Tag: film

Guests and ‘Talent Assemble’ at Edinburgh International Film Festival

  • First wave of exciting film talent set to visit the city at this year’s EIFF include  Shane Meadows, Irvine Welsh, Ella Lily Hyland, Ira Sachs, Paul Higgins, and Fran Rubel Kuzui
  • Industry professionals and EIFF alumni invited to reconnect at Talent Assemble event

Edinburgh International Film Festival, this year hosted by the Edinburgh International Festival, has announced its first wave of guests appearing at this year’s edition alongside a special Talent Assemble event celebrating the festival’s community of filmmaking talent. 

Talent Assemble 

Talent Assemble is a special event to celebrate EIFF’s community of filmmakers and give thanks to the wider industry for the goodwill and supportive energy shown to the Festival this year. 

In partnership with BBC Film, BBC Scotland and MG ALBA, Talent Assemble will introduce and reconnect alumni of EIFF’s many talent development initiatives and raise a glass to the wealth of emerging and established talent who have made EIFF a vibrant Festival, bursting with creativity year after year. 

Filmmakers who have screened work in the Festival in the past, and industry professionals who have taken part in the myriad EIFF talent development schemes, who are interested in attending are encouraged to get in touch with the Festival. More information can be found at https://www.eif.co.uk/edinburgh-international-film-festival/talent-assemble 

Guests at EIFF 2023 

On 18 August, the Festival opens with the world premiere of Silent Roar, the debut feature from BAFTA-nominated Scottish writer and director Johnny Barrington.

Barrington will be in attendance to present the film, alongside the film’s stars Ella Lily Hyland (Fifteen Love), Louis McCartney, Mark Lockyer, and Chinenye Ezeudu (Sex Education).   

On 19 August, acclaimed director Ira Sachs (Love is Strange, Little Men) will be on hand to present his intimate new feature Passages, the thorniest and horniest film of the year. Sachs will also be taking part in a special Sunday Salon event on 20th August, discussing queer cinema and representations of intimacy with 2020 Booker Prize nominated writer Brandon Taylor (Real Life, The Late Americans).  

Filmmaker Ella Glendining will be at the festival to present her smart, honest and beautifully illuminating documentary Is There Anybody Out There? which examines questions of disability on a journey to find herself in others. 

Writer/director Karoline Lyngbye joins the Festival to present Superposition, her stylish and chilling existential thriller.  

While in the Festival’s weekend of outdoor screenings, Cinema Under the Stars, director Charlotte Regan presents her Sundance award-winning feature film Scrapper.   

On the 20 August, feel-good LGBTQ+ romance Chuck Chuck Baby receives its World Premiere, with director Janis Pugh in attendance.    

Filmmakers Sam H. Freeman (whose television work includes Industry and This Is Going To Hurt) and Ng Choon Ping attend the Festival to present their tense, stylish thriller about desire and self-loathing, Femme. 

Director Bette Gordon joins the Festival for the special 40th anniversary retrospective screening of her neo-noir feminist classic Variety. 

Huw Lemmey (host of podcast Bad Gays) presents Ungentle, a thought-provoking study of British espionage and homosexual identity.   

At Cinema Under the Stars, artist Julia Parks presents Wool Aliens (and other films), a series of short films, created during a residency in Hawick in the Scottish Borders. The screenings are preceded by a performance from musician Miwa Nagato-Apthorp.  – 

On 21 August, Director Hope Dickson-Leach (The Levelling) joins cast member David Hayman to present the World Premiere of her atmospheric Edinburgh-set period thriller The Strange Case of Dr Jekyll & Mr Hyde. 

David Hayman also joins writer/director Paris Zarcilla to present his chilling debut film Raging Grace, a haunting gothic horror which recently took the Grand Jury Prize at South by Southwest (SXSW) Film Festival.   

Jeanie Finlay arrives in Edinburgh to present her rousing portrait of author, activist and podcaster Aubrey Gordon in Your Fat Friend. 

On 22 August, Kill, a nail-biting debut feature from director Rodger Griffiths, assembles an exceptional cast of Scottish talent in a gritty and bloody revenge story. Griffiths will attend the Festival alongside the film’s stars Paul Higgins (The Thick of It), Daniel Portman (Game of Thrones), Callum Ross, Anita Vettesse, and Brian Vernel (Dunkirk).  

A forgotten gem of American indie cinema, Tokyo Pop is newly restored to mark the film’s 35th anniversary, and the Festival is thrilled that writer/director Fran Rubel Kuzui (who later went on to direct the original Buffy the Vampire Slayer movie) and producer Kaz Kuzui will present the film. 

Lead actor Thomas Schubert of Afire is in town to present the Festival’s screening of the film: a sharp and funny take on the struggles of creativity.    

Dead Man’s Shoes, Shane Meadows’ radical revenge thriller, had its world premiere at the Edinburgh International Film festival in 2004. Now nearly twenty years on, Shane Meadows joins the Festival alongside producer Mark Herbert for a special retrospective gala to celebrate the film’s extraordinary legacy.   – 

On closing night 23 August, celebrated author Irvine Welsh will join director Ian Jeffries to present the World Premiere of their collaborative new documentary Choose Irvine Welsh, charting the author’s life and philosophy in his own words and those of his collaborators and admirers.   

The 2023 Edinburgh International Film festival closes with stylish deadpan dramedy Fremont, presented by the film’s director Babak Jalali and writer Carolina Cavalli (Amanda).  

Edinburgh International Film Festival runs from Friday 18 to Wednesday 23 August.  

#EdFilmFest  

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From kitchen table to top table …

LS Productions – a global production company that started life on a kitchen table by a former air stewardess – is officially recognised as one of the UK’s fastest growing private companies

  • Set up in Edinburgh by Marie Owen – with 3 kids under the age of 5 – the company has gone from strength to strength being named on two prestigious lists of fastest growing UK private companies
  • LS Productions was Grammy-nominated for its work on its second Harry Styles music video (‘Adore You’) and works with high profile celebrities including Zendaya, Ed Sheeran and Cristiano Ronaldo
  • With ambition to become a £40 million turnover business in the next two years, the company provides production services to clients for commercials, fashion, sport, music videos and film and TV projects working across the globe.

LS Productions – whose headquarters are in Leith – is celebrating appearances on The Sunday Times 100 and FEBE Growth 100 lists – which recognise the UK’s fastest growing private companies.

Both lists celebrate British business at its best – highlighting founders that are driving their companies to deliver significant sales, revenue and profit, against a backdrop of unprecedented economic challenges.

With their headquarters in Edinburgh, LS Productions are the UK’s largest production service company with additional offices in London and Manchester.

LS’s recent growth is down in part to the expansion of their services into the international film & TV sectors, taking on global TV and film production service projects over the last 18 months, with recent projects including  Ghosted (Skydance / Apple TV),episodes of the Bachelor (NZK Productions / Warner Bros Entertainment / ABC) and a Kind of Spark (CBBC / BYUtv America).

As part of this growth they have also added a warm water production and location facility in Malta to further bolster their international offering.

In conjunction with this expansion, the LS growth can also be directly attributed to a commitment to invest in and recruit talent in the LS’s core production specialisms, including commercials, fashion, music and sport.

Mimi Webb, Aviemore, Scotland, 5th April 2023

The diversification of these business streams was a deliberate move to weather the storm faced by the production industry in a post Covid landscape.

Across this period LS has worked on a succession of high profile service production projects ranging from Ed Sheeran’s latest album Subtract (Freenjoy / Directed by Mia Barnes), Harry Styles ‘Adore You (Freenjoy / Directed by Dave Meyers), Valentino’s Pink Dreams starring Zendaya (Marcell Rev / Michael Bailey Gates) and ‘You’re Up’ featuring Cristiano Ronaldo for Nike (Wieden & Kennedy/ Directed by Megaforce).

Not only this but Covid also provided cause for reflection about where the business saw itself creatively in the long term and how they could look to continue to stay true to their values of being ‘creative at heart’ which drove further diversification with the arrival of an original content arm in the form of LS Films.

Thanks to this successful business strategy, LS has seen a two year growth of 273% and boasts sales of £20 million.

Speaking about the recognition, CEO and Founder Marie Owen – who has lived in Edinburgh her whole life, said: “I’m beyond thrilled to see LS Productions name appear on such prestigious lists, in fact I can’t quite believe it!

“If you could have told me that we’d be appearing on lists like these when I started the business back in 2006 from my kitchen table I’d probably have laughed and said ‘are you joking’! I

“t’s such a fantastic achievement and so rewarding to see all the incredible hard work and dedication that myself and the team have put in to get recognised.

“Both in terms of growing a world-class global production company, but also a business that people genuinely love working for that is firmly rooted in the values of kindness, hard work and learning.”

Marie continued: “”Post Covid we had to completely re-evaluate where we wanted to go – not just professionally but personally. So we went, quite literally back to our roots – which meant investing heavily in specialised expertise to develop focused business streams; Fashion, Sport, Commercial, Music Videos, Film & TV Service and an original content division called LS Films.

“This robust diversification gives LS a solid foundation in an industry that is notorious for huge highs and steep lows because we’re not overly dependent on one particular stream and it also allows us to explore our creative passion with LS Films.”

The full 100 rankings can be viewed:

www.febe.com

https://www.thetimes.co.uk/sunday-times-100-fast-growth

Edinburgh International Film Festival reveals 2023 programme

Special edition of EIFF runs from 18 – 23 August

Full programme announced of 24 new feature films, 5 retrospective titles, 5 short film programmes, and an outdoor screening weekend including 7 further features in a six-day celebration of bold and eclectic cinema at the heart of the world’s biggest celebration of arts.

Complementing the previously announced Opening Night film ‘Silent Roar’, the Festival presents a selection rich with new voices. Amongst the festival’s 11 debut features, the Festival is delighted to champion a new generation of UK talent.

Scottish productions include 5 feature films and 19 short films, including the World Premiere presentations of six freshly commissioned documentaries in the Bridging The Gap Documentary Short Films programme.

Closing Night film ‘Fremont’ caps an international selection that includes work from celebrated arthouse directors Kelly Reichardt, Ira Sachs, Cauleen Smith, and Christian Petzold, and showcases enticing work from Argentina, Brazil, China, Denmark, France, Germany, Hong Kong, India, Japan, South Korea, and the United States.

American independent cinema is celebrated in a retrospective of four films made by rebellious filmmaking voices in the 1980s and 1990s, while Shane Meadows’ ‘Dead Man’s Shoes’, which had its World Premiere at EIFF in 2004, is given a Retrospective Gala presentation.

Five feature films will be presented as World Premieres, and the Festival also sees the launch of The Lynda Myles Project, including a discussion event on the living legacy of Myles’ contributions to film culture, and a special work-in-progress preview of new documentary, ‘The Lynda Myles Project: A Manifesto’.

Placing an emphasis on deeper engagement for audiences, Encounters is a new series of discussion events place dialogue at the centre of the Festival and positioning cinema in conversation with other artforms.

Themes across the film programme include: incisive works of non-fiction activism; films making thrilling use of genre to explore social, sexual and psychological issues; films made by artists; LGBTQIA+ stories; a lip-smacking selection of animation; and category-defying films that are just damn stylish and entertaining.

Listings will go live on the EIF website from 10am on Thursday 6 July with tickets going on sale midday on Friday 7 July via https://www.eif.co.uk/edfilmfest  

Edinburgh International Film Festival (EIFF), which this year is hosted by Edinburgh International Festival, has today announced the programme for its special 2023 edition.

The hand-picked programme celebrates the work of exceptional local and global filmmakers ensuring the flame of independent cinema burns bright for future generations of passionate film fans.

EIFF is pleased to be working with its cinema venue partners Vue Edinburgh Omni and Everyman Edinburgh at the St James Quarter, while the Old College Quad at the University of Edinburgh is the beautiful setting for a weekend of outdoor screenings, Cinema Under the Stars, offering audiences a welcoming selection of films set to make the heart sing.

This year’s Edinburgh International Film Festival programme has been brought together by a team of programmers led by Kate Taylor, Programme Director of the Festival, including feature film programmers Rafa Sales Ross and Anna Bogutskaya, and short film programmers Abigail Addison, Lydia Beilby and Holly Daniel. Alongside Taylor, the EIFF Team is led by Executive Producer Tamara Van Strijthem and Festival Producer Emma Boa.

EIFF is supported by Screen Scotland, and enhanced engagement activities are supported by the Scottish Government’s Festivals Expo Fund alongside the PLaCE Programme (a partnership between the Scottish Government, City of Edinburgh Council and the Edinburgh Festivals).

Kate Taylor, Programme Director, Edinburgh International Film Festival, said: “With this year’s vivid film selection the EIFF programme team has favoured the bold, drawn to filmmakers with searching perspectives and style to burn.

“Designed for an eclectic spectrum of film fans, and defined by a love of independent cinema, this compact programme shines a light on new talent, and offers a smashing six-day journey for the EIFF’s passionate audiences.”

Isabel Davis, Executive Director of Screen Scotland said: “EIFF has put exceptional debut filmmakers front and centre, from Johnny Barrington’s Silent Roar, Rodger Griffiths’ Kill’, to Ella Glendining’s Is There Anybody Out There? alongside an impeccable curation of internationally acclaimed work.

“The infectious energy of Edinburgh in August is palpable in the EIFF team and we’re excited for audiences to discover this year’s wonderful programme.”

Francesca Hegyi, Chief Executive, Edinburgh International Festival, said: “A festival is a gathering of perspectives in a moment in time that reflect the world around us.

“This year, the Edinburgh International Festival is proud to host the return of this forward-looking programme from the Edinburgh International Film Festival, and support these moments of curiosity and connection that imbue our festival city each August.”

Culture Secretary Angus Robertson said: ““I’m delighted to see so much Scottish and international film talent represented in this year’s Edinburgh International Film Festival programme.

“The Scottish Government is proud to support the festival with £155,000 from the PLaCE Fund – run jointly with the City of Edinburgh Council – and £59,000 from our Expo Fund. They both support Scottish talent development particularly emerging film programmers and mid-career writers in the case of our Expo Fund.”

Edinburgh International Film Festival runs from Friday 18 to Wednesday 23 August 2023.    

#EdFilmFest  

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Edinburgh honours Dog Star

Edinburgh honoured the life of the dog who played Greyfriars Bobby in the famous film with a special event on Friday (16 June).

Greyfriars Bobby, the loyal terrier known for guarding his master’s grave for 14 years after his death, is an iconic story in the Capital and the Disney adaptation of his story in 1961 made a star of the acting pooch who portrayed the local hero – also called Bobby.

The remains of the Skye Terrier who starred in the film have been donated to The City of Edinburgh Council and now form part of its archaeology collections. They have been loaned to Greyfriars Kirk for a special exhibition commemorating the legacy near the real-life grave of Scotland’s most loyal companion.

At a ceremony in Greyfriars Kirkyard, Depute Lord Provost Lezley Marion Cameron was joined by David Hunter who led the campaign to commemorate the occasion as well as members of the church and friends of the graveyard.

Depute Lord Provost Lezley Marion Cameron, said: “Greyfriars Bobby’s memorial reads ‘Let his loyalty and devotion be a lesson to us all’. 

“Countless visitors continue to see Bobby’s grave, his statue, and the many mementos of his life displayed in our Museum of Edinburgh.

“I’m delighted this further part of the iconic and timeless story of a little dog who would not leave his master’s grave, is going to be on display for visitors to discover.

“Bobby’s is a story held in enormous respect and affection by people around the world, as is the famous film it inspired. Bobby truly is a world-famous pet, holding a special place in people’s hearts and it’s lovely to be part of this special commemoration.”

David Hunter, said: “I’m extremely grateful to The City of Edinburgh Council and Greyfriars Kirk for working together with me to make this possible.

“I’m delighted that there will finally be a place to where all those that love the story of Greyfrairs Bobby and the film, can come and pay their respects and learn some facts about Bobby’s life, including his charity work.”

Rev Richard Frazer, minister of Greyfriars Kirk, said: “The story of Greyfriars Bobby goes on touching people’s hearts.

“We are glad to remember this ‘Bobby’ who starred in Walt Disney’s film. The search for his remains is a story in itself, but David’s tenacity and persistence has paid off and now we have an additional item in our museum for people to visit, with a casket made in our Grassmarket Community Project workshop holding the ashes of the wee dog.”

John Lawson, City of Edinburgh Council Archaeologist, said: It’s not often as an archaeologist that you work on such a unique project to preserve the remains of 1960’s film star.

“It has been fantastic to work with David, the Kirk and Grassmarket Community and my colleagues in Bereavement Services on this project and to see the enthusiasm and care that everyone has shown in finding a fitting home for his remains.”

The exhibition will be at the Church and will be open Monday to Saturday 11am to 4pm.

Cineworld Edinburgh hosts IMAX Film Fest with £3 tickets

  • IMAX FILM FEST TO TAKE PLACE ON SATURDAY 22 APRIL
  • TICKETS REDUCED TO £3 FOR ALL FILMS, ALL DAY, ONLY IN IMAX
  • OFFER VALID ACROSS ALL 27 IMAX CINEMA SITES IN THE UK & IRELAND

Cineworld, the UK’s leading cinema chain, will be holding its sixth annual IMAX Film Fest on Saturday 22nd April 2023.

To celebrate the world’s most immersive viewing experience, this exclusive one-day event will give movie buffs all across the country the opportunity to watch a film of their choice in IMAX for only £3.00 a ticket. 

Cineworld is bringing back some of the biggest blockbusters from the last year including: Avatar: The Way of Water, Top Gun: Maverick, Academy Award Best Picture-winning Everything Everywhere All at Once, and residents can also exclusively catch Ponniyin Selvan: 1 on the day, one week ahead of its sequel release.

The festival will give guests the chance to experience the IMAX difference, with the clearest images on the largest screens and heart-pounding audio that puts you in the middle of the action. 

Stuart Crane, VP of Film Cineworld Group, said: “We look forward to offering guests the chance to escape to other worlds in IMAX for only £3.

“Whether that’s immersing yourself with Avatar: The Way of Water or going Mach 10 and beyond with Top Gun: Maverick, the stunning images and powerful, heart-pounding audio in our IMAX auditoriums will give customers a chance to experience films to the fullest.

“There really is no better way to experience a blockbuster than with IMAX at Cineworld.”

David King, VP, Distribution EMEA & Film Development at IMAX: “We are delighted that Cineworld is hosting the IMAX film festival for the sixth year in a row to celebrate the world’s most immersive cinematic technology.

“With crystal clear life-like images and powerful audio to the highest quality, these auditoriums are made to bring the film to life and  transport audiences into their favourite blockbusters – take advantage of the reduced rate while you can, you’re in for a treat!”

Tickets for this unforgettable experience can now be purchased from the Cineworld website or the Cineworld app.

#IMAXFilmFest

The most popular soundtracks of 2022 revealed 

  • Whitney Houston’s biopic “I Wanna Dance with Somebody” takes first place with over 2,5 billion streams 
  • “Top Gun: Maverick” comes in second, while “Elvis” is third 

“I Wanna Dance with Somebody” has the most popular soundtrack of 2022, a new study has revealed. 

The study conducted by CasinoBonusCA analyzed 50 of the most popular movies of 2022 and compared their official soundtrack albums on Spotify, summing the streams for each song, to determine which soundtrack is the most popular of last year. 

Whitney Houston’s biopic “I Wanna Dance with Somebody” is first, as the album got a total of 2.5 billion streams. The soundtrack is composed of 35 songs, including some of Houston’s most famous hits, such as “How Will I Know”, “Saving All My Love for You” and the song which gave the movie its name, which also has the most streams in the whole album – almost one billion. 

Second on the list is “Top Gun: Maverick” with 1.4 billion streams overall. The highly anticipated sequel of the 1986 hit movie was released on May 27th, 2022, in North America, with its soundtrack dropping on Spotify in the same week.

The album includes original songs which quickly became popular, such as “I Ain’t Worried” by OneRepublic, which has 733 million streams alone. 

Another biopic, “Elvis” comes in third place with 508 million streams. The album comprises 36 songs, among which there are covers of Presley’s songs, remixes and some original scores. 

Further down on the list, “Don’t Worry Darling”, starring Harry Styles and Florence Pugh, is fourth with 407 million streams. The album contains only 13 songs but managed to be among the most listened of the year. 

“Black Panther: Wakanda Forever” closes the top five with 382 million streams. The soundtrack comprises original songs by Ludwig Goransson, Rihanna, Burna Boy and more.

Top 10 most popular soundtracks 2022 
Rank Movie/Tv Show Spotify album  play count 
1 Whitney Houston: I Wanna Dance with Somebody 2,530,000,000 
2 Top Gun: Maverick 1,400,000,000 
3 Elvis 508,000,000 
4 Don’t Worry Darling 407,000,000 
5 Black Panther: Wakanda Forever 382,000,000 
6 Turning Red 184,000,000 
7 Purple Hearts 179,000,000 
8 Marry Me 147,000,000 
9 Nope 67,794,980 
10 Bullet Train 67,404,044 

A spokesperson for CasinoBonusCA commented on the findings: “It is interesting to see the biopics of Whitney Houston and Elvis where the soundtrack is a foundational part of the movie, are next to “regular” movies, which had an original and fairly new soundtrack that was created and curated specifically for it. 

“An example of this is Top Gun: Maverick, which includes original songs by OneRepublic and Lady Gaga, as well as Black Panther: Wakanda Forever, with features by Rihanna and Burna Boy”. 

Award-winning nature film completes line up of upcoming Wildscreen Film Festival showcase

  • Wildscreen has announced the full programme for their upcoming two-day natural world storytelling film screening showcase, with tickets available for as little as £12.
  • Four-time Panda Award winning film, ‘My Garden of a Thousand Bees’, and an impressive list of Scottish artists and filmmakers complete the line up.
  • Additional networking opportunities will give delegates, both professionals and enthusiasts, a chance to connect with key players in the Scottish natural history TV and film industry.

Wildscreen, the leading conservation charity, has revealed the full line up for their two-day natural world storytelling film showcase, taking place at the Glasgow Science Centre on 18th-19th March, 2023, with tickets available for as little as £12.

‘My Garden of a Thousand Bees’, winner of the coveted Golden Panda Award at the 2022 Festival and Royal Television Society Programme Award 2023 nominee, joins the jam-packed agenda alongside other film screenings exploring the lives of some of nature’s most underrepresented and enduring stories.

The showcase will also feature talks and Q&A sessions from global filmmakers and conservationists, with a celebration of renowned and emerging Scottish talent speaking at the event.

New to the Glasgow Roadshow is ‘My Garden of a Thousand Bees’, winner of four Panda Awards AKA the Green Oscars and it has been recently nominated in the Science & The Natural World category at the Royal Television Society Programme Awards 2023.

Directed by acclaimed Bristol-based wildlife filmmaker Martin Dohrn, it explores the fascinating lives of bees living in his urban garden during lockdown. Following the screening, a Q&A, featuring two of the team who worked on the film – Glasgow-based music composer Fraser Purdie and Olivia Massey, will take place providing a chance to uncover the secrets behind this inspiring nature documentary.

The panel will also feature Jasmine Isa Qureshi, ambassador for the Bumble Bee Conservation Trust and will be chaired by Jackie Savery, Director and Founder of Glasgow production company Maramedia.

Other screening highlights, including ‘Panteras, Living Among Wild Cats’ and ‘Wild Romania’, allow attendees to experience the lives of the last wild cats on earth and the best-kept secrets in Europe’s wilderness. The Young Programmers Selection sees a carefully selected series of short films curated by local creative talent.

There will also be a collection of films exploring the latest efforts in ocean conservation featuring an expert panel, including Save our Seas’ Science Communicator, Dr. Isla Hodgson and Scottish Artivist, Rachel Brooks.

Lucie Muir, CEO of Wildscreen, said: “Glasgow has a long history as a hub for natural world storytelling and environmental action, as a previous European City of Culture and home to the recent COP26 conference.

“This Roadshow allows us to bring our selection of acclaimed films to Scotland, whilst giving a platform to local filmmaking talent. Delegates will get a chance to understand some of nature’s most fascinating stories at a time when climate action and conservation are most needed. If you have an interest in natural history, this is not one to miss.”

A separate networking drinks reception, at the Saramago Terrace Bar, CCA on Friday 17th March, will take place before the showcase, with opportunities to catch up with existing colleagues and make new connections in the natural world filmmaking industry. The Glasgow Roadshow is supported by the National Lottery through Screen Scotland, and it is sponsored by the Save our Seas Foundation.

Tickets are still available from as little as £12 with a variety of passes and concessions available to those seeking employment, in full-time education, registered disabled or over the age of 65. Free tickets and attendance support are available to local community groups working with underrepresented young people. Please do reach out to find out more.

See the full programme here.

Bringing nature films into the city! Glasgow hosts Wildscreen screenings

  • Glasgow has been selected to host Wildscreen’s two day film screening and networking event.
  • A brand new gathering for the city sees a clutch of screenings from Wildscreen Festival’s Official Selection 2022, including ‘Panteras, Living Among Wild Cats’ and ‘Wild Romania’.
  • The event is supported by the National Lottery through Screen Scotland and sponsored by Save our Seas Foundation.
  • Tickets are now on sale with both day and weekend passes available.

Returning to the city for the first time since 2016, Glasgow will host the first ever Wildscreen Roadshow event, a two day natural world storytelling film celebration. Taking place on 18th – 19th March at Tower North in the Glasgow Science Centre, the event has several film screenings, talks and Q&A sessions.

The films, from Wildscreen Festival’s Official Selection 2022, include ‘Panteras, Living Among Wild Cats’ and ‘Wild Romania’, as well as a series of three ocean films and the Young Programmers Selection. In addition, leading industry filmmakers and conservationists will be taking part in discussions and presentations, bringing global storytellers to Scotland.

Opening the event, which is supported by Screen Scotland, is the Wildscreen Festival Official Selection Programmer Prize Winner 2022 ‘Panteras, Living Among Wild Cats’, directed by Andoni Canela (Spain). It follows the renowned nature photographer and his son as they travel in search of the last wild cats on the planet. The full Saturday programme is set to be published in the coming weeks.

Sunday will begin with a series of ocean conservation films, including ‘CAUGHT’, directed by Emma Silverstone Segal (Canada) and ‘Whales in a Changing Ocean’, directed by Richard Sidey (New Zealand), followed by a Q&A with underwater filmmakers and marine conservationists.

The Young Programmers Selection will feature a carefully selected collection of short films curated by young programmers. Closing the two-day event, ‘Wild Romania’, directed by Dan Dinu and Cosmin Dumitrache and Wildscreen Festival Official Selection Audience Award Winner 2022, will follow the four seasons of the year to unveil the best kept secrets of Europe’s wilderness.​​​​​​

Gail Robertson, Screen Education Officer at Creative Scotland: “This event addresses a continued and vital need to provide young people with an opportunity to engage with climate change issues, natural filmmaking, and the screen industry.

“We hope it encourages their future involvement in all these arenas and tells them that their presence and voices in this area are not just welcome, but a necessity.”

Lucie Muir, CEO of Wildscreen, said: “Following our most successful festival to date alongside the launch of our Global Hubs in 2022, our Glasgow Roadshow will help us to further the crucial discussions around natural world storytelling. We must bring filmmaking into cities where people perhaps feel more of a disconnection from wildlife but still have a curiosity about nature.

“As the planet and biodiversity face increasing threats from climate change, our showcase will help to highlight some of the most underrepresented stories and voices from across the world whilst inspiring those in Glasgow and across Scotland to find their own stories closer to home. The time for action is now and we invite you to join us next month in what is our first of many Roadshows.”

Glasgow was chosen to host the showcase as it is considered the home of natural history in Scotland, with leading television and film production companies, including Maramedia and Hello Halo, also based in the city. As a previous European City of Culture, it has a long heritage and history with arts, creativity and storytelling.

Tickets are now on sale from as little as £12 with a variety of passes and concessions available to those seeking employment, in full-time education, registered disabled or over the age of 65.

The event is supported by the National Lottery through Screen Scotland, who is providing funding specifically to help underrepresented young people in the area, and it is sponsored by Save our Seas Foundation.

Find out more here.

REVEALED: How much Kevin’s electricity bill would be if Home Alone was set in 2022

KEEP THE CHANGE, YA FILTHY ANIMAL!

New data has predicted that Kevin McCallister would have racked up a £66.19 (or $80.65) energy bill in his three days Home Alone if the film was set in 2022.

Although it was released 32 years ago, in many ways, Home Alone is a timeless classic. However, if you’ve started your Christmas movie marathon already this year, you may be shocked by the HUGE amount of electricity that young Kevin McCallister uses in his time ‘Home Alone’. 

In light of the cost of living crisis, researchers at interiors brand, Bobbi Beck, have analysed the film to estimate how much money Kevin’s escapades would cost his parents if the film was set in the modern day:

The Bill

Researchers calculated that Kevin McCallister would have used at least 472.22kwh of energy in his three days left Home Alone. Based on the average residential electricity rate in his hometown of Chicago (Source: EnergyBot), Bobbi Beck predicts that Kevin’s energy bill would be AT LEAST $80.65 (or £66.19).

For context, in the UK, the average daily energy bill is around £2.70 (Source: Uswitch).

It is estimated that Kevin would have spent almost FIVE TIMES more than the average in his local area of Chicago, where the typical daily energy bill is $4.57 (Source: Energy Sage).

The Setup

How did Kevin rack up such a huge energy bill? We know that Kevin is alone for a total of three days (Source: IMDB) in a huge Chicago house, with six bedrooms and six baths (Source: Zillow). The house is apparently 4,243 square feet on a lot over half an acre in size (Source: Realtor). 

Kevin uses a lot of electricity in his various schemes, from heating up the doorknob with an electric barbeque lighter to using a record player and toy train track to mimic a party.

However, the most significant energy usage comes from the lights, both indoors and outside. During the infamous booby trap scene, we can see that every single light is on, but Kevin does turn them off when he leaves for church (Source: Youtube).

To calculate Kevin’s energy bill, Bobbi Beck investigated three areas of electricity usage: outdoor lights, indoor lights and TV use. 

Outdoor Lights

The data estimates that Kevin would have used £7.57 (or $9.22) on outdoor lighting alone if the film was set in 2022. With each side of the house stretching around 20 meters, around 10 sets of lights would be required, guzzling an estimated 54kwh for the three days (Source: Simply LED). 

Indoor Lights 

Kevin spent an estimated £58.59 (or $71.39) on indoor lighting. Researchers calculated that his home is  2.49 times bigger than an average U.S. house, meaning that they would have an estimated 99.60 lights inside (Source: Visual Capitalist).

The lights are likely to be an older, less energy-efficient model, most likely 100W in the estimation of Bobbi Beck’s researchers. They use 0.1kw an hour (Source: Ideal Home) and, because an average eight-year-old boy sleeps for around 10 hours (Source: Sleep Foundation), the lights would be on for roughly 42 hours. Therefore, Kevin would use 418kwh on indoor lights.

TV Use

Although it’s only a minor cost, researchers also uncovered that Kevin would have spent just 3p (or 4¢) on TV use. One of the most memorable Home Alone scenes sees Kevin watching a gangster film. He has a TV that is typically less energy efficient than a plasma and uses about 100 Watts of electricity (Source: Scientific American). An average film lasts 2 hours and 10 minutes (Source: Statista), so the gangster film alone would use up 0.217kwh.

James Mellan-Matulewicz, CEO of luxury wallpaper brand Bobbi Beck commented: “Most of us are currently feeling the impact of the cost of living crisis, with energy costs and food prices soaring. Not only does this impact our day-to-day finances, but it can also change our perspective on things – and Christmas movies are no exception …

“Home Alone is arguably the best Christmas movie of all time, particularly well known for its spectacular festive interiors. But when watching the film back, the amount of electricity that Kevin uses is really shocking! That’s why we wanted to crunch the numbers to find out just how much money he would have cost his parents in his three days of chaos.”

“We investigated Kevin’s lighting and TV usage to find that his energy bill would have been at least $80.65 for three days – that’s £66.19 in pounds. His TV use only cost a measly 3p, whereas his indoor lights have racked up a £58.59 bill. Given the average daily electricity bill in the UK is £2.70, it’s really shocking to see how much energy he used!”

These calculations were released by luxury, sustainable wallpaper brand Bobbi Beck, which provides a number of wallpaper designs to suit a range of tastes and personalities. 

My Land, My Story: School film showcased at National Gallery

A FILM created by Aberdeenshire pupils has been displayed at the Scottish National Gallery of Modern Art after the school won a national competition.

Pupils from Kemnay Academy travelled to the capital to watch a film they created on local land being projected onto the museum after being announced as winners of the Scottish Land Commission’s MyLand.Scot ‘My Land, My Story’ campaign.

The film told the story of the area around Kemnay Quarry and the transformation the land has seen in the past, present and future – from producing granite that was used in the Scottish Parliament Building and Forth Road Bridge, to becoming a community and educational space.

Dexter Cook, a 16-year-old pupil from the school, said: “Creating the film has been a brilliant experience. It’s been fascinating to learn about our local land and get creative to showcase its use.

“The highlight was actually winning the competition. Everyone is extremely proud to have seen our film projected onto the Scottish National Gallery of Modern Art and it was such a fun day travelling to Edinburgh as a class for the event.”

The ‘My Land, My Story’ competition was launched by the Scottish Land Commission as part of its MyLand.Scot campaign in connection with Visit Scotland’s Year of Stories 2022 to raise awareness among the younger generations about the range of positive ways land can be used and reused around the country.

Kemnay Academy received a £500 grant from the Scottish Land Commission to create their film on the Kemnay Quarry, which saw the school’s Environmental Sciences and Media Studies classes combine to bring the project to life.

Land Reform Minister Mairi McAllan said: “Scotland’s land is a precious national resource that is fundamental to our economy, our environment, our wellbeing and our just transition to net zero.

“It also forms an important part of our history and culture – as demonstrated by Kemnay Academy in their impressive film. I offer my congratulations to the young winners for this excellent achievement.

“Scotland already has a long history of land reform, with the statutory Community Right to Buy, the Scottish Land Commission and the Scottish Land Fund empowering people across the country to benefit from the ownership and use of local assets.

“Through our ambitious new Land Reform Bill we will support this existing work to encourage and support responsible and diverse landownership – and create more opportunities for people and communities to determine how land in their area is used.”

MyLand.Scot is an online initiative which aims to highlight ways in which Scotland’s land is owned, used and managed. From social media-savvy farmers to communities transforming derelict land into gardens, the project uses case studies to showcase positive examples of land use around the country.

Hamish Trench, Chief Executive of the Scottish Land Commission, said: “Pupils at Kemnay Academy have been incredibly creative in demonstrating ways in which young people in Scotland can engage in conversations around land use.

“It was exciting to see their production centre stage at the National Gallery of Modern Art and we hope that projects like this will continue to encourage young people to think of land in creative ways and encourage in conversations around Scottish land.”

The Scottish Land Commission works to create a Scotland where everybody can benefit from the ownership and use of the nation’s land and buildings.

For more information on MyLand.Scot visit: https://myland.scot

For more information on Visit Scotland’s ‘Year of Stories’ visit: 

https://www.visitscotland.com/about/themed-years/stories/