Tag: music

Deacon Blue’s ‘DIGNITY’ is Scotland’s greatest song

Deacon Blue’s ‘Dignity’ has been named as Scotland’s Greatest Song. Ewen Cameron today announced the iconic tune was a clear winner on his breakfast show ‘Ewen Cameron in the Morning’ following the public vote.

Dignity was the first song ever released by the band in 1987 and the iconic tune has remained a firm favourite throughout the years. The signature song was also played by the band at the closing ceremony of the 2014 Commonwealth Games in Glasgow.

In an interview with Ewen Cameron, Ricky Ross, said: “Thank you so much to everyone for voting for this song. I know that people take this song to their hearts and we are very grateful for that and on behalf of all of Deacon Blue I thank you for making Dignity Scotland’s favourite song.

“It is a lovely thing that people have taken it on board as it was never really a hit record. It was one of these songs that crept up and it got released and then re-released and eventually re-released and it sort of became a folk song in people’s hearts and it is lovely that it has stayed with people

“I phoned Dougie to tell him, he and I started this band 35 years ago and it funny that this is a song that we cobbled together in a wee rehearsal room one day.

“I lost my mum this year and it is the kind of thing that she would have loved to have heard. It’s an amazing story and I’m very, very proud.”

Ewen Cameron said: “There was an incredibly strong shortlist showcasing the best of Scottish talent and Dignity by Deacon Blue is a brilliant winner. I don’t think there can be anyone in Scotland who doesn’t know the words to this anthem or find themselves singing along when we play it.

“I have to say though, as much as I love The Proclaimers, as a Hearts fan, I was slightly relieved that ‘Sunshine on Leith’ didn’t take the honours. However, I have to confess that is a great song and a very worthy runner -up!”

The ten songs were selected by four judges including Jackie Bird, singer and actress, Clare Grogan as well as journalist and presenter, Gordon Smart and Aarti Joshi of DF Concerts after many hours of debate and discussion.

Head Judge, Jackie Bird, said: “It was wonderful to be part of a debate that took our minds off the rotten stuff around us all at the moment and gave us some fun and something to be passionate about.  I know that during the voting various songs took the lead, but Dignity was always going to be one of the hot favourites.

“Like all the best songs it tells an authentic story and is ultimately an uplifting tale of hard work and hope.  The song carries such a universal message, no wonder it’s hi-jacked by live audiences around the world.  Well done to all our talented artists who made the top ten and to Ricky and Deacon Blue for giving us a classic.”

Dignity was selected from a shortlist of ten songs and the closely fought battle saw Sunshine on Leith by the Proclaimers in second place with Baker Street by Garry Rafferty in third. The other seven contenders on the shortlist were:

  • Whole of The Moon: The Waterboys
  • Loaded: Primal Scream  
  • Tinseltown in the Rain: The Blue Nile
  • In a Big Country: Big Country
  • This is the Life: Amy MacDonald
  • Black Eyed Boy: Texas
  • Somewhere in My Heart: Aztec Camera

Victoria Easton-Riley, content director at Greatest Hits Radio Scotland, said: “Scotland’s Greatest Song has just underlined how passionate the Greatest Hits Radio Scotland listeners are about Scottish music and artists.

“It has been fantastic to see so many of them vote and interact with our stations and presenters on social media. Our presenters have loved being part of this campaign too.

“Thanks to Audio Frontier for pulling this exciting project together. And of course, a huge congratulations to our winner, Deacon Blue. A great choice from our listeners!”

The project is the brainchild of Glasgow-based audio specialists Audio Frontier, which has won a funding bid for the programmes through the UK Government’s Audio Content Fund.

John McInally, of Audio Frontier, said: “‘It’s been a real pleasure to work on this project alongside the Audio Content Fund. It’s been a great way to celebrate St Andrews Day and Dignity is a worthy winner, though I’m sure the debate will continue!”

To listen to the judges and artists discuss all ten songs on the shortlist please visit Scotland’s Greatest Song – Latest Episodes – Listen Now on Clyde 2 (planetradio.co.uk)

Scottish Government emergency funds for Edinburgh youth arts

Emergency funds from the Scottish Government through Creative Scotland are enabling youth arts and music organisations to roll out new activities and initiatives for young people in the Edinburgh area.

Drake Music, Tinderbox Collective and Starcatchers* are among 18 youth music and wider youth arts organisations receiving a share of £1,053,000 to deliver a range of local and national projects, all of which target priority groups of children and young people and provide important work for freelance artists.

Thursa Sanderson, Chief Executive, Drake Music Scotland said: “This funding will enable us to forge ahead with Sound Explorers, a new programme of online activity. It responds positively to the changed learning landscape for young people with additional support needs – offering an interactive and fun way to make music.

“It will directly tackle the lack of access to music making for young people with disabilities and additional support needs caused by the Covid pandemic removing the barriers for those isolating at home and those in the classroom.”

Jack Nissan, Director, Tinderbox Collective said: “The Youth Arts Targeted fund is an invaluable support that will enable us to provide a range of music projects, youth clubs and creative opportunities to hundreds of children and young people at this time, both on-line and in person, as we adapt to the changing circumstances of the pandemic.

“It is so important that all young people have access to positive, social and creative activities like this, and that we do whatever we can to keep these going at this time.”

Rhona Matheson, Chief Executive, Starcatchers said: “On behalf of Starcatchers, Imaginate and Lyra I am delighted that we have secured the Youth Arts funding to deliver the Where We Are project together.

“As well as providing children and young people with the opportunity to engage with, and participate in creative activities in their own communities, it will also provide more than 15 jobs for artists and freelance practitioners over the next year.

“Given the challenges we are all facing as a result of the Covid pandemic, this is an exciting opportunity to initiate a new project that fosters collaboration, creativity and connection.”

Opportunities for young people are also being provided on a nationwide basis through other Fund recipients including Engage, Film Access Scotland, National Piping Centre, National Youth Choir, Scottish Book Trust, Scottish Brass Band Association, Scottish Music Centre, Scottish Youth Theatre and Youth Theatre Arts.

Culture Secretary, Fiona Hyslop said: “Youth music and youth arts organisations across Scotland are playing an important role in the lives of young people during these difficult times.

“This funding will support these organisations to expand their work and provide creative opportunities to young people as well as work and income for the artists and practitioners working with them through these projects.”

These awards are the first to be announced from the Scottish Government’s £3million funding package for Youth Arts. Further announcements will follow regarding recipients of at least £1.2million through the Access to Youth Arts Fund, the £700,000 Small Grants Scheme and £50,000 assigned to the Time to Shine Nurturing Talent Fund.

Iain Munro, CEO, Creative Scotland said: “All the emergency funds currently being delivered by Creative Scotland on behalf of the Scottish Government are vital in addressing the impacts of the Covid-19 pandemic.

“I’m particularly pleased that we are able to announce today the first recipients of this Youth Arts funding which will reach some of the children and young people most adversely affected by the pandemic and provide important work for freelance artists whose opportunities have been so severely impacted by Covid-19.”

The full list of Fund recipients:

Organisation (Trading name) Local Authority Area Funding Amount 
Drake Music Scotland Dundee, Edinburgh, Glasgow, Highland £61,880 
Engage National £40,744 
Fèisean nan Gàidheal Highland, National £30,000 
Fèis Rois Highland £64,820 
Film Access Scotland   National £40,744 
National Piping Centre National £37,477 
National Youth Choir of Scotland   Aberdeen, Glasgow, National £64,820 
National Youth Orchestra of Scotland Glasgow, Stirling £30,000 
Scottish Book Trust National £64,820 
Scottish Brass Band Association National £50,680 
Scottish Music Centre National £64,820 
Scottish Youth Theatre National £64,079 
Sistema Scotland Dundee, Aberdeen £50,805 
Starcatchers* Edinburgh, Fife £193,605 
Tinderbox Collective Edinburgh, Perth and Kinross £64,820 
Toonspeak Young Peoples Theatre Glasgow £44,448 
YDance North Lanarkshire £35,892 
Youth Theatre Arts Scotland National £48,939 
  Total: £1,053,393.00 

*Starcatchers led consortium working in partnership with Imaginate and Lyra.

Updates on all emergency funds are being published regularly on this website and publicised through media and social media communications.

Photograph: Anne Binckebanck, courtesy of Drake Music

Sam Smith to perform exclusively for Clyde 1 and Forth 1

Here’s how to watch the exclusive performance on Monday 16th November, 4pm

Clyde 1 and Forth 1 are set to broadcast an exclusive session from multi-award-winning global star, Sam Smith on Monday 16th November.

Music fans will have a chance to catch Sam perform a selection of tracks and to listen to an exclusive interview in a special show hosted by Garry Spence from 4pm on Clyde 1 and Forth 1. They can also watch the exclusive performance online via the stations’ Facebook pages.

Speaking about the event Sam Smith said: “We are all trying to find new ways to be together remotely during these strange times, and I am so excited that I’m still able to perform and share a moment with all of you.

“I’m incredibly thankful to everyone who’s supported me and my music over the years. This performance is for all of you xx”

Garry Spence said: “We might not be able to bring you to Sam Smith, so we’re bringing Sam Smith to you. Sit back and enjoy an incredible performance and interview from one of the UK’s greatest. You won’t want to miss it!”

Sam Smith’s highly anticipated new album ‘Love Goes’ is out now.

For more information you can listen to Clyde 1 and Forth 1 on FM, DAB, online, via the station App and on your smart speaker.

Sam Smith’s performances will also be broadcast on MFR, Northsound 1, Tay FM, Radio Borders and West FM.

Scotland’s Greatest Songs Top 10 revealed

The debate over which song should take the title of ‘Scotland’s Greatest Song’ is set to begin as the shortlist of ten is unveiled.

The ten songs were selected by four judges including Jackie Bird, singer and actress, Clare Grogan as well as journalist and presenter, Gordon Smart and Aarti Joshi of DF Concerts after many hours of debate and discussion.

The top ten songs have been named as:

  1. Dignity: Deacon Blue
  1. Whole of The Moon: The Waterboys
  1. Loaded: Primal Scream  
  1. Tinseltown in the Rain: The Blue Nile
  1. Baker Street: Gerry Rafferty
  1. Sunshine on Leith: The Proclaimers
  1. In a Big Country: Big Country
  1. This is the Life: Amy MacDonald
  1. Black Eyed Boy: Texas
  1. Somewhere in My Heart: Aztec Camera

The shortlist was announced by Ewen Cameron who was joined by the judges on his breakfast show, ‘Ewen Cameron In The Morning’ across the Greatest Hits Network including Forth 2, Clyde 2 and Tay 2.

A podcast has also just been launched where the judges talk about their struggle to narrow the list down to just ten.

On Sunday 15th November from 4pm to 7pm the judges will also come together for a special one-off show across the Greatest Hits stations in Scotland. Hosted by head judge, Jackie Bird, she will be joined by her three fellow judges to discuss their shortlist, how they came to their decisions and to play the final ten.

One of the judges joining Jackie will be Gordon Smart, who said: “It was a such a pleasure to debate ‘Scotland’s Greatest Song’ with two women I love and respect, Clare Grogan and Aarti Joshi. If it wasn’t for Jackie Bird, we’d still be arguing about our top 10 now!

“It was a reminder of how incredible the canon of work Scotland has produced really is. I’ve not slept well since for excluding some brilliant stuff from bands and artists I love. If you like our final choice, I was Gordon Smart. If you don’t, I’m Ewen Cameron.”

Aarti Joshi, of DF Concerts also commented: “I was honoured to be helping to decide ‘Scotland’s Greatest Song’. We were feeling the pressure as judges to choose the final ten songs, especially when this country has produced so many absolute bangers.

“The rest of the panel are really excellent people so locking horns with them was fun with lots of discussion, swearing and laughter – I can’t wait to hear what the public have got to say!”

Voting will open on Sunday 15th November and the winner will be announced by Ewen Cameron on ‘Ewen Cameron in the Morning’ on St. Andrew’s Day.

You will be able to listen on AM*, online, on DAB radio, via the station app or on your Smart Speaker.

*West Sound Dumfries is on FM (and not available on DAB). Northsound 2 is a digital station and not available on AM.

The Lost Cafe Sessions – a collection of ‘lost’ music recordings

A COLLECTION of lost recording sessions – featuring tracks from a sample of the most talented indie bands gigging across Scotland in the early ’90s – is finally set for its well-overdue release.

It may have taken 30 years, but the recently-recovered and now digitally-remastered compilation album – called ‘The Lost Café Sessions’ – will be launched across all major streaming platforms later this month, on the 22nd of October 2020.

Originally recorded at The Sound Café Studios, near Edinburgh in 1991, the project was conceived by two aspiring music entrepreneurs from Fife – Jim Russell and Ian Harrower – and the album was planned as an expansion of their then student music promotions company called Smithfield Entertainments.

Beset by challenges and lack of funding, their ambitions to complete the CD release of the album back in the autumn of 1991 were abandoned.

Over the years, the master tapes were misplaced, eventually lost and the recordings, along with the duo’s dreams to launch an indie record label, faded to memories.

Early, during the lockdown in 2020, however, a copy or the original master tapes tuned up, recovered by the former studio owner and sound engineer, Dave Gray, and lurking in a cardboard box at the bottom of a dusty storage cupboard in his home.

And so, at a time of COVID, and with musicians across the country stuck at home, the boys began rekindling old friendships and connections and gaining permission from the copyright holders now scattered across the globe to upload those lost sessions.

The lost Café Sessions will now appear on iTunes and Spotify and most of the digital streaming platforms from the 22ndOctober.

The album is also available on the favoured platform of many musicians – Bandcamp – where people can make a direct donation to the album’s dedicated charity partner, Siblings Reunited (SC043937).

Jim Russell, who for many years has worked in the scientific software industry, commented: “Sadly, we have learned that a few of the musicians involved in the original recordings are no longer with us.

“Part of the motivation, then, to complete the album launch that we first imagined all those years ago was to pay a wee tribute to them and remembering their boundless youthful ambition, creativity and talent.”

Ian Harrower, who works in festival and event management, commented: “It’s been brilliant catching up and making contact with all those folks that we used to organise gigs and tours with.

“Each of the tracks still sound strong to us and even though we have been listening now with ears that have matured over 30 years. We hope people will enjoy reconnecting with bands that they may have followed or enjoying a wee musical trip down memory lane remembering live music venues, live music in pubs and the sounds of the music scene in Scotland across the 1990’s.”

A podcast produced by Jim’s son, Liam Russell, currently studying an MA in Radio, Audio and Podcasting at Sunderland University – and featuring interviews with many of the musicians who were involved – has also been recorded and will be released along with the album on release day, 22 October.

Jazz & Blues Festival programme announced

Start Spreading The News – #EJBFOnline launches today!

A four day online feast of content marks the dates of our 43rd Festival – (Thursday 23rd – Sunday 26th July).

Featuring new sets made under lockdown, solo home videos, a selection of great content from our video archive and a host of talks, radio programmes, DJ sets and that lockdown staple: a quiz!

Spanning traditional jazz to the avant-garde, the festival features Scottish jazz luminaries and some international friends – we hope you enjoy.

See the full programme here: https://edinburghjazzfestival.com/what…/2020-programme.html…

Edinburgh Jazz & Blues Festival goes online

We are very excited to present an online Festival to mark the dates of the 2020 Edinburgh Jazz & Blues Festival.

From 23 to 26 July this year, we will stream a variety of gigs across our website and social media channels – all for free! We look forward to sharing more details of the programme with you in the coming weeks – keep an eye on the website!  

At this time of year, many of you would be buying tickets for the July festival. Each year income from ticket sales represents 45% of our annual income and the cancellation of the festival will result in the loss of all earned ticket income in 2020. As a charity, we rely on the generous support of our funders and donors to help us bring this annual celebration of Jazz and Blues to life.

Would you consider supporting us through this difficult period? You can do so by making a donation or, for those of you who would like to get closer to our work, we are very excited to launch a new EJBF Patron Scheme.

All funds raised will help EJBF to begin planning for the 2021 Edinburgh Jazz & Blues Festival and Edinburgh Festival Carnival, as well as supporting our learning programmes, such as our online schools, and our talent development programmes for Scottish artists. 

To make a donation or to find out more about becoming an EJBF Patron please click here.

Sight loss choir sings the coronavirus blues away

A choir of blind and partially sighted people that first got together at the start of the year in Edinburgh is now harmonising over the phone-line.

Launched by sight loss charity RNIB Scotland in January, its members continue to sing defiance to the coronavirus blues.

Hazel Kelly (76) from Corstorphine, has experienced two degenerative corneal eye conditions which significantly affected her sight.

“I haven’t sung in a choir since I was a teenager in my church choir,” she said, “but I really fancied getting involved in some way and when I heard about this one I thought I would give it a go!

“It was originally held at the RNIB Scotland offices at Hillside Crescent in Edinburgh every second Tuesday with just four of us and a piano to start with. The numbers attending gradually increased and we all suggested a song we could potentially work on, which has included ‘Will ye go Lassie Go (The Wild Mountain Thyme)’, ‘Wind in the Willows’ and ‘Mull of Kintyre’.

“Of course, everybody has to memorise the words as, having sight loss, we can’t always read them, which is fine for the chorus but not so easy with a lot of verses! Our organiser Mike makes us work hard, including special singing warm-ups, and we had started to harmonise a bit, although this is more difficult now we’re all at home.

“We tried to all get together with Zoom while not particularly ideal , Mike is still working on the best solution for us. However, the good news is, that with the lockdown, more people have joined from other parts of Scotland, and I am now chatting and singing with a lady from Glasgow and another from Stirling among others.

“I don’t think we are quite ready to perform anywhere yet, but never say never is my motto! And it is good fun to find yourself at home singing the songs in the bathroom and while pottering around the house.”

The choir’s organiser Mike Holroyd, a community co-ordinator with RNIB Scotland, is a guide-dog user himself.

“I used to lead a choir of blind and partially sighted people for about 17 years when I lived in Bristol,” said Mike. “One or two people had been asking about starting a connect singing group in Scotland so we did.

“We started face-to-face in January, but when lockdown started folk were keen to continue – and in fact instead of every two weeks, we now get together every week.

“The emphasis at the moment is not so much on the sound we produce but on the learning and the fun of getting together. I’ve started encouraging people to sing solo verses – this helps to reinforce learning, but also works much better on the phone, and assists with building confidence.”

The RNIB Helpline is available to help blind and partially sighted people and their families and carers on 0303 123 9999.

Online Blues Extravaganza … nice!

Edinburgh Jazz & Blues Festival / Edinburgh Festival Carnival will NOT go ahead in July due to Covid-19 Pandemic – but there’s an online extravaganza to look forward to next week.

First, and most importantly, all of us at Edinburgh Jazz & Blues Festival hope this message finds you and your loved ones well.

We care deeply about the health and wellbeing of our audiences, musicians and staff, and we have of course been monitoring the Coronavirus situation closely over the last few weeks by following government, NHS and Public Health Scotland advice, and are continually reviewing our position as an organisation.

With this in mind we will not be presenting the 43rd edition of Edinburgh Jazz & Blues Festival in July. We will also not present the 9th Edinburgh Festival Carnival.

Chair of Edinburgh Jazz & Blues Festival, Councillor Jason Rust said: “The last few weeks have reinforced to me how special live music is, from intimate gigs to great sonic adventures. The sense of community that live music creates is special too as audiences unite with musicians to share a moment.

“I believe music can continue to unite us and bring joy in these worrying times, and we are working on how we can still share that with you in the coming weeks via our online platforms. Our staff are unearthing interesting footage and content to share and working with closely with Scottish musicians to bring you new digital content which is an artistic response to the times.

“As soon as we are able and it is determined safe to do, we will be back presenting live concerts.

“In closing, we’d like to thank our funders, partners, participants and audiences for their loyalty, support and understanding”.

HOWEVER – SOME GOOD NEWS …

For the first time ever, the Edinburgh Jazz & Blues Festival presents a 12 hour online Scottish blues extravaganza featuring established stars like Maggie Bell and Tim Elliott as well as new names like John McKenzie and Liz Jones.

We’re asking to support musicians if you can – since the pandemic started, their livelihoods have been put on hold due to the suspension of live events. We will be highlighting ways you can support them – please give generously if you can.

IT ALL STARTS ON WEDNESDAY 22 APRIL AND THE FULL DETAILS CAN BE FOUND HERE.

Max Richter’s 8-hour lullaby SLEEP to be broadcast worldwide this Easter weekend

Max Richter’s eight-hour epic SLEEP, his ‘lullaby for a frenetic world’, returns to BBC Radio 3’s airwaves this Easter weekend in a simulcast with the European Broadcasting Union – uniting quarantined nations across the continent in moments of meditative stillness.

The BBC will join with broadcasters across Europe and beyond, including USA, Canada and New Zealand, for the live simulcast of Richter’s eight-hour lullaby, a re-broadcast of the world premiere from 2015.

The premiere, recorded at The Wellcome Collection, became the longest single continuous piece of music ever broadcast live on the radio, and the work has since been performed around the world in a variety of iconic venues including the Sydney Opera House, Grand Park in Los Angeles, Kraftwerk Berlin, the Philharmonie de Paris and most recently at the Great Wall of China.

SLEEP has been hugely successful worldwide – praised by critics and garnering over 350 million streams. In a sign of the work’s timely appeal, Richter’s Deutsche Grammophon album of SLEEP has recently returned to number one in the USA Billboard classical album charts.

SLEEP seeks to examine the relationship between music and the subconscious mind, and to foreground the communal aspect of music performance and listening. This remarkable broadcasting moment aims to bring together listeners around the world in a collective moment of musical reflection.

The piece indeed provides an apt soundtrack for these times of lockdown – when hours seemingly stretch into the distance. Sleep offers a mindful way to forget everything going on around us.

Sleep was composed in consultation with American neuroscientist David Eagleman. In Max Richter’s words: “Five years ago I wrote SLEEP as an invitation to pause our busy lives for a moment.

“Now we are all facing an unexpected and unwelcome pause. It is far from easy to adjust to this new normal, which daily brings fresh anxiety and suffering to our communities, to those we love, and to ourselves.

“At this time the magical ability of creativity to elevate our days and to connect us with one another is more valuable than ever, and I’m really happy that BBC Radio 3 and the EBU will allow us to listen all together across the world. Please stay home, stay safe, and enjoy this 8-hour place to rest with those you love”.

Radio 3’s original eight-hour live broadcast broke two Guinness World Records – for the longest broadcast of a single piece of music, and the longest live broadcast of a single piece of music.

The original world premiere performance will be rebroadcast overnight on BBC Radio 3 from 11pm on Saturday (April 11) to 7am on Easter Sunday (April 12) as part of ‘Slow and Mindful’ series, BBC Radio 3’s offering of music for the mind in the time of lockdown. 

Meanwhile, the European Broadcasting Union (EBU) will bring together radio members across the globe to air the full 8-hour piece – with in Europe and beyond, including USA, Canada and New Zealand. They will all broadcast SLEEP during the Easter weekend.