HRH Prince Edward, the Duke of Edinburgh, witnesses first-hand how Dance Base helps dance flourish and changes lives
HRH Prince Edward, Duke of Edinburgh, paid a visit to Dance Base, Scotland’s National Centre for Dance, on Saturday. The Edinburgh-based charity has a mission to encourage and support the potential for dance in everyone.
Jim Hollington, Dance Base CEO, said: “We were delighted to welcome His Royal Highness to Dance Base.
“In 2001 his brother, His Majesty King Charles, officially opened our brand-new centre on Edinburgh’s Grassmarket. We were delighted to show HRH some of what we have achieved over nearly a quarter of a century, helping dance to flourish and change lives.”
During his visit, the Duke of Edinburgh received a tour of the purpose-built building, a centre for creating, nurturing, and celebrating dance in the heart of Edinburgh.
Completed in 2001, the building hosts four unique studios, over 60 classes a week, broad reaching support for dance artists, performances, international exchanges, community projects and more – all delivered by a knowledgeable and passionate team. HRH visited children taking part in an Aerial Skills class, hosted by All or Nothing, and dancers in a West African dance class.
Duke of Edinburgh also enjoyed a series of curated performances featuring dancers aged from their teens to their eighties, offering a snippet of the important work the organisation has been doing across their public, professional and Health & Wellbeing programmes. These included:
Dance for Parkinson’s film – When We Dance
When We Dance is a collaboration between Dance Base’s Dance for Parkinson’s and filmmaker Lucas Chih-Peng Kao. The collaboration comprises of people living with Parkinson’s, their families, friends, carers, our volunteers, and a team of professional artists. Running since 2013, Dance for Parkinson’s is a core part of Dance Base’s Health and Wellbeing work and established a strong president of supporting people living with neurological conditions through dance. Dance Base has supported satellite groups to be established all over Scotland and continues to support the network.
24 Carat Gold – Freak Out
24 Carat Gold is a company offering opportunities to underrepresented elderly dancers with current members ranging in age from their 60s to 90s. They will perform Freak Out, choreographed by Alan Grieg.
Lothian Youth Dance Company – Kids Today
Lothian Youth Dance Company are Dance Base’s in-house dance company for young dancers aged 14 to 21 years old. Inviting new members each year, LYDC provides opportunity for young people to find their creative voice through dance. They will perform a piece titled Kids Today, choreographed by Dance Base’s Artistic Director Tony Mills.
Jo Richards – Barbieland
Jo Richards has been a professional dancer and dance teacher for over 23 years. She teaches Commercial Improvers, Commercial Jazz Beginners and Street Dance classes at Dance Base and represented the organisation at the 2010 Commonwealth Games Ceremony in India. She will perform her piece Barbieland alongside students from her dance classes.
The Dance Base team was proud to showcase their achievements and broad reach which includes:
50,000+ attendances at public classes
10,000 attendances at our August festival performances
50+ artist residencies where dance artists based in Scotland come to create new work
330+ live performances in August and throughout the year
60+ weekly classes in 12+ dance styles
They also talked about the upcoming events at the organisation, including Skills ‘N’ Billz, a Breakin’ battle on Sunday 26 May featuring Breakers from across the UK and beyond, invited for the daylong battle; Dance with Pride event to celebrate Edinburgh Pride and this term’s specialist workshops in Reggaeton, Ballroom and Contemporary techniques.
On 6 June, Dance Base announces the 25+ shows from Scotland and all over the world which will be presented this August as part of Dance Base 2024 Festival in association with Assembly Festival.
World Premiere of Mark-Anthony Turnage’s opera Festen
Eight new opera productions across two stages including: Eugene Onegin, The Tales of Hoffmann, Die Walküre, Semele, The Sound Voice Project and a Bernstein double bill
European Premiere of Wayne McGregor’s MaddAddam
Eight works new to The Royal Ballet by choreographers including Christopher Wheeldon, Joseph Toonga and Pam Tanowitz
40 years of breaking down barriers with our pioneering learning programmes
11 productions shown in 1,500 cinemas across the globe
Tickets available from £3 – on sale from Wednesday 10 July
The Royal Ballet and Opera has announced its 2024/25 Season.
Opening on Monday 2 September 2024 under a new and combined organisational name, the Season features a programme of bold new productions, alongside returning audience favourites, thrilling debuts and bright new voices.
Alex Beard, Chief Executive of the Royal Ballet and Opera, said: “Today we announce a Season of extraordinary breadth and ambition – to audiences old and new, in schools and cinemas across the UK, and through streaming and digital media, right across the world.
“Bringing ballet into our name is long overdue – The Royal Ballet and The Royal Opera have performed under the same roof since 1946 – and both companies now enjoy the prominence that they rightfully deserve.
“The whole of the Royal Ballet and Opera is far more than the sum of our parts. We may perform at the Royal Opera House, but three quarters of what we do is experienced by people outside this building and, as we mark 40 years of our Learning programme, the impact and influence of the Royal Ballet and Opera can be felt in every corner of the country.”
The evolution of its name, the Royal Ballet and Opera, celebrates the institution in its entirety, recognising the whole, not just one of its parts. Together, the Royal Ballet and Opera will continue to perform at Covent Garden’s Royal Opera House, with performances shown in cinemas around the world, marking an exciting new era for the two companies as they enter a thrilling 2024/25 Season.
The Royal Opera 2024/25 Season
In an ambitious Season, eight new productions spanning three centuries are spread across the Main Stage and the Linbury Theatre, including the world premiere of Festen. Based on Academy Award-winning filmmaker Thomas Vinterberg’s 1998 cult film of the same name, Festen is composed by Mark-Anthony Turnage (Greek, Anna Nicole, Coraline) with a libretto by Lee Hall (Billy Elliot) and will be directed by Richard Jones. Previously a hit West End play, this darkest of comedy-dramas delves into the disturbing subject of abuse and generational trauma, with a cast including Allan Clayton, Stéphane Degout, Gerald Finley, Eva-Maria Westbroek, Natalya Romaniw and more, with Edward Gardner conducting.
Director of The Royal Opera, Oliver Mears, said: “2024/25 is set to be a thrilling Season for opera here at the Royal Opera House.
“With the world premiere of Festen, a brand-new commission by Mark-Anthony Turnage, we reaffirm our commitment to new opera; some of the greatest singers of our time perform alongside the most exciting voices of the future; and phenomenal creative teams bring unforgettable stories to life with eight new productions across both our stages.
“And as ever, our world-class Orchestra and Chorus will offer exactly the kind of intense, rich experiences that audiences are craving.”
In a year that has seen Leonard Bernstein celebrated in mainstream cinema with the success of film biopic Maestro, his two major opera works will be staged at Covent Garden for the first time. The Linbury Theatre opera season opens with two of his semi-autobiographical operatic masterpieces, Trouble in Tahiti and A Quiet Place, directed by Oliver Mears and conducted by Nicholas Chalmers.
In the autumn, Ted Huffman (4.48: Psychosis) will make his Main Stage debut directing a new staging of Tchaikovsky’s Eugene Onegin. Henrik Nánási conducts Gordon Bintner in the title role, with Kristina Mkhitaryan (Tatyana), Liparit Avetisyan (Lensky), and Avery Amereau (Olga).
After the success of Cavalleria rusticana/Pagliacci and Carmen, Damiano Michieletto returns to Covent Garden to direct Offenbach’s last and greatest work, The Tales of Hoffmann. Conducted by Antonello Manacorda, Juan Diego Flórez and Leonardo Caimi share the title role and are joined by Alex Esposito, Julie Boulianne and Olga Pudova, Marina Costa-Jackson, and Ermonela Jaho in the three soprano roles.
Following the glittering triumph of Das Rheingold, Barrie Kosky delves back into Wagner’s mythic universe with the second instalment of the Ring cycle, Die Walküre. With Antonio Pappano leading from the podium, Christopher Maltman reprises the role of Wotan, alongside Elisabet Strid (Brünnhilde), Lise Davidsen (Sieglinde), and Stanislas de Barbeyrac (Siegmund).
Premiered in 1774, Semeleis the latest in our Handel series of operas and oratorios that were first performed at Covent Garden. Darkly satirical, this new production from Oliver Mears considers class, privilege and degradation. Handel specialist Christian Curnyn conducts as Pretty Yende marks her return to Covent Garden in the title role, with Ben Bliss making his House debut as Jupiter.
Between Antonio Pappano’s departure as Music Director of The Royal Opera and Jakub Hruša’s arrival in September 2025, this Season hosts them both. Hruša conducts Corinne Winters, Karita Mattila, Thomas Atkins and Nicky Spence in the revival of Claus Guth’s Olivier Award-winning production of Jenůfa.
Other unmissable returning favourites include the first revivals of Tobias Kratzer’s Fidelio conducted by Alexander Soddy and Adele Thomas’Il trovatore conducted by Giacomo Sagripanti and Carlo Rizzi. Aigul Akhmetshina reprises the role of Carmen alongside Freddie De Tommaso, conducted by Mark Elder. Ariane Matiakh conducts the second cast.
Commemorating the centenary of Puccini’s death, Speranza Scappucci, Principal Guest Conductor Designate, leads her first Covent Garden stage production, Richard Jones’ La bohème. Also returning is Jonathan Kent’s Tosca starring Sonya Yoncheva, SeokJong Baek and Bryn Terfel, conducted by Eun Sun Kim in her House debut. Andrei Șerban’s Turandot is conducted by Rafael Payare and Francesco Ivan Ciampa with Sondra Radvanovsky and Ewa Płonka in the title role.
The Season opens with revivals of Richard Eyre’s La traviata and David McVicar’s The Marriage of Figaro which sees Julia Jones conducting rising stars Ying Fang and Huw Montague Rendall alongside Jacquelyn Stucker and Luca Micheletti. Completing the Season are David McVicar’s Faust with Stefan Pop, Erwin Schrottand Lisette Oropesa in the main roles and Robert Carsen’s Aida. For Christmas, Antony McDonald’s story-book production of Hansel and Gretel is conducted by Giedrė Šlekytė who makes her House debut.
In the autumn, the Linbury Theatre will present The Sound Voice Project. With music by Hannah Conway, this internationally award-winning opera-video installation features a libretto by Hazel Gould and performances by Roderick Williams and Lucy Crowe, raising questions about how we make ourselves heard, how we listen, and which voices are invited to the stage.
Continuing our Britten odyssey, impassioned opera meets dreamlike dance in a Royal Ballet and Opera double production of Phaedra + Minotaur, a collaboration with award-winning director Deborah Warner and choreographer Kim Brandstrup. Last performed as part of 4/4 (2020), the work sees Christine Rice reprise her Olivier award-nominated role – expertly harnessing Phaedra’s eroticism and despair.
The Jette Parker Artists programme welcomes seven talented newcomers who will perform on stage throughout the year, as well as bringing their talents to a lively new production of Telemann’s Pimpinone in the Linbury Theatre.
In the summer, the award-winning, interactive, multi-sensory opera for toddlers and babies Catch a Sea Star, will be staged in the Clore Studio. With music from J.S. Bach, children can step into an enchanting underworld realm of mermaids and sea monsters.
The Royal Ballet 2024/25 Season
In 2024/25 The Royal Ballet presents a diverse programme of works that celebrate the Company’s rich heritage while featuring groundbreaking creations by some of the world’s leading choreographers and creative teams.
Following the landmark success of Woolf Works and The Dante Project, Wayne McGregor returns with the European premiere of MaddAddam. Combining forces of contemporary dance, music, fashion and literary worlds, Margaret Atwood’s monumental trilogy of novels (Oryx and Crake, The Year of the Flood and MaddAddam) comes alive in this thrilling visceral three-act ballet. With a specially commissioned score by celebrated composer Max Richter and costume design by Gareth Pugh, it promises to be a spectacular experience.
In October, Encounters: Four Contemporary Ballets features the work of four distinctive choreographers championed by The Royal Ballet on the Main Stage. Experience a spectrum of human emotion beginning with Kyle Abraham’s gentle meditation on love, loss and memory in The Weathering.
Four characters battle for control in Crystal Pite’s gripping boardroom drama The Statement. Expanding Dispatch Duet, which received critical acclaim on its premiere in 2022, Pam Tanowitz employs her trademark style to turn the conventions of dance inside out. Joseph Toonga presents his second Main Stage work for the Company where the idioms of classical ballet and hip-hop converge.
Masses of dancers move as a mesmerising whole in Crystal Pite’s Light of Passage which receives its first revival in February. Grappling with themes of safe passage, displacement, community and mortality, this award-winning work is set to Gorecki’s affecting Symphony of Sorrowful Songs – a reminder of the power of human connection in our turbulent times.
Wonderland becomes wondrously real as the ballet Season opens with two Technicolor adaptations of Lewis Carroll’s popular children’s story, Alice’s Adventures in Wonderland – both of which will be part of our Schools’ Matinee roster. On the Main Stage, The Royal Ballet’s Artistic Associate Christopher Wheeldon’s interpretation partners with magical music by composer Joby Talbot and whimsical designs by Bob Crowley. Powerhouse storytellers ZooNation: The Kate Prince Company return to the Linbury Theatre with The Mad Hatter’s Tea Party, transforming Carroll’s Wonderland into a dysfunctional institution in this energetic hip-hop show featuring original music and family-friendly storytelling.
Christopher Wheeldon’s versatility as a choreographer is showcased in a new mixed programme – Ballet to Broadway – where sensuous contemporary ballet meets the energy of musical theatre. Luminescent and shimmering, Fool’s Paradise marked the first of his many collaborations with composer Joby Talbot. Three works follow, new to The Royal Ballet. Recognising Wheeldon’s extraordinary success in musical theatre, the Company performs the ballet from his Tony Award-winning musical An American in Paris, set to Gershwin’s jazzy melodies. Its zesty spirit is contrasted with two duets of intimacy and yearning. The wistful songs of Joni Mitchell set the scene for The Two of Us, while the music of Keaton Henson is used in the tender duet from Us that Wheeldon created for BalletBoyz in 2017.
When George Balanchine arrived on the shores of America, he changed the landscape of 20th-century ballet. Pushing the boundaries of the art form with extreme speed, dynamism and athleticism, he defined the American neoclassical style. With Balanchine: Three Signature Works, The Royal Ballet present a triptych of distinctive pieces in one programme. Serenade was the first ballet he created in America, and its ethereal beauty is contrasted with the avant-garde Prodigal Son, a parable of sin and redemption. Symphony in C with its symmetrical formations and crystalline placements will bring this programme to a majestic and exhilarating close.
The Royal Ballet brings Shakespeare’s young lovers vividly to life with the return of Kenneth MacMillan’s Romeo and Juliet, a modern classic that celebrates its 60th anniversary. Prokofiev’s glorious score feeds this epic tragedy, sweeping the ballet towards its inevitable and devastating conclusion.
Also marking 60 years since its creation, John Cranko’s 1965 take on Pushkin’s novel Oneginreturns to the Main Stage. Set to an arrangement of Tchaikovsky’s heartbreaking score, Cranko’s expressive choreography results in a sumptuous period ballet.
For Christmas, Cinderella continues to cast its spell. This enchanting work by The Royal Ballet’s Founding Choreographer Frederick Ashton, with evocative music by Prokofiev and some spectacular stagecraft, is a rich theatrical experience not to be missed. In the Linbury Theatre, nothing says Christmas like a Greek tragedy: Ben Duke and Lost Dog’s electric and darkly hilarious work of dance theatre set to live music, Ruination, returns, turning the classic Greek myth of Medea on its head.
In the Linbury Theatre, the Company continues its commitment to honing new and diverse choreographic and performing talent. In October, First Soloist of The Royal Ballet Joseph Sissens is the driving force behind Legacy, a celebration of Black and Brown dancers from all over the world.
In the spring, International Draft Works returns, gathering burgeoning choreographers from all over the world, revealing how the art form is ever changing and evolving. Closing the Season, celebrating both national and international talent, the Next Generation Festivalis a showcase for the diversity and range of global performing talent presented by a selection of junior companies and dance schools.
Across the Season, the Linbury Theatre welcomes returning guest companies including Northern Ballet, Acosta Danza and Ballet Black. The Ballet Black: Heroes mixed programme will include a new work, If at First, by Choreographer-in-Residence at Scottish Ballet Sophie Laplane, that explores the complexity of humanity, heroism and self-acceptance.
Director of The Royal Ballet, Kevin O’Hare, said: “An electrifying Season lies ahead as we stage thrilling works new to the Company, crafted by creatives at the forefront of choreographic innovation.
“The breadth of the Company’s artistry is highlighted in revivals of rich repertory favourites alongside a Linbury Season that welcomes guest collaborators and bright burgeoning talents. As ever, audiences will have the chance to witness world-class performances by our remarkable dancers. There really is something for everyone.”
Inspiring creativity across the UK
40 years at the forefront of arts education
Reaching more than 45,000 students across the UK
Seven Schools’ Matinees
In 2025, the Royal Ballet and Opera celebrates 40 years of pioneering learning programming as it unveils its biggest year of learning initiatives to date. Over the past year the schools programme has grown from 1,575 schools to 2,710, working with more than 46,000 students, 1500 teachers and 700 schools to inspire creativity and open access to the arts across the UK.
These programmes sit alongside on-going projects in communities up and down the country including regional partnerships with Bradford 2025, UK City of Culture, Rotherham, Children’s Capital of Culture 2025 and a new focused initiatives in the east of England.
Jillian Barker, Director of Learning and Participation, Royal Ballet and Opera explains: “Our vision is to work towards creativity for every child. At a time when arts education in schools is squeezed and specialist teachers are in decline, it is more important than ever to strive to reach more children and young people.
“We are redoubling efforts to offer high quality opportunities to any primary school in the country, inspiring children and building the creative confidence of teachers and opening the opportunity to discover ballet and opera.
“We are working to diversify young dancers and singers. And we want ROH to be a place of creative adventure, welcoming to all, particularly families.”
This Season, the Royal Ballet and Opera will continue to offer a range of programmes to enhance arts education, spark creativity, and improve access to the arts for all. These learning and community-based initiatives include:
Extending its flagship programme to reach more schools nationwide, offering free resources to help teachers and students be creatively confident in the classroom. This Season will also introduce new live streamed lessons into schools from the Companies and artists of the Royal Ballet and Opera.
The return of Create Day, a large single national school event, held in partnership with UNICEF RRSA UK (Rights Respecting Schools Alliance), bringing together 30,000 children in person and virtually in a celebration of everything they have learned.
Hosting seven Schools’ Matinees across the Season, giving children from across the UK the chance to experience a live production at the Royal Opera House with heavily discounted tickets and travel grants.
The Creative Exchange programme – partnerships with commonly underrepresented groups in the arts to create a collaborative performance piece representing different life experiences.
Growing the reach of its Chance to Dance programme, where the Royal Ballet and Opera partner with local dance and primary schools in areas with limited artistic provision to introduce young people to ballet.
The Youth Opera Company, where over 100 state school children have the chance to work with Royal Ballet and Opera artists, performing on the Main Stage in productions including Carmen and Hansel and Gretel.
The Royal Ballet and Opera also continues to invest in future talent and professional development through initiatives such as the specialist apprenticeship programme, which will see the number of participants double this Season.
Remaining one of the largest employers of artistic professionals in the UK, the apprentices join 1,044 full or part time staff, 2,060 contractors who are consistently employed, and freelancers or commissioned staff.
The fostering of talent and diversity is also seen in our second Overturecohort in partnership with Black Lives in Music, beginning in Autumn 2024. The year-long mentorship by players in the Orchestra of the Royal Opera House is available to young musicians aged 18-25 from the global majority or other underrepresented backgrounds. The scheme provides support tailored to the participants’ individual needs, enhancing skill sets, insight and training in the classical music field.
The Royal Ballet and Opera also present 11 productions in 1500 cinemas across the globe next Season, including such beloved classics as Cinderella, The Nutcracker and The Marriage of Figaro and exciting new productions of The Tales of Hoffmann and Die Walküre.
The 2024/2025 Season’s ambitious work contributes to the enduring influence of the Royal Ballet and Opera, with a recent study finding it has one of the largest economic impacts on the ACE’s National Portfolio.
Whether it is welcoming audiences from across the globe to experience magic on its stages or inspiring creativity in classrooms across the UK, the Royal Ballet and Opera celebrates everything that the arts bring to UK society, looking boldly ahead to a new and exciting Season of world-class productions.
National Museum of Scotland Chambers Street, Edinburgh, EH1 1JF Open 10:00–17:00 daily
Wildlife Photographer of the Year 2024 Until 6 May 2024 Special Exhibition Gallery, Level 3 Ticketed
In this world-renowned exhibition, on loan from the Natural History Museum in London, see exceptional images which capture fascinating animal behaviour, spectacular species and the breathtaking diversity of the natural world.
Uniquely Scottish Silver Until 26 May 2024 Grand Gallery Free
Uniquely Scottish Silver brings together five distinct Scottish silver object designs: mazers, quaichs, thistle cups, ovoid urns and heart brooches. Discover some of the earliest and rarest survivals within the Scottish silversmiths’ craft.
Game On 29 Jun – 3 Nov 2024 Special Exhibition Gallery, Level 3 Tickets on sale spring 2024
Get set for Game On – the largest interactive exhibition of the history and the culture of video games. Game On, an exhibition conceived and curated by Barbican Immersive, examines the creative and technological advances that have established a new medium and artform.
From Sonic the Hedgehog to Mario, explore gaming’s rich history through over 100 playable games from the last five decades.
Theravada Buddhism Until 12 Jan 2025 Gallery 3, Level 1 Free
A thought-provoking display charts the history and influence of the Theravāda Buddhist tradition across the world, including its role in Scotland today. The display includes a Buddha on loan from The Dhammapadipa Temple in Edinburgh.
The Buddha was designed and made in Thailand in 2013, then later gifted to Temple where it is now used in their garden meditation room.
Cold War Scotland 13 Jul 2024 – 26 Jan 2025 10:00 – 17:00 Special Exhibition Gallery 2, Level 3 Free
Scotland’s unique geography and topography provided a useful base for Allied military preparations and research during the Cold War, a 40-year nuclear stand-off between the USA and the Soviet Union following the end of the Second World War. Cold War Scotland is an output of Materialising the Cold War, a collaborative research project between National Museums Scotland and the University of Stirling.
The project explores how the Cold War heritage is represented and how museums can adapt to tell this story in future. The exhibition will explore both the visible and invisible legacies of the war in Scotland.
National Museum of Scotland Chambers Street, Edinburgh, EH1 1JF Open 10:00–17:00 daily
Sensory Sunday: Exploring Ancient Egypt 05 May 14:00 Level 4, Studio 2, Learning Centre Free, booking required
Families with children with additional support needs and disabilities are invited to join our programme of sensory play sessions.
Explore the museum’s collections, get creative and meet other families. Sensory Sunday sessions are relaxed, fun hands-on, and respond to the needs of the families participating. You are welcome to come and go at any point during a session.
These sessions are suitable for children with additional support needs, neurodivergent children or children with disabilities. The content is aimed at ages 5-10 but is not set – we welcome all families who think they might enjoy these sessions.
Magic Carpet Minis Block 1 (08,15 and 22 May) 10:30-11:15 or 14:00-14:45 £15.00 per child for block of 3 £13.50 per Member child for block of 3
Magic Carpet Minis introduces you and your little one to some of the wonderful galleries, objects and themes in the museum in a fun and gentle way. Taking place in different spaces around the museum, you will explore subjects such as the Natural World, Space, World Cultures and Scottish History through songs, stories, rhymes, actions, objects and sensory play.
Magic Carpet Toddlers Block 1 (13, 20 & 27 May) 10:30–11:15 or 14:00–14:45 £15.00 per child for block of 3 £13.50 per Member child for block of 3
Magic Carpet Toddlers introduces you and your little one to some of the wonderful galleries, objects and themes in the museum in a fun and interactive way. Taking place in different spaces around the museum, you will explore subjects such as the natural world, science and technology, world cultures and Scottish history through songs, stories, rhymes, actions, objects and short activities.
Wellbeing Wanders 13-17 May 11:30-12:00 Meet at the Lighthouse Lens, Grand Gallery, Level 1 Free, sign up on the day
Join us on a guided walk around the museum for Wellbeing Week. Explore the collections and take part in mini mindful sessions at each stop along the way with these short, free guided walks.
Curiosity Club: Ancient Egypt 18 May 10:30-12:00 Level 4, Learning Centre £10 (Members and Concessions £9)
Capturing some of the museum’s most exciting collections, this is a chance for kids to explore the museum through games, activities and gallery visits.
Wellbeing Week: Mindful Art at the Museum 19 May 11:30-12:30 Meet at the Tower Entrance, Level 1 £10, £8 Members and Concession
Join artist Kayleigh McCallum and mindfulness practitioner Charlene Duncan for mindful sketching in our galleries. This small group session in our galleries will start with a short introduction to mindfulness, followed by guided sketching and then some final mindfulness exercises. Suitable for all levels, including complete beginners. All materials will be provided. All ages welcome, but recommended age 8+.
Slow Down Sunday for Families 19 May 10:30–11:15 & 13:00–13:45 Event Space, Level 2 Free, booking required
Join author and mindfulness teacher Natasha Iregbu as she invites families to practice mindfulness in a fun and enjoyable way. Natasha and her excitable butterfly Amaya will take you on a journey of storytelling and mindfulness as they guide you and your children to use your senses and practice being in the moment. The session will include a book reading, mindfulness activities, yoga movement and a craft activity.
Wellbeing Week: Musical Moments in the Museum 19 May 13:00-16:00 Free, drop in
Enjoy an afternoon of musical encounters, featuring two musicians from the Scottish Chamber Orchestra. As part of our Wellbeing Week, experience musical soundscapes within some of our Scottish galleries.
Edinburgh International Children’s Festival: Family Encounters Day 25 May 10:00 – 16:30 Grand Gallery, Level 1 Free, drop-in Some activities may require sign-up on the day
At our Festival Family Encounters Day, enjoy exciting new performances and interactive experiences from local artists, pop-up theatre and dance shows, walk-about character actors and plenty of hands-on family activities.
The full event programme will be published in early May.
Galloway Hoard: Where did the silver come from? 29 May 19:30 – 20:30 Online event Free, with optional donation
In this live online event, National Museums Scotland Galloway Hoard Researcher Adrián Maldonado will join Jane Kershaw from the University of Oxford to explain how a collaboration between cutting-edge science and archaeology can reveal the sources of Viking-age silver in the Galloway Hoard.
National Museum of Flight East Fortune Airfield, East Lothian, EH39 5LF Open daily 10:00 – 16:00
Conservation Hangar Talks Daily 14:00-15:00 Free with museum admission Booking required
See behind the scenes of the work carried out in the museum’s Conservation hangar with these free talks. Find out about objects from the collection that aren’t normally on display and have the chance to see conservators at work.
Awesome Bricks 15 & 16 June Advance booking required
Our hands-on celebration of LEGO returns to the National Museum of Flight. Join us for a lively weekend of LEGO brick fun, with lots to see and do for all ages. Get a close-up view of incredible LEGO constructions, including an interactive train set, and make your own unique creations in our white brick build zone.
National Museum of Rural Life Philipshill Road, East Kilbride, G76 9HR Open 10:00–17:00 daily
Tractor Tots Until May 2024 10:15 & 13:30 Various dates Ticketed
Running in blocks of three Friday morning sessions, Tractor Tots offers a fun, focused experience for our younger visitors, introducing them to the museum and farm, and bringing it to life through interactive creative play. Each session will take place in a different location at the museum and working farm, and will feature handling objects from our learning boxes, singing, storytelling, rhymes, actions and sensory play to learn all about life in the countryside.
One of the UK’s leading theatre companies for learning disabled actors, Lung Ha celebrates four decades of brilliant theatre-making
Lung Ha is an Edinburgh-based theatre company for actors and theatre makers with a learning disability and autism which produces award-winning productions and works with a year-round, 25-strong Ensemble to develop their practice and remove barriers to participation into the arts.
April marks the start of 12 months of the Company’s 40th anniversary celebrations which will see it take part in or present a remounting of the Company’s 2021 hit An Unexpected Hiccup at the Edinburgh Festival Fringe, the world’s biggest stage.
Originally created and performed under strict COVID procedures during the global pandemic, the show is a tale of comic misunderstandings, sinister goings on and dangerous eccentricities.
This will also be the inaugural production of the Lung Ha Touring Company which will provide further opportunities for performers to create and tour new and existing work, with bespoke and specialist actor training.
An Unexpected Hiccup is a co-production with Plutôt La Vie featuring five Lung Ha actors, written by Michael Duke after a devising process with the Company. It will be presented between 2 and 10 August at Zoo Southside.
The Company is also commissioning initial research to develop an Access and Creative Principles Toolkit which will support the launch of Lung Ha Touring Company. The research aims to cover three main areas:
To understand the access support structures required for learning-disabled actors in a professional company.
To apply fair and equitable pay remuneration frameworks for ourselves and other theatre companies working with actors and artists in receipt of varied and complex benefit arrangements.
To create a practical toolkit for working with learning-disabled actors which has a wider culture sector benefit and application.
The first publication of findings is expected in spring 2025. The project is funded by RS Macdonald Charitable Trust.
Lung Ha Theatre Company has been invited as a guest contributor at the Europe In Action Conference, a partnership between Inclusion Europe and Enable in May 2024 in Glasgow during Learning Disability Awareness Week, hosted by Enable who are also marking an anniversary year (70th).
The Company will be hosting the closing session of the conference with the theme of deinstitutionalisation, including a presentation about the Company’s work and a focus on the award-winning production Castle Lennox from 2023.
Also in May, Lung Ha Theatre Company will host the World Premiere of its short film, Love Like Salt, at Traverse Theatre – a loose adaptation of Shakespeare’s King Lear, featuring the Lung Ha Ensemble and co-created by Maria Oller, Susan Worsfold and Stuart Platt. The evening will also feature a short snippet from an anniversary documentary about the Company made and edited by a Lung Ha actor, Emma McCaffrey.
Throughout the year Lung Ha will be spotlighting our Ensemble actors using commissionedportraits from photographer and long-time collaborator Peter Dibden. The photoshoot was a glamourous “Met gala meets night at the theatre” extravaganza.
The actors were given the opportunity to curate their own costumes and threw themselves into model poses and characterful performances which are beautifully captured in this series and in our commemorative 40th anniversary Ensemble group photograph.
Short history of Lung Ha
Lung Ha Theatre Company began its life as Lung Ha’s Theatre Company in October 1984. A sixty strong team of performers, with a learning disability, under the direction of Richard Vallis and Peter Clerke created and performed their own version of the fabled Monkey stories (for a time the Company was called Lung Ha’s Monkey Theatre).
The production was hugely successful and a new company and vitally important new theatrical voice launched onto the Scottish stage, now a vital part of it.
Since then, the Company has worked with over three hundred performers with a learning disability creating over forty original productions. The Company and has also worked with some of the leading artists and creative organisations across the country and toured internationally to England, France, Ireland, Poland, Sweden and Finland.
Some of the Company’s achievements include the Critics’ Awards for Theatre in Scotland (CATS) for Best Ensemble in Huxley’s Lab in 2009 (co-recipient with Grid Iron Theatre Company) and for Castle Lennox, a 2023 co-production with The Royal Lyceum Theatre Edinburgh.
Now the company offers a range of creative opportunities for learning disabled actors. Our Pathway for Progression features six strands of work where actors can access training and performing opportunities in an inclusive and welcoming environment and on an established platform.
These are The Lung Ha Ensemble, Lung Ha Touring Company, Lung Ha Across Scotland (an online nationwide actor training workshop series), Creative Development (one to one skills development, mentoring and critical response), Sharing our Expertise (via our Access and Creative Principles Toolkit, and workshop leader training), and Supporting External Opportunities (where the Lung Ha team prepares and supports people with their creative ambitions outwith Lung Ha).
Artistic Director Maria Oller and Executive Director Ruth McEwan said: “Entering our 40th year, we are so proud of our achievements and what has come before now.
“We have shared incredible moments with everyone we work with and our audiences far and wide.
“From here, we are passionate about continuing to create fabulous theatrical experiences and breaking down barriers in our sector and beyond. Our actors are the inspiration and the beating heart of Lung Ha Theatre Company.”
Lung Ha actor Fern Brodie said: “I see Lung Ha and the other actors as my other family.
“I feel safe and happy when I spend time with them.”
Lung Ha actor Gavin Yule said: “Lung Ha is a place where I can perform and practise acting skills and develop new ones.
“It’s also where I can make friends and have a social outlet. It also allows me to experience professional theatre and perform incredible pieces of work.”
Theatre critic Neil Cooper said: “Its first show, Lung Ha’s Monkey, gave the company both its name and an identity that seemed to suggest that monkeying around on stage was a good thing.
“In the forty years since, that sense of liberation through play has remained at the company’s core throughout work by a stream of writers and directors who followed in Vallis and Clerke’s footsteps.
“With current Lung Ha Artistic Director Maria Oller at the helm for the last fifteen years, the company’s radical philosophy has put it at the centre, not just of community-based arts initiatives, but of Scotland’s entire theatre ecology.
Watching the company grow into itself over these years has been a joy. Long may Lung Ha continue to thrive.”
From The Traitors with robots to Pink Floyd’s Dark Side of the Moon in a planetarium to history of poisons, the Festival has something for all the sci-curious out there as it celebrates its 35th anniversary.
Edinburgh Science Festival 2024 has everyone covered this year with a Shaping the Future programme, showcasing the cutting-edge technology and science to help us create a more sustainable future.
The Festival celebrates 35th anniversary this year.
Family favourite City Art Centre returns with five floors of hands-on science for children: the perfect family day out this Easter break. On sale from Monday 26 February.
Big Ideas, a series of talks aimed at adults, brings some of the world’s most renowned scientists and thinkers to the Scottish capital, including Prof Chris Lintott, presenter of the Sky at Night, Prof Richard Wiseman, psychologist, magician, entertainer, Dr Erica McAlister – fly expert from the Natural History Museum, Rachel Miller, a National Geographic explorer, Laura Foster – BBC Health and Science presenter, Prof Sarah Sharples, Chief Scientific Advisor for the Dept of Transport
Guaranteed sell-out every year, Science Nights Out are back with more creative ways to get everyone hands-on with science in a relaxed environment.
The Festival, renowned for its unique presentations of arts colliding with STEM, creating STEAM, delves deep into the alternative future with Future Proof, a visual arts exhibition.
The Festival takes over Edinburgh with events, talk, workshops and exhibitions taking place at the National Museum of Scotland, Dynamic Earth, The Royal Botanic Garden Edinburgh, Edinburgh Zoo, Summerhall, Bayes Centre and many others, with new additions of Panmure House, Mary’s King Close and The Biscuit Factory.
This year’s Festival shows for children 5+ include Bakineering, exploring the science of baking by Andrew Smyth – of The Great British Bake Off fame!
Tickets are on sale now on edinburghscience.co.uk.
Edinburgh Science Festival is the first and still one of Europe’s biggest science festivals, taking place over the Easter holidays, between 30 March and 14 April.
With the 2024 theme of Shaping the Future, the Festival continues its years-long commitment to Programming for the Planet. It urges everyone to build a more sustainable future as it showcases the cutting-edge technology, including Artificial Intelligence, and science research to help make that ambition a reality.
Edinburgh Science Director and CEO, Dr Simon Gage said: “We have an amazing festival lined up for our 35th anniversary.
“The programme touches the cutting edge of invention from the worlds of AI, robotics, space exploration to the unusual such as giant rooms made of mushrooms.
“And in amongst it, we look at some more familiar things in an unusual way such as disposing of the dead, poisons, the psychology of magic and virus bingo. Whether you want to blast it, build it, bury it or bake it, we have something for you and for little ones too if you have some.”
Edinburgh Science is the world’s expert in producing live science events and the 2024 Festival is the prime example of the power of bringing people together to explore the fascinating world of science, technology, engineering and maths – and arts! – this year celebrating 35 years.
The Festival is pleased to continue the fantastic collaboration with the venue partners around the city, including City Art Centre, sponsored by Cirrus Logic, which every year becomes the Festival’s premier family destination as well as National Museum of Scotlandand Dynamic Earth, each presenting a number of science events for children and adults.
This year’s programme is spread across 30 venues and 40% of the offer is free to access.
As in previous years, the Festival presents a series of BSL-interpreted, audio described and relaxed sessions.
At the City Art Centre, it also offers sensory backpacks available free of charge from the ticketing desk on the ground floor, and, for the first time, a Quiet Space on the fourth floor where visitors can take a break from the excitement. Although particularly designed for those with sensory needs, these resources are available to everyone. Visit the Festival website for more information on accessibility.
2024 HIGHLIGHTS
City Art Centre (30 March – 14 April) – five floors of hands-on science extravaganza for children between 3 and 12 years old. From making your own scab or slime to becoming an animal conservationist, investigating a crime scene or programming your own robot, City Art Centre is the most fun a family can have this Easter break! Allow 4-5 hours for the visit. On sale from Monday 26 February.
Growing Home: A New World of Materials (30 March – 14 April) – highlighting the consequences of overconsumption, this interactive exhibition shines a light on biomaterials and how they can be used in future building, packaging, fashion and more.
Standing three meters high, Growing Room is an impressive architectural structure, devised and created by the Hub for Biotechnology in the Built Environment at Newcastle University, made from biomaterials. Grown from wool and mycelium (the root network of fungus) to give it strength and stability, the piece shows how research into the future of biomaterials could transform the built environment. It is accompanied by Symbio, a display of biomaterial themed garments by inspiring Edinburgh-based artist Emily Raemaekers.
Developed with support from Creative Scotland through the Scottish Government’s Festivals Expo Fund. Supported by the Edinburgh Napier University, School of Computing, Engineering & The Built Environment.
Edinburgh Medal (2 April) – a prestigious award founded by the City of Edinburgh Council in 1989, this year’s Medal’s recipient is Italy’s Mario Negri Institute, a pioneer non-profit research institute dedicated to open clinical and biomedical research and renowned for its ‘patient-first’ rather than ‘patent-first’ approach. Director Giuseppe Remuzzi accepts the Medal on behalf of the Institute and is set to share his insights into the benefits of the approach of this exceptional research team that does science for social good during the Medal Address on 2 April.
Creative Informatics, an ambitious research and development programme based in Edinburgh which aims to bring the city’s world-class creative industries and tech sector together, presents a fantastic series of events at this year’s Festival. It includes Unleashing the Power of Data (30 March – 7 April) exhibition highlighting the latest achievements of the creative industries using data and digital technologies; Creative AI for Creative Work (10 April) featuring creatives talking about the use of AI to enhance their creative projects; and Let’s Play (12 April), an evening to explore how creative technologies and on-screen innovation are changing how we play and experience the world around us.
Our Fragile Space: Protecting the Near-Space Environment (8 March – 18 April) – opening a few weeks before the Festival, the free to access photography exhibition on Mound Precint in the city centre of Edinburgh presents the stunning photographs of Max Alexander’s, transporting its audiences to orbital space to explore the increasing issue of space debris and satellite crowding.
FAMILY PROGRAMME
For those who performed a surgery, dug up a dinosaur or built their own wind turbine at the City Art Centre and got hands-on with mycelium in Growing Home at the National Museum of Scotland, the Festival has plenty more in store.
Also at the Museum, The Rocket Show (7 April) is an explosive family-friendly adventure, delving into rocket science as we explore forces, test materials, and prepare for launch – so strap-in, countdown, and blast-off for a show that’s out of this world! Join former Great British Bake Off finalist and creator and judge of Netflix’s Baking Impossible, Andrew Smyth for Bakineering (31 March), an edible exploration of the engineering involved in baking. In Minecraft Disease Detectives (9 April) enter the Minecraft world to become a field scientist and visit different places to collect data on how a virus is spreading. Supported by LEGO® Build the Change, the activity under the same name (8-14 April) is all about learning about biodiversity and how to protect it – using LEGO!® Is the blue whale really the biggest animal ever to have existed? What killed the Megalodon shark? In Mysteries of Animals 3D (5 April), presenter and author Jules Howard outlines the weirdest and most elusive animal questions out there for future generations to discover. Sci-curious aged between 12 and 18 can access £5 tickets for all talks at the Museum and The Bayes Centre using code TEENTALK.
Over at the world-famous Edinburgh Zoo, Career Fayre (3-4 April) puts staff centre-stage – keepers, vets, researchers and many more – to share fascinating insights into their everyday work while at the Royal Botanic Garden Edinburgh the family-favourite Easter Trail (30 March – 14 April) returns, and Build a Better City (11 April) imagines a city that is good for us as well as for the planet by bringing nature into it, consequently reducing pollution, flooding, regulating heat waves and helping keep our minds and bodies healthy.
A science centre and a planetarium, Dynamic Earth invites everyone to Icy Investigations (5 April), a digital workshop looking at our melting ice caps and to become Planet Protectors (4-8 April), learning about ways to protect Earth, including building a mini bug hotel. Ever wondered what lies beneath North Sea wind farm? Thanks to North Sea 3D (12 April) and Scottish Association for Marine Science, you can now see it in virtual reality!
The University of Edinburgh presents the ground-breaking robotic technologies such as Exoskeletons for enhanced mobility, the humanoids Talos and EVA, and robotic arms for handling objects in Bayes Centre Tour: Meet the Robots (12 April). Explore the Science in Your Pocket: Coins (2-6 and 9-13 April) with Museum of the Mound and step back in time to learn about Edinburgh’s rich medical history at Mary King’s Close’s Medical History Tours (30 March, 6 & 14 April). Supported and presented by the Heriot Watt University and the National Robotarium, Robotics Unveiled at the National Robotarium (12 April) is a fascinating tour of the UK’s newest and fanciest cutting-edge centre for all things robotics – including a robot petting zoo!
Out and about, Explore Beach Pebbles (11-14 April) of Edinburgh beaches or go down the Royal Mile on a walk to Discover Edinburgh’s Mathematical History. Further out, the Scottish Seabird Centre encourages everyone to become a budding marine scientist and work on their Seaside Science Skills (10-13 April), including identifying rockpool creatures.
For more family events at the Festival, click here.
ADULT PROGRAMME
Technology
Can you trust a robot? Coming face-to-face with cutting-edge technology, Two Truths and a Lie (8 April) is an interactive, Traitors-style experience exploring deception, truth and robotics at the Panmure House, home of Scottish philosopher, Adam Smith, presented and supported by the Heriot Watt University and the National Robotarium. Carefully balancing conservation and creation, Constructing Tomorrow (10 April) uses Edinburgh and its UNESCO World Heritage sites to explore the work of the innovators at the forefront of future, sustainable construction. Supported by Edinburgh Construction. In the Future of Transport (11 April), Chief Scientific Adviser for the Department for Transport Prof Sarah Sharples looks at the challenges and opportunities of transport decarbonisation. One of the Festival’s Science Nights Out events, Innovation Late with Lady MacRobert (8 April) highlights the work of the potential winners of the prestigious MacRobert Award celebrating the UK’s most exciting engineering innovators – and includes demonstrations! Supported by the Royal Academy of Engineering.
From advances in disease diagnosis and treatment to the hidden carbon cost of AI, discover how this revolutionary technology affects global politics and society in TheFuture of AI (3 April) with Director of the AI & Geopolitics Project at the University of Cambridge and former Global Head of Policy for Google DeepMind Verity Harding and AI Editor at the Financial Times Madhumita Murgia. The Promises and Pitfalls of AI (8 April) with Chemical Engineer Prof. Raffaella Ocone, Quantum Scientist Prof. Daniele Faccio, and Medicinal Chemist Prof. Stefano Moro explores how AI is shaping their scientific fields and why it is so much more than just ChatGPT. Supported by Consulate General of Italy Edinburgh and Istituto Italiano di Cultura. AI for Earth (11 April) with Dr Will Cavendish, Global Digital Leader at ARUP and ex-Strategy Lead at Deep Mind, explores what role AI might play in helping us respond to the climate and nature crises. Supported by ARUP.
Join National Geographic Explorer and Founder of Rozalia Project for a Clean Ocean Rachael Miller for a discussion around the Science and Solution for a Clean Ocean (1 April) as she guides as through the problem with plastic and the latest solutions to fight it. Supported by the U.S. Embassy. Also looking at the new technology helping us tackle the climate crisis is Carbon Capture and Storage for a Net-Zero Future (8 April) – how much carbon dioxide can be captured and stored? What are the risks of storing carbon dioxide underground? As carbon emissions continue to rise, what are the risks of not doing so?
Audience’s favourite naturalist and author Jules Howard teams up with fly expert Dr Erica McAlister to fill us in on the latest discovering in insect sex life science in their trademark light-hearted style in Indecent Insects (5 April).
What happens to our bodies after we die? From the rising demand for greener funerals, to water cremation, human composting and “body farms”, choices are no longer limited to burial or cremation. Join our panel of experts for Disposing of the Body (2 April) which lifts the shroud on the fascinating and taboo topic of alternative post-mortem care. In Free Agents (9 April), leading neuroscientist Kevin Mitchell makes the evolutionary case for free will. Our Lives with IBD (10 April) presents a short film about inflammatory bowel diseases (IBD), the people affected by them, and the new research that aims to improve these conditions. Following the film, comedian Susan Morrison guides an entertaining discussion about IBD with the filmmaker Hugo Hemmati and the film’s stars, including gastroenterologist Dr Gwo-tzer Ho and IBD patient Molly Halligan.
Virus Bingo (11 April) is an interactive activity looking at what it takes for a virus to cross the divide between animals and humans.
Custodians of the Cosmos (3 April)features Prof Andy Lawrence from The Royal Observatory Edinburgh and eminent photographer Max Alexander exploring why studying the skies is of vital cultural and economic importance. In Our Accidental Universe (12 April) BBC presenter of Sky at Night and Gresham Professor of Astronomy Chris Lintott takes us on an astonishing tour of bizarre accidents, big characters, and human error to tell the story of some of the most important astronomical events of the past hundred years.
Award-winning broadcaster and author Marcus Chown breaks down the big physics questions that explain the universe in The One Thing You Need to Know (12 April). For Pink Floyd’s fans out there, Planetarium Late: Pink Floyd’s The Dark Side of the Moon (4-6 April & 11-13 April) is a mesmeric and immersive 360° show with breath-taking views of the Solar System, set to the official 1973 album in spectacular surround sound.
When STEM meets arts, amazing things happen – such as Future Proof (30 March – 26 May) at Summerhall, a series of exhibitions and events from visual artists that explore alternative futures through examination of the past and present and pose existential questions from the blurred boundary of art and science. It includes Morality Calcusus, a bio-art installation by artist Yuning Chen that recounts the endeavour of creating bread fermented with yeast-human cell hybrids in a synthetic biology lab in collaboration with biologist Dr. Elise Cachat.
There is also a theatrical tasting experience (13-14 April) accompanying the installation during which audience sample fictional hybrid organisms analogous to the ones involved in the bread making experiments.
In Post-Industrial Ecologies, Dawn Felicia Knox explores the way plants and fungi work together to undo the toxic residue of industrialisation on an example of one plot of land over 320 million years. The site, a coalmine during the industrial revolution, is a contaminated brownfield yet through the entanglement of plants and fungi it has become a vibrant ecosystem.
The University of Edinburgh’s annual Tam Dalyell Prize for Excellence in Engaging the Public with Science is awarded to Dr James Cook in recognition of his work increasing the public understanding of music in pre-Reformation Scotland.
Dr Cook gives his winning Lecture (14 April) on Linlithgow Palace, once the great pleasure palace of the kings and queens of Scotland. Aiming to recapture its lost glory, Dr Cook present an event bringing together scientific acoustic research, historical archival work, archaeology, and performance to reconstruct the music within Virtual Reality.
The annual Festival Opening Party remains the capital’s hot ticket – adult-only take-over of the flagship family venue, City Art Centre! Join us for a fantastic hands-on science experience on 28 March, getting down digging up a dinosaur or dancing with a robot. The Festival’s main interactive exhibition, Growing Home, has its own late night event, Growing Home After Hours (4 April) which throws open the doors to the iconic National Museum of Scotland after hours; supported by the Festivals Expo Fund. A Night in the Undergrowth (10 April) cap-tivates everyone’s curiosity in a fun-gi evening event at the Biscuit Factory; supported by the Festivals Expo Fund.
Is Back to the Future better than Tenet? Is ET more accurate than Alien? Is The Matrix good enough to let us forgive its sequels? In Sci-Fi Snobbery (3 April) Simon Watt and Jamie Gallagher debate the merits of their favourites to work out which sci-fi movie has the most merit on both a scientific and cinematic basis.
Join mathematicians Katie Steckles and Ben Sparks for Pints and Puzzles (8 April), a mind-boggling evening of puzzles and mathematical thinking. Pit your wits against a series of beautiful, bamboozling maths brain teasers in this sociable night of fun!
And don’t forget to join Creative Informatics for a night of gaming in Let’s Play (12 April) and celebrate the latest in cutting-edge engineering (with demonstrations!) at Innovation Late with Lady MacRobert (8 April); supported by the Royal Academy of Engineering.
For more Science Nights Out highlights click here.
Culture Secretary Angus Robertson said: “We’re proud to support the 2024 Edinburgh Science Festival – another shining example of Scotland’s place as the perfect stage to host major events and the home of world leading festivals.
“The Scottish Government is supporting the Festival with funding of £120,000 from our Expo Fund, as well as £60,000 for the PLaCE programme to support the ongoing engagement programme with schools and community groups.
“This year’s theme, Shaping the Future is relevant and interesting; using technology and AI to help build sustainable solutions for Scotland. We’re certain all the Festival’s attendees will learn and have fun in the process.”
Culture and Communities Convener, Councillor Val Walker said: “It’s fantastic to see the city gearing up for the 35th anniversary edition of the Edinburgh Science Festival. The world we live in has arguably never been more innovative or advanced, this year’s theme of ‘Shaping the Future’ pays tribute to this and questions where we go from here.
“With events across the Capital exploring themes such as space, health and medicine, and artificial intelligence to name but a few, there is truly something for everyone.
“The Science Festival is one that’s particularly close to my heart, with many fond memories of taking my son and grandchildren along over the years. I’m really looking forward to the 2024 edition and I’d encourage all our residents and visitors to get involved.”
Granton Youth held its virtual AGM this week for its members and invited guests. Apart from the usual administration process of electing its volunteer board members those present heard about the work that the organisation did over the past year as well as a look ahead.
Mary Q-Burnside, Manager of GY, said in her report: ‘The year 22/23 was the first year following the pandemic when we were free to operate with full complement of staff and put the focus and vision of the GY strategy fully into practice – which is to provide holistic support to work with young people and their families.
‘GY has created a multi-support network and programme that can make a real difference to young people’s lives – by being where they are: in their streets, school, at our base within RWCC and within the family home.’
Mary highlighted there was a growing demand following pandemic and exacerbated by cost of living crisis means services are at capacity.
As part of GY strategy it has been recognised what we do well and ask young people and their families what they need and want.
In order to make this happen we have developed valuable and supportive collaborations through:
Community Mental Health fund partnership – Bwell together
North Edinburgh Youth Work collaborative – supporting youth work apprentices
Single Point Access pilot in North Edinburgh – working with NHS, Social Work and schools to ensure the right targeted support is identified for local families and young people
Despite the challenges in finding funding GY continues to be successful in sustaining its funding in an ever more competitive market.
Currently GY provides:
Open access youth work – a safe space to explore learning, creativity and be heard
Targeted youth work for nuerodivergent/isolated young people
Music – employing professional tutors so young people can learn to play, write their own songs and record and release them as well as being given and opportunity to play live with some of our musicians playing venues such as King Tuts and La Belle Angelle
Families Together – working with families to identify areas where support is required and providing tailored programmes to meet their needs
Volunteering – offering local people an opportunity to volunteer and receive accredited learning and have access to a paid apprenticeship in youth work
Mentoring- delivering 1:1 for young people requiring additional support, targeted at those who may be socially isolated or who are at risk of antisocial behaviour
Streetwork – working to engage young people who are not engaging in mainstream youth work services and or education. Meeting them in the local area and on their terms
Counselling – GY has a centre based counselling service for local young people and adults as well as counselling presence across 6 high schools in North West Edinburgh
Positive Activities programme is part of our open access youth work but also with offers a targeted programme to engage physically inactive/socially isolated or those engaged in risk-taking behaviour
Schools based youth work – supporting young people by providing 1:1 youth work mentoring to sustain attendance and improve attainment
Dave Macnab, Chair of GY, said: “All of this happens because we have developed a dedicated staff team who are experienced, skilled and enthusiastic about the work they do and the difference they make.
“It is heartening to see that 10 of our team of 21 are from the local area and that 6 of the core team started as volunteers at GY.
“In fact, in the last two years GY has employed five young people who are the product of the volunteer apprentice scheme”.
GY reaches around 500 young people and adults per year through its various provisions and demand is ever increasing as our word of mouth reputation and positive profile grow.
The Edinburgh International Festival of Magic is back for a 14th year, with international star Kevin Quantum topping the bill. Known as MagicFest it runs from 20-31 Dec. and will be a dazzling showcase of new and established magical talent.
There are new collaborations with Edinburgh Castle’s “The Castle of Light” and Wonder and Co (the capital’s new magic shop) as well as The Joker and the Thief, plus the welcome return of Future Magicians, and family shows at The Scottish Storytelling Centre.
This year’s programme
Kevin Quantum’s Christmas Special: Straight from sell-out shows in Edinburgh and Australia, Kevin returns with a high-energy, wonder-packed family show at the Church Hill Theatre. Join the Edinburgh-based international star and special guest, the contemporary conjuror Oliver Tabor, for a magical night out, with big laughs, amazement and adventure.
Venue: Church Hill Theatre.
Duration: 1hr 45 min including 15 min intermission
Ages: 5+
Tickets: Standard £20, £18 Concessions, £18 Child
Dates, times: 24 Dec 15:00. 27, 28, 29, 30 Dec 14:00 and 19:00. 31 Dec 14:00
Future Magicians: A welcome return for this very special MagicFest initiative where you get to see tomorrow’s magicians today. We take a group of would-be young magicians and pair them with professional tutors to prepare a special 15-minute magic act – which they then present on stage for you.
Venue: Scottish Storytelling Centre.
Duration: 60 minutes
Ages: 7+
Tickets: £12 and £10 concessions
Date: 29 and 30 Dec
Time: 14:00
Vincent Gambini: This is not a magic show: What makes magic magic? Is there really a Magic Circle Emergency Hotline for magicians in distress? A critically acclaimed performance of and about sleight-of-hand magic, its invisible mechanics, clichés, and what it tells us about live theatre and make-believe. Vincent Gambini presents astonishing close-up magic that invites us to question how enchantment and wonder are made within a theatrical situation.
Venue: Scottish Storytelling Centre.
Duration: 70 minutes
Ages: 14+
Tickets: £14, concessions £12
Date: 27, 28, 29, 30 Dec.
Time: 16:00
Cameron Gibson and Friends: Edinburgh magician Cameron Gibson presents a fast-paced magic and variety show that will knock your proverbial socks off. From classic sleight of hand to mind-reading and comedy, it has something for everyone. Every show features special guests from the world of magic and variety – so you never quite know what wonders await…
Venue: Scottish Storytelling Centre.
Duration: 60 minutes
Ages: 12+
Tickets: £14, concessions £12
Date: 28, 29, 30 Dec.
Time: 19:45
Richard Wiseman: Mind Magic: Enter the strange world of illusion, magic, and mystery. How do magicians produce objects from thin air and defy gravity? Does the paranormal exist? Join psychologist, best-selling author, and member of the Inner Magic Circle Professor Richard Wiseman as he explores the limits of the human mind. A fun hour for all the family.
Venue: Scottish Storytelling Centre.
Duration: 55 minutes
Ages: 12+
Tickets: £12, concessions £10
Date: 28 Dec.
Time: 14:00
Elliot Bibby: The Best of Bibby: After a complete sell out at this year’s Edinburgh Fringe Festival with the Insane Magic boys, Elliot is back with a solo hour of magic. Bringing the best he has to offer from 10 years of professional shows in this comedy magic extravaganza.
Venue: Scottish Storytelling Centre.
Duration: 55 minutes
Ages: 10+
Tickets: £14, concessions £12
Date: 27, 28, 29, 30 Dec.
Time: 18:00
Tricky Ricky: Festive Funtime: After sell-out performances last year, the Trickster returns with more festive fun and lots of his puns in a show starring Jingles the Reindeer and his mischievous rabbit Sonny the Bunny. Prepare to be amused and amazed in this fast paced and chaotic magic show. It’s cabaret for kids and grown-ups.
Venue: Scottish Storytelling Centre.
Duration: 50 minutes
Ages: 4+
Tickets: £12, concessions £10
Date: 29, 30 Dec.
Times: 10:45 and 12:15
Gary James: Wonderland: A fast-paced family-friendly show with jaw-dropping magic inspired by wide-eyed childhood memories and a career in entertainment. Gary captures the excitement and mystery from his childhood visits to the legendary Lothian Road store called Wonderland. Who’d have thought that family trips to this shop as a child would have inspired a life in entertainment?
Venue: Scottish Storytelling Centre
Duration: 50 minutes
Ages: 7+
Tickets: £12, concessions £10
Date: 27 Dec.
Times: 10:45 and 12:15
Gary Dunn: Jokes & Tricks: One of Scotland’s favourite family entertainers returns to MagicFest for another show filled with mad magic and silly jokes.
Venue: Scottish Storytelling Centre.
Duration: 50 minutes
Ages: 5+
Tickets: £12, concessions £10
Date: 28 Dec.
Times: 10:45 and 12:15
Kevin Quantum: Edinburgh Magic: Unlock hidden Edinburgh and enjoy magic that’s fooled the greatest minds associated with the city, from Harry Houdini to King Charles. Amazing moments tied to the secret stories hidden in the cobbles and closes of the capital.Objects float before your eyes, money multiplies, time stands still…
Venue: Waldorf Astoria: The Caledonian.
Duration: 70 minutes
Ages: 12+
Tickets: £30-£35
Date: 20 Dec.
Times: 18:00 and 20:30
Vincent Gambini: Out of Thin Air: Stories about magicians at magic conventions, an attempt at presenting a show in which nothing happens, and magic poems about you, the spectator. Deft sleight of hand, strange poetry, and low-key spectacle.
Venue: Wonder & Co., 14 Haymarket Terrace
Duration: 30 minutes
Ages: 14+
Tickets: £8, concessions £7
Dates: 28, 29, 30 Dec.
Times: 12:00
Richard Wiseman: The World’s Greatest Card Trick and Other Mysteries: The world’s greatest card trick was invented in 1942. It has been performed by many famous magicians, amazed and astounded millions of people, and made Winston Churchill late for Parliament. In this intimate show, a small group of people join magician Professor Richard Wiseman as he reveals the unknown genius behind the trick, demonstrates other jaw dropping mysteries from the mind of this master magician, and celebrates the invention of the impossible.
Venue: Scottish Storytelling Centre.
Duration: 40 minutes
Ages: 12+
Tickets: £7, concessions £6
Dates and times: 28 Dec 16:00, 29 Dec 13:00 and 16:00
Cameron Gibson: Street Magic Masterclass: Spend a morning with professional magician Cameron Gibson to gain hands-on experience in simple yet mind-blowing magic that you can do. You will master tricks with everyday objects that you can use to entertain and amaze your friends and family.
Venue: Wonder & Co., 14 Haymarket Terrace
Duration: 90 minutes
Ages: Varies depending on session
Tickets: £20
Date: 28 Dec (ages 12-18), 29 Dec (ages 18+), 30 Dec (ages 10+)
Time: 09:30
Close-Up Magic at The Joker & The Thief: Astonishing close-up magic at The Joker & The Thief pub with resident magician Tim Licata, one of Scotland’s most entertaining sleight-of-hand artists.
Venue: The Joker & The Thief, Elm Row
Duration: 120 minutes
Ages: Strictly 18+
Tickets: Free – donations welcome
Date: 28 Dec.
Time: 20:00
Castle of Light: MagicFest is partnering with Castle of Light, which transforms Edinburgh Castle with magical installations and illuminations. Watch out for some of our astounding tricks and illusions. Venue: Edinburgh Castle.
Tickets now on sale – Check out the full line up and times, and book tickets at www.magicfest.co.uk.
First wave of exciting film talent set to visit the city at this year’s EIFF include Shane Meadows, Irvine Welsh, Ella Lily Hyland, Ira Sachs, Paul Higgins,and Fran Rubel Kuzui
Industry professionals and EIFF alumni invited to reconnect at Talent Assemble event
Edinburgh International Film Festival, this year hosted by the Edinburgh International Festival, has announced its first wave of guests appearing at this year’s edition alongside a special Talent Assemble event celebrating the festival’s community of filmmaking talent.
Talent Assemble
Talent Assemble is a special event to celebrate EIFF’s community of filmmakers and give thanks to the wider industry for the goodwill and supportive energy shown to the Festival this year.
In partnership with BBC Film, BBC Scotland and MG ALBA, Talent Assemble will introduce and reconnect alumni of EIFF’s many talent development initiatives and raise a glass to the wealth of emerging and established talent who have made EIFF a vibrant Festival, bursting with creativity year after year.
Filmmakers who have screened work in the Festival in the past, and industry professionals who have taken part in the myriad EIFF talent development schemes, who are interested in attending are encouraged to get in touch with the Festival. More information can be found at https://www.eif.co.uk/edinburgh-international-film-festival/talent-assemble
Guests at EIFF 2023
On 18 August, the Festival opens with the world premiere of Silent Roar, the debut feature from BAFTA-nominated Scottish writer and director Johnny Barrington.
Barrington will be in attendance to present the film, alongside the film’s stars Ella Lily Hyland (Fifteen Love), Louis McCartney, Mark Lockyer, and Chinenye Ezeudu (Sex Education).
On 19 August, acclaimed director Ira Sachs (Love is Strange, Little Men) will be on hand to present his intimate new feature Passages, the thorniest and horniest film of the year. Sachs will also be taking part in a special Sunday Salon event on 20th August, discussing queer cinema and representations of intimacy with 2020 Booker Prize nominated writer Brandon Taylor (Real Life, The Late Americans).
Filmmaker Ella Glendining will be at the festival to present her smart, honest and beautifully illuminating documentary Is There Anybody Out There? which examines questions of disability on a journey to find herself in others.
Writer/director Karoline Lyngbye joins the Festival to present Superposition, her stylish and chilling existential thriller.
While in the Festival’s weekend of outdoor screenings, Cinema Under the Stars, director Charlotte Regan presents her Sundance award-winning feature film Scrapper.
On the 20 August, feel-good LGBTQ+ romance Chuck Chuck Baby receives its World Premiere, with director Janis Pugh in attendance.
Filmmakers Sam H. Freeman (whose television work includes Industry and This Is Going To Hurt) and Ng Choon Ping attend the Festival to present their tense, stylish thriller about desire and self-loathing, Femme.
Director Bette Gordon joins the Festival for the special 40th anniversary retrospective screening of her neo-noir feminist classic Variety.
Huw Lemmey (host of podcast Bad Gays)presents Ungentle, a thought-provoking study of British espionage and homosexual identity.
At Cinema Under the Stars, artist Julia Parks presents Wool Aliens (and other films), a series of short films, created during a residency in Hawick in the Scottish Borders. The screenings are preceded by a performance from musician Miwa Nagato-Apthorp. –
On 21 August, Director Hope Dickson-Leach (The Levelling) joins cast member David Hayman to present the World Premiere of her atmospheric Edinburgh-set period thriller The Strange Case of Dr Jekyll & Mr Hyde.
David Hayman also joins writer/director Paris Zarcilla to present his chilling debut film Raging Grace, a haunting gothic horror which recently took the Grand Jury Prize at South by Southwest (SXSW) Film Festival.
Jeanie Finlay arrives in Edinburgh to present her rousing portrait of author, activist and podcaster Aubrey Gordon in Your Fat Friend.
On 22 August, Kill, a nail-biting debut feature from director Rodger Griffiths, assembles an exceptional cast of Scottish talent in a gritty and bloody revenge story. Griffiths will attend the Festival alongside the film’s stars Paul Higgins (The Thick of It), Daniel Portman (Game of Thrones), Callum Ross,Anita Vettesse, and Brian Vernel (Dunkirk).
A forgotten gem of American indie cinema, Tokyo Pop is newly restored to mark the film’s 35th anniversary, and the Festival is thrilled that writer/director Fran Rubel Kuzui (who later went on to direct the original Buffy the Vampire Slayer movie)and producer Kaz Kuzui will present the film.
Lead actor Thomas Schubert of Afire is in town to present the Festival’s screening of the film: a sharp and funny take on the struggles of creativity.
Dead Man’s Shoes, Shane Meadows’ radical revenge thriller, had its world premiere at the Edinburgh International Film festival in 2004. Now nearly twenty years on, Shane Meadows joins the Festival alongside producer Mark Herbert for a special retrospective gala to celebrate the film’s extraordinary legacy. –
On closing night 23 August,celebrated author Irvine Welsh will join director Ian Jeffries to present the World Premiere of their collaborative new documentary Choose Irvine Welsh, charting the author’s life and philosophy in his own words and those of his collaborators and admirers.
The 2023 Edinburgh International Film festival closes with stylish deadpan dramedy Fremont, presented by the film’s director Babak Jalali and writer Carolina Cavalli (Amanda).
Edinburgh International Film Festival runs from Friday 18 to Wednesday 23 August.
Scotland’s only 5-star concert venue, Edinburgh’s stunning Usher Hall, is proud to announce the 2023-24 programme for its much-loved Sunday Classics season.
The Sunday afternoon season is renowned for bringing the finest orchestras from around the world to the Scottish capital, accompanied by exceptional soloists at the height of their talents.
Starting in September, the mighty Concerto Budapest Symphony Orchestra kicks off the 2023-24 season with a performance of Tchaikovsky’s Symphony No. 5. Brimming over with drama and emotional intensity, the symphony charts a course from darkness to a final, life-affirming glimmer of optimism.
Two weeks later the Basel Chamber Orchestra, the first orchestra to win the Swiss Music Prize in 2019, makes a triumphant return to Edinburgh. Joining them is pianist Angela Hewitt, a great favorite of the Zurich International Series’ audience, who will direct the orchestra in two concerto masterpieces – Mozart’s lyrical E-flat Piano Concerto and Bach’s pulsating D-minor Piano Concerto.
December sees a visit from the Symphony Orchestra of India, bringing with it all its renowned energy and vigour to one of the great 20th-century masterpieces by Stravinsky, Petrushka.
They are joined by perhaps the greatest musician in the Indian classical tradition, the tabla player Zakir Hussain, in a work commissioned especially for this tour, his exciting Triple Concerto.
The first concert of 2024 welcomes global superstar guitarist Miloš Karadaglić and the Arcangelo Ensemble, who will treat us to a celebration of Baroque masterpieces by Vivaldi, Marcello, Bach, Pachelbel, Rameau, and Couperin.
For lovers of the Baroque repertoire, this will be a very special evening featuring music recently recorded by Miloš and released by Sony later this year.
They will be joined by the brilliant young violinist Tamsin Waley-Cohen in two masterworks for orchestra and violin – Chausson’s Poème and Saint-Saëns’ Introduction and Rondo Capriccioso.
The second half will feature two of Respighi’s monumental tone poems, Fountains of Rome and his ultimate work, Pines of Rome.
To celebrate a new, cordial phase of Anglo-French relations, a group of brilliant, young British and French musicians have been brought together to form the virtuosic Orchestre de l’Entente Cordiale.
They are joined by acclaimed French cellist Gautier Capuҫon who will perform that quintessentially English work, the Elgar Cello Concerto. After the British first half, an all-French second half features popular music by Satie and Debussy, with a grand finale of opulent music from Poulenc’s ballet Les biches.
Russian-born violinst Maria Ioudenitch treats the Usher Hall to one of the most profound violin concertos composed in the 20th century, Shostakovich’s First Violin Concerto, with its ravishing central passacaglia.
Joined by the Dresden Philharmonic, the show will also feature one of the most poignant and tragic of all symphonies, Tchaikovsky’s Symphony No. 6, the ‘Pathétique’.
Acclaimed pianist Mark Bebbington joins the Czech National Symphony Orchestra in a performance of Beethoven’s grand ‘Emperor’ Concerto and two much-loved Czech favourites – Smetana’s Bartered Bride and Dvořák’s Symphony No. 7, in authentic and inimitable Czech style.
The orchestra’s American music director Steven Mercurio will begin the concert with Copland’s delightful portrait of the Appalachian countryside.
This finale includes one of the greatest of all choral works, Mozart’s farewell to the world, his Requiem. To balance this sombre second half, the first half includes Beethoven’s sparkling Eighth Symphony.
Taking part in this concert will be one of England’s historic choruses, the Sheffield Philharmonic Chorus, who join the Flanders Symphony Orchestra in a moving end to the Sunday Classics season.
Karl Chapman, Cultural Venues Manager at Usher Hall said: “We are delighted to announce our new Sunday Classics season, packed full of the best orchestras, soloists, and conductors in the world today.
“Sunday Classics has become an integral part of the Scottish classical music scene and the Sunday afternoon concert experience has proved ever popular. It’s fantastic that the Usher Hall can offer such an unrivalled variety of international talent to the music-lovers of Edinburgh and Scotland in a concert hall with some of the very best acoustics around.
“This season we are hosting a diverse selection of ensembles – the Czech National Symphony Orchestra make a triumphant return to the Hall led by American music director Stephen Mercurio.
“We are also incredibly excited to welcome back the likes of the India Symphony and Concerto Budapest Symphony orchestras and we know that the amazing Edinburgh audiences will leave them wanting to come back!
Councillor Val Walker, Culture and Communities Convener said: “I am delighted that the Sunday Classics programme is returning for the 2023-24 season.
“There can be no better location to experience a live classical performance than the world-famous Usher Hall. Designed and built with a view to bring classical music to Scotland’s Capital, our venue has been a key part of our musical culture for over a century. I am proud that the tradition of concert-going at Edinburgh’s most stunning indoor venue continues as strongly as ever.
“It’s a genuine pleasure to sit back in the impressive hall and lose yourself in the music, and this new Sunday Classics series will feature first-class orchestras and classical superstars from around the world. Plus, with lots of options and special rates on tickets, the Usher Hall is helping to make classical music accessible to all.”
