EDINBURGH INTERFAITH ASSOCIATION EXHIBITION
Visit Edinburgh Interfaith Association’s #Edinburgh900 exhibition “Stories of Belief: Celebrating 900 Years of Faith Communities in Edinburgh” at the St James Quarter from 16 – 23 July.
For more information visit tinyurl/storiesofbelief
New programme alert!
Great news—our schedule for the next two weeks is now live! 
Come along to The Wee Hub and The Wee Museum of Memory for a fantastic lineup of free activities! 
With Ocean Terminal Shopping Centre,
Latin American Community Association of Edinburgh,
Хоп-Троп, Единбург / Hop-Trop, Edinburgh,
National Galleries Scotland: Modern Two
21 June 2025 – 4 January 2026
Tickets £4-£14 Friends go free
Resistance | National Galleries of Scotland
The National Galleries of Scotland’s unmissable summer exhibition, Resistance, opens this weekend, Saturday 21 June.
Conceived by acclaimed artist and filmmaker Steve McQueen the exhibition takes over the whole of Modern Two. Explore how acts of resistance have shaped life in the UK, and the powerful role of photography in documenting and driving change. Tickets are on sale now.
Plus, on the first Monday of every month during the exhibition, visitors will be able to pay what they wish, starting from just £2.
Presenting around 200 photographs from a century of activism, Resistance gives a voice to the stories and images from history which have been buried in UK archives until now.
Throughout the exhibition McQueen amplifies underrepresented voices to present a compelling exploration of overlooked histories, shedding light on the forgotten stories that have helped define the course of Britain’s history.
Resistance tours to Modern Two from Turner Contemporary, Margate.
This exhibition will bring together works by renowned photographers such as Vanley Burke, John Deakin, Fay Godwin, Edith Tudor-Hart, David Hurn, Tish Murtha, Humphrey Spender, and Paul Trevor, alongside lesser-known photographers who documented these powerful stories.
Drawing photographs from various archives, collections and image libraries, McQueen has deliberately focused on moments captured before digital cameras became commonplace.
Spanning both floors of Modern Two, Resistance spans from the radical suffrage movement in 1903 to the largest-ever protest in Britain’s history—the Anti-Iraq War Protest in 2003.
The exhibition will also highlight lesser-known events including the hunger marches of the 1930s where thousands of protesters from Scotland and across Britain marched to London, protesting unemployment and poverty. As well as the Blind March of 1920, a pivotal moment in the fight for disability rights.
Visitors will encounter poignant images from demonstrations against environmental destruction, anti-nuclear campaigns and actions advocating for peace.
The exhibition will trace the evolution of environmental movements and highlight a shift from single-issue demonstrations to broader anti-capitalist efforts that paved the way for today’s climate change action.
Including powerful photographs from the 1000-mile march from Faslane Naval Base to Greenham Common in protest against American nuclear weapons being stationed in the UK in 1983.
From Janine Wiedel’s photographs capturing life at Greenham Common Women’s Peace Camp to Andrew Testa’s striking depictions of the 1996 protests against the proposed Newbury Bypass in Berkshire, England, Resistance will serve as a testament to the empowering impact of collective action.
It will explore the intersections between movements such as the Gay Liberation Front and the Women’s Liberation Movement, where protests against Section 28 of the Local Government Act brought the LGBTQ+ community together. Connecting historic struggles, the exhibition will also examine the fight against fascism in the 1930s and 1940s.
The exhibition will underscore the ongoing struggle against racism, showing how grassroots movements have consistently confronted oppression throughout history.
A pivotal moment was the Black People’s Day of Action on 2 March 1981, following the house fire at 439 New Cross Road in South East London, that claimed 13 lives.
The photographs that captured the protest powerfully depict this landmark for Britain’s civil rights movement.
Paul Trevor’s series on the Bengali community will further illustrate how the emerging concept of community photography became a form of activism, amplifying the voices of marginalised groups.
Steve McQueen said: “Within the 5 years of developing the exhibition and book with the Turner Contemporary team, it has been an ambition for Resistance to travel to Scotland to be shared with audiences there.
“Resistance explores how people have challenged the status quo—a mission that feels especially urgent in today’s political climate.”
Leila Riszko, Assistant Curator of Modern and Contemporary Art at National Galleries of Scotland said: “We’re enormously proud to platform this compelling selection of works curated by Steve McQueen.
“This is an exciting opportunity to explore the power of photography in documenting the significant yet underrepresented stories of people who’ve helped shape the world we live in today.
“In these divisive times, many of the themes, moments and narratives highlighted in the exhibition continue to have resonance now.
“As a show about resilience, collective power, galvanising for positive change, and inspiring reaction, we hope that Resistance will stimulate discussion with our visitors and invite deeper reflection on those contemporary issues.”
Resistance is curated by Steve McQueen and Clarrie Wallis, with Emma Lewis. Political research is by Sarah Harrison. The exhibition is produced by Tessa Pierce, with assistance from Brittany Crombie. Organised by and originated at Turner Contemporary, Margate, and adapted for presentation at National Galleries Scotland: Modern Two.
A major new publication by Steve McQueen was also recently released to coincide with the exhibition. The book was compiled by Steve McQueen and edited by Clarrie Wallis and Sarah Harrison. It is published by Monument Books, a new imprint from Harper Collins.
Visitors to St Giles’ Cathedral will come face-to-face with those of the first ‘Edinburghers’ in a new exhibition as part of Edinburgh 900 celebrations.
Opening to the public on Friday 6 June, Edinburgh’s First Burghers: Revealing the Lives and Hidden Faces of Edinburgh’s Medieval Citizens, delves into the fascinating work carried out by experts from the Francis Crick Institute (London), University of Aberdeen, University of Dundee and the City of Edinburgh Council.
Marking the joint 900th anniversaries of both Edinburgh and St Giles’ Cathedral, this extraordinary exhibition presents the results of new scientific research into the medieval citizens buried within the grounds of the Cathedral.
Originally excavated in 1981, these remains have undergone new detailed analysis using advanced methods including ancient DNA sequencing, isotopic analysis, radiocarbon dating, and forensic facial reconstruction.
This collaborative project offers a compelling look at the lives, diets, health, origins, and identities of Edinburgh’s earliest residents.
The exhibition will feature:
Lord Provost Robert Aldridge, said: “This exhibition invites visitors to travel back through nine centuries of Edinburgh’s history, to meet the earliest people who called this city home. Thanks to scientific research and creative collaboration, we are able to share new insights into their lives, origins, health, and identities and, to actually see their faces once again.
“Edinburgh 900 is a year-long celebration of our city’s rich history, culture, and bright future. This exhibition brings the faces of our very first residents to life for our audiences of today. My thanks to our partners, scientists, artists, and all those whose contributions have brought this exhibition to life.”
City of Edinburgh Council Archaeologist John Lawson added: “This has been a fascinating project that brings together new archaeological science and the creative arts to tell the story of Edinburgh’s first residents in an imaginative and exciting way.
“Visitors to the exhibition will come face-to-face with the first inhabitants of the city, ordinary individuals who lived through extraordinary chapters of history. While we are accustomed to the tales of the famous and powerful, this project shifts the spotlight to the everyday citizens, telling their stories in the very place they once walked, worshipped, and were laid to rest.
“To honour their lives in such a meaningful location has been a rare and powerful opportunity. It’s been an immensely rewarding partnership to be part of, and I’m grateful to the church, talented specialists and the artists whose hard work and dedication have have helped to tell these stories.”
Sarah Phemister, Head of Heritage and Culture, St Giles’ Cathedral, said: “This exhibition is a celebration of the remarkable talent, collaboration, and creativity of the scientists and artists who have breathed life into the faces of the past.
“Their work connects us across centuries, reminding us that St Giles’ has always been a place where history, innovation, and human stories have met at the very heart of Edinburgh.”
Free and open to the public from 6 June to 30 November 2025, the exhibition invites visitors to explore the Cathedral’s medieval past in a new way—bringing faces and stories from Edinburgh’s early history to life.
Maria Maclennan, Senior Lecturer School of Design, Edinburgh College of Art (ECA) The University of Edinburgh, said: “It has been an enormous privilege to contribute to such a fascinating and interdisciplinary project, which adopted a truly interdisciplinary approach requiring collaboration on the part of many.
“Each craniofacial approximation involved the marriage of archaeological evidence together with myriad scientific analyses undertaken by the research team, to help inform final facial appearance: forensic anthropology, radiocarbon dating, isotopic signature, DNA profiling, and forensic-artistic techniques.
“Craniofacial Approximation is a hybrid sci-art practice dedicated to restoring the face of an unknown individual from their skeletal remains. In archaeological contexts, as is seen here in St. Giles’ Cathedral, the practice is often an important means of restoring visibility, identity, and humanity to those long lost or forgotten, and/or in promoting education and encouraging public engagement with historical figures of interest from the past.
“For each reconstruction, I produced both a more ‘neutral’ face (depicting how the individual may present in contemporary day Edinburgh), in addition to a ‘historical’ face, depicting the individual dressed in clothing/artefacts typical of the time in which they lived.”
Dr Tobias Houlton, Lecturer in Craniofacial Identification and Forensic Imaging at University of Dundee, said: “This exhibition marks a significant milestone in the longstanding partnership between the City of Edinburgh Council Archaeology Service (CECAS) and the University of Dundee.
“While this particular project has been a year in the making, it builds on many years of collaboration and graduate involvement from the Centre for Anatomy and Human Identification (CAHID). It provides a unique opportunity for CAHID graduates to further develop their expertise in facial identification while contributing to meaningful research in partnership with CECAS.
“The exhibition showcases the powerful synergy between science and art in restoring the faces of Edinburgh’s earliest citizens and enriching our understanding of the city’s medieval past.”
This project has been made possible with support from Historic Environment Scotland, and all partner organisations.
EXPOSED 25: Witness the Future of Photography
Edinburgh College’s Photography Graduates Unveil Their Vision.
Prepare to be captivated. Prepare to be challenged. Prepare to be EXPOSED.
This June, Edinburgh College’s graduating photography class invites you to witness the culmination of years of dedication, passion, and artistic exploration. EXPOSED 25 is a vibrant testament to the raw talent and innovative perspectives emerging from the heart of Scotland’s creative capital.
EXPOSED 25 is more than just a display of technical skill; it’s a celebration of creativity, resilience, and the power of visual storytelling. Each photograph represents a unique journey, a personal vision, and a bold step into the professional world.
Join us for a night of art, inspiration, and celebration.
Event Details:
Don’t miss this opportunity to be EXPOSED to the next generation of photographic visionaries.
Follow us on Insta @edinburghcollegephotography for updates and sneak peeks!
@EdinburghCollege
@ECCreativeIndustries
@ECGLOW
@TheSkinnyMag
The post-war era was a period of seismic shifts – political and social, scientific and cultural. Emerging from the events of the Second World War, communities lived with the legacies of conflict while looking ahead to the future.
Contemporary artists responded to these changing times, addressing both traditional and modern themes in their work as they pushed the boundaries of creativity. By the end of the century, the artistic landscape was entirely transformed.
Scheduled to complement John Bellany: A Life in Self-Portraiture, this survey exhibition examines the wider context of post-war Scottish art. Charting the years between the late 1940s and late 1990s, it showcases evolving approaches to figurative and landscape subjects, the growth of abstraction and pop art, and the development of new media. Out of Chaos presents a range of artworks from the City Art Centre’s permanent collection, featuring key pieces by William Johnstone, Joan Eardley, Eduardo Paolozzi, Ian Hamilton Finlay, Elizabeth Blackadder and Maud Sulter.
ADULT CREATIVE WORKSHOPS
Saturday 28 June, 10.30am – 3.30pm – Joyful Still Lives inspired by Elizabeth Blackadder
Saturday 27 September, 10.30am – 3.30pm – Expressive Landscape Paintings inspired by the work of Joan Eardley
DESCRIBED TOURS AND BSL TOURS
Friday 4 July, 2pm – 3pm – BSL signed Tour of Out of Chaos: Post-War Scottish Art 1945-2000
Friday 19 September, 2pm – 3pm – Described Tour for Blind and Partially Sighted Visitors of Out of Chaos: Post-War Scottish Art 1945-2000
LECTURES AND TALKS
Friday 26 September, 2pm – 3pm – Post War Edinburgh
Tickets are now on sale for John Bellany: A Life in Self-Portraiture, opening on Saturday 31 May.
The exhibition offers the public a rare opportunity to view over 80 works by one of Scotland’s most celebrated artists. Many of these works, including a selection of Bellany’s private sketchbooks, will be displayed publicly for the first time.
Curated by Bellany’s close friends and colleagues, Bill Hare and Sandy Moffat, the exhibition spans five decades of the artist’s prolific career from the 1960s until 2013. Over two floors of the City Art Centre, this captivating exhibition invites visitors into Bellany’s world through the lens of his own self-exploration.
John Bellany was one of the most prolific and fearless self-portraitists in history, obsessively documenting his own image throughout his lifetime. From his early student studies in the 1960s to the epic pictorial narratives of his later years, Bellany’s works reveal the artist’s complex relationship with himself, his identity, and the world around him.
A particularly special element of the show is the inclusion of Bellany’s sketchbooks, personal visual diaries kept throughout his life, now generously loaned by his family. This is the first time they will be on public view.
Culture and Communities Convener Cllr Margaret Graham said: “This exhibition promises to be real highlight of the year.
“It is a great privilege to bring such a collection together and for many of the works to be brought into the public eye for the first time. It will offer visitors a fresh perspective on a much-acclaimed giant in Scottish art who was born in East Lothian.”
Curator Sandy Moffat, said: “The exhibition will feature a number of works which have never been shown before including sketch books, drawings from his student days and his last self portraits, offering a unique opportunity to see these works for the very first time.“
The exhibition is accompanied by a publication featuring a foreword by Helen Bellany and essays by curators Bill Hare and Sandy Moffat.
In addition to the exhibition, a rich programme of events has been developed to offer deeper insights into the artist’s work, his personal life, and his ongoing legacy.
EDINBURGH CENTRAL LIBRARY EXHIBITION
Gardening is so much more than the nation’s favourite pastime.
‘Unearthed: The Power of Gardening’ celebrates gardening as a force for creativity, resilience and connection.
From the people who have fought for the right and space to garden to the stories of the plants we use for food and medicine, discover how gardening has shaped our lives, our communities, and our planet.
Alongside the@britishlibrary’s major exhibition at St. Pancras, the @lkn_libraries’ display at Edinburgh Central Library will explore the transformative power of gardening.
Please come and explore!
Edinburgh Central Library, Central Staircase
May – June 2025.
John Bellany: A Life in Self-Portraiture – a major exhibition celebrating the life and art of one of Scotland’s most significant modern painters – opens on Saturday 31 May 2025.
The programme includes exclusive tours, talks and workshops with those closest to the artist. Booking for events is now open.
The exhibition will showcase over 80 works, including paintings, drawings, prints, and sketchbooks, spanning from the 1960s until 2013. This remarkable exhibition invites visitors into Bellany’s world through the lens of his own self-exploration.
John Bellany was one of the most prolific and fearless self-portraitists in art history, obsessively documenting his own image through a variety of mediums.
From his early student studies in the 1960s to the epic pictorial narratives of his later years, Bellany’s works reveal the artist’s complex relationship with himself, his identity, and the world around him.
Throughout his life, he explored self-portraiture not just as an artistic exercise but as a means of delving into personal and universal themes—often disguising himself as mythical figures or fantastical characters.
This exhibition will present a diverse collection of works, many of which have never been seen publicly before, and are on loan from public and private collections across the UK, including the artist’s own estate. The works span Bellany’s entire career, providing a vivid and evocative portrayal of his life as he saw it.
The exhibition is accompanied by a publication featuring a foreword by Helen Bellany and essays by curators Bill Hare and Sandy Moffat.
In addition to the exhibition, a rich programme of events has been developed to offer deeper insights into the artist’s work, his personal life, and his ongoing legacy.
Event Programme Highlights
Lectures:
Thursday 31 July, 2pm – 3pm: A Life-Long Friendship
A reflection on the enduring friendship between John Bellany and Sandy Moffat. Sandy will discuss Bellany’s boyhood in Port Seton, their time together at Edinburgh College of Art, his turbulent London years and final years in Italy will all be explored.
Thursday 14 August, 2pm – 3pm: ‘I don’t borrow – I steal’: John Bellany and the Art of Visual Quotation
Bill Hare will explore Bellany’s technique of incorporating visual references from European art history into his own distinctive style, creating rich, multi-layered works.
Thursday 21 August, 2pm – 3pm: Time Will Tell
Reading from her critically acclaimed memoir, The Restless Wave, Helen Bellany will talk about her enduring relationship with John Bellany.
Wednesday 24 September, 2pm – 3pm: The Bellany Sketchbooks
Helen Bellany will lead exclusive exploration of Bellany’s private sketchbooks, which reveal the raw, personal side of his creative process.
In Conversation:
Thursday 10 July, 2pm: John Bellany: In Conversation with Bill Hare and Sandy Moffat
Join the curators for a conversation about Bellany’s artistic journey, his impact on Scottish art, and the special connection they had with him.
Gallery Tours:
Monday 11 August, 2pm – 3pm: Gallery Tour with Curators Bill Hare and Sandy Moffat
An intimate guided tour of the exhibition with the curators, offering expert insight into Bellany’s work and career.
Saturday 23 August, 2pm – 3pm: Gallery Tour with Curators Bill Hare and Sandy Moffat
Another opportunity to experience the exhibition with the curators, who will discuss the life and art of John Bellany in detail.
Described Tours and BSL Tours:
Friday 15 August, 11am – 12pm: BSL Interpreted Tour of ‘John Bellany: A Life in Self-Portraiture’
A British Sign Language (BSL) interpreted tour, offering a deeper understanding of Bellany’s artistic journey for the Deaf community.
Friday 15 August, 2pm – 3pm: Described Tour for the Visually Impaired of ‘John Bellany: A Life in Self-Portraiture’
A guided tour specifically designed for visitors with visual impairments, offering detailed descriptions of the artworks on display.
Adult Creative Workshops:
Saturday 12 July, 10.30am – 3.30pm: Self-Portraiture in Ink and Watercolour
A hands-on workshop exploring Bellany’s techniques, encouraging participants to create their own self-portraits using ink and watercolour.
Saturday 9 August, 10.30am – 3.30pm: From Sketchbook to Masterpiece
A workshop that delves into the process behind Bellany’s iconic works, guiding participants through transforming initial sketches into finished art.
Culture and Communities Convener Val Walker said: “John Bellany: A Life in Self-Portraiture offers not only an extraordinary exhibition of the artist’s work but also a comprehensive programme of events designed to enhance the visitor experience and provide new perspectives on Bellany’s life and legacy.
“It’s fantastic to have such personal insight into his life and works. Whether through lectures, gallery tours with curators, or hands-on creative workshops, these events offer something for every visitor to engage with Bellany’s art on a deeper level.”
Juliet Henderson
A sense of place 28-30 March 2025
Finding my place
In this exhibition I share oil paintings that are part of getting to ‘know my place’, Granton, after moving here in November 2023. Its harbour, seascapes, and community mean a lot to me. Touch me deep in a place called ‘home’.
Home to gusty winds ruffling waters, to wild swimming in Wardie bay whatever the weather, to boats rowing or sailing on the Firth of Forth, to bonfires on the beach under a full moon, to romantic strolls to Cramond, to families and folks playing, smiling, taking dogs out, meeting friends, working, and much more.
I hope these depictions of Granton, seen through my eyes, heart, and brush, are ones in which you recognize parts of the place and community that touch you too. Or, if you are not local, that they convey their particular beauty and energy.
(half of proceeds to be shared between Medical Aid for Palestine and Granton Hub)
Artist
Juliet Henderson
www.juliethenderson.co.uk @juliethenderson_artist
Location
Granton Hub, Maldevic House, EH5 1HS
Opening night: Friday 28 March, 6-8.30pm
Saturday: 10-4pm
Sunday: 10-4pm
(Short term parking beside and beyond Granton Hub)
Three for the sea: dance performance and workshop
Sunday 30 March: 1.30 – 4pm
This event forms part of an ongoing movement inquiry into local coastal environments, and the emotions, histories, futures, stories, bodies, and ecosytems they create. It will be led and performed by Monica de Ioanni, Alena Ageeva and Juliet Henderson.
