Join them for DUSK, where you can experience a new wellness movement. Move your body through a glorious yoga practice to a DJ, reclaim the dancefloor, and still be home in time to pop your feet up on the sofa and get up early the next day. Or if you’re really feeling it, you could continue to party the night away!
Virgin Hotels Edinburgh is kicking off the summer in style with its exclusive series of free rooftop events – Sunset Sessions.
Hosted on the hotel’s stunning rooftop terrace that boasts unbeatable views of the city’s Old Town and Edinburgh Castle, the spectacular events will showcase Scottish musical talent, including Beth Karp and Kohla, who will bring the ultimate summer ambience as the sun sets over Edinburgh’s iconic skyline.
Launching on the 9th of June and taking place every Friday and Saturday evening from 7:45pm to 9:45pm throughout summer, the free events are set to bring Edinburgh’s music community together and provide a platform for up-and-coming artists.
The Sunset Sessions will offer locals and music lovers alike with an unmatched experience: providing views that can’t be seen from anywhere else in the city, local artist performances and refreshing drinks.
Better yet, blankets will be on hand so guests can cosy up whilst enjoying their favourite performers. After the sun sets, guests can enjoy more live entertainment, drinks and delicious food at Eve and Commons Club which will both be open till late.
The Sunset Session events nod to Virgin’s musical roots, with Virgin Hotels founder, Sir Richard Branson, starting independent record label, Virgin Records, back in 1972.
David Moth, Virgin Hotels Vice President of Operations and Interim General Manager of Virgin Hotels Edinburgh said: “We are thrilled to launch the highly anticipated Sunset Sessions at Virgin Hotels Edinburgh, as it promises to be an extraordinary experience for our guests.
“Our rooftop offers the absolute best vantage point to witness the sun as it sets over Edinburgh’s beautiful skyline and we’ve secured some of the very best up and coming musical talent from around Scotland to perform. We look forward to welcoming everyone to join us throughout the summer to enjoy unbeatable views, drinks and live entertainment”.
Sunset Sessions is just one of many events taking place at Virgin Hotels Edinburgh, including a host of seasonal activations and brand takeovers throughout the year.
To stay up to date with the latest news and events, follow Virgin Hotels Edinburgh’s channels on social media here:
Summer is well and truly on its way, which means more opportunities to be outside with friends and family and listen to live music.
In all of the fun, we sometimes forget to look after our hearing health and how loud sounds are. A live concert or festival can often reach levels of 110 decibels. Repeated or long exposure to sounds at 85 decibels or above can cause hearing loss so it is important that whilst you are sipping that overpriced beer and singing along to your favourite artist you take care of your ears.
The good news is that there are some easy ways you can still enjoy yourself and keep your hearing protected: Carry earplugs with you and use them, the reusable kind designed for clubbers and musicians don’t muffle sound, just make it a bit quieter and can protect your ears.
Stay away from the speakers – the closer you are, the greater the risk of hearing damage. And take regular breaks from the loudest areas to give your ears a rest. We want everyone to have a great summer – and at the same time keep your hearing healthy for the future.
It is important to check your hearing regularly so join over 250,000 people and take the free, online Hearing Check by visiting rnid.org.uk
Anton du Beke, one of the country’s best-loved and most accomplished entertainers, has announced a special, limited run at the Underbelly’s McEwan Hall at the Edinburgh Fringe from 23rd – 28th August.
The one-hour show, An Afternoon with Anton du Beke, will see Anton joined by singer, Lance Ellington, as well as a live band and a company of dancers to create an afternoon filled with song, dance and a lot of laughter.
Anton will share some hilarious behind-the-scenes stories from across his career, including some memorable moments from the last twenty series of Strictly Come Dancing which saw him become a household name.
With his inimitable quick wit, he’ll respond to questions from the audience, as well as performing some of his favourite songs and enthrall audiences with the glittering dancing that he has become synonymous with.
Anton said: “Performing at The Edinburgh Fringe has long been an ambition of mine and I am absolutely thrilled to be there this year – it’s a dream come true and it’s going to be really special.
“We’ve been warming up for you with our countrywide tour earlier this year and together with Lance, our amazing musicians and dancers, we are going to create a truly unforgettable experience for Edinburgh.
“It’s a one-of-a-kind celebration full of laughter, music and dance – it’s the perfect way to spend an hour in the afternoon – come and have some fun!”
The nation’s favourite TV judge, NTA winner Anton Du Beke, best known for his charismatic performances on the hit BBC show, will be joined by Lance Ellington, an acclaimed vocalist known for his soulful voice and dynamic stage presence.
Lance has been a regular featured vocalist on Strictly Come Dancing for over a decade, and his powerful performances have captivated audiences worldwide. He has worked with many of the world’s top recording artists, including Sting, Michael Jackson and Tina Turner, as well as performing at London’s famous Ronnie Scott’s Jazz Club many times.
Together, Anton and Lance are set to create a spellbinding experience for audiences, with their combined talents and electrifying stage presence.
AN AFTERNOON WITH ANTON DU BEKE at the Edinburgh Fringe will also feature a live band whose credits range from working on West End shows, to performing with The Royal Philharmonic Orchestra, to recording and performing with international artists such as Dame Shirley Bassey, Andrea Bocelli, Queen and more!
Underbelly’s Head of Programming, Marina Dixon, said, “We are beyond delighted to have Anton and his team join us for six special shows this August.
“The show, featuring comedy, dancing, incredible live music, all told through the eyes of Strictly Come Dancing legend, Anton Du Beke, promises to be an afternoon out to remember. We hope you can join us.”
As well as the special Edinburgh Fringe performances, the tour also visit several cities across the UK, including London, Birmingham, Manchester, Glasgow, and Cardiff, among others.
LISTINGS
AN AFTERNOON WITH ANTON DU BEKE & FRIENDS
Underbelly, Bristo Square (McEwan Hall) 13:30 (65 mins) Aug 23-28 (£24.00 / £22.00 concession) Genre: Cabaret and Variety, Dance, Comedy
Strictly Come Dancing legend and judge, Anton Du Beke, takes to the stage with his with his live band, a guest singer and his dancers; expect a fab-u-lous afternoon of song, dance and laughter.
Performing some of his favourite songs and dances that have inspired his career throughout his life, expect behind the scenes stories from his time on Strictly that will have you laughing out loud.
Don’t miss this special opportunity to get up close and personal with the King of the ballroom!
The weather forecast is looking good for the Summer Festival tomorrow at Granton Parish Church from 10am – 4pm.
Food all day from breakfast rolls in the morning, soup at lunchtime and finishing off with a burger BBQ at 3pm. Music from Granton Youth and Ukranian folk singers
Food available all day breakfast rolls in the morning, soup at lunchtime and finishing off with a burger BBQ at 3pm.
• LIVE MUSIC FROM GRANTON YOUTH MUSIC & UKRANIAN MUSIC GROUP
Thank you to everyone who came along last night – we had a blast!
Here’s a few nice things people said online:
“Best gig ever!” “Absolutely brilliant this year” “My tip – make sure you get to the sub-basement floor” “Another amazing venue. Totally blown away” “Amazing immersive performances”
Here’s a few pics from the night – 4 more days to come down and explore!
Prestigious event calls on racegoers to get suited and booted for dancing
A TRIO of popular bands will ensure excitement levels at one of Scotland’s most anticipated racedays are kept high once on-track competition comes to a close.
Musselburgh Racecourse has unveiled the musical line-up set to get the Edinburgh Cup crowd jumping, featuring popular local and Scottish talent.
Taking to the stage will be Edinburgh-based bands The Zebra Three and Chameleon Lady, who will help get racegoers moving and singing along at the After-Race Party. Completing the line-up will be The Soundtrax, one of Scotland’s most popular party bands.
Aisling Johnston, Commercial Manager at Musselburgh Racecourse, said: “This year’s Edinburgh Cup is a real celebration of all things Edinburgh.
“We can’t wait to welcome everyone to the racecourse, and with such great musical talent on display, The Edinburgh Cup promises to be full of entertainment and one not to miss.
“The bands offer a wide and entertaining range of music that we think those attending will love. We can’t wait to see the performers take to the stage for an hour after the last race takes place and provide some excellent music.”
Edinburgh Gin’s long-term partnership with the East Lothian course features again this year – with the upcoming 2023 event providing many an experience for gin and cocktail fans to match the high-quality racing on display.
Along with tasty refreshments, those attending can expect a celebration of Edinburgh’s best culinary delights to go with the 7 thrilling races, with a total of £139,000 up for grabs in prize money.
Revellers are also being encouraged to dress to impress as a host of photo opportunities are located around the racecourse, with prizes up for grabs for people who share their images on social media.
Headlining the after-party will be folk rock band, Chameleon Lady, who is fronted by singer Cameron Middlemass.
Speaking on playing at the event, Cameron said: “To be asked to headline the After-Racing Party is a privilege, we’re excited and looking forward to performing.
“It’s our first proper headline gig at Musselburgh Racecourse and we’re excited, the punters are great so it will be a good Saturday.
Speaking on why people should come to the raceday, Cameron added: “Musselburgh Racecourse has more of a community vibe, so much is going on with food and bars, if you’re someone who isn’t that big on racing there is so much there anyway for you to be excited by.”
High-energy band The Soundtrax band members have also spoken about their excitement to play at The Edinburgh Cup. The band’s singer, Angus Johnston, said: “We are super excited to be performing for the Musselburgh crowd.
“Getting to perform for big crowds on big occasions is what every musician aspires to achieve. Couple that with what we are sure will be an electric atmosphere, thanks to some top-class racing, and it should be an amazing day.
“Our music is all energy, we are an out and out party band, and our goal is always to get people dancing. If you fancy a boogie today, then come and boogie with us!”
The Soundtrax guitarist Jim O’Neil added: “We’re going to get off the stage into the crowd, onto the dance floor and dance with people, we’ll get conga lines on the go, and it will be maximum party mode.
“Days like this at the races are the best kind of gigs, they are just the most fun.”
Returning to the stage will be Dalkeith based The Zebra Three, who will kick up some nostalgia as they play pop rock and rare cheese from the 60’s and 70’s.
Singer and guitarist James Mackintosh said: “We’re delighted to be performing at such a great scene, it’s always a great atmosphere, especially if the weather is good, which makes for a great day.
“It’s all about the atmosphere, when people come to the races, everyone is in a good mood.
The band also comprises of Kenny Hutchison on bass and vocals, along with his son Robbie Hutchison who plays on drums.
Speaking on the father-son duo playing together, James said: “Robbie is a very accomplished drummer, it’s just great that he wants to play with two older guys!”
The Zebra Three will be kicking off the day between 11:30 to 13:05, followed by The Soundtrax between races from 13:20 to 16:40 and Chameleon Lady headlining the After-Party following the last race, from between 16:55-18:00.
Revellers can benefit from £5 saving per person when tickets are purchased before 12pm on 2nd June, with gate admission costing £40 for adults and £25 for concessions. Children aged 17 and under go free when accompanied by a paying adult.
Gates open at 11.30am, with provisional times for the first race at 1.15pm and the last race at 4:50pm.
Musselburgh Racecourse provides year-round racing action, with 27 race days across the flat and jump racing seasons, including weekend, midweek, and evening.
For further information on the Edinburgh Cup and to book tickets now, visit:
Dunedin Consort, Hera and Mahogany Opera come together to breathe life into 300 year-old ‘operas’ that have never been staged in Britain before
23 June – 12 July 2023
Findhorn, Glasgow, Edinburgh, York, London
Élisabeth Jacquet de la Guerre Cantates Bibliques: ‘Judith’, ‘Rachel’ & ‘Susanne’
Carolyn Sampson, Anna Dennis, Alys Mererid Roberts – Sopranos
Modern English translations by Toria Banks
Directed by Mathilde Lopez
Élisabeth Jacquet de la Guerre’s biblical cantatas are extraordinary historical jewels. Written by a woman, about women, for women, they tell bold, unflinching tales about love, marriage, tragedy and adultery, each one a tiny opera in all by name.
These breath-taking miniatures – in new English translations by Toria Banks and directed by Mathilde Lopez– will receive their UK premieres more than 300 years after they were composed.
Out Of Her Mouth will be performed in atmospheric, accessible settings that champion the ability of women to tell their own stories and narrate their own experiences from the Highlands of Scotland to central London.
Translator, Producer & Joint Artistic Director, Hera Toria Banks said: “I’ve been thinking about this project since I first read and heard the Cantates Bibliques, particularly those that tell knotty stories about Biblical women, because while there are exceptions, complex narratives about female experience are pretty rare in the operatic canon.”
But as much as the stories themselves, it’s also about the way they’re told, with a single female singer holding the stage in an authoritative way, and presenting the different characters including the men.
Toria Banks added: “I think you can feel Jacquet de la Guerre’s confidence and ease as a mature composer in these pieces. Within each one there’s a lot of musical variety and a fascinating relationship between teller and tale, characterised by nuance and irony and all sorts of subtle shifts of tone. They’re very fleet of foot, which feels very contemporary.”
Out Of Her Mouth is directed by Mathilde Lopez, a freelance director and the artistic director of August 012 theatre company.
Mathilde Lopez said: “These are three stories about sex and power and ultimately the perpetuation of patriarchy. We are narrating the heroic moments in the lives of three women from the bible: Susanne, Rachel and Judith who endure and overcome different but equally perilous situations.
“Surprising and complex, these baroque vignettes display varied dilemmas and moral contortions but all have in common the very recognisable fear, solitude and violence generated by constant unwanted sexual attention, harassment and objectification. Our women are all kneaded by male violence and the thousand years of abuse that comes with having a female body.
“In Out Of Her Mouth we are presenting these three pieces together as variations on female oppression. Performed by 3 different singers, 4 musicians, 5 watermelons and 7 large blue rolls, we are staging the one long story of accumulated frustrations, anger, wounds and violences of Susanne, Rachel and Judith and lay it bare for the audience to see.
“There will be knives, watermelons and destruction – with regular cleaning and resetting.”
In writing an English version Banks set out to preserve the sinuous quality in the dynamic relationship between singer and story and audience.
“I think I’m always trying to translate ‘faithfully’, but you do have to be faithful to a number of different things at once.
“There are the original words (by Antoine Houdar de la Motte), but also I think you owe something to the central characters and their plausibility and wholeness as women, and to the emotional shape of the music which is aiming at effects on an audience that is very different to the one originally imagined (we can’t all be Louis XIV). And everyone deserves a clear, singable, idiomatic text.”
It’s definitely a feminist project. But it’s not just about performing music by women. That’s important, but ‘Yay for women!’ isn’t enough. It’s a show about three women characters who are all trying to exercise agency and live fully in really constrained circumstances.
The actions they take, and the things that they bear, living under patriarchy come at a cost to themselves. There’s real power and beauty in hearing that expressed.
The three characters and stories are told by three fabulous sopranos: Carolyn Sampson immerses us in the story of Judith, Anna Dennis in that of Rachel and Alys Mererid Roberts brings us the story of the young Susanne.
Throughout Out Of Her Mouth the three partners have sought to create opportunities for professional development, offering support and mentoring to an artist appointed by open call to each area of the production.
Dunedin Consort has appointed Katarzyna Kowalik as harpsichordist, Hera has engaged Welsh soprano Alys Mererid Roberts, and Mahogany Opera has appointed Mathilde Lopez to the directorial team.
Working with Mahogany Opera on Dido’s Ghost in 2021 marked the beginning of a wonderful new partnership for Dunedin Consort.
Dunedin Consort’s Chief Executive, Jo Buckley commented:“It was a real meeting of minds, where we discovered a shared passion for exploring new ideas, pushing our boundaries, and opening up the world of opera in brilliant and creative ways.
“So, we are thrilled to be partnering with Mahogany Opera again for Out Of Her Mouth, and to be working with Hera for the very first time, particularly given their specialism in representing stories told by and about women.”
This project marks the culmination of Dunedin Consort’s 22/23 season and is the perfect way to bring it to a close. Bringing early music to life and in fresh and insightful ways is at the heart of Dunedin Consort’s mission.
Jo Buckley added: We want to spark curiosity in our listeners, and what could be more thrilling than Élisabeth Jacquet de la Guerre’s biblical cantatas, now 300 years old and never before staged in the UK?
“Composed by a woman, about women, for women, these powerful miniature operas deserve to be far better known – and we can’t wait to give them the prominence they deserve across Scotland, in York and in London this summer.”
Making their work as accessible as possible to both audiences and performers drives all three ensembles. The potential to enjoy Out Of Her Mouth will be widened with the use of creative captions, audio description introductions and the film of it will be released later this year as part of National Centre for Early Music’s online Christmas festival.
Out Of Her Mouth is a partnership between Dunedin Consort, Hera, Mahogany Opera and the National Centre for Early Music.
Join our guest organist Oli Kelly and the church choir tonight Friday 19 May at 7pm for a charity recital and concert in aid of Drake Music Scotland.
The event is free but we would ask for donations to the work of Drake Music Scotland who provide music making opportunities for children and adults with disabilities and special needs.
The concert will last approximately 1 hour 20 mins and will be followed by refreshments. The concert will feature Oli Kelly on the organ and after a short interval Oli will conduct the church choir in a selection of pieces ranging from Palestrina to Howard Goodall.
You can learn more about the work of Drake Music Scotland at:
Scottish Opera, Royal Scottish National Orchestra, Scottish Chamber Orchestra and more of Scotland’s premier musical institutions offering a fantastic array of career-enhancing prizes to be won at the National Final of Scottish Young Musicians Solo Performer of the Year 2023
Incredible support received from the big names in the Scottish musical community who are offering prizes to the next generation of Scotland’s musicians performing at Scottish Young Musicians Solo Performer of the Year on Sunday 21 May 2023, including all three of Scotland’s national music companies.
Young people from 30 of Scotland’s Local Authorities, covering 99% of the school-aged population, are competing against each other to be crowned the second ever Solo Performer of the Year.
An expert panel of adjudicators will bring expertise from across a spectrum of musical genres.
The national final will take place at the Royal Conservatoire of Scotland and will be hosted by broadcaster and celebrated singer Jamie MacDougall, with Nicola Benedetti providing special welcome video.
Scottish Young Musicians, Scotland’s festival of music competitions, gives young musicians from around the country the chance to compete to win career-enhancing prizes, perform live on a national stage in front of internationally renowned judges, and push their skills like never before.
In 2023, 30 local authorities covering 99% of Scotland’s population are taking part inScottish Young Musicians Solo Performer of the Year, giving opportunities to more young people who would like to compete in Scotland’s only music competition where funding and expertise is offered to every school and Local Authority.
The competition was open to all young musicians who go to school in Scotland, whatever age or standard. Each area has selected their best local soloist to compete at the National Final at the Royal Conservatoire of Scotland on Sunday 21 May 2023. In addition, 20 of Scotland’s independent schools have competed to select a finalist. (A link to a live document containing the full list of all 31 young musicians participating in the final can be found in Notes to Editors.)
After much anticipation, the full list of prizes for the competition can now also be announced, with some of the UK’s leading musical institutions and orchestras taking part. New for this year, Scottish Opera are offering the best vocalist and runner up vocalist a day with Scotland’s national opera company, including a special tour of the rehearsal and production facilities and the chance to meet some of the artists, artisans and support staff who make, stage, promote and present Scottish Opera’s productions.
Royal Scottish National Orchestra has offered the prize of a bespoke experience which would include time to meet with its CEO, Alastair Mackie, and a meeting with a player of the prize-winner’s choice. This prize also includes attending a rehearsal and a pair of concert tickets.
Scottish Chamber Orchestra is offering a bespoke experience including time to meet with their CEO, Gavin Reid, a meeting with a player of choice, the opportunity to attend a rehearsal, and a pair of concert tickets.
Other orchestras and ensembles offering prizes include The Dunedin Consort, one of the world’s leading Baroque ensembles, who are offering concert tickets, an invitation to attend a rehearsal, and some one-to-one time with a player.
Scottish Ensemble, Glasgow’s pioneering string orchestra has offered a competitor the opportunity to attend a rehearsal, 2 tickets for a performance and the chance to meet Scottish Ensemble staff and/or performers to get an insight into music careers and opportunities.
The Cumnock Tryst, founded by Sir James MacMillan, is offering a finalist the opportunity to perform a solo recital in its year-round programme in 2024-25.
The Royal Conservatoire of Scotland, host of the national final, is offering the winner of the solo competition a coaching session with the relevant head of department, participation in a masterclass, and a studio recording session with an accompanist provided, giving the winner a quality recording that could be used for auditions. The Conservatoire is also providing two runners up a coaching session with the relevant heads of department and participation in a masterclass.
Trinity Laban Conservatoire of Music and Dance, recognised as an innovative world leading institution, is offering a winner an immersive bespoke day reflective of their musical interests and aspirations.
This will include a private lesson, a professional studio recording, along with a variety of opportunities such as observing masterclasses, attending performances, and other special events.
Trinity has a leading reputation for musical theatre and jazz which could present a unique opportunity for a winner in these genres. All travel and accommodation costs will be included along with an overnight stay for both the winner and their chaperone.
Haydock Music, a specialist music store in Milngavie, Glasgow, Band Supplies, one of the leading Brass & Woodwind Suppliers in the UK, and The Wind Section, who are also one of the UK’s leading musical instrument retailers, are all offering voucher prizes for some of the finalists. Stringers of Edinburgh, the UK’s leading online retailer for violinists, violists and cellists is offering the prize of a BAM Case for the most promising in the competition.
The Corner Shop PR, leading Arts PR agency based in Edinburgh, is offering half a day of media and social media training which will cover everything from interview training to how to best utilise your social media accounts for a professional career in music.
As previously announced, the overall winner of the national competition will also receive a stunning sculpture by Alexander Stoddart, the King’s Sculptor in Ordinary, of the Maid of Morven playing the Clarsach.
Scottish Young Musicians will also gift the winner of Solo Performer of the Year £1,000 to be spent on activities or items to further their musical career. Two runners up will receive a prize of £250 each also to be used for musical activities.
Ursula Jones OBE, in memory of the virtuoso trumpeter Philip Jones CBE who founded one of the world’s most celebrated brass ensembles, has donated £250 to the most promising solo brass player, to be spent on music related activities.
Ursula will also be at the final to present the Brass Ensemble of the Year trophy and cash prize to Stranraer Brass. East Lothian Council Instrumental Music Service Senior String Ensemble, who won the overall Scottish Young Musicians Ensemble of the Year, will also be presented with their cash prize and trophy, and both ensembles will perform at the final in an all-expenses paid trip.
Deciding the winners of all of these outstanding prizes will be an adjudication panel of musical experts.
Scottish Young Muscians, Glasgow, 2022
John Logan, Head of Brass at RCS, will be chairing the panel of adjudicators. He will be joined by Sarah Ayoub of the multi-instrumental composing and performing duo the Ayoub Sisters, who were discovered by Mark Ronson and are recognised internationally for their chemistry on stage and ability to unite different musical genres and cultures together through their unique compositional style.
Internationally renowned soprano Judith Howarth will also sit on the panel as the vocal specialist judge, and Heather Nicol, Head of Woodwind at Royal Conservatoire of Scotland, will be the woodwind specialist judge.
Ross Leighton of Fatherson fame completes the judging line-up, bringing expertise from his career in the alternative rock scene, having toured with bands such as Biffy Clyro, Panic! at the Disco and Enter Shikari.
The final will be presented by singer and broadcaster Jamie MacDougall, who will meet with all the young performers backstage beforehand, and feature a special video welcome by international classical violinist Nicola Benedetti.
Alan Kerr, Chair of Scottish Young Musicians, said: “I’m delighted to see Scottish Young Musicians build on the firm foundations achieved in its first year to now cover 99% of the country.
“The support we’ve had from the Scottish music community and from further afield has been incredible. The reach we have made into Scotland’s communities has benefited countless students, enhancing their performance abilities and life-skills, useful whether they want to pursue a career in music or elsewhere. Our goal is to go even further next year.”
Jane Davidson, Director of Outreach and Education at Scottish Opera, said: “Scottish Opera is delighted to be part of this year’s Scottish Young Musicians Competition and we look forward to welcoming the winners in the vocalist category to a special tour of our rehearsal and production facilities to meet some of the artists, artisans and support staff who make, stage, promote and present our productions.
“The competition, as well as the preceding heats at local authority level across Scotland, are a wonderful way to encourage the next generation of performing artists and further proof, if any were needed, that music and the performing arts continue to be celebrated as an crucial element of school life.”
Ross Leighton, frontman of Fatherson and one of this year’s adjudicators, said:“I can’t wait to be a part of this year’s judging panel! I’m always blown away with the amount of talent Scotland has and to witness this stage of these young musicians’ careers is an honour.
“This competition is the perfect opportunity to display their unique abilities and join a community that will encourage a new era of Scottish creativity, which is super inspiring and I’m really looking forward to hearing them do their thing!”
Juliet Robertson, winner of Scottish Young Musicians Solo Performer of the Year 2022, said:“Winning the Scottish Young Musicians Solo Performer of the Year was incredible and led on to so many amazing opportunities including being on Penny Smith’s show on Scala Radio, visiting 10 Downing Street for Burns Night, playing in several concerts and I am attending an international piano summer school soon.
“It has been an absolutely incredible journey and a life-changing experience. The finals day was great and inspiring so I really hope that all of this year’s performers enjoy it too!”