Tag: concerts

Edinburgh International Festival attracts new audiences

EIF attracts new audiences with Affordable Tickets and Innovative Experiences

  • The 2024 Edinburgh International Festival was more inclusive than ever: more than twice the number of tickets were issued to under 18s, young musicians, and D/deaf, disabled and neurodivergent audiences compared to last year.
  • The most expansive affordable ticket offer to date saw over 50% of tickets for the 2024 International Festival sold at £30 or less, with over 5,000 £10 tickets purchased by those who needed them most — a 100% increase on 2023.
  • Scottish talent took centre stage, with 50% of performers from or based in Scotland, all five national performing companies featured, and over 200 specialist freelancers, demonstrating the essential role of Scotland’s arts sector in delivering the International Festival. 

The 2024 Edinburgh International Festival concluded yesterday after an exhilarating 24-day celebration of opera, dance, music and theatre in Scotland’s capital. With over 160 ticketed performances and more than125,000 attendees across the city’s venues, the Festival showcased 21 world, European, UK and Scottish premieres affirming its role as an essential destination for arts and culture. 

Under the leadership of Festival Director and Scottish violinist Nicola Benedetti, the theme Rituals That Unite Us successfully brought together over 2,000 internationally renowned artists from 42 nations, exploring the deep connections which bind us all through live performance.

At the heart of this year’s Edinburgh International Festival was a commitment to ensuring that cost is not a barrier to cultural discovery, making high-quality art accessible to the broadest possible audience. 

Over 50% of tickets were sold at £30 or less, and more than 5,000 targeted £10 tickets were sold — a 100% increase on last year. Double the number of free tickets were taken up by NHS staff, charity workers, and low-income benefit recipients through the Tickets for Good programme, marking the highest uptake since the Festival signed up to the initiative.

Additionally, the number of D/deaf, disabled, and neurodivergent concession tickets doubled, with twice as many people enrolling for the Access Pass, which provides a tailored experience for audience members with access requirements. 

The International Festival reaffirmed its dedication to nurturing the next generation of artists and audiences, with a notable increase in young people attending and participating. This year saw more than triple the number of free tickets to young musicians issued through the Young Musician’s Pass compared to 2023 and U18s ticket purchases rose by 100% from 2023.

Over half of all bookers were new to the Festival this year, the highest level since the pandemic. The International Festival also focused on talent development, with initiatives like Rising Stars providing early career artists with invaluable opportunities to work and perform alongside professional mentors such as the Leonore Piano Trio and Yura Lee. 

As an international festival deeply rooted in Scotland, an impressive 50% of the artists were from Scotland in 2024, highlighting the exceptional calibre of local talent alongside their international peers.

This included approximately 250 multigenerational performers in the world-first Healing Arts Scotland Opening Celebrationat the Scottish Parliament, and representation from all five Scottish national performing arts companies—National Theatre of Scotland, Royal Scottish National Orchestra, Scottish Opera, Scottish Ballet and Scottish Chamber Orchestra.  

The International Festival also employs over 200 specialist freelancers and relies every year on a pipeline of talented writers, actors, musicians, dancers, singers, producers, facilitators, technicians and cultural workers.

In the precarious funding landscape currently faced by the Scottish arts sector, the Festival remains committed to supporting and advocating for the indispensable community of creative individuals and organisations of which Scotland can rightly be proud. 

Under the theme of ‘Rituals That Unite Us’, the 2024 International Festival programme also reimagined ways in which live performance could bring audiences and artists closer together. 

Audiences sat in beanbags to enjoy six informal concerts at the Usher Hall, including Brazil’s Ilumina, The Hallé, and the European Union Youth Orchestra, while The Hub series once again welcomed audiences into the home of the International Festival for intimate and unforgettable performances from around the world. 

Six artist rehearsals were made accessible to the public and schools, offering a unique behind-the-scenes glimpse into the creative process, while 20 Q&A sessions were offered by artists after their performances to deepen the experience for attending audiences.  

Offering a deeper look into the Festival’s inner workings, 36 audio introductions, hosted by Kate Molleson and Nicola Benedetti, featured insights from artists, programmers, and creatives behind the programme’s performances.

Listened to 32,794 times by audiences, The Warm Up invited artists to discuss the unique rituals they undergo before creating a piece or stepping onto the stage. Nicola Benedetti also made her BBC Radio 3 presenting debut in a six-part series focusing on the origin story and impact of the International Festival, which continues to broadcast until 7 September.

Additionally, nineteen concerts from the Festival were recorded for BBC Radio 3 and will be available on BBC Sounds. More than 130 behind-the-scenes videos shared across the International Festival’s social media channels garnered 1 million views from online audiences. 

Additionally, over 300 people enjoyed a free VR experience with the Philharmonia Orchestra at the Festival’s inaugural Community Connections Hub, held this year in the Edinburgh suburb of Broomhouse. Following this, 2,000 attendees attended a Family Concert at the Usher Hall, where young music lovers had the chance to experience the Philharmonia Orchestra in person, with Festival Director Nicola Benedetti performing on violin. 

Over 7,000 people joined together for a new ritual for the city and the International Festival at the highly anticipated Opening Event: Where to Begin, presented in partnership with The Macallan. Where to Begin launched Edinburgh’s festival season with an immersive experience at the historic Old Town site of George Heriot’s, brought to life by the creative team at Pinwheel. 

Festival Director, Nicola Benedetti said, “Our Festival has been an outstanding success this year. The theme, Rituals That Unite Us, resonated in profound ways with our visiting artists and home community. Although we bring stories from around the world, they change when they interact with the unique spirit of Edinburgh, artist upon artist expressing their awe and desire to return.

“We diversified the experiences in our venues, making the Festival as accessible and affordable as possible. Beanbags returned, as did the intimacy of our home, the Hub.  We programmed exceptional international premieres, doubled the number of Under 18 tickets on last year, and tripled the Young Musician’s Pass attendees – an initiative that offers free Festival tickets to young musicians.”

“Against a tumultuous backdrop of funding crisis, two aspects of our identity were reinforced and strengthened. We are deeply rooted in Scotland, and will continue to present the best of Scottish talent alongside our international counterparts.

“Most importantly, we are making an indelible impact on access to culture for our local community. To present the world’s greatest art to the broadest possible audience is what we are here to do.” 

Chief Executive, Francesca Hegyi said “Our theme for this year’s programme, Rituals that Unite Us, beautifully captured the sense of togetherness felt throughout this past month. There’s something profound and powerful about this shared experience that brings people from every corner of the world and all walks of life together.  

“As we celebrate this year’s Festival, we must also recognise the current fragility of the Scottish cultural sector. With 50% of our 2024 artists hailing from Scotland, the Festival relies on exceptional local talent both on and off the stage and we are deeply concerned about the ongoing survival of our creative community.  

“The International Festival is the original spark that lit this city’s path to becoming the world’s Festival City. “Now, 77 years later, we thank you for joining us once again for the ritual that we look forward to each year: the Edinburgh International Festival.” 

Usher Hall announces Sunday Classics season

Scotland’s only 5-star concert venue, Edinburgh’s stunning Usher Hall, is proud to announce the 2023-24 programme for its much-loved Sunday Classics season. 

The Sunday afternoon season is renowned for bringing the finest orchestras from around the world to the Scottish capital, accompanied by exceptional soloists at the height of their talents. 

Starting in September, the mighty Concerto Budapest Symphony Orchestra kicks off the 2023-24 season with a performance of Tchaikovsky’s Symphony No. 5. Brimming over with drama and emotional intensity, the symphony charts a course from darkness to a final, life-affirming glimmer of optimism.

Two weeks later the Basel Chamber Orchestra, the first orchestra to win the Swiss Music Prize in 2019, makes a triumphant return to Edinburgh. Joining them is pianist Angela Hewitt, a great favorite of the Zurich International Series’ audience, who will direct the orchestra in two concerto masterpieces – Mozart’s lyrical E-flat Piano Concerto and Bach’s pulsating D-minor Piano Concerto.

December sees a visit from the Symphony Orchestra of India, bringing with it all its renowned energy and vigour to one of the great 20th-century masterpieces by Stravinsky, Petrushka.

They are joined by perhaps the greatest musician in the Indian classical tradition, the tabla player Zakir Hussain, in a work commissioned especially for this tour, his exciting Triple Concerto.

The first concert of 2024 welcomes global superstar guitarist Miloš Karadaglić and the Arcangelo Ensemble, who will treat us to a celebration of Baroque masterpieces by Vivaldi, Marcello, Bach, Pachelbel, Rameau, and Couperin.

For lovers of the Baroque repertoire, this will be a very special evening featuring music recently recorded by Miloš and released by Sony later this year.

In March, the Usher Hall is joined by one of China’s most outstanding ensembles, the China Shenzhen Symphony Orchestra. 

They will be joined by the brilliant young violinist Tamsin Waley-Cohen in two masterworks for orchestra and violin – Chausson’s Poème and Saint-Saëns’ Introduction and Rondo Capriccioso.

The second half will feature two of Respighi’s monumental tone poems, Fountains of Rome and his ultimate work, Pines of Rome.

To celebrate a new, cordial phase of Anglo-French relations, a group of brilliant, young British and French musicians have been brought together to form the virtuosic Orchestre de l’Entente Cordiale.

They are joined by acclaimed French cellist Gautier Capuҫon who will perform that quintessentially English work, the Elgar Cello Concerto. After the British first half, an all-French second half features popular music by Satie and Debussy, with a grand finale of opulent music from Poulenc’s ballet Les biches.

Russian-born violinst Maria Ioudenitch treats the Usher Hall to one of the most profound violin concertos composed in the 20th century, Shostakovich’s First Violin Concerto, with its ravishing central passacaglia.

Joined by the Dresden Philharmonic, the show will also feature one of the most poignant and tragic of all symphonies, Tchaikovsky’s Symphony No. 6, the ‘Pathétique’.

Acclaimed pianist Mark Bebbington joins the Czech National Symphony Orchestra in a performance of Beethoven’s grand ‘Emperor’ Concerto and two much-loved Czech favourites – Smetana’s Bartered Bride and Dvořák’s Symphony No. 7, in authentic and inimitable Czech style.

The orchestra’s American music director Steven Mercurio will begin the concert with Copland’s delightful portrait of the Appalachian countryside.

Bringing the season to a triumphant close on 23 June is the Flanders Symphony Orchestra.

This finale includes one of the greatest of all choral works, Mozart’s farewell to the world, his Requiem. To balance this sombre second half, the first half includes Beethoven’s sparkling Eighth Symphony.

Taking part in this concert will be one of England’s historic choruses, the Sheffield Philharmonic Chorus, who join the Flanders Symphony Orchestra in a moving end to the Sunday Classics season.

Karl Chapman, Cultural Venues Manager at Usher Hall said: “We are delighted to announce our new Sunday Classics season, packed full of the best orchestras, soloists, and conductors in the world today.

“Sunday Classics has become an integral part of the Scottish classical music scene and the Sunday afternoon concert experience has proved ever popular. It’s fantastic that the Usher Hall can offer such an unrivalled variety of international talent to the music-lovers of Edinburgh and Scotland in a concert hall with some of the very best acoustics around.

“This season we are hosting a diverse selection of ensembles – the Czech National Symphony Orchestra make a triumphant return to the Hall led by American music director Stephen Mercurio.

“We are also incredibly excited to welcome back the likes of the India Symphony and Concerto Budapest Symphony orchestras and we know that the amazing Edinburgh audiences will leave them wanting to come back!

Councillor Val Walker, Culture and Communities Convener said: “I am delighted that the Sunday Classics programme is returning for the 2023-24 season.

“There can be no better location to experience a live classical performance than the world-famous Usher Hall. Designed and built with a view to bring classical music to Scotland’s Capital, our venue has been a key part of our musical culture for over a century. I am proud that the tradition of concert-going at Edinburgh’s most stunning indoor venue continues as strongly as ever.

“It’s a genuine pleasure to sit back in the impressive hall and lose yourself in the music, and this new Sunday Classics series will feature first-class orchestras and classical superstars from around the world. Plus, with lots of options and special rates on tickets, the Usher Hall is helping to make classical music accessible to all.” 

Crowdfunded classical music club nights to debut in Edinburgh

After a run of sold-out London shows, through the noise has announced that their crowdfunded concert series, noisenights, will make its debut appearance in Edinburgh this autumn.

Their new star-studded season will feature Fatma Said, Manchester Collective, Abel Selaocoe & The Bantu Ensemble, Alexandra Whittingham, Misha Mullov-Abbado, Thibaut Garcia, Lodestar Trio, Junyan Chen, Braimah Kanneh-Mason and Jeneba Kanneh-Mason performing in clubs and gig-venues around the country, including at Edinburgh’s La Belle Angele. 

noisenights aim to reach audiences that might otherwise not experience world-class classical musicians. Over the past two years the series has grown from a fringe night in East London to a leading classical promotion, with names like Sheku Kanneh-Mason taking on UK-wide noisenights tours.

So far 42 of the 44 noisenight shows have sold-out. 

Building on the success of their first tour last year, through the noise are now launching regular noisenights in Edinburgh, Glasgow, Liverpool, Birkenhead, Newcastle, Birmingham, Leeds, Manchester, Brighton and London.

Between October and December this year through the noise will take no less than five classical projects on tour around the UK, and they plan to come back to Edinburgh regularly in 2024. This is a significant milestone for the community-led organisation, which began less than two years ago in grassroots venues in Hackney. 

Inspired by the UK’s great underground club scene and thriving jazz venues, noisenights offer an alternative way to experience live classical music. Using a unique crowdfunding model which puts concert plans to local communities for support in return for tickets, they are able to bring international stars to intimate venues. Each event is confirmed once it reaches a funding target. 

through the noise Co-founder and Artistic Director Jack Bazalgette said: “We’ve been happily surprised to find that there’s a growing audience for our classical gigs, so we’re thrilled to be heading to Edinburgh for the first time later this year with the incredible Alexandra Whittingham.

“She’s a guitar virtuoso with a rare power to move and inspire people with her performances, and I can’t wait to give Edinburgh audiences the chance to experience her perform up close. This is just the beginning – we can’t wait to bring even more classical names to Edinburgh in 2024…” 

About through the noise: 

through the noise began in the first lockdown as a positive force for live classical music. It runs an independent guide to the best and most affordable classical events in London and is the home of noisenights. through the noise is also a community interest company which runs live music-based mental health projects in collaboration with various London charities. 

Links: 

Website: www.throughthenoise.co.uk 

Instagram: www.instagram.com/through_t_noise 

Twitter: www.twitter.com/through_t_noise 

On The Road Again: Scottish Government to launch Scotland on Tour live music fund

Musicians, bands, artists and venues will be able to apply to a £750,000 Scottish Government fund to bring new and additional concerts to venues and festivals in Scotland next year.

Scotland on Tour will support the staging of concerts across the whole nation from between January 2022 and January 2023.

Funded by Scottish Government and organised by Active Events, its decision-making panel includes representatives from across the music industry, as well as Creative Scotland, Scottish Enterprise, Highlands and Islands Enterprise, XpoNorth and South of Scotland Enterprise.

Participating artists, venues and festivals will be announced later this year.

Culture Minister Jenny Gilruth said: “Due to the impact of COVID-19, I know many concerts from 2020 and 2021 have been postponed – leaving little opportunity for artists to perform new concerts in traditional venues or concert halls up until late 2022, or even spring 2023.

“So I am very pleased to announce Scotland on Tour, a fund to help artists, venues and the wider music industry by creating new concert opportunities across Scotland next year.

“The fund is not only an exciting opportunity for artists and venues, but also for Scottish audiences, who will have the chance to see the best of Scottish music right on their doorstep.”

Director of Active Events Lisa Whytock said: “The past 18 months have been exceptionally challenging for musicians and promoters around Scotland.

“This fund will allow new concerts from professional musicians to take place across the country, bringing world class performances to cities, towns and local communities whilst simultaneously supporting production companies and skilled freelancers in their delivery.

“We are extremely excited about the project and would like to wholeheartedly thank the Scottish Government for their investment.”

Head of Music at Creative Scotland, Alan Morrison, said: “At the height of the pandemic, Active Events applied to Creative Scotland’s Open Fund for a research project that would identify community partners and increase touring opportunities for musicians when restrictions finally lifted.

“This bold vision for recovery has blossomed into a new touring fund, supported by the Scottish Government, that will breathe life back into the live music sector across the entire country.

“It’s extremely encouraging to see how a seed that was sown in darker times is growing into a major year-long programme that will bring music fans and professional artists of all genres back together again.”

Further details will be announced soon as to how artists and venues can apply to the Scotland on Tour fund, which is expected to open for applications in October. 

Registrations of interest to the fund can be recorded by sending an email to info@scotlandontour.com

Dunard Centre plans unveiled

Images of the proposed new design for the Dunard Centre supported by Royal Bank of Scotland, reveal an opportunity to make an ‘inspiring contribution to the city’s cultural rebuild‘, project leaders IMPACT Scotland said yesterday.

One of the boldest ventures in the city’s recent past, Edinburgh’s first purpose-built music and performance venue in over one hundred years will rival the best in the world in acoustic quality and audience experience, bringing together architect Sir David Chipperfield, recognised throughout the world for high quality architecture in sensitive heritage sites and leading acousticians Nagata Acoustics, established international authorities in the field of concert hall design. 

As the cultural flagship for the Edinburgh and South East Scotland City Region Deal, the Dunard Centre will fill a recognised gap in the region’s cultural infrastructure and provide a platform for local, national and international musicians to perform to audiences in the very best environment.

The 1000 capacity hall is designed with the flexibility to welcome the widest possible range of acoustic and amplified music and performance to a mid-sized venue.

The simple elegance of the exterior reflects the surrounding neoclassical design of the Edinburgh New Town and opens up an undiscovered area of the city centre, linking the St James Quarter, St Andrew Square and the Register Lanes and contributing to the regeneration of the area. 

Impact Co-chair Fergus Linehan said: “We are delighted to unveil the stunning design for the Dunard Centre which will be a truly transformational venue in the heart of Edinburgh.  

“The restrictions throughout the pandemic have highlighted the enormous contribution participating in the performing arts, whether as an audience member or a performer, makes to our wellbeing.

“It is a great honour to be leading a project which will make such a positive and inspiring contribution to the city’s cultural rebuild.” 

Co-chair Gavin Reid added: “As well as being a creative hub hosting music and educational experiences of all kinds, the Dunard Centre will reach out beyond its own walls to be an inspirational springboard for outreach work across the city and beyond.”

Edinburgh and South East Scotland City Region Deal partners also welcomed the announcement.

UK Government Minister for Scotland Iain Stewart said: “The Dunard Centre is an exciting prospect for Edinburgh’s cultural landscape. 

“These designs show the great potential for a new, dynamic creative space in the heart of the city.

“The UK Government is investing £10 million in this project as part of it’s £1.5 billion commitment to Region Deals across Scotland, helping communities everywhere to build back better from the pandemic.”

City of Edinburgh Council Leader Adam McVey said: “The Dunard Centre is an exciting and important new cultural venue for our Capital. This is the first purpose-built concert venue in Edinburgh in more than 100 years which will expand Edinburgh’s landscape for enjoying music and the arts.  

“It is in a prime central and sustainable location, with fantastic public transport connections and will complement the wider transformation of the east end of the city centre alongside the opening of the Edinburgh St James Quarter- ensuring that our City centre remains a vibrant and thriving destination.”

Malcolm Buchanan, chair, Scotland Board, Royal Bank of Scotland, said: “The Dunard Centre is an exciting proposition that will enrich the city’s education, music and arts communities and one that we are proud to be part of.

“Royal Bank of Scotland has supported Scotland’s arts sectors throughout its 300-year history, three centuries which have cemented Edinburgh and the country’s position as a capital for global culture.

“The Dunard Centre will play a role in continuing that tradition and create further opportunity for another generation of artists and performers.”

Sir David Chipperfield said: “Tucked behind Dundas House and on axis with George Street, the Dunard Centre occupies a strategic site linking the formal qualities of St. Andrew Square and the New Town with the more intimate atmosphere of lanes around Register House towards the new St. James Quarter.

“The identity of the building is determined by its circular form, contributing to the silhouette of the city and enclosing a 1,000-seat hall. This flexible world-class facility is designed to adapt to a wide-ranging programme of performances and cultural activities, ensuring it will serve as a meaningful new addition to the life and fabric of Edinburgh.”

The redesigned building will house:

⦁ 1000 capacity auditorium with the capacity for live streaming, digital capture and broadcasting
⦁ flexible multi-purpose rooms for education, conferencing and hospitality
⦁ foyer with informal opportunity for performance
⦁ café/bar with indoor and outdoor seating

The space has been skilfully re-imagined to create a world-class auditorium of exceptional acoustic quality in the heart of the city, retaining the 1000 capacity, while reducing the size of the proposed building.

The budget for the project remains at £75 million, with two-thirds of this being met by private philanthropy and fundraising. £35 million is being donated by Dunard Fund, and a fundraising campaign for a further £15 million has already received significant pledges.

As part of the Edinburgh and South East Scotland City Region Deal the UK and Scottish Governments are each providing £10 million, and City of Edinburgh Council £5 million.

A variation to the planning application is being submitted this week. If planning permission is granted, construction will begin in 2022, with an estimated build length of 3 years.

Tabernacle Choir returns to Edinburgh

World-renowned winner of multiple Emmy® and Grammy® Awards, The Tabernacle Choir and Orchestra at Temple Square will perform in Scotland on 14 July, for the first time since 1955.

Audiences at the 2,200-seat Usher Hall will enjoy a performance by The Tabernacle Choir at Temple Square, known for its one-of-a-kind signature sound created by 320 volunteer voices.

Sixty-five members of the Orchestra at Temple Square, the Choir’s companion all-volunteer symphony orchestra, will accompany the Choir.

The Orchestra recently celebrated its 20th anniversary. Distinguished choral composer and arranger, Dr Mack Wilberg, will conduct along with assistant director Dr Ryan Murphy. The Choir’s repertoire will range from Handel, Gounod, and Rossini to American folk hymns and spirituals. The concert will be just under two hours in length.

Tickets for the performance can be purchased via the Usher Hall webpage at www.usherhall.co.uk. Tickets can also be purchased at the Usher Hall ticket office or over the phone at 0131 228 1155. Tickets are available for those over the age of 8.

The Tabernacle Choir’s “2020 Heritage Tour” will take the Choir and Orchestra to six other cities. In addition to cities in four Nordic countries—Stockholm, Helsinki, Copenhagen, Oslo—they will perform in Cardiff and Newport, South Wales. Information about the full tour including the Edinburgh concert can be found at thetabernaclechoir.org/tour.

Choir president Ron Jarrett said the name of the tour is a nod to the history of the Choir, many of whose first members were early converts to The Church of Jesus Christ of Latter-day Saints with musical talents from Europe.

“We stand on the shoulders of these musical pioneers who created a legacy that has influenced the entire world for good”, he added. “What an honour it will be to share the joy and peace the music of the Choir and Orchestra bring in some of the very places where it all began.”

United by their faith and shared love of music, the Choir and the Orchestra support the work of the Church. For most of its history the Choir was known as the Mormon Tabernacle Choir; in 2018 its name was changed to The Tabernacle Choir at Temple Square to more fully align with the work of its sponsoring organisation.

If music be the food of love …

… then you’re in for a feast at St Serf’s Church Goldenacre with TWO concerts to look forward to this weekend! 

StSerfs

Saturday 13 December 7.30pm

New Edinburgh Orchestra Concert conducted by Tim Paxton 

for further details visit http://www.newedinburghorchestra.org.uk/

Sunday 14 December 6.30pm

Capital Concert Band concert

For further details go to  http://www.capitalconcertband.com/

 Play on!

‘Classical music the world over’

Chamber Philharmonia Cologne are coming to town later this month …

03-Edinburgh

“Classical music the world over” – this is the motto of the Chamber Philharmonia Cologne. It is irrelevant for our musicians whether they are playing in a little village church, in the open air, in Cologne Cathedral or in the Sydney Opera House – their enthusiasm to play music is the same every time.

The objective is simple – we want to inspire as many people as possible across all generations to enjoy classical music. The popularity of our ensemble is reflected in the fact that the Chamber Philharmonia Cologne gives around 300 concerts a year around the globe and listeners throughout the world look forward to a musical encounter with our exceptionally talented musicians.

The Chamber Philharmonia Cologne was founded in the city whose name they bear: Cologne. The city that is famous throughout the world for its University of Music and its musical and instrumental teaching. Generations of musicians have been trained here for many decades who, in terms of their musicality, are unparalleled around the world. Taking advantage of this pool of talent, a stock of outstanding musicians has accrued that in a changing cast of musicians take our motto across the world.

Since November 2009, the Chamber Philharmonia Cologne has a very special partner at their side – the Mercedes-Benz Centre in Cologne. As part of a creative cooperation, this world renowned company, via its branch in Cologne, thrilled by our musical concept provides the Chamber Philharmonia Cologne with a comfortable tour bus. It enables our musicians to travel quickly and comfortably to the many varied concert locations. In return, the Chamber Philharmonia Cologne, in close cooperation with the Mercedes-Benz Center Cologne, organises special concerts for the car company’s special customers. The remarkable construction of the Mercedes-Benz Center is transformed in the process into a really top-class concert palace. This results in the smell of new cars mixing with the sounds of classical music.

The Chamber Philharmonia Cologne is at home all over the world. Our tours regularly take us to New Zealand, Australia, Spain, Great Britain, Ireland and many other countries – and of course to Germany. In this context, the selection of works and soloists takes on a special significance. The multifaceted composition of the ensemble provides every member of the Chamber Philharmonia Cologne with the opportunity to perform as a soloist.

The permanently expanding repertoire of the Chamber Philharmonia Cologne consists primarily of hand-picked pieces. The real appeal of our programme lies in the meeting of popular and unknown works from a wide variety of musical epochs. This sees familiar greats like Wolfgang Amadeus Mozart and Antonio Vivaldi in dialogue with works from people such as Sergei Prokofieff through to the “King of Tango” Astor Piazzolla. This mix promises great diversity of the very highest order, without us having to preach to the audience in the process. After all, music is for entertainment and not for instruction.

To inspire people across the world to enjoy classical music – that’s what we view as our maxim!

Quite simply:

            Classical music the world over!

KPK-8-bluePrint

 Chamber Philharmonia Cologne