casts. The Limit is set to a newly commissioned score by Isobel Waller-Bridge, who composed the score for the BBC series Fleabag as well as film scores for Vita and Virginia (2018) and Emma (2020).

We look to the future with our continued development of emerging creative and performing talent with Draft Works, International Draft Works and the Next Generation Festival. The Royal Ballet continues its long-standing commitment to fostering dance partnerships, with Northern Ballet, Fallen Angels Dance Theatre, Ballet Black and Sydney Dance Company in the Linbury Theatre.

Fallen Angels Dance Theatre make their Linbury Theatre debut. Led by Artistic Director Paul Bayes Kitcher, former Birmingham Royal Ballet soloist, the award-winning company supports those recovering from addiction and mental health adversity through dance, performance and creativity. This work marks the first collaboration between Fallen Angels and New Note Orchestra, a Brighton-based collective of 18 musicians in recovery.

Northern Ballet return to the Linbury Theatre with a programme of new contemporary ballet, including the premiere of a new work by Royal Ballet Soloist Benjamin Ella and a work by New York City Ballet Principal Tiler Peck.

INTERNATIONAL DRAFT WORKS_LINBURY THEATRE_ROH, Canto De Ossanha_choreography; Joshua Junker, The Royal Ballet,

Ballet Black present a double bill featuring Will Tuckett’s Then or Now and Mthuthuzeli November’s Nina: By Whatever Means, a tribute to Nina Simone. Yorke Dance presents a new programme including work by Robert Cohan, Martha Graham and Kenneth MacMillan, and Sydney Dance Company make their Linbury Theatre debut.

On Wednesday 1 November, World Ballet Day, a much-loved global celebration that brings together over 50 of the world’s leading ballet and dance companies, celebrates its tenth anniversary. Over the course of 24 hours, rehearsals, discussions and classes are streamed for free across six continents, offering unique behind-the-scenes glimpses of ballet’s biggest stars and exciting new performers.

Director of The Royal Ballet, Kevin O’Hare, said: “As we approach next Season, we are thrilled to showcase the extraordinary artistry and skill of our brilliant dancers and orchestral performers in a fantastic range of heritage and award-winning contemporary classics.

“We also look forward to the creative energy that the Festival of New Choreography will bring to the whole of the Royal Opera House, and to continuing to spread the love of ballet through our far-reaching global and UK-wide partnerships. We can’t wait to welcome back existing audiences and to connect with those new to the art form.”

The Royal Opera Season

The Royal Opera opens its Season with two landmark works on both of our stages. On the Main Stage, Antonio Pappano partners with Barrie Kosky for the first time to conduct a bold new imagining of Wagner’s first chapter of the Ring cycle, Das Rheingold – a massive undertaking for any opera house with an outstanding cast including Christopher Maltman as Wotan and Christopher Purves as Alberich.

In the Linbury Theatre, George Benjamin and Martin Crimp bring us Picture a day like this – a major new work which receives its UK premiere following the world premiere this summer at the Festival d’Aix-en-Provence. After the historic success of Lessons in Love and Violence and Written on Skin, Benjamin and Crimp return alongside stage directors Daniel Jeanneteau and Marie-Christine Soma.

Antonio Pappano, whose first new production at the Royal Opera House was Christof Loy’s production of Strauss’ Ariadne auf Naxos in 2002, conducts his last new production at the Royal Opera House in Loy’s eagerly anticipated adaptation of Strauss’s Elektra – uniting two of today’s leading dramatic sopranos: Nina Stemme in the title role, and Karita Mattila as the haunted queen Klytämnestra.

In May, a Farewell Gala Concert for Antonio Pappano will see a stellar cast of soloists perform alongside the Chorus and Orchestra in celebration of his 23-year tenure. Maestro Pappano will then lead a cast that includes his longtime collaborator Jonas Kaufmann, and Sondra Radvanovsky and Carlos Álvarez in a revival of David McVicar’s lavish production of Giordano’s Andrea Chénier.

In June 2024, The Royal Opera is delighted to be returning to Japan on tour for the first time since 2019 with performances at Bunka Kaikan Theatre and NHK Hall in Tokyo, and Kanagawa Kenmin Hall in Yokohama. Antonio Pappano will be conducting spectacular casts in Oliver Mears’s darkly elegant production of Verdi’s Rigoletto and Andrei Șerban’s classic staging of Puccini’s Turandot.

The Royal Opera’s exploration into Handel’s Covent Garden operas and oratorios continues with his final masterpiece, Jephtha, which premiered on this site in 1752. This epic new production is staged by Director of The Royal Opera Oliver Mears and is conducted by Handel specialist Laurence Cummings. Extraordinary tenor Allan Clayton performs the title role, joined by an outstanding, largely British cast including Jennifer France, Alice Coote and Brindley Sherratt.

Aigul Akhmetshina and Vasilisa Berzhanskaya share the role of Carmen in Damiano Michieletto’s poetic, contemporary new staging of Bizet’s beloved Carmen. Antonello Manacorda and Emmanuel Villaume conduct two accomplished casts in this sultry new production which evokes the passion and heat of Bizet’s score.

Next Season, the Royal Opera collaborate with Fuel for the first time, presenting the world premiere of Woman & Machine – a ground-breaking binaural opera experience from Mercury-nominated songwriter ESKA, directed by Kirsty Housley. Incorporating the sonic worlds of the neonatal unit and the womb, with influences of contemporary, electronic and Zimbabwean Shona Music, this new work connects themes of life, survival and womanhood.

This Christmas, a range of family favourites return to our stages. Little Bulb’s Oliver award-winning Wolf Witch Giant Fairy will excite children and families in the Linbury Theatre with the original troupe of travelling players returning as the energetic ensemble cast, bringing this endearing folk opera to new audiences, young and old.

On the main stage, music lovers of all ages can enjoy Antony McDonald’s mischievous production of Humperdinck’s Hansel and Gretel, newly translated into English by Kelley Rourke. Mark Wigglesworth conducts two stellar casts including Anna Stéphany, Hanna Hipp, Anna Devin and Lauren Fagan.

Following the Irish National Opera’s (INO) Olivier award-winning Bajazet and Least Like The Other, INO and The Royal Opera present their third collaboration: a brand-new staging of Vivaldi’s 1734 opera, L’Olimpiade. The production is directed by Daisy Evans, with conductor Peter Wheelan leading the Irish Baroque Orchestra.

In April, the Jette Parker Artists present a thrilling double-bill. Eleanor Burke directs Martinů’s surreal one-act opera Larmes de couteau and Harriet Taylor directs John Harbison’s adaptation of text from W.B. Yeats’ Full Moon in March. Both works are conducted by Edward Reeve, who will lead the Britten Sinfonia.

The 2023/24 Season also features a raft of beloved revivals including Christof Loy’s La Forza del Destino, Laurent Pelly’s L’elisir d’amore, Oliver Mears’s Rigoletto, Damiano Michieletto’s heat-soaked double-bill Cavalleria rusticana/Pagliacci, Richard Jones’ production of La bohème, Jonathan Kent’s Tosca, Tim Albery’s production of Wagner’s The Flying Dutchman, Moshe Leiser’s and Patrice Caurier’s Madama Butterfly, Katie Mitchell’s production of Donizetti’s Lucia di Lammermoor, and Jan Philipp Gloger’s production of Così fan tutte.

Director of The Royal Opera, Oliver Mears, said: “Despite opera in the UK being under pressure as never before, The Royal Opera is determined to mark Antonio Pappano’s final season as Music Director with ambition and style across our diverse output.

“We embark on the mammoth task of a new Ring cycle directed by Barrie Kosky, produce eight thrilling new productions across both our stages, continue our Covent Garden Handel odyssey, and – as we have for three hundred years – present the very finest singers and conductors working in the world today. This will be a season our audiences will love – and a fitting final bow for one of our most treasured ever colleagues.”

Royal Opera House across the UK

The Royal Opera and The Royal Ballet present 13 productions in 1500 cinemas across the globe next Season, including such beloved classics as Swan Lake and The Nutcracker and exciting new productions of Carmen, by Damiano Michieletto and Das Rheingold, by Barrie Kosky.

Message In A Bottle, the acclaimed dance theatre production by Sadler’s Wells Associate Artist Kate Prince, set to the music of Grammy Award-winning artist Sting, has also been filmed for cinema release in May 2024, in partnership with Sadler’s Wells and Universal Music UK. The international refugee crisis is at the centre of this production – an imagined story about one displaced family, and a universal story of loss, fear, survival, hope and love. Songs including ‘Every Breath You Take’, ‘Roxanne’, ‘Every Little Thing She Does Is Magic’ and ‘Fields of Gold’ feature in new arrangements.

This is on top of wider digital innovation as we make available 24 more productions on ROH Stream. These will include work from Wayne McGregor, and Joseph Toonga’s See Us, as well as The Royal Ballet’s new production of Cinderella. These will be supported by a raft of new behind-the-scenes films, interviews and performances, including a celebration of Antonio Pappano’s tenure as Music Director of The Royal Opera; a host of choreographic and vocal masterclasses; and exclusive World Ballet Day content, with rehearsals and insights from across its rich ten-year history.

We also announce our biggest, boldest and most impactful national learning programme to date, inspiring creativity of children and young people across the country. Our flagship Create & Learn programmes drive this national output, which sits alongside industry-leading talent development projects, a new partnership in South Yorkshire, with Rotherham, and a raft of daytime events, family activities and free concerts in our Covent Garden home.

In July, we unveil our first ever national Create Day, connecting more than 2,000 children across four locations around the country: Coventry, Doncaster, Thurrock and Covent Garden. Large scale events, connected via live broadcast, take place in each location and see participants perform pieces inspired by Crystal Pite’s Light of Passage, the culmination of months of work in schools around the UK. This will be expanded still further in 2024, with every school in the country being invited to take part, making it the largest shared cultural schools project ever hosted in the UK.

In Rotherham, we work with local partners to deliver a programme of activity with the aim of reaching every primary school in the region. The programme gives pupils aged 5-11 access to curriculum-linked lesson plans, in school workshops, the chance to see live performances at the Royal Opera House, and to participate in large-scale performance opportunities locally.

It features a collaboration with the Rotherham Music Service on a performance at Magna Science Adventure Centre in June 2024, with more than 1,400 primary school children performing alongside artists of the Royal Opera House in a unique celebration of art, learning and participation. The programme intends to support the creative confidence of teachers and young people in the run up to Rotherham being the first Children’s Capital of Culture in 2025.

Following on from the great legacy of ROH Bridge, we also launch ROH East, a dedicated new programme which works in Levelling Up for Culture schools across the East of England, building confidence of teachers and inspiring creativity of young people across Essex, Hertfordshire, Bedfordshire and North Kent. We also celebrate the tenth anniversary of Thurrock Trailblazer, which has delivered arts initiatives to almost 100,000 children and young people in 57 schools across the region to date.

At home in Covent Garden

Following this Season’s programme of work in support of Ukraine and those displaced by the war, we continue to work with the displaced Ukrainian community inspiring hope through the collective act of singing. This builds on work undertaken across the 2022/23 Season with the Ukrainian community in London. This included the Songs for Ukraine project, as well as dedicated performances from both The Royal Ballet and The Royal Opera, which helped to raise £450,000 for Disasters Emergency Committee’s Ukraine Humanitarian Appeal.

Young ROH goes from strength-to-strength in its third year, with 10,000 tickets made available to 16–25-year-olds for just £30. The scheme has helped attract younger audiences, which now make up the single largest audience group at the Royal Opera House. This programme sits alongside six whole house Schools’ Matinees, offered at a heavily discounted rate to state school children, and the Paul Hamlyn Christmas Treat, offering a specially-invited audience the chance to see The Nutcracker in our first ever relaxed performance on the Main Stage. We will welcome more than 10,000 young people up and down the country as part of this project.

147 events take place in Covent Garden including 16 free Live at Lunch performances and 40 Insights, offering a unique behind-the scenes look at our resident companies. Many of these are broadcast online for free. We also unveil our biggest programme of guided tours to date, offering 11 unique behind-the-curtain experiences which promise to build on the more than 50,000 tour guests we welcomed last Season. This includes high teas, a look at our second home at the High House Production Park in Thurrock, and curated histories of the Royal Opera House through the lens of Pride and International Women’s Day.

We unveil a host of thought-provoking free exhibitions and displays throughout next Season which bring our spaces to life and invite audiences to delve deeper behind the scenes. These include a celebration of the huge talent that was Maria Callas, celebrating the centennial of her birth, and a dedicated exhibition by photographer Mary McCartney who captured exclusive behind the scenes images of Wayne McGregor’s critically acclaimed ballet The Dante Project. There will also be commemorative displays of beautiful historical costumes including a celebration of the centenary of Nicholas Georgiadis who designed sumptuous costumes for Kenneth MacMillan ballets including Manon and Mayerling.

Nurturing Talent

We continue our efforts to offer new projects that develop future talent and drive diversity across both of our art forms and the industry. Following the success of our Pilot Orchestra Mentorship programme in 2022/23, we launch ‘Overture’ in partnership with Black Lives in Music, continuing to work with young musicians aged 18-25 from the global majority or other underrepresented backgrounds to provide essential mentoring tailored to the participants’ individual needs while enhancing skill sets, insight and training in the classical music field.

Over the Season, we run six more Creative Exchanges with community groups around London, providing a creative space for Royal Opera House artists and external participants to come together, share their experiences and create their own work inspired by ballet and opera stories.

Chance to Dance, our flagship programme aimed at giving primary school children from areas with limited artistic provision their first opportunity to engage creatively with ballet, expands to include five areas, and the Youth Opera Company, our in-house chorus of 50+ state school children, perform in two main stage productions: Cavalleria rusticana/Pagliacci and Carmen.

The Jette Parker Artists recruit an additional seven international artists to take their first steps on the international stage; and we welcome our biggest ever cohort of apprentices (15) into a range of departments across the organisation- including roles in costume, lighting, technical and production, IT, and marketing.

The Cellist_The Royal Ballet, ROH Covent Garden, Choreography: Cathy Marston , The Cellist; Lauren Cuthbertson, The Conductor; Matthew Ball, The Instrument; Marcelino Sambe Scenario; Cathy Marston and Edward Kemp, Music;Philip Feeney, Designer;Hildegard Bechtler, Costume designer;Bregje van Balen, Lighting designer; Jon Clark,

Alex Beard, Chief Executive of the Royal Opera House, said: “I am delighted to introduce our extraordinary 2023/24 Season – a Season packed with bold and exciting new work and much-loved revivals, alongside the biggest and most impactful programme of national learning work in our history.

“We make full use of our iconic Covent Garden home with a full schedule of daytime events, tours, exhibitions and artistic insights, and continue to secure the future of ballet and opera with our ongoing programme of talent development and innovative creative partnerships.”

Join us in person, watch in cinemas, via ROH Stream, or experience our work through programmes country wide. Tickets are from £9 across the Season.

Drowning and Incident Review becomes available across Scotland

An innovative system has launched this week to reduce accidental drowning deaths by analysing the circumstances around past water-related fatalities, in what has been hailed one of the world’s first.

The Drowning and Incident Review (DIR) has been created by the Scottish Fire and Rescue Service (SFRS) and The Royal Society for the Prevention of Accidents (RoSPA), in partnership with Water Safety Scotland (WSS). It aims to reduce accidental drowning deaths by 50 per cent by 2026 and lessen the risk among the highest risk populations, groups and communities.

Until now, the circumstances in many water-related fatalities have been unknown and the risk factors are unclear. On average, 96 people lose their lives due to a water-related fatality each year in Scotland.

The principal aim of the DIR is to gather all relevant data and information in order to systematically review each accidental water-related incident with a view to prevent a future occurrence.  The review has been piloted extensively and evaluated with a recent publication in BMJ Injury Prevention.

The benefits of DIR are anticipated at both local and national level in Scotland. It will provide insight into water-based risks by local area, ensuring that those best placed to mitigate these risks are involved in the process and kept informed. Nationally, the enhanced data capture is anticipated to lead to the development of better-informed national strategies to tackle the issue of drowning prevention.

Carlene McAvoy, Leisure Safety Manager of RoSPA and founder and secretariat of Water Safety Scotland said: “DIR has been specifically created for Scotland and is one of the first of its type in the world.  

“It will be used as an important tool in Scotland to enable learning from incidents and mitigate the risk of future incidents. This supports the overarching aim of Scotland’s Drowning Prevention Strategy, to reduce accidental drownings by 50 per cent by 2026.”

James Sullivan, Station Commander at SFRS and chair of Water Safety Scotland, added: “DIR provides a clear and consistent format for partners to review water related incidents and gain an understanding of contributory factors. 

“This enhanced knowledge will enable a focussed approach to be taken on preventative measures both locally and nationally throughout Scotland”.

DIR is endorsed by lead Search & Rescue Partners; Scottish Fire & Rescue Service (SFRS), Police Scotland (PS), His Majesty’s Coastguard (HMCG), and the Royal National Lifeboat Institution (RNLI) as well as key partners in Crown Office and Procurator Fiscal Service (COPFS) and Public Health Scotland (PHS).

The DIR process goes live this week and can be used via Water Safety Scotland for any accidental related fatality.

Fuel Insecurity Fund: support for those who need it most

Delivering even more tailored support to tens of thousands of households is at the heart of a major expansion of this year’s Fuel Insecurity Fund.

The First Minister announced in March that the Fund will be tripled to £30 million this year. Details have now been announced of how the additional funding will be used to help those who need it most through new and existing services.

This includes £5 million for one-to-one mentoring for households to be provided by a new funding partner, The Wise Group, as part of a longer-term approach to tackling poverty and its causes.

Households will also be helped through additional funding being directed to existing delivery partners, including:

  • £9 million to enable Advice Direct Scotland to administer Home Heating Support Fund grants to those struggling with the rapid increase in gas, electricity and oil prices
  • £8.5 million for the Fuel Bank Foundation to rapidly support more than 85,000 households, including those with prepayment meters and at risk of imminent disconnection
  • £7.25 million to enable the Scottish Federation of Housing Associations to provide more than 55,000 households across Scotland with advice, support with bills and energy- saving items

Details of the additional support were announced ahead of an anti-poverty summit being convened by the First Minister tomorrow (Wednesday). Those with direct experience of poverty, as well as experts from the public, private and third sectors, will take part.

Energy Minister Gillian Martin visited Advice Direct Scotland’s Glasgow headquarters to meet advisers and learn more about how they are supporting people who are struggling to heat their homes.

She said: “The Fuel Insecurity Fund has been and continues to be a direct lifeline for many thousands of households, which is why the First Minister acted swiftly and decisively to triple the Fund to £30 million this year. We want to support even more people facing unprecedented rises in the cost of energy.

“Whilst the key energy policy levers remain with the UK Government, one of our interdependent missions as a government is to tackle poverty and protect people from the impact of the current cost of living crisis, which is why we have taken this action.

“The UK Government has continually failed to take the necessary steps to support people now and make the necessary changes – which only it can take – to ensure households and businesses never experience an energy crisis like this again.

“This includes reversing its decision to end the Energy Bills Support Scheme and making essential reforms to the energy market so the link between the price of electricity and the cost of gas is permanently broken.”

Conor Forbes, Director of Business Development and Policy at Advice Direct Scotland, said: “We are delighted to be working with the Scottish Government again to support Scottish citizens struggling with the cost-of-living and energy bills.

“With the UK Government’s Energy Bills Support Scheme coming to an end, many are finding themselves having to cut back on energy to afford other things. It’s important that anyone who is struggling reaches out for support.

“Advice Direct Scotland runs a number of services that can offer assistance in various areas related to the cost-of-living, including energy, debt, and support with benefits applications.”

Sean Duffy, Chief Executive Officer at The Wise Group, said: “It’s great to see the Scottish Government taking action to help households struggling with fuel insecurity and poverty.

“We’re proud to be a new funding partner for the Fuel Insecurity Fund, and excited about the opportunity to provide tailored, one-to-one Relational Mentoring to households in need.

“We know that everyone’s situation is different, so we’re committed to taking a personalised approach to support each household in a way that supports sustainable change. We’ve had great success stories, and we’re looking forward to making a real difference to people’s lives through this initiative.”

More information on the Fuel Insecurity Fund

Performing arts students take centre stage in spring spectacular

Scotland’s freshest performers tread the boards at top Edinburgh venues

GIFTED STUDENTS at one of Scotland’s leading performing arts schools will take to the stage in a captivating spring showcase to flaunt their singing, dancing and acting skills.

In a series of highly entertaining performances, The MGA Academy will be showcasing the graduating class of 2023 as they perform well known shows including Jekyll and Hyde, Little Women and Jerry’s Girls alongside a Triple Bill of fantastic choreography, promising an unforgettable experience for audiences.

The Academy firmly believes in the educational value of students performing in front of live audiences and it is an integral part of its philosophy to offer the chance to put students’ learned skills into practice within a professional setting.

Marcella Macdonald, Principal of The MGA Academy, said: “Live performance is at the heart of everything we do here at the MGA Academy so we encourage all musical and theatre lovers to come along to watch the fantastic performances in the flesh.

“It’s so important for our students to have the opportunity to showcase their talents and for their family, friends and the general public to enjoy the fruits of their labour, especially after a challenging few years for the industry.

“We’re hoping to see a great turn out from the general public and they snap up tickets for one or more performances to support our students, who are some of the most exciting and driven young performers in Scotland.”

The spring showcase series will kick off on Thursday, 4 May with a radical reimagination of Robert Louis Stevenson’s classic Jekyll and Hyde, which will see the BA Hons Acting Class of 2023 portray the clash between civilised Victorian London and seedy Soho in a story of scientific experimentation.

Directed by Becky Hope Palmer, performances of the Edinburgh-inspired tale will be held at Assembly Roxy on Thursday, 4 May at 7.30pm, Friday, 5 May at 7.30pm, and twice on Saturday, 6 May at 2.30pm and 7.30pm.

For dance enthusiasts, a Triple Bill performance will be a showcasing of three exciting dance pieces devised by three different choreographers. While for those with a musical theatre interest can expect impressive performances of Little Women and Jerry Girls by MGA’s Musical Theatre cohort.

Marcella added: “The spring showcase is one of the school’s largest performance projects of the year and it really demonstrates the level of skills our aspiring performers have learned throughout their time with us – it is definitely not one to miss!”

The MGA Academy of Performing Arts was established in 2005 to provide a platform for aspiring performers to remain in Scotland while studying at a level equivalent to prestigious London colleges.

The performing arts school is Scotland’s only full accredited vocational college, holding Scottish Qualifications Authority (SQA), Council of Dance, Drama and Musical Theatre (CDMT) and Imperial Society for the Teachers of Dance (ISTD) certifications and also has a partnership with Bath Spa University to offer full-time degrees.

Find out more about the events on offer and buy tickets here: https://www.themgaacademy.com/shows-and-events/productions/

Learn more about the MGA Academy here: https://www.themgaacademy.com/

Gorgie shopper scoops over £1000 for local foodbank in Aldi Supermarket Sweep

Aldi Scotland’s popular Supermarket Sweep challenge recently returned to Gorgie, and lucky local winner has raised £1,210.98 for a foodbank of their choosing, while picking up £605 in Aldi favourites for herself. 

Aldi’s popular gameshow inspired Supermarket Sweep arrived in Gorgie and lucky shopper Maryanne who was chosen as the winner of an in-store competition, took part in the five-minute trolley dash for charity on Sunday 9th of April.  

As well as taking home a trolley full of goodies, Maryanne successfully found the hidden inflatable in store, meaning Aldi Scotland doubled the total value of her haul and donated the lump sum to her nominated charity, The Salvation Army. 

Aldi Supermarket Sweep winner, Maryanne Fitzpatrick, said: “The Aldi supermarket sweep was an amazing experience, and I am glad the Salvation Army have received an amazing amount of money from it.” 

Elizabeth Young, Community Project Coordinator at The Salvation Army, said: “Over the past few months we have seen the need for our foodbank continuing to grow at an alarming rate.

“So much so, that on top of the very generous donations received from church members, members of the general public, schools, corporate groups and supermarket permanent collection points, we find ourselves having to spend hundreds of pounds nearly every week buying food to top up our food parcels.  

“So, you can imagine how pleased we were to hear that we had been selected to benefit from the supermarket sweep at the Gorgie branch of Aldi close to our foodbank. Then to our great surprise, we were informed that Aldi were going to double the amount of the trolley dash, resulting in a donation to us of £1,210! 

“I would like to thank Aldi for this very generous donation and to your customer who chose our foodbank to benefit from the donation. This will help us to continue giving out food parcels to those who are finding life difficult now and enable us to show a love and kindness to them.” 

Richard Holloway, Regional Managing Director for Scotland, said: “We are proud that the Aldi Supermarket Sweep is a firm favourite across the country, and we are so pleased to bring it back this year.

“Congratulations to Maryanne who managed to raise an incredible £1,210.98 for The Salvation Army and snap up a whole load of Aldi treats for herself.”

St Giles at Six: Renowned Pomona College choir is coming to Edinburgh

POMONA COLLEGE GLEE CLUB CONCERT TOUR

The internationally-renowned chamber choir from Pomona College, California, USA, are about to undertake a concert tour of the UK, including concerts in London, Cambridge, York and Durham as well as appearances in St Andrews and Edinburgh on the 27th and 28th May, respectively.

The concert in St Andrews will be in conjunction with another student choir, the St Andrews Madrigal Group.

SING GENTLY

A choral celebration of music from the Americas and Britain

Pomona College Glee Club, California, USA

Joint concert with St Andrews Madrigal Group

Holy Trinity Church

South Street, St Andrews KY16 9NL

Saturday 27th May, 7.30pm

ADMISSION FREE

ST GILES AT SIX

St Giles Cathedral

High Street, Edinburgh EH1 1RE

Sunday 28th May, 6pm

ADMISSION FREE

The Pomona College Glee Club, Pomona’s elite chamber choir, has been representing Pomona College both internationally and at home for over 100 years.

Recent tours have seen the choir singing in prestigious venues throughout Germany, Poland, Italy and the Czech Republic as well as the UK.

Their current tour will visit London, Cambridge, York, Durham and St Andrews, as well as Edinburgh, presenting the very best of unaccompanied choral repertoire, including music by Beach, Byrd, McMillan, Walton, Weelkes and Whitacre.

Promoted by ACFEA (www.acfea.co.uk)

Culture organisations set to benefit as unique funding opportunity reopens

A fund that connects visionary culture organisations with business sponsorship opportunities will open for its seventh round of applications this month.  

Managed by the charity Culture & Business Scotland and supported by the Scottish Government, the fund will provide backing of up to £12,000 each to as many creative organisations as possible ranging from grassroots initiatives to established cultural events.  

When distributing funds, Culture & Business Scotland also account for an organisation’s ethical and environmental credentials, with a focus on supporting organisations which have implemented Fair Work policies, incorporated carbon neutral plans and embedded equality, diversity, and inclusion into their activities.  

Many organisations and businesses have benefited from this fund in the past. A significant beneficiary of the Culture & Business Scotland fund is Edinburgh-based theatre company Vision Mechanics, which used that investment to lever funds from A.T. Best Handlers Ltd in 2019, enabling the creation of Scotland’s largest puppet.

Made from recycled materials, the puppet, known as ‘Storm’, undertook a tour of the country to raise awareness of marine pollution and the urgency of caring for the environment.

The project culminated in the appearance of Storm at Cop26. As well as this, the project addressed community and social empowerment and equalities, diversity and inclusion and also generated significant local cultural tourism benefits.  

For the business, it met a number of external facing business needs, such as image enhancement, business and brand awareness, marketing, but also addressed internal business aspirations, including staff relations and development and creative development. 

Tommy McCormick, Culture & Business Scotland Fund Manager, said: “Since its launch, the Culture & Business Fund has helped to forge impactful relationships between culture organisations and businesses, with powerful and innovative results.

“We are delighted to reopen the fund for a seventh year, extending opportunities to a wider range of organisations and providing creatives with the resources to bring their artistic visions to life.” 

Vision Mechanics, the organisation behind the Storm puppet, added: “We could not have made Storm without this sponsorship. It was a nail-biting budget and this deal made it possible. 

“The additional funding from CBFS was essential. If it had not been available, we might have had a telehandler, but perhaps not been able to build the puppet.” 

Since its inauguration in 2017, the fund has enabled over 200 projects across Scotland to transform their artistic and creative visions into reality.

Over £1.2 million of funding has been awarded so far to creative projects across the country, from Grampian Art Hospital Trust in the north to Dumfries and Galloway Art Festival in the south. 

The fund serves Culture & Business Scotland’s commitment to facilitating meaningful connections between the culture and business sectors, creating the possibility for businesses to sponsor creative projects with vision and scope.  

Vision Mechanics received thousands and thousands of positive comments that can be viewed here: https://www.facebook.com/VisionMechanicsLeith.  

Applications are open from 17th May, and organisations interested in applying to the fund can do so here: https://www.culturebusinessfund.scot

Some of the more unusual activities you can try at Edinburgh Leisure

Edinburgh Leisure launches new membership campaign

As Edinburgh Leisure launches its new May membership campaign, here’s a look some of the more unusual activities to try at Edinburgh Leisure.

Pickleball

Don’t get yourself in a pickle!  Invented in the USA over 50 years ago by a family who named it after their dog Pickles, Pickleball is the fastest growing sport in the world. 

Played on a court very similar to badminton but with a lower net, it is played with a ball and a paddle, and uses racket skills from tennis, squash, badminton and table tennis. The rules and scoring system mean that pickleball is very accessible for the young and not so young, making it a family activity for everyone to enjoy. 

Pickleball is available at the new Meadowbank Sports Centre and Gracemount Leisure Centre. Book your place online or via the App under ‘Social Sport Class” 

Volunteering

Have time on your hands? Perhaps, you could consider volunteering for Edinburgh Leisure?AtEdinburgh Leisure, their wonderful volunteers play a vital role in supporting people in our Active Communities programme.

They make an enormous difference to people’s lives and, quite simply, many of Edinburgh Leisure’s projects couldn’t exist without them.  No matter which role you undertake as a volunteer, training and support will be provided.

Get an overview of their different programmes, and register your interest in any that suit you.

Hydrospin

Most people are familiar with Aquafit, but Hydrospin takes working out in water to a whole new level. If you’ve tried spinning, then try cycling underwater for an hour to get a whole new perspective on a workout.

Hydrospin is a water-based fitness class combining the dynamism of indoor studio cycling with the benefits of water-based exercise.Available at the Royal Commonwealth Pool only.

https://www.edinburghleisure.co.uk/activities/fitness-classes/water-based

Adult swim and dive coaching

Hone your skills in the water with Edinburgh Leisure’s 1-2-1 swim and dive lessons. 

Whether you are looking to build confidence in the pool or perfect your technique Edinburgh Leisure’s enthusiastic team will help guide, support and encourage you to achieve your goals – fast. Their lessons are open to all ages and abilities, although the swim 1-2-1 session times are more suitable for adults.  

Prices are £22 for a 25-minute session or £44 for 50 minutes.  Bookings can be made up to a week in advance (or 8 days in advance if you have a membership card).

https://www.edinburghleisure.co.uk/activities/coaching-courses/swimming#SwimAdult

Squash

Grab your racquet and step on court at venues across Edinburgh. Available at Craiglockhart Tennis Centre and the new Meadowbank Sports Centre.

And if squash isn’t your bag, then there’s always tennis, badminton, Pickleball or table tennis.

Edinburgh Leisure run a series of Adult social sport classes across their venues. These are regular social and fun classes designed for all ages and abilities: 

Badminton – Instructor led adult social classes available at Craiglockhart Tennis Centre, Gracemount Leisure Centre, Meadowbank Sports Centre and Wester Hailes High School.  More information on these sessions can be found here

Pickleball – Gracemount Leisure Centre and Meadowbank Sports Centre. Book your place in the class online or via the App under ‘Social Sport Class” 

Take a dip in a Victorian pool

Edinburgh Leisure boasts not one but five Victorian pools!

At Glenogle, Portobello, Dalry, Leith Victoria and Warrender, which over the years have received substantial refurbishment and TLC. To swim in a Victorian pool with the natural light that floods in through their glass roofs is a relaxing experience like no other.

Turkish Baths, steam rooms and saunas

And chill! Looking for something a little less strenuous or to soothe your muscles after a workout? Or just a place to unwind?

Taking some regular time out can improve your mental and physical wellbeing.  The gentle moist heat in Edinburgh Leisure’s spa facilities will relax your mind and body which can have a beneficial effect on your sleep and help to alleviate any aches and pains. There are lots of options across Edinburgh!

And for the ultimate in relaxation therapy, look no further than Edinburgh Leisure’s authentic, original Victorian-designed Turkish Baths at Portobello Swim Centre, the last of their kind in Edinburgh.

Sauna and Steam Room: Ainslie Park Leisure Centre, Glenogle Swim Centre, Leith Victoria Swim Centre

Sauna: Dalry Swim Centre, Drumbrae Leisure Centre, Gracemount Leisure Centre and Warrender Swim Centre

Steam Room and Turkish Bath: Portobello Swim Centre

With 50+ venues across the city, which includes 1 world-class climbing centre;11 superb swimming pools, including 5 Victorian ones; 15 state-of-the-art gyms; 32 tennis courts; 141 sports pitches; and 750+ fitness classes per week, wherever you’re at on the map or in life, Edinburgh Leisure is right up your street and has a flexible and affordable membership option to suit most budgets.

Those joining in May will pay no joining fee*. There are also additional member benefits, including priority bookings, free gym induction and discounts on a range of activities. There is no contract and membership can be frozen or cancelled at any time. 

For more information and to join Edinburgh Leisure:

https://www.edinburghleisure.co.uk/may-membership-campaign

Best city in the world? ‘Well-loved’ Edinburgh council report published

Recently crowned the best city in the world by Time Out magazine, Edinburgh’s reputation as a great place to live, work, invest in and visit remains well intact. That’s according to the 16th annual Edinburgh by Numbers report, published by the city council last week.

The report reveals that residents’ lives are not only enriched by a vibrant cultural scene and more top-rated parks than any other comparable UK city – but on average Edinburgh people can expect to live longer, healthier lives.

Highlighting the city’s economic resilience, the findings also reveal that it’s not just residents who are in good health. Edinburgh has recorded the strongest local business survival rates and above average wages, retaining its position as the UK’s most economically productive city outside of London. Plus, all signs point to a post-pandemic rebound – with Edinburgh by Numbers demonstrating a bounce back in airport passenger numbers.

In summary, the stats reveal that:  

  • Edinburgh has the highest life expectancy of the UK’s 8 major cities
  • And the highest proportion of life spent in good health (80%) 
  • Boasts the most ‘green flag’ parks (35), twice as many as runner up Birmingham 
  • With a greater number of ultra-low emission vehicles compared to elsewhere in Scotland (2.32% of vehicles) 
  • More Michelin starred restaurants than any comparable city 
  • And audiences eager to return to the city’s top rated visitor attractions and festivals  
  • Strong recovery for the airport, with 11.3m passengers in 2022 vs 3m in 2021
  • The highest GVA per capita, the sign of a healthy economy
  • With above average wages and big decline in unemployment, down 50% in a decade 
  • A highly educated workforce, with more people working at degree level or above 
  • One of the highest student populations, behind Manchester and Bristol 
  • Plus a population increase in the last decade of over 10% across all age groups, bucking national trends 
  • While hard to believe, Edinburgh was also less rainy in 2022 than in the 5 years previous. 
Edinburgh_by_Numbers_2022Download

Council Leader Cammy Day said: “Edinburgh by Numbers is one of our most well-loved and well used pieces of research, providing a handy resource for everyone from school pupils to professors. This latest edition doesn’t disappoint and provides yet another unique overview of life in Scotland’s capital.

“It may be small but not many capital cities can boast the unique blend of greenspaces, beaches or indeed ancient volcanoes Edinburgh can – not to mention the most famous festivals on the planet. It’s no surprise, then, that Edinburgh is often cited as one of the most incredible places to live. But perhaps all of this culture and outdoor space is actually good for our wellbeing, too?

“With Edinburgh by Numbers revealing evidence of people living well and living longer compared to similar cities, plus good survival rates for local businesses, Edinburgh’s outlook is certainly healthy. All of this shouldn’t be taken for granted, especially following the hardship of Covid. Thankfully, the latest Edinburgh by Numbers points to a great level of business resilience in our city and now the gradual and welcome return of tourism.

“The ‘Team Edinburgh’ approach to economic recovery involved over 60 organisations coming together to set out what was needed for the city to bounce back from the pandemic. Clearly, this dedicated work to build Edinburgh back after lockdown has been a success. 

“While all of this good news is to be welcomed, however, there is a flip side to the reputation Edinburgh has coined. Our population has risen faster over the last decade than other cities and we’re living longer, leading to increased demand for homes and some of the most expensive rents in Europe.

Wages are higher than average, but so too are costs and many residents continue to struggle with the cost of living crisis. In just three years, we’ve seen a 191% rise in the number of people who are in work claiming Universal Credit.

“For the council, Government and all city partners, it’s important that we use the findings of Edinburgh by Numbers and address these challenges. Future generations should be able to reap the benefits of ‘the best city in the world’ too.

“This involves planning for the future in line with our 2050 City Vision and projects like the tram to Newhaven, Granton’s regeneration and affordable housebuilding will be key to a more sustainable city, alongside our ambitious net zero carbon by 2030 goal.”