EDINBURGH based event and hospitality venue is thriving as it records its most successful business period to date after hitting record numbers during the Edinburgh International Festival
Surgeons Quarter (SQ), one of Edinburgh’s largest Fringe performing spaces, boasted a record 250,000 visitors to the Royal College of Surgeons of Edinburgh’s (RCSEd) campus and increased occupancy to an impressive 99.5% at its on-site, Ten Hill Place Hotel across the month of August.
As the commercial arm of RCSEd, SQ worked closely with renowned festival producers theSpaceUK to host 248 productions across its 11 on site Fringe venues.
Scott Mitchell, Managing Director of SQ said: “The buzz in Edinburgh during the Fringe this year was incredible. To see our venues, and Edinburgh, transform into a hive of creativity and culture was very special.
“Each year we continue to grow and we’re incredibly proud of what we have achieved this year with record numbers coming in.
“Working with such a talented organisation such as theSpaceUK again this year has been extremely rewarding and we’re delighted with how well received each show was at this year’s Fringe.
“This year we have been able to host nearly 250 shows, with 120,000 audience members, which is just incredible. While the numbers are astounding, it is only testament to the quality of entertainment and service of those who performed and worked with us this year.”
Celebrating its 14th year as one of the largest Fringe venues, SQ operated five festival bars, and transformed its Courtyard Bar and Hill Square Gardens into a fiesta of flavour with Mexican street food created by SQ’s Executive Chef Dominik Kawalec.
This year’s line-up included shows from across the globe with musical performances, operas, drama and theatre shows as well as comedy and spoken word.
Surgeons Quarter, Cafe 1305
Scott Mitchell – Managing Director
Scott continued: “None of this would have been possible without our fantastic, dedicated team, who worked incredibly hard to deliver top service across our venues throughout such a busy period.
“Whilst delighted with our increased footfall a key point of action for next year is to find a solution to either the increased recycling or use of re-usable products in an outdoor environment to adhere to our licencing conditions and sustainability agenda.
“I’d like to extend my thanks to not only those who worked with us, but to those who visited our venues and helped create a truly unique atmosphere in a Fringe that will live long in the memory.”
The 2023 Edinburgh Festival Fringe welcomed worldwide audiences, selling nearly 2.5 million tickets across 288 venues.
SQ will now turn its focus to the upcoming festive season, hosting 80s themed party nights throughout December offering a three-course meal, festive cocktail and wine for £60pp, and private parties from £65pp.
Surgeons Quarter promotes, sells and manages all commercial activities held within the RCSEd campus. It includes facilities for conferences, meetings, private events, parties, weddings and its own four-star hotel Ten Hill Place as well as Café 1505 and SQ Travel.
Profits from the Surgeons Quarter portfolio go towards the advancement of surgery and the improvement of patient outcomes worldwide.
More information about Surgeons Quarter can be found at:
Residents and guests at Strachan House care home in Blackhall will be hosting their first of many Edinburgh fringe events on Saturday 26th August at 3pm and are inviting their local community to come along and support what is set to be a magical afternoon.
Following on from the success of a trial of a Fringe Care Festival event last year and the ongoing community links that were built, Barchester Healthcare are now continuing their support by being the founding sponsors of an even bigger event this year and for years to come – The Edinburgh Fringe Festival Care Fest.
Strachan House will be opening their doors to Edinburgh festival performers Octovoce, an accapella group who will be taking everybody on a magical afternoon of well-known music.
As well as this, they are encouraging everyone to come along dressed as their favourite character and enjoy a themed buffet prepared by their wonderful chefs, whilst being immersed in a fairy tale sing along event that would be fit for any prince or princess.
Mandy Head of Activities said “Eventually, the long term goal would be for all Edinburgh care homes to be part of this amazing initiative – no matter what company, but in the meantime Barchester get to go first, with the 4 Edinburgh homes taking part!
“Shaping the event foundations for other care providers to follow suit in the coming years…”
General Manager, Gordon Philp said, “Our residents and guests are very excited about this event and the team are working behind the scenes to ensure it is a great success.
“We do our best to provide a wide range of activities and entertainment at Strachan House as part of the lifestyle enrichment programme for residents, and this was will certainly be outstanding!”
Strachan House care home is run by Barchester Healthcare, one of the UK’s largest care providers, which is committed to delivering personalised care across its care homes and hospitals. Strachan House provides residential care, nursing care and dementia care for 83 residents from respite care to long term stays.
Dundee Rep Theatre is delighted to announce that its new production, No Love Songs, is set to receive its World Premiere at the Edinburgh Festival Fringe this August in a 3-week run at the Traverse Theatre, co-directed by Dundee Rep’s Artistic Director, Andrew Panton, and Associate Director Tashi Gore and presented as part of Made in Scotland.
The creative brainchild of the lead singer of Scottish indie band sensation, The View, Kyle Falconer and his partner Laura Wilde, No Love Songs tells the brave and deeply personal story of love, new parenthood and deals with the subject of post-natal depression. This original, new musical follows Lana and Jessie as they learn to navigate the unique challenges of their new lives as parents.
It is now revealed that Dawn Sievewright (Our Ladies of Perpetual Succour, Glasgow Girls) and John McLarnon (My Left Right Foot, Local Hero) will play the characters of Lana and Jessie, joining the fantastic creative team working on this show, including co-writers Johnny McKnight and Laura Wilde, Musical Director and Arranger Gavin Whitworth, Lighting Designer Grant Anderson, Sound Designer Ritchie Young, Set Design Stylist Leila Kalbassi and Costume Design Stylist Cate Mackie.
No Love Songs features hits from Kyle’s 2021 solo album, ‘No Love Songs For Laura’ such as ‘Stress Ball’ and ‘Mother’, reimagined live on stage in this unique and urgent gig theatre show.
This exciting new musical will preview at Dundee Rep this month after a work-in-progress sharing last year as part of Rep Stripped drew raves from audiences. Audiences can book their tickets for the preview performances at Dundee Rep between 13 and 20 May under this link.
The production is presented as part of the prestigious Made in Scotland showcase, a curated showcase of high-quality performance from Scotland at the world’s biggest arts festival – Edinburgh Festival Fringe – made possible by support from the Scottish Government’s Festivals Expo Fund. It is a partnership between Edinburgh Festival Fringe Society, Federation of Scottish Theatre, Scottish Music Centre and Creative Scotland.
Kyle Falconer and Laura Wilde said: “As avid festival-goers ourselves, we could not be more excited to take No Love Songs to the Fringe, it’s a real ‘pinch-me’ moment for us to be included in the most famous festival in the world – it’s exactly what we hoped for No Love Songs.
“Especially being Scottish, it feels amazing to be able to take it from Dundee to Edinburgh and to give us that platform to reach a worldwide audience. We are really proud of the whole team involved and we cannot wait to open at this year’s festival!”
Dundee Rep is thrilled to also be collaborating with the Traverse Theatre on THEGRAND OLD OPERA HOUSE HOTEL, an exciting new co-production that will be presented on the Traverse stage between 4 and 27 August before transferring to Dundee Rep this autumn (13-16 September).
Featuring a large ensemble, this mainstage production is the crown jewel in Traverse’s 60th year, brought to the festival audiences by the team responsible for hits such as Pride and Prejudice* Sort Of and Kidnapped.
Andrew Panton, Artistic Director, Dundee Rep, said: “We’re very excited to be partnering with the Traverse on two new shows for Travfest ‘23.
“Both use music and song to tell stories in new and innovative ways, dealing with important and urgent themes. I’m delighted that we’re collaborating with and showcasing the work of these extraordinarily talented artists at the Edinburgh Fringe this year.”
More shows to be announced monthly, as the world’s greatest celebration of arts and culture returns for its 75th anniversary this August
The Edinburgh Festival Fringe Society has announced that the first set of shows for the 2022 Edinburgh Festival Fringe are available to book atedfringe.com.
The 75th anniversary of the Fringe takes place from 5th – 29th August 2022 and will feature an exciting range of shows, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events and more all represented in the programme.
Tickets for 283 shows have now been released, with more shows set to be announced on Thursday 07 April, Thursday 05 May and Thursday 09 June.
The official launch of the festival, including the reveal of the iconic printed programme, will take place in early July.
Below is a small representative sample of shows available to book now. The full list of shows released this month can be found atedfringe.com.
Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: “It’s always a hugely exciting moment when the first set of Fringe shows are announced, and this year, it feels more important than ever to celebrate the breadth of creativity and freedom of expression that these shows represent.
“We know that so many artists are still recovering from the impact of the pandemic, and getting your tickets early is a brilliant way to support them at this vital time. It’s also an important investment in the value of culture and creativity, and with some shows offering free and Pay What You Can options, the Fringe remains an essential access point to culture for many.
“I can’t wait to see the programme continue to unfold as we get closer to August, and to see Edinburgh filled with live performance once again as we celebrate the 75th anniversary of this magnificent festival.”
Theatre
At theSpace @ Surgeons Hall, acclaimed mystery maestros Highly Suspect return to the Fringe “with a new duo of hilarious and interactive murder mysteries, which you – the audience – must solve”. At the same venue, UK Underdog is a solo show based on true events in a London, Jewish boy’s life. “Bullied and humiliated at school, Steve Spiro realises his strength to move forward, but that ultimately comes at a price”.
BAFTA award-winner Jack Docherty is at Gilded Balloon with Nothing But: a darkly comic tale which grapples with lost youth, love, fatherhood, sex, secrets and truth.
At Underbelly, My Son’s a Queer (But What Can You Do?) is the “joyous, chaotic, autobiographical story of actor, writer and social-media sensation Rob Madge”.
Assembly has a range of theatre to book from today, including Watson: The Final Problem, in which Sherlock Holmes’ pal tells his tale of long-buried secrets; and Myra’s Story, in which a middle-aged, homeless Dublin street drinker relives her back story.
Comoedia at Greenside is a celebration of traditional Italian masked theatre, as the most famous characters of Commedia dell’arte come together in a one-man show. At the same venue, two women use nothing but their imaginations, a skull and some fancy scarves to bring together A Two WomanHamlet.
At theSpace on North Bridge, GirlPlay is “an exploration of love and sex spun out in slam”. On a night of firsts, Lucy opens the door to a world of relationships and sex that she had only ever dreamt about. But is the reality all she had hoped it would be?
Online, Transatlantic is a true story of the French immigrant experience. “Cookie is taking care of the last of her uncle’s estate in New Mexico. As she goes through her family’s belongings, she goes on an emotional journey that echoes the many trips back and forth that she and her family have taken between France and the US.”
Plus, from award-winning writer Lita Doolan comes Audrey’s Art Club. “Audrey wants to know what doodling’s got to do with love and goes back to her lover’s childhood home to find answers.”
Comedy
The Stand has a wide roster of shows on sale today, including Seann Walsh: Is Dead, Happy Now? and Stewart Lee: Basic Lee – a work-in-progress show in which “Lee enters the post-pandemic era in streamlined stand-up mode”. Also catch rising Scottish star Gareth Waugh with Doozy and Jo Caulfield with Bad Attitude.
At Assembly, Fern Brady will be tackling big issues such as “death, shagging, marriage and ageing” in her show, Autistic Bikini Queen.
David O’Doherty is back with his show whoa is me and “all of the misplaced confidence of a waiter with no pad”, while Susie McCabe returns with a brand-new show. In Born Believer, the comedian has decided to leave cynicism behind to be an “all-new positive Susie (optimistic at best, positive is pushing it)”.
Jason Byrne is at Underbelly with Unblocked, as “the constipation of Covid has been cleared, live entertainment has been colonically irrigated and readied up for us all”. At the same venue, Foil, Arms and Hogg return to the Fringe with a mix of sketch comedy, audience participation and improvisation. Plus, Richard Stott: Afterparty sees the stand-up contemplate whether he’s missed the boat. “His friends have families, six-figure salaries and houses. He has a level-two food hygiene certificate and acid reflux.”
Gilded Balloon is home to double Edinburgh Comedy Award nominee Andrew Maxwell’s Krakatoa, as well as Justin Moorhouse’s brand-new show Stretch & Think, which “may contain yoga, getting older, Madonna, shoplifters, labradoodles, middle-aged cyclists, The Menopause, running, hating football fans but loving football, not drinking, funerals” and a lot more. Plus, catch Sian Davies,winner of Best Debut Show at Leicester Comedy Festival 2020 and Funny Women runner-up. Her show is all about time, growing up and finding your place in the world.
There’s a range of Laughing Horse shows available to book from today. Shows including Annie and Angela’s Disco Divorce Party: “a drag-infused comedy of musical mirth celebrating friendship and new beginnings”, and Comedy Queers: “a spicy late-night mix of outrageous queer comedians, cabaret and drag acts”. Plus, there’s stand up from the likes of Nathan Cassidy and Dave Chawner.
Fringe stalwart Nina Conti returns to Pleasance with The Dating Show, in which “finding true love can’t be promised, but big laughs are guaranteed”. And after a UK and Australia tour and an Amazon special, Taskmaster runner-up and accidental YouTube cult leader Mark Watson brings his show This Can’t Be It back to where it began (at last year’s “mini Fringe”).
Also on Pleasance’s bill is Angela Barnes: Hot Mess (“trying to live your best life, as it turns out, is really bloody hard”); Ivo Graham: My Future, My Clutter (“bumbling wordsmith and tripe factory returns to discuss three years of heavy-duty pranking / parenting / procrastinating since Dave’s 2019 nominations for Best Comedy Show and Joke of the Fringe”); and NewsRevue, which will return to the EICC to “parody politics in a post-pandemic world”.
At Just the Tonic, Daniel Sloss and Kai Humphries bring their hit podcast, Sloss and Humphries On The Road, to the festival. Plus, Fringe veteran Craig Hill returns with I Always Knew I Had It In Me, and rising Scottish star Connor Burns isat the festival with his show, Live, Laugh, Loathe.
At Queen’s Hall, Henning Wehn returns with It’ll All Come Out in the Wash: a show that promises to “give everything a good rinse and witness him wring sense out of the nonsensical”.
Music
At theSpaceTriplex, California-based Hip-Hop Orchestra, Ensemble Mik Nawooj (EMN), presents music from their new album, Death Become Life, which fuses hip-hop and classical (think full strings, woodwind, French horn and soprano).
There’s also a range of Night Owl Shows to choose from, including 007 Voices Of Bond (featuring hits such as Goldfinger, Skyfall, Diamonds are Forever, Live and Let Die and many more); Back to Black: The Music of Amy Winehouse (which promises to take you on a moving journey through a modern legend’s career); and California Dreams (featuring an immersive trip through California in the late 60s and 70s, with hits by The Mamas & The Papas, The Eagles, Joni Mitchell, Neil Young, The Byrds and more). All are happening at theSpace UK.
Acoustic Music Centre has a range of shows on sale from today. Acts include The Willow Trio: a band of three clarsach players – Sophie Rocks, Sam MacAdam, Romy Wymer – who will be presenting a mix of Gaelic music and original new work.
The Strange Valentines are a Nova Scotian folk duo, blending acoustic instrumentation and their signature stunning two-part harmonies to tell provocative stories.
Plus, up-and-coming harpist Romy Wymer presents traditional tunes from Scotland and Netherlands in her Fringe / AMC debut. Romy recently earned second place at the World Harp Competition (2021) and was a semi-finalist in the BBC Young Traditional Musician of the Year (2022).
Cabaret and Variety
Pleasance is home to West End star and multi award-winning magician Ben Hart, as he returns to Edinburgh with his show Wonder. Using only the simplest of props and the minds of the audience, Hart conjures a show that is “always amazing, sometimes shocking and shines a light into the darkest corners of your imaginations”.
Mat Ricardo is at Gilded Balloon with The Extraordinary Gentleman: “a unique, hilarious and unmissable one-man show” from the acclaimed variety artist.
Best of Burlesque is back at Assembly, with award-winning striptease, cabaret and variety from the 2022 Fringe, plus international special guests.
Dirty Tricks – How the Illusionati Rule the World is at Greenside. In this show, The Great Baldini demonstrates “how the illusionati rig elections, launder money and orchestrate assassinations: a wholly (im)plausible conspiracy theory”.
At theSpace @ Symposium Hall,Sue Kelvin stars in Bette Midler and Me: a tribute show to Midler, covering her life and songs from the perspective of a lifelong fan. Expect musical hits, plus highlights from Midler comedy routines and a puppet version of Beaches.
Dance, Physical Theatre and Circus
Underbelly Circus Hub returns to the Meadows this year, and with it comes Circa: Humans 2.0:“asymphony of acrobatics, sound and light”, described as “a tightly woven choreography of bodies, pulsing with music”.
Also on the Meadows, Hotel Paradiso is “an irresistibly colourful, loud and fun show for all the family” from contemporary circus company, Lost in Translation. Featuring circus skills, physical comedy, theatrical storytelling and slapstick, this show “sees the staff family tackle the scheming banker as he tries to possess the Hotel Paradiso”.
Cirque Berserk! is at Pleasance. Showcasing “traditional circus thrills and skills”, Cirque Berserk! combines “contemporary cirque-style artistry with adrenaline-fuelled stunt action”, as “this astoundingly talented international troupe includes over 30 fearless acrobats, aerialists and daredevil stuntmen”.
At Assembly, Muse is a circus piece which attempts to answer the question, “what does it mean to be a woman?” Plus, The Black Blues Brothers sees “five extraordinary acrobats perform their comedy tribute to the cult movie The Blues Brothers”. Expect breathtaking jumps, fire, somersault routines, human pyramids and more.
Intambo is at Greenside. This show features Ruciteme Karyenda Culture de Buyenzi: a group of Burundian drummers, founded in 1987. Starting with 27 members, the members range in age from 8 to 50, and they will be performing an old, traditional Burundi dance that used to be played for the Kings.
Also at Greenside is Éowyn Emerald & Dancers. Éowyn presents Your Tomorrow: “an entertaining and deeply intimate jazz dance for two performers”.
Children’s shows
Peppa Pig – My First Concert is at Assembly. This interactive introduction to a live orchestra is “an accessible, exciting concert designed for the youngest audience members, with Aurora Orchestra.”
Also at Assembly, Yellow Bird Chase follows “a clownish maintenance crew” who find a magical bird and a mad chase begins. Appropriate for the whole family and accessible to deaf and hard-of-hearing audiences.
Plus, from the creative team behind the Hairy Maclary show, young audiences can now see all three of Nick Sharratt’sShark in the Park books live on stage.
At Pleasance,The Smeds and the Smoos is an exciting adaptation of the award-winning book by Julia Donaldson and Axel Scheffler. On a far-off planet, Smeds and Smoos can’t be friends. So when a young Smed and Smoo fall in love and zoom off into space together, how will their families get them back?
At Underbelly, the Amazing Bubble ManLouis Pearl is back. Louis “explores the breathtaking dynamics of bubbles, combining comedy and artistry with audience participation and enough spellbinding bubble tricks to keep everyone mesmerised”.
Fox Tales: The Pied Piper is at theSpace @ Surgeons Hall. In this family puppet show, Hans the Storyteller, Reynard the Fox and Gripp the Raven give “a hilarious new telling of the classic fairy tale, The Pied Piper of Hamelin”. Expect “jokes, ridiculous rhymes, mischief and nonsense”.
At the same venue, Den of Enquiry “is a fun, light-hearted show that gets kids talking about democracy”.
Musicals
In Soho Boy at theSpace @ Symposium Hall, “young, trendy Spencer leaves home and hits Soho like a whirlwind in a journey of love, laughter, heartbreak and happiness”. This work is a “modern tale of the gay scene, which can be harsh and lonely, surrounded by glamour, sex and songs”.
At theSpace @ Niddry St,Julie: The Musical is an original, new musical telling the life and adventures of historical LGBTQ+ icon Julie D’Aubigny. “One of the first public figures to live as an openly bisexual woman, she seduced nuns, dueled multiple men at once, burnt down convents, was bribed by princes, innovated opera – all before she turned 30.”
Now in its 10th year, The Improv Musical is at Gilded Balloon. Each show is a completely improvised, never-before-seen musical on its opening, and closing, night.
At Greenside, Raft follows four women, seemingly trapped on a raft in the middle of the ocean, hunted by a mystical sea monster. “An original one-act musical around abuse, bravery and friendship.”
Producers and venues have been awarded £1 million to support the safe return of live events at this year’s Edinburgh International Festival and Edinburgh Fringe.
The Scottish Government funding will help to create outdoor performance spaces and mitigate the additional costs faced by producers due to the pandemic.
It has been distributed between the Edinburgh International Festival and nine Fringe producers alongside a further £300,000 from City of Edinburgh Council.
Culture Secretary Angus Robertson said: “Edinburgh’s festivals are a highlight on the international cultural calendar and were sorely missed last summer. I am determined to do everything within my power to support the return of these globally significant events and the benefits they bring to Scotland in terms of tourism and trade.
“Although this is an important step towards normality, the huge impact of the pandemic is still widely felt across our festival and events sector as well as our cultural sector more widely.
“Recovery will take time, but this additional funding from the Scottish Government and Edinburgh City Council for a number of established Fringe producers and the Edinburgh International Festival will help organisers respond to some of the ongoing challenges they face.
“This is the latest in a wide-ranging package of support the Scottish Government has made available since the start of the pandemic across all of Edinburgh’s Festivals which now totals approximately £6.5 million.”
Councillor Donald Wilson, City of Edinburgh Council Culture and Communities Convener, said: “Last year we pledged to continue our support for Edinburgh’s culture and events sectors, in particular through our funding programmes which have contributed to the retention and, as far as possible, stability of the sector.
“The resourcefulness and resilience displayed throughout the crisis to date by this sector has been amazing and through this additional funding we aim to further support their 2021 offering. The value to this city’s economy and the wellbeing of our citizens cannot be underestimated.”
Executive Director of Edinburgh International Festival Francesca Hegyi said: “This support is hugely appreciated in a year when the International Festival is pioneering the return to live performance in Scotland following the pandemic, which requires careful planning and places safety as a top priority.
“Three outdoor venues are core to those safety measures and this funding will go directly towards the costs of those pavilions which we hope will lift the spirits of a country ready to embrace culture and live performance.”
Oh behalf of Gilded Balloon, ZOO, Traverse Theatre and Dance Base, Katy Koren said: “We are delighted to have been awarded funding to create a new festival hub celebrating the best of the Edinburgh Fringe and supporting local artists.
“After a fallow year for the Edinburgh Festivals in 2020, we are determined to bring safe events and performances back to the city centre this August in a unique new collaboration.
“We are all very grateful for the support of the Scottish Government, City of Edinburgh Council and EventScotland – this project would not have been possible without them.”
The Scottish Government’s flagship events programme is supporting the return of internationally significant events. Previous flagship events include EURO 2020 and the British & Irish Lions v Japan test match for the 1888 Cup.
Funding proposals from Fringe producers were reviewed by the Scottish Government, EventScotland and City of Edinburgh Council.
Funding awarded:
Operator (s)
Funding awarded
EIF
£300,000
Gilded Balloon, Zoo, Traverse Theatre, Dancebase
£230,696
Pleasance
£169,619
Summerhall
£166,780
Space UK
£106,681
Assembly
£162,962
Underbelly
£162,962
The Scottish Government has also provided:
£2 million to be invested in Edinburgh and Glasgow’s major arts festivals in 2021/22 through the continuation of the EXPO fund
£1 million in 2021/22 through the Edinburgh Festivals Platform for Creative Excellence Programme
a £1 million interest-free loan to the Edinburgh Festival Fringe Society, as well as a further £81,000 grant, to ensure their resilience and develop their digital and ticketing platforms
funding for individual festival companies and producers through Scottish Government relief funds.
We are pleased to announce that show registration for Fringe 2021 will open on Wednesday 05 May.
Artists and venues will be able to register Fringe shows right up until the end of the festival. The Fringe’s world-class programme will be available to browse and book at edfringe.com, with tickets going on sale for audiences in early summer.
As Scotland navigates its roadmap out of lockdown, much is still unknown about what the Fringe will look like this August. However, a range of scenarios are being prepared for, from socially distanced live events to digital offerings.
The Fringe Society is supporting artists and audiences to find and book work online across a range of platforms, including the brand-new Fringe Player.
This online platform aims to bring some festival magic into homes across the world, while providing a secure platform for artists, companies and venues to host their shows. The platform is available to any registered 2021 Fringe show or venue to use if they wish.
Any live performance registered as part of the 2021 Fringe will be expected to adhere to public health guidance from the Scottish Government.
Audiences can search, browse and buy tickets to both online and in-person work through edfringe.com. More details on individual shows and Fringe 2021 will be available in early summer.
Shona McCarthy, Chief Executive of the Fringe Society, said: “We’re delighted to be able to open registration for 2021. Of course, we’re still very much in planning mode as we await further updates from the Scottish Government, but this feels like a hugely positive step in the right direction.
“Through the work being created across the various digital platforms, including the Fringe Player, artists have a brilliant opportunity to reach audiences and communities all over the world. I look forward to seeing how our Fringe creatives use these platforms in 2021 and beyond.”
The Edinburgh Festival Fringe will take place from 06 – 30 August 2021.
Today Underbelly has launched a fundraiser to support artists who were due to appear at Underbelly Fringe 2020.100% of all donations received will go straight to artistsfrom this year’s planned programme and who desperately need this help.
By donating the cost of a ticket, £12, you can help artists bridge the loss of actual ticket sales they hoped to receive this year and by donating more you can make a massive difference and access a ladder of rewards.
For the first time in twenty years Underbelly has had to close its doors to the Edinburgh Festival Fringe. The purple cow is deflated, the Cowgate remains a carpark and the venues have been silenced of the laughter and awe of performers and audiences alike.
Each year artists, performers, producers, technicians, stage managers, lighting, sound and set designers, to name but a few, spend months carefully cultivating exciting, innovative, ground-breaking and daring work to be performed tirelessly for 25 days in a row.
Often this gruelling month of blood sweat and tears launches careers, shines light on new stars and shakes up the cultural world as we know it.
For many of those working in this field the cancellation of the 2020 Edinburgh Festival Fringe and the restrictions placed around live performance will pose serious challenges financially and creatively and will no doubt force some to look elsewhere.
The Edinburgh Festival Fringe is a place for everyone and everything, it’s important and necessary and it is vital we retain the artists that make it what it is.
220 Underbelly shows have been lost this year and countless numbers of artists and those working behind the scenes have been placed in dire financial situations, and that accounts for only a small percentage of the overall Fringe. Without their input into the creative world the cultural landscape for the future will change forever.
For those who can afford to donate a little more than the £12 cost of a ticket to the fundraiser there are lots of moo-vellous rewards on offer including a named thank you in the 2021 programme (£20 or more), Gold membership of Abattoir, the private artists bar in George Square (£50 or more), 10 tickets to the 10 hottest shows curated by the programming team (£70 or more), Backstage Meet and Greet with the artist of choice, tickets and fizz (£100 or more), Fleabag Poster from the first show performed in Edinburgh at Underbelly in 2013 signed by Phoebe Waller Bridge (£400 or more), Cocktail Party for 10 in Abattoir with mixologists Ed Bartlam and Charlie Wood (£400 or more), All expenses paid trip to Edinburgh for a Fringe weekend like no other (£800 or more), or for £1000 (or more) free tickets to any Underbelly shows at the Edinburgh Festival Fringe for the next two years.
Ed Bartlam and Charlie Wood, directors of Underbelly said: “Edinburgh is where it all started, in a dingy cave, twenty years ago. It’s our life blood, our home, a place where genuinely anything can happen and incredible memories have been made.
“To not be there this year is heart-breakingly devastating but it is also a time for reflection and understanding that for this year, we must step back and put the safety of others first.
“We would love to support and help everyone but what we feel we should do at this time is to support those artists that were due to perform at the Underbelly this year.
We are asking you to help us support these artists to get through this most difficult of all times and more importantly keep them working in an industry that needs and values them. Without them there is no Underbelly, there is no Edinburgh Festival Fringe.
“Our deepest sympathies go out to all of those have been affected by Covid 19 and our most heartfelt thank-yous to those on the frontline who have been working tirelessly to keep our country moving. We will be offering a special discount on all tickets to UK NHS staff at next year’s Edinburgh Festival Fringe by way of thank you.”
Grace and Rach from Ugly Bucket said: “As a regional emerging theatre company, Fringe is a huge opportunity for our work to be seen on a huge international platform.
“Underbelly took the time to get to know us as a company, and understand how they can best support us and showcase our work. It is a bespoke, personal experience that is so valuable in a festival that can feel so intimidating! You would never find a techno filled clowning show about grief anywhere else but the Edinburgh Fringe.”
Jason Byrne added: “This is such a hard time for so many on the circuit, and the cancellation of the Fringe this year has been a massive blow to us all.
“This is a cracking fundraiser. Underbelly is making sure that 100% goes to the artists and there are some great rewards on offer. Who wouldn’t want to donate and secure all those tickets, backstage access and signed posters! Please do give what you can whether it is the price of a ticket, or a few pints too.”
On being told about the fundraiser, Gaby from Circus Abyssinia said:“We would love for Circus Abyssinia: Tulu to be included in the Underbelly relief fund.
“A huge thanks to Underbelly for setting this up, we’re very grateful especially as the cast doesn’t have a furlough scheme or any support back in Ethiopia.”
Cecilia Martin from Circa said: “Experiencing Edinburgh Festival Fringe under the umbrella of Underbelly has always been such a supportive, professional and hilariously fun experience.
he team is such a powerhouse and create an incredible atmosphere for us to thrive in as artists.”
Energy produced from laughter at the Edinburgh Fringe could power a home for around six days
New research conducted by Scottish Gas used smart meter data to calculate how much energy and laughter was needed to power household electrical items
Scottish Gas has installed more than 30,000 smart meters in homes across Edinburgh.
The Edinburgh Festival Fringe closed its doors on Saturday having had the most popular run in the event’s 70-year history. Today, new research has revealed the power of the Fringe’s laughter levels. The analysis, carried out by Scottish Gas, discovered that the energy generated from laughter at this year’s festival would power the average home in Edinburgh for nearly six days!
Statistically, the average person burns 100 calories if they laugh for an hour, and this year the Fringe featured 21,292 performances focused solely on comedy. Using data from smart meters, Scottish Gas has also worked out that 2017 Fringe laughter would produce enough energy to power:
20,800 charges of a smart phone
An LCD TV continuously for around almost 21 days
Scottish Gas also calculated that the laughter would power:
83 rotations of the Falkirk Wheel
2 return trips on the Edinburgh Trams from York Place to Edinburgh Airport
A lifetime of LOLs
With the Fringe marking its 70th birthday this year, Scottish Gas analysed the power of a Lifetime of LOL (Laughing out Loud). They found that if the current population of Edinburgh laughed for an hour a day for 70 years, it would produce enough energy to power a home in Edinburgh for nearly two years.
Scottish Smart Energy Expert, Stephen Cosgrove, who installs smart meters across Edinburgh for Scottish Gas, said: “Everyone enjoys a good laugh, but it’s interesting to imagine how our chuckles and chortles could power a home!
“I’m sure monitoring your energy use will be the last thing on your mind when you’re out having fun. But simple steps – such as switching appliances off at the wall rather leaving them on stand-by before you go out – can help keep energy use in check.
“Having smart meters installed for free can help too. They automatically send meter readings to your energy supplier so you don’t have to. And they come with a smart energy monitor that shows you how much energy is being used and how much is being spent, in pounds and pence, in near real time.”
Scottish Gas has installed more than 30,000 smart meters in homes across Edinburgh. To find out more visit www.scottishgas.co.uk/smart
