Discover the intriguing digital photography of Scottish artist Wendy McMurdo in her biggest ever exhibition at National Galleries Scotland: Portrait

Wendy McMurdo: The Digital Mirror
30 May – 25 October 2026
National Galleries Scotland: Portrait
Free admission
Wendy McMurdo | The Digital Mirror | National Galleries of Scotland

From 30 May, discover leading Scottish photographer Wendy McMurdo’s biggest exhibition to date, spanning over 20 years of the artist’s career, for free at National Galleries Scotland: Portrait.
Explore McMurdo’s photographic reflections on childhood, the digital world, learning and make-believe in Wendy McMurdo: The Digital Mirror. Featuring over 50 works, visitors will find some never-before seen photographs as well as several rarely seen digital animations newly configured to respond to the context of the historic Portrait gallery building.
McMurdo has blazed a trail in the experimental use of computers and digital tools in photography, from the early days of computer-based learning in schools to the growth of the internet and networked gaming. Wendy McMurdo: The Digital Mirror presents the ground-breaking work of the artist, made between 1995 and 2018, exploring the evolving role of computers in children’s lives.
Coming at a time when the digital landscape is changing faster than ever before, with technology offering limitless possibilities and children spending more and more time online, the exhibition offers a fascinating response to the impact of technology on learning and play in childhood.
Growing up in Edinburgh and attending Edinburgh College of Art, McMurdo became a regular visitor to galleries and museums. She was influenced by key works in Scotland’s national art collection such as Reverend Robert Walker Skating on Duddingston Loch (The Skating Minister), and the sculptural work of Leith-born artist Eduardo Paolozzi.

Showing how the artist takes inspiration from the past to create photographic works like Avatar (i) and the Robot Workshop series, both the iconic Skating Minister and several Paolozzi sculptures will be displayed in the exhibition alongside McMurdo’s photographs. Visitors will also be able explore a range of other objects which have influenced the artist’s practice.
Thinking about the evolution of play, McMurdo has selected a collection of early 20th century dolls on loan from the Museum of Childhood, Edinburgh. McMurdo has included them in the exhibition to share the lasting impact they have had on her work and ideas, and in recognition of the importance of local museums on her own creative development.
Discover McMurdo’s moving image works, created using digital animation and source material such as conversations from online gaming chatrooms.
See how she has presented these in new configurations within the National Galleries Scotland: Portrait Library and Upper Balcony areas in response to the historic building and the collection it holds.
Installed at the centre of the exhibition, is McMurdo’s large moving image work, Indeterminate Objects (Classrooms), which was originally commissioned by The Photographers’ Gallery, London in 2017.
The work combines photography with three-dimensional animated forms similar in appearance to those associated with computer games such as Minecraft.

McMurdo uses hovering shapes to cast a shadow on an empty classroom to explore how children – like adults – are increasingly subject to a world augmented by data and simulation. In making this work, McMurdo was reflecting on her observations of the pervasive nature of online games and virtual worlds and the way these digital spaces shape how children think, play and learn about themselves, each other and the world.
The exhibition will also include a display of McMurdo’s working photography contact sheets, revealing some of the technology and processes she has evolved to generate her own dreamlike imagery. McMurdo’s photographic works often start as a result of group workshops. From multiple tests and countless variations, new bodies of work then emerge.
Many of the works in the exhibition were made during a period of rapid technological development, McMurdo delves into the ways in which the introduction of computers for example changed children’s educational experience and the changing nature of play.

Discover Let’s Go to a Place, an installation that explores the collision between real and digital worlds, through a series of portraits of primary school children.
This body of work was created around the same time as the mobile game, Pokémon Go was at the height of popularity, the work reflects on the impact of location-based gaming and technology on children’s play, capturing the dual existence in both the physical and virtual worlds.
McMurdo is a pioneering figure in Scottish art and a key contributor to Scotland’s international reputation as a centre for experimental contemporary art. This exhibition coincides with the bicentenary year of the Royal Scottish Academy to which McMurdo was the first woman photographer to be elected.

To coincide with the exhibition, visitors to the Library in the Portrait gallery will be able to read a new brochure. The free publication includes two new pieces of writing on McMurdo’s work by Patricia Allmer, Professor of Modern and Contemporary Art History, University of Edinburgh and David Hopkins, Emeritus Professor of Art History, University of Glasgow.
Wendy McMurdo said: “With new legislation focussing on the impact of online culture on children’s lives, now is a particularly apt time to revisit this body of work.
“It is an invitation to celebrate play and creativity and to consider the wider implications of new technologies on the lives of young people.”

Ben Harman, Senior Curator of Photography and Lead Curator of Wendy McMurdo: The Digital Mirror at the National Galleries of Scotland said: “We’re excited to have this opportunity to celebrate a pioneering body of photographic work by an artist based in Edinburgh with an internationally-renowned reputation in the world of contemporary photography.”
Wendy McMurdo: The Digital Mirror is a free exhibition opening at National Galleries Scotland: Portrait on 30 May 2026.







