Deputy First Minister Kate Forbes has announced new funding to support the world’s largest performing arts festival.
The Edinburgh Festival Fringe Society will receive £300,000 from the Scottish Government in 2025-26 to help grow the significant benefits the Fringe delivers for Scotland’s economy, society and culture sector.
The funding will enable work in two areas agreed between the Scottish Government and the Fringe Society, firstly to develop the capabilities of the Society’s data and digital infrastructure to make it more accessible for artists, audiences and venues.
Secondly, it will fund work to explore how the Scottish Government and the Fringe Society can help Scottish artists and the sector as a whole capitalise on international opportunities, by targeting agreed priority countries and regions.
Deputy First Minister and Economy Secretary Kate Forbes said: “The Fringe is one of Scotland’s signature events. From humble beginnings in 1947, it has grown to become the world’s largest performing arts festival, making it a significant economic contributor to Edinburgh, and Scotland as a whole.
“This agreement recognises firstly, that the Fringe Society does not neatly fit into the funding streams available to other culture organisations. Secondly, that there is ample opportunity for the Fringe Society to work more closely with all the other organisations who play an important role in making the Fringe the annual success that it is.
“The Scottish Government is committed to working with the Fringe Society and all partners who deliver, it to help safeguard the future of the Edinburgh Fringe as a world leading cultural asset, built on the principle of free access for all.”
Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society said: “We welcome this new funding and thank the Scottish Government for recognising the unique position that the Fringe Society has.This will undoubtedly contribute greatly to Scotland’s economy, society and culture sector and we hope that this is a first step towards long-term funding for the Fringe Society.
“It is vital that the Fringe Society can continue to provide much needed core services to the thousands of artists who come to the festival every year and who recognise it as a global marketplace and expo. A sustainable Fringe Society can use its convening role to unlock support for the wider Fringe from the imminent visitor Levy.
“We look forward to working with Kate Forbes and the Scottish Government on developing a long-term sustainable funding model, and welcome this investment into both digital infrastructure and international opportunities.”
Bursaries of £2,500 to support artists bringing work to this year’s Fringe
Today, Friday 7 March, the Edinburgh Festival Fringe Society is delighted to announce the recipients of the 2025 Keep it Fringe fund.
This is the third year of the fund, an initiative created to support Fringe artists to realise their professional ambitions, and in 2025 funded by the Department for Culture, Media and Sport (DCMS).
The Keep it Fringe fund was launched in 2023 by the Fringe Society honorary President Phoebe Waller-Bridge and funded by the Fleabag for Charity campaign, alongside funds donated to the Fringe Society by Edinburgh Gin.
Supported by £1 million from the Department for Culture, Media and Sport (DCMS) over two years (2024 and 2025), the Fringe Society is today announcing the successful 180 recipients of £2,500 bursaries for Fringe 2025. The fund received 848 applications, which were reviewed by 28 independent assessors.
Keep it Fringe shows span a range of topics, including IVF, Miss Universe pageants, Dolly the Sheep, incel culture, Deliveroo cyclists, tinnitus and football hooliganism, with companies and artists covering nearly every genre in the Fringe programme. Representing a mix of free and ticketed shows, 33% of the successful applicants identify as disabled or have a health condition, and more than 30% come from a working-class background.
The Fringe Society hopes to continue the Keep it Fringe fund for as long as possible and is actively seeking new funding and donations to ensure the long-term sustainability of this important initiative. Donations can be made here, and updates will be provided as the project progresses.
Culture Secretary, Lisa Nandy said: ‘The Fringe is the largest performing arts festival in the world and gives creatives from across the UK the opportunity to showcase the wide variety of talent this nation has to offer.
‘This funding will ensure that artists from all backgrounds have the opportunity to put on a show for the international audiences and industry professionals that gather in Edinburgh each summer and enable the Fringe to continue to boost our up-and-coming artists.’
Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: ‘This year we received the highest number of applications to date which highlights how valued and needed this initiative is.
“We are thankful to DCMS for providing the funding that has enabled us to continue the Keep it Fringe fund for the last two years. We know that for many artists the financial challenges of putting on a show can prevent some from coming to the Fringe, and this funding will enable the Edinburgh Fringe to be more accessible to artists from across the UK.
‘We are keen to continue the Keep it Fringe fund, as we have heard countless testimonials on how invaluable this support is. If you think you can help, please get in touch with the Fringe Society team.’
THE SUCCESSFUL RECIPIENTS OF THE KEEP IT FRINGE FUND (alphabetical):
This list does not include the full list of recipients as three shows are still going through the final stages of confirmation.
4PLAY, Colours Run
Agent Red Arts, AUDITION
Aisheshek Magauina, 2 Muslim 2 Furious 2: Go Halal or Go Home
Alastair Clark, Alastair Clark: On The Record
Alex Mitchell, Alex Mitchell: “Tough”
Alfie Webster, lenny.
Alice Cockayne, Alice Cockayne:
Alison Affleck, ali affleck and The Traveling Janes
Alison Spittle, Fat Bitch
Amy Mason, Amy Mason: No Thanks
Amy Yeo, Well Behaved Women
Angela King, A Period of Faith
Aoife Parr, anatomy of pain
Arron Jones Entertainment, #1 Greatest Hit Rock ‘N’ Roll Magic Show
Maria A L Zani, The Collective: Breaking Barriers at the Fringe
Maria Who?, Miss Brexit
Martha Pailing, Chat Sh*t, Get Hit
Jasmine Thien, I Dream in Colour
Maybe You Like It, Down to Chance
Mianoora Kosonen, Echoes of Finland: Rare Piano Gems by Sibelius, Madetoja & Palmgren
Michelle Burke, Mind How You Go
Mohit Mathur, Dial 1 for UK
Molly Farquhar, Hairy B*stard
Molly McGuinness, Slob
Moon Rabbit Theatre, Shirley: A Ghost Story
Moonbeam Theatre Ltd, Once Upon A Flowerbed
Moonstone Theatre Company, ENOUGH.
mr blue productions, Something Else
Narin Ozenci, Narin Oz (Inner Child(ish)
Nate Kitch, Nate Kitch: Something Different!!!!!
Nathan Cassidy, Nathan Cassidy: It’s Not The End Of The World
Niall Moorjani Storyteller, Kanpur: 1857
Northern Lights Theatre, The Sculpture
Orla Newmark, Orla Newmark and Will Hughes: Chef’s Treat (WIP)
Out Of The Forest Theatre Ltd, Bury The Hatchet
Ozzy Algar, Ozzy Algar: Speed Queen
Parky Players, Been There, Done That, Got The Symptoms
Passing Stranger Theatre Company, People We Bury Alive
Pedro Leandro, Soft Animal
Piers MacKenzie, COURIER
Pigs Fly LTD, E@sy Ryan
PINCHY theatre, FLITCH
Ray Productions & Big Sofa Theatre, Egg’s Aren’t That Easy To Make
Roarrr Theatre, Here Comes GuDong
Rodreguez King-Dorset, I am the Greatest!
Rosa Garland, Primal Bog
Saksi Bisou, Stampin’ in the Graveyard
Salt Circle Productions, Bea P. Deigh
Sam Nicoresti, Sam Nicoresti: Baby Doomer
Sam Williams, Touch Me Not
Samia Rida, Kidnap
scott turnbull presents, Scott Turnbull presents…Surreally Good
Seemia Theatre CIC, Saria Callas
Shahaf Beer, The Jewish Dog
Shalaka Kurup, Shalaka Kurup: Get a Grip
Short and Sweet Theatre, Milk On The Side: A Barista Musical
Shy Bairns, Shy Bairns Get Nowt
Siblings Comedy, Siblings
SkelpieLimmer, SHAME SHOW
SkelpieLimmer Productions, Anthem For Dissatisfaction
Slow Theatre Company, ALICE
Sufrecs Ltd, Sufrecs Presents: ‘Live Music and Chat: “A Kick Up The Arts” Live Podcast Event’ (working title)
Susan Riddell , Kopfkino
Tamsyn Kelly, Tamsyn Kelly Hot Titty Bungalow
TEAM Collective Cymru, Relay
The Biscuit Barrel, Biscuit Barrel: The 69-Sketch Show
The Crunch Collective, Nick it For Munich
The Harbourers Theatre, Harbouring
The Horgles, A Xerox of a Deer
Tigers, Not Daughters, Cara and Kelly are Best Friends Forever for Life
Tom Little, Tom Little Less Conversation, Tom Little More Action
Tomas McCabe, 1Date: The Dating Game Show
TRIADA theatre company, HER RAVING MIND
Uncaged Theatre, Love you, bye
Undone Theatre, The Butterfly Project
Unexpected Places, After Juliet
V Jay Theatre Productions, Streets Paved with Gold
Victoria Evaristo, Ma Joyce’s Tales from the Parlour
Victoria Firth, Batty!
Victoria Melody, Re-Enactment
wendy houstoun, Watch It!
Wilmas Productions, Mr Jones
Xhi Ndubisi, The Apologetics of Icarus
Youth Action Alliance, As We Face The Sun by Kit Withington
ASSESSORS
28 assessors supported the Fringe Society in reviewing the applications received. Thanks to the following for their support in the fast turnaround of these awards.
Alex Howarth, Artistic Director, Patch of Blue
Apphia Campbell, Writer / Performer
Ashley Davies, freelance Arts Journalist
Ben Humphrey, Artistic Director / Producer
Chris Cooke, Founder and Co-Editor of ThreeWeeks Edinburgh
Geoff Rowe, Founder Leicester Comedy Festival
Jake Orr, freelance Creative Producer
Jess Donn, Just Something Different LTD
Pax Lowey, Director: Actually Rather Good Comedy Festival, freelance Producer / Programmer, elected member of the Fringe Society board
Ruth McCarthy, Artistic Director / Outburst Arts
Sasapin Siriwanij, BIPAM Artistic Director
Sharon Burgess, Chief Executive of Aberdeen Performing Arts
Linda Catalano, Creative Director and Executive Producer, Quiet Riot
Paloma Estevez, Director of Artistic Programming, Lincoln Center for the Performing Arts
Nqobile Dumo Mbhele, Artist Manager, National Arts Festival
Cat Sheridan, Senior Producer, We Are Unlimited
Rachel Clarke Hughes, Creative Director, The Playhouse, Derry~Londonderry
Stewart Pringle, Writer and Dramaturg
Richard Williamson, Lighting Designer / Production Manager
Murray Robertson, Arts Writer
Holly De Angelis, Development Producer
Saima Ferdows, freelance TV Producer
Ameena Hamid, Producer and General Manager
Zoe Paskett, Founder of LMAOnaise Comedy
Laura Rouxel, Head of UK Comedy for 800 Pound Gorilla Media
Aisling Galligan, Senior Events Producer and Programmer
Fringe Society publishes its review of the year 2024
Today, Tuesday 26 November 2024, the Edinburgh Festival Fringe Society publishes its review of the year 2024, outlining its activities over the past 12 months. These include the Society’s core services to artists, as well as the work it undertakes year-round to give anyone a stage and everyone a seat.
This year the Fringe maintained its unique position in the world as one of the most important performing arts expos on the planet. Over 1,800 arts industry delegates came to the festival to see, book and buy work for opportunities such as onward touring and broadcast potential.
Artists from 60 countries performed across 3,746 shows in 262 venues and some 900 accredited media wrote about the festival and reviewed work.
Along with the success of this year’s festival there continue to be significant concerns regarding the cost and availability of affordable accommodation in Edinburgh, pressures on the supply chain, and an unhelpful policy environment; all exacerbating the already fragile cultural economy of the Fringe.
At the close of this year’s Fringe, Fringe Society Chief Executive Shona McCarthy penned an open letter outlining the many challenges faced by the sector and its thousands of artists, supporting the no art without artists campaign by Scottish creatives.
The Fringe Society also supports the current #InvestInCulture campaign from Scotland’s cultural sector, which seeks to increase the Scottish Government’s budget contributions of national spend on culture from 0.5% to match or exceed the European average investment in culture of 1.5%.
The challenges facing the Fringe Society, the Festival Fringe and the Scottish arts sector can only be overcome with long-term collaborative, sustainable action and investment.
As such, in a new development for this annual publication, the 2024 review of the year has been designed as a launchpad for further discussion.
In Shona McCarthy’s last review of the year before stepping down as Chief Executive, the Fringe Society invites potential funders, partners, sponsors and those who benefit from the economics of the Fringe to engage with them now and help ensure the sustainability of this unique event into the next 77 years.
Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Societysaid: ‘This year’s review is an invitation for discussion and to find solutions for the future of this amazing festival and expo.
“The whole sector needs action and investment and so does the Fringe. As the most influential and important performing arts marketplace in the world, the Fringe is crucial for the whole cultural ecosystem, not only for local, UK and international artists, but for the thousands of arts industry and media delegates who come here every year to view work, and source content for their own theatres, festivals and platforms.
“Warm words do not support our vital cultural life and creativity. Warm words do not provide platforms for Fringe artists on a global stage. Warm words do not help communities and audiences experience an event of global significance, on an Olympic scale, on their own doorstep.
“Now is the time to step up and work collaboratively to secure the future of this signature event for Scotland. After nearly ten years at the helm of the Fringe Society, I urge our public funders, our potential sponsors and partners, and those who have the influence, to turn words into action and sustainability for the sector and for this iconic event for the next decade.’
Benny Higgins, Chair of the Edinburgh Festival Fringe Societysaid: ‘Against an increasingly difficult policy environment and ongoing financial pressures, I congratulate Shona and the entire Fringe Society team on all that they have achieved this year.
“Artist support remains at the core of the work of the Fringe Society and the team work tirelessly to ensure this festival can continue.
“This isn’t easy work but is vital to ensure artists can continue to create and share their creativity that we all benefit from.’
To whom it may concern: As the 2024 Edinburgh Festival Fringe comes to a close, an open letter from SHONA McCARTHY, Chief Executive of the Edinburgh Festival Fringe Society
As the curtain falls on the 2024 Festival Fringe, much is being discussed in the spaces, rooms, cafes, and streets of Edinburgh, on the success of this year.
Today it was announced that 2.6 million tickets were issued during the 2024 Fringe, however there is no doubt that the current environment for artists across the UK is of great concern; and the fragility of the performing arts community is palpable.
An outward veneer of success cannot mask the struggle for artists to emerge let alone thrive in the UK right now. While Fringe 2024 has been brilliant, and it is to be celebrated that artists, companies, venues, producers and promoters took huge financial risks and pieced it together and put on the show.
However, the dominant message as we close this year’s festival is that there is no Fringe without art. There is no art without artists.
The cumulative effect of the relentless rise in the cost of everything, and an unhelpful policy environment facing the arts sector has resulted in widespread concern that is keenly felt by artists.
From the availability of affordable accommodation, blunt policy changes which have consequences for major events, to continuous public sector cuts; we need to ensure that the hard won and fragile success isn’t met with complacency by those who can influence change.
It is not enough to have old stories of how important Edinburgh’s festivals were in providing healing and connection after the Second World War. They are important now, contributing hugely to health, well-being, joy and job creation.
The Edinburgh Fringe vision is to give anyone a stage and everyone a seat. That is a commitment to inclusion, to freedom of expression and to being allowed to try and to fail. It is a vision that is increasingly easier to say than it is to do.
I have worked in the arts across the UK for 35 years now, and in the last two decades there has been a journey away from elitism, monoculturalism and exclusion with inspiring developments in access to the arts for all, with still a long way to go.
If the UK continues on an upward trajectory of cuts to arts education, and Scotland continues to decimate investment in the sector, breaking promises of support; then we are on a direct course to job losses, exclusion and boring art that is only the privilege of those who can afford to be part of it, as performers or as audiences.
Here at the Fringe and across the UK, the pipeline of creative potential is under threat. Artistic risk and ambition is hamstrung by an operating context that squeezes out emerging artists that have made the Fringe globally renowned, unique and joyful.
How can the Edinburgh Fringe remain exemplary, exciting, experimental; the only place in the world to be every August? As the most influential arts marketplace in the world, this year over 1,800 arts industry accredited with the Fringe Society, and came to Edinburgh to seek new work for onward touring and broadcast opportunities. Nearly 900 accredited media reviewed shows, interviewed artists and worked tirelessly to support the 3,746 shows that took place this year.
There is no future for the Fringe without art. There isno art without artists. Artists and the venues who host them are at the heart of this event, and there would be no Fringe without them.
They take the risk of bringing work to the festival every year, and while the arts landscape is at a crossroads, we need to ensure that the Fringe, one of the greatest celebrations of arts and culture in the world, is protected for the future.
As we celebrate the hundreds of thousands of people who have been moved, delighted, awed, shocked and entertained by the stories artists present across Fringe stages, it feels that now, more than ever, we must not take artists for granted; we would do so at our peril.
SHONA McCARTHY,
Chief Executive of the Edinburgh Festival Fringe Society
Care Home Residents Enjoy The 3rd Annual Fringe Cares Festival
2024 Fringe Cares Festival – conceived by The Edinburgh Interfaith Association back in 2023 – started once again with a very successful event at Queen’s Manor Care Home on Queensferry Road.
Performers from all over the world take part in the Fringe Cares Festival which brings a taste of the musical & theatrical talents of the Edinburgh Festival Fringe to all residents of 7 care homes in the city, in a partnership sponsored by Barchester Healthcare, The Edinburgh Interfaith Association, Scottish Care and the Edinburgh Festival Fringe Society.
Queens Manor Care Home, the founding care home Residents, relatives, friends and staff – along with several guests from the local community, were able to participate in a full afternoon of entertainment.
Lord Provost Councillor Robert Aldridge attended and said, “This is my favourite part of the Fringe!”
The event included a piper on arrival, drinks canapes and cocktails. Street performer Andie Mars with her impressive hula hoops displays, forget me Nots Children’s’ Parties provided face painting and visiting Princess Ariel. Matthew Shiel, award winning classical pianist played in the foyer.
The main act – “Ella, Etta and Eartha”, singer Melissa Western and her accompanists rounded off the show in a performance inspired by those legendary female singers.
Professor Joe Goldblatt, who inspired and instigated the Fringe Cares Festival explained: “The first year my wife and I sponsored one performer and I was amazed when residents who had not spoken for months suddenly burst forth into song, in French, when a Fringe performer began to sing the Edith Piaf classic ‘La vie en rose’.
“As they sang along, I was speechless and in awe of the power of musical memories to inspire their strong positive emotions and awaken their senses. The events of this year so far at Queens Manor were no less than spectacular – offering the same level of amazement that we had in our founding year!”
Margaret-Ann Davidson, General Manager of Queens Manor in Edinburgh, said: “I am delighted the Queens Manor Team is able to support our residents to participate in such an exciting initiative, which has grown each year; and we are proud to be part of Barchester Healthcare, the founding sponsor for this special programme.
“Music, entertainment, time with loved ones and friends are key elements of life enrichment for all care home residents. In years gone by the Edinburgh International Festival and the Fringe would have been part of the lives of many of those in our care.
“Through the Fringe Cares Festival, we are able to bring a flavour of the excitement, fun, and delights of the Festival Fringe to our residents at home. The long-term aim of this project is to help ensure that all care home residents in Edinburgh have access to the Fringe Cares Festival in the next 10 years – regardless of care provider.
“There are many other entertainers participating at the other 6 care homes. We look forward to the feedback and photographs”.
The executive director of the Edinburgh Interfaith Association, Iain Stewart said: “EIFA is very proud to have conceived this programme as part of our commitment to bringing people together to celebrate, communicate, and appreciate one another through music.
“The 36-year-old EIFA is the oldest interfaith association and represents all faiths and none promoting respect, understanding, peace and love.
The Fringe Cares Festival at Barchester dramatically demonstrates that we may all come together and benefit through music”.
We are already looking at inspiration and planning for this event in 2025 – if you would like to be involved or become a sponsor, please reach out to either Joe Goldblatt at joe@joegoldblatt.scot or margaretann-davidson@barchester.com.
The Edinburgh Festival Fringe Society (EFFS) is set to develop a new festival hub after the City of Edinburgh Council agreed a long lease for one of its buildings in the city centre.
The EFFS proposals, funded from an award of up to £7m from the UK Government, would see the building completely refurbished and modernised, with an emphasis on access and carbon reduction, as it is transformed into a year-round resource.
Detailed work is ongoing to identify other venues for the current users of South Bridge Resource Centre – the majority are adult education classes with suitable alternative locations already identified – and further detailed and responsive engagement will take place as plans are finalised.
Councillor Val Walker, Culture and Communities Convener for the City of Edinburgh Council, said: “Today’s decision means the Edinburgh Festival Fringe Society now has a substantial city centre location for their exciting plans for a new hub.
“The proposals are for a new, year-round space which includes opportunities for local cultural organisations, artists, and communities to use as well as a Fringe Festival home.
“The Council has a vital role to play in ensuring residents have access to creative and cultural opportunities wherever they live in our city.
“We’re committed to regular funding, partnership working, and backing development programmes and projects. By doing this, we can support and facilitate the stability and development of our city’s exceptional array of cultural activities, venues, communities and events at every level.
“As part of the proposals, suitable alternative locations have already been identified for the majority of groups and classes that currently use the building. Further detailed and responsive engagement will take place as we identify venues going forward.
Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: The Committee’s decision today is an important milestone in the journey towards creating a new Fringe community hub.
“We’re pleased with the decision and excited to move a step closer towards providing a flexible, functional, sustainable and accessible space to bring artists, residents, community groups and the Fringe community together.”
The Edinburgh Festival Fringe Society, the charity that supports the world’s largest performing arts festival, the Edinburgh Festival Fringe, and the biggest arts festival in the Southern Hemisphere, Adelaide Fringe are coming together to form an arrangement that will see both organisations amplify one another’s efforts for the benefit of artists and the international arts community.
Each organisation’s respective CEO will sign a Memorandum Of Understanding (MOU) that outlines the details of the arrangement on August 11 during this year’s Edinburgh Festival Fringe.
The MOU came to fruition from a collective belief between the Edinburgh Festival Fringe Society and Adelaide Fringe that organisations who share common objectives have the potential to positively influence the personal development of the Fringe festival artists and workers and thereby increase outcomes for each organisation.
The MOU will be signed by the South Australian Minister for Arts, Andrea Micheals MP and Scotland’s Culture Secretary Angus Robertson.
Culture Secretary Angus Robertsonsaid: “The Edinburgh Fringe is an inspiration to many festivals around the world and this formal agreement between the Edinburgh Fringe Society and the Adelaide Fringe is a fantastic initiative that will bring many benefits to both organisations.
“In particular the opportunity to share knowledge and skills, grow new audiences and provide platforms for performers will help the business development of both festivals.”
South Australian MInister for Arts, Andrea Micheals said: “This MOU brings together the wealth of talent, experience and creative ideas that exists in both Edinburgh and Adelaide Fringe Festivals.
“It represents the two largest festivals in the world joining forces to harness that extraordinary skill and create exciting opportunities for artists and arts workers to work at these two internationally renowned festivals and beyond.
“Adelaide is one of the world’s greatest festival cities and this partnership with the Edinburgh Festival cements our international reputation as the arts capital of Australia.”
The arrangement outlines details between the two festivals in the context of business, exchange and joint initiatives that will see Edinburgh and Adelaide Fringe festivals work to encourage the development of artists and their career trajectory and festival workers to the benefit of festivals internationally.
Each organisation will recognise their positions as major tourist attractions in their respective regions for both local, national and international travellers; and the benefits of working collaboratively in the development of skills for festival workers, along with the importance of business opportunities that are created at festivals via industry programs for artists to secure future bookings for their work.
Each partner is committed to the development of their staff, which will in part see the implementation of an exchange program between the two major festivals.
The MOU outlines a commitment from each party to promote one another’s Fringe festivals to artists while growing the audience-facing and industry-facing opportunities for artists participating in the festivals.
Director and CEO of Adelaide Fringe, Heather Croallsaid: ‘The establishment of this MOU is a momentous occurrence in the festival world.
“Fringe festivals are incubators for live performance and a testing ground for fresh ideas and new works, I’m sure the outcomes of this arrangement will ripple positively for artists and industry across the globe.”
Chief Executive of Edinburgh Festival Fringe Society, Shona McCarthy said, “Today is an exciting moment as we formalise a collective ambition to support each other across a range of areas.
“Our relationship with the Adelaide Fringe has developed over the last decade into a supportive and collaborative partnership, where we learn from each other and share our mutual challenges and opportunities.
“The signing of the MOU is just the beginning of what we know will be an extremely rewarding partnership for everyone involved in the festivals.”
On Friday 4th August the 76th edition of the Edinburgh Festival Fringe officially began. In celebration of the first day, the annual Artist Address took place for the first time since 2019, and the Fringe Society was delighted to welcome Le Gateau Chocolat as keynote speaker for this important event.
Designed as a celebratory moment for Fringe artists to gather at the beginning of the festival, Gateau gave a thought-provoking, empowering, and at times emotional speech to those gathered for the event.
It was in 2008 that Gateau made his debut at the Edinburgh Festival Fringe, shortly after an appearance at the Adelaide Fringe. Due to work commitments in London, he felt unable to fully ensconce himself in the ‘anarchy of its magic’ and returned three years later in 2011 with Le Gateau Chocolat.
‘When you’re not performing the show, you’re selling it. When you’re not selling it, you’re doing PR. When you’re not doing PR, you’re rehearsing, adjusting to the conversation with the audience – in a permanent state of dampness. The exhaustion at a cellular level whilst also being deeply invigorating. You’re on a constant high which amplifies the lows – however brief they are.’
Highlighting the platform the Fringe can offer artists for career development, Gateau shared insights into the journey his show took following his 2011 debut as Le Gateau Chocolat: ‘The magic of Edinburgh Fringe was very present, and I was lucky enough to tap into the zeitgeist. Shows sold out. Reviews were great. It got a London transfer to The Menier Chocolate Factory. The Sydney Opera House. Poland. Christchurch, New Zealand. Melbourne. Auckland. It set me on a course that introduced me to Basement Jaxx and had me performing with them and Metropole Orkest at the Barbican. It’s how T-Mobile found me and reached out for me to be part of the flash mob ad at Terminal 5. It changed my life.’
Returning to the Fringe in 2018 with three shows, Duckie, Icons and Jonny Woo’s All Star Brexit Cabaret, Gateau’s journey continued, and he worked hard to engage with new audiences and build on his touring opportunities. Duckie went on to tour extensively across the UK and continues to do so with a new non-binary and neurodivergent performer.
Highlighting a need for greater inclusivity and access at the festival, Gateau stated ‘Inclusivity is not a word, it’s an action, it is practise.’ Citing the current cost of living crisis, accommodation costs and the risks artists take to bring work to the Fringe every year, Gateau referenced the ongoing impacts of the pandemic and the resilience of artists, but that ‘elasticity doesn’t mean we can’t break.’
With an audience listening intently to Gateau’s story, the 2023 Artist Address highlighted the continued need for artist support across a range of areas.
Encouraging the room to support each other and to drive a sense of comradery and community, Gateau concluded his speech by stating: ‘There is magic here. I haven’t found it at every Fringe I’ve attended but I have found it several times.
You can and will be in conversation with your audiences – my hope for artists present and all artists at this festival is that you indeed find audiences. You are enough and the experiences that have brought you to this moment are valid.
“Lean into telling your stories as authentically as you can versus seeking validation from audience numbers, audience responses and reviews. If you succeed at doing that, tell me how because at 41 it’s a code I’m yet to crack! And to the facilitators of the storytellers, my plea to you is don’t take advantage of our reality; what we do is who we are.’
Shona McCarthy, Chief Executive, Edinburgh Festival Fringe Society, said: “When Le Gateau Chocolat took to the stage you could hear a pin drop.The room was there to hear from an artist who has attended the Fringe for over 15 years and who has first-hand knowledge and experience of everything that this glorious event can challenge you with.
“We recognise the great financial risk that artists take in bringing work to the Fringe every year, and Gateau’s story highlights that every artist’s journey is different. Our immense thanks to Gateau for sharing his story, and to all the artists taking part in this year’s festival for making the commitment to be at this year’s Fringe.’
Today, 1 August 2023, the Edinburgh Festival Fringe Society is pleased to announce a new strategic partnership with Nouveau Riche Productions. The partnership aims to understand how to address barriers to participation for Black and/or Global Majority artists at the Fringe.
The partnership will initially last six months and will focus on the shared ambitions of Nouveau Riche and the Fringe Society in providing support, resources and signposting for under-represented artists who face barriers to participation, and/or experience unsafe working environments, when taking part in the Fringe – specifically artists who identify as Black and/or Global Majority.
Nouveau Riche will build and manage a network for Fringe participants who identify as Black and/or Global Majority and will collaborate with the Fringe Society on providing resources and events, as well as informing the development of their support services.
Following the 2023 Fringe, Nouveau Riche will gather feedback from this year’s artists of colour along with industry professionals with long-term Fringe experience, to ensure Black and/or Global Majority Fringe experiences are fully heard, and to inform future planning for development of this partnership and associated longer-term services.
Chris Snow, Head of Artist Services at the Fringe Society, said: ‘There has historically been limited support available for Black and/or Global Majority artists taking part in Fringe, and the Fringe Society acknowledges that this needs to change.
“Nouveau Riche are an established and experienced theatre company working with and supporting emerging artists of colour at the Fringe, and across the UK. For real change to happen, it is vital that the Fringe Society, venues and producers work with partners like Nouveau Riche, to understand how we can all support the festival to become more inclusive and accessible for artists facing barriers to taking part.
“In this first year of partnership, Nouveau Riche are building a network of Fringe artists of colour to help us consult, understand existing challenges, and establish plans for ongoing support.
“The Nouveau Riche team are also working with us on resources and events and are developing post-festival evaluation plans to inform our ongoing work. It is incredibly exciting to be working with them on this, and we hope it’s the beginning of a long-term partnership.”
Sarah Verghese, Senior Producer at Nouveau Riche,said: ‘Last year, Nouveau Riche published a Call to Action after our experiences at Edinburgh Fringe over the last five years.
“We are a one of the few Black-led companies who head to the festival consistently and this is because there is little to no support for our communities. I was delighted when the Fringe Society contacted us about a possible partnership to support the well-being and welfare of artists of colour heading to the festival.
“This year, Nouveau Riche is not producing a show at Edinburgh Fringe – instead we are delivering resources, wrap-around activity, events, drop-in and feedback sessions.
“It’s important that we are listening to our communities and their experiences to shape the festival into a welcoming, safe and inclusive place for us. Fringe of Colour has been a pioneer in this work by creating databases and sharing resources for artists of colour and we are so proud that they are no longer alone in their efforts to make Fringe a safe space for our communities.’
The Edinburgh Festival Fringe is taking place from 4 – 28 August 2023.
More information about the programme and tickets can be found at edfringe.com.
The Edinburgh Festival Fringe Society has announced the launch of the inaugural Edinburgh Festival Fringe emerging critic’s programme.
Reviews are a critical tool for Fringe artists, for both raising their profile and encouraging audiences to seek out their work. Over the last few years, the level of arts coverage delivered by media titles across the UK has reduced dramatically compared to pre-pandemic. The Fringe Society’s new pilot project aims to promote arts journalism as an attractive and viable career choice for emerging talent.
Through the 2023 emerging critics programme, the Fringe Society will recruit up to seven emerging writers who will be supported through a learning programme, culminating in attending the festival in August to review shows and see their work published. The titles supporting this pilot include Broadway Baby, Chortle, the Herald, the List, Neurodiverse Review, the Scotsman and the Wee Review.
Following an open recruitment process, successful applicants will be placed with one of these titles. Each emerging critic will meet with a media mentor before spending a week at the Fringe, where they will be officially accredited as 2023 media, watch performances and file reviews with their title.
Lyndsey Jackson, Deputy Chief Executive of the Edinburgh Festival Fringe Society, said: ‘We’re excited to launch this new project, which is an important step in encouraging young writers to consider culture and the arts as a future career.
“For many artists, a great Fringe review can make their show, and the importance and impact of reviews during August cannot be underestimated for the sector overall. We hope this year’s pilot creates a catalyst for future critics to come and develop their craft here at one of the greatest festivals on earth.
‘We’d like to thank the media titles supporting us in delivering this project over the summer. Their passion and commitment to covering the Fringe every year is testament to the power that this amazing festival has and I’m delighted to see them actively engaged in supporting the next generation of talent.’
Comments from participating titles:
‘A core part of The List’s ethos is to continually search for the next generation of arts writers, and the Fringe’s emerging critics programme feeds perfectly into this’. Brian Donaldson, The List
‘At The Wee Review, we’re delighted to have had two winners of the Fringe’s Young Writer Awards and proud to have given many more their first step on the ladder. In fact, lots of our year-round team originally joined us for the Fringe. It’s a tough but hugely exciting atmosphere to be reviewing in and we look forward to meeting and supporting some new critics as they find that out for themselves!’ Robert Peacock, Wee Review
‘We are very excited to be supporting a disabled critic who will be able to bring a much-needed perspective to work at the Edinburgh Fringe’.Simon Jay, Neurodiverse Review
‘Comedy’s an incredible art form and we’re delighted to be part of this project to widen the pool of informed critics who can give it the considered analysis it deserves at the Fringe, the world’s most extraordinary gathering of comic talent’.Steve Bennett, Chortle
Applications are open now, and will close on Wednesday 28 June, with interviews scheduled for w/c 03 July 2023.
