Royston Wardieburn Community Centre’s social history group launched their new publication, ‘Windows To Our Past’, at the Centre on Thursday.
Windows to our Past: A Collection of Stories from North Edinburgh remembers times long gone and also pays tribute to the local people – activists, volunteers, class mates and good friends – lost in recent years.
The group worked with creative writing tutor Jim Aitken to produce Windows To Our Past and members read a selection of their stories to an appreciative audience.
There were lots of laughs – the event opened with a comical This Is Our Lives sketch performed by the group – but there was time for reflection, too.
Some We Remember, a slide show created for the event, brought back a wealth of poignant memories of fondly-remembered activists no longer with us – men and women who each in their own way dedicated much of their lives to making the North Edinburgh community a better place to live.
The perennial challenge of fighting for adequate resources goes on, of course, and the latest round of funding cuts has seen North Edinburgh’s community centres and local projects fearing for their futures once again. In a discussion following the launch, however, it was clear that the appetite to campaign to challenge cuts to local resources remains as strong as ever.
The fight goes on – and, as a previous publication produced by activists urged: NEVER GIVE UP!
Do you have memories from the old YWCA centres in Edinburgh, Penicuik and Dalkeith?
The Young Women’s Movement, formerly known as YWCA Scotland, is seeking stories from its 100-year history in Scotland, as part of an oral history project funded by The National Lottery Heritage Fund.
The charity, which is Scotland’s national organisation for young women’s leadership and rights, is hoping to speak to people who were involved with the YWCA in Scotland from 1924 to present-day.
This could include those who worked or volunteered with the YWCA; stayed in a YWCA hostel or residence; or delivered or took part in activities or events with the YWCA.
The YWCAs in the area included the Edinburgh Morningside club, the Roundabout Centre on Gayfield Place, and the Lochend, Edinburgh, Penicuik and Dalkeith centres and residences. The charity are hoping to hear from people with memories of these.
The stories will be collected into a digital archive, which will continue to grow with new stories as the organisation’s work continues. The archive will serve as a record of our 100-year history and how life has changed for young women and girls in Scotland, and a source of inspiration for the next generation of young women.
This project, called Young Women Remember, is a participatory research project being co-produced by The Young Women’s Movement and a group of volunteer researchers from across Scotland.
Jenni Snell, CEO of The Young Women’s Movement, said: ‘We’re thrilled to be marking our centenary by uncovering and celebrating the work people put into our movement in its first 100 years.
“We know there are stories of activism, support, and community linked to our organisation all over Scotland, and we’re excited to bring those to life to inform and inspire our next 100 years of re-imagining Scotland for young women and girls.
‘If you have a story about the YWCA in Scotland to share, please do get in touch. Our thanks to The National Lottery Heritage Fund for making this project possible.’
Caroline Clark, The National Lottery Heritage Fund Director for Scotland said; ‘Thanks to National Lottery players our support will enable this project to connect across generations to collect and preserve this important heritage of grassroots community activism across Scotland.
“And, in the process, it will also deliver opportunities for young women to develop the valuable skills needed to gather and archive these stories.’
As we approach Drylaw Neighbourhood Centre’s 30th Birthday next year, we’re taking a moment to reflect on the vibrant history of our community.
We’re reaching out to you, our friends and neighbours, to help us celebrate this milestone by sharing your cherished memories of Drylaw & Telford over the years.
Whether it’s a story from the early days, a favourite event, or a simple moment that captures the spirit of our community, we’d love to hear it. Your memories, old or new, are an important part of what makes this place so special.
Please join us in preserving and celebrating our shared history by sharing your stories with us!
Get in touch if you’d like more information, or just pop along to one of the sessions!
Reminiscence Sessions are starting on Monday – 19th August!
Come along for a blether and help us build our memory book of Drylaw and Telford. This group is open to anyone with a connection to Drylaw and Telford, whether you have lived there your whole life, just arrived or have a different connection to the area.
You are invited to an evening dedicated to women’s heritage as part of the local history of Granton and North Edinburgh
Granton:hub and Granton Waterfront Heritage Programme present an evening of talks and discussion celebrating the part women have played in the heritage and local history of Granton and North Edinburgh. It will take place on July 18th 2024, 7-9pm at Granton Station, 1 Granton Station Square, Granton, Edinburgh EH5 1FU.
Leading academic and Chair of the Edinburgh Caribbean Association, Lisa Williams; Victoria Nyanga-Ndiaye, Founding Chief Executive Officer of Project Esperanza, and Jade Stein from Engender will join local women who live in Edinburgh and activists for a lively conversation around the history of women’s involvement in the area, women’s heritage, and our wishes for the future.
There will be space for sharing stories, memories and aspirations, and a chance to see the Eve-Hawa Quilt, “a profound expression of resilience and healing” which was made by skilled women involved with Project Eseranza with the artists Francia Boakye and Alberta Whittle with @natgalleriessco.
We hope that as many people from our community as possible will join us. Please tell your friends.
This is a free event and the venue is accessible. Light refreshments will be provided. You are welcome to bring a cushion to make sitting more comfortable for you.
If you would like to be involved more formally, or suggest someone, please contact Tamsin Grainger on history@grantonhub.org
This is a Granton Waterfront Heritage Programme event in conjunction with Granton:hub and thanks go to the National Lottery Heritage Fund and Historic Environment Scotland for funding.
Interactive map launched to celebrate Billy Connolly
A BIG MAP FOR THE BIG YIN!
National Theatre of Scotland launches a new interactive map for Scotland to demonstrate its love for the Big Yin, inviting people to share their own Billy Connolly memories.
National Theatre of Scotland’s acclaimed, five-star, sell-out production, celebrating Scotland’s most loved comedian, Billy Connolly, returns to stages in 2024.
ABOUT THE BIG MAP FOR THE BIG YIN
Billy Connolly’s relationship with Scotland spans his extraordinary life and career over the last 80 years. The National Theatre of Scotland wants to create a map of all the places that have a personal connection to Billy, to help create a love letter from the people of Scotland to their favourite comedian. They are inviting people to share their knowledge of Billy, stories, memories and photos, to make a living tribute to The Big Yin.
Billy Connolly toured the folk clubs, the grand theatres and workings men’s clubs of Scotland from 1970’s, retiring from live performance in 2018.
Born at 69 Dover Street, Anderston, he worked the shipyards of Glasgow’s Clydeside in the 1960’s, before taking to the road with folk rock band The Humblebums.
He made his theatrical debut, in 1972 at the Cottage Theatre in Cumbernauld, ahead of performing in The Great Northern Welly Boot Show at the Edinburgh Festival Fringe, also that year.
Billy first established himself as a star, selling out a run and breaking box office records at Glasgow’s Pavilion Theatre in Jan/Feb 1974, returning to the theatre on many occasions.
In January 1994, he undertook a World Tour of Scotland on a Harley Davidson, taking him from Kelso to Kirkwall with a stop off at Eden Court, Inverness, broadcast on the BBC later in the year. His love affair with his native country, continued with his residence at Candacraig House, in Aberdeenshire.
Billy Connolly’s relationship with Scotland spans his extraordinary life and career over the last 80 years. The National Theatre of Scotland wants to create a map of all the places that have a personal connection to Billy, to help create a love letter from the people of Scotland to their favourite comedian. They are inviting people to share their knowledge of Billy, stories, memories and photos, to make a living tribute to The Big Yin.
Billy Connolly toured the folk clubs, the grand theatres and workings men’s clubs of Scotland from 1970’s, retiring from live performance in 2018.
Born at 69 Dover Street, Anderston, he worked the shipyards of Glasgow’s Clydeside in the 1960’s, before taking to the road with folk rock band The Humblebums.
He made his theatrical debut, in 1972 at the Cottage Theatre in Cumbernauld, ahead of performing in The Great Northern Welly Boot Show at the Edinburgh Festival Fringe, also that year.
Billy first established himself as a star, selling out a run and breaking box office records at Glasgow’s Pavilion Theatre in Jan/Feb 1974, returning to the theatre on many occasions.
In January 1994, he undertook a World Tour of Scotland on a Harley Davidson, taking him from Kelso to Kirkwall with a stop off at Eden Court, Inverness, broadcast on the BBC later in the year. His love affair with his native country, continued with his residence at Candacraig House, in Aberdeenshire.
Gary McNair – writer and performer of Dear Billy said: “I’m delighted we are launching the Big Map for the Big Yin where people can pin their own stories and connections to Billy. As we learned when interviewing people to make this show- everyone has something to say about Billy, whether that’s a memorable meeting or a connection to his work.
“The great thing about the Big Map is that there is a space where people can continue to share and hopefully build an interactive document about what he means to us all.
“I’m beyond giddy to be bringing the show Dear Billy back so soon after it’s tour last year. It is a genuine honour to have been trusted to make this show, Billy is so important to so many people that it was so well received was a dream come true.
“I can’t wait to get back on the road with the band and meet new amazing audience.”
ABOUT THE SHOW
National Theatre of Scotland presents
DEAR BILLY
A Love Letter to the Big Yin From the People of Scotland
Written and performed by Gary McNair, Directed by Joe Douglas
Music performed and composed by Simon Liddell and Jill O’Sullivan, Set and Costume designed by Claire Halleran, Lighting design by Kate Bonney and Simon Hayes, dramaturgy by Joe Douglas.
Touring Scotland and England in May followed by a run at Edinburgh Festival Fringe in August 2024
Opening at His Majesty’s Theatre, Aberdeen then touring to Pavilion Theatre, Glasgow; and Eden Court, Inverness.
Followed by a two-week run at the Assembly Rooms as part of the Assembly Festival programme for the Edinburgh Festival Fringe 2024.
“Vivid, funny and poignant.” ★★★★★ The Guardian
“A gloriously masterful 90 minutes of theatre.” ★★★★★ The Telegraph
In 2023 National Theatre of Scotland’s production of Dear Billy undertook a 17 venue Scotland-wide tour, reaching over 8000 people.
Originally announced to mark Billy Connolly’s 80th birthday year, the production was enthusiastically received by audiences, selling-out at venues across Scotland, garnering a wealth of positive reviews and due to popular demand is now back on tour again in 2024.
“If you want to know about Billy Connolly, ask the people of Scotland. If you want to know about the people of Scotland, ask them about Billy Connolly.”
Billy Connolly needs no introduction. He is a national treasure. From the shipyards of the Clydeside to his trailblazing and extraordinary stage and movie exploits, he is woven into Scottish culture.
Everyone has a Billy story. An expert team of story gatherers has created a collection of these moving and hilarious tales. Gary McNair, one of Scotland’s most renowned theatre-makers, has turned these stories into a special show celebrating the Big Yin and what he means to the people of Scotland.
The production will tour in May 2024, opening at His Majesty’s Theatre, Aberdeen before touring to Pavilion Theatre, Glasgow and Eden Court in Inverness with a two-week run at the Edinburgh Festival Fringe in August 2024.
Dear Billy is a unique touring production that evolved on the road. It travelled the length and breadth of Scotland in 2023, visiting local theatres, arts and community centres gathering stories along the way which were woven into the show as the tour progressed.
Gary McNair is hitting the road once more with two musicians. Audience members are welcomed to share their own Billy stories, with the possibility of those stories making it into the performance. Each show offers a unique chance for audiences to laugh, sing, and celebrate the man and the legend.
“The perfect tribute to a man who has left his gloriously indelible mark, not only on the art of stand-up comedy, but on the culture of Scotland.” The National
“What emerges is a brilliant portrait not only of the Big Yin as others see him, but of his importance as a cultural touchstone to many Scots” ★★★★, The Times
Dear Billy is written and performed by leading Scottish theatre-maker Gary McNair whose recent work includes the acclaimed Nae Expectations, a fresh take on the Dickens classic for the Tron Theatre; Ugly! A Cinderella Story for Cumbernauld Theatre Company and a new adaptation of Robert Louis Stevenson’s Jekyll and Hyde featuring a solo performance from Forbes Masson which opened at the Royal Lyceum Theatre, Edinburgh in January 2024 before touring.
The production is directed by Joe Douglas whose work for National Theatre of Scotland includes The Cheviot, The Stag and the Black, Black Oil, Dear Scotland and Associate Director for Black Watch. Joe previously collaborated with Gary on McGonagall’s Chronicles (Which Will Be Remembered for a Very Long Time).
Musicians re-joining Gary on the road are Simon Liddell whose work for theatre includes The Domestic (Scenes for Survival/National Theatre of Scotland) and McGonagall’s Chronicles (Which Will Be Remembered for a Very Long Time) and Jill O’Sullivan who writes and performs across the worlds of popular music, theatre and dance.
“A vivid, charismatic piece of theatre.” ★★★★★ The Skinny
Billy Connolly, or, the Big Yin, whom this show is dedicated to, is Scotland’s most beloved comedian, with an impressive career as a stand-up, actor, writer and musician spanning more than 50 years. In 2022, Connolly was awarded the BAFTA Fellowship for lifetime achievement.
Gary McNair is a Glasgow based writer and performer. He is a three-time Fringe First winner and has produced work for and with many of Scotland’s major theatre companies.
His plays have been translated and performed all over the world, from Germany to Japan, from New York to New Zealand. Gary’s work includes A Gambler’s Guide to Dying, Square Go (co-written with Kieran Hurley); McGonagall’s Chronicles Which Will Be Remembered for a Very Long Time, Donald Robertson Is Not a Stand-Up Comedian, After The Cuts, Letters to Morrissey and Locker Room Talk. These plays are published by Methuen.
Joe Douglas is a theatre director, playwright and performer.
Joe’s career began as Trainee Director at the National Theatre of Scotland from 2007 to 2008. He was the Artistic Director of Live Theatre from 2018 to 2020, and before that, Asspcoate Artistic Director of Dundee Rep and Co-Artistic Director of the Utter touring company. His work includes Clear White Light, Death of a Salesman, Spoiling, The BFG, George’s Marvellous Medicine, The Resistible Rise of Arturo Ui, Educating Ronnie, Letters Home, The Red Shed, Stand By and The Cheviot, the Stag and the Black, Black Oil.
Touring to His Majesty’s Theatre, Aberdeen (Thu 16-Sat 18 May); Pavilion Theatre, Glasgow (Wed 22-Sat 25 May); Eden Court, Inverness (Tue 28-Wed 29 May); Quays Theatre, The Lowry, Salford (Sat 1 June); Assembly Rooms,Edinburgh Festival Fringe (Tues 13 – Sun 25 August, no shows on Wednesdays)
On social: #DearBilly
Access: Theatre for a Fiver tickets available for under 26’s and those on Universal Credit
BSL interpreted, audio described and captioned performances full information here.
Do you have memories of The Old Royal Infirmary that you would like to share? We want to hear them!
The “Recycling a Hospital” project aims to reuse wood and slate from the reconstruction of the Old Royal Infirmary, the future home of the Edinburgh Futures Institute, to honour memories connected to the building.
Please join our Recycling a Hospital Community Poetry and Image Workshop where we hope to bring together people from the community with memories of the building (births, illness, recovery, and so on) that we can shape into text.
Alex Laird, a resident at Strachan House, can always be heard telling his stories of his days in the military, so staff at the home made those memories come back to life with a trip to Edinburgh Castle.
Alex has lived at Strachan House for a short time. Staff and residents love his stories of his days gone by serving in the Army. Alex started his military career in 1944 when he joined the Royal Scots Regiment. Shortly after in 1945 he got to volunteer serving with the Indian army in the 15th Punjab Regiment and is often heard telling others about his wonderful adventures as well as his cheeky antics he got up to.
One story that he shares is of when the war ended: “I was protecting the Bay of Bengal when we heard news the war had ended. With no TV, radio or newspapers I learnt over our comms system that the Germans had surrender some 24 hours beforehand.
“I remember looking at my watch it said 7am and thinking: that’s it, the wars over and at least for my friends their fight has ended. That same evening as darkness fell upon us I have vivid memories of me and my comrades singing in celebration, only to wake up the next morning to the sound of shelling as we continued our mission to protect the bay.”
Staff at the home saw how Alex was passionate of all things military and how proud he was to of served in the war, so staff wanted to ensure his heroic past was recognised .
The Royal Scots Museum houses an array of paintings, artefacts and medals from the formation of the regiment to its present day. So for Alex it was a real walk down the castle cobbled memory lane as he immersed himself in all the history that surrounded him with his visit to the castle.
In response to this wonderful surprise Alex said: “It was so touching to know my efforts during the war were appreciated. It is such an amazing feeling to know that staff recognised what was so important to me and cared enough to spring this surprise on me.
“What an incredible afternoon I had. It truly meant a lot to me.“
Gordon Philp, General Manager at the home, said: “We want everyone we care for to know how important they are to us here at Strachan House
“It was so nice to see how happy Alex was – and to be able to say thank you for everything he done for his country all those years ago.”
Strachan House care home is run by Barchester Healthcare, one of the UK’s largest care providers, which is committed to delivering personalised care across its care homes and hospitals. Strachan House provides residential care, nursing care and dementia care for 83 residents from respite care to long term stays.
The National Museum of Scotland is calling for memories of famous artist and designer Bernat Klein ahead of a major exhibition of his work opening next month. Klein (1922 – 2014) was born in Yugoslavia (now Serbia) but settled in the Scottish Borders where he lived and worked for over 40 years.
Drawing inspiration from the landscape around Galashiels and collaborating closely with skilled Scottish manufacturers, Scotland and its textile industry were central to his success.
Curators hope to capture the stories of those who knew, worked with or admired Klein in his adopted homeland. From visiting his shops or producing fabrics, to wearing his spectacular pieces or completing a Klein knitting pattern, anyone who would like to share their story is encouraged to get in touch by email at info@nms.ac.uk with their memories and pictures.
In the centenary year of his birth, Bernat Klein: Design in Colour (5 Nov 2022 – 23 April 2023) will explore the life and varied career of one of the 20th century’s leading forces in Modernist design.
He is renowned for innovative couture textiles created for the likes of Chanel, Dior and Balmain, and his work was adored by royalty and fashion editors alike. He also produced fabrics for interiors, designed ready-to-wear collections and worked as a colour consultant and industrial designer.
Lisa Mason, Assistant Curator of Modern & Contemporary Design at National Museums Scotland said: “Bernat Klein’s philosophy influenced fashion, fine art, interior design, architecture and colour theory and continues to inspire artists and designers today.
“He chose Scotland to build not just his home, but his business, and we’d love to hear more from anyone who remembers his time here.”
Personal accounts will be collated by National Museums Scotland and may be shared on the Museums’ digital channels and social media accounts.
Bernat Klein: Design in Colour 5 November 2022 to 23 April 2023 National Museum of Scotland, Chambers Street, Edinburgh Admission: Free
From nervous beginnings, and the rewarding elation of performing at the Fringe for the first time, to the butterflies of finding new or everlasting love. The Fringe Society is delighted to share amazing moments gathered from artists and audiences, from the past 75 years of the Edinburgh Festival Fringe.
Anecdotes have been gathered over the last few months and include memories such as the excitement of bumping into a favourite celebrity, to taking inspiration from a performance and setting out on a new career journey.
“I first discovered street performing at the Edinburgh Fringe. I was there for the first Fringe Sunday in 1981 and that’s where I first saw a street band called Pookiesnackenburger (from whom Steve McNicholas and Luke Cresswell later became STOMP) who played huge gigs on the street. That got me interested in street performing.” Eddie Izzard
“Whilst here I met a guy who was working at the same venue, we hit it off… 19 years later we are married, have two girls, two cats and we both work in the arts and cultural sector in Edinburgh. I would just like to say thank you to the Fringe for positively changing my life.” Sharon May
“I love the unexpected, the chaos, the anarchy of the Fringe. Trying to find your way through the programme knowing that while you’ll see excellent shows, you’ll always miss other great ones; talking to strangers while queuing up about their favourite performances so far and sharing yours; watching the audience and actors mix … All of this with the dramatic and incredibly beautiful backdrop that is Edinburgh, a perfect place for the festival.” Uta Bretsch
“We have attended the Fringe every year since 1998 and it is something of an obsession for us. So much so that we decided to get married there… in secret.”Richard Brownsecret
“Edinburgh Fringe has been a highlight of our summer since we moved to Edinburgh in 2013, an opportunity for our whole family to indulge in culture and the arts together, to dip our toes into new experiences and deep dive into some familiar favourites. Come rain or shine, we pack our rucksacks and disappear into the crowd and into another world of magic and endless possibilities.” Julia Whitaker
“It’s just great being part of it; it’s the biggest arts event in the world. It’s the only place to be in August – the two years I didn’t go at all, I just felt like my friends were having a big party and I decided not to go. I would feel like I was in the wrong place, not being in Edinburgh.” Arthur Smith
“This year will be our 20th visit since first coming up to see our son in a college production. Every time is magical, trying to take in as many diverse shows as we can.”Merlyn Anne Goudie
“There is no place in the world like Edinburgh Fringe in August. The energy is fantastic and you feel alive doing what you love, during the height of summer.”Clare Harrison Mccartney
“To this day I have met lifelong friends and some of the most inspirational people at the Edinburgh Fringe having participated in more than 10 Fringes. The Fringe tests your resolve, your patience, your abilities and your energy. Yet it also rewards you with an amazing experience that will forever leave a mark on your soul.”Paul Perez
Shona McCarthy, CEO of the Edinburgh Festival Fringe Society, said: “It has been an absolute joy to read memories from audiences and artists from across the years, and it is testament to the resilience of this great festival, and all those who have played a part in building it, that it is celebrating its 75th anniversary this year.
“The stories that have been shared with our team highlight the impact the Fringe can have on inspiring young people, captivating audiences, and being the place to be every August.
“From childhood memories, to the transformational affect the festival has had on artist careers, we thank each person for taking the time to share their favourite Fringe memory.”
We encourage the public, and those performing at this year’s Fringe to share their own memory on social media and tag it #FringeMoments.