Speaker’s Chair from the Parliament building that never was acquired by National Museums Scotland

The Presiding Officer’s chair from what would have become the Scottish Parliament building in the event of a vote for devolution in the 1979 referendum has been gifted to National Museums Scotland.

It had been intended that the Scottish Assembly, as it was referred to at the time, would sit in the former Royal High School building on Calton Hill in central Edinburgh, and plans were sufficiently advanced for the Debating Chamber to have been furnished.

However, the referendum did not secure the required number of votes to achieve devolution. When the vote for devolution was later carried in 1997, the decision was taken to build a brand-new purpose-built Scottish Parliament building and so the chair was never used for its intended purpose.

Georgia Vullinghs, Assistant Curator of Modern and Contemporary History, said: “We’re very pleased to be able to acquire this object. The furniture represents a key moment in the story of devolution and the history of Scottish politics.

“This large, blocky chair and its futuristic design is emblematic of a confidence in significant political change for Scotland in the late 1970s, but which did not ultimately happen at that time. This generous donation will allow us to better tell the story of that fascinating moment in Scotland’s history through our collections.”

The former Royal High School building is now undergoing a major restoration which will see it repurposed as a world-class centre for music education and public performance for the benefit of the whole of Scotland as the National Centre for Music. The Royal High School Preservation Trust (RHSPT) is leading the project and took possession of the building in March.

William Gray Muir, Chair of the RHSPT said: “We are delighted that this piece of constitutional history will have a fitting home in the national museum, where it can help tell the story of how modern Scottish politics encountered the legacy of the Scottish Enlightenment.

“The significance of the Thomas Hamilton building – the Old Royal High – and its symbolic importance to our national political and social ambitions is indisputable and its past, present and future form a critical part of Edinburgh’s status in the world. The Trust’s aim is that we add a new chapter to that story and the building’s relationship with Scottish heritage and our national museum will continue.”

Although the Scottish Assembly never occupied the building, the site of the Royal High School remained a focal point in the debate over devolution, with images of the building used in campaign material, and a Vigil for a Scottish Parliament was held outside the building for 1,980 days from 10 April 1992 until the 1997 referendum.

The tent from the touring campaign and related material are on display in the National Museum of Scotland. The chair is now at the National Museums Collection Centre in Edinburgh where it will undergo conservation treatment.

Edinburgh to experience CURIOUS film event this weekend

Summer season of curious film experiences gets underway

All events as part of Film Feels: Curious, a nationwide celebration of curiosity and cinema officially launched by comedian Joe Lycett, have now been confirmed.

An event is taking place in Edinburgh this Saturday as part of CURIOUS, a film festival partnership between Film Feels and Changing Times supporting independent programming.

Edinburgh-based Cinetopia is collaborating with The Debutante (a feminist-surrealist magazine), and musician-composers Aurora Engine (Deborah Shaw), and Bell Lungs (Ceylan Hay) to bring audiences Electric Muses: a women-led evening of surrealist film.

Electric Muses celebrates women working in creative technology spanning across two centuries, bringing their overlooked input into the public eye. Since the birth of cinema, women filmmakers have used this “electric” art form to tell their stories. With Electric Muses Cinetopia will merge cinema and live, technologically enhanced music to highlight the profound contributions women have made in creative technology art forms.

The main feature will be ‘The Seashell and the Clergyman’ (1928) by Germaine Dulac, a female surrealist filmmaker and director active during the 1920’s. This will be accompanied by a live soundtrack composed and performed by Aurora Engine and Bell Lungs. In addition, audiences will experience a newly commissioned score of Maya Deren’s experimental short, ‘Meshes of the Afternoon’ (1943) composed and performed by the same musical team. Two additional short films will be screened curated by The Debutante.

Electric Muses takes place at the Old Royal High School and details can be found at https://filmfeels.co.uk/venues/old-royal-high-school/173/

Curiosity is the theme of this year’s FilmFeels season from the BFI Film Audience Network, made possible with National Lottery funding, taking place at independent cinemas across the UK following its launch by Joe at Flatpack Festival 2022.

For the first time since 2018’s inaugural Film Feels, event organisers have also partnered with the Screen Heritage programme Changing Times under the unifying theme for this year of CURIOUS.

A total of 27 projects have been funded across all the regions of the UK, including a curated programme of classics by The Place Bedford throughout June and July, a programme as part of London Short Film Festival on July 30th and 31st, and from July 8th, a three-day update of Cinetopia’s Electric Muses programme in partnership with feminist magazine The Debutante – a women-led evening of surrealist film and technologically-enhanced live music in Edinburgh.

In addition, throughout July, the charity Birds’ Eye View, which supports films by women and non-binary people, is touring Queerious both across the country and via streaming on BFI Player. Events will be accompanied by curated live or participatory events in select cinemas to explore the themes of sexual awakenings and re-awakenings, and queer love through a feminist lens.

Venues and organisations including Chester’s Story HouseFabrica of Brighton, Hove and Lewes, Birmingham’sVictoria Park ProductionsDerby QUAD and Cornwall Film Festival are also taking part, with events touching upon the forgotten films of the 1990s and 2000s, Queer culture, Filmosophy for Families and more, all of which are designed to connect people through film.

Manon Euler is Major Programmes Manager at Film Hub Midlands, part of BFI FAN. She said: “With CURIOUS, we wanted to take audiences out of the ordinary and down the wonderful rabbit hole of cinema, with intriguing, exciting film programmes that will stimulate the mind and the senses and allow everyone to (re)connect with their wondrous selves.

“There’s absolutely no doubt that these projects will deliver exactly that, with both in-person and virtual options. We’ve been so impressed by the imagination that has gone into the creation of such a varied and intriguing season by programmers at all levels of experience, including young people. We can’t wait to hear what audiences think.”

CURIOUS was chosen as the theme for this celebration as it’s clear as we continue to recover from the worst of the pandemic that bringing people together to experience art collectively and learn more about the people and things around us, is more important than ever.

Over the past four years, Film Feels has funded more than 150 projects and more than 1,000 screenings have taken place across the festival seasons nationwide, with around 40 per cent of increasingly diverse audiences each year being new to the festival. Previous themes have included obsession, uprising, hopeful and connected, with almost £400,000 given to participating programmers in total so far.

Screen Heritage Producer Andy Robson added: “Inspired by our theme and our collective experience of multiple lockdowns, which gave many a new awareness of our communities as well as the wider world around us, this year’s programmers are helping us to both better understand the unfamiliar, and seek solutions.

“Through film’s ability to transport us, illuminate ideas and spark conversation, we can recognise things we may have missed or never considered before, and find new passions together.”

Find more information about the full nationwide programme for CURIOUS, including all participating venues and exhibitors, at filmfeels.co.uk

Support for screen heritage screenings and events is also still available through Changing Times: Curious.

Hidden Door 2022 call for Theatre and Spoken Word submissions

Following the announcement of our 2022 venue – the wonderful old Royal High School – we are now inviting submissions for our THEATRE and SPOKEN WORD programmes.

The old Royal High is a large, stunning complex in the city centre which we plan to transform into live music venues and performance spaces for theatre, dance and spoken word, alongside pop-up bars and a multitude of art exhibition and installation spaces.

We are running open calls to invite proposals for ambitious, innovative and experimental pieces, existing performances and works in development.

Alongside our call for theatre and spoken word artists, we are still inviting dance submissions. Also stay tuned for a local bands call coming soon.

Following the announcement of our 2022 venue – the wonderful old Royal High School – we are now inviting submissions for our THEATRE and SPOKEN WORD programmes.
The old Royal High is a large, stunning complex in the city centre which we plan to transform into live music venues and performance spaces for theatre, dance and spoken word, alongside pop-up bars and a multitude of art exhibition and installation spaces.

We are running open calls to invite proposals for ambitious, innovative and experimental pieces, existing performances and works in development.

Alongside our call for theatre and spoken word artists, we are still inviting dance submissions. Also stay tuned for a local bands call coming soon.
 
Dance submissions – deadline 31 Jan
Theatre submissions – deadline 11 Feb
Spoken Word submissions – deadline 17 Feb

Old Royal High School: council invites development proposals

The former Royal High School has been put on the open market by the City of Edinburgh Council for interested parties to submit development proposals in return for a long lease of the building.

The Council’s Finance and Resources Committee agreed in January in a private session that the historic and iconic building on Calton Hill would be remarketed, signifying the start of a new chapter for the site which lies at the heart of Edinburgh’s original World Heritage Site.

Any proposals need to ensure a sustainable long term future for the Royal High School, be of the highest architectural quality and take into account the conclusions drawn by the Scottish Ministers following the public inquiry.

Councillor Rob Munn, Convener of the Finance and Resources Committee, said: “This an important step forward for the future of this iconic site and means we can identify the best value option for the city and our residents in the future.

“We know there are a number of interested parties and having it back on the market allows them to submit any development proposals.”

Councillor Joan Griffiths, Vice Convener of the Finance and Resources Committee, added: “There was unanimous agreement earlier in the year to remarket the old Royal High School and I look forward to seeing the options presented to us at a future committee which could occupy this very important building, so prominent in our World Heritage site.

Out of character, out of touch

Johnstone questions Marketing chief’s ‘patronising’ comments

old rhs

Alison Johnstone, Scottish Green MSP for Lothian, has questioned comments by John Donnelly, chief executive of Marketing Edinburgh, in which he supported plans to turn the Royal High School into a luxury hotel and the controversial redevelopment of the St James Centre. Continue reading Out of character, out of touch