The Digital Mirror

Discover the intriguing digital photography of Scottish artist Wendy McMurdo in her biggest ever exhibition at National Galleries Scotland: Portrait

Wendy McMurdo: The Digital Mirror

30 May – 25 October 2026

National Galleries Scotland: Portrait

Free admission

Wendy McMurdo | The Digital Mirror | National Galleries of Scotland

From 30 May, discover leading Scottish photographer Wendy McMurdo’s biggest exhibition to date, spanning over 20 years of the artist’s career, for free at National Galleries Scotland: Portrait.

Explore McMurdo’s photographic reflections on childhood, the digital world, learning and make-believe in Wendy McMurdo: The Digital Mirror. Featuring over 50 works, visitors will find some never-before seen photographs as well as several rarely seen digital animations newly configured to respond to the context of the historic Portrait gallery building.

McMurdo has blazed a trail in the experimental use of computers and digital tools in photography, from the early days of computer-based learning in schools to the growth of the internet and networked gaming. Wendy McMurdo: The Digital Mirror presents the ground-breaking work of the artist, made between 1995 and 2018, exploring the evolving role of computers in children’s lives.

Coming at a time when the digital landscape is changing faster than ever before, with technology offering limitless possibilities and children spending more and more time online, the exhibition offers a fascinating response to the impact of technology on learning and play in childhood.

Growing up in Edinburgh and attending Edinburgh College of Art, McMurdo became a regular visitor to galleries and museums. She was influenced by key works in Scotland’s national art collection such as Reverend Robert Walker Skating on Duddingston Loch (The Skating Minister), and the sculptural work of Leith-born artist Eduardo Paolozzi. 

Showing how the artist takes inspiration from the past to create photographic works like Avatar (i) and the Robot Workshop series, both the iconic Skating Minister and several Paolozzi sculptures will be displayed in the exhibition alongside McMurdo’s photographs.  Visitors will also be able explore a range of other objects which have influenced the artist’s practice.

Thinking about the evolution of play, McMurdo has selected a collection of early 20th century dolls on loan from the Museum of Childhood, Edinburgh. McMurdo has included them in the exhibition to share the lasting impact they have had on her work and ideas, and in recognition of the importance of local museums on her own creative development.

Discover McMurdo’s moving image works, created using digital animation and source material such as conversations from online gaming chatrooms.

See how she has presented these in new configurations within the National Galleries Scotland: Portrait Library and Upper Balcony areas in response to the historic building and the collection it holds.

Installed at the centre of the exhibition, is McMurdo’s large moving image work, Indeterminate Objects (Classrooms), which was originally commissioned by The Photographers’ Gallery, London in 2017.

The work combines photography with three-dimensional animated forms similar in appearance to those associated with computer games such as Minecraft.

McMurdo uses hovering shapes to cast a shadow on an empty classroom to explore how children – like adults – are increasingly subject to a world augmented by data and simulation. In making this work, McMurdo was reflecting on her observations of the pervasive nature of online games and virtual worlds and the way these digital spaces shape how children think, play and learn about themselves, each other and the world. 

The exhibition will also include a display of McMurdo’s working photography contact sheets, revealing some of the technology and processes she has evolved to generate her own dreamlike imagery. McMurdo’s photographic works often start as a result of group workshops. From multiple tests and countless variations, new bodies of work then emerge.

Many of the works in the exhibition were made during a period of rapid technological development, McMurdo delves into the ways in which the introduction of computers for example changed children’s educational experience  and the changing nature of play.

Discover Let’s Go to a Place, an installation that explores the collision between real and digital worlds, through a series of portraits of primary school children.

This body of work was created around the same time as the mobile game, Pokémon Go was at the height of popularity, the work reflects on the impact of location-based gaming and technology on children’s play, capturing the dual existence in both the physical and virtual worlds. 

McMurdo is a pioneering figure in Scottish art and a key contributor to Scotland’s international reputation as a centre for experimental contemporary art. This exhibition coincides with the bicentenary year of the Royal Scottish Academy to which McMurdo was the first woman photographer to be elected.

To coincide with the exhibition, visitors to the Library in the Portrait gallery will be able to read a new brochure. The free publication includes two new pieces of writing on McMurdo’s work by Patricia Allmer, Professor of Modern and Contemporary Art History, University of Edinburgh and David Hopkins, Emeritus Professor of Art History, University of Glasgow. 

Wendy McMurdo said: “With new legislation focussing on the impact of online culture on children’s lives, now is a particularly apt time to revisit this body of work.

“It is an invitation to celebrate play and creativity and to consider the wider implications of new technologies on the lives of young people.”

Ben Harman, Senior Curator of Photography and Lead Curator of Wendy McMurdo: The Digital Mirror at the National Galleries of Scotland said: “We’re excited to have this opportunity to celebrate a pioneering body of photographic work by an artist based in Edinburgh with an internationally-renowned reputation in the world of contemporary photography.”

Wendy McMurdo: The Digital Mirror is a free exhibition opening at National Galleries Scotland: Portrait on 30 May 2026.

Take to the skies with Daredevil Photographer Alfred Buckham at the National Galleries of Scotland this autumn

Alfred Buckham: Daredevil Photographer 

National Galleries Scotland: Portrait 

18 October 2025 – 19 April 2026 

Free admission 

Alfred Buckham | Daredevil Photographer | National Galleries of Scotland 

A Dropbox of images can be found here 

This autumn at the Portrait gallery in Edinburgh, take to the skies and see the world from above the clouds through the remarkable work of Alfred Buckham: Daredevil Photographer

From 18 October 2025 – 19 April 2026, meet the man behind some of the most iconic aerial photographs ever taken, marvel at the death-defying lengths he took to capture the perfect image and explore how his innovative techniques in the darkroom paved the way for modern technologies such as Photoshop and AI.

Free to visit at the National Galleries Scotland: Portrait, this will be the first major exhibition dedicated to Alfred Buckham and can only be seen in Scotland. 

This exhibition will bring together over 100 photographs and objects including popular works from the Scottish national collection, alongside extensive archival material generously loaned by Alfred Buckham’s grandsons, Richard and John Buckham. Thanks to the support of the Buckham family, personal objects including letters, photographs and even the passport Alfred Buckham used will be put on public display for the first time. 

A maverick of early aviation, Alfred Buckham (1879-1956) created his own unique style of photography by combining daring exploits in the air with innovation in the darkroom. Born in London, Buckham learned his craft by teaching photography before joining the Royal Naval Air Service in 1916, a predecessor to the Royal Air Force.

Hailed as an exceptionally skilled flyer, he combined his talent for aviation with his passion for photography, resulting in remarkable endeavours and trailblazing images. Based for most of his military career at RAF Turnhouse, now Edinburgh Airport, central Scotland became a natural playground for Buckham to refine his photographic techniques and let his imagination soar.

Daredevil Photographer will chart his phenomenal story from his early photographic experiments in Scotland to exciting adventures in South America and look closer at the skilled and inventive ways he created his work. 

Explore Scotland from the air and get a new perspective of well-known sights, just as Buckham himself would have. Daredevil Photographer celebrates the impact Scotland had on Buckham’s work through his images of recognisable landmarks including St Andrews Golf Links, Linlithgow Palace and the Wallace Monument in Stirling.

The exhibition will also feature several images of the Forth Rail Bridge, Buckham’s most photographed landmark. The iconic bridge was the subject of one of his first composite photographs and appeared on the 1918 RAF Turnhouse Christmas card, which will go on display alongside the original photography. 

Daredevil Photographer will delve into the darkroom and uncover more about the creative processes used to bring Buckham’s unique images to life. After the First World War, Buckham began experimenting with composite photography; a technique where several negatives are used to create one photographic print.

While this wasn’t a new concept, composite photography added a layer of creative freedom to Buckham’s work, much like a very early form of Photoshop.

From his vast collection of glass negatives – he had over 2000 cloud images alone in his ‘cloud library’ – Buckham had the means to create images which became immersive, giving a unique sense of flying alongside these incredible aircraft while viewing the world below. 

It was through the technique of composite photography that some of Buckham’s most famous works were born, including the iconic aerial view of Edinburgh (about 1920). This striking photograph shows a bi-plane hovering amongst wispy clouds above Edinburgh Castle, with Arthur’s Seat visible through the mist in the background, and the bustling city below.

For the first time, Edinburgh will be displayed alongside the camera and original glass negatives Buckham used to capture and create this much-loved image. Visitors will also be encouraged to get inspired and try their hand at creating their own composite creations through interactive exhibits. 

Telling Buckham’s story through his own words and memories, Daredevil Photographer allows visitors to meet the courageous and humorous man behind the camera. Firsthand accounts of his incredible exploits in the air and ingenious creative methods on the ground will enhance his story and highlight his adventurous spirit: Ah! One was a rare daredevil in those days! (Alfred Buckham, The New York Times, 1930).

A free and unique immersive audio experience will bring Buckham’s world of flight and imagination to life through his own words. Hear Buckham’s grandson Richard give a voice to his grandfather’s memories and reflections on his daredevil persona. 

Daredevil in every sense of the word, Buckham went to incredible feats to capture the perfect shot, which the exhibition will explore. His preferred methods included standing in an open cockpit while mid-air, with his leg tied to the seat as a nod to safety. As a result, he experienced no less than nine crashes in his lifetime, one ending in a serious throat injury that cut his military career short.

However, he would not be deterred, describing his eccentric photography methods in a surprisingly relaxed way:  

“It is not easy to tumble out of an aeroplane, unless you really want to, and on considerably more than a thousand flights I have used a safety belt only once, and then it was thrust upon me.

“I always stand up to make an exposure and, taking the precaution to tie my right leg to the seat, I am free to move rapidly, and easily, in any desired direction; and loop the loop; and indulge in other such delights, with perfect safety” –  Alfred Buckham, The Camera, January 1927. 

Daredevil Photographer will celebrate Buckham’s skill in the air through a range of his mesmerising photographs. Encounter stunning images of the leading aircraft of the day, such as the Bristol Fighter, a two seated bi-plane designed for aerial reconnaissance, and the bizarre airships of the 1920s.

See them soaring through the skies in all weathers, amongst an array of remarkable landscapes. The exhibition will include one of his most well-known works, The Heart of the Empire (1923), on loan from the V&A Museum in London and displayed in Edinburgh for the first time.

The photograph follows a bi-plane as it glides across the London skyline, with landmarks such as Tower Bridge and the River Thames in view. Exhibited by the Royal Photographic Society in 1925, The Heart of the Empire secured Buckham’s position as one of Britain’s leading aerial photographers. 

Experience the golden age of travel through Buckham’s portfolio of images spanning across the globe. In 1931, a commission from Fortune Magazine took Buckham on an epic fifteen-week trip across the Americas, covering 19,000 miles and setting a world record. Starting in New York City and taking the opportunity to capture the newly built Empire State Building, Buckham photographed his intrepid journey from the United States to the tip of South America to share with the world.

Daredevil Photographer will chart Buckham’s incredible journey, from expansive views of Christ the Redeemer in Rio De Janeiro and the snowy caps of the Andes Mountains to perilous scenes of smoking volcanic creators in Guatemala and Mexico. Through his death-defying adventures and stunning photographs, Buckham expanded public understanding of the world, creating an exciting legacy which continues to capture imaginations today.   

Louise Pearson, curator of photography at the National Galleries of Scotland says: “Alfred Buckham’s eye-catching photograph of Edinburgh is one of the most popular artworks in the National Galleries of Scotland collection.

“This enthralling image becomes even more intriguing when you learn that it is a darkroom jigsaw – a composite photograph made through a combination of technical skill and creative vision. Alfred Buckham: Daredevil Photographer tells the remarkable story of this maverick of early aviation whose adventures took him from aerial reconnaissance photographer to intrepid explorer via numerous loop the loops. 

Alfred Buckham: Daredevil Photographer is a free exhibition at National Galleries Scotland: Portrait, opening on 18 October 2025.  

Milestone move as National Galleries of Scotland to host the Scottish Portrait Awards 2026

The Scottish Portrait Awards 2026

National Galleries Scotland: Portrait

Exhibition will run from Autumn 2026 – Spring 2027

Entries can be made 1 September 2025 and close 15 January 2026 at scottishartstrust.org/portrait

The Scottish Portrait Awards are back and bigger than ever, as the Scottish Arts Trust and National Galleries of Scotland announce a landmark move that will see the 2026 awards hosted at the Portrait gallery in Edinburgh for the first time

This exciting new home for the 2026 awards will bring deserved attention to the many talented contemporary portrait artists in Scotland today. Applications to participate in the 2026 Scottish Portrait Awards will open on 1 September 2025 and close 15 January 2026. Submissions are open to anyone over the age of 16 on 1 November 2026 and born or living or studying in Scotland, regardless of experience.

The Scottish Portrait Awards are excited to welcome television presenter and journalist Kirsty Wark as Guest Judge. With an impressive broadcast career, Kirsty presented BBC Two’s Newsnight for 30 years before going on to anchor BBC Radio 4’s arts and culture programme, Front Row. Kirsty joins a stellar line-up of highly respected artists and photographers who will select the works for the exhibition.

Joining Kirsty will be Guest Photography Judge Albert Watson OBE, one of the world’s most successful fashion photographers. Known for his iconic portraits including those of Alfred Hitchcock and Steve Jobs, Watson’s portrait of Sir Sean Connery is part of Scotland’s national collection.

Also joining the panel is Calum Stevenson, who was shortlisted for the Scottish Portrait Awards in 2020. Calum went on to be the youngest artist and first Scot to win Sky Arts Portrait Artist of the Year in 2021.

Organised by the Scottish Arts Trust, the Scottish Portrait Awards are a celebration of Scottish talent and creativity. Around 120 works will be selected for the fine art and photography exhibitions which will be held in National Galleries Scotland: Portrait from Autumn 2026 – Spring 2027.

All entries will be in the running for cash prizes totalling £16,000 which will be presented by the Scottish Arts Trust along with the opportunity to win one of two commissions for works that will join Scotland’s national collection.

The Scottish Arts Trust also runs a bursary scheme that will provide free entry to a number of artists who require any assistance. Details on the bursary scheme and how to enter the awards and can be found at scottishartstrust.org/portrait

The Scottish Portrait Awards exhibition will also include 50 works selected from the free-to-enter Scotland Now! Phone Portrait Award. Anyone aged 16 years or over and living in Scotland can enter with recent phone portraits taken in Scotland of someone who lives in Scotland. The Scotland Now! Award, which also carries a cash prize, launched in 2024 and attracted over 1,500 entries in its first year.

The Scottish Portrait Awards has been running since 2017 and is organised by the Scottish Arts Trust, a small charity largely managed by volunteers. Since its inception, the awards have discovered and recognised almost 500 incredible artists whose work features in the Scottish Portrait Awards online archive.

Many of the artists have continued to advance their careers with exhibitions and commissions. Previous award winners include many celebrated artists including Helen Wilson, Robin Gillanders and Graeme Wilcox.

National Galleries of Scotland have a longstanding relationship with the Scottish Portrait Awards with former judges from the galleries including Imogen Gibbon, Deputy Director and Chief Curator, Portraiture and Ben Harman Senior Curator, Photography. Michael Youds was working as a gallery attendant at the National Galleries of Scotland when he won the Scottish Portrait Award in Fine Art in 2019. Youds now has two works in Scotland’s national collection.

As well as celebrating contemporary Scottish artists, the awards also provide an opportunity to shine a light on some of the stories of the sitters in the portrait. Last year saw Jennifer Charlton become the first female winner of the MPB Scottish Portrait Award in Colour Photography with her winning photograph from a series titled A Hidden Community.

The sitters in her images were all volunteers – a mixture of friends and strangers who each courageously shared their stories on mental health, demonstrating how we live in a hidden community where mental health doesn’t discriminate. Since winning the award, Jennifer has become a media spokesperson for Women’s Aid.

Kirsty WarkScottish Portrait Awards Guest Judge said“The Portrait gallery in Edinburgh is home to contemporary portraits and famous faces from Scotland’s past. It’s really exciting to have the opportunity to shine a spotlight on some Scotland’s amazing up and coming talented artists.

“I am thrilled to be part of the judging panel and to be supporting the great work of the Scottish Arts Trust.”

Sara Cameron McBean, who is a Scottish Arts Trust trustee and had the original idea for the Scottish Portrait Awards, said“Ten years ago, a group of us were sitting around a table planning the creation of this new platform that would celebrate and promote portraiture in Scotland.

“We had no money and no staff. Our dream was always that the Scottish Portrait Awards would eventually come to the Portrait Gallery.”

Imogen Gibbon, Deputy Director and Chief Curator of Portraiture at National Galleries of Scotland said“Portraiture can transform the ordinary into the extraordinary. The success of the Scottish Portrait Awards lies in the multitude of stories behind and conveyed through each and every portrait.

“This will be one of the most ambitious exhibitions of contemporary Scottish portraiture of its time. We are making the announcement early because we want as many artists as possible to be aware of the opportunity to see their work hanging in the Portrait Gallery.”

Calum Stevenson, Scottish Portrait Awards Fine Art Judge, said: “The impact of the Scottish Portrait Awards are enormous, I was thrilled to have my self-portrait accepted for the exhibition in 2020 and I know that experience helped build my confidence when I entered and won the Sky Arts Portrait Artist of the Year in 2021.”

Gordon Mitchell RSW RSA RGI, Director, Scottish Portrait Awards and Fine Art Chair, said: “The Scottish Portrait Awards offer Scottish artists the best opportunities for exposure, engagement and recognition of work, and for some, career-changing impact.

“There couldn’t be a more fitting partner than National Galleries Scotland: Portrait to ensure more visitors have the opportunity to come face-to-face with the leading portraiture of the day.”

Simon Murphy, Chair of Photography, said: “The Scottish Portrait Awards is a fantastic opportunity for everyone to get involved regardless of experience.

“The resulting exhibition will give a unique insight into contemporary portraiture in all its diversity”

Entries to the Scottish Portrait Awards 2026 open 1 September 2025 and close 15 January 2026, find out more at Scottish Portrait Awards — Scottish Arts Trust