Save the Fringe!

New campaign launched to help Fringe recover from devastating losses

The Edinburgh Festival Fringe Society has announced the launch of a new £7.5m fundraising campaign to help aid the long-term recovery of the Edinburgh Festival Fringe.

‘Save the Fringe’ will serve as a starting point for a wider Fringe revival, following the devastating impact of covid-19.

As the campaign officially kicks off, Edinburgh Gin are on board as founding investors, with an estimated £150k investment to come from the sales of its Edinburgh Gin Presents Phoebe Waller-Bridge collaboration. Around £160k has also been raised thanks to the kind generosity of individual donors.

The fundraising campaign will be driven by seven principles, which aim to:

  • Support artists and venues who bring work to the Fringe
  • Break down barriers to participation in the Fringe
  • Build and support sustainable practices across the festival
  • Deepen engagement with Edinburgh residents
  • Extend engagement with young people – particularly from underrepresented areas of our city
  • Create opportunities for network building and professional development for artists and arts industry across Fringe platforms
  • Secure a new home for the Fringe Society to provide a year-round space for artists, community groups and schools.

The campaign – currently at the very beginning – is expected to take place over three to five years. The exact criteria for distributing the fund will be announced following a series of consultations, hosted by the Fringe Society in autumn/winter 2021, to better understand the individual needs of various stakeholders. Edinburgh residents, artists, venues, producers, local businesses and more will be invited to explore ways the festival can develop and improve.

The funding will then support a renaissance for the Fringe in the future, led by the Fringe Society’s findings. More details on the consultations will be announced in the coming weeks.

Commenting on the launch of Save the Fringe, Shona McCarthy, Chief Executive, Edinburgh Festival Fringe Society, said:  “The last 18 months have been the most challenging in the Fringe’s history, and everyone – from artists and venues to the Fringe Society – has experienced huge losses.

“I’m so proud of what’s been achieved in 2021, and in so many ways, this year’s festival was a success. Over 940 shows were brought to life, incredible new venues were created in the most imaginative of spaces, and audiences flocked back to experience the magic of the Fringe.

“But it can’t be stressed enough: this does not mean the Fringe is back to health. 2021’s scaled-back event only happened because of emergency grants, and in many cases, loans that now need to be repaid. We want to ensure the Fringe that returns reflects the world we live in – not just those who can afford to keep going.

“Recovery isn’t about going back to how things were. It’s about reimagining the Fringe as the best version of itself and using this moment of pause to reflect and change. We want everyone – from residents and local business owners to artists, operators and audience members – to have their say on what that looks like. And we’ll need support to make that vision a reality.”

Benny Higgins Chair, Edinburgh Festival Fringe Society, said: “The Fringe is one of Scotland’s greatest cultural exports. It is recognised internationally as a landmark celebration of the arts and is an access point to culture for so many people. But the Fringe is not publicly funded in any meaningful way, and the last 18 months have shown us how much urgent investment is needed to protect this world-renowned event.

“An estimated £20m was lost in 2020 alone. To make 2021 a reality, many operators relied on loans and emergency grants. This is not sustainable, and this campaign is about undoing some of that damage, while building a more affordable and equitable Fringe. This campaign will give us a foundation to do just that.”

Neil Mowat, Brand Director at Edinburgh Gin said: “The Fringe has offered the world a stage – bringing arts lovers together, welcoming brave work and introducing new incredible talent. But it needs our help.

“Phoebe Waller-Bridge first debuted ‘Fleabag’ at the Fringe in 2013, so we need the festival to thrive so that stories like hers don’t go untold.

“It has been an honour to support the Save the Fringe initiative as founding investors, and we can’t wait to see the Festival return to its usual spectacular self as soon as possible.

“Every penny of profit from our ‘Edinburgh Gin Presents’ Phoebe Waller-Bridge collaboration bottle goes directly to support the artists of the Fringe festival – so if you love gin, the arts and Edinburgh, buy one while you can.”

University College London is the best Uni for creative students

  • Analysis has shown that University College London is the best university for those seeking creative careers.
  • Glasgow and Edinburgh have the highest number of creative businesses in each city.
  • University of Glasgow is the second best university for creative students, with University of Oxford being third.

With A-Level results recently released and students heading to university in the next few months, research has found that University College London (UCL) is the best university for creative students in the UK. 

Creative resource DesignBundles.net collated university rankings and data from Companies House and ONS to establish an index score which would reveal the best university to attend for students who are studying creative degrees such as Art and Design at university in the UK.  

University College London (UCL) tops Design Bundles rankings as the UK’s best university for creative students as it places second overall on The Complete University Guide (CUG) for artistic and creative courses and has a high number of 293 creative companies registered close to its campus in Westminster. 

In addition, the average salary in the Westminster borough is £36,348 according to ONS data; the highest amongst the regions studied in the analysis.  

Famous creative alumni from University College London include Christopher Nolan, who directed the Dark Knight trilogy, sculptor Anthony Gormley and illustrator Raymond Briggs. 

The University of Glasgow was revealed as the second-best university for creative students, ranking 19th on the full CUG. Despite this lower score, the city hosts a massive 996 creative businesses, offering graduates that choose to stay in the area a large number of prospects within the creative industry.  

The University of Oxford obtained the third highest index score due to its high placement on the CUG ranking, coupled with its location amongst 238 registered creative business in the arts and culture sector and an average salary of £27,012 per annum – one of the highest wages outside of London. 

Overall, Edinburgh was revealed as the best city for creative students in the UK, hosting two of the top ten creative universities – University of Edinburgh and Heriot-Watt University. 

The city is home to a total of 685 business that are in the creative sector, with a number of annual cultural events such as Edinburgh Festival contributing to the city’s status as one of the UK’s top creative hubs. 

Commenting on the study, a spokesperson for DesignBundles said: “A-Level results are at an all-time high so it is an exciting time for students heading to University. For creative students, it’s essential to be surrounded by a creative environment which any of these top ten universities appear to provide.” 

The study was conducted by Design Bundles, which offers high quality premium design resources and a marketplace which allows graphic designers to register and sell their products.

Top 10 universities for creative students in the UK 
Rank University Ranking on Complete University Guide Number of registered creative businesses in the area Average salary per area Index Score 
1University College London (UCL) 293 £35,496 12 
2University of Glasgow 996 £23,292 17 
3University of Oxford 238 £27,012 18 
4University of Reading 292 £27,804 20 
5University of Leeds 598 £23,304 22 
6University of Edinburgh 14 684 £25,584 23 
7Newcastle University 307 £22,236 23 
8Heriot-Watt University 15 684 £25,584 26 
9Kingston University 10 105 £29,856 27 
10Goldsmiths, University of London 96 £30,504 30 

Collective re-opens

All of Collective’s indoor spaces have re-opened!

We’re excited to present new We’re excited to present new exhibition  Boredom>Mischief>Fantasy>Radicalism>Fantasy by Christian Newby in our City Dome (no booking required).

In the Hillside exhibition space, Satellites Programme participant Holly McLean’s film If you get the knees right the rest should follow re-opens (pre-book here).

All of our grounds, shop, takeaway coffee Kiosk, and restaurant The Lookout will also be open so make some plans and let us welcome you back to Calton Hill. Opening hours are 10am-4pm Thurs-Sun throughout May, and 10am-5pm Tues-Sun from 1 June.

Collective’s events programme also resumes this month.

Join us on Zoom, at 7pm on Thursday 20 May, for a screening and discussion with Holly McLean and Frances Stacey on Holly’s evolving series of filmed portraits of women.

On site we are hosting our next Collective PLAY event – Warp/Weft, 22-24 May. Tickets are free but limited and selling fast!

We’re really looking forward to fully opening our doors to visitors again.

Social distancing measures will be in place to keep you safe – if you have any concerns or questions about visiting Collective drop us a line at mail@collective-edinburgh.art

LUMINATE: Art and creativity in Care Homes

Booking is now live for our next creative ageing event Bringing art and creativity back to care homes. Book your place here.

This event, on 30th September at 11am, will bring together community artists with colleagues in health and social care to explore how we might bring art and creativity back into care homes over the coming months.

It will be some time before artist visits to care homes can resume, but what is possible? A small number of activities led or supported by artists are now happening at a distance using online and offline approaches, and usually building on relationships between artists and care homes that existed before lockdown. What can we learn from these experiences? 

This online event is part of a series of Creative Ageing events from Luminate, focusing on how we can continue to support opportunities for older people to engage with the arts. 

Creative projects across Scotland share in over £927,000 of National Lottery funding

A GOVANHILL-based community space dedicated to DIY publishing, a community theatre project telling the stories of daily life in coastal communities, and the 38th edition of New Writing Scotland are among the 41 awards made in the latest round of National Lottery funding through Creative Scotland’s Open Project Fund. Continue reading Creative projects across Scotland share in over £927,000 of National Lottery funding

Cashback for city arts projects

Creative projects in Edinburgh will benefit from over £40,000 as part of the Scottish Government’s aim to tackle inequalities experienced by young people, in the Year of Young People 2018. Six Edinburgh arts projects – including Granton Youth Centre, North Edinburgh Arts and the Tinderbox Orchestra – will receive funding as part of the CashBack for Creativity Open Fund, which has awarded a total of £252,000 to 32 projects across the country. Continue reading Cashback for city arts projects

Major conference to ‘harness future opportunities for Scotland’s world class heritage sector’

A major conference taking place in the heart of Scotland’s capital aims to harness future opportunities for development and growth in the country’s world class heritage sector. Continue reading Major conference to ‘harness future opportunities for Scotland’s world class heritage sector’