InterContinental Edinburgh The George has partnered with Scottish Opera to commemorate the 250th anniversary of Sir Walter Scott with a special balcony performance of ‘Spargi d’amaro pianto’ from Lucia di Lammermoor, an opera based on Scott’s historical novel The Bride of Lammermoor.
Yesterday’s performance – on 21 September, which is the anniversary of his death – featured Scottish Opera’s emerging artist, soprano Catriona Clark, accompanied by pianist Toby Hession.
Forming part of the 250th anniversary celebrations of Sir Walter Scott, and in the wake of the pandemic, Scottish Opera will feature the novel, The Bride of Lammermoor as a creative stimulus and inspiration to explore issues such as loneliness and isolation.
‘Sweet Sounds in Wild Places’ aims to empower women who have been struggling during lockdown and to help build creative skills, as well as increase self-confidence and self-expression.
The hotel boasts a historical connection to Scotland’s beloved Sir Walter Scott and was originally a collection of five prestigious townhouses. James Ferrier and his family lived at Number 25, with many literary links including Sir Walter Scott, who was also a well-known friend of novelist Susan Ferrier and was regularly entertained at the family home.
InterContinental Edinburgh The George will welcome back Scottish Opera next year to host a curated exhibition of the artwork created throughout the ‘Sweet Sounds in Wild Places’ sessions.
Kieran Quinn, Hotel General Manager InterContinental Edinburgh The George said: “It is hugely exciting to host Scottish Opera at InterContinental Edinburgh The George, both to support the launch of Scottish Opera’s ‘Sweet Sounds in Wild Places’ as well as commemorate Sir Walter Scott.
“This world-class performance is not only a nod to Sir Walter Scott, whom had a personal connection to the historical building of this hotel, but also highlights that InterContinental Edinburgh The George is open, following the many challenges faced by the hospitality industry.
“The impact from the pandemic has left many people with feelings of loneliness, isolation and anxiety and it is important that we support them. We look forward to our partnership with Scottish Opera, and to welcoming them back to host a selection of the artwork created during their ‘Sweet Sounds in Wild Places’ workshops.
Jane Davidson, Director of Outreach and Education, Scottish Opera said:“The past 18 months has been a challenging time for many people, and even although some things are returning to normal, some of us are struggling with mental health and well-being which can make it difficult to re-connect with our usual activities, social circles or with the places where we live and work.
“At times like this it is important not to undermine the power of opera and the ability individuals have to connect with the art forms involved. We thank InterContinental Edinburgh The George for its support in our ‘Sweet Sounds in Wild Places’ sessions and look forward to celebrating the artwork created during the workshops with them later in the year.”
As part of the partnership The InterContinental Edinburgh The George join The Cruden Foundation and Scottish Opera’s Education Angels in supporting the Sweet Sounds in Wild Places project.
For more information about the InterContinental Edinburgh The George visit:
Victoria Park & North Edinburgh Cycle Paths Sunday 12th September, 1pm – 6pm
A full afternoon of music outdoors, along and nearby the cycle paths in North Edinburgh. Join us along the trail for any or all of the following events!
See the map for details of where we’ll be playing.
Note: the event & times are dependent on the weather – if it’s dry we’ll be there, if not we may have to cancel.
LMNS launches online application tool as it announces 2021 audition dates
New tool will help LMNS continue to support musicians from across Scotland as they embark on professional careers post pandemic
Applications close Friday 8 October and auditions take place Tuesday 23 & Wednesday 24 November 2021
LMNS continues to innovate by exploring new ways to audition musicians that represents the diversity of Scotland’s music scene
Live Music Now Scotland (LMNS) has announced its 2021 audition dates by unveiling a brand-new online application tool that will allow musicians impacted by the pandemic, and at the beginning of their professional career journeys, to apply in the most accessible and efficient way.
Taking place on Tuesday 23 and Wednesday 24 November 2021, these auditions are an opportunity for musicians from across Scotland’s many regions and diverse music scene to become part of LMNS, an opportunity that grants unparalleled access to fairly paid, professional opportunities and engagements across the country, throughout the year.
Image: Calum Huggan
LMNS has sought to make the audition application process as simple and streamlined as possible, and musicians can now apply directly via the website, where they can also find an introductory video from Director Carol Main and handy ‘how to’ tips.
This upgraded system reflects the needs of musicians as we emerge into the ‘new normal’ and looks to support those whose careers have effectively been put on hold due to the pandemic, and who have literally been deprived a stage as they launch their careers.
With application open until Friday 8 October, soloists, duos, ensembles and every other configuration (of up to five musicians) from across Scotland are being encouraged to apply for the chance to work with this groundbreaking organisation at the heart of the country’s music scene.
Inspired by the philosophy of world-famous violinist Yehudi Menuhin, and philanthropist, Sir Ian Stoutzker, LMNS aims to bring the highest quality of music to audiences of all backgrounds, not least those who, for whatever reason, might not otherwise have access to it and who arguably, may have the most to gain by hearing it.
Not only that, LMNS is committed to supporting and facilitating musicians in the infancy of their professional careers, granting them access to new audiences and offering them a platform upon which to grow both their professional careers, and as performers.
By bringing its audition application process online, LMNS is also taking the first step in updating its audition model, as it continues to reflect the diversity and development of both the music and musicians that make up Scotland’s rich music scene.
Carol Main MBE, Director at Live Music Now Scotland, said: “We are delighted to announce our 2021 audition dates as we come to the end of a very difficult year for musicians across Scotland, and indeed the world. With restrictions beginning to ease, and the ‘new normal’ on the horizon, we can’t wait to see what the next generation of musicians based in Scotland, has to offer.
“We are also excited to launch our brand new, online application tool aimed at making the process of applying to audition as streamlined and user friendly as possible.
“We love the fact that our musicians come from a diverse range of backgrounds, span a wide variety of musical genres, and represent a multitude of cultures, and this new online tool is the first step in updating our audition process to reflect this diversity.”
LMNS has supported over 600 of musicians in launching their professional music careers and recent alumni include Ainsley Hamill whose latest album Not Just Ship Land was the Guardian’s album of the month, and who was described by RnR Magazine as “One of the best of her generation.”
Image: Ainsley Hamil
Calum Huggan, international percussionist & marimbist, has also recently released a debut album entitled American Music for Marimba, and said: “I’m always talking with my students, colleagues telling them how important LMNS was for my career in both education and performance settings, so I hope you feel a little bit of yourselves in this.”
After an extraordinary 25 days, the 2021 Edinburgh Festival Fringe has drawn to a close, having brought artists, arts industry, media and audiences together once again to celebrate the magic of live performance.
This year, the Fringe looked very different. For the first time, audiences were able to engage with work both online and in-person, with performers, creators and producers embracing new ways to keep performance in our hearts and minds.
Shows happened in car parks, racecourses, tents and forests. There were brave new works-in-progress; exciting revivals; reimagined classics; solo shows; family-friendly shows; international showcases; sketch shows; interactive digital works; outdoor site-specific shows; walking tours; immersive experiences and late-night, mixed-bill, laugh-a-minute shows.
Some performers took the stage for the first time in 18 months, while others used the festival as a way of reconnecting with fellow artists and industry professionals.
There was support for arts professionals in new ways – with Fringe Connect offering a professional development, workshop and networking space for artists and industry, and Fringe Marketplace providing a digital platform to showcase export ready professional work from across the Fringe to delegates from around the world.
Our Street Events programme looked different, but was just as joy-filled as always, with everything from magic to live music happening in safe, managed locations from West Parliament Square to the Mound.
Street performers also went into communities across Edinburgh, while the Fringe Society worked with over 30 charities and community groups to distribute Fringe vouchers and Lothian bus tickets to give people the opportunity to experience the Fringe either in person or online.
The Fringe Society continued its commitment to accessibility. There was BSL interpretation of the street events at West Parliament Square, and a bespoke access bookings service on offer for customers who require it.
This Fringe was also a big step forward for sustainability. More performers marketed their shows digitally, through QR codes, social media and more. Our online strand meant less travel and a reduced carbon footprint for some participating artists, audiences and industry, extending our global reach even further.
We also strengthened the Fringe’s place in our local community. This year, over a third of audiences were from Edinburgh, and a further 17% were from the rest of Scotland. 44% were from the wider United Kingdom. Artists and creatives local to Scotland also added their stories to stages and screens in greater proportions than we have seen in recent years.
But that didn’t happen at the expense of the festival’s founding open access principle. 38 countries were represented on the Fringe this year, with work from nine countries featured as part of international showcases taking place. There was also increased international representation in proportion to the overall programme.
Commenting on this year’s festival, Shona McCarthy, Chief Executive, Edinburgh Festival Fringe Society, said: “Traditionally, this day in the Fringe calendar is all about statistics: how many shows took place, how many tickets were bought, and what that means.
“But this year, I’d like to stop defining success by scale. For me, that’s never been what makes the Fringe special. Success should be defined by the quality of experience we’ve all had – and what we’re hearing from performers and audiences alike is that this year’s Fringe has been hugely successful indeed.
“When registration opened in May, we had no way of knowing for sure what this summer would look like. Today, we celebrate every single show that has been brought to life. I’d like to personally thank and congratulate everyone that made it happen, as well as our audiences, sponsors and supporters who have cheered us on and offered much-needed support through this wild and unexpected year.
“We’ve still got work to do to ensure the Fringe recovers – but recovery isn’t about growth in the statistical sense. It’s about growth as a Fringe community. As we move forward with our Save the Fringe campaign and continue to champion this festival and the wider arts, we’ll be calling on everyone to help us shape what the future of this fantastic festival holds.”
Benny Higgins, Chair, Edinburgh Festival Fringe Society, said: “I’d like to offer huge congratulations to everyone that made this festival happen in the most challenging of circumstances.
“I’ve been blown away by the commitment, creativity and talent of those that have worked tirelessly to bring the magic of the Fringe back to Edinburgh’s streets – and for the first time – to screens around the world.
“As we look to the Fringe’s 75th anniversary in 2022, I am looking forward to being part of a wider conversation about how we make this festival the very best version of itself. This year proved that a small amount of public sector investment can bring about positive change, and it’s crucial that investment in this hugely important festival continues. The Fringe has a big role to play in our recovery, and as we look to build a renaissance for the Fringe in the future, we’ll keep working to support those that make it happen.”
Barbara Smith, Managing Director of Johnnie Walker Princes Street, said: “It’s been a fantastic month, seeing the phased return of the Edinburgh Festival Fringe and seeing Edinburgh locals and visitors get to enjoy what Edinburgh does best.
“As official whisky of the Edinburgh Festival Fringe, Johnnie Walker has celebrated the month with our residence ‘The Fringe Club’ on The Mound throughout the festival and gifting lucky festival-goers with exclusive prizes. We’ve our eyes firmly on the future, opening our doors to Johnnie Walker Princes Street on 6 September and joining in the celebrations once again in 2022.”
Next year’s Edinburgh Festival Fringe will run from 05 – 29 August 2022. It will mark the 75th anniversary of the festival.
SPONSORS and SUPPORTERS
As a charity, the work of the Edinburgh Festival Fringe Society would not be possible without the valuable support of our partners, sponsors and funders.
We are delighted to be working with Johnnie Walker for the third year running as our official whisky partner.
We are proud to be partnering with the newly opened St James Quarter and are excited to be working with them this year and beyond.
We are excited to be partnering with Crowdfunder again through our FringeMakers fundraising platform, supporting Fringe artists and venues with vital fundraising efforts.
We have teamed up with Rare Birds Books to a create a limited-edition book bundle with books selected by the women behind three of the Fringe’s most iconic venues; Rowan Campbell, the General Manager of Summerhall, Dani Rae, the General Manager of Assembly and Katy Koren, who co-runs Gilded Balloon. Proceeds of the sale of this bundle will support go directly to supporting Fringe artists bring work to the Fringe.
We would also like to thank Lothian Buses for their continued support of our Fringe Days Out programme.
We’re thrilled to welcome Edinburgh Gin on board as Official Gin of the Fringe and look forward to working with them.
We are grateful for funding through the PLACE Programme, a partnership between the Scottish Government -through Creative Scotland -the City of Edinburgh Council and Festivals Edinburgh; Scottish Government for Made in Scotland through the Festivals Expo Fund – managed through Creative Scotland – and the continued support of the City of Edinburgh Council. Thanks also to Scottish Government for funds from their Get into Summer campaign.
We are grateful for funding from the Pivotal Event Business Fund, the SCVO Adapt and Thrive programme, the Foyle Foundation and the UK Government to enhance our digital capabilities.
Our thanks also to the Paul Hamlyn Foundation, the Pump House Trust and the Turtleton Charitable Trust.
With thanks to EventScotland and City of Edinburgh Council for supporting Street Events.
Thank you to Brightcove, our streaming partners, for their support in delivering the Fringe Player.
Our thanks also to our Fringe Angels, Patrons, Friends and supporters whose passion and generosity made a real difference this year.
A series of innovative creative projects from Edinburgh artists and creative organisations have been set in motion thanks to funding awarded through Creative Scotland’s Open Fund.
Over £150,400 has been awarded to nine Edinburgh based projects including a new dance platform from Dance Horizons; Page2Stage, a new writing night produced by Michelle McKay and hosted by Assembly Roxyand a family-friendly festival in Vogrie Park.
These projects are among 45 across the country sharing over £1million of National Lottery funding.
These funds aim to support creativity across Scotland for artists, organisations and creative groups as they seek to build sustainability after emerging from COVID-19 restrictions.
Innovations from Dance Horizons is a new contemporary dance platform that will support artists through the production process to share their creative practice as a high-quality finished work to audiences.
CEO and producer Oliver James Anwylsays: “As we emerge from the pandemic, this funding is incredibly valuable to ensure the success of this year’s platform.
“Dance has been one of the hardest genres to present online during the last 18 months and we are so excited to bring work to the stage for our audiences to enjoy.”
Glacial Narratives – a report from the Arctic is an exhibition that aims to raise awareness of the wonder of ice as a material and ask questions about its disappearance in the run up to COP26.
Artist Mary Walterssays: “As artists, we can add to contemporary climate change discussions by articulating the wonder we have for this amazing material that is fast disappearing.”
Page2Stage Edinburgh is a new writing night produced by Michelle McKay and hosted by Assembly Roxy that will provide a supportive environment for playwrights to gain feedback on their work and offers the audience a unique insight into the writing process.
Producer Michelle Mackay says: “We are working at grassroots level, building a network in Edinburgh and the funding means we can continue to build and develop Page2Stage providing further opportunities to create new work and partnerships.”
VOGRIE POGRIE is a free, highly accessible and family-friendly festival taking place entirely outdoors in Vogrie Park from 11-12 September with pop-up performances from clowns and storytellers, activities and workshops and activities in the park and local community beginning from 3 September.
Callum Ross, Creative Directorsays: “Trotwork Events is delighted to have received funding and have the opportunity to work with lots of great creative artists and groups again.
“Vogrie Park will come alive, and it will feel like a lovely gift to us all to enjoy. We can’t wait.”
Iain Munro, CEO, Creative Scotlandsaid: “Thanks to the generosity of National Lottery players, who raise £30 million for good causes across the UK every week, alongside equally welcome funding from the Scottish Government, these Open Fund awards continue to build resilience within Scotland’s artistic community as well as provide creative engagement opportunities to enrich the lives of people across Scotland”.
A full list of recipients of Open Fund awards is available on the Creative Scotland website.
Musicians, bands, artists and venues will be able to apply to a £750,000 Scottish Government fund to bring new and additional concerts to venues and festivals in Scotland next year.
Scotland on Tour will support the staging of concerts across the whole nation from between January 2022 and January 2023.
Funded by Scottish Government and organised by Active Events, its decision-making panel includes representatives from across the music industry, as well as Creative Scotland, Scottish Enterprise, Highlands and Islands Enterprise, XpoNorth and South of Scotland Enterprise.
Participating artists, venues and festivals will be announced later this year.
Culture Minister Jenny Gilruth said: “Due to the impact of COVID-19, I know many concerts from 2020 and 2021 have been postponed – leaving little opportunity for artists to perform new concerts in traditional venues or concert halls up until late 2022, or even spring 2023.
“So I am very pleased to announce Scotland on Tour, a fund to help artists, venues and the wider music industry by creating new concert opportunities across Scotland next year.
“The fund is not only an exciting opportunity for artists and venues, but also for Scottish audiences, who will have the chance to see the best of Scottish music right on their doorstep.”
Director of Active Events Lisa Whytock said: “The past 18 months have been exceptionally challenging for musicians and promoters around Scotland.
“This fund will allow new concerts from professional musicians to take place across the country, bringing world class performances to cities, towns and local communities whilst simultaneously supporting production companies and skilled freelancers in their delivery.
“We are extremely excited about the project and would like to wholeheartedly thank the Scottish Government for their investment.”
Head of Music at Creative Scotland, Alan Morrison, said: “At the height of the pandemic, Active Events applied to Creative Scotland’s Open Fund for a research project that would identify community partners and increase touring opportunities for musicians when restrictions finally lifted.
“This bold vision for recovery has blossomed into a new touring fund, supported by the Scottish Government, that will breathe life back into the live music sector across the entire country.
“It’s extremely encouraging to see how a seed that was sown in darker times is growing into a major year-long programme that will bring music fans and professional artists of all genres back together again.”
Further details will be announced soon as to how artists and venues can apply to the Scotland on Tour fund, which is expected to open for applications in October.
Registrations of interest to the fund can be recorded by sending an emailto info@scotlandontour.com
Nominations now open for the 2021 LGIU Scotland & CCLA Councillor Awards
The only national awards ceremony celebrating the ‘vital’ work of individual councillors across Scotland opens its call for nominations.
Local Government Information Unit (LGIU) Scotland and CCLA are proud to officially launch the 4th annual Cllr Awards, honouring the achievements of councillors that so often go unrecognised.
This year’s award categories celebrate the essential and varied work of councillors and include the coveted Community Champion, Leader of the Year and New Councillor of the Year awards, alongside a new Resilience and Recovery category for 2021.
Nominations can be made by anyone who would like to recognise a councillor doing outstanding work for their community. They are open until Friday, 24 September with the shortlist unveiled at the end of October.
The winners will be decided by a panel of judges composed of senior councillors and officers as well as leading stakeholders from across the sector. They will be revealed at this year’s ceremony taking place on Wednesday, 24 November. Due to the ongoing Covid related restrictions, it will be held as a hybrid event with virtual link ups to a Glasgow venue.
This year’s awards are made possible thanks to the generous support of founding partners, CCLA.
Jonathan Carr-West, Chief Executive of LGIU Scotland, said: “Local government supports all of us, each and every day. On every street, in every town, up and down the country, it is the vital work of councillors that keeps things moving.
“Now is the time for us to support our local heroes by nominating those councillors who have stepped up to the plate during extraordinary circumstances to deliver for their communities.
“As we officially open nominations for Cllr Awards 2021, we welcome contributions from any member of the public as well as other councillors, officers and leaders. We look forward to once again receiving the highest calibre of nominations and showcasing the essential work of councillors in November.”
New funds are available for Scottish based artists, companies, producers and venues for touring live theatre and dance work from Summer 2022.
With support from The National Lottery as well as enhanced funding of £375,000 from the Scottish Government, Creative Scotland’s £2million Touring Fund for Theatre and Dance eligibility criteria is now live and will open for applications on Tuesday 17 August.
Culture Minister Jenny Gilruth said: “It is fantastic to see the Touring Fund for Theatre and Dance re-open for applications. Delivered by Creative Scotland with an additional £375,000 of Scottish Government funding, the fund will help support a range of touring theatre shows for more people across Scotland to experience and enjoy in places which normally have fewer opportunities.
“Fulfilling one of our 100 day commitments, this fund will not only generate increased opportunities for new audiences to experience the best of Scottish theatre, it will provide artists, producers and companies with an opportunity to showcase their creative works after such a difficult year for the sector. I look forward to hearing more about the productions which will benefit from this funding.”
Since the Fund’s inception in 2018, £4.2million has enabled a wide range of new and topical re-stagings of acclaimed theatre and dance shows including circus for babies, gritty drama, and musical comedy capers exploring themes from international friendship to mental health to criss-cross Scotland.
From small, medium and large-scale venues pre-covid, shows have been specially created and re-imagined during the pandemic, to suit outdoor spaces and unconventional places such as allotments, woodland trails, garden centres, loch-sides, and people’s gardens.
Laura Mackenzie Stuart, Head of Theatre at Creative Scotlandsaid: “It’s with thanks to the generosity of National Lottery players, who raise £30 million for good causes across the UK every week, and funding from the Scottish Government, that artists and companies can continue to re-connect with audiences as we slowly begin to emerge from the pandemic, bringing live in person performance back to communities throughout Scotland.
“Partnerships with established venues will play a vital role – being at the heart of the communities they work in year-round, every year. Whilst we have endured an incredibly challenging and disrupted period, those links have been kept vibrant and strong. They will be key as audiences begin once again to enjoy the uplifting experience of theatre and dance in person, and a physical reconnection with performing arts.”
HIDDEN Door have revealed plans to transform a disused warehouse into a vast exhibition and performance space as part of their 2021 arts festival in Granton this September.
The festival group is launching a crowdfunder to pay for use of the warehouse space. They explain:
This year’s five day festival is taking place outdoors, on land next to the Granton Gasworks, from 15 – 19 September. However, the open air venue isn’t suitable for visual art exhibitions, so we have now got the chance to make use of a nearby warehouse as well, if we can raise the necessary funds to make it happen.
The additional venue will double the footprint of the festival, allowing us to exhibit the work of recent art graduates whose degree shows were cancelled due to COVID-19. The graduates, proud parents and audience members alike will be able to immerse themselves in the exhibition experience whilst staying safe and covid-compliant.
To support the plans, we are set to launch a crowdfunder to raise £10,000, with supporters able to pick from a wide range of rewards including an immersive treasure hunt experience through the festival grounds, exclusive hand-printed T-shirts from Acorn Print Studio, VIP passes for the festival and limited edition prints by Hidden Door artists.
The visual artists will be chosen from Hidden Door’s Graduate Support Network, launched earlier this year to support recent graduates. These artists will be paid for their work through the proceeds raised from this year’s Crowdfunder. For many of them, it will be their first paid creative opportunity.
Hannah Stewart,Project Manager,said: “Graduates across Scotland have missed out on the opportunity to exhibit their work because of the onset of a global pandemic. This has greatly impacted their introduction to the industry and their subsequent livelihood.
“It goes without saying that the last 16 months have been challenging for everyone, especially the Arts and Culture sector. These artists are not only trying to establish themselves and their career, but to reinforce the importance and value of art and culture during these unprecedented times.
“As a festival that celebrates the artistic integrity of Scotland and the wider UK, it is Hidden Door’s duty to help alleviate these artists’ feelings of being devalued, discouraged and despairing.
“We at Hidden Door want to help give these emerging artists the exhibition they deserve. We also want to make sure Scotland doesn’t miss out on the fresh creativity and drive that enriches the country.
“We have the venue and we’ve found the talent; we just need the community’s support to make it happen!”
The crowdfunding campaign will be launched on Kickstarter soon.
The award-winning Grid Iron Theatre Company is pleased to announce further details for its hugely anticipated outdoor, site-specific staging of Doppler, an adaptation of the best-selling novel by Norwegian author Erlend Loe.
The world premiere will take place in the woods of Newhailes House on the outskirts of Musselburgh between 8th and 23rd of August (no shows on 10th, 17th and 19th) with previews on 6th and 7th.
Tickets go on sale today at 12 noon on edfringe.com.
The show will be staged in front of a small number of people to allow for social distancing and therefore audiences are encouraged to book early to avoid disappointment. Tickets for Doppler will be released in batches to coincide with the changes in Covid-19-related restrictions with further ticket release announcements taking place on Grid Iron’s social media.
I am a man of my time. A failed man of my time. Or just a man of a failed time. Depending on how you look at it.
Doppler had everything. He thought. Wife, two kids, 23 hour working week, time to ride his bicycle. Until the accident. Now he lives in the forest with an elk… Doppler is a funny and subversive fable about existence, consumerism and trying to live life in isolation when nobody will leave you alone.
Adapted and directed by Ben Harrison from the translation by Don Bartlett and Don Shaw,with dramaturgy by Eszter Marsalko, Doppler is produced by Judith Doherty with a cast that includes Keith Fleming, known for his role of Lesley in Outlander, in the eponymous role with Grid Iron-regular Sean Hay and Chloe-Ann Tylor known to wider audiences from Citizen Theatre’s Trainspotting portraying all the remaining characters.
The Company is also working with several talented freelancers, including Fergus Dunnetwho is producing the puppets for the show, Nik Paget-Tomlinson on music and foley, David Pollock on music and Becky Minto who is responsible for design.
Judith Doherty, Grid Iron’s Chief Executive and Co-Artistic Director said: “Doppler is back and this time he is LIVE! We are beyond excited to finally be able to confirm the details for the world premiere of Doppler. It has truly been a roller-coaster of a ride and we are so delighted to now be on terra firma and able to welcome our audience in person.
“We also want to say a massive thank you National Trust for Scotland for hosting Doppler and to all the wonderful staff and volunteers at Newhailes House and Gardens. We look forward to welcoming our audiences to the beautiful, shady woodland of Newhailes on the 6th August!”
Doppler was originally planned to be performed at Edinburgh Festival Fringe in 2020 but had to pivot to a digital sharing in light of the Covid-19 related restrictions.
With only a few days of outdoor filming achieved due to Storm Francis, the Company decided to instead produce a documentary film charting the story of the show and its production, Doppler – The Story so Far, which was released for free in March 2020 and watched by almost 10,000 people worldwide. You can watch the documentary on the Company’s website.
Grid Iron, one of Creative Scotland’s Regularly Funded Organisations, is grateful to be one of a group of 15 shows and five venues awarded first ever Fringe Artist and Venue Recovery Fund.
This generous support goes toward presenting a BSL-interpreted sharing of Doppler which will take place on Saturday, 14th August at 2pm and on Saturday, 21st August at 6pm.
Tickets starting from £8 are on sale at 12pm on Thursday, 22 July via edfringe.com.
Dates, times, prices:
• Aug 6-7 14:00 – £8.00
• Aug 8-9,11-16,18,20-23 14:00 – £15.00 (£8.00 concession)
• Aug 14-15,18,20-22 18:00 – £15.00 (£8.00 concession)
Running time: 1 hour and 30 minutes
Age recommendation: 14+
#DopplerShow
Facebook and Twitter: @GridIronTheatre
Grid Iron Theatre Company
Grid Iron are an Edinburgh-based theatre company who, following their incorporation in 1995 and their first show Clearance at the Traverse, Edinburgh, swiftly gained a reputation for creating high-quality, high profile shows.
The Company went on to specialise in presenting shows in unusual locations. They are a new writing company who work in challenging sites that lend themselves especially well to Grid Iron’s taut production style. Occasionally they create work for the stage or use theatre buildings in a site-specific, promenade manner.
In 1997 Grid Iron produced their first full-scale site-specific production, The Bloody Chamber, their adaptation of Angela Carter’s Bluebeard fairytale, which they presented in famously haunted underground vaults beneath Edinburgh’s historic Royal Mile.
It was the company’s first appearance at the Edinburgh Festival Fringe and, by the opening night, the show had sold out for its entire three-week run. Awards: Herald Angel for Outstanding Contribution and Achievement in Theatre and Total Theatre Nominations for Best Newcomers and Best Design.
