90th Anniversary of the Battle of Cable Street – to honour the past and shape the future

A COMMITMENT TO ACTION

Sunday 4 October 2026 is the 90th anniversary of the Battle of Cable Street when ordinary men, women, and some feisty children, literally stood shoulder to shoulder in the East End of London determined that organised fascists would not march through their community (writes TUC’s Laurie Heselden).

This remains a massive moment in our history but the celebrations that are being organised 4 October 2026 are not a heritage event – they are a commitment to action.

In the mid-1930s the economy was recovering from a deep recession. During the crash the UK’s trade flows had halved, the output of heavy industry had fallen by a third, and the unemployment rate reached 25 percent in 1933. People were hurting and angry.

Politics at the time was febrile and divided. Oswald Mosley had founded the “Blackshirts” in October 1932 as the paramilitary wing of the British Union of Fascists, modelled on Mussolini’s Blackshirts in Italy and Hitler’s Sturmabteilung in Germany. Mosley’s programme was explicitly founded on antisemitism. Mosley’s plan to march his Blackshirts through the East End in October 1936 both targeted the Jewish community and was designed to provoke violent division.

But his “Blackshirts” did not pass.

We also live in troubled times, with our economy ‘bumping along the bottom’ since 2008 after a global financial crash that was caused by greedy bankers, a cost-of-living crisis, millions of ‘working poor’, the consequences of illegal wars, and the politics of hate, division and rupture in our news, in our workplaces and in our communities too.

In the UK migrants are stereotyped and vilified, Muslims are stereotyped and vilified, antisemitic incidents are on the rise and many people with racist views feel emboldened to express those views openly. We have political parties using racism as a wedge issue and we have hundreds of masked men dressed in black blocking roads, intimidating the public, and targeting RNLI volunteers.

Across Europe far-right parties have gained considerable electoral support in the last 30 years, and policies that were recently regarded as extreme have become normalised. A far-right party is in government in Italy, and far-right parties participate in government in Austria, Finland and Slovakia.

The Front National, now National Rally, has been a feature of politics in France for decades, it is the largest opposition party in the National Assembly, has the largest number of MEP seats, has just won more seats in the French Senate, and is a force in the upcoming Presidential election. 

The far-right Alternative for Germany (AfD) recently won its highest ever vote in a regional election in Germany’s eastern state of Saxony-Anhalt, far ahead of mainstream rivals, winning 43.8 percent of the vote, just 3 seats short of an overall majority. A far-right party has not controlled a German state since World War Two. To date other political parties have maintained a firewall against working with the AfD, but from December it could be in government in Saxony-Anhalt, with powers over policing, local education and culture. This would be an immense moment in European politics.

This isn’t a re-run of the 1930s. The politics of today has its own dynamics, and today we have the modern-day problem of far-right tropes, lies and disinformation on social media. But there are parallels to the 1930s and there are lessons that we can learn from the Battle of Cable Street.

Resistance matters

The weather 4 October 1936 was fine. The easy thing to do that day was to get out of the way, ignore the Blackshirts, and go to Victoria Park for the day. But all that is needed for evil to triumph is for good men and women to do nothing.

Bravely, tens of thousands answered the call, organised, built barricades, acted with courage and solidarity, defended their streets and saw off the Blackshirts and the police. Their victory still resonates today.

Networks, Organisation and Leadership matter

The defence of Cable Street didn’t just bubble up from the pavement, it was mobilised, organised and led. These skills are learned and honed. Organised labour does what it says on the tin. Trade unions are one of the few social structures with reach across workplaces, communities and the public realm.

The union movement has a responsibility to lead the challenge against the politics of hate. If you are not in a union, join one. If you are in a union, organise and change the world.

Solidarity in the community and beyond is essential

Cable Street was not a narrow victory for one group. Nor was it a victory for an alliance of segmented groups. It was a triumph for a diverse and politicised local community of trade unionists, communists, socialists, members of the Labour Party and ILP, and working-class families, many of them Jewish and Irish.

Jewish women garment makers were women, maybe mothers, active members of a union, possibly Communist Party members, and almost certainly activists challenging awful housing standards, opposing evictions and participating in rent strikes.

This lesson remains vital, antisemitism cannot be tackled in isolation, racism cannot be tackled in isolation, tackling xenophobia is a common cause, and winning good jobs for all is a collective task. The fights are linked and mutually dependent. History proves we achieve more together than we do apart.

Division is toxic and drags us all down. Join our Unity Works campaign for updates

Building stronger communities

Cable Street 90 is not a coalition built to organise an event and then dissolve. We know that through intense joint working we will forge a stronger broad based local community that is better able to advocate and organise for the community, and better able to respond robustly to hate politics online and on its streets. It is capacity building.

So, Cable Street 90 is not a heritage event, it is a call to action. Let’s make every street Cable Street

The TUC organised a briefing to discuss the significance and lessons of the Battle of Cable Street, European perspectives, with CGIL (Italy), CGT (France) and CCOO (Spain) and other key partners, on 2 October at Congress House, Great Russell Street, London WC1B 3LS. More information

TUC LESE is part of the Cable Street 90 coalition that has organised rallies and a march in the East End of London, 4 October. Assemble outside Whitechapel Tube Station, E1 1BY, at midday for an opening rally, march moves off 13:00 and processes to St George’s Gardens. This is a celebration and family event. Please bring trade union banners and flags. 

Resistance opens this weekend at the National Galleries of Scotland

National Galleries Scotland: Modern Two

21 June 2025 – 4 January 2026

Tickets £4-£14 Friends go free

Resistance | National Galleries of Scotland

The National Galleries of Scotland’s unmissable summer exhibition, Resistance, opens this weekend, Saturday 21 June.

Conceived by acclaimed artist and filmmaker Steve McQueen the exhibition takes over the whole of Modern Two. Explore how acts of resistance have shaped life in the UK, and the powerful role of photography in documenting and driving change. Tickets are on sale now.

Plus, on the first Monday of every month during the exhibition, visitors will be able to pay what they wish, starting from just £2.

Presenting around 200 photographs from a century of activism, Resistance gives a voice to the stories and images from history which have been buried in UK archives until now.

Throughout the exhibition McQueen amplifies underrepresented voices to present a compelling exploration of overlooked histories, shedding light on the forgotten stories that have helped define the course of Britain’s history.

Resistance tours to Modern Two from Turner Contemporary, Margate.

This exhibition will bring together works by renowned photographers such as Vanley Burke, John Deakin, Fay Godwin, Edith Tudor-Hart, David Hurn, Tish Murtha, Humphrey Spender, and Paul Trevor, alongside lesser-known photographers who documented these powerful stories.

Drawing photographs from various archives, collections and image libraries, McQueen has deliberately focused on moments captured before digital cameras became commonplace.

Spanning both floors of Modern Two, Resistance spans from the radical suffrage movement in 1903 to the largest-ever protest in Britain’s history—the Anti-Iraq War Protest in 2003.

The exhibition will also highlight lesser-known events including the hunger marches of the 1930s where thousands of protesters from Scotland and across Britain marched to London, protesting unemployment and poverty. As well as the Blind March of 1920, a pivotal moment in the fight for disability rights.

Visitors will encounter poignant images from demonstrations against environmental destruction, anti-nuclear campaigns and actions advocating for peace.

The exhibition will trace the evolution of environmental movements and highlight a shift from single-issue demonstrations to broader anti-capitalist efforts that paved the way for today’s climate change action.

Including powerful photographs from the 1000-mile march from Faslane Naval Base to Greenham Common in protest against American nuclear weapons being stationed in the UK in 1983.

From Janine Wiedel’s photographs capturing life at Greenham Common Women’s Peace Camp to Andrew Testa’s striking depictions of the 1996 protests against the proposed Newbury Bypass in Berkshire, England, Resistance will serve as a testament to the empowering impact of collective action.

It will explore the intersections between movements such as the Gay Liberation Front and the Women’s Liberation Movement, where protests against Section 28 of the Local Government Act brought the LGBTQ+ community together. Connecting historic struggles, the exhibition will also examine the fight against fascism in the 1930s and 1940s.

The exhibition will underscore the ongoing struggle against racism, showing how grassroots movements have consistently confronted oppression throughout history.

A pivotal moment was the Black People’s Day of Action on 2 March 1981, following the house fire at 439 New Cross Road in South East London, that claimed 13 lives.

The photographs that captured the protest powerfully depict this landmark for Britain’s civil rights movement.

Paul Trevor’s series on the Bengali community will further illustrate how the emerging concept of community photography became a form of activism, amplifying the voices of marginalised groups.

Steve McQueen said: “Within the 5 years of developing the exhibition and book with the Turner Contemporary team, it has been an ambition for Resistance to travel to Scotland to be shared with audiences there.

“Resistance explores how people have challenged the status quo—a mission that feels especially urgent in today’s political climate.”

Leila Riszko, Assistant Curator of Modern and Contemporary Art at National Galleries of Scotland said: “We’re enormously proud to platform this compelling selection of works curated by Steve McQueen.

“This is an exciting opportunity to explore the power of photography in documenting the significant yet underrepresented stories of people who’ve helped shape the world we live in today.

“In these divisive times, many of the themes, moments and narratives highlighted in the exhibition continue to have resonance now.

“As a show about resilience, collective power, galvanising for positive change, and inspiring reaction, we hope that Resistance will stimulate discussion with our visitors and invite deeper reflection on those contemporary issues.”

Resistance is curated by Steve McQueen and Clarrie Wallis, with Emma Lewis. Political research is by Sarah Harrison. The exhibition is produced by Tessa Pierce, with assistance from Brittany Crombie. Organised by and originated at Turner Contemporary, Margate, and adapted for presentation at National Galleries Scotland: Modern Two.

A major new publication by Steve McQueen was also recently released to coincide with the exhibition. The book was compiled by Steve McQueen and edited by Clarrie Wallis and Sarah Harrison. It is published by Monument Books, a new imprint from Harper Collins.

A Summer of Resistance at the National Galleries of Scotland

Artist and Filmmaker Steve McQueen takes over Modern Two

Resistance: How Protest Shaped Britain and Photography Shaped Protest

National Galleries Scotland: Modern Two

21 June 2025 – 4 January 2026

Tickets £4-£14 Friends go free

Resistance | National Galleries of Scotland

National Galleries of Scotland announces the unmissable summer 2025 exhibition Resistance, conceived by acclaimed artist and filmmaker Steve McQueen. Taking over the whole of Modern Two from 21 June 2025, the exhibition will explore how acts of resistance have shaped life in the UK, and the powerful role of photography in documenting and driving change. Tickets are on sale now.

Presenting around 200 photographs from a century of activism, Resistance gives a voice to the stories and images from history which have been buried in UK archives until now.

Throughout the exhibition McQueen amplifies underrepresented voices to present a compelling exploration of overlooked histories, shedding light on the forgotten stories that have helped define the course of Britain’s history. Resistance tours to Modern Two from Turner Contemporary, Margate.

This exhibition will bring together works by renowned photographers such as Vanley Burke, John Deakin, Fay Godwin, Edith Tudor-Hart, David Hurn, Tish Murtha, Humphrey Spender, and Paul Trevor, alongside lesser-known photographers who documented these powerful stories.

Drawing photographs from various archives, collections and image libraries, McQueen has deliberately focused on moments captured before digital cameras became commonplace.

Spanning both floors of Modern Two, Resistance spans from the radical suffrage movement in 1903 to the largest-ever protest in Britain’s history—the Anti-Iraq War Protest in 2003.

The exhibition will also highlight lesser-known events including the hunger marches of the 1930s where thousands of protesters from Scotland and across Britain marched to London, protesting unemployment and poverty. As well as the Blind March of 1920, a pivotal moment in the fight for disability rights.

Visitors will encounter poignant images from demonstrations against environmental destruction, anti-nuclear campaigns and actions advocating for peace.

The exhibition will trace the evolution of environmental movements and highlight a shift from single-issue demonstrations to broader anti-capitalist efforts that paved the way for today’s climate change action.

Including powerful photographs from the 1000-mile march from Faslane Naval Base to Greenham Common in protest against American nuclear weapons being stationed in the UK in 1983.

From Janine Wiedel’s photographs capturing life at Greenham Common Women’s Peace Camp to Andrew Testa’s striking depictions of the 1996 protests against the proposed Newbury Bypass in Berkshire, England, Resistance will serve as a testament to the empowering impact of collective action.

It will explore the intersections between movements such as the Gay Liberation Front and the Women’s Liberation Movement, where protests against Section 28 of the Local Government Act brought the LGBTQ+ community together. Connectinghistoric struggles, the exhibition will also examine the fight against fascism in the 1930s and 1940s.

The exhibition will underscore the ongoing struggle against racism, showing how grassroots movements have consistently confronted oppression throughout history. A pivotal moment was the Black People’s Day of Action on 2 March 1981, following the house fire at 439 New Cross Road in South East London, that claimed 13 lives.

The photographs that captured the protest powerfully depict this landmark for Britain’s civil rights movement. Paul Trevor’s series on the Bengali community will further illustrate how the emerging concept of community photography became a form of activism, amplifying the voices of marginalised groups.

Steve McQueen said: “Within the 5 years of developing the exhibition and book with the Turner Contemporary team, it has been an ambition for Resistance to travel to Scotland to be shared with audiences there.

“Resistance explores how people have challenged the status quo—a mission that feels especially urgent in today’s political climate.”

Leila Riszko, Assistant Curator of Modern and Contemporary Art at National Galleries of Scotland said: “We’re enormously proud to platform this compelling selection of works curated by Steve McQueen.

“This is an exciting opportunity to explore the power of photography in documenting the significant yet underrepresented stories of people who’ve helped shape the world we live in today.

“In these divisive times, many of the themes, moments and narratives highlighted in the exhibition continue to have resonance now.

“As a show about resilience, collective power, galvanising for positive change, and inspiring reaction, we hope that Resistance will stimulate discussion with our visitors and invite deeper reflection on those contemporary issues.”

Resistance is curated by Steve McQueen and Clarrie Wallis, with Emma Lewis. Political research is by Sarah Harrison.

The exhibition is produced by Tessa Pierce, with assistance from Brittany Crombie. Organised by and originated at Turner Contemporary, Margate, and adapted for presentation at National Galleries Scotland: Modern Two.

A major new publication by Steve McQueen was also recently released to coincide with the exhibition. The book was compiled by Steve McQueen and edited by Clarrie Wallis and Sarah Harrison.

It is published by Monument Books, a new imprint from Harper Collins.

Groundswell Rising: the fracking truth?

FRIDAY 4th MARCH 7 – 10pm NORTH EDINBURGH ARTS

grounds

US FILM SHOWS RISKS OF FRACKING

Communities invited to screening of American documentary

Community campaigners are inviting local people to view a documentary highlighting first-hand accounts of the effects of fracking in the United States.

Hands Over Our Scotland has helped organise a local screening of the film ‘Groundswell Rising’, featuring the testimonies of people in towns across America who have to live side-by-side with the fracking industry.

The film will be shown on Friday 4 March from 7 to 9:30pm at North Edinburgh Arts.

Dr Richard Dixon, Director of Friends of the Earth Scotland will introduce the film. He will be joined by Prof Andrew Watterson, Director of the Centre for Public Health and Population Health Research, and Head of the Occupational and Environmental Health Research Group, School of Health Sciences, University of Stirling for discussion after the screening.

Dr Richard Dixon said: “Scotland has to learn from the communities that have already had to live with fracking. Seeing the reality of having this dirty industry as a neighbour should persuade anyone that it’s not something we want here. For the sake of the climate and local people, fracking and unconventional fossil fuels are the last thing Scotland needs.”

Maria Montinaro, of Hands Over Our Scotland, who is accompanying the producer on a tour of UK, said: “This film shows the reality of what it means to live beside fracking operations, including the daily struggle of ordinary people to protect their children’s air and water.

“Their testimonies show what is potentially in store for communities around the Forth if our government allows big fossil fuel companies to go ahead with their plans. The first duty of any government is to protect its citizens. We call upon our Scottish Government to put the health and wellbeing of Scottish communities first –  banning this industry .”

Groundswell Rising has been praised by critics. LA Weekly said it ‘balances grim facts and expert analysis with scenes of ordinary people pushing back’, while Hollywood Reporter said it ‘delivers its arguments with a canny mixture of facts and emotion’.

Executive producer Mark Lichty will speak at the first screening at the University of Edinburgh. Mark is an attorney and former CEO of Bustin Industrial Products. Having been in manufacturing for many years, he is deeply concerned about the safety issues not being addressed by the oil and gas industry.

He said: “I’m really looking forward to meeting people of Edinburgh. The film shows how an industry rich with political connections managed to slip into a position of almost untouchable power and how at-risk communities have come together to fight back.

“Groundswell Rising is a documentary told by those who are living it, with honesty, passion and a sincere desire to protect our children and the world we leave them. I hope that Groundswell Rising will inspire people and politicians in Scotland to ban risky gas extraction once and for all.”

The Groundswell Rising screening at North Edinburgh Arts is part of a tour across central Scotland being organised by campaign group Hands Over Our Scotland.

Full screening details are available at www.groundswellscotland.com.

Groundswell Rising flyer_23.2.16 (2)