Magic is in the air at Vue as Wicked: For Good, the follow-up to last year’s global big screen sensation, returns to venues on 21 November.
Fans wanting to catch Wicked: For Good before anyone else – spreading a little magic in the process – can attend a special MediCinema screening at 11am on Thursday 20 November. All proceeds from this special screening will go directly to MediCinema, which offers therapeutic cinema sessions across NHS hospital in the UK.
There’s also a chance for filmgoers to see a special double-feature screening of both titles later the same day, allowing audiences to experience the epic saga in one sitting.
The excitement doesn’t start there, with Vue’s in Scotland hosting special Magic Seat Screenings for two consecutive weekends (22 and 28 November), which will see two lucky fans from each screening being chosen at random to win a magical treat – all depending on which seats they’re in.
Prizes up for grabs include Ozian-themed LUSH body sprays, signed and framed Wicked posters, Wicked-themed LEGO sets and a Westfield shopping experience for two, including one night in a four-star hotel plus £500 to spend at the mall.
And for those wanting to bring home a piece of the magic, limited-edition merchandise will also be on offer – including emerald green and blush pink reusable cups, topped with either mini Glinda or Elphaba figurines, as well as a light-up popcorn bucket in the shape of a hot air balloon.
Rob Lea, Head of Screen Content of Vue UK and Ireland, said: “After the spellbinding success of last year’s Wicked, we have high expectations for this star-studded conclusion.
“To mark the occasion, we’re treating audiences to an extra special experience at Vue with our exclusive merch, double bill feature and extra special Magic Seat Screenings.
“We welcome fans to enjoy every musical note and magical moment of this highly anticipated release, the way it was meant to be seen – on the big screen”.
Tickets for Wicked: For Good, including Vue’s exclusive Magic Seat Screenings, are on sale now. To book your tickets, visit www.myvue.com
To celebrate Black History Month, Vue venues in Edinburgh have curated a collection of biographic movies that champion Black representation.
Screening across the entire month of October, the season kicks off today (8 October) with biographical drama Ray, which focuses on the life and career of musical legend Ray Charles.
Written by the late James L White, and directed by Academy Award winning director Taylor Hackford, the icon comes alive beautifully through music, drama and stellar performances from Jamie Foxx, Kerry Washington, Regina King and more.
Also screening as part of Black History Month on 15 October is Straight Outta Compton.
The film tells the true story of how cultural rebels NWA – armed only with their lyrics, swagger, bravado and raw talent – stood up to the authorities that meant to keep them down. As they spoke the truth, their voice ignited a social revolution that is still reverberating today.
From 22 October, movie fans will also be able to watch the life of one of the most awarded performers of all time in Whitney Houston: I Wanna Dance with Somebody.
The biographical musical creatively depicts the life and career of Whitney Houston with Naomi Ackie, Stanley Tucci and Ashton Sanders bringing their roles to life.
To conclude the season, on 29 October Vue will be welcoming breakout stars, Kingsley Ben-Adir and Lashana Lynch as they star in biographical drama musical, Bob Marley: One Love.
The movie depicts the life and musical career of the reggae singer in a unique and engrossing story from the perspectives of those closest to the music legend.
Robert Smith, General Manager at Vue in Edinburgh Omni, said: “We’re proud to be showing a variety of content on the big screen this Black History Month and we encourage film fans from all walks of life to immerse themselves in these incredible, true stories.”
Jali Collective is proud to reveal the full programme for the first ever Jali Film Weekender, taking place at Filmhouse, Edinburgh from 30 October – 2 November 2025, with tickets now on sale.
Following the earlier announcement of the festival’s opening and closing films and its Extended Realities exhibition, the complete line-up now brings together a dynamic mix of award-winning features, Scottish and UK premieres, discussions, workshops and short films under the festival’s inaugural theme, Dreams and Apparitions.
Spanning more than a dozen countries across Africa, the diaspora and beyond, the programme presents stories that move between the intimate and the cosmic, the past and the future. With premieres direct from major festivals including Berlin, Sundance and Locarno, and films representing their countries at the Academy Awards, Jali Film Weekender positions Edinburgh as a new gathering place for Black, African and diasporic cinema.
PROGRAMME HIGHLIGHTS
In addition to opening film Memory of Princess Mumbi and closing film Promised Sky, among the headline feature film titles is the Scottish Premiere of Imran Hamdulay’s The Heart is a Muscle, fresh from its award-winning premiere at Berlinale in February and selection as South Africa’s official Oscar submission.
Other highlights include a special preview of Sofia Alaoui’s Sundance prize-winning sci-fi thriller Animalia, ahead of its highly anticipated UK and Ireland theatrical release later in the year and the Scottish Premiere of Denise Fernandes’ award-winning Hanami, which offers a dreamlike coming-of-age story set on the volcanic islands of Cape Verde.
Acknowledging the ongoing humanitarian crisis in Sudan, Jali Film Weekender will also present the Scottish Premiere of Berlinale stand-out Khartoum, in partnership with Scottish Documentary Institute, which offers a moving portrait of life amidst revolution and war. The screening will be followed by an in-conversation with Talal Afifi, producer and founder of Sudan Film Factory.
“We are honoured to be partners of the Jali Film Weekender as it launches in Edinburgh’s cultural landscape,”says Flore Cosquer, Director of Scottish Documentary Institute.
She continues: “The festival’s dedication to building authentic community connections through exceptional cinema resonates deeply with our own values, reflecting our shared belief that communities across Scotland deserve access to storytelling that speaks to the richness of our collective experiences.
“The Jali Collective has poured their passion into this project and created something truly special: a layered, magical programme that goes beyond traditional screenings to foster meaningful conversations.
“This is cinema as community-building at its finest. We are proud to be part of its first chapter, and to get the opportunity to bring to Edinburgh audiences the genre-defying, bold and poetic documentary Khartoum.”
Another documentary work featured in the programme is the Scottish Premiere of Celia Boussebaa‘s Amakki, presented in partnership with maona art, a lyrical meditation on womanhood and motherhood in Ethiopia. The festival also proudly honours cinematic legacy of the late Souleymane Cissé who passed away earlier this year, with a screening of his seminal work Yeelen, now restored in 2K by Les Films Cissé, the production company of Souleymane Cissé.
Finally, the festival’s short film programme spans multiple continents, with new works from across Africa, the Caribbean, North America and Europe, demonstrating the depth and range of diasporic storytelling today.
The programme includes the European premiere of Jard Lerebours’ LESPRI, the UK premiere of Justice Rutikara’s Ibuka, Justice, and Scottish premieres of Yasmine Djedje-Fisher-Azoume’s Dédé (Ancestor), Barbara Minishi’s Inheritance, Samuel Suffren’s Blue Heart (Coeur Bleu), Tomisin Adepeju’s Journey Mercies and many more.
TALKS, WORKSHOPS & GATHERINGS
The Weekender is as much about conversation and participation as it is about film. A central highlight is a public discussion on how to centre Black, African and diaspora audiences in Scotland. Rooted in Jali Collective values of representation and co-creation, the session will bring together creative practitioners, programmers, and community organisers to explore challenges and best practices in making Scotland’s cultural landscape more inclusive, and to share approaches such as community-centred outreach, intentional partnerships and co-programming.
Workshops and interactive experiences also offer audiences ways to connect beyond the cinema screen. The festival will host hands-on creative activities and the previously announced Extended Realities (XR) Exhibition, which will runevery day of the festival and is free to attend.
This includes ARGO, an augmented reality experience designed with children in mind, offering fun and engaging activities for younger audiences, alongside Enkang’ Ang’, an immersive VR journey into Maasai heritage.
Together, these elements ensure that the Weekender is a space for gathering, dialogue and play, welcoming audiences of all ages and backgrounds.
“From films and extended realities to conversations and workshops, our first programme brings together stories that are as urgent as they are visionary” say Jali Collective membersTomiwa Folorunso, Isabel Moura Mendes and Carmen Thompson.
“We are proud to have curated an intentional programme which we hope will resonate with both Edinburgh’s Black, African and diaspora communities as well as the city’s wider filmgoing community. We cannot wait to share it with our audiences!”.
All events will take place at Filmhouse, Edinburgh, which reopened earlier this year as a renewed hub for independent and international cinema.
Jali Film Weekender 2025 is supported by Screen Scotland and Film Hub Scotland (part of the BFI’s Film Audience Network, awarding funding on behalf of Screen Scotland and the BFI National Lottery), alongside the British Council and The Africa Centre, programme partners Scottish Documentary Institute, maona art, and additional support from Jack Arts, Premiere Scotland.
Jali Film Weekender 2025 artwork and branding by 080 Studio, based in Lagos, Nigeria.
Cineworld is excited to announce the return of 4DX Rewind this September across Cineworld 4DX cinemas nationwide. From Friday, September 19 to Thursday, October 2, film fans and families alike can enjoy the ultimate immersive experience from just £5.99 per film or FREE for Unlimited members.
Available only at Cineworld, 4DX is a thrilling multisensory experience, featuring motion-synchronised seats, gusts of wind, sprays of water, aromatic scents, bubbles, fog and strobe lighting, bringing every scene to life in the comfort of your seat.
Audiences can experience the excitement of multi-sensory cinema during this exclusive two-week celebration, showcasing some of the most exciting films that 4DX has to offer. This includes two blockbusters screening in 4DX for the very first time in the UK – smash hit Frozen will make you feel every icy gust of magic while 90s classic Jumanji will capture the adrenaline rush of the adventure with moving seats.
The full list of films available to watch include:
Frozen (2013) – never before seen in 4DX in the UK!
How To Train Your Dragon (2025)
A Minecraft Movie
Jumanji (1995) – never before seen in 4DX in the UK!
F1 The Movie
Jurassic World: Rebirth
Twisters (2024)
Mission: Impossible – The Final Reckoning
Top Gun: Maverick (2022)
Final Destination: Bloodlines
28 Years Later
Casey Cohen, VP of International Marketing at Cineworld, said: “We’re thrilled to bring back 4DX Rewind this year. There’s nothing like a 4DX experience which is why we’re excited to be screening such a wide range of films this year, including two epic films never seen before in 4DX with Frozen and Jumanji.
“4DX really makes you feel every spark of magic, every monsoon lashing down rain, and every single adventure. It’s perfect for a family day out or for fans looking to experience their favourite films in a whole new way.”
Tickets for the first week of 4DX Rewind are available now via the Cineworld website and Cineworld app, with further tickets to follow.
From one of Britain’s most acclaimed and beloved filmmakers, classic genre comedies Shaun of the Dead and Hot Fuzz are back on the big screen at Vue this September and October as part of a special Edgar Wright season.
Ahead of his reimagining of the Stephen King’s action-thriller classic The Running Man, the works of the fan-favourite director will once again take centre stage, including his iconic Cornetto Trilogy.
The three cult classics Shaun of the Dead, Hot Fuzz and The World’s End, all starring actors Simon Pegg and Nick Frost as they face off against the undead, a murderous cult and aliens, will be back on the big screen starting from 12 September.
Wright’s other celebrated work – including Scott Pilgrim Vs The World, Baby Driver and psychological horror Last Night In Soho- also make their big screen return throughout October.
Robert Smith, General Manager of Vue Edinburgh Omni, said: “At Vue, we celebrate the very best of British filmmaking, and there are few names who have done more for the UK film scene over the past few decades than Edgar Wright.
“Ahead of his upcoming release The Running Man, we’re excited to showcase his very best work where it belongs – right at home up on the big screen at Vue.”
Something exciting is coming! Keep your eyes peeled for more information!
FILM HUB SCOTLAND are proud to support LOCAL RESISTANCE, a programme of local film screenings curated by – and for – communities in Wester Hailes, Muirhouse, Craigmillar and Leith.
Iconic movies celebrating key milestones this year are returning to Vue venues in Edinburgh for a limited run – including Steven Spielberg classic Jaws.
Just when you thought it was finally safe to go back in the water, the pioneering film is swimming back onto the big screen to mark its 50th anniversary.
Steven Spielberg’s classic tells the gripping story of a town plagued with a giant shark and is often credited as the original summer blockbuster release.
For a more light-hearted action caper, the iconic reboot of Charlie’s Angels blasts back onto the big screen for its 25th anniversary. Starring Cameron Diaz, Drew Barrymore and Lucy Liu as three female detectives, this reboot of the popular TV show of the same name is packed with high-octane action and explosive energy. Charlie’s Angels returns to Vue on 19 September.
A host of family favourites will also return to Vue this year to mark key milestones, including the 20th anniversary of Harry Potter & The Goblet of Fire, the 30th anniversaries of Jumanji and Casper, and the 60th anniversary of The Sound of Music.
Ian Chester, General Manager of Vue Edinburgh Ocean, said: “We love showcasing the very best of the big screen entertainment, whether that’s a brand-new blockbuster or a timeless classic.
“2025 marks major milestones for a selection of great films and we’re thrilled to bring these much-loved titles back to Vue for fans to enjoy all over again – and for a new generation to discover for the first time.”
Tickets start from just £7.99 when booked online. To find out more, visit myvue.com
Back on the Big Screen at Vue
Jaws (50th Anniversary) – From now
Harry Potter & The Goblet of Fire (20th Anniversary) – From now
Jumanji (30th Anniversary) – 5 September
Charlie’s Angels (25th Anniversary) – 19 September
The Sound of Music (60th Anniversary) – 19 September
With 194 screenings, 34 Industry and panel events, the Festival welcomed over 300 filmmakers, producers and distributors to present their films
A total in person attendance over 16500
Edinburgh International Film Festival (EIFF) 2025 draws to a close following a seven-day programme of sold-out premieres, illuminating talks, retrospectives and well-received industry events which continues to build on last year’s successful Festival reboot.
The Festival ran from 14 – 20 August with 43 new feature films, 18 of which were World Premieres including 10 World Premieres competing for TheSean Connery Prize for Feature Filmmaking Excellence, this year won by Abdolreza Kahani’s Mortican, and 6 short film programmes including The Thelma Schoonmaker Prize for Short Filmmaking Excellence competition, this year won by Joanna Vymeris’s Mother Goose.
The Festival presented special retrospectives including Sacred Bonds, the 6 original James Bond films starring Sean Connery, introduced by members of the Connery family and special guests, and Budd Boetticher’s The Ranown Cycle presented in partnership with Edinburgh Film Guild, alongside 6 special retrospective screenings with introductions from special guests including Andrea Arnold, Kevin Macdonald, Nia DaCosta and David Hayman.
In Conversation events with major film talent took place, with legendary film editor Thelma Schoonmaker discussing Michael Powell, Ken Loach, Paul Laverty and Rebecca O’Brien, Jeremy Thomas and Mark Cousins, Eva Victor and Adele Romanski, Nia DaCosta, Ben Wheatley and Andy Starke, Andrea Arnold, and Kevin Macdonald and Andrew Macdonald, in partnership with BAFTA Scotland. Hosts included Director of BFI Filmmaking Fund Mia Bays, Variety Film Critic Guy Lodge, Director of Edinburgh TV Festival Rowan Woods, Edinburgh Comedy Award Winning Comedian, Actor & Writer Rose Matafeo, 90 Minutes or Less Podcaster Sam Clements and We Are Parable Co-Founder and Creative Director Anthony Andrews.
The Festival kicked off on 14 August with the UK Premiere of Eva Victor’s acclaimed breakout hit Sorry, Baby and presented a selection of compelling new and established voices in cinema including 39 World Premieres and 48 UK Premieres across features and shorts.
The Festival platformed new talent in Scotland with World Premieres of new shortform work from the inaugural NFTS Sean Connery Talent Lab and new Bridging the Gap documentary shorts in partnership with the Scottish Documentary Institute.
Closing the Festival was the World Premiere of Paul Sng’s brilliantly inventive Irvine Welsh documentary Reality Is Not Enough, rounding off a programme with a strong presence for Scotland-based filmmakers and Scottish talent.
The Festival programme showcased new work from filmmakers from 36 countries including Scotland, UK, US, Ireland, Canada, Spain, Greece, Denmark, Croatia, France, Turkey, Australia, Brazil, Japan, Iran, Argentina, South Africa and beyond.
EIFF also continued to thrill audiences with its Midnight Madness strand beginning with the World Premiere of Ben Wheatley’s visionary Bulk and ending with Macon Blair’s new take on The Toxic Avenger.
The Festival worked with venue partners including the newly reopened Filmhouse alongside Cameo Cinema, Vue Omni, Monkey Barrel Comedy and a new pop-up cinema at the National Galleries of Scotland’s Hawthornden Theatre in partnership with Assembly Festival, once again placing EIFF at the heart of the Fringe and August’s unparalleled Festival landscape.
Tollcross Central Hall served as the Festival Hub, open throughout the Festival to industry and press delegates for industry panels and networking events, alongside informal meeting and working spaces.
With 194 screenings and 34 Industry and panel events, the Festival saw a total in person admissions at public events of over 16,500. All of which added up to the seven-day celebration of world-class new cinema championing a new generation of UK and international talent and seeing audiences, press and industry engage with the best of Edinburgh’s other arts and cultural Festivals.
The Industry Programme ran across the whole of the Festival and was very well received by attending guests with praise for EIFF championing both the spirit of independent cinema globally and locally and cross-arts conversations. Press and industry delegates experienced a wealth of programming including talks and panels discussing disability inclusion and access within film projects with CODE, OSKA Bright and BFI; a case study on Development to Distribution of The Outrun with BBC Film, StudioCanal, Brock Media,Protagonist and Edinburgh International Book Festival; Crafting Fear Through Games and Film with Screen Burn Interactive and Nia DaCosta; an overview of the animation sector in Scotland with Animation Scotland and Animated Women UK; a Screenwriting in Scotland discussion event in association with Writers Guild of Great Britain with Andrea Gibb, Paul Laverty, Paul Sng and Kelly Macdonald; a panel on How Female Creators Are Using TikTok to Break Into the Exclusive World of Film.
A Scottish/Irish Co-Production Opportunities event was hosted with Enterprise Ireland, Filming in Limerick and Screen Scotland, and Screen Scotland delivered an informative session on the new Talent Builder development project.
Other Networking Brunches and Networking Drinks were delivered in partnership with WFTV, Production Guild of Great Britain, Screen Fringe, BBC Film, Screen Academy Scotland, Animation Scotland, Animated Women UK and Writers Guild of Great Britain.
As part of a new partnership with production company Unified led by BAFTA winning producer Amy Jackson (The Nest, Aftersun) and BAFTA winning producer Lauren Dark (TheFather, Enys Men), the Festival hosted industry talks from Interim Head of Creative at Film4 Farhana Bhula; Oscar-nominated producer David Hinojosa (Past Lives, The Brutalist, EIFF 2025 title After This Death); Oscar-winning producer Adele Romanski (Moonlight, Aftersun); Director of BBC Film Eva Yates; A24’s Rose Garnett, former Director of BBC Film and Film4; Oscar-nominated producer Finola Dwyer (An Education, Brooklyn), BFI Director of Video Games and Certification Anna Mansi and Executive Director of Screen Scotland Isabel Davis.
Every screening and event at the Festival was introduced by a member of the EIFF team, and BSL interpretation was offered at 33 screenings that were presented with HOH Descriptive Subtitles. Audio Description was provided where possible and live captioning was provided at In Conversation events and panels.
The Festival welcomed over 300 filmmakers, producers and distributors to present their films, over 250 industry delegates including buyers, sales agents, commissioners and festival programmers including Eugene Hernandez, Head of Sundance Film Festival & Public Programming, and Jacqueline Lyanga, Co-Director of Film Programming at Berlinale, and over 170 press delegates.
Filmmakers and actors attending the Festival included Thelma Schoonmaker, Ken Loach, Renée Zellweger, Andrea Arnold, Jeremy Thomas, Kevin Macdonald, Andrew Macdonald, Nia DaCosta, David Hayman, Kate Dickie, Paul Laverty, Rebecca O’Brien, Kelly Macdonald, Eva Victor, Ben Wheatley, Eddie Marsan, Burn Gorman, Rose Matafeo, Jane Horrocks, Golda Roshuevel, Paul Andrew Williams, Brenda Blethyn, John McPhail, Andrew Kötting, Simon Rumley, Stacy Martin, Sam Riley, Alexandra Maria Lara, Noah Taylor, Gerard Johnson, Polly Maberly, Julie Pacino, Nadia Fall, Reed Birney, Constantine Costi, Barry Ward, Lorne MacFadyen, Steve Oram, Steven Saltzman, Douglas Mackinnon, Abdolreza Kahani, Gola and many more.
EIFF Director, Paul Ridd has said: “We are extremely proud of all the exceptional films we launched, as well as all the filmmakers, cinematic legends and audiences we welcomed to Edinburgh this past week.
“Our competitions continue to thrive, with buzzy titles provoking, entertaining and moving audiences, and our wider programme of features, shorts, events and talks signal our place in a global film culture that is alive and exciting.
“Putting it all together has been the collaborative work of many organisations, teams and individuals, and we owe them all an immense debt of gratitude. We cannot wait for EIFF 2026.”
Isabel Davis, Executive Director, Screen Scotland has said: “Filmmakers, audiences, and industry have been brought together thanks to a very strong proposition from Paul and the team at EIFF: the world premiere feature and short competitions, extraordinary insight from some of the most exciting filmmakers working today, and opportunities to network across the festival including with the Fringe being some of the highlights.
“With Cameo, the newly re-opened Filmhouse, Vue and the National Gallery all screening films and with Tollcross Central Hall now the recognized industry place to be and events venue, the festival has taken another confident step forward.”
EIFF 2025 is supported by Screen Scotland and the BFI Audience Projects Fund, awarding National Lottery funding, EventScotland part of VisitScotland’s Events Directorate, and the industry programme is backed by EXPO funding from the Scottish Government through Creative Scotland.
Edinburgh International Film Festival ran from Thursday 14 to Wednesday 20 August 2025.
Helmed by Festival Director Paul Ridd and Festival Producer Emma Boa, the EIFF team aims to create a world-class showcase for independent film and filmmaking talent.
Former Acquisitions Executive Ridd is supported by EIFF Board, including Chair Andrew Macdonald of DNA Films, producer of the iconic Edinburgh-based film Trainspotting; Peter Rice, former Chairman of General Entertainment at Disney and President of 21st Century Fox; and Vice Chair Amy Jackson, producer of award-winning indie, Aftersun; Teresa Moneo, Former Director of UK Film, Netflix; Isla Macgillivray, Partner at Saffrey; and Romana Ramzan, Producer at Screen Burn Interactive.
Edinburgh International Film Festival announces winners of this year’s Sean Connery Prize for Feature Filmmaking Excellence and The Thelma Schoonmaker Prize for Short Filmmaking Excellence Competition
The winner of the Sean Connery Prize for Feature Filmmaking Excellence isAbdolreza Kahani’s Mortician
Edinburgh International Film Festival (EIFF) has announced the winners of its prize for feature filmmaking and its prize for short filmmaking.
The awards were presented at a special ceremony at Cameo Cinema in Edinburgh by Jason Connery on behalf of The Connery Foundation and by legendary film editor Thelma Schoonmaker.
The winner of this year’s The Sean Connery Prize for Feature Filmmaking Excellence, decided on by an audience vote and funded by The Connery Foundation is Abdolreza Kahani’sMortician. Ten feature-length World Premieres were presented at EIFF as part of the competition with the winning filmmaker being awarded £50,000 to support their future projects.
In Mortician, a reclusive mortician faces an unusual request from a dissident singer in hiding, their bond providing the beating heart of this disarmingly elegant film. Combining a distinctive, lo-fi visual style, naturalistic performances and familiar wit and humanity, Director Abdolreza Kahani’s film is both utterly distinctive and affecting.
Mortician sees director Abdolreza Kahani return to EIFF following his film A Shrine screening as part of last year’s Festival. Mortician is presented as part of Spotlight Canada 2025, supported by The High Commission of Canada and The Beaverbrook Canadian Foundation.
The other films in competition films were:
Blue Film (Dir. Elliot Tuttle)
Powered by extraordinary performances, a tight script and an elegant visual style, this unusual thriller makes for a shocking and highly compelling cinematic experience.
Concessions (Dir. Mas Bouzidi)
Propelled by a witty and weirdly lyrical script, great performances and some unexpected cameos, this is a fresh, funny and robust ode to cinema in a time of uncertainty over its future.
In Transit (Dir. Jaclyn Bethany)
An elegant, subtle drama with a chilly edge, this is a restrained and emotionally intelligent exploration of selfish desires, hidden motivations and what it really takes to know yourself.
Low Rider (Dir. Campbell X)
Powered by finely drawn characters and a freewheeling narrative, this is a vivid and visually striking queer road movie that has a strong message of self-empowerment at its core
Best Boy (Dir. Jesse Noah Klein)
A bold, original and blackly comic satire that fearlessly skewers social constructs, the nuclear family and toxic masculinity.
Novak (Dir. Harry Lagoussis)
An offbeat, intriguing exploration of idol worship, consumerism and non-conformity in the modern world, this is dark, unpredictable and humorous in equal measure.
On The Sea (Dir. Helen Walsh)
The humdrum contentment and daily routine of a married mussel farmer are thrown into chaos by the arrival of a mysterious stranger in novellist and filmmaker Helen Walsh’s beautiful, erotic love story set on the Welsh coast.
Once You Shall Be One Of Those Who Lived Long Ago (Dirs. Alexander Rynéus and Per Bifrost)
An affecting, gorgeously crafted documentary about the remaining people in Malmberget in north Sweden, a small town slowly collapsing into the mines beneath it.
Two Neighbors (Dir. Ondine Viñao)
A wealthy socialite (Cherry) and a struggling writer (Chalotra) are thrown together at a debauched party in this remarkable satire of greed and excess with a supernatural twist in the tale.
The winner of The Thelma Schoonmaker Prize for Short Filmmaking Excellence Competition is Joanna Vymeris’s Mother Goose. The short film competition winner was also decided on by an audience vote and is awarded £15,000 to support their future projects.
After the death of her husband, Janet decides to distract herself by rearing a goose, which is to be the centrepiece of her Christmas dinner. However, as she grows ever more isolated from her daughter, Janet’s need to nurture the goose becomes an obsession: one which will cost her dearly. A modern day Grimm’s fairy-tale about grief, isolation and a goose.
Forced into homelessness after her release from prison, Chrissie searches for love in the margins of society.
Stray (Dir. Morven Christie)
From nightclub to wilderness, a young girl seeks shelter from a world that feels hostile.
Blondi (Dir. Jack Salvadori)
Can a dog still be man’s best friend if that man is the Führer?
The Golden Squacco Heron (Dir. Edward Smyth)
Two childhood friends search for the fabled golden Squacco Heron.
Fowl Play (Dir. Anabelle LeMieux)
A mother’s quest for a Thanksgiving turkey spirals into chaos.
Backstroke (Sırtüstü) (Dir. Asya Günen)
Burdened by pressure and isolation, a young swimmer finds freedom by reclaiming the water for herself.
She Said So (Dir. Madeline Clayton)
A persuasive teenage girl orchestrates a sleepover that tests her best friend’s sexual boundaries.
Jodie (Dir. Seb Tabe)
Jodie faces a moral dilemma as she contends with the harmful male influences in her life.
Your body in my room (Tu cuerpo en mi habitación) (Dir. Axel Cheb Terrab)
Knowing they will never see each other again, two former lovers are acutely aware of the passing of time.
EIFF Director, Paul Ridd has said: “As the 2025 Edinburgh International Film Festival draws to a close I am once again moved and humbled by the hard work and astonishing effort that everyone has put into making this Festival stimulating, entertaining and fun.
“I am so grateful to all the organisations, teams and individuals who put their hearts and souls into this. These past seven days are testament to our collective belief in the power of film to provoke, to stimulate and to inspire empathy.
“Our two competition winners showcase outstanding work from their respective filmmakers and teams, proving that with formal dexterity, humanity and grace, cinema is alive and kicking.
“I am hugely inspired by all the filmmakers in Competition and beyond as well as all our special guests, who have worked so brilliantly with us to platform their work on the big screen and have been so generous with their time with audiences and with industry who we know very well are hungry for something fresh and exciting. I cannot wait for 2026!”
EIFF 2025 is supported by Screen Scotland and the BFI Audience Projects Fund, awarding National Lottery funding, EventScotland part of VisitScotland’s Events Directorate, and the industry programme is backed by EXPO funding from the Scottish Government through Creative Scotland.
Edinburgh International Film Festival ran from Thursday 14 to Wednesday 20 August.
A wrenching and timely documentary composed of video calls with Palestinian photojournalist Fatma Hassona, who documented the horrors unfolding in Gaza before she was killed in an Israeli airstrike. A haunting and deeply personal account of war, journalism, and the human cost of conflict.
Sanatorium | UK Premiere
Director: Gar O’Rourke. Documentary Feature. Ireland, Ukraine, France. 2025. 1hr 31min.
Set in a crumbling Soviet-era health resort in war-torn Ukraine, this humane and quietly powerful documentary captures the surreal coexistence of everyday life and looming violence. A rare and intimate perspective on the psychological toll of war.
Sara Shahverdi, the first female councilwoman in an Iranian village, teaches girls to ride motorcycles and resist child marriage—until her activism is deemed suspicious. A timely and courageous portrait of resistance in the face of systemic patriarchy.
Case 137 (Dossier 137) | International Premiere
Director: Dominik Moll. Narrative Feature. France. 2025. 1hr 55min.
A gripping police thriller that delves into the aftermath of a civilian injury on the streets of Paris. As Internal Affairs investigates, they uncover a web of evasion and institutional cover-ups. A razor-sharp reflection of today’s global reckoning with police brutality and systemic injustice.
Brides | European Premiere
Director: Nadia Fall. Narrative Feature. United Kingdom. 2025. 1hr 33min.
Two disillusioned teenage girls from the UK embark on a dangerous journey to the Syrian border. A bold and emotionally charged exploration of radicalisation, girlhood, and the search for belonging in a fractured world.
About A Hero | UK Premiere
Director: Piotr Winiewicz. Documentary Feature. Denmark, Germany, United States. 2024. 1hr 25min.
An AI-generated version of Werner Herzog narrates a deepfake crime mystery in this eerie and provocative documentary. A surreal and satirical look at the rise of artificial intelligence, misinformation, and the blurring of truth in the digital age.
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Read our interview with Local Resistance coordinator, Morvern Cunningham: 
