More than 900 performers graced Edinburgh Castle’s Esplanade to celebrate expression and share their creative voice
Performers from across the globe are sure to wow audiences with sensational music, dance, costume, and spectacle as The Royal Edinburgh Military Tattoo makes its highly anticipated return tonight with this year’s Show, Voices.
Running until 27 August, the year’s Royal Edinburgh Military Tattoo is a celebration of expression, giving a stage to performers and acts from around the globe to share their voice. Voices draws inspiration from people across the globe who, despite physical separation, continue to connect and share their voices creatively through spoken word, song, music, and dance – languages common to all.
Tonight’s performance will mark the inaugural Show from the Tattoo’s new Creative Director, Michael Braithwaite who alongside new creative production partners are introducing a brand-new approach to pre-show with street style drummers welcoming audiences onto the Esplanade. For the very first time there will be staging on the Esplanade and soundscapes tying each spectacular performance together, with the Show being opened with original composition and vocals from The Highland Divas.
Audiences will experience stunning musical and cultural showcases from performers from Mexico, The United States, Switzerland, Germany, Canada, Australia, and New Zealand, alongside homegrown talent from the UK at the centre of it all.
Musicians from the Army are reinforced by the UK’s finest military musicians, the legendary musicianship of the Massed Pipes and Drums echoing across the Esplanade and the dazzling talent of the Tattoo Dancers and Tattoo Fiddlers.
The Tattoo performers also gave an exhilarating performance of ‘Shake that Bagpipe’ with never-before-seen at the Show, Electro Pipes, taking centre stage with a DJ and a high energy, colourful dance act.
Buster Howes, Chief Executive of The Royal Edinburgh Military Tattoo, said:“Seeing the Castle Esplanade come alive with the colour, music, word-class talent and of course, for our audiences to once again join us, is exactly the come-back we wanted.
“We set out to ensure that the 2022 Tattoo was a welcome return and a celebration of the connections, cultures and languages that bring people together time after time on the Esplanade of Edinburgh’s 3,000-year-old fortress. After last night’s preview performance, the first Show from our new Creative Director, Michael Braithwaite, I’m sure everyone will agree we have done just that.
“I’ve been blown away by the talents on display during rehearsals and I’m confident the audience will be able to feel the electric atmosphere on the Esplanade tonight! There’s still time to grab tickets throughout August, and I would encourage anyone looking for a great night out to come and experience the magic of the Tattoo.”
International performers this year include Tattoo favourites the New Zealand Army Band with this year’s dynamic performance marking their seventh appearance on the Castle Esplanade.
Banda Monumental will storm the stage with over 100 performers bringing stunningly dramatic costume and the bright carnival atmosphere of Mexico to their show stopping performance.
Swiss drumming sensation, The Top Secret Drum Corps are set to captivate audiences with their energetic precision drumming which has received global recognition since their first performance with the Tattoo in 2003.
While The United States Air Force Honor Guard, the official ceremonial unit of the Air Force, will make their return to the Tattoo this year with its lively display of precision drill.
Playing a vital role in this year’s show were Tattoo newcomers and world-renowned performers The Highland Divas whose vocals were used throughout the show in soundscapes. Audiences were treated to a unique musical journey that showcased the best of the Divas awe inspiring voices.
The United States Army Field Band will make theirTattoo debutbringing military mash-ups of traditional and contemporary hits to the Edinburgh Castle Esplanade for the very first time.
The full line up for 2022 also includes: The Band of the Royal Regiment of Scotland, British Army Band Colchester, British Army Band Sandhurst, The Countess of Wessex’s String Orchestra, The Royal Highland Fusiliers, 2nd Battalion The Royal Regiment of Scotland Pipes and Drums, The Black Watch, 3rd Battalion The Royal Regiment of Scotland Pipes and Drums, The Highlanders, 4th Battalion The Royal Regiment of Scotland Pipes and Drums, Combined Scottish Universities Officers’ Training Corps Pipes and Drums, Royal Air Force Pipes and Drums, The Crossed Swords Pipes and Drums, Brisbane Boys College Pipes and Drums, Paris Port Dover Pipes and Drums, The Pipes and Drums of Christchurch City, and Erskine Stewart’s Melville Schools Choir.
The Show will run until 27 August 2022. Tickets are on sale now and can be purchased at edintattoo.co.uk/tickets or on the phone on 0131 225 1188.
Dandelion’s cubes are going on tour, starting on top of the iconic Calton Hill in Edinburgh. Special cargo bikes, featuring Dandelion’s unique ‘growing cubes’ called ‘Cubes of Perpetual Light’, will be touring Scotland in Dandelion’s latest initiative to bring music, nature, art, science, community food growing and more, to as many people as possible.
The Cubes Bike Tour forms part of Dandelion, a major creative programme demonstrating the power of collective action through an ambitious ‘grow your own’ initiative that aims to reach hundreds of thousands of people throughout Scotland and further afield this summer.
The creative programme has been following the arc of the growing season, spanning from April to September 2022, bringing together music and art with science and technology to inspire people to ‘Sow, Grow and Share’ music, food, ideas and stories.
Commissioned by EventScotland and funded by the Scottish Government, Dandelion is Scotland’s contribution to UNBOXED: Creativity in the UK.
A touring fleet of cargo bikes displaying Dandelion’s growing cubes – miniature vertical farms – will travel the Highlands and Lowlands throughout August.
Four custom-made, electrically assisted bikes – each carrying a cube – will visit ten towns and cities, stopping at school playgrounds, green spaces, town centres, and Dandelion’s Unexpected Gardens, among other locations.
The bikes team will also be giving away free seeds to encourage people to grow their own food. As we come to grips with the impacts of climate change, the need to travel sustainably have never been more important, and the cargo bikes show one way to what is possible.
The bikes also embed active travel at the core of the tour by cycling across the country, as Scotland prepares to host the UCI Cycling World Championships in 2023.
The 1m x 1m cubes are designed to foster accelerated plant growing and have been developed to grow hundreds of seedlings under LED light, combining design craft, traditional horticultural expertise and technological innovation.
The Dandelion team will also be giving away free seed packets and sharing their expertise, so that everyone can grow their own herbs at home and also find out more about Dandelion’s Harvest celebrations in September.
At each stop, the cubes will play new music specially commissioned for Dandelion by Scottish and international artists, inspired by the natural world and can only be heard at the sites, including Vendanth Bharadwaj, Arooj Aftab & Maeve Gilchrist, 2022 Mercury-nominated Fergus McCreadie, Ravi Bandhu, Trio Da Kali, and amiina & Kathleen MacInnes.
Featuring programmable, immersive lighting integrated with speaker systems designed to best showcase the new music playing from the cubes. Each new music piece is commissioned by Dandelion with additional support for international work from British Council Scotland.
Neil Butler, Director of Festivals and Events at Dandelion, said: ‘We can’t wait for the Cubes Bike Tour to begin. It’s a great way to share Dandelion’s message and reach people in locations throughout Scotland.
“The bikes will be travelling all over the country so we’d love to see people coming along to witness some of the magic, get seeds to grow your own at home and hear more about our upcoming Harvest celebrations.’
Paul Bush OBE, Visit Scotland Director of Events said:“The Dandelion programme is creating an incredible array of events across Scotland this summer, each finding unique moments to connect with people all over the country through growing.
“The Cubes Bike Tour is another engaging example of this, taking Dandelion right into the heart of locations right across Scotland to be enjoyed by locals and visitors alike.
“It’s also fantastic to see events like this embed active travel as part of their programme, and it’s particularly exciting to see biking at the core of this tour as Scotland gears up to celebrate cycling on the world-stage in one year’s time, hosting the 2023 UCI Cycling World Championships”.
Cosmo Blake, Network Engagement Manager at Sustrans Scotland “We are delighted to be able to support Dandelion by supplying four cargo bikes for the Cubes Bike Tour this August.
“By utilising the National Cycle Network, the UK-wide network of signed paths and routes for walking, wheeling and cycling, the tour will be able to reach communities sustainably. With the ever-present impacts from climate change, the importance of both food and transport sustainability are becoming more and more relevant.
“Bringing together active travel, growing, and the arts is a fantastic way to demonstrate the huge breadth of possibilities of cycling for transport as well as for leisure.”
The Cube Bikes will be passing through the places below:
Edinburgh, Tue 2 August
1pm, Edinburgh Botanic Gardens
4pm, Unexpected Garden, Lauriston Farm
Hawick, Wed 3 August
4pm, Hawick Museum, Wilton Lodge Gardens
Stranraer, Fri 5 August
1pm, Unexpected Garden, Harbour Street
Greenock, Sat 6 August
10.30am, Battery Park and along the esplanade
11.30am, Beacon Arts Centre
2pm, The Drying Green, Inverkip Road
Glasgow, Sun 7 August
10.00am, Govan Cross
12noon, Glasgow Science Centre
Forres, Tue 23 August
1pm, Market Square
7pm, Grant Park
Inverness, Wed 24 August
5.30pm, City Centre
Alness, Thu 25 August
Schools tour only
Wick, Fri 26 August
11am, Harbour tour
1pm, Market Square
Thurso, Sat 27 August
1pm, Town Centre
7.30pm, Unexpected Garden
Further locations to be announced throughout August.
For more information and location updates, please see: www.dandelion.scot
Dandelion is commissioned by EventScotland, funded by the Scottish Government and is part of UNBOXED: Creativity in the UK. The bikes were commissioned for Dandelion by Sustrans. The Cube Bikes Tour route will follow the National Cycle Network where available. https://www.sustrans.org.uk/national-cycle-network/
Over 3,300 shows now available to browse online ahead of the Fringe’s 75th anniversary this August
The Edinburgh Festival Fringe Societyis delighted to announce that tickets for a further 146 Edinburgh Festival Fringe shows are now available to browse and book at edfringe.com.
This is the fifth set of tickets to be released for 2022, with the first 283 shows revealed in March, 796 in April, 1,281 in May and 1,047 in June. In total, there are 3,385 shows now available.
The 75th anniversary of the Fringe takes place from 05 – 29 August 2022 and will feature an exciting range of performance, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events, children’s shows and more all featured in the programme so far.
Below is a small representative sample of shows available to book from today. The full list of shows released so far can be found at edfringe.com.
Theatre
At Summerhall, Dykegeist “will shift between a supernatural thriller, a sci-fi spider lair, a haunted club scene, a social situation to discuss threat/consent/otherness”, and Peaceophobia is “an unapologetic response to rising Islamophobia around the world”.
An outdoor performance of “Shakespeare’s timeless comic masterpiece” A Midsummer Night’s Dream is at Fisherrow Links, and at Paradise in Augustines, 12th Night Lite is a “true love story for the ages”.
A selection of online shows will include In a Cave, a Voice at C venues, where “a Neolithic girl seeks comfort in imaginary friends”, and Willy’s Lil Virgin Queen explores Terra Taylor Knudson’s “passion for Shakespeare, and connects classic characters with modern experiences”.
Olding is a “multi-story, multi-character solo show, written and performed by Johanna Courtleigh” on Fringe Online, and What Am I, Chopped Suey? is also online, where “Meg Lin shares a raw personal account of growing up Chinese American that is both heart-warming and heart-wrenching”.
The Calligrapher is on at Greenside @ Infirmary Street, where an artist is “followed by the walking, talking, blood-drenched Quran that has haunted him” since he created it, and Elementa is “a one-woman show about a planet-saving superhero who’s lost her mojo” in the same venue.
Shows at ZOO Playground include Chips and Ice Cream, a show about a father-son relationship and the “struggles, the laughs, the joy and the inevitability of the mistakes that every parent will make”. Don’t Shoot the Albatross is where “pop music meets poetry in this new monologue about city lights, queer night life and large seafaring birds”.
At House of Oz, John Bell: A Few of my Favourite Things is “a relaxed hour with Australian living legend John Bell, as he rummages through his swag of favourite things, fishing out poems, stories, backstage gossip”.
Fan/Girl is part of PBH’s Free Fringe @ Banshee Labyrinth and charts a “tongue-in-cheek ride through adolescence against a backdrop of nineties football”, and A Lady Does Not Scratch Her Crotch is “a look at gender, sexuality, and the near impossibility of growing up”.
At theSpace @ Niddry Street, Laura J Harris presents Bella Donna, “an original queer comedy filled with unexpected twists and turns and more than its fair share of sass”, and theSpace on North Bridge hosts Pool (No Water), “a visceral and shocking play about the fragility of friendship and jealousy inspired by success”.
Sweet FA at Tynecastle Park is “a play with songs exploring the remarkable popularity of women’s football in the early 20th century”, and A War of Two Halves is at the same venue, telling the journey of “the Hearts from the football fields of Gorgie to the battlefields of the Somme.”
Cabaret and Variety
Figs in Wigs: Astrology Bingo is at Assembly George Square Studios, a show which plays “with bingo cards generated from your favourite celebrity’s astrological birth chart”.
Disenchanted: A Cabaret of Twisted Fairy Tales is online at C venues and asks, “Why was the Wolf in Grandma’s bed? Did Sleeping Beauty have an opinion on consent? Were the Ugly Sisters’ feet really that big?”
At BlundaGardens: BlundaBus, Ash and Lisa: Band Practice welcomes you “to this dismantling of music and sanity” in their musical improv show. And for film fans, at Brioche Dundas Street there is See It On Screen Summer 22, “three original short films made in Edinburgh”.
At House of Oz, OZmosis: The Great Australian Variety Pack presents the “hottest line-up of all-Australian talent on the Fringe”, Dolly Diamond’s Bosom Buddies sees the “award-winning, sharp-tongued cabaret diva” return to Edinburgh, and at the same venue, Geraldine Quinn: BROAD explores how “Quinn grew up idolising bold, brassy older women. Now she’s becoming one.”
Pick of the Fringe is at Johnnie Walker Princes Street, presenting “a mixed bill of comedy, music and variety, alongside the finest cocktails and drams in Edinburgh”.
At Laughing Horse @ The Counting House, Accordion Ryan’s Pop Bangers brings music from “artists from all across the pop music spectrum… in a way you’ve never heard them before”.
Chris Cook: Reflections asks, “What advice would you give your younger self?” with a magical twist at PBH’s Free Fringe @ Voodoo Rooms. At Absurd: A Live Cabaret Panel Show, you’re invited to “join host and magician Ava Beaux, and magical team captains Kane & Abel, for an array of games, buzzer rounds, and cabaret acts”; that’s at PBH’s Free Fringe @ Roti. At Planet Bar is Miss DQ Prides Again, an inclusive LGBT show.
“World-renowned songsmith and pianist extraordinaire, John Thorn, returns to the Fringe with a sublime collection of new original songs exploring the meaning of life and the future of humanity” in John Thorn Dirt An Existential Songbook at RSE Theatre.
At the Voodoo Rooms, Mr.B: Twerp in Progress “will feature some chap-hop classics, interpretations of vintage rap ditties and perhaps even some bits made up on the spot”.
99 Red Kitties is at theSpace @ Niddry St, “a highly energetic amateur burlesque show, which is sure to tantalize the audience”.
Children’s Shows
Online at C venues, Risas de Papel is a show created by 11 artists from Mexico and Chile, “fusing clown, gestural theatre and live illustration in a show for audiences of all ages”.
Spontaneous Potter Kidz: The Unofficial Improvised Parody is at Gilded Balloon at the Museum, “an entirely improvised wizarding comedy show, based on your suggestions”. At House of Oz, Dolly Diamond’s Storytime “helps stimulate children’s imagination and expand their understanding of the world”.
At Paradise in Augustines, The Red Thread We Are Holding takes audiences on “a journey of culture, love and free Taiwanese desserts”.
The Mermaid and the Cow is at theSpace @ Surgeons Hall, telling the tale of how “adventurer and children’s author, Lindsey Cole mermaided the length of the River Thames to highlight the plastic pandemic.”
Comedy
In comedy, Adam Kay: This is Going to Hurt… More (Work in Progress) brings diary entries “as well as some disgusting favourite stories” to Pleasance, and at Pleasance Dome Drag His Ass with Mary Beth Barone is a “deconstruction of modern dating culture”.
At Laughing Horse venues, Love and Sex on the Spectrum “explores all of the awkward firsts that come with dating, sex and love from a late bloomer’s perspective”. In From Ukraine, “Dima Watermelon (it’s his real name) and Pavlo Voytovych (writer at Comedy Central)” bring “the best comedians Ukraine has to offer”, with all donations going to organisations in Ukraine.
Jew Talkin’ to Me? seesRachel Creeger and Philip Simon live record their “unashamedly Jewish podcast enjoyed by everyone” at Assembly George Square Studios, and Róisín and Chiara: Sex on Wheels is “a whirlwind of synchronised, audience-tickling, stream-of-consciousness mischief”, at the same venue.
At BlundaGardens: BlundaBus, there is “extreme nonsense from award-winning idiot Dan Lees” in Dan Lees: Mustard or Custard?, and at Gilded Balloon at the Museum is Spontaneous Sherlock, an “entirely improvised Sherlock Holmes comedy play, based on a suggestion of a title”.
The In-Laws is at Greenside @ Infirmary Street, a one-man show where you can “join Paul as he meets his in-laws for the first time”, and at House of Oz, Gabbi Bolt: I Hope My Keyboard Doesn’t Break tackles “climate change, feminism, why small towns have too many pubs”.
The Necrobus hosts Fright Bus Service, “an award-winning theatrical sightseeing tour around the darker side of Europe’s most haunted city on a classic 1960s Routemaster bus”.
As part of PBH’s Free Fringe, Mimi Hayes: 20-Nothing details the story of an old woman who’s “sucked into the story of a 20-something who can’t catch a break”. Faces of Glasgow “is a scabrous and salacious satire of modern Glaswegian city life and its idiosyncratic inhabitants”.
The Scottish Comedy Festival presents Ah! My Name is Yoky Yu, about “healing, trauma, love, shame, guilt, mom, intimate relationships, and sexuality”, and The Lunch Rush gives “a taste of some of the best new comedy talent on the Scottish circuit” with Kathleen Hughes.
At The Stand’s New Town Theatre, Des Clarke: One O’ Clock Fun presents “a lunchtime showcase of Edinburgh Fringe legends, celebrity guests and the most exciting new talent around”, while Mark Watson: More Banging on About Time and Similar Issues (Work in Progress) explores “what it means to live and die, and what the hell we’re meant to do with the rapidly passing time in between”.
Trashfuture: Live at the Fringe is at theSpace @ Venue45, covering everything from “nonsense start-ups to the evil tech zillionaires and our garbled nonsense of a culture.”
At Underbelly, Dr Brown: Workdsff intlsdjfj Progressdsdfdfn the “multi award-winning comic” comes to Edinburgh “after a decade in hibernation”.
Call Me Me is at ZOO Playground, a show where Maryellen takes audiences through “stories of medical malpractice, being pigeon-toed, mansplaining in escape rooms”, and Platonic Love Triangle – A New York Stand-up Comedy Show sees comedians “Wyatt Feegrado (Bettor Days on Hulu, Amazon Prime), Lukas Arnold (2 million+ followers on Tiktok) and Otter Lee (Fairview on Comedy Central) present an afternoon of stand-up comedy”.
Dance, Physical Theatre and Circus
At Dancebase, an “elaborately costumed dancer performs a tap dance ritual accompanied by a musician” in Le Flâneur, and A Something! No Dragon No Lion! is “a Kung Fu contemporary circus made in Hong Kong”.
Cirk La Putyka and Kyiv Municipal Academy of Variety and Circus Art collaborate on Boom at Underbelly, a “show about family, freedom and borders” where 12% of ticket income will be donated to the Disasters Emergency Committee.
At ZOO Southside is 40/40: “Kat has always danced, but she has never before been a dancer. But then, she’s never been 40 before either. This is the result of 40 years of joy and hardship, laughter and tears, super tunes and super moves.”
Musicals and Opera
On Fringe Online, Feeling Pretty “tells a story of women reclaiming their power” and at theSpace @ Surgeons Hall, The Canterville Ghost: The Musical is a “family friendly comic ghost story” adapted from the Oscar Wilde story.
Spoken Word
At the Stand’s New Town Theatre, Politics and Poetry with Corbyn and McCluskey is an event which “traces the evolution of their political lives and how poetry and modern culture has provided inspiration, enlightenment and comfort”.
In 12 Angry Women, on Fringe Online, “women are on trial by the audience (the camera), they express their monologues and themselves through dance/movement”.
Aural Picnic is at PBH’s Free Fringe @ Banshee Labyrinth where a “local lass brings to life contemporary stories with humour and vigour performed in anthropomorphic characters from nature and myth.”
At Pleasance at EICC, Iain Dale: All Talk with Nicola Sturgeon brings the LBC presenter and the First Minister together for “incisive insight on current affairs”.
Shot in the Face Marvin Herbert is at Shout – Scottish Music Centre @ 111 Holyrood Road, where Marvin discusses having “investigated over 24 murders and eight shootings. Shot five times, axed in the head, stabbed, beaten and bruised” in the service of “reducing re-offending by inspiring, motivating youths and changing lives”.
Music
At ZOO Southside, sanni-leena brings “jazzy covers” with a voice which “will hit you right in the soul – no matter what style she takes on”, and at ZOO Playground, I Dreamed a Dream: The Hunt for a Husband is “an evening of musical comedy, horrendous dating stories, and a relatable truth that we all need to hear.”
At Acoustic Music Centre @ UCC, Jeremy Dion from Boulder, Colorado presents his “blend of folk, bluegrass and Americana”, and Baul, Troubador and Verses on Love, Lust and Flame directed by Ahmed Kaysher “offers the ecstasy and sublime beauty of Indian Vaishnav, Baul and Troubadour music with its interpretation through a haunting presentation of Sufi, Bengali and Greek poetry”.
Duelling Piano Heroes is “an unrivalled, 21st century duelling pianos experience” at PBH’s Free Fringe @ Liquid Room Annexe/Warehouse.
10 Years of Hot Dub Time Machine promises “a night of high energy and non-stop fun and Tom’s incredible selection of the very best tracks from the last 70 years” at Royal Highland Centre.
At RSE Theatre, Bonnie Thorn Little Jazz Bird “showcases Bonnie’s vocal talents with selections from the Gershwins to Amy Winehouse and beyond”, and at St Cuthbert’s Church, Pitchcraft: The Pitch Is Back! is a showcase of “uniquely crafted acapella arrangements, each with its own twist, delivered with humour and passion”.
There is a Lunchtime Organ Recital with free admissionat Stockbridge Church, where “Marion Lees McPherson plays a selection of German, French and English organ music on the theme of Pain and Glory.”
Kings of the Blues: Electric Blues Tribute is at The Brunton, “honouring three masters of the Blues: BB King, Albert King and Freddy King”, and Kyle Falconer in The Old Dr Bell’s Baths with Support from The John Rush Band, The Laurettes and Hunter & McMusard is at The Old Dr Bells Baths where “Kyle, backed by his full band, will be playing a set combining his solo music and classics from The View’s back catalogue.”
The Salvation Army Edinburgh City Corps hosts Music for the Festival with Newtongrange Silver Band, “a traditional mining village brass band from the outskirts of Edinburgh, but their repertoire is far from traditional”.
At Underbelly, Bristo Square, Symphonic Ibiza celebrates “some of the most famous Ibiza club anthems from the last 30 years”.
Grigoryan Brothers: This Is Us is at the House of Oz. “To mark the National Museum of Australia’s 20th anniversary, the nation’s most respected classical guitarists, the Grigoryan Brothers, composed 18 musical works inspired by items from the museum’s vast collection.” At the same venue, BIRDEE “blends her own lineage of Chinese, Greek and Russian origins to craft her own sound and stories”.
120 shows make up The Stand’s 2022 programme across Stand 1 (5 York Place), Stand 2 (16 N St Andrew St) & The Stand’s New Town Theatre (96 George St)
We may be world-famous for our stand-up, but that doesn’t mean The Stand is a one-trick pony. Several spoken-word mainstays such as ‘The Cabaret of Dangerous Ideas’ and ‘In Conversation With’ are back thanks to our partnership with Fair Pley, but there’s also brand new shows from comrades Jeremy Corbyn & Len McCluskey, legendary actor David Hayman, former Makar Liz Lochhead and much more …
An ongoing series of intimate conversations with some of the country’s biggest names, including Jeremy Corbyn MP, Ian Rankin, Darren McGarvey, David Hayman, Val McDermid, and now – a last minute addition – our First Minister Nicola Sturgeon! £12.50 – £15
Are you brave enough to challenge your own preconceptions and opinions on hot-button issues? Susan Morrison introduces a different academic speaker every day. £11
Are you brave enough to challenge your own preconceptions and opinions on hot-button issues? Susan Morrison introduces a different academic speaker every day. £11
Jeremy Corbyn is joined by his friend and comrade Len McCluskey for a unique event. No strangers to controversy; their love of poetry is the softer counterpoint to their firm political beliefs. One night only. £12
What does it really mean to be working class? A blend of theatre, stand-up and spoken word from critically acclaimed writer and performer Kevin P Gilday. £12
Mark Billingham, Val McDermid, Chris Brookmyre, Luca Veste, Doug Johnstone and Stuart Neville switch out pens for guitars. Murder on the dancefloor is guaranteed …
The cast has been announced for Hiya Dolly! ahead of its Fringe 22 run at the Space @ Surgeons Hall.
The true story of how a cute, attention-seeking lamb became the most famous sheep in history, the world’s first cloned mammal. Lab created and born at the Roslin Institute outside Edinburgh, Dolly lived the good life.
A worldwide celebrity who never left her farm. Mother to six lovely lambs. She changed biology forever – and irrevocably changed the lives of all her human parents. Who were they? How did they do it? Where are they now? Come find out how to clone a sheep in this new play by Vince LiCata, laced with Dollified Scottish tunes and plenty of woolly humour.
Hiya Dolly! is a play with live music that explores the science, human relationships, and public reaction surrounding the remarkable cloning of Dolly the sheep at the Roslin Institute outside Edinburgh. At the time many high profile scientists had declared that cloning a mammal was impossible.
It’s a whirlwind excursion through the creation of the world’s most famous sheep and the story of the people who made it happen. Itmixes science, human drama, music, humour and a talking sheep. Its songs are set to traditional Scottish folk tunes arranged by Edinburgh based musician Ciaran McGhee.
Writer Vince LiCata says, “The explosion of publicity about the cloning of Dolly the sheep was outrageous: scientific advances just don’t get that type of public hype.
“And yet all that mania included little about the actual cloning. So Hiya Dolly! is an attempt to tell the story of the cloning itself, but in a way that retains the atmosphere of the runaway circus that surrounded it.”
Director Andy Jordan comments: “I am delighted to be directing Hiya Dolly!, a highly unusual play about a truly remarkable animal. Dolly is an Edinburgh icon who was created, lived and died just outside the city, so I feel honoured to be involved in telling her truly astonishing story.
“This play brings a talking Dolly to the stage with chutzpah, wit and charm, in a way that can only happen in theatre. I can’t wait to meet her.”
Hiya Dolly!
Written by Vince LiCata,
Directed & Produced by Andy Jordan
Music Direction by Ciaran McGhee
Designed by Robbie McDonnell
Listings info
Venue: theSpaceUK @ Surgeons Hall (Grand Theatre)
Dates: Friday 5 to Saturday 27 August No performance 14 Aug
Having temporarily put down their pens and picked up guitars, this crime-writing super-group – Mark Billingham, Val McDermid, Chris Brookmyre, Luca Veste, Doug Johnstone and Stuart Neville – happily murder much-loved songs by The Clash, Elvis Costello, The Beatles, Talking Heads, The Jam, The Pretenders, Johnny Cash and many others who are currently considering legal action.
Between them, they have sold over 20 million books worldwide and won every major crime-writing award, but now they’re rocking out on the stage instead of the page and performing killer tunes in a series of killer shows at major festivals and venues, including this first ever run at the Edinburgh Fringe.
The band have rocked the stage at Glastonbury, blown the roof off The Queen’s Hall, and performed to international audiences from Reykjavik to Toronto. The unlikely band formed at the House of Blues in New Orleans in 2016, when an open mic night at a crime-writing festival got out of hand.
Fuelled by whisky, beer and distinctly murderous tendencies, the Fun Lovin’ Crime Writers deliver the most rocking night out this side of a library. Murder on the dancefloor is guaranteed!
The European Broadcasting Union (EBU) and the BBC have confirmed that the 2023 Eurovision Song Contest will be hosted in the United Kingdom on behalf of this year’s winning broadcaster, Ukraine’s UA:PBC.
BBC to take on hosting duties with Contest to be held in United Kingdom in 2023
Logo reflecting unique circumstances of staging to be revealed later
The European Broadcasting Union (EBU) and the BBC are pleased to confirm that the 2023 Eurovision Song Contest will be hosted in the United Kingdom on behalf of this year’s winning broadcaster, Ukraine’s UA:PBC.
Following the decision that, regrettably, next year’s event could not be held in Ukraine for safety and security reasons the EBU explored a number of options with the winning broadcaster.
As a result of discussions, the BBC, as runner up in the 2022 Contest, was invited by the EBU to act as Host Broadcaster for the 67th Eurovision Song Contest.
“We’re exceptionally grateful that the BBC has accepted to stage the Eurovision Song Contest in the UK in 2023,” said Martin Österdahl, the Eurovision Song Contest’s Executive Supervisor.
“The BBC has taken on hosting duties for other winning countries on four previous occasions. Continuing in this tradition of solidarity, we know that next year’s Contest will showcase the creativity and skill of one of Europe’s most experienced public broadcasters whilst ensuring this year’s winners, Ukraine, are celebrated and represented throughout the event.”
Mykola Chernotytskyi, Head of the Managing Board of UA:PBC, added: “The 2023 Eurovision Song Contest will not be in Ukraine but in support of Ukraine. We are grateful to our BBC partners for showing solidarity with us.
“I am confident that together we will be able to add Ukrainian spirit to this event and once again unite the whole of Europe around our common values of peace, support, celebrating diversity and talent.”
Representatives from UA: PBC will work with the BBC to develop and implement the Ukrainian elements of next year’s shows. Ukraine, as the winning country of the 2022 Eurovision Song Contest, will also automatically qualify to the Grand Final of the upcoming Contest.
Tim Davie, Director-General of the BBC said: “It is a matter of great regret that our colleagues and friends in Ukraine are not able to host the 2023 Eurovision Song Contest. Being asked to host the largest and most complex music competition in the world is a great privilege.
“The BBC is committed to making the event a true reflection of Ukrainian culture alongside showcasing the diversity of British music and creativity. The BBC will now begin the process to find a Host City to partner with us on delivering one of the most exciting events to come to the UK in 2023.”
The BBC has staged the Eurovision Song Contest more times than any other broadcaster, hosting in London in 1960, 1963, 1968 and 1977, Edinburgh in 1972, Brighton in 1974, Harrogate in 1982 and Birmingham in 1998.
Next year’s Host City will be chosen in the coming months following a bidding process to be launched this week. The dates for the 2023 Eurovision Song Contest will be announced in due course.
The logo for the 2023 event will also be revealed later and will reflect the unique staging of next year’s Contest and the cooperation between the host country and this year’s winners.
The Eurovision Song Contest is the world’s largest live music event, organised annually since 1956 by the European Broadcasting Union (EBU), which represents public service media in 56 countries in Europe, the Middle East, and Africa.
The 2022 competition reached over 180 million viewers on TV and digital platforms.
Ukraine, as the winning country in 2022, will automatically qualify for the Grand Final of the upcoming Contest along with the so-called ‘Big 5’ (those countries that financially contribute the most towards the Contest: France, Germany, Italy, Spain and the United Kingdom).
Kalush Orchestra on stage having won the Eurovision Song Contest in 2022 – EBU / Corinne Cumming
Representatives of UA: PBC will work with the BBC to develop and implement the Ukrainian elements of next year’s shows.
The logo for the 2023 event will also be revealed later and will reflect the unique staging of next year’s Contest and the cooperation between the host country and this year’s winners.
Search for Host City begins
Next year’s Host City will be chosen in the coming months following a bidding process to be launched this week.
Bidding is expected to be competitive, with several mayors, councillors and MPs already informally expressing an intention to bid, including representatives from: Aberdeen, Belfast, Birmingham, Brighton, Bristol, Cardiff, Edinburgh, Glasgow, Manchester, Leeds, Liverpool, London, Newcastle, Nottingham, Sheffield, Swindon and Wolverhampton.
Not all of these locations will formally apply, and the BBC and the EBU will await official approaches and applications from this week onwards, publishing the long-list later in the Summer.
As well as selling their vision for a fantastic Contest, potential Host Cities are expected to demonstrate that they can meet a list of expectations.
Last year, the EBU’s Host City criteria was based on providing a venue able to accommodate at least 10,000 spectators (as well as a press centre), that should be within easy reach of an international airport and with ample hotel accommodation.
Acclaimed shows shine a spotlight on the life and career of two legendary musicians
Two music shows which celebrate the talent of a pair of legendary musicians are set to be staged at the Assembly Festival at the Edinburgh Fringe this summer.
Something About Simon – The Paul Simon Story and Something About George – The George Harrison Story will join the line-up at the UK’s most hotly anticipated Summer event.
The two shows from Something About Productions will run between Thursday 4 August and Thursday 18 Augustin The Bijou – a striking 250-seat Spiegel tent – and will join a busy programme of music, comedy, cabaret, theatre, and family shows planned for the 2022 Fringe. Tickets for both productions are now on sale.
Something About Simon – The Paul Simon Story returns to Edinburgh after triumphing at the Fringe in 2019. It was then chosen for a residency at the Fringe Encore Series at the SoHo Playhouse in New York City, where it playedsix sell-out performances. The show, which was premiered in Liverpool in 2018, then also went on to form part of the programme at the inaugural Liverpool Theatre Festivalin 2020.
Singer songwriter Gary Edward Jones not only recites the music of one of his idols, but also tells the unique story of Paul Simon combining visuals, stage design and, of course, the music.
A natural storyteller with charisma and charm, Gary weaves together songs and stories that cross The Atlantic from New Jersey to the North West of England. He traces the sometimes poignant moments in Simon’s life and career, that occasionally mirror his own.
The show is co-written by Jon Fellowes and features classic ballads like Sound of Silence and America to Wristband, The Boxer, and Bridge Over Troubled Water.
Meanwhile Something About George – The George HarrisonStory enjoys its Edinburgh premiere this Summer. The show pays tribute to the man dubbed the “quiet Beatle”, and was met with acclaim by both audiences and critics when it closed Liverpool Theatre Festival in September 2021.
Now West End performer and musician Daniel Taylor is set to bring it to the Fringe at the culmination of an eight venue UK tour.
Featuring beautiful songs like My Sweet Lord, Something, and Handle With Care, Something About George showcases Harrison’s incredible solo material and music from rock ‘n’ roll’s greatest supergroup, The Traveling Wilburys which was made up of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty.
And any show celebrating one of the Fab Four just has to include a few classics from The Beatles. From heartbreak to hedonism and songwriting to success, Something About George celebrates a life that was anything but quiet.
Daniel is an award-winning actor, producer, and director. He has previously played John Lennon in the award-winning Lennon Through A Glass Onion; Sammy in Blood Brothers; and appeared at the very first Liverpool Theatre Festival in his show, The Very Best Of Tommy Cooper.
Both ‘Something About’ shows will be performed in 60-minute one-act festival version. They are also set to be staged at the Assembly Festival Gardens in Coventry ahead of Edinburgh.
Something About George is written by Jon Fellowes, who co-produces the show alongside Gary Edward Jones and theatre producer Bill Elms. Together they make up Something About Productions.
Co-producer Bill Elms said: “We’re absolutely thrilled to be able to bring Something About Simon and Something About George to the Assembly Festival at the Edinburgh Fringe.
“The Bijou is a really magical and atmospheric venue in which to tell these compelling musical stories. These shows capture and celebrate the life, work, and spirit of two legendary musicians, Paul Simon and George Harrison, and both have enjoyed a fantastic reception from audiences at venues here at home and, in Something About Simon’s case, across The Atlantic too.”
Gary Edward Jones commented: “We had an amazing time when we brought Something About Simon to Edinburgh three years ago. Audiences really responded to the heart in the show and to have the chance to perform it in New York too was very special.
“I’m really proud of what we’ve created, and I’m looking forward to returning and sharing Paul Simon’s story and music again.”
Daniel Taylor added:“There’s nothing quite like the atmosphere at the Edinburgh Fringe, and I can’t wait to get out there on stage and perform for Assembly Festival audiences.
“After all his achievements, George is still one of the most underrated songwriters that has ever lived, and this is a perfect chance to celebrate and shine a spotlight on his musical genius.”
Facebook: /somethingaboutproductions
Twitter: @SomeAboutProds
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LISTING INFORMATION
Something About Simon – The Paul Simon Story
DATE: Thursday, 4 August – Thursday, 18 August 2022
TIME: 1pm
Something About George – The George Harrison Story
DATE: Thursday, 4 August – Thursday, 18 August 2022
Back for its fifth year, with a new Chief of Engagement and a new Creative Director, Army @ The Fringe is poised to provoke public discussion through plays, art, poetry, and talks programmed to act as a foil to the Royal Edinburgh Military Tattoo, showing the Army in a different, unexpected light.
As the Fringe emerges from Covid, Army @ The Fringe is playing its part in recovery. None of its visiting artists pay rent to perform in the venue, which keeps ticket prices affordable and means over a quarter of shows are free or pay what you want.
For the first time Army @ The Fringe has commissioned research and development works and play readings. Some are being performed by graduands from the Royal Conservatoire of Scotland which sees their Fringe Debuts fully funded.
Lt. Col Hugo Clark MBE, who is responsible for Military Engagement across the whole of Scotland, is no stranger to Edinburgh and its festivals, having Commanded Edinburgh Garrison and the Military aspects of the Royal Edinburgh Tattoo for three years.
Lt. Col Clark said: “We’re trialing lots of initiatives to reach new audiences. For instance, we’re working with the University of Dundee to offer free tickets to humanities students from Scottish Secondary Schools up to 90 minutes from Edinburgh for productions and post show talks about history and international relations.
“We’re also collaborating with Scotland’s new Centre for Military Research, Education and Public Engagement at Edinburgh Napier University on a programme of post-show talks about veterans, spouses and mental health.
“In a year where the Fringe is on its way to recovery by having 80% of its 2019 programme, I’m pleased to support this by increasing our own capacity by 60% from last year through innovative programming and deploying a team who really have pulled out the stops to support this logistically.”
Leading the Creative Direction of Army at the Fringe is veteran producer, writer and artist Harry Ross who brings over two decades of experience to the artistic programme. He is also a serving Reservist, part of a new direction for Army @ The Fringe which will see soldiers start to play a more interactive role in creating work.
Interestingly, the venue in Hepburn House, an Army Reserve Centre on East Claremont Street, a fifteen-minute walk from Fringe Central, has some pedigree for artistic soldiers – two of Scotland’s well known modernist painters, Francis Caddell RSA and William Geissler enlisted into the Royal Scots at Hepburn House in the 20th Century.
Harry Ross said: “I rejoined the Army reserve as part of Artistic Research I am undertaking into the Hagiography of the Highland Warrior at Duncan of Jordanstone College of Art and Design, University of Dundee.
“As part of the University’s ethical approval process, I had to explain what I was doing to my military superiors who have been exceptionally supportive of my research. When I was asked by HQ Army in Scotland to help Army @ The Fringe, I felt it was a way of returning that support.
“I’m no stranger to life in the British Army, my father commissioned half a century ago and retired in 2006. Today’s army is very different to the one I grew up next to, and I hope that my programme reflects the values of a contemporary, diverse, and moral organization that the British Army seeks to become, with plays that accentuate how the moral component is key to an army that needs its soldiers to be reflective on choices made during service and respectful of all communities.”
The arts have always been interwoven with the British Army and cultural influences are reflected in works of art and poetry that soldier artists have created on their return from operations overseas, and music that has been composed during and after conflict.
As part of Army @ The Fringe’s strategy to present more work outside central Edinburgh, the art of conflict will be in the spotlight at a special concert of chamber music composed by 20th and 21st century composers at war, and Edinburgh Napier University Music Students that will be presented by members of the Band of the Royal Regiment of Scotland at the War Poets Collection, Edinburgh Napier University, Craiglockhart Campus on 28th August.
Soldiers creating works of art and music is one element of how the army interacts with the arts, another important interaction is that all soldiers must understand how to protect cultural property. This is not just the physical works of art or architecture but also the intangible heritage of oral history, performing arts, the values, traditions, and identities of communities.
“The Baltic Countries have a UNESCO Protected Intangible Heritage in their music and dance festivals. The one in Estonia is known as Laupupidu”, said Lieutenant Colonel Wendy Faux, the lead for arts in the Army for the last three years.
“The Kings Royal Hussars Battlegroup formed a choir whilst deployed in Tapa. They had a Russian Musical Director and performed with local choirs from the region around Tapa – in old Estonian.
“For me this was the coming together of communities through a mutual respect of music. It was interesting that many in the crowd could not believe the soldiers were singing in an old Estonian dialect that many of them would not attempt.”
It was this event along with the links Ross has nurtured over the years that has inspired a programme that brings together different voices through Intangible Heritage, with a highlight of the Poetry and Plays of young playwrights from the Baltic nations and modern writers from the Visegrád Group.
Continuing with the cultural heritage theme there are workshops and readings that investigate Scotland’s own linguistic diveristy, with an event exploring exploring why so many British Army units celebrate the Scots poet Robert Burns with senior non-commissioned officers form the Royal Regiment of Scotland, and a workshop on Gaelic war poetry produced in collaboration with the Scottish Poetry Library and led by Outlander’s very own Bard – Gillebrìde MacMillan.
Army @ The Fringe is also presenting two photographic exhibitions: – One is a remount of Alex Boyd’s acclaimed photographic exhibition at Stills Gallery – Tir An Airm (Land of the Army), that explores the largely unseen places in Scotland that are used to train our armed forces and those of our NATO allies.
The other is a retrospective of the work of prizewinning military photographer Bdr. Murray Kerr – To Spur a Running Horse, a collection of Portraits of veterans at rest and Officer Cadets in the field.
This year presents an opportunity for audiences and creatives to immerse themselves in a finely-honed programme of premières that bring the questions that really matter to light – what is our Army for; how do we train it; what are our values; how do we treat our veterans; who do we serve with and why; and what is our place in contemporary Scotland, the UK, and the wider world?
Rising female artists, Riley, Becki Rutherford, and Megan Black surprised passers-by on Castle Street today with a busking set and free tickets to their upcoming Glasgow gigs as part of Glasgow Life’s Glasgow Music Nonstop busking tour.
The busking tour, which makes its second stop in Edinburgh, is bringing together musicians from across Scotland to get people excited about Glasgow’s jam-packed programme of music events this summer.
The three Glasgow artists kicked off the second day of the tour and gave away tickets to their upcoming gigs in Glasgow (all three artists are performing at King Tut’s Summer Nights Festival), in support of the city’s summer of music.
The tour is now gathering pace and makes its final stop in Dundee tomorrow (Friday 22 July).
Riley said: “Glasgow is one of my favourite cities to play in, so I was thrilled when I was asked us to join the Glasgow Music Nonstop busk tour in Edinburgh.
“I’m delighted to be headlining King Tut’s this Sunday and love that Glasgow Music Nonstop is supporting all the fantastic artists that are playing Glasgow this summer.”
Edinburgh resident, Michelle Finlayson was one of the lucky passers-by who managed to snap up a ticket to Becki’s gig. She said: “Being given these tickets totally cheered me up and Becki’s beautiful voice had us dancing along and joining in.
“I absolutely love the live music scene in Glasgow, there’s always a great atmosphere at gigs, so I’m really looking forward to seeing Becki perform there.”
Glasgow Life Chair, Bailie Annette Christie said: “Glasgow enjoys a global reputation as a live music hotspot, with our venues regularly playing host to some of the world’s biggest artists. As the UK’s first, and Scotland’s only, UNESCO City of Music, Glasgow’s music scene has something for all fans, which is a major reason visitors choose to come here.
“The Glasgow Music Nonstop busking tour is our way of bringing a flavour of Glasgow’s summer of music to our fellow Scottish cities and celebrating the artists that make Glasgow’s music scene so vibrant. We’re delighted to support homegrown talent and hopefully get people excited about Glasgow’s upcoming events with some free tickets to enjoy our city’s summer of music.”
Developed by Glasgow Life’s Destination Marketing team, and with the support of VisitScotland’s Destination and Sector Marketing Fund, the ‘Glasgow: Music Nonstop’ busking tour is bringing a line-up that includes Riley, Megan Black, Becki Rutherford, Pages, BOOTlace and Silvi to Aberdeen, Edinburgh, and Dundee to promote Glasgow’s lively music scene and give music fans across the country the chance to scoop free tickets to upcoming gigs.
Glasgow Life is a charity which delivers culture and sport across Glasgow.
Glasgow’s summer of music kicked off with a bang in June as some of the industry’s biggest names descended on the city’s venues. From Green Day at Bellahouston Park, to Liam Gallagher at Hampden, to the city’s 5th year of TRNSMT festival and King Tut’s Summer Nights, Glasgow is living up to its title of Scotland’s UNESCO City of Music.
With plenty of music events lined up this summer, Glasgow is playing host to Summer Nights at Kelvingrove Bandstand (27 July – 13 August), Merchant City Festival (28-31 July), Piping Live! (6-14 August), the World Pipe Band Championships (12-13 August), and a whole host of other live gigs that span a wide range of genres.
With an impressive range of accommodation, Glasgow is an ideal place to enjoy a music-themed short break and make the most of the city’s lively nightlife. Perfect for music lovers, the Ibis Styles Glasgow Central features showstopping music memorabilia and themed murals in contemporary surroundings.
Fans can follow in the footsteps of music icons Frank Sinatra, The Beatles, and The Rolling Stones by booking a stay at Voco Grand Central Hotel.
For those attending gigs in the city centre, Radisson Blu is a top choice with its music-themed illustrations and photography, and for music fans visiting big names at the OVO Hydro, Radisson Red offers unparalleled views from across the street and plays host to DJs in its rooftop bar.
