Scotland’s freshest performers tread the boards at top Edinburgh venues
GIFTED STUDENTS at one of Scotland’s leading performing arts schools will take to the stage in a captivating spring showcase to flaunt their singing, dancing and acting skills.
In a series of highly entertaining performances, The MGA Academy will be showcasing the graduating class of 2023 as they perform well known shows including Jekyll and Hyde, Little Women and Jerry’s Girls alongside a Triple Bill of fantastic choreography, promising an unforgettable experience for audiences.
The Academy firmly believes in the educational value of students performing in front of live audiences and it is an integral part of its philosophy to offer the chance to put students’ learned skills into practice within a professional setting.
Marcella Macdonald, Principal of The MGA Academy, said: “Live performance is at the heart of everything we do here at the MGA Academy so we encourage all musical and theatre lovers to come along to watch the fantastic performances in the flesh.
“It’s so important for our students to have the opportunity to showcase their talents and for their family, friends and the general public to enjoy the fruits of their labour, especially after a challenging few years for the industry.
“We’re hoping to see a great turn out from the general public and they snap up tickets for one or more performances to support our students, who are some of the most exciting and driven young performers in Scotland.”
The spring showcase series will kick off on Thursday, 4 May with a radical reimagination of Robert Louis Stevenson’s classic Jekyll and Hyde, which will see the BA Hons Acting Class of 2023 portray the clash between civilised Victorian London and seedy Soho in a story of scientific experimentation.
Directed by Becky Hope Palmer, performances of the Edinburgh-inspired tale will be held at Assembly Roxy on Thursday, 4 May at 7.30pm, Friday, 5 May at 7.30pm, and twice on Saturday, 6 May at 2.30pm and 7.30pm.
For dance enthusiasts, a Triple Bill performance will be a showcasing of three exciting dance pieces devised by three different choreographers. While for those with a musical theatre interest can expect impressive performances of Little Women and Jerry Girls by MGA’s Musical Theatre cohort.
Marcella added: “The spring showcase is one of the school’s largest performance projects of the year and it really demonstrates the level of skills our aspiring performers have learned throughout their time with us – it is definitely not one to miss!”
The MGA Academy of Performing Arts was established in 2005 to provide a platform for aspiring performers to remain in Scotland while studying at a level equivalent to prestigious London colleges.
The performing arts school is Scotland’s only full accredited vocational college, holding Scottish Qualifications Authority (SQA), Council of Dance, Drama and Musical Theatre (CDMT) and Imperial Society for the Teachers of Dance (ISTD) certifications and also has a partnership with Bath Spa University to offer full-time degrees.
Resident, Sandy Alexander a 95 year old lady at Strachan House had always wanted to return to watch the ballet so staff at the home made her wish a reality.
Sandy was an accomplished ballet dancer in her younger years and fondly talks of her younger dancing days mainly in Rugby, Warwickshire.
Sandy Alexander has lived at Strachan House for a number of years and is beloved by staff and residents alike. Staff at the home were delighted to be a part of making her dream come true, as they knew how much it meant to her, and they all wanted to be there to see the smile on Sandy’s face as she was surprised with a trip to watch Swan Lake performed by the Birmingham Royal Ballet at the Festival Theatre in Edinburgh.
Staff first found out about Sandys dream as she had always spoke about her time as a ballet dancer. She takes part in many exercise classes at the home and it was clear how much she loved being a dancer with her moves and chat about how she was On Pointe.
Ever since learning about Sandy’s passion they have been dedicated to helping her achieve it her dream of returning to the ballet. Sandywas also accompanied by staff, who were there in support of this momentous occasion.
In response to this wonderful surprise, Sandy said: “It was amazing and I never thought I’d ever see the ballet again. The powerful music and dancers just filled me with memories that came flooding back of my time preforming. It truly was an amazing surprise and one I won’t forget”
Gordon Philp, General Manager at the home, said: “We want everyone we care for to know how important they are to us here at Strachan House. It was so nice to see how happy Sandy was – and the staff loved being a part of this as well.”
Strachan House care home is run by Barchester Healthcare, one of the UK’s largest care providers, which is committed to delivering personalised care across its care homes and hospitals. Strachan House provides residential care, nursing care and dementia care for 83 residents from respite care to long term stays.
This Mother’s Day, mother and daughter Aileen Robertson and Eilidh McMillian share stories about their special time performing together at the iconic Edinburgh Castle Esplanade as part of The Royal Edinburgh Military Tattoo.
Connected through their family bond and mutual love of dance, they have been involved with the Tattoo for many years, with Eilidh having performed on the iconic Edinburgh Castle Esplanade and Aileen leading the Tattoo Dancers as Dance Director since 2014.
A previous Champion Dancer, Eilidh first performed at the Tattoo in 2014 and performed with the illustrious Show for three years before becoming the Dance Captain working alongside her mum. For both Aileen and Eilidh, dance is a central component of their lives, and the opportunity to be part of the world-famous Tattoo is a career highlight.
Speaking about her experience at the Tattoo, Eilidh said: “I danced for the first time when my Mum took over in 2014 and I absolutely loved it and have great memories.
“After I became Dance Captain, I made a very good reserve dancer for the team and in fact was required to dance in the Show most recently in 2018.”
Aileen added: “The Tattoo is always a highlight every year and I’m always excited to see the Show coming together.
“It is great to work with a talented team of people to produce the show. It’s exciting to feel the buzz from the audience as they arrive onto the Esplanade. You are surrounded by excitement and an audience waiting in anticipation to view the Show.”
It has never been a challenge for Aileen and Eilidh to work together. Eilidh explains that like all her dance classmates, she had to prove that she wanted to dance for herself and earn her place in the team. Being able to work together at the Tattoo was a special time for them both, as they were able to share in and experience the diversity and the global connection that the Tattoo brings.
Aileen continued: “We both have a passion for what we do, and working together is always great fun. We have a close relationship so I can rely on her loyalty and commitment, both professionally and personally. She is always by my side if I need her.”
When not supporting the production of the Tattoo, Aileen can be found at her own Dance School in Ayr running classes four nights a week. She is also a Fellow and Examiner of the Scottish Dance Teachers’ Alliance (SDTA), a Life Member of the British Association of Teachers of Dancing (BATD) and an Adjudicator on the Worldwide Panel of Adjudicators of the Royal Scottish Official Board of Highland Dancing.
Eilidh works closely with her mother teaching full-time at the Dance School, covering all classes when Aileen is overseas or on Tattoo business. Like her mother, Eilidh is a Fellow and Examiner of the SDTA and an Adjudicator on the Worldwide Panel of Adjudicators of the Royal Scottish Official Board of Highland Dancing.
A mother herself to two-year-old Thomas, Eilidh concluded: “Everything good about me, came from my mum. If I can be half the mother that she is, I will consider motherhood a success.”
The special connection, sparkling creativity, and outstanding talent that Aileen and Eilidh both bring to the Tattoo shines through in their contribution to each rehearsal, performance, and Show. As the Tattoo prepares to bring Stories to the Edinburgh Castle Esplanade this coming August, Aileen and Eilidh’s story is a reminder of what the Tattoo represents.
Jason Barrett, Chief Operating Officer of The Royal Edinburgh Military Tattoo, said: “This year’s Tattoo Show Stories brings people together from every corner of the world to share tales of the joy of each other’s cultures.
“It’s the people, like Aileen and Eilidh, that truly bring the Tattoo story to life and come together to make, build, and strengthen relationships each and every August.
“Under the stars at the landmark Edinburgh Castle Esplanade, our performers – our very own Tattoo family – will bring a collection of unique stories and experiences this August that will delight audiences near and far.”
Stories will run from 4-26 August 2023, featuring the military at the heart of the showcase with the Royal Air Force confirmed as the lead service.
Audiences can expect the magnificent sounds of the Massed Pipes and Drums filling up the Esplanade alongside performances from the incredibly talented Tattoo Pipes and Drums and Tattoo Dancers.
Further details about Stories will be announced in the coming months.
To purchase tickets for the summer’s Show, visit edintattoo.co.uk/tickets or call 0131 225 1188.
Edinburgh Tradfest has launched its 2023 programme of traditional live music, storytelling, dance, workshops, talks, ceilidhs, and special events taking place at various venues across the city, thanks to continued support from The National Lottery through Creative Scotland and the William Grant Foundation.
Over the 11 days of the Festival, hundreds of artists and musicians will perform, including American folk singer, two-time winner, and six-time Grammy nominee Rhiannon Giddens with Francesco Turrisi, who will kick off the festival at the Assembly Rooms on Friday 28 Aprilsupported by special guests Roo Geddes and Neil Sutcliffe.
Over the opening weekend the programme is packed with music, dance, song, and special events including a screening of award-winning documentary film Heading West: a story about a band called Shooglenifty; performances from Orcadian powerhouse FARA, legendary pipers Rona Lightfoot and Allan Macdonald, Austro-British, singer-songwriter, folk-punk musician Alicia Edelweiss; tenor banjo player Ciaran Ryan and his band; and live music (Fri-Sun) until late at the Traverse Theatre Bar.
Plus, at the Scottish Storytelling Centre, the festival kicks off with the return of Pomegranates – a weekend of dance, performance, and workshops run by the Traditional Dance Forum of Scotland to celebrate International Dance Day (29 April); and the second North Atlantic Song Convention run by the Traditional Music Forum takes place, with delegates from around the world gathering in Edinburgh to celebrate and learn about our rich song traditions.
Unmissable highlights continue during the first weekwith Two for Joy a new piece of music commissioned specifically for the festival, composed and arranged by award-winning harpist Ailie Robertson, and performed by Neil Sutcliffe, Alice Allen, Alastair Savage, Josie Duncan, and Heather Cartwright. Two for Joy explores the use of birdsong in music and folklore, and the positive impact it can have on our mental health.
Musicians also performing during the first week are BBC Radio Scotland Young Musician of the Year 2023 Amy Laurenson with her newly formed trio; Mississippi Delta songbird Bronwynne Brent who was crowned Female Vocalist of The Year by Americana UK in 2019; Swedish nyckelharpa player Fredy Clue; America’s masters of old-time, bluegrass, classic country and Cajun music The Foghorn Stringband; trailblazing cellist Juliette Lemoine(who counts SAY-award winning pianist Fergus McCreadie among her A-list backing band); award-winning singer and composer Kim Carnie; Northumbria’s Kathryn Tickell OBEwho has twice won ‘Musician of the Year’ at the BBC Radio 2 Folk Awards, performing with her band The Darkening; and Gnawa musician Omar Afif in a collaboration with local sax wizard Steve Kettley.
At the Scottish Storytelling Centre the week one programme is packed with fantastic events including a talk on naturalist Nan Shepherd (author of The Living Mountain) conducted by Erlend Clouston; a performance by the Scots Opera Project of the acclaimed The Seal-Woman written by Marjory Kennedy-Fraser and Granville Bantock in 1924; Shapeshifters which returns with more terrifying and tragic folktales from Scotland including the Seal Killer of Duncansby Head and Saba the deer mother told by storyteller Fiona Herbert with song, harp and fiddle from Emma Durkan; open-floor storytelling at the Waverley Bar with Ailsa Dixon; and for younger audiences, folklorist Allison Galbraith will be telling stories from her latest collection Funny Folk Tales for Children.Plus, to celebrate Deaf Awareness Week, Solar Bear will present a panel discussion and a series of new films created and developed over the last three years exploring deaf folklore, deaf identity and disability.
Week two of the Festival also offers a packed programme including spring ceilidhs at the Scottish Storytelling Centre; the traditional May Day March – Fighting Back Together (6 May) which travels down the Royal Mile culminating in a rally against unjust labour laws and the cost of living crisis at The Pleasance; a performance of the ancient and much-loved border ballad of Thomas the Rhymer narrated by Julia Munrow and with music by John Sampson; tales of bees, birds, and international stories performed by Susan Strauss (Oregon, USA) chosen from her book Tree with Golden Apples; the launch of Stuart McHardy’s new book The Nine Maidens: Priestesses of the Ancient World;and Donald Smith presenting his recently published Storm and Shore a bardsaga for our times, reflecting our need for contemporary solace and sanctuary close to nature.
At the Traverse the musical talent continues with a Hands Up For Trad concert for #WorldPlayAStrathyspeyDay (6 May) with musicians Graham Mackenzie, Madeleine Stewart, Rory Matheson and Adam Sutherland performing a mix of trad strathspeys, reels, marches and the official strathspey written for the new king; a performance by Rory Matheson and Graham Rorie whose album We Have Won The Land celebrates the success of the Assynt Crofter’s Trust in buying back the North Lochinver Estate from a Swedish land speculator 30 years ago; music from daughter/father duo Dirk and Amelia Powell from Louisiana who bring their deeply rooted Cajun, Appalachian and original sounds to the festival for the first time; nu-folk singer-songwriter and ukulele musician Zoë Bestel; 2022 MG ALBA Musician of The Year nominee fiddle player Ryan Young; the Edinburgh Folk Club returning with husband and wife combo Jim and Susie Malcolm; and, to close the festival, award-winning musical geniuses Ross Ainslie (Treacherous Orchestra, Salsa Celtica) and Tim Edey (Chieftains) will raise the roof with an unmissable festival finale of foot-stomping tunes topped with great banter.
This year the festival also presents its first ETF Spotlight which will showcase some of the most exciting new performers emerging in folk and traditional music today including high energy folk band Falasgair; guitarist and singer-songwriter Heather Cartwright; folk musician and activist Maddie Morris; and the Madeleine Stewart Trio which includes Rory Matheson (piano) and Craig Baxter (bodhran).
Throughout the Festival there will also be workshops for all levels including the Edinburgh Youth Gaitherin weekend for 13-18 year olds; Cajun and Appalachian tunes/songs with Dirk and Amelia Powell, fiddle tunes with Ryan Young, a Shetland tunes workshop with Amy Laurenson; and storytelling with international storyteller Susan Strauss (Oregon USA).
Finally, Edinburgh Tradfest is delighted to host this year’s Rebellious Truth lecture/recital presented in collaboration with Celtic and Scottish Studies at the University of Edinburgh, which will explore mental health issues in the music industry.
Led by Gaelic singer, composer, researcher and broadcaster Mischa Macpherson who will be joined on stage by Celtic and Scottish Studies musician-in-residence Fraser Fifield. This event is free but ticketed, and will be live-streamed.
Speaking at yesterday’s launch, Alan Morrison Head of Music at Creative Scotlandsaid: “With its potent mix of music, dance, song and storytelling, Tradfest is a true reflection of Scottish culture – past, present and future.
“Newly commissioned work sits alongside favourites from the treasure trove of Scotland’s heritage, all of which is enriched by the international artists who are threaded through the programme. At a time when respect and tolerance for different cultures is under global threat, Tradfest offers a shining example of how we can celebrate both our shared humanity and our distinct traditions.”
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “We are super excited about the scope of this year’s festival, not to mention the quality of the performers from Scotland and overseas: from Grammy-winners to homegrown superstars; visiting virtuosos to emerging talent; tunes with centuries of tradition to new writing.
“We have it all. Every day of the festival is brimming with talent and we encourage everyone to connect with their favourites and try something new. You can be assured of a warm welcome.”
Steve Byrne, Director of TRACS (Traditional Arts and Culture Scotland): “TRACS is delighted to contribute a rich offering from across the traditional arts to this year’s Tradfest.
“The festival is a fantastic platform for singers, dancers, musicians and storytellers to follow in the great Edinburgh spring tradition of celebrating our traditional cultures both local and global.”
Daniel Abercrombie, Programme & Events Manager, Scottish Storytelling Centre:“Tradfest is a chance for us to celebrate a range of traditional arts through live performance and participation.
“The Storytelling Centre’s programme has themes of nature and the environment running through it with ceilidhs, long-form storytelling, dance and song events, sitting alongside Celtic opera, BSL digital storytelling and family events. Something for everyone this spring!”
Musician Amy Laurensonsaid: “I’m delighted to be performing at this year’s Edinburgh Tradfest in May.It’s an absolute pleasure to be part of today’s event and to give everyone a taste of what to expect to hear from us.
“Winning Young Trad Musician of the Year was absolutely fantastic and I am super excited to see what the next year holds.”
Edinburgh Tradfest 2023will run from Friday 28 April – Monday 8 May.
More shows to be announced in coming months, as one of the world’s best-loved celebrations of arts and culture returns
Today, Thursday 16 March, the Edinburgh Festival Fringe Society is delighted to announce that the first shows for the 2023 Edinburgh Festival Fringe will be available to book at edfringe.com.
This year’s Fringe takes place from 04 – 28 August 2023 and will feature an exciting range of shows, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events and more all represented in the programme.
Tickets for 190 shows will be released at 12:00 GMT today, with more shows set to be announced onThursday 30 March and Thursday 11 May.
The official launch of the festival, including the reveal of the iconic printed programme, will take place on Thursday 08 June.
Below is a small representative sample of shows available to book from today. The full list of shows released today can be found at edfringe.com.
Commenting on today’s announcement, Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: “Along with the programme launch and the first Friday in August, the announcement of the first batch of shows is one of those thrilling moments in the Fringe calendar.
“The whole Fringe community has been working behind the scenes to prepare for the festival for months now, but having actual shows to browse and book makes the build up to this year’s Fringe that bit more tangible.
“The Fringe is made possible due to a cast of thousands – artists, audiences, venue staff, industry, media, sponsors, partners and local businesses. It’s never too early to start planning a trip to the Fringe; booking early is also a brilliant way to support artists, to let them know there’s already an audience waiting for their show to come to Edinburgh.
“We’ll be announcing a lot more over the coming months, including details of our much-anticipated new app, so stay tuned!”
Theatre
At theSpaceUK, Call me Elizabeth joins Elizabeth Taylor in ‘an intimate look at the movie star’s early life, career, and loves as she grapples with the culture of celebrity and her place as Hollywood’s brightest star’. In Gilbert and Sullivan’s Nightmare at Greenside, we join Old Adam on awards night, ‘hoping he might just get the recognition he deserves’. Audience participation such as ‘sharing a memory and joining in with songs’ is encouraged at Memories of the Early 1950s (Just the Tonic). Combining drag, multimedia, audience interaction, puppetry and a lot of queer joy’, Diana: The Untold and Untrue Story is at Pleasance.
At C venues, Love is Blue follows Olly, a hard-drinking city trader recovering from the death of his boyfriend, who has ‘a chance encounter with homeless teenager Aaron’. Making History by Stephen Fry (St Ninian’s Hall) is ‘the first-ever stage adaptation of the 1996 novel’ in which a student and a physicist discover ‘they have the power to alter history and eradicate a great evil’. At The Stand’s New Town Theatre, Agent November’s Indoor Escape Game – Murder Mr E is a ‘unique blend of immersive escape room and murder mystery’.
Comedy
Chloe Petts is at Pleasance with her new show, If You Can’t Say Anything Nice, and Grace Campbell is offering A Show About More Me(n) at Gilded Balloon. JoJo Pat is Sober and Alive at Just the Tonic, The Sheraton Grand Hotel is offering its Pick of the Fringe and Marjolein Robertson is presenting Marj at The Stand Comedy Club. At theSpaceUK, Escape Velocity presents ‘an anecdotal, confessional, funny story of a rocket scientist’s journey through sex addiction’.
Some famous folk off the telly are coming to the Fringe this year: Frank Skinner and Gyles Brandreth will be at Assembly, Geoff Norcott is at Underbelly, Gary: Tank Commander will be at Gilded Balloon, and the Pleasance will welcome Adam Kay and Paul Merton (the latter alongside his Impro Chums).
Familiar Fringe faces will also be in attendance: Susie McCabe and Jason Byrne are at Assembly, Daniel Sloss plays the Edinburgh Playhouse, Rhod Gilbert performs his latest work in progress at Gilded Balloon and Danny Bhoy, James Nokise and Jo Caulfield are at The Stand Comedy Club. Ensemble-wise, Sh!t-faced Shakespeare and Showstopper! The Improvised Musical are both at Pleasance this year. You’ll be able to catch at least two Fringe shows online this year: Agatha Is Missing, ‘fun-filled murder mystery’, while The Woke Box is ‘a parody Gogglebox about two slobby Pakistani brothers getting brainwashed by an evil TV’.
Music
A Certain Edge is a ‘singer-songwriter, turncoat-musician collective’ blending influences ‘from Bacharach to Bach, Steely Dan to Dylan’ – catch them at the Acoustic Music Centre @ UCC. At Novotel, Jazz at Lunchtime offers what it says on the tin: a ‘saxophone and piano duo, playing jazz standards and melodic originals in a comfortable, intimate jazz club setting’.
Singer-songwriter Dean Friedman brings his Words and Music to St Andrew’s and St George’s West, George St, with a back catalogue featuring ‘Ariel’, ‘Lucky Stars’, ‘Lydia’, ‘Woman of Mine’, ‘Rocking Chair’ and ‘McDonald’s Girl’ among others.
Craig Herbertson, Edinburgh singer and songwriter, ‘presents a celebration in song and story of Edinburgh’ in Craig on the Cliff at St Cuthbert’s Church, while ‘South Australian musician/songwriter William Jack presents a free (non-ticketed) multi-style cello recital’, This Old Cello Box, at St Giles’ Cathedral. theSpaceUK is hosting a plethora of different Night Owl productions inspired by music stars of yesteryear, including Amy Winehouse, Aretha Franklin, Billy Joel, Blondie, Carol King and James Taylor, Whitney Houston and more.
Cabaret and variety
La Clique are back at this year’s Fringe, ‘featuring the best of circus, comedy and cabaret’ at Underbelly, while ‘cabaret legend and variety artiste’Ada Campe will be Naval Gazing at The Stand’s New Town Theatre. Just the Tonic is offering a Best of Cabaret lineup of ‘an all-star diverse rotating cast of international and regional seasoned artists in the genre’, and Dom Chambers: A Boy and His Deck at Assembly offers ‘exotic acts that connect alternative circus with the dark arts of underground burlesque and cabaret’.
Over at Gilded Balloon, JezO’s Car-Crash Magic Show is an ‘unusual blend of comedy, audience participation and magic’, while theSpaceUK hosts ‘magical legend’ The Great Baldini as he uncovers Illusionati – A Magical Conspiracy.
Dance, physical theatre and circus
Dance teacher and caller Ken Gourlay leads you through some Ceilidhs (Scottish Dancing) at 9 Queen Street. Returning to the Fringe are The Black Blues Brothers, ‘five unleashed acrobats’ performing their comedy tribute to the cult movie – they’re at Assembly Rooms.
The Centrepiece Global Sacred Circle Dance, Lighting up the World with Dance is at Craigmillar Park Church, offering ‘sacred, circle and traditional dances which bring communities together’.
Children’s shows
Fringe regular Marcel Lucont brings Les Enfants Terribles – A Gameshow For Awful Children to Assembly, which is also where you’ll find The Mighty Kids Beatbox Comedy Show Strikes Back! Pinocchio! The Panto is at theSpaceUK, as the titular puppet ‘learns some hard lessons about what it takes to be a real boy’. At Underbelly, Trash Test Dummies is an ‘award-winning, side-splitting, slapstick comedy circus routine’ about household bins.
Musicals and opera
Potty the Plant at Gilded Balloon is a ‘new dark-comedy musical starring Potty, a singing, talking, tap-dancing pot plant’. Blue Morpho at Greenside tells the story of Juliane Koepcke, a teenager in the 1970s who survived a plane-crash and 11 days in the Amazon. theSpaceUK boasts several musical adaptations including Frozen Jr, Shrek Jr and Oscar Wilde’s The Canterville Ghost. And Boys in the Buff at C venues explores issues around body confidence, with two ‘clothing optional’ performances on 15 and 22 August.
TONY! [The Tony Blair Rock Opera] by Harry Hill and Steve Brown is at the Pleasance. Another Afternoon at the Opera with Brian Bannatyne-Scott and Friends is at St Andrew’s and St George’s West, George St, offering ‘an enchanting concert of operatic highlights’.
Spoken word
Alice Hawkins – Suffragette at the Arthur Conan Doyle Centre is ‘a stirring and passionate account’ of the early-1900s feminist delivered by her great-grandson Peter. In Loft Clearance at Greenside we join Eileen ‘as she rummages through a hundred years’ worth of possessions’ in her loft.
Pupils and instructors at Edinburgh Dance Academy (EDA) have taken top honours at a prestigious British Isles dance competition staged in Blackpool over the weekend.
The highly-regarded dance school – whose past pupils include the 2019 winner of BBC’s The Greatest Dancer, Ellie Fergusson – was named as the Highest Ranked Dance Studio in the UK and Ireland for the second year running at the Dance Inspirations event.
EDA’s Jenni Inglis (above) also won the Most Inspirational Choreography award for the second year in a row and EDA dancer Kiera Anderson received top prize in the Most Dedication, Passion and Talent award category.
The Dance Inspirations competition featured over a total of 3000 acts from over 100 dance schools from across the UK and Ireland in their regional heats ahead of the final in Blackpool, where a total of 317 acts competed for the top prize.
Several EDA dancers also picked up accolades for their performances including being named Overall Winner and taking 1st place for their contemporary piece “Shout” by Empara Mi.
The winning group secured £1000 prize money for their award-winning routine with the proceeds going towards funding their trip to represent Scotland in the Dance World Cup competition being staged in Portugal in June.
Julie Mitchell, Principal and Founder at EDA, said: “I’m so proud of Jenni and our fantastic dancers who all performed incredibly in this highly competitive event.
“Achieving this success across so many categories for the second year really underlines the commitment and dedication of both our pupils and our team.
“We now look forward to taking part in June’s Dance World Cup in Portugal where EDA competitors will proudly fly the flag for Scotland.”
6 new recordings launched between January and April
The Royal Ballet: The Cellist, Romeo and Juliet and Sylvia
The Royal Opera: La traviata, Fidelio and Madama Butterfly
This New Year, the Royal Opera House will add six new performances to Royal Opera House Stream for audiences around the world to enjoy: The Cellist, Romeo and Juliet and Sylvia from The Royal Ballet; and La traviata, Fidelio and Madama Butterfly from The Royal Opera.
The new titles join a library of over 50 beloved productions and over 100 behind-the-scenes videos, giving audiences an opportunity to discover more by the artists they love, and watch world-class art wherever they are.
The year kicks off with a recording of Cathy Marston’s extraordinary one-act ballet The Cellist (2020).
The production – the choreographer’s first work for the Royal Opera House’s Main Stage – is a lyrical memoir of the momentous life of the cellist Jacqueline du Pré, whose brilliant career was cut short by the onset of multiple sclerosis at the age of 28.
Composer Philip Feeney incorporates music by Elgar, Beethoven, Fauré, Mendelssohn, Piatti, Rachmaninoff and Schubert into an exquisite score that is itself an homage to the cello. This multi award-winning production stars Royal Ballet Principals Lauren Cuthbertson, Marcelino Sambé and Matthew Ball.
On Thursday 19 January 2023, our latest revival of Verdi’s ever popular La traviata arrives on Royal Opera House Stream.
Richard Eyre’s production, with sumptuous belle époque-inspired designs by Bob Crowley, has long been a Royal Opera favourite, winning critical acclaim for its exquisite sets, lavish costumes, and unforgettably dramatic staging.
The performance (recorded in 2022) is sung by a truly international cast that includes Pretty Yende as Violetta Valéry, Stephen Costello as Alfredo Germont and Dimitri Platanias as Giorgio Germont.
February begins with the release of Tobias Kratzer’s production of Beethoven’s only opera, Fidelio (2020), with Music Director of The Royal Opera Antonio Pappano conducting a spectacular cast led by Lise Davidsen and David Butt Philip.
Then, on Valentine’s Day 2023, Romeo and Juliet will be made available. Kenneth MacMillan’s classic adaptation of Shakespeare’s play – set to Prokofiev’s iconic score and featuring evocative designs by Nicholas Georgiadis – has remained a firm favourite of The Royal Ballet’s repertory since its premiere in 1965, which was danced by Rudolf Nureyev and Margot Fonteyn.
The production offers dancers in the lead roles a wealth of opportunity for differing interpretations of the star-crossed lovers.
Two further new productions will be available from March: Frederick Ashon’s ballet Sylvia (2005), starring former Royal Ballet Principal Darcey Bussell and Guest Artist Roberto Bolle; and Puccini’s devastating opera Madama Butterfly (2022), conducted by Nicola Luisotti and sung by a stunning cast that includes acclaimed Italian soprano Maria Agresta as Cio-Cio-San, American tenor Joshua Guerrero as Lieutenant B.F Pinkerton, Spanish Baritone Carlos Álvarez as Sharpless, and English mezzo-soprano Christine Rice as Suzuki.
All Royal Opera House Stream productions come complete with extra wraparound material – interviews, masterclasses, rehearsal footage and more – giving audiences a unique behind the scenes insight into one of the world’s leading theatres.
Royal Opera House Stream currently hosts over 50 stunning works from The Royal Ballet and The Royal Opera, with highlights including Wayne McGregor’s The Dante Project, Katie Mitchell’s production of Handel’s Theodora, Frederick Ashton’s La fille mal gardée, Christopher Wheeldon’s The Winter’s Tale and Puccini’s Tosca.
In addition to the 100+ pieces of behind-the-scenes content already online, further features – ranging from rehearsal footage to interviews and masterclasses – will be made available across 2023 for subscribers to enjoy.
Join today to watch the world’s greatest performers, emerging talent, leading choreographers and trailblazing creative teams from the comfort of your own home. From family favourites and modern masterpieces to heartbreaking arias and passionate pas-de-deux, Royal Opera House Stream offers it all: truly transformative experiences for only £9.99 a month or £99 annually.
Whatever your interest – whether classical or contemporary – there’s a breadth of content for you.
New productions from March 2023 will be announced over the coming months.
This New Year, The Royal Ballet’s Like Water for Chocolate will be broadcast to 909 cinemas in 33 countries around the world.
The critically acclaimed production is choreographed by Christopher Wheeldon, the Company’s Artistic Associate, and inspired by Laura Esquivel’s captivating novel of the same name.
Like Water for Chocolate follows the story of Tita, whose emotions spill out through her cooking and influence those around her in startling and dramatic ways.
The production reunited Wheeldon with the creative team who transformed Alice’s Adventures in Wonderland (2011) and The Winter’s Tale (2014) into dance – composer Joby Talbot, designer Bob Crowley, and lighting designer Natasha Katz. Mexican conductor Alondra de la Parra acted as musical consultant, and Esquivel worked closely with the team to reshape her richly layered story into an entertaining and engrossing new ballet.
Wheeldon is celebrated for his expressive choreography and theatricality, and has worked extensively with the world’s leading dance companies.
In 2014, he directed and choregraphed the stage version of the musical An American in Paris, and recently directed and choreographed MJ The Musical, which opened on Broadway in 2022. Both productions won Tony Awards. Like Water for Chocolate is his third full-length work for The Royal Ballet.
The cinema broadcast on Thursday 19 January 2023 stars Principal dancer Francesca Hayward as Tita, Principal dancer Marcelino Sambé as Pedro, and Mexican musician Tomás Barreiro on guitar.
Encore screenings will run from Sunday 22 January 2023.
Our cinema programme has brought opera and ballet to audiences across the globe since 2008. For the 2022/23 Season, an astonishing 13 productions from The Royal Ballet and The Royal Opera will be broadcast to more than 1,300 cinemas from the UK all the way to New Zealand.
Each broadcast offers audiences the best seat in the house, and includes exclusive behind-the-scenes footage, interviews and insights into the rehearsal process.
The programme forms an integral part of our plan to secure our future, expand audiences and continue to help facilitate the vital recovery of cinema domestically and internationally.
Brand-new this week on Royal Opera House Stream: Theodora (2022)
The Royal Ballet: A Diamond Celebration in global cinemas
Theodora, Royal Opera House, January 2022
This week, the Royal Opera House is delighted to be bringing world class art to audiences across the globe – offering the very best of The Royal Ballet and The Royal Opera in cinemas and on demand.
On Thursday 17 November, Katie Mitchell’s gripping new production of Handel’s Theodora (4*) will be available to watch on Royal Opera House Stream.
Sung in the original English libretto and conducted by Baroque specialist Harry Bicket, the opera is a tour de force for soloists and chorus alike, with ensembles, duets and arias of profound depth and beauty.
The opera’s stellar cast includes soprano Julia Bullock as Theodora, making her Main Stage debut; Grammy Award-winning mezzo-soprano Joyce DiDonato; Opus Klassik award-winning countertenor Jakub Józef Orliński; tenor Ed Lyon; baritone Gyula Orendt; and Jette Parker Young Artist Thando Mjandana.
The performance is released alongside a rich array of behind-the-scenes content, including a masterclass with Joyce DiDonato and an Insight event about the production.
Artists of The Royal Ballet in The Royal Ballet production of Jewels, a ballet in three acts choreographed by George Balanchine (1904-1983) to music by Gabriel Fauré (1845-1924) Pyotr Ilyich Tchaikovsky (1840-1893) and Igor Stravinsky, performed at The Royal Opera House, Covent Garden on 16 December 2013
ARPDATA ;
JEWELS ;
Music by Gabriel Fauré, Pyotr Ilyich Tchaikovsky, Igor Stravinsky ;
Choreography by George Balanchine ;
Artists of The Royal Ballet ;
The Royal Ballet ;
At the Royal Opera House, London, UK ;
16 December 2013 ;
Credit: Bill Cooper / Royal Opera House / ArenaPAL
The night before, on Wednesday 16 November, The Royal Ballet: A Diamond Celebration will be broadcast live on opening night to over 850 cinemas in 31 countries around the world.
The evening will offer an unmissable opportunity to see a stunning roster of Royal Ballet Principal dancers, the highest rank in the Company, together on stage. The gala celebrates the breadth and diversity of the Company’s repertory with a mix of classic and contemporary gems.
It includes The Royal Ballet’s first performance of For Four by Artistic Associate Christopher Wheeldon; world premieres by Pam Tanowitz, Royal Ballet Emerging Choreographer Joseph Toonga and First Soloist Valentino Zucchetti; and a performance of Diamonds, from George Balanchine’s Jewels. Encore screenings will run from Sunday 20 November 2022.
These two productions add to further free content on BBC channels. Oliver Mears’ new production of Benjamin Britten’s The Rape of Lucretia – conducted by Corinna Niemeyer and sung by a cast drawn from the Jette Parker Artists Programme and the Britten Pears Young Artist Programme – will be broadcast on Saturday 26 November 2022 on BBC Radio 3.
Additional Royal Opera House productions continue to be available on BBC iPlayer.
Book your places to enjoy a great programme of world entertainment and South African spread!
Everyone is welcome!
Big announcement Edinburgh Shisanyama is partnering with Edinburgh Multicultural Festival for the South African heritage Braai.
They have prepaid prepaid for some Braai packs for some lucky customers, these are limited so first come first serve
There will be Performances form the Edinburgh Multicultural Festival from 15:00, the performances will ranging from Dance, singing, story telling and more
PLEASE NOTE We have a limited amount of tables available, so reserve your tables as soon as you can.
To Reserve you table, simply text/call/WhatsApp 07527909134 and pay on the day.
Date : 25/09/2022
Time 13:00 – 20:00
Location
Philly’s Edinburgh
2 Lochside Place
Edinburgh
EH12 9DF
Scotland
Don’t miss out on the LAST Edinburgh Shisanyama of the Year, Let’s close the summer with a bang.
