In October 2004, Edinburgh was designated the world’s first UNESCO City of Literature, a permanent title celebrating Edinburgh’s status as a literary capital and pioneer in the UNESCO Creative Cities network.
The concept of a City of Literature was devised in Edinburgh by the Trust’s founding members Jenny Brown OBE, Catherine Lockerbie, James Boyle and Lorraine Fannin, trailblazing the way – there are now 53 UNESCO Cities of Literature across the world.
To mark the occasion, 60 representatives from Cities of Literature destinations across the global network came to Edinburgh for a four day conference as part of The Scottish International Storytelling Festival last week (21-25 Oct 2024).
The conference helped mark the achievements of the past two decades and to make plans for the future – ensuring that Edinburgh continues to stay firmly on the literary map.
As part of this conference the Cities of Literature attending from all over the globe carried on the annual tradition of donating a selection of books to the hosting city. This year’s donations sees a range of diverse and beautifully illustrated children’s books in the original language of each of these UNESCO Cities gifted to the Central Lending Library in Edinburgh.
Keira Brown, Communications and Community Manager for Edinburgh City of Literature Trust, said:‘It’s a wonderful initiative that the Cities of Literature decide to donate picture books from their city, showcasing the range of talent from this global network, giving back to Edinburgh for welcoming these delegates to the city for the week, such a beautiful idea reflecting the international connection that is so beneficial for the sector here in Edinburgh.’
Keira Brown from Edinburgh UNESCO City of Literature Trust and UNESCO Cities of Literature Coordinator, Hannah Trevarthen, with a selection of the donated books.
Nottingham’s City of Literature Director and UNESCO Cities of Literature Chair, Hannah Trevarthen, said: “It’s a fantastic tradition, donating children’s books to the city hosting the meeting every year, and one we hope will long continue.
“It’s our thank-you to the city for all of the hard work that goes into hosting the Cities of Literature delegates.’We hope that the children of Edinburgh will be inspired by the books from other Cities of Literature from around the world.’’
Within Edinburgh City of Literature Trust’s twenty year span, they have helped grow a global network of international literary cities, for the benefit of writers and literature professionals, bringing opportunities for paid commissions, supporting creative practice and broadening literary networks internationally.
At a more local level in Scotland, the Trust’s work has ranged from high profile campaigns to community-based Edinburgh projects, with bold, innovative work bringing communities together – connecting readers and writers as well as literary organisations in the Scottish literature scene.
The Trust has also long partnered with Edinburgh Library service, working to advocate the importance of librarians and libraries across the city.
Culture and Communities Convener Val Walker, said: ““Donating children’s books is a wonderful tradition within the UNESCO Cities of Literature Network. Through our ongoing partnership we are thrilled to see this meaningful gesture from such a diverse network of cities.
“As the founding city of this international cohort of UNESCO Cities of Literature, we take immense pride in celebrating our 20th anniversary, and I truly hope this wonderful tradition continues for many years to come.”
Edinburgh City of Literature Trust birthday also contributes to the on-going Edinburgh 900 celebrations; marking the 900 year anniversary of Edinburgh – a city-wide celebration of Edinburgh’s history, culture and future.
The Scottish International Storytelling Festival continues until 31 October
Next week, guest storytellers from Berlin arrive in Edinburgh to share stories and films from their divided and reunified city to mark 35 years since the fall of the Berlin Wall.
This milestone coincides with the founding year of the Scottish International Storytelling Festival, which runs until 31 October and takes place at the Storytelling Centre, and various venues in Edinburgh and across Scotland, thanks to support from Creative Scotland and the Scottish Government’s Festivals EXPO Fund.
The Festival’s German strand kicks off with West-East-West – stories from a still divided Germany on Tuesday, 29 Oct, 8pm.
Supported by the Goethe-Institut, guest storytellersCarsta Zimmermann, Kristin Wardetzky, and Peter Hofmann will be sharing stories of their experiences in, and since, the early 1990s in Berlin.
Curated by Rachel Clarke who currently lives in Berlin and works in theatre, these guest storytellers include actress Carsta Zimmermann who moved to a squatted house in the newly reunified East Berlin in the 1990s where she and her brother, director Jan Zimmermann, built a theatre and performed Shakespeare in the summer and Grimm’s fairy tales by the fireside in winter; Kristin Wardetzky, a storyteller and professor of theatre in education, who moved from East to West Berlin and introduced a storytelling course to the University of the Arts; and Peter Hofmann, who went from being at home in the cosy independent music scene of 1980s West Berlin, to playing his part in the emerging club scene in the East of the city.
This event will be complemented by a screening of a documentary film by Horst Edler on Wednesday, 30 October, 5.30pm, illustrating the peaceful revolt that was witnessed during the fall of the Berlin Wall when people brought down the power of the Stasi using music, caricatures and satirical slogans.
The footage includes unknown stories told by eyewitnesses at the original locations, pictures of current actions, events, and posters to commemorate the Peaceful Revolution. Some of footage shown will also be from scenes at the Zion church or Zionskirche 35 years ago.
This patriotic landmark stands at the highest point in Berlin and was a meeting place for opposition groups in the mid-1980s, it was also where vigils were held for members arrested by the Stasi, and as a result, became the home of the civic movement that campaigned for the end of the GDR.
Daniel Abercrombie, Associate Director, Scottish International Storytelling Festivalsaid: ““We are delighted to welcome our international guests from Berlin and the Storytelling Arena to take part in this year’s festival.
“Our theme this year is ‘Bridges Between’ and it feels even more fitting than ever that at a time where literal, figurative and societal walls continue to be constructed everywhere we try to look beyond these boundaries and continue to build bridges between us using the universal power of storytelling.”
Hanna Dede, Director of Goethe-Institut Glasgow said:“Storytelling is the ideal medium for exploring complex narratives from various perspectives.
“When we learned the Scottish International Storytelling Festival shares its founding year with the fall of the Berlin Wall 35 years ago, we felt it was the perfect opportunity for the Storytelling Festival and Goethe-Institut to team up in commemorating this event.
“We are excited to cooperate with our partners in bringing storytellers from Germany to Scotland to share their stories about this pivotal point in German history, which set off the process of unification – still ongoing and shaping the public debate to this day.
“Horst Edler and Storytelling Arena delve into the topic by including perspectives from East and West Germany, thus creating an atmosphere to listen and learn from each other – a prerequisite for anyone truly committed to building bridges.
“We hope the Storytelling Festival will continue with this remarkable work for many more years.”
Kate Deans, International Officer, Creative Scotland said: “As the Scottish International Storytelling Festival celebrates its 35th anniversary, it continues to connect local and global stories.
“Creative Scotland welcomes the Scottish Government’s Festivals Expo Fund, supporting new commissions and uniting storytellers and musicians from Scotland and abroad, covering regions as diverse as Andalucia, Siberia, the Celtic Isles, and India.
“This year marks an exciting moment as the festival hosts UNESCO City of Literature delegates from around the world. As Edinburgh celebrates 20 years of its UNESCO designation, these delegates will also be able to explore the festival’s rich programme of events during their time here.”
Other international guests performing this year include Jeeva Raghunath who will be sharing stories from the folk lands of India, and Irish guest storyteller and broadcaster Nuala Hayes who founded the Dublin Storytelling Festival who will be joined by Irish musician Aoife Granville for two events celebrating the life of storyteller, seanchaì and author Peig Sayers thanks to support from Culture Ireland.
There’s just one week to go before the world’s largest celebration of storytelling begins.
The 35th Scottish International Storytelling Festival’s packed programme of over 130 events, taking place in Edinburgh and across Scotland, kicks off next Friday 18 October thanks to support from Creative Scotland and the Scottish Government’s Festivals EXPO Fund.
Since it began in 1989, the festival has been building bridges between cultures, artists and audiences through the power of storytelling. This year, to mark its 35th year, which coincides with 35 years since the fall of the Berlin Wall, the festival has invited international storytellers from the Storytelling Arena in Berlin to join them, and share stories and films from their divided and reunified city.
Other international guests also invited to perform this year include Jeeva Raghunath who will be sharing stories from the folk lands of India, and Irish guest storyteller and broadcaster Nuala Hayes who founded the Dublin Storytelling Festival.
Nuala will be joined by Irish musician Aoife Granville for two events celebrating the life of storyteller, seanchaì and author Peig Sayers who lived most of her life on The Great Blasket Island off the coast of south-west Kerry.
They will also be entertaining audiences with Stories and Songs from Ireland at the Aberdeen & Beyond Storytelling Festival (22 Oct); in Edinburgh as part of the main programme (23 Oct); and as guests at the Wild Goose Festival in Dumfries (18-25 Oct); thanks to support from Culture Ireland.
Storyteller James MacDonald Reid who performs Cath Gailbheach nan Eòin The Desperate Battle of the Birds with electric cellist Ryan Williams in Edinburgh (22 Oct) and Tobermory (25 Oct) this festival. Photo credit Neil Hanna.
Unmissable Gaelic highlights this festival include, the premiere of Cath Gailbheach nan Eòin The Desperate Battle of the Birds told by Scottish storyteller James MacDonald Reid in English and Gaelic throughout.
This classic Gaelic folk tale will be shared in the traditional manner by James but with a contemporary twist, as it will be intertwined with live electric cello music by Scottish-Korean musician Ryan Williams.
Plus, experimental folk duo Burd Ellen will premiere their new multi-media performance Òran Mhòirwhich explores the Gaelic lore of the intertidal zone and mixes costume, film, folk song, electronic sounds and field recordings, with stories told by Eileen Budd from Angus.
Eileen will also be in Angus as part of the festival’s Go Local programme in November, for a weekend of crafts from the glens, Halloween history and folklore, and fireside ghost tales at Balintore Castle.
Performers from The Dream of Al-Andalus with L/R Omar Afif, Inés Álvarez Villa, Danielo Olivera, Director Jelena Bašić and Sef Townsend – premieres Sat 19 Oct at 8pm
Other events not to miss include The Dream of Al-Andalus, told by Sef Townsend and Inés Álvarez Villaand accompanied by flamenco guitarist Danielo Olivera and Moroccan musician Omar Afif. Al-Andalus was a vibrant era of cultural diversity in mediaeval Spain, where the interplay of Muslim, Christian and Jewish cultures sparked an artistic and intellectual renaissance. These cultures are fully represented by this group of artists who aim to evoke Al-Andalus, not as a relic of the past, but as an inspiration for a more tolerant future.
The Festival’s opening weekend also coincides with the October school holidays and there are plenty of family friendly events for children this year including; face painting, crafts, storytelling and songs presented by the Beltane Fire Society for Samhuinn; the premiere of a new sensory version of the traditional tale The Bouncy Billy Goats Gruff, suited to children with additional needs, their families and friends with storyteller Ailie Finlay and artist Kate Leiper;A Jaunt Round Auld Reekie with the Ceilidh Crew n’ Co performed with stories, music, comedy and puppetry; and a retelling of an ancient border ballad in Into the Woods: In the Footsteps of Thomas the Rhymer narrated by celebrated actor Julia Munrow and with music composed by multi-instrumentalist John Sampson and played by Pete Baynes.
Actor Julia Munrow narrates a new take on the ancient Border ballad of Thomas the Rhymer, with Pete Baynes and John Sampson
This year there is also a great selection of Edinburgh 900 events to look forward to, including a visit to St Catherine’s ‘Oily Well’ in Gracemount, known for its healing properties with storyteller Jane Mather, and an opportunity to join storytellers Jan Bee Brown and Beverley Casebow at the National Library’s exhibition exhibition Renaissance: Scotland and Europe, 1460-1630to hear true and traditional tales ofStars, Secrets and Sea Monsters.
In addition, Edinburgh will celebrate 20 years since its designation as the world’s first UNESCO City of Literature, with a conference from 22-25 October, which aims to bring together all the subsequent cities of literature in the network, and connect them to writers and literary organisations in the city.
Global Lab returns with four online workshops exploring intangible cultural heritage; present day Gaza through the voices of children and young people; stories from India; and Scotland as a slaver nation.
In addition, the festival’s in person workshop programme kicks off in week one with Emotional Literacy with Storytelling with Peter Chand, adult ADHD through the lens of folktales with Jacqueline Harris in Slowing Down to the Speed of Light which is also part of the Festival’s latest podcast series Another Story; and how stories can break down inhibitions, build cooperation and celebrate difference in Telling Across the Divide with storyteller Sef Townsend.
The Scottish International Storytelling Festival runs from Friday, 18 October to Thursday 31 October. Tickets to family events cost just £5 per ticket.
For those planning on attending multiple events, the Festival Supporter Pass offers discounted tickets to many live festival events, online and at the Scottish Storytelling Centre, as well as a discount at the Scottish Storytelling Centre’s bookshop, Haggis Box Café and an invitation to the Festival launch event.
To purchase tickets and browse the full programme, visit sisf.org.uk
Multiple sell-outs and thunderous applause were enjoyed by the organisers and performers at this year’s Scottish International Storytelling Festival (13-29 Oct).
The festival’s two week programme of live storytelling, music, art and song enjoyed a 20% increase in ticket sales from its events at the Storytelling Centre in Edinburgh, online and in pubs, gardens and other venues across the city.
Including the Festival’s Go Local programme, which runs until the end of November bringing storytelling events to village halls and parks all across Scotland, from Shetland to Dumfries and Galloway, the festival’s 2023 programme included over 125 events, with 64 taking place in Edinburgh compared to 75 during Scotland’s Year of Stories 2022.
This year’s festival theme was our ‘Right To Be Human’ chosen to mark the 75th Anniversary of the Universal Declaration of Human Rights.
Storytellers both local and international embraced this theme and presented tales of war, gender inequality, censorship; ethnic, cultural, linguistic and religious prejudices; and other threats and challenges that impact us daily as we live in the midst of so many humanitarian crises across the world.
Donald Smith, Director, Scottish International Storytelling Festivalsaid: “Right To Be Human, the theme of this year’s Scottish International Storytelling Festival has evoked powerful and eloquent creative responses, and drawn capacity audiences.
“Inspired by the 75th Anniversary of the Universal Declaration of Human Rights, the Festival theme gained tragic resonance as Middle Eastern conflict – added to war in Ukraine, the Yemen and Sudan – produced appalling, large-scale breaches of fundamental rights.
“At the same time the Festival drew strength from growing worldwide advocacy which is advancing human values and experiences through legal, social and cultural frameworks. We were also encouraged by the Scottish Government’s plans to incorporate more recent international conventions on environmental, cultural, children’s and other rights into domestic law in recognition of the 75th Anniversary.
“In a myriad of storytelling performances, eloquently married with music and dance, themed workshops, and podcasts, the Festival programme embraces the highs and lows of humanity’s existential planetary struggles, while keeping the frailty and humour of human life in close focus.
“Artistic inspiration remains vital to confronting the horrors of abuse while invigorating hope and its constructive outcomes.”
Steve Byrne, Director of TRACS, the festival’s parent organisation, said: “The festival is a flagship event for TRACS and we are delighted to see its success in connecting with new audiences this year on such a profound theme of our collective human rights, so often under great challenge in many parts of the world.
“The Festival is a superb advert for the humanity and empathy of our storytellers and traditional artists, upholding TRACS’ mission of celebrating the diversity of local cultural traditions from around the globe.”
For those who couldn’t attend in person, Global Lab – a daily programme of online lively workshops discussing this year’s festival theme ‘Right To Be Human’ led by nationally and internationally renowned guest speakers was available.
Chaired by Festival Director Donald Smith, Global Lab talked about our human rights, our cultural rights, our place in nature, and the empowerment of children, exploring how it is often better to light a candle, than to curse the darkness in the world.
Dates for 2024 are to be announced.
Another Story, the festival’s newpodcast series hosted by Daniel Abercrombie, Associate Director, Scottish International Storytelling Festival, is still available online – listen on spotify https://podcasters.spotify.com/pod/show/another-story
Would you know what to do if you were accused of being a witch in the 17th century? How would you cope if your castle came under siege in the Scottish Wars of Independence? Wouldn’t life be easier if it came with an instruction manual?
Thankfully, Gillian Paterson and Nicola Wright have found just such a book for their show at this year’s Scottish International Storytelling Festival, A Girl’s Own Guide to Surviving History.
Told in the style of a Boy’s Own adventure book, A Girl’s Own Guide to Surviving History is filled with hot tips about surviving life as a pirate, fighting the system, and being a master (or mistress) of disguise. Told using silly songs, and a ridiculous amount of props this show presents a light-hearted look at the serious subject of the challenges faced by women through the centuries.
Gillian Paterson originally from Arbroath has worked as a costumed historical storyteller at museums and events around the country. She has a knack for finding the funny side of history, taking irreverent approaches to subjects and bringing them to life through her passion for history and storytelling.
Nicola is equally passionate about history and delivers entertaining and engaging workshops to primary and secondary schools on subjects ranging from castle life and the cursed Stewarts to Jacobites and WW1.
Gillian Paterson said: “I love history and entertaining audiences with stories of derring-do, fighting the system and life across the ages.
“It’s a chance to tell all the best bits and I really hope that this new show about women’s history, particularly all those great feisty women that have been buried in the history books over the years, will be as fun to listen to, as it is to tell.”
The Girl’s Own Survival Guide to History with Gillian Paterson and Nicola Wright is on TODAY Sat 21 Oct at 4pm at the Scottish Storytelling Centre, 43-45 High Street, Edinburgh EH1 1SR,
The Scottish International Storytelling Festival runs until Sunday 29 October. Tickets to each event in this year’s programme cost a maximum of £10, with family events costing just £5 per ticket. For those planning on attending multiple events, the Festival Pass (£20/£10) offers discounted tickets to many live festival events, online and at the Scottish Storytelling Centre, as well as a discount at the Scottish Storytelling Centre’s bookshop and Haggis Box Café.
The 2023 programme for this year’s Scottish International Storytelling Festival (SISF) explores our Right To Be Human,and celebrates the 75th Anniversary of the Universal Declaration of Human Rights.
Just as Scotland’s consultation on a new Human Rights Bill draws to a close, storytellers, musicians and artists will join together in venues across the country to embrace this milestone with tales of human courage and creativity, spoken with powerful words.
During this year’s festival (13-29 October) there will be stories told about the impacts of war, gender inequality, censorship; ethnic, cultural, linguistic and religious prejudices; and other threats and challenges on our human rights as a global nation.
New this year is the Festival’s first podcast series Another Story –six weekly episodes themed around our right to be human starting from 12 September;andArt of the Storyteller – in-person, weekend workshops led by Festival Director Donald Smith with various professional storytellers, where budding storytellers can learn to improve their storytelling skills and better connect with their audience.
Opening this year’s Festival will be storyteller Gauri Raje with Tales of Exile and Sanctuary(Fri 13 Oct) sharing stories from Afghanistan, Iraq, Iran, India and the horn of Africa, woven together to question the beauty and horrors of exile from across the world.
Other events exploring and celebrating our universal human rights include new commissions:
● Wave Riders (Sat 14 Oct) with storyteller Jan Bee Brown and musician Renzo Spiteri sharing the sagas of Viking pioneers who forged better ways to live in peace.
● Letters to Jackie (Sun 15 Oct) returns with agony aunts Bea Ferguson, Heather Yule and Maria Whatton on hand with old tales to answer the problems of today.
● Joyfully Grimm: Reimagining a Queer Adolescence (Mon 16 Oct) with James Stedman who takes a heartfelt and slightly irreverent look at Section 28, and the joy with which LGBTQIA+ people have always existed in both stories and real life.
● The Voice Shall Always Remain(Tue 17 Oct) told through the traditional ‘pardeh-khani’ technique (narration through curtains), Iranian storyteller Zahra Afsah and Syrian storyteller Khloud Ereksousi explore how Iranian women find their freedom in their own voices and talents.
● Don Quixote Rides Again (Wed 18 Oct) a spellbinding comical experience with Spanish storyteller Inés Álvarez Villa and flamenco musician Danielo Olivera challenging prejudice, showing compassion, and embracing our true selves.
● Stories of healing told through the Norse tales of Odin, Gullveig and Mimir in Odin’s Eye and The Art of Seeing with Alice Fernbank (Sat 21 Oct) followed by Shadow Walkingcovering dark tales of jealousy, destruction and vanity with Ruth Kirkpatrick and Peter Chand.
● The story of Orpheus and Eurydice gets a Scottish twist in Orpheus | Orfeo (Sun 22 Oct) told by Daniel Serridge, Heather Cartwright and Neil Wood (harp).
● Fire from the Woods(Thu 26 Oct) with storyteller Daiva Ivanauskaitė and musician Gaynor Barradell exploringthe silence between generations, how sometimes fathers are silent while children grow up without stories and our right to know about our ancestors.
● The Town Mouse and The Country Mouse (Sat 14 Oct) – a multisensory adventure suitable for children with additional needs with illustrator Kate Leiper and storyteller Ailie Finlay.
Also appearing in this year’s programme are some of the nation’s favourite storytellers in our Collective Treasures strand which gathers memories, experiences and values together in tales to celebrate our common humanity.
Highlights include:
● Scots Character (Thu 19 Oct) with James Spence which tours the range of Scots tale and tongue including some dour, thrawn, stoic, droll and outrageous personal memories.
● Gillian Paterson and Nicola Wright take a whirlwind trip through women’s history in The Girl’s Own Survival Guide to History (Sat 21 Oct) with female pirates, raucous rebels and top tips on learning how to avoid being called a witch.
● Shonaleigh Cumbers dips into her own Jewish and British storytelling traditions in A Garment for the Moon (Sun 22Oct).
● Berit Alette Mienna and musician Øistein Hanssen share the deep roots of the Sami culture and the threats it faces, inNorthern Treasures (Wed 25 & Sat 28 Oct).
● Prolific writer and political activist Italo Calvino’s centenary is celebrated with a Scots-Italian garland of stories from Anne Hunter, Donald Smith and Simone Caffari (Mon 16 Oct).
● Tradition bearer Allan MacDonald and musician Aidan O’Rourke present tales from the John Francis Campbell’scollection in Sgeul – Mighty and Magic ( Fri 20 & Wed 25 Oct).
● Dr Valentina Bold and storyteller Amanda Edmiston present excerpts from Mike Bolam’s film Up the Middle Roadwith live storytelling and a discussion around the stigma of mental health (Tue 17 Oct).
For younger audiences and families looking for some fantastic activities during their October school holidays there are craft and storytelling sessions, story walks in the Royal Botanic Garden Garden Edinburgh including Rewilding Cinderella: An Eco-Storytelling Concert (Sun 15 Oct) weaving together stories from all over the world about the ash-child told by the Storytelling Choir which includes storytellers Gauri Raje, Kestrel Morton, Laura Sampson, Wendy Shearer, Joanna Gilar and Fleur Hemmings.
Poetry from Tunde Balogun, music from Heulwen Williams and artistic enchantments by Hannah Battershell; and stories about trees, animals and bugs in Once There Was A Bug (Sun 15 Oct).
Walks through the cobbled streets of Edinburgh with Macastory (Sat 21 Oct) where the characters of Deacon Brodie and Aggie the Fish Wife come to life; the Egyptian tale of Isis and Osiris (Sat 14 Oct) is retold by Fergus McNicol with belly dancing from Moyra Banks; and a Kamishibai Workshop (Thu 19 Oct) with renowned storyteller, harpist and Urasenke Japanese Tea Master Mio Shudo.
At the end of the day, as darkness begins to fall, audiences can gather at the Netherbow Theatre for a relaxed evening of stories and music in our Open Hearth sessions featuring storytellers and musicians from around the world (Fri 13, Wed 24 & Sun 29 Oct).
Plus, there are special events including Anna Conomos-Wedlock’s The Promise, where stories inspired by the oral testimonies of Asia Minor refugees, draw on the meaning of homeland, displacement, memory and friendship, with music and song by Rebecca Vučetić (Fri 27 Oct); The Displaced Heart (Mon 23 Oct) an exquisite storytelling and music performance, combining English, Punjabi, and Irish songs accompanied by guitar and sitar; and Songs & Stories of the Fianna (Fri 20 Oct) supported by Bòrd na Gàidhlig’s Colmcille fund; and two events presented by Deaf Action and originally performed at Edinburgh Deaf Festival earlier this year: Visual Fun With Sports (Sat 21 Oct) by Petre Dobre & Craig McCulloch and Red Aphrodite (Thu 19 Oct) by Amy Murray.
Our popular online workshop strand Global Lab returns this year and during Week One (16-19 Oct) the festival will look at our planet’s eco-system and how ecological passion drives twenty-first century storytelling.
In association with Earth Charter International each day Festival Director Donald Smith will invite storytellers from all corners of our planet to perform stories of human messiness, healing, hope and connections with nature.
In Week Two the workshop theme is Shared Lives (23-26 Oct) and our focus returns to the Universal Declaration of Human Rights and the importance of valuing dignity, respect, equality and compassion in our lives.
Go Local also returns this year, with new voices from more regions in Scotland including North and South Lanarkshire coming together to share stories and songs. From Shetland to Dumfries and Galloway, there will be tales of battles, adventure, love and friendship shared by the fireside through October and November, with many of the festival’s commissions also going on tour.
Alongside these events, this year’s Festival Exhibition hosted at the Scottish Storytelling Centre will be TALK – a series of portraits taken by Edinburgh-based photographer Graham Williams, exploring the subject of men’s mental health as part of the Scottish Mental Health Arts Festival .
Looking ahead to this year’s event, Scottish International Storytelling Festival Director, Donald Smith said: “All over the world human and environmental rights are under threat. But against that there is an activist and creative tide building towards a different future.
“The Storytelling Festival is part of that wave.”
Minister for Culture Christina McKelvie said:“Right to be Human is inspired by the 75th Anniversary of the Universal Declaration of Human Rights and could not be more timely.
“During the coming parliamentary year, the Scottish Government will introduce an ambitious new Human Rights Bill for Scotland. This will be a significant milestone in Scotland’s human rights journey, building on past work to embed a human rights culture across Scotland.
“This year’s Scottish International Storytelling Festival, supported by £120,000 of Scottish Government Festivals Expo funding, celebrates and explores all aspects of our common humanity in a challenging world.”
Catriona Hawksworth, Traditional Arts Officer at Creative Scotland, said: “Telling stories is part of being human and why events like the Scottish International Storytelling Festival are so important.
“The ‘Right To Be Human’ project in particular, supported by the Scottish Government’s Festivals EXPO fund, provides opportunities for Scottish storytellers to present their work on an internationally recognised platform, reflecting human rights issues and the human experience across the world and increasing their national and international reach.
“Including podcasts, music, children’s stories, Scots language, global voices and Greek myth – the festival has something for everyone to recognise and enjoy.”
The Scottish International Storytelling Festival will take place Friday 13 – Sunday 29 October.
Tickets to each event cost a maximum of £10, with family events costing just £5 per ticket. For those planning on attending multiple events, the Festival Pass offers discounted tickets to many live festival events, online and at the Scottish Storytelling Centre, as well as a discount at the Scottish Storytelling Centre’s bookshop and Haggis Box Café.
To purchase tickets and browse the full programme, visit sisf.org.uk.
3 Live Events | 3 Themes | 6 Writers | 3 New Artistic Commissions
September ‒November at the Scottish Storytelling Centre, Edinburgh
Earlier this year, Edinburgh UNESCO City of Literature and the Scottish Storytelling Centre joined forces to create a new series of events in celebration of Scotland’s Year of Stories 2022 and they’re back with Season Two launching on Friday 23 September.
Figures of Speech is a fresh and exciting cross-artform series that will bring together authors, artists, and high-profile experts to steer an exploration of Scotland as a modern literary nation. Bringing stories to life with lively discussions sparked by universal themes.
The first theme of the new season is Love and who better to be in the discussion seat than the queen of Rom Com fiction, author Jenny Colgan. Writer Pàdraig MacAoidh / Peter Mackay and Jenny will talk all things love in Scottish literature.
Sharing their own experiences of writing amorous words as well as showcasing some of the most enduring, inclusive, tragic and formidable examples of love on the page. This event is sure to warm audiences’ hearts as the cold nights draw in. Multidisciplinary artist and deaf performer, Jamie Rea will support the event with a newly commissioned piece of work exploring queer love that will be presented in British Sign Language.
The next event in the season is on Friday 21 October as part of the Scottish International Storytelling Festival. Artist and writer, Amanda Thomson will be dropping a pin in the literary map with a discussion on place and locality with poet and film maker Roseanne Watt. This event will be supported by a newly commissioned storytelling performance by comedian and storyteller Marjolein Robertson.
The season concludes on St. Andrew’s Day with an exploration of the Big Ideas and pertinent questions in relation to issues such as climate change and Scotland’s place in our world at large. Writer David Farrier will host an evening of discussion with climate activist and author Jessica Gaitán Johannesson on Wednesday 30 November.
There is currently an open call for a creative commission in response to the final theme of the series which is Big Ideas. Artists from any background and working in any medium in Scotland are encouraged to apply.
Details can be found on the Scottish Storytelling Centre’s wbsite: www.scottishstorytellingcentre.com or via Creative Scotland opportunities.
Daniel Abercrombie, Programme & Events Manager at the Scottish Storytelling Centre, says: “Our second Figures of Speech season will build on the success of Season 1, bringing audiences and performers together to debate and discuss the stories and words which explore these themes in Scottish literature.
“This project is all about variety, partnerships, and a celebration of words, so we hope and imagine people will have their own thoughts and opinions on these themes, which is all part of the fun in this Year of Stories!’
Scottish Author Jenny Colgan, says: ‘Figures of Speech is a fantastic way of taking a fresh look at Scotland’s stories, and I’m looking forward to exploring the many ways Scotland has engaged with love and romance in literature over the years.
“Love is such a universal and wide-ranging theme so there will be plenty to discuss and I’m really looking forward to talking with Peter as part of Figures of Speech Season Two.’
Scotland’s Year of Stories 2022 spotlights, celebrates and promote the wealth of stories inspired by, written, or created in Scotland. Figures of Speech is supported by EventScotland as part of this celebration.
VisitScotland’s Regional Director for Edinburgh, Lothians & Forth Valley, Neil Christison says: “We are delighted to be supporting Figures of Speech as part of Scotland’s Year of Stories 2022.
“From icons of literature to local tales, Scotland’s Year of Stories encourages locals and visitors to experience a diversity of voices, take part in events and explore the places, people and cultures connected to all forms of our stories, past and present.
“This exciting collaboration between Edinburgh UNESCO City of Literature and the Scottish Storytelling Centre gives audiences an opportunity to hear from authors direct and enjoy a journey through Scottish literature.”
The first season of Figures of Speech saw Nicola Meighan in discussion with author Arusa Qureshi on all things music in Scottish literature. The second event saw poet Michael Pedersen in conversation with author Val McDermid on friendship and the first season wrapped up with writers Russell Jones and T.L. Huchu discussing literature, sci-fi and imagined futures.
All previous shows were recorded and are now available to watch on demand via the Scottish Storytelling Centre’s website and the Scottish Storytelling Centre’s YouTube channel.
The second season will also be recorded and made available online and all live and recorded events will be supported by BSL interpretation. Each of the events will also be supported by a pop-up bookshop from Lighthouse Books. Their expert booksellers will be on hand to supply the must-read books to match every event.
This is part of its manifesto to use storytelling to improve literacy skills, while preserving and enriching cultural heritage through collaboration.
As part of the visit, the programme has brought together the city’s literary sector and cultural partners – Edinburgh UNESCO City of Literature, Scottish Poetry Library, Edinburgh International Book Festival (EIBF) and Scottish Storytelling Centre – and showcased the exciting work and projects taking place in Edinburgh.
During the three-day programme Story Valley partners visited Edinburgh College to see the project in action, share best practice and explore potential collaborations, visited the Scottish International Storytelling Festival and spoke to representatives from innovative projects happening across the city.
The programme was topped off by a light spectacular on Thursday (28 October) as the Granton Gasholder, recently brought to life in partnership with Edinburgh College, as part of the £1.3billion Granton Waterfront project, was lit up in Story Valley colours.
The City of Edinburgh Council, Culture and Communities Convener, Councillor Donald Wilson, said: “As the world’s first UNESCO City of Literature, we’re very proud to be hosting the Story Valley partner cities in Edinburgh for the first time, sharing ideas, inspiring one another and working together with the ultimate goal of improving literacy across Europe through the wonders of telling stories of our past.
“Through this visit’s programme our Edinburgh partners have captured our Scottish culture and Edinburgh’s passion for its literary and cultural heritage while also showcasing our world-renowned Storytelling Festival. Everyone has gained a lot from this experience and I’m sure will be taking a lot away with them while planning the next gathering to progress the initiative.”
Ali Bowden from Edinburgh City of Literature, said: “We’re really pleased to be working with Edinburgh College, the Council and our sister Cities of Literature on Story Valley.
“Edinburgh has a strong storytelling tradition and it’s great that the students and organisations working on this project are finding new ways for storytelling to make a difference in people’s lives.”
Edinburgh College Assistant Principal of Curriculum for Creative Industries, Jakki Jeffery, said: “We’re really excited to welcome our partners from Leeuwarden, Ljubljana and Nottingham to Edinburgh as part of the Story Valley project and are looking forward to showcasing the work of Edinburgh College’s Creative Industries faculty and sharing examples of good practice between the VET and further education institutions.
“Partners will have the opportunity to work on each of the Intellectual Outputs face-to-face for the first time and to meet some of our staff and students involved in the project to see first-hand what they have been working on.”
Scottish International Storytelling Festival programme revealed
Set sail this autumn, as the Scottish International Storytelling Festival (SISF) takes audiences on a voyage, exploring Scotland’s coasts and water through music and storytelling.
The 2020 SISF programme promises an eclectic mix of online events spanning across the globe and small-scale face-to-face events, celebrating Scotland ‘a nation shaped by the sea’.
Events shine a light on lost stories of Scottish and international culture, give a new perspective on historical experiences and captivate, entertain and educate audiences on everything from Scottish colonial history to our connection to the natural world.
Over 100 performers will take part in the festival and countries represented include USA, Colombia, Canada, Italy, Spain, England, Kenya, Northern Ireland, Holland, Iran, Sierra Leone and Iceland. 93 events in total will take place in Edinburgh and across Scotland with 43 of these planned to be in-person experiences subject to Scottish Government Guidelines.
This year’s festival theme ‘In the Flow’ presents Voyage, a series of new work developed by storytellers and musicians for VisitScotland’s ‘Year of Coasts and Waters’, supported by the Scottish Government Festival Expo Fund.
Premiered as a pre-recorded studio broadcasts to be streamed online, Voyage is a collection of fourteen performances sharing tales of real and imaginary voyages that have connected Scotland to other coastal countries, near and far.
Highlights in the Voyage programme supported by the Edinburgh Festival Expo Fund and CalMac Ferries include:
Award winning performers Apphia Campbell and Mara Menzies collaborate for the first time on Nanny of the Maroons sharing the story of the Jamacian hero ‘Queen Nanny’ leader of the known as the Windward Maroons who helped those fleeing enslavement on Scottish owned plantations
Donald Smith’s reimaging of the iconic travelogue Johnson and Boswell’s Tour to the Hebrides featuring leading actors Andy Cannon and Christopher Craig.
Storyteller Nicola Wright revives the almost forgotten Scottish National Antarctic Expedition by explorer William Speirs Bruce whose success was ignored by the Royal Geographic Society.
One of Scotland’s best loved storytellers Andy Cannon steps over 700 years back in time as he sets out on a journey to bring the first ruling Queen of the Scots from Norway to Edinburgh Castle in Tales of a Grandson: The Maid of Norway
Award winning storyteller Fiona Herbert is joined by musician Emma Durkan as she draws the story of the mythical Cailleach from the depths of the world’s third largest whirlpool Corryvreckan in Argyll and Bute.
Music collaborations see David Francis & Hamish Napier celebrate the River Spey in Speyside to Fireside, and in Deiseal | Sunwise Mike Vass joins Ian Stephen for a journey to St Kilda, and ancient instrument musician John Kenny collaborates with sister Marion on The Voyage of St Brendan.
Speaking at the Festival launch last week, Scottish International Storytelling Festival Director Donald Smith said: “Stories and songs are vital for human survival. They carry our emotions, memories and values.
“They bind us together as families, communities and a nation, especially through tough times. The Scottish International Storytelling Festival will continue to channel that flow with an increased focus on wellbeing in the year of Covid-19.”
Socially distanced small-scale in-person events planned for the festival include:
Leaving Iona, a new show by Donald Smith and Heather Yule at St Columba’s by the Castle giving voice to the women, poets and monks of Columba’s / Colmcille’s story 1500 years after his birth.
Scuttlebut Stories! at Padlox Escape Rooms in Leith sees local storyteller Jan Bee Brown and musician Toby Hawks invite audiences to join them for some tall tales and spirited shanties, a heady blend of stories and songs of the sea that link Scotland and Scandinavia.
Small-scale indoor events will also take place at Universal Hall Findhorn, the Scottish Crannog Centre near Aberfeldy, Abbotsford House and other locations in the Borders. At the Scottish Storytelling Centre in Edinburgh, open mic Storytelling Cafés will also take place every day of the festival from 4pm.
Outdoor promenade performances will take place as Storytelling Walks departing from the Scottish Storytelling Centre and Enchanted Garden: Paths of Stories taking audiences on a journey around the Royal Botanic Garden Edinburgh and Sangs an’ Clatter: Campfire Tales at Damshot Woods in Pollock will return storytelling to one of its most traditional settings.
All plans are subject to Scottish Government guidance during the festival period.
The workshop programme strand Global Lab returns, hosting a series of digital workshops with live participation bringing together storytellers, artists, activists and educators from across the globe to explore sustainability, ecology and healing.
Taking place online daily throughout the festival the workshop programme offers inspiring examples of creative practice in the arts, education and frontline activism, with the opportunity to share, question and discuss.
Contributors include NYC-based Laura Simms who will speak on Deep Healing and Ecology, social and environmental activist Grian Cutanda who will share his work on the Earth Stories Collection and Julie Cajune and Douglas Mackay whose work explores connections between Native America and Scotland.
Edinburgh’s long running story night Guid Crack returns online throughout the festival and the Storytelling Festival’s famous Open Hearth sessions also move online, with live digital participation in a ceilidh of cultures, hosted by some of the finest traditional storytellers from Scotland and around the world.
Running alongside SISF, the Community and Families Programme bookends the festival running between 12th October and 30th November. The programme will pair local storytellers with partner organisations in online and small-scale live settings, unlocking the ethos of ‘going local’.
Community groups and schools can take part in The Big Scottish Story Ripple (#StoryRipple) by holding a storytelling event led by a professional storyteller.
Groups can apply for a subsidy that will cover the cost of their storyteller’s fees. In return, successful applicants must offer a good deed back to their local community on or before St Andrew’s Day – continuing the ripple of kindness.
As this year’s festival closes with a celebration of the Feast of Samhuinn, the 2020 Scottish International Storytelling Festival is on the hunt for Scotland’s Greatest Ghost Stories. The call is going out to find local ghost stories and to encourage people in Scotland to discover those in their own area. As part of the festival a ghoulish storytelling workshop will be held to encourage storytelling enthusiasts of all ages to become frighteningly good!
