The Ghosts of North Leith: Citadel Arts Group leave no stone unturned

Citadel’s Arts Group’s 12th foray into Leith Festival is an exploration of the atmospheric North Leith Burial Ground. Their playwrights workshop wondered what lies beneath Coburg Street and found a number of big characters interred in this small cemetery.

Seven members of Citadel’s group of older writers each chose to research the story behind one of the graves.

There are people whose achievements and eccentricities will be dramatized in a play, The Ghosts of North Leith. Using music, humour and poetry, the drama will raise awareness of this fascinating area of Leith history.

In the Coburg Street Burial Ground lies Lady Anne Mackintosh nicknamed the ‘Colonel’. Playwright Rhona McAdam explains she was drawn to her ‘as she seemed a strong, independent woman, taking part in the Jacobite Rebellion of 1745. 

“Her husband, Sir Angus, chief of Clan Mackintosh, was a Captain in the government troops.  Since he was unable, or unwilling, to raise the clan to fight for Bonnie Prince Charlie, Lady Anne did it instead. 

“When the Jacobites won the Battle of Prestonpans, Sir Angus surrendered to his wife.  After the Battle of Culloden, when the Jacobites were defeated, Lady Anne surrendered to her husband.’  

Jim Brown took on the poet, Robert NicolI, heralded as the next Robert Burns. Jim said: ‘I became fascinated by Robert Nicoll because he was a poet, writer and radical newspaper man born in 1814, who packed so much into his short life. He died aged 23.’

No stone marks the burial place of 12-year-old Matilda Molesworth, but burial records indicate the spot. She features in the real-life story of the Trinity poltergeist. One of the collection of unexplained happenings in Catherine Crowe’s 1848 book “The Night Side of Nature“, it has popped up in anthologies of uncanny happenings ever since.

Another member of Citadel’s playwrights’ workshop, novelist Hilary Spiers explains: ” I’ve long been interested in the history of slavery in Scotland.

“While John Gladstones (buried in North Leith graveyard) and his grandson William Gladstone are better known, I felt John’s wife Nellie (who was known to be a very capable woman) might well have held views at odds with the men in her family. Women were a strong if largely unsung force in the abolitionist movement’.

Elaine Campbell came across the North Leith gravestone of three children and told us: ‘I was intrigued. Who were these three bairns so lovingly remembered?

“In the late eighteenth and early nineteenth centuries when the Millar children lived and died, infant mortality was ferociously high. Sadly all attempts to locate the children in church records proved fruitless.

“There were Millars living in Leith at the time.  I have assumed Peter, John and Archibald were part of this extended, prosperous family of merchants. Although the “Three Cherubs” is my fictional account, I drew on historical material to describe their short lives and untimely deaths.

“By telling their story I hope to have given voice to the countless children who lie long forgotten in North Leith Graveyard’. 

Was it chance or Divine intervention that led writers Carolyn and Brian Lincoln to the gravestone of the Rev. Dr. David Johnston? Previous attempts at finding the grave of this pillar of the North Leith community had proved fruitless.

The Lincolns were paying one last visit to the Coburg Street churchyard, when they noticed the letters D.D. poking through the moss. D.D. Doctor of Divinity.  They scraped away some moss and there was the name. David Johnston (1735-1824) served the parish for nearly 60 years, a strong leader when Leith was seriously threatened by the ships of John Paul Jones, who supported the breakaway American colonies.

The play, which includes all these stories, and more, will be given a trial performed reading in North Leith Parish Church on 15 June. Citadel Arts Group seeks feedback from this first audience at Leith Festival with a view to staging a full performance of the play later in the year in the same venue.

North Leith Parish Church in Madeira Street welcomes Citadel Arts Group’s interest in the burial ground, and the church building which was to have been the keystone of Leith’s ‘New Town’.

Tim Bell told us: ‘I welcome the play as a chance for local and Edinburgh people to see this beautiful Georgian Church before it is released from the Church of Scotland estate in 2024’.

Venue: North Leith Parish Church, 51 Madeira Street EH6 4AU

Date: June 15th 7pm

Tickets: £5 from lizhare@blueyonder.co.uk /07770 623 924

Associated event: Hilary Spiers will lead a free guided tour of North Leith Burial Ground in Coburg Street on Monday June 12th at 2pm. Places are limited. Book from Liz Hare

Writers: Carolyn and Brian Lincoln, Jim Brown, John Lamb, Hilary Spiers, Elaine Campbell and Rhona McAdam.

Cast: Mark Kydd, Deborah Whyte, Chelsea Grace, Gregor Davidson, Dale McQueen.

Director: Liz Hare

Sound: Stewart Emm

Citadel Arts Group (SC 034687) is a Leith-based theatre company which specialises in creating new plays based on local stories, memories, and history.

Out Of Her Mouth: Written by women, about women, for women

Dunedin Consort, Hera and Mahogany Opera come together to breathe life into 300 year-old ‘operas’ that have never been staged in Britain before

23 June – 12 July 2023 

Findhorn, Glasgow, Edinburgh, York, London 

Élisabeth Jacquet de la Guerre Cantates Bibliques: ‘Judith’, ‘Rachel’ & ‘Susanne’ 

Carolyn Sampson, Anna Dennis, Alys Mererid Roberts – Sopranos 

Modern English translations by Toria Banks 

Directed by Mathilde Lopez 

Élisabeth Jacquet de la Guerre’s biblical cantatas are extraordinary historical jewels. Written by a woman, about women, for women, they tell bold, unflinching tales about love, marriage, tragedy and adultery, each one a tiny opera in all by name. 

These breath-taking miniatures – in new English translations by Toria Banks and directed by Mathilde Lopez – will receive their UK premieres more than 300 years after they were composed. 

Out Of Her Mouth will be performed in atmospheric, accessible settings that champion the ability of women to tell their own stories and narrate their own experiences from the Highlands of Scotland to central London. 

Translator, Producer & Joint Artistic Director, Hera Toria Banks said: “I’ve been thinking about this project since I first read and heard the Cantates Bibliques, particularly those that tell knotty stories about Biblical women, because while there are exceptions, complex narratives about female experience are pretty rare in the operatic canon.” 

But as much as the stories themselves, it’s also about the way they’re told, with a single female singer holding the stage in an authoritative way, and presenting the different characters including the men.  

Toria Banks added: “I think you can feel Jacquet de la Guerre’s confidence and ease as a mature composer in these pieces. Within each one there’s a lot of musical variety and a fascinating relationship between teller and tale, characterised by nuance and irony and all sorts of subtle shifts of tone. They’re very fleet of foot, which feels very contemporary.” 

Out Of Her Mouth is directed by Mathilde Lopez, a freelance director and the artistic director of August 012 theatre company.  

Mathilde Lopez said: “These are three stories about sex and power and ultimately the perpetuation of patriarchy. We are narrating the heroic moments in the lives of three women from the bible: Susanne, Rachel and Judith who endure and overcome different but equally perilous situations. 

“Surprising and complex, these baroque vignettes display varied dilemmas and moral contortions but all have in common the very recognisable fear, solitude and violence generated by constant unwanted sexual attention, harassment and objectification. Our women are all kneaded by male violence and the thousand years of abuse that comes with having a female body. 

“In Out Of Her Mouth we are presenting these three pieces together as variations on female oppression. Performed by 3 different singers, 4 musicians, 5 watermelons and 7 large blue rolls, we are staging the one long story of accumulated frustrations, anger, wounds and violences of Susanne, Rachel and Judith and lay it bare for the audience to see.  

“There will be knives, watermelons and destruction – with regular cleaning and resetting.” 

In writing an English version Banks set out to preserve the sinuous quality in the dynamic relationship between singer and story and audience.

“I think I’m always trying to translate ‘faithfully’, but you do have to be faithful to a number of different things at once.

“There are the original words (by Antoine Houdar de la Motte), but also I think you owe something to the central characters and their plausibility and wholeness as women, and to the emotional shape of the music which is aiming at effects on an audience that is very different to the one originally imagined (we can’t all be Louis XIV). And everyone deserves a clear, singable, idiomatic text.” 

It’s definitely a feminist project. But it’s not just about performing music by women. That’s important, but ‘Yay for women!’ isn’t enough. It’s a show about three women characters who are all trying to exercise agency and live fully in really constrained circumstances.

The actions they take, and the things that they bear, living under patriarchy come at a cost to themselves. There’s real power and beauty in hearing that expressed. 

The three characters and stories are told by three fabulous sopranosCarolyn Sampson immerses us in the story of Judith, Anna Dennis in that of Rachel and Alys Mererid Roberts brings us the story of the young Susanne.  

Throughout Out Of Her Mouth the three partners have sought to create opportunities for professional development, offering support and mentoring to an artist appointed by open call to each area of the production. 

Dunedin Consort has appointed Katarzyna Kowalik as harpsichordist, Hera has engaged Welsh soprano Alys Mererid Roberts, and Mahogany Opera has appointed Mathilde Lopez to the directorial team. 

Working with Mahogany Opera on Dido’s Ghost in 2021 marked the beginning of a wonderful new partnership for Dunedin Consort. 

Dunedin Consort’s Chief Executive, Jo Buckley commented: “It was a real meeting of minds, where we discovered a shared passion for exploring new ideas, pushing our boundaries, and opening up the world of opera in brilliant and creative ways.

“So, we are thrilled to be partnering with Mahogany Opera again for Out Of Her Mouth, and to be working with Hera for the very first time, particularly given their specialism in representing stories told by and about women.”  

This project marks the culmination of Dunedin Consort’s 22/23 season and is the perfect way to bring it to a close. Bringing early music to life and in fresh and insightful ways is at the heart of Dunedin Consort’s mission.  

Jo Buckley added: We want to spark curiosity in our listeners, and what could be more thrilling than Élisabeth Jacquet de la Guerre’s biblical cantatas, now 300 years old and never before staged in the UK?

“Composed by a woman, about women, for women, these powerful miniature operas deserve to be far better known – and we can’t wait to give them the prominence they deserve across Scotland, in York and in London this summer.” 

Making their work as accessible as possible to both audiences and performers drives all three ensembles. The potential to enjoy Out Of Her Mouth will be widened with the use of creative captions, audio description introductions and the film of it will be released later this year as part of National Centre for Early Music’s online Christmas festival. 

Out Of Her Mouth is a partnership between Dunedin Consort, Hera, Mahogany Opera and the National Centre for Early Music.

Performing arts students take centre stage in spring spectacular

Scotland’s freshest performers tread the boards at top Edinburgh venues

GIFTED STUDENTS at one of Scotland’s leading performing arts schools will take to the stage in a captivating spring showcase to flaunt their singing, dancing and acting skills.

In a series of highly entertaining performances, The MGA Academy will be showcasing the graduating class of 2023 as they perform well known shows including Jekyll and Hyde, Little Women and Jerry’s Girls alongside a Triple Bill of fantastic choreography, promising an unforgettable experience for audiences.

The Academy firmly believes in the educational value of students performing in front of live audiences and it is an integral part of its philosophy to offer the chance to put students’ learned skills into practice within a professional setting.

Marcella Macdonald, Principal of The MGA Academy, said: “Live performance is at the heart of everything we do here at the MGA Academy so we encourage all musical and theatre lovers to come along to watch the fantastic performances in the flesh.

“It’s so important for our students to have the opportunity to showcase their talents and for their family, friends and the general public to enjoy the fruits of their labour, especially after a challenging few years for the industry.

“We’re hoping to see a great turn out from the general public and they snap up tickets for one or more performances to support our students, who are some of the most exciting and driven young performers in Scotland.”

The spring showcase series will kick off on Thursday, 4 May with a radical reimagination of Robert Louis Stevenson’s classic Jekyll and Hyde, which will see the BA Hons Acting Class of 2023 portray the clash between civilised Victorian London and seedy Soho in a story of scientific experimentation.

Directed by Becky Hope Palmer, performances of the Edinburgh-inspired tale will be held at Assembly Roxy on Thursday, 4 May at 7.30pm, Friday, 5 May at 7.30pm, and twice on Saturday, 6 May at 2.30pm and 7.30pm.

For dance enthusiasts, a Triple Bill performance will be a showcasing of three exciting dance pieces devised by three different choreographers. While for those with a musical theatre interest can expect impressive performances of Little Women and Jerry Girls by MGA’s Musical Theatre cohort.

Marcella added: “The spring showcase is one of the school’s largest performance projects of the year and it really demonstrates the level of skills our aspiring performers have learned throughout their time with us – it is definitely not one to miss!”

The MGA Academy of Performing Arts was established in 2005 to provide a platform for aspiring performers to remain in Scotland while studying at a level equivalent to prestigious London colleges.

The performing arts school is Scotland’s only full accredited vocational college, holding Scottish Qualifications Authority (SQA), Council of Dance, Drama and Musical Theatre (CDMT) and Imperial Society for the Teachers of Dance (ISTD) certifications and also has a partnership with Bath Spa University to offer full-time degrees.

Find out more about the events on offer and buy tickets here: https://www.themgaacademy.com/shows-and-events/productions/

Learn more about the MGA Academy here: https://www.themgaacademy.com/

Free Chicken Western coming to Edinburgh next month

Adrenalism Theatre Presents 

The Good, The Bad and The Poultry

Give a man a chicken and he’ll eat for a day, give a chicken a gun and he’ll be the most ‘impeckable’ gunslinger this side of Texas.

Touring Scotland, Spring 2023. 

Adrenalism Theatre are clucking proud to present the first full tour of their chicken western The Good, The Bad and The Poultry.

Taking in venues across Scotland from 18 March – 7 May, this non-verbal exploration of fear sees two cowboy chickens, a turkey  and ‘Hennio Morricone’ (the live poultry band) explore being brave in the face of danger. 

The Good, The Bad and The Poultry is a free, outdoor performance for cowboys of all ages. “The Good” and “The Bad” chicken, along with the dim-witted turkey, find themselves in a typical Western Showdown, over the highly coveted big golden egg. Tensions rise, with all the tropes of your favourite western from a fast-paced chase to a tense standoff, and a musical shootout with everyone’s weapon of choice – handbells. Will our poultry find a way to coop-erate?

Once the precious big golden egg is laid in the perfect place, the peaceful coop suddenly becomes a saloon with a musical barman, seed shots and classic Wild-West interior.

This epic western will roll into town in Giffnock, Fife, Dunoon, Irvine, Arran, Aberdeen, Wick, Edinburgh, Cumbrae, Mull, Hawick, Duns and St Andrews.

Wrap around activities for families will see little cowboys making their own wanted poster, going on egg hunts and more – a whole day of eggcellent fun for all! 

The Good, The Bad and the Poultry is an outdoor, walkabout performance suitable for all ages. A fun, silly show featuring audience participation for all of the family. 

Adrenalism is a recipient of the Creative Scotland Open Project Fund.

Press Kit available to download here

Run Time: 40 mins

Age Recommendation: 4+

https://www.adrenalism.com/the-good-the-bad-and-the-poultry

Listings

March 

Eastwood Park Theatre, Giffnock -18 March

Forgan Arts Centre, Fife – 25 March

Dunoon Burgh Hall, Dunoon – 26 March

April 

Harbour Arts, Irvine- 1 April

Aberdeen City Council, Duthie Park – 6 April

Lyth Arts Centre, Wick – 8 April

WHALE Arts, Edinburgh – 11 April

Millport Community Hall, Cumbrae – 12 April

Mull Theatre, Mull – 15 April

Hawick Museum, Hawick – 22 April

The Beacon, Greenock – 29 April

Arran Theatre Trust, Arran- 30 April

May

Dunsplayfest, Duns – 1 May

The Byre, St Andrews – 7 May

Further Dates to be added

Creative Team

Created By Lewis Sherlock, Andrew Simpson, Ruxy Cantir and Richie Merchant

Produced By Christiana Bissett

Designed By  Fergus Dunnet

Kidnapped stars stop by Stevenson Statue

KIDNAPPED: A Swashbuckling Rom-Com Adventure

Adapted by Isobel McArthur with Michael John McCarthy  

Co-directed by Isobel McArthur and Gareth Nicholls   

Based on the novel by Robert Louis Stevenson  

Cast includes Malcolm Cumming, Christina Gordon, Kim Ismay, Danielle Jam, Fatima Jawara, Ryan J Mackay, Grant O’Rourke, David Rankine, Isaac Savage, and Karen Young.  

Composer and Music Supervisor Michael John McCarthy Set and Costume Design Anna Orton, Sound Design Clare Hibbert Video Design Tim Reid Lighting Design Ben Ormerod Casting by Michael Howell  

Supported by Sir Ewan and Lady Brown  

Touring the UK from Tuesday 28 March to Saturday 13 May 2023  

Opening at the Beacon Arts Centre, Greenock and touring to Theatre Royal, Glasgow; Royal Lyceum Theatre, Edinburgh; Eden Court, Inverness; Perth Theatre and Northern Stage, Newcastle from March to May 2023.    

Opening Performance at the Beacon Arts Centre on 31 March 2023  

 Kidnapped, Robert Louis Stevenson’s adventure-classic is touring Scotland and Northern England in a riotous new retelling for 2023. 

19-year-old Davie Balfour has never left home, never been kissed and never fired a gun. Armed with nothing but a hand-drawn map, he heads off on an adventure like no other – quickly realising that he has lot of catching up to do. The production follows Davie on a journey of eye-opening discovery as he navigates murderous foes, Jacobite outlaws and the most inept crew of pirates this side of the Atlantic.    

Kidnapped was originally written as serialised fiction in the magazine Young Folks from May to July 1886, then first appeared in book form published by Cassell and Company in July 1886. The novel, and author Robert Louis Stevenson, both have a number of local connections to the city of Edinburgh. Stevenson was born and raised in the City, studying at the University of Edinburgh. The city and the surrounding geography influenced his writing, and Kidnapped takes place in locations familiar to Edinburgh locals.

In 2004, Edinburgh was designated the world’s first UNESCO City of Literature, and to celebrate, almost 15,000 copies of Kidnapped were given away as part of a city reading campaign in 2006. The Writer’s Museum in Edinburgh presents the lives of three prominent of Scottish writers, one of them being Robert Louis Stevenson. Visitors to the museum can see a collection of portraits, photographs, personal possessions and treasures that Stevenson found on his own travels.

The climax of the novel, Kidnapped takes place upon Corstorphine Hill, where a statue dedicated to Robert Louis Stevenson now stands, on Corstorphine Road. The 15-foot-tall statue was sculpted by Alexander Stoddart and depicts principal characters Alan Breck Stewart and Davie Balfour.

A number of the streets in Dumbrae and Clermiston area take their names from locations and characters in the novel.

Rannoch Road, Duror Drive and Morven Street are named after real locations that Alan and Davie visit, and Essendean Place and Terrace are named after a fictional location created by Stevenson. Hoseason Gardens plays tribute to character Captain Hoseason, Ransome Gardens to fictional cabin boy Ransome and Alan Breck Gardens to Alan Breck Stewart.

Actors Malcolm Cumming and Ryan J Mackay recently visited the statue, ahead of the new stage reimagining of Kidnapped coming to the Royal Lyceum Theatre in Edinburgh. Malcolm and Ryan are playing Alan Breck Stewart and Davie Balfour, respectively.

Kidnapped has been reimagined by Isobel McArthur with Michael John McCarthy, who previously teamed up for the Olivier award-winning Pride and Prejudice* (*sort of), in a colourful new take on the classic historical novella and is packed full of 20th century pop music and 18th century romance, all performed by a dynamic ensemble of actor-musicians.

This vibrant production is a coming-of-age romcom for today, which celebrates the poetry, humour, and heart of Stevenson’s writing. Edinburgh audiences can see Kidnapped when it visits the Royal Lyceum Theatre in Edinburgh from the 11 to 22 April 2023, after opening in Greenock, or catch the show on tour in Glasgow, Inverness, Perth, and Newcastle from March to May.

Ryan J Mackay, who is playing Davie Balfour, was most recently seen on stage in Harry Potter and the Cursed Child, and he will be joined by Malcolm Cumming as Alan Breck Stewart, familiar to Scottish audiences from the acclaimed James IV: Queen of the Fight, (Raw Material and Capital Theatres, in association with National Theatre of Scotland) which toured Scotland in late 2022.  

They will be joined on this adventure by a talented ensemble including: Christina Gordon, who will be reuniting with Isobel McArthur and Michael John McCarthy after her run as an original cast member of Pride and Prejudice* (*sort of), for which she was nominated for a Laurence Olivier Award for Best Actress in a Supporting Role; David Rankine who is a Scottish actor most recently seen in the revival of the National Theatre of Scotland production of Rocket Post, which featured song arrangements from Michael John McCarthy; Kim Ismay is perhaps most familiar to audiences for playing the role of Tanya in the West End production of Mamma Mia, and Madame Morrible in the international and UK & Ireland tours of Wicked; Danielle Jam, who recently worked with Raw Material, Capital Theatres and National Theatre of Scotland as one of the lead roles in James IV: Queen of the Fight and will be reunited with her James IV co-star Malcolm Cumming in KidnappedGrant O’Rourke has done extensive work in theatre, television, film and radio, and is most familiar to Scottish audiences for his role in Outlander, and more recently, Shetland; Isaac Savage is an actor, musician and composer who will joining the ensemble as the Performing Musical Director for Kidnapped, and last year was the Performing Musical Director for Cinderella at Dundee Rep; Karen Young is a Scottish actress, recently appeared in Cinderella at Dundee Rep; Fatima Jawara was most recently seen as the titular role in Eastern Angles’ Christmas production of Little Red.

Join the conversation: #Kidnapped  

Touring to Beacon Arts Centre, Greenock (previews Tue 28, Wed 29, Thurs 30 March) Fri 31 March – Sat 1 April 2023; 

Theatre Royal, Glasgow Wed 5 – Sat 8 April 2023,

Royal Lyceum Theatre, Edinburgh Tue 11 – Sat 22 April 2023; 

Eden Court, Inverness Wed 26 – Sat 29 April 2023; 

Perth Theatre Wed 3 – Sat 6 May 2023 and 

Northern Stage, Newcastle Tues 9 – Sat 13 May 2023.   

Full tour information here.  

The People Woke Up

ice&fire present new Actors for Human Rights theatre piece

  • A new script and production for theatre company ice&fire’s long-running Actors for Human Rights project, focusing on the 2020 election crisis in Belarus and its fallout
  • A ‘political education project’ based on interviews and testimony of the Belarussian diaspora, including former political prisoners, presented as a rehearsed reading with four Belarusian actors. Award-winning poet Hanna Komar performs as herself
  • The piece will premiere in Edinburgh with two performances, one at the Scottish Parliament on September 28th and the other at the Scottish Storytelling Centre in Edinburgh on September 29th, before being made available for touring around the UK
  • ice&fire explore human rights stories through performance

The People Woke Up‘ is a new script from ice&fire’s long-running Actors for Human Rights project, focused on the 2020 election crisis in Belarus, its fallout and how its impacts are still felt today.

A partnership with The People’s Consulate of Belarus in Scotland, this new dramatic work tells the stories of people whose lives were changed forever in Belarus in 2020 following the rigged presidential election where Alexander Lukashenko further extended his 27 year reign.

Following the election, hundreds of thousands of Belarusians went out onto the streets to demonstrate and protest for justice and democracy. This resulted in the most widespread and violent crackdown in Lukashenko’s reign, with thousands of peaceful protestors arrested, tortured, and killed at the hands of the security forces.

Presented as a rehearsed reading with four Belarusian actors and comprised of first-hand testimony from the Belarusian diaspora across Europe, this new work tells the stories of some of the people who were caught up in these tumultuous events and the impacts that are still felt today.

A unique political education project, ‘The People Woke Up’ will premiere in Edinburgh with two performances: an abridged version at the Scottish Parliament on September 28th and a full version at the Scottish Storytelling Centre on September 29th, before being made available for touring around the UK. This project is supported by Creative Scotland.

Artistic Director of ice&fire, Christine Bacon, said: “While the protests across Belarus attracted the attention of the world in August 2020, the cameras have now moved on.

“However, the people of Belarus continue to resist and risk their freedom and their lives with the aim of removing the Lukashenko regime so a new nation can be built.

“With this new script, we invite audiences to listen to stories from the people at the heart of this struggle and ask themselves what they can do in solidarity with the people of Belarus.”

Irina McLean from The People’s Consulate of Belarus in Scotland said: “Sergey Tichanousky – 18 years of imprisonment. Aliaksandr Ivulin – 2 years of imprisonment. Maria Kolesnikova – 11 years of imprisonment. A vlogger. A sports journalist and footballer. A musician. Not criminals but citizens of THEIR country, who want it to be set free of pain, absurd autocracy and dictatorship.

“It is our pain. Every Belarusian feels it and this amazing opportunity to share it with others should help us to heal. This production will help us to tell our story. The story of our fight.”

One Last Week, a whole new batch of shows at theSpaceUK!

It’s not over yet: hidden gems galore, more new musicals, and juicy comedies are hitting theSpaceUK stages for one last rip-roaring week of shows

Week 3 is here: bringing you one last knockout selection of shows. Dramatic dance double bills, surreal murder-themed comedy shows, and getting stuck in elevators: it’s all go as we plunge into a fantastic final week at the Fringe.

Here’s a just a sample of the new shows gracing theSpaceUK from 22nd – 27th:

Cheaper than a night at Balmoral!
Hotel Elsinore (theSpace on the Mile, 22-27)

Denmark. 2am. A hotel room. Three weary travellers, an unexpected will, and a production of Hamlet to rehearse before morning. Tragedy and humour blend in this new play by award-winning performer Susanna Hamnett, with Joshua and Lily MacGregor.

Can you teach an old dog new tricks?
The New Rock’n’Roll (theSpace @ Niddry St, 22-27)

A washed-up stand-up comedian tries to reclaim his mojo but fails miserably at the hands of his younger, more popular support act who he sets out to sabotage.

Sweet, sweet music
The Aca-prentice: Sales Pitch (theSpaceTriplex, 22-27)
Lord Alan Sugar tests the nerves and voices of the hungriest hopefuls in the a cappella world as they compete to be his aca-prentice. Watch our candidates tackle tasks to test their ability through chart-topping songs!

Talent that’ll hit you hard
SMACK & Spektakel (theSpaceTriplex, 21-24)

SMACK & Spektakel offers an adventurous double bill of dance, refreshing the commentary on the empowered female body, while questioning the relationship between performance and identity.

Breaking a murderer…
The Rodney Buzzard Tapes: Evidence of an Honourable Man
(theSpace on the Mile, 23-27)
A surreal sketch show that tells the story of Britain’s least-successful serial killer, Rodney Buzzard. A satire of murder documentaries that will probe the hidden depths of the criminal underworld.

Theatre this good is a crime
In Her Defence (theSpace on North Bridge, 22-27)
1947. A man is dead. His wife has killed him. As a court hears the evidence leading up to the murder, you’ll witness the disintegration of the couple’s marriage revealing the real, surprising truth.

Get stuck right in to new drama
Going Down (theSpace on North Bridge, 22-27)
Four students stuck in an elevator, with nothing to do except talk to each other. An exploration of how easily we allow our mental heath to stagnate.

It’s wild how good our musicals are
Boom Town (theSpace @ Surgeons’ Hall, 22-27)

Set in wild-west Arizona, Beau has come of age and must prove herself to her father. Can she save her town by taking on the outlaw? A new musical that puts a bluegrass twist on contemporary musical theatre.

Something to really celebrate
birthday girl (theSpace on the Mile, 22-27)

This is a play about birthdays. It’s also about growing up, the future and the inevitability of ageing – a prospect that the birthday girl is finding increasingly unnerving.

Start battling for the tickets!
Battle: A Modern Mystery Play (theSpace @ Niddry St., 22-27)

War again. It’s 1066, William fights Harry! How do mothers, queens, wives and daughters cope? Gather their skirts and soldier on. Telling stories in plays and songs; working, travelling, gazing at Halley’s Comet in awe.

You don’t know them yet, but you will soon…
Women You Know (theSpace @ Symposium Hall, 22-27)
The morning after a drunken rendezvous with an old boyfriend, a woman and her friend discuss autonomy, identity and bad sex. A frank new comedy about the hypocrisies of modern womanhood.

It’s just as well you found her:
Lost and Found: A Cellist’s Journey (theSpace @ Niddry St., 22-27)

In her most intimate musical performance, cellist Jablonska explores how identities are made, unmade and remade on a personal and musical journey from Poland to Scotland, as part of MadeInScotlandShowcase.com.

A show you could see over and over…
Water Fruit Loops (theSpace @ Niddry St., 22-27)
Richard, a student, finds himself stuck in a time loop after hooking up with his ex. Rather than utilise the period for self-reflection, Richard jumps at the opportunity to keep hooking up with his ex.

About theSpaceUK

Established in 1995, theSpaceUK hosts the largest and most diverse programme at the fringe. Companies, both professional & amateur, are given an affordable, supportive and professional platform to showcase their work. 

About the venue

theSpaceUK operates 19 venues across 7 sites including: theSpace @ Surgeons’ Hall, theSpace @ SymposiumHall, theSpace on North Bridge, theSpace on the Mile, theSpaceTriplex, the Space @ Venue45.

Follow us
www.thespaceuk.com
@theSpaceUK
facebook.com/thespaceuk

Fringe 2022: Is This the Real Life?

Microcosm Theatre Company

  

Is This the Real Life? 

China or the UK? Where should I go? What happens after I graduate? The things you ignore during the day will often creep into your dreams.

Gripping reflections on the subconscious intermingle in this showcase of the ideologies and anxieties of a Chinese international student.

Overseas students consider these  things every few seconds: the anxieties of uni life, and the dilemma of the ominous  life after graduation.

Is this real life? explores cultural stereotypes, freedom, an antitheist encountering gods and Chinese allegory in an entrancing and thought-provoking play. 

Chinese students Hongye Chen and GuoZhao Sun, drama students at the University  of Exeter, are Microcosm. The pair of theatre-makers, and dreamers, are excited to  bring their first show to the Fringe. 

Listings information 

Venue: theSpace on the Mile 

Dates: 22-27 August 2022 (not 24) 

Time: 11:30 (0hr40) 

Ticket prices: £6 / concessions £3 / children £3 

Fringe box office: 0131 226 0000 / https://tickets.edfringe.com 

Suitable for all ages

Fringe 2022: Hedda, the Ibsen Classic Reimagined for Today

A modern-day twist on Ibsen; Hedda is bored. She spends her days manipulating the people in her house, hiding behind the lenses of her CCTV cameras and a facade of decency. 

The arrival of her ex-lover ignites flames of passion and destruction, unravelling her true desires. He’s got a woman under his arm, money in his pockets and a plan to change the future. Time without Hedda seems to have only done him good. 

An invitation into the decadent world of a newly married woman, engulfed in a competitive, high-tech and male-dominated environment.  Between Campari shots and lines of Cocaine, she embarks on a mission of destruction. 

Hedda

Wonderlabs

Theatre (drama, modern)

Venue 236 – Greenside @Infirmary Street – Forest Theatre

Aug 15-20, 22-27

12:30 1 hour

Social:

Twitter – https://twitter.com/hedda2022ed
Instagram – https://www.instagram.com/hedda2022ed/
Facebook – https://www.facebook.com/Hedda-2022-107595718589377

theSpaceUK celebrates the opening of 2022 programme

theSpaceUK kicks off their 27th year at the Edinburgh Festival Fringe in style

It was a night to remember as theSpaceUK kicked off their 27th year at the Edinburgh Festival Fringe with a powerhouse performance packed launch at theSpace Triplex.

Artists from a wide variety of genres came together to wow audiences with a small flavour of the 400+ shows available in this year’s programme. Featuring eleven fantastic acts, the launch was a showcase of music, comedy, theatre and packed with plenty of action, to give a taste of the talent on show at theSpaceUK this year.

theSpaceUK pioneered the return of grass roots performance to the festival last year and continues to offer the most established programme for new and original writing as well as established work offering that unique and special experience that can only be found in Edinburgh during August.

Highlights from theSpaceUK Press Launch


Kicking off proceedings was the Hip Hop Orchestra Experience direct from California which seamlessly fused hip-hop and classical music. Upcoming theatre company koi collective premiered a new comedy at the Edinburgh Fringe, Crossing the Void, with a swirl of intrigue and emotion.

A multimedia hybrid, part live stand-up, part film, Apartness featured Sylvester McCoy, Linda Marlowe in a tale of two isolated souls and their devilish comedian saviour. Prejudice & Pride was new folk musical comedy that reimagines Jane Austen’s classic novel in modern America with gender-swapped characters.

How do predators justify what they have done? Why do some victims survive and others perish? Brother’s Keeper is about courageous survival. Merrill gets diagnosed with ADHD as an adult and tries to make sense of her life and chaotic childhood in Merrill Means Well.

The Mistake is a compelling new play by Michael Mears that explores the events surrounding the catastrophic “mistake” that launched our nuclear age.

UK Underdog is a solo show based on true events in a London, Jewish boy’s life told with humour and plenty of chutzpah.

A modern tale of the gay scene which can be harsh and lonely, Soho Boy is packed with glamour, sex and songs.

One-liners and light-hearted jokes from the UK Pun Championships winner 2022 and Scottish Comedian of the Year runner-up 2021, Richard Pulsford had the audience in stitches.

Puppet Pansori Sugungga is an untraditional staging of classical Korean themes using the traditional puppetry of pansori and live music. All hosted by the freshest comedian at the Fringe, It’s Fraser Brown.

About theSpaceUK

Established in 1995, theSpaceUK hosts the largest and most diverse programme at the fringe. Companies, both professional & amateur, are given an affordable, supportive and professional platform to showcase their work. 

About the venue

theSpaceUK operates 19 venues across 7 sites including: theSpace@Surgeon’sHall, theSpace@SymposiumHall, theSpace on North Bridge, theSpace on the Mile, theSpaceTriplex, the Space@Venue45. Further details will be revealed in the coming months.

Follow us

www.thespaceuk.com
@thespaceuk
facebook.com/thespaceuk