Nine Edinburgh writers selected for new initiative
Scottish Book Trust has unveiled a new initiative to support writers based in Scotland whose debut, full-length work in poetry, fiction or creative non-fiction was published after December 2019 and impacted by the pandemic. Debut Lab is funded by, and a collaboration with, Creative Scotland.
Delivered remotely through a series of seven live-on-Zoom workshops and a range of additional online resources, Debut Lab will support writers affected by the pandemic during this transitional stage in their careers.
Workshops will include networking, marketing, author events and funding opportunities, and will be led by industry professionals including Mairi Oliver, owner of Lighthouse Bookshop, and writers Maisie Chan and Helen Sedgwick, as well as Creative Scotland’s Literature Team and Scottish Book Trust staff.
Nine writers based in Edinburgh have been selected for Debut Lab, including:
Amy B. Moreno, whose debut picture book, A Billion Balloons of Questions (Floris) will be published in June 2022
Caron McKinlay, whose debut novel The Storytellers (Bloodhound Books) will be published in May 2022
Charlie Roy, whose debut novel The Broken Pane (Leamington Books) was published in 2021
Flora Johnston, whose debut novel What You Call Free (Ringwood Publishing) was published in March 2021
Helen Boden, whose debut poetry collection A Landscape to Figure In (Red Squirrel Press) was published in November 2021
Kirsti Wishart, whose debut novel, The Knitting Station (Rymour Books) was published in March 2021
Lauren Pope, whose debut poetry collection, Always Erase (Blue Diode Press) was published in January 2022
Niamh Hargan, whose debut novel Twelve Days in May (HarperFiction) will be published in April 2022
Ry Herman, whose debut novel Love Bites (Quercus Publishing) was published in July 2020
Marc Lambert, CEO of Scottish Book Trust said:“Scottish Book Trust is pleased to support eighteen authors through our new initiative, Debut Lab.
“Being a debut author is daunting enough, but the pandemic and following lockdown made it incredibly difficult for authors to promote their work.
“We hope to shine a light on this fantastic range of books, from children’s novels to collections of poetry. Our thanks to Creative Scotland for making this possible and allowing us to give essential support to this cohort.”
Katalina Watt, Literature Officer at Creative Scotland said: ““Creative Scotland is so pleased to be working with Scottish Book Trust on this vital initiative for debut authors impacted by the pandemic.
“Through a series of live online workshops and additional resources led and facilitated by industry professionals, Debut Lab will highlight the wonderful variety of works and support these authors in the next exciting steps of their author journeys.”
Edinburgh International Film Festival (EIFF) has today revealed an inclusive range of new and continuing programmes created to support and develop burgeoning filmmaking and curatorial talent across the film industry.
With EIFF celebrating its 75th anniversary this year, these programmes feed into the film festival’s history of supporting new film talent by connecting audiences with innovative and essential storytellers.
The programmes are supported both through the PLACE programme, a partnership between the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals and also through the Scottish Government’s Festivals Expo Fund.
Kristy Matheson, Creative Director of EIFF said: “This suite of programmes acknowledges that storytelling takes infinite forms – from the production of new films to the creative interpretation of cinema for audiences.
“Creating meaningful connections is a value we hold dear, and as we celebrate our 75th anniversary, Edinburgh International Film Festival is excited to look to the future of our industry and the makers and audiences who will shape it.”
Sambrooke Scott, Head of Audience Development at Screen Scotland said: “Screen Scotland and Creative Scotland are proud supporters of EIFF. As the festival celebrates its 75th year we’re excited that the talent-development programme offers a suite of forward-looking initiatives and bold new schemes that will support voices at different points in their careers from across the film industry.
“The programme sets out an exciting new vision for EIFF’s talent development activity, defined by experimentation and inclusion.”
Cllr Amy McNeese-Mechan, Culture and Communities Vice Convener for the City of Edinburgh Council, said:“The festival’s continued commitment to emerging talent is further cemented with this announcement.
“We’re proud to support the city’s Film Festival as it continues to identify, support and highlight new screen talent. It is a great example of what the PLACE festivals funding programme can support, which in this instance is providing pathways to television and film industry skills development for participants from across Scotland.”
Running since 2011,EIFF Talent Labseesfour days of workshops, masterclasses and 1-2-1 sessions bringing together 30 emerging writers, writer/directors, directors and producers with established industry professionals.Past participants in the programme include: Anna Griffin (CALIBRE); Ben Sharrock (LIMBO); Claire Oakley (MAKE UP); Daniel Kokotajlo (APOSTASY); Eva Riley (PERFECT 10); John McPhail (ANNA AND THE APOCALYPSE); Lucy Brydon (BODY OF WATER); Moin Hussain (BIRCHANGER LANE); Rob Savage (HOST); Sarah Brocklehurst (ANIMALS).
Talent Lab Connects, running since 2019, is a 9-month programme to help support filmmaking teams with professional script editing and mentoring.
The initiative is open to EIFF Talent Lab alumni and their collaborators to develop a feature film or serial drama project.EIFF will work with story editor Kate Leys and industry mentors to guide the 6 selected teams towards achieving a series of specific goals for their projects.
The 6 selected projects are:
BEFORE I WAKE | Producer: David Brown (Talent Lab 2017) | Writer/Director: Kevin Pickering (Talent Lab 2018)
DROVERS ROAD | Producer: Deb Charles | Writer: Morna Young | Director: Robin Haig (Talent Lab 2016)
PUNZEL | Producer: Rajita Shah (Talent Lab 2012) | Writer: Polly Courtney | Director: Tessa Joffe
SUNBURN | Producer: Hollie Bryan | Writer/Director: Jack King (Talent Lab 2021)
ULA (working title) | Producer: Cat Marshall | Writer: Lucy Kaya & Mandy Lee (Talent Lab 2012) | Director: Alex Browning
EIFF & Curate-It Fellowship is a 12-week online curatorial training programme for 7 early career programmers created to develop an online programme with digital access on the Curate-It platform and a public event for EIFF in 2022. This programme is developed and delivered by professional curators, Justine Atkinson (director) and Carmen Thompson (producer) of Curate-It.
EIFF Curatorial Commissionis an annual commission for world class film programming based on a particular theme or provocation. In 2022, EIFF will invite 3 mid-career programmers to develop a programme for public presentation.
EIFF Curatorial Mentoring Programme is a 1:1 mentoring programme pairing 3 mid-career programmers with a leading international curator. Support will also include actively connecting participants with key decision makers at institutions.
EIFF Critical Writing Commission is an annual writing commission based on a particular theme or provocation that connects 10 mid-career Scottish born or based cultural critics to global editors and audiences. This opportunity opens soon!
Justine Atkinson, Director of Curate-Itsaid ‘We are delighted to be partnering with the EIFF this year to create the Fellowship programme.
“Curate-It uses the digital space to make information about film curation more accessible, creating a unique platform to learn and share curatorial perspectives. Through this we hope to bring together a programme of films that will inspire, entertain and inform audiences as we celebrate the historic 50th anniversary of the Women’s Film Festival”.
Curate-It is a training app that uses the digital space to make information about film curation more accessible. Through doing this it creates a unique platform through which people from all over the world can learn the processes of implementing their own screening event, connect and collaborate.
The app will be launched during EIFF in August.
EIFF 2022 Theme:
In 1972, the Edinburgh International Film Festival (EIFF) presented the first global film event entirely dedicated to the cinematic achievements of female directors. Comprising works drawn from historical and contemporary cinema, the Women’s Film Festival was produced by Claire Johnston, Lynda Myles, Laura Mulvey.
Honouring the spirit of the original event, in 2022, EIFF welcomes the opportunity to work with independent collaborators to craft a bold, political, and wildly celebratory responses to the 50th anniversary of the Women’s Film Festival that acknowledges the multiplicity and variety of feminisms.
The positive role that art and creativity plays in enhancing our mental health and well-being is at the heart of activity taking place in communities across Scotland and backed by £800,000 of National Lottery and Scottish Government support in the latest round of Creative Scotland’s Open Fund awards.
Forging connection through music making and storytelling is central to Acorn Shed Music’s approach. In their latest project with partners Ceartas Advocacy and The Village Storytelling Centre, Songs from Here will bring together people living with dementia in East Dunbartonshire to create songs and stories based on lived experience.
Set up in 2017 with the aim of finding ways to use group songwriting to explore difficult conversations, Acord Shed Music’s Co-Founder, Carol Beckwith said: “Writing songs that emerge from individual and shared stories provides opportunities to take a more creative approach to exploring the experience of dementia and dementia care.
“We anticipate that as people begin to reveal their creative identities in this way they begin to understand that ‘voice’ is more than just the words that we say.”
In Edinburgh, Artlink is about to roll out a new programme of workshops, discussions, performances, installations, exhibitions and artist placements for people with complex disabilities.
Jan-Bert van den Berg, Director at Artlink, said: “Over the last two years amazing new creative relationships have formed between people with complex disabilities, their supports, and artists.
“As we emerge into a post lockdown world, we want to make sure that those people who have been hardest hit are included in influencing and shaping the new cultural landscape.
“Being Human supports a programme of creative work that harnesses the strengths and passions of all involved to make the most of what has been learnt.”
Becoming a dynamic hub of creative activity, Glasgow’s Good Vibrations supports people through communal music making, with a focus on the gamelan and Indian tuned percussion orchestra.
Hekate Papadaki, Executive Director of Good Vibrations explains: “Through communal music-making and other creative activities we support people who may have more limited access to participating in arts and culture – those from deprived areas and those with disabilities and mental health needs – to develop personal, social and music skills, self-confidence and positive self-identities.”
Paul Burns, Interim Director, Arts and Engagement Creative Scotland said: “The arts and creativity make an invaluable contribution to our health and wellbeing – both physically and mentally.
“Thanks to the generosity of National Lottery players, who raise over £30 million for good causes across the UK every week, and funding from the Scottish Government, these awards continue to address issues of mental and emotional wellbeing while also enriching the lives of people of all ages and backgrounds.”
A full list of Open Fund recipient awards is available on the Creative Scotland website.
Funded by Creative Scotland, The Flourish Jewellery Project is an exciting craft jewellery project. Working in partnership with North Edinburgh Arts and Four-Square’s Womanzone, Jewellery Artists, Lisa Arnott and Jessica Howarth have enabled women who are recovering from trauma from domestic violence, drug and alcohol addiction, social isolation, and economic hardship to develop new skills in jewellery design and making.
Working with a variety of organisations who support women, Lisa and Jessica created a series of outreach jewellery sessions introducing and enabling the women to make rings, pendants and bangles from silver. For these participants, being part of this project has provided a space for them to dare to dream and have a moment in their week where their creativity is realised.
From the outreach session, 12 women then went on to engage with the project on more intensive weekly jewellery and metalwork sessions. During this time, they learnt the foundations of metal and jewellery work which included saw piercing, soldering, texturing and shaping metal.
Despite the various challenges the women experienced, the project has provided materials, travel and childcare alongside safe and high-quality jewellery workshops.
Having never made any jewellery out of metal at the start of the project, the women from the Flourish Jewellery Project have now produced a small collection of silver jewellery which will be on display at the project’s exhibition, which takes place from 22nd until the 25th January at Custom House in Leith.
The exhibition, which is sponsored by fine jeweller, Hamilton & Inches, with support from the Scottish Goldsmith Trust and Scottish Historic Building Trust, will display beautifully handcrafted items.
Lisa Arnott (above) and Jessica Howarth said: “We were both delighted to have received funding from Creative Scotland for the Flourish Jewellery Project.
“By working in partnership with Foursquare’s, Womenzone project and North Edinburgh Arts in Muirhouse we have been providing jewellery making opportunities for women from across the city.
“This project has enabled women who have experienced trauma, social isolation and/or economic challenges to develop traditional jewellery making skills.”
AFlourish participantsaid: “The Flourish Jewellery Project has made me find myself. I’m shocked at who I was when I first started coming as to who I am now”.
Earlier this Autumn the Flourish Jewellery Project was featured at The New York Jewellery Week 2021’s the ‘Power of Jewellery’ and was shortlisted for a Creative Edinburgh Award for Best in Collaboration.
Lisa and Jess (above) have also taken part in research undertaken by University College London and Birmingham City University and collaborated with a host of local artists and designers.
This has included Professor Sandra Wilson from Duncan of Jordanstone College of Art and Design, furniture designer Colin Parker, web designers Erin Smith and Zena Walczynska, illustrations by Kinship Press, Photographer Shannon Tofts and Media Scotland who are co-producing a film reflecting the women’s experience of the project.
The project is now becoming a community interest company and has secured further funding to enable six women to continue to develop their jewellery training further.
Details of a financial package worth £65 million for culture and major events have been confirmed by the Culture Secretary Angus Robertson.
The split of the funding is as follows:
for cultural businesses, organisations, venues and independent cinema support and grassroots venues – £31.5 million
National Performing Companies (for Christmas losses and touring fund re-purposing) – £2 million
Freelancers – £10 million
Events sector – £19.8 million
Museums, galleries and heritage – £1.7 million
Culture Secretary Angus Robertson said: “The ongoing COVID-19 pandemic is once again causing disruption and uncertainty in the culture and events sector, who have already been hit so hard by its impact.
“We have been engaging with the sector about the impact of the Omicron variant and we are fully committed to supporting culture and events while they recover from the impact of the COVID – and we are aware of just how important they are to Scotland, and indeed the wider recovery from this pandemic.
“These additional funds will help protect the livelihoods of the people working in the sector – and allow us to give further support to freelancers, culture organisations, venues and our national performing companies.”
Creative Scotland’s Cancellation Fund for Creative Freelancers opens for applications this Thursday at 2pm.
Creative Scotland’s Chief Executive Iain Munro said: “We are very grateful for this significant increase in emergency funding from the Scottish Government which reflects the severity of the challenges being faced by Scotland’s culture sector.
“Our Cancellation Fund for Creative Freelancers is live, with applications open from 6 January, and more information on support for organisations and venues will follow as soon as possible.”
VisitScotland Director of Events Paul Bush said: “The Scottish Government’s commitment of £19.8 million for Scotland’s events sector is welcome news as the industry continues to deal with the latest challenges presented by the pandemic and the Omicron variant.
“EventScotland is currently working with the Scottish Government and the Event Industry Advisory Group (EIAG) to determine the best way of distributing the funding to ensure we get support to those in need across the sector, and details on this will be shared shortly.”
Additional funds for organisations and freelancers
A £21 million support package to support cultural and events organisations and freelancers experiencing cancellations due to the rapid spread of the new Omicron variant has been announced.
This is to help manage the significant impact of the new guidelines around social distancing and the limitations on the number of people who can attend events.
The £21 million is from the £100 million package announced by the Scottish Government last week to compensate businesses affected by events cancellations and includes an additional £1 million from existing events sector funds.
The funds will be allocated as follows:
£10.2 million for cultural organisations and venues to be administered by Creative Scotland
£2.8 million towards the wider events supply chain to be administered by EventScotland.
£8 million for the Cancellation Fund for Creative Freelancers to be administered by Creative Scotland.
Creative freelancers can apply for between £500 and £2,000 from the cancellation fund which opens at 2pm on Thursday, 6 January 2022.
Details on who is eligible for the fund and how to apply will be available on Creative Scotland’s website this afternoon.
More information and guidelines on the other funds administered by Creative Scotland and EventScotland will be published in early January.
Culture Secretary Angus Robertson said: “Culture and events continue to be among the sectors hardest hit by COVID-19 as the emergence of a new variant is once again causing disruption and uncertainty.
“The steps we’re asking the public to take to minimise the spread of the virus are having a severe financial impact on the sector at a time when they were just beginning to recover from previous waves of the coronavirus.
“In the past few weeks, both myself and Culture Minister Jenny Gilruth have been speaking to freelancers and representatives from culture and events organisations to ensure they get immediate support to meet their needs.
“This £21 million in additional funding is vital to support culture and events organisations and protect the livelihoods of the people who work in the sector.”
Iain Munro, CEO, Creative Scotland said: “This additional emergency funding for Scotland’s culture sector is very welcome.
“This afternoon, we’ll publish guidance about the first tranche for creative freelancers who’re experiencing immediate financial hardship due to the loss of income because of cancellations and deferrals caused by the pandemic.
“Applications will open on Thursday 6 January, and will be followed by further details of how and when to apply for the emergency support for organisations.
“The Covid-19 rollercoaster seems never ending but we will work hard with the sector to pull together again and overcome the challenges that this new wave of the pandemic presents to ensure we are able to gather in cultural spaces to enjoy Scotland’s rich, diverse and world-renowned art and creativity, and to celebrate all that they bring to our lives, in so many different ways.”
Paul Bush OBE, VisitScotland Director of Events said: “The additional £2.8m in emergency funding for Scotland’s events sector is welcome news as it deals with the latest challenges presented by the Omicron variant.
“EventScotland will work with the Scottish Government and the Event Industry Advisory Group (EIAG) to determine the best way of distributing the funding to ensure we get support to those in need, and will share further details on this in the new year. We will also work with them to look at future funding programmes to ensure the industry can return and rebuild when the time is right.”
Projects and organisations across Edinburgh are sharing in £49,382 National Lottery funding in the latest round of Creative Scotland’s Open Fund awards.
Edinburgh contemporary composer, Neil Smith is developing two projects designed to inspire new audiences for contemporary classical music.
A debut portrait album of chamber music and a new music-driven puppet theatre show follow fast on the heels of his collaboration with Tinderbox Collective’s recent Music For Bridges project.
Photographer,David Grinlyis developing new work for an exhibition at Sierra Metro gallery, Edinburgh in January 2022.
Collaborating with six musicians, Grinly will perform and record works of “photographic music” composed via a method developed by the artist to translate colour into musical notation.
The Edinburgh projects are among the 36 creative initiatives across Scotland sharing in over £772,000 of National Lottery funding in this round of Open Fund awards.
Iain Munro, CEO, Creative Scotlandsaid: “These Open Fund grants are capable of making a palpable and positive difference to the lives and careers of artists, and more widely to those of us living within Scotland’s communities.
“Thanks to the generosity of National Lottery players, who raise £30 million for good causes across the UK every year, these awards continue to support communities the length and breadth of Scotland, inspiring generations and boosting overall wellbeing.”
As the year draws to an end and festive cheer starts to build, Dance Base celebrates all things dance by hosting a new showcase, SNOW MOTION: three evenings of live performance back in the glorious Studio 1 space.
This December, Dance Base is delighted to welcome a fantastic array of dance artists from across Scotland to bring their work back to the stage and to celebrate the 20th anniversary of Dance Base making its home in the Grassmarket building.
Each artist joining the company has a deep connection to the Company having developed work with Dance Base over the years through residencies, Festival performances and sharings. This new showcase also marks the first major Dance Base project for the company’s new Artistic Director, Tony Mills, which is set to showcase his bold new vision for the organisation.
With a different programme each evening, there is truly something for everyone, from playful takes on office life, to lyrical explorations of an enchanted Hebridean world, to a delightful tale about food (and being eaten!) for younger audiences.
Featuring new and reimagined performances by Bridie Gane, Jen Wren, Kirsten Newell, Mamoru Iriguchi, Taylor Han and Tess Letham, SNOW MOTION celebrates storytelling and connection, showcasing an array of live music, physical theatre, spoken word and contemporary and traditional dance.
Click here for more information on each performance.
SNOW MOTION is a celebration of Dance Base in its 20th year in the Grassmarket. As well as featuring artists connected to the organisation, it will also showcase the organisation’s history, and hugely popular programme of dance classes.
Audiences are encouraged to arrive early and take part in a fun and uplifting dance class suitable for all levels. A bar will be set up so if a class doesn’t appeal, there’s also the chance to chat with friends over some festive drinks and follow Dance Base’s history with a brand-new exhibition display in the building.
SNOW MOTION is an evening for us to come together again, raise a glass to all that has been, get in the Christmas mood, and – most importantly – dance!
This event has been made possible thanks to support from Creative Scotland and funding from Scottish Government through the Performing Arts Venue Relief Fund.
Do you have a story to tell or a memory to share about North Edinburgh Arts or the local area? We’re collecting local stories before North Edinburgh Arts closes for refurbishment.
Join writers Eleanor Thom and Luke Winter in the Story Wagon, a beautiful, purpose-built storytelling and writing caravan, situated in the North Edinburgh Arts Garden tomorrow – Wednesday 17 November, drop-in between 10am and 2pm.
Citizen is supported by players of People’s Postcode Lottery and funded through the PLACE Programme, a partnership between the Scottish Government— through Creative Scotland — the City of Edinburgh Council and the Edinburgh Festivals.
Fourteen creative projects from Edinburgh artists and creative organisations are in motion thanks to £303,559 National Lottery funding in the latest round of Open Fund awards from Creative Scotland.
The former Fire Station at Edinburgh College of Art will house Edinburgh’s SpACE forum from 1 November to 4 December as part of COP26.
The public pop-up exhibition, event space and online venue will welcome leading designers, building environmentalists, architects and heritage organisations coming together to help raise wider understanding of the difference that can be made through more responsible approaches to design and construction.
Rab Bennetts, architect and founder of Bennetts Associates and Chair of SpACE said: “There could hardly be a more appropriate moment to engage with the public about the impact of our buildings and places on climate change.
“As the world’s eyes are on COP26 in Glasgow, our parallel event in Edinburgh can show how the changes that are essential to our homes, workplaces and public buildings are not only possible but can also result in a cleaner, healthier and more enjoyable built environment.”
Through a series of unique, site-specific, public video projection mapping artworks with original soundscapes visual artist and creator Mettje Hunnemanwill highlight and transform Edinburgh’s public green spaces and question our place in nature.
Forest VIDEOLAB will see twelve immersive audio-visual displays over twelve months encouraging audiences to reconnect with nature in new ways.
Mettje Hunneman commented: “Artistic collaborations that would not previously have been possible can now come about, and resources that were previously inaccessible are now available.
“Everybody on the Forest VIDEOLAB team is now very excited to launch these beautiful creations into the public realm.”
Edinburgh-based theatre company, SALTYDOLLS – a partnership of Estlin Love and Fiona Oliver-Larkin will research and develop ABATTOIR.
A 50-minute feminist, two woman show, ABATTOIR is born from a provocation made by Morag Deyes of Dance Base during a SALTYDOLLS residency – “When are you going to make a show about the DARKNESS of MOTHERHOOD?”
Surrogate Productionswill adapt and stage the Scottish and UK premiere of Édouard Louis’ autofiction novel Who Killed My Father in association with Platform Theatre in spring 2022.
Surrogate’s Artistic Director Nora Wardell said: “We’re excited to welcome audiences back to theatres with such a moving and empowering piece that resonates so beautifully with our changing lives today.
“A rare text for Surrogate’s second work – both a deeply personal story of love from son to father and a defiant call for social justice.”
Shortlisted for the 2020 Phil Fox Award, Nibble Nibble Gnaw is a new play by emerging Scottish playwrightIsla Cowan receiving further research and development, exploring hunger and consumption in contemporary society.
Inspired by the story of Hansel and Gretel, this twisted fairy-tale follows a brother and sister as they make their way in a monstrously middle-class world, battling addiction and disorder.
POWA (Protection of Womxn in the Arts) is a musical collective run by Ashley Stein and Siobhan Wilson which provides paid opportunities forwomen-identifying and non-binary musicians and music industry professionals to create new commissions and access mentorship, guidance, and professional resources.
Co-founders Siobhan Wilson and Ashley Stein commented: “The money we have received from the Open Fund will allow us to work with a diverse range of artists and share newly commissioned musical works with our members, helping our music and message to reach a wider audience and providing a platform where women can express their experiences.”
Following the successful release of What We Might Know in 2018, Edinburgh based band Broken Recordswill record their 5th studio album which will be released on their own label, J Sharp Records.
On receiving funding Broken Records’ Iain Turnbull said: “The album is due to be released in Spring 2022, and we’re looking forward to it building on our previous work by allowing us to show our audience a different side to the band.
“After 14 years we have a dedicated following, and this album will allow us to carry on that interaction by sharing stories and our music from a different stage of our lives to connect to what is happening in their own lives.”
Iain Munro, CEO, Creative Scotlandsaid: “It’s great to see so many projects continue to benefit from Open Fund awards.
“Thanks to the generosity of the National Lottery players, who raise £30 million for good causes across the UK every week, these awards are creating many invaluable opportunities for people and communities across Scotland to engage with the arts while enabling artists and creative organisations to develop and grow.”
A full list of recipients of Open Fund awards is available on the Creative Scotland website.
