Tag: arts

‘Game-changing’ funding for Scotland’s creative sector

Hundreds of individuals and organisations to benefit

Culture Secretary Angus Robertson has said an additional £34 million in culture and arts spending next year will be “game-changing” for the sector. 

Wednesday’s draft Scottish Budget 2025-26 will see culture and arts spending increase by £34 million, with £20 million of this being channelled through Creative Scotland for its competitive multi-year funding programme for artists and cultural organisations. 

Speaking at the National Gallery of Scotland, Culture Secretary Angus Robertson said significant levels of public investment in the culture and arts sector would be coupled with an examination of the structures around culture funding to ensure as much money as possible goes directly to artists and organisations. 

He confirmed that the review of Creative Scotland’s remit and functions will begin early next year and will aim to publish its recommendations in summer 2025.

Culture Secretary Angus Robertson said: “Scotland’s arts and culture are at the very soul of our nation. They speak to how we see the world, how we share ideas, and how our people can give expression to their hopes.

“Our draft budget could not be clearer in our steadfast support for Scotland’s arts and culture sector. We aim to provide an additional £34 million next year to bolster the sector. This is a game-changing increase.

“This will enable Creative Scotland to roll-out its multi-year funding programme – ensuring that the highest ever number of artists and organisations receive regular funding.

“We also plan to increase funding for Screen Scotland, give uplifts to our National Performing Companies, double our Festivals EXPO funding, provide above inflation increase to Sistema and the Youth Music Initiative, and restart the Culture Collective programme alongside with a range of other activity.

“This budget brings us half way to reaching our five-year commitment of a recurring £100 million increase for the sector in just two years. For 2026-27, subject to the normal budget processes, our aim is to deliver a further £20 million increase.”

The draft Scottish Budget 2025-26 was published on 4 December 2024. It commits an additional £34 million resource funding to arts and culture in Scotland.

Within this, a further £20 million will be provided to Creative Scotland for its multi-year funding programme in 2025-26. Funding will also increase by £4.5 million for Scotland’s National Collections and £1 million for the National Performing Companies. 

The draft Scottish Budget 2025-26 also commits to an increase of £4 million funding for Scottish Festivals, doubling the EXPO Festival Fund to expand its reach beyond festivals in Edinburgh and Glasgow as well as providing funding for the Festivals Partnership. There will also be an additional £2 million for Screen Scotland to support work to attract international investment and large-scale productions to Scotland.

The Culture Collective programme will be restarted with £4 million to benefit Scottish communities, community organisations, individual artists and freelancers.

In addition, £270,000 has been allocated to enable the creation of a single digital library interface which directs people to Scotland’s public libraries, allowing the public to access information, online content and a national e-resources lending area to ensure equitable access to information and reading material across Scotland.

There will also be £4 million allocated for a new Scottish Culture & Heritage Capacity Fund. This fund recognises the significant challenges faced by heritage and culture organisations across Scotland.

Soundhouse Winter Festival kicks off tomorrow

Dates: Thursday 28 November to Monday 2 December 2024

www.soundhousewinterfest.com

There is just one day to go before the brand new Soundhouse Winter Festival kicks off in Edinburgh, thanks to support from The National Lottery through Creative Scotland.

The programme is packed with big names and up and coming bands from across Scotland including award winning feminist rock goddess Megan Back, who hasrecently returned from gigs in California, performing tracks from her new album out next year; and impulsive punk/rock n’ roll multi-instrumentalist Callum Easter performing with his full band the Roulettes and special guest indie/folk soloist Iona Zajac. 

They will be headliningalongside some of Scotland’s finest jazz and trad musicians including Fergus McCreadie, Su-a-Lee, Duncan Chisholm, Hamish Napier, and Donald Shaw; a screening of silent film The Rugged Island: A Shetland Lyric accompanied by music composed by multi-instrumentalist Inge Thomson and fiddle player Catriona Macdonald; and live performance poetry with Edinburgh’s previous Makar Hannah Lavery accompanied by music from Kate Young.

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Callum Easter & The Roulettes who play the Queen’s Hall, Edinburgh on Monday, 2 December with special guest Iona Zajac

The festival’s programme also includes early evening concerts at the Traverse with Nicole Smit performing some cool jazzy numbers with her Quintet (Vid Gobac on drums, Cameron Bradley on piano, Dave Toule guitar, and Kassandra E’Silva on saxophone); Gaelic singer-songwriter Rachel Walker performing with one of the country’s foremost folksingers and accompanists Aaron Jones; Edinburgh-based poetic psychedelic supergroup Acolyte (Ruairidh Morrison on bass, Gloria Black on synth and backing vocals, Daniel Hill on percussion and led by award-winning poet and spoken word artist Iona Lee); and acclaimed singer songwriter Victoria Hume, joined by long-term collaborator Chris Letcher.

Plus, there will be a showcase of emerging new jazz musicians including the Rosalind Orr Trio, TAO and C.A.L.I.E; a masterclass with jazz pianist Fergus McCreadie; and two workshops -Gaelic lullabies with Rachel Walker, and jazz saxophone with one of Scotland’s leading jazz instrumentalists Helena Kay.

Jane Ann Purdy and Douglas Robertson, producers of the Soundhouse Winter Festival said: “We are thrilled to be presenting a five-day festival of live ‘music from Scotland’ at this time of year.

“There are so many world class musicians working here right now that we were literally spoilt for choice. We hope the Soundhouse Winter Festival will not only be a chance for music lovers to hear some of their favourite live bands, but also a chance to hear some of the best up and coming artists of the moment.”

Booking link for tickets: – soundhousewinterfest.com

‘Warm words do not support our vital cultural life and creativity’

Fringe Society publishes its review of the year 2024

Today, Tuesday 26 November 2024, the Edinburgh Festival Fringe Society publishes its review of the year 2024, outlining its activities over the past 12 months. These include the Society’s core services to artists, as well as the work it undertakes year-round to give anyone a stage and everyone a seat.

This year the Fringe maintained its unique position in the world as one of the most important performing arts expos on the planet. Over 1,800 arts industry delegates came to the festival to see, book and buy work for opportunities such as onward touring and broadcast potential. 

Artists from 60 countries performed across 3,746 shows in 262 venues and some 900 accredited media wrote about the festival and reviewed work. 

Along with the success of this year’s festival there continue to be significant concerns regarding the cost and availability of affordable accommodation in Edinburgh, pressures on the supply chain, and an unhelpful policy environment; all exacerbating the already fragile cultural economy of the Fringe.

At the close of this year’s Fringe, Fringe Society Chief Executive Shona McCarthy penned an open letter outlining the many challenges faced by the sector and its thousands of artists, supporting the no art without artists campaign by Scottish creatives.

The Fringe Society also supports the current #InvestInCulture campaign from Scotland’s cultural sector, which seeks to increase the Scottish Government’s budget contributions of national spend on culture from 0.5% to match or exceed the European average investment in culture of 1.5%.

The challenges facing the Fringe Society, the Festival Fringe and the Scottish arts sector can only be overcome with long-term collaborative, sustainable action and investment. 

As such, in a new development for this annual publication, the 2024 review of the year has been designed as a launchpad for further discussion. 

In Shona McCarthy’s last review of the year before stepping down as Chief Executive, the Fringe Society invites potential funders, partners, sponsors and those who benefit from the economics of the Fringe to engage with them now and help ensure the sustainability of this unique event into the next 77 years.

Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society said: ‘This year’s review is an invitation for discussion and to find solutions for the future of this amazing festival and expo. 

“The whole sector needs action and investment and so does the Fringe. As the most influential and important performing arts marketplace in the world, the Fringe is crucial for the whole cultural ecosystem, not only for local, UK and international artists, but for the thousands of arts industry and media delegates who come here every year to view work, and source content for their own theatres, festivals and platforms. 

“Warm words do not support our vital cultural life and creativity.  Warm words do not provide platforms for Fringe artists on a global stage.  Warm words do not help communities and audiences experience an event of global significance, on an Olympic scale, on their own doorstep. 

“Now is the time to step up and work collaboratively to secure the future of this signature event for Scotland.  After nearly ten years at the helm of the Fringe Society, I urge our public funders, our potential sponsors and partners, and those who have the influence, to turn words into action and sustainability for the sector and for this iconic event for the next decade.’

Benny Higgins, Chair of the Edinburgh Festival Fringe Society said: ‘Against an increasingly difficult policy environment and ongoing financial pressures, I congratulate Shona and the entire Fringe Society team on all that they have achieved this year. 

“Artist support remains at the core of the work of the Fringe Society and the team work tirelessly to ensure this festival can continue.

“This isn’t easy work but is vital to ensure artists can continue to create and share their creativity that we all benefit from.’ 

2024 Fringe Society Review of the YearDownload

Coming Up at Assembly Roxy this November!

Assembly Roxy’s year-round programme continues this November with a line-up of theatre, music, and live events celebrating creativity, Scottish traditions old and new, and looking to a better future for all. 

With highlights including immersive theatre piece Maiden Mother Whore from Theiya Arts Dance Collective, Jeremy Corbyn at Lighthouse Books’ Radical Book Fair, and the Scottish Dementia Arts Festival 2024, there’s plenty coming up at Assembly’s year-round venue.  

Theiya Arts Dance Collective joining Assembly Roxy on the 01 Nov with a thought-provoking performance experience, in Maiden Mother Whore.

A 90-minute show, Maiden Mother Whore invites audiences to interact with five installations throughout the Roxy, exploring complex relationships between women, social structures, health and social policies, and institutions.  

Assembly Roxy regulars Edinburgh Ceilidh Club with Teannaich bring the finest in Scottish Ceilidh dancing back to Assembly Roxy Central on Fri 08 Nov. All the dances are taught and called by the band – so bring along regulars and newbies alike to celebrate the Scottish tradition.  

Scottish Dementia Arts Festival 2024 boasts a jam-packed line-up of events including live performance, creative workshops, film screenings, open-mics and more.  The four-day festival runs from 11 – 14 Nov and celebrates the creativity of people living with dementia, and highlights include relaxed Scottish panto McScrooge by Alan Mountford and Citadel Arts Group and creative consultants living with dementia, Dementia the Musical Soundtrack Gig with Sophie Bancroft and Friends, and Meeting Centres Scotland film launch, as well as a host of ceilidhs, open mics, discos and more!  

Lighthouse Books return with their annual Radical Book Fair from Thurs 21 – Sun 24 Nov with a line-up of workshops, cabarets, panels and talks exploring community organising, creativity and international solidarity. This year’s theme ‘From Where We Standcelebrates histories of resistance, protest and change-making.

Highlights include We Are It: Community Power in Our Time with a panel including Jeremy Corbyn, Kate Pickett and Oliver Escobar, and Young Radical Worlds exploring radical writing for young people with Faridah Abike-Iyimide and Margaret McDonald.

The full programme of events can be found at www.lighthousebookshop.com.  

Closing out the month, Amy Leach and Alasdair Paul bring their duo gig Amy and Alasdair to the Snug Bar, passing on traditional Scots songs and ballads. With history in Edinburgh and beyond,

Amy and Alaisdair share their simple and striking approach in a stripped back show sharing glimpses into the darkest and lightest moments of life. Amy and Alasdair is showing for one night only on 29 Nov.  

Tickets and information on all the events above are available now from www.assemblyroxy.com 

Edinburgh to host New Ceilidh Season of Scottish and World Trad Dance

As part of its 10th anniversary celebrations, the Traditional Dance Forum of Scotland (TDFS) is launching a brand new series of Ceilidh Plus events that will fuse Scottish and world dance traditions. 

Curated and hosted by TDFS’s dance musician-in-residence Chris Lyons (multi-instumentalist), Ceilidh Plus will kick off on Saturday 2 November, with dances and tunes from Scotland, China and the USA, led and accompanied by hand-picked Scotland-based dance artists and musicians from diverse backgrounds, including Morag Brown (fiddle), Marina Sharp (Ceilidh dance), Jack Weir (guitar), Angel Godwin (American Country Line dance), Yuxi Jiang (Chinese Square dance), Yanmei Bowie (Chinese Square dance), Eddie McGuire (Chinese bamboo flute), Chenhao Wang (two-stringed Chinese fiddle) and Tai Shing Lin (Chinese dulcimer percussion).

This will be followed by a second night on Saturday 7 December of ceilidh dances and tunes from Scotland, mixed with world trad dance from Greece and Italy. It will be called and accompanied by Rona Wilkie, Marina Sharp, Jack Weir, Vassia Bouchagiar-Walker, Stefanos Tzotzolakis, Lara Russo and band members of the Badwills.

This new Ceilidh Plus seriesis one of the highlights of TDFS’s Ten out of Ten series of events to mark its 10th anniversary and celebrate the diversity and breadth of traditional dance activities by its members.

Dance musician-in-residence Chris Lyons who contributes to TDFS’s work year round, said: “I believe that the tradition bearers of Scottish Ceilidh would be delighted to share the stage and the dance floor with the dance traditions of the other cultures which have become an integral part of contemporary Scotland – from Irish Ceili to Bulgarian Folk, from Italian Pizzicca Pizzicca to Greek Rembetiko, or from American Country Line to Chinese Square Dance as in our first Ceilidh Plus. 

“Although there are regular and popular Ceilidh nights across the country’s village halls and cultural centres, there are hardly any events which would provide space for the folk fusion of Scottish Ceilidh with other world trad dances. Ceilidh Plus is about to change this and hopefully establish a new tradition.”  

Iliyana Nedkova Creative Producer of TDFS said: ““Ceilidh Plus is a great opportunity for the multi-ethnic communities in and around Edinburgh to come together for a dance and music experience rooted in respect for both Scottish and world traditional cultures.

“We hope both dancers and non-dancers will join us for an evening of great music and entertainment and help us mark our 10th anniversary in style.”

Ceilidh Plus is funded through Creative Scotland’s TASGADH (Traditional Arts Small Grants). All proceeds are reinvested into TDFS’s year-round programme which aims to diversify traditional dance practised across Scotland.

For tickets and more information on Ceilidh Plus and other traditional dance events happening this winter visit https://www.tdfs.org/ten-out-of-ten/

Change of venue but Push The Boat Out programme announced

THE SHOW MUST GO ON FOR POETRY FESTIVAL

It’s here! After a slight pause, and some stormy seas, we are overjoyed to announce the @PTBOpoetry programme.

In response to an unexpected venue change, this year’s festival will set sail across

@DanceBase

@DovecotStudios

@ScotStoryCentre and Pleasance

https://pushtheboatout.org/programme/

Desperate times for arts organisations as funding uncertainty continues

NO DECISIONS BEFORE DECEMEBER?

CREATIVE SCOTLAND STATEMENT:

Following discussions with the Scottish Government throughout the Multi-Year process, we have now received confirmation that Creative Scotland’s budget to enable Multi-Year decisions will not be clarified until the overall Scottish Government draft budget announcement, scheduled for 04 December 2024.

As a result, the outcome from the Multi-Year Funding programme is being postponed until the end of January 2025. This is a revision to the published guidance.

281 applications to the programme, with an annual ask of £87.5m, are currently being assessed as part of Stage 2 of the published process. Final decisions on the level of support we will be able to provide to successful organisations will be made once we have budget clarity.

The National Lottery reserves that we hold, currently £11m, remain allocated to support Transition Funding from April 2025 for organisations currently in receipt of ongoing funding from Creative Scotland but are unsuccessful in their application for Multi-Year Funding.

Robert Wilson, Chair of Creative Scotland, said: “While we would have preferred to announce the outcome from this application process in October as planned and have been working collaboratively with Scottish Government to endeavour to do so, we also understand the extreme budget pressures that exist.

“These pressures mean we are required to postpone the outcome until such time as we have budget clarity. This will enable us to make final decisions in a context of budget confidence and to support as many organisations on a multi-year basis as we possibly can.”

Angus Robertson, Cabinet Secretary for Culture, said: “The cultural sector is an integral part of our identity as a country. This is why we’re working hard to help the sector to fulfil its potential in Scotland by assuring at least £100 million more annually in funding by 2028-29.

“We await the Chancellor of the Exchequer’s budget announcement on 30 October which has a hugely significant bearing on the Scottish budget. Following that we will be able to set detailed budgets for the coming financial year including for the culture sector.

“I will continue to work in collaboration with Creative Scotland and the sector over the coming months to ensure stability until Creative Scotland have sufficient clarity to be able to announce the recipients of their multi-year funding awards.”  

Strange Town marks 15th anniversary with three-night run of acclaimed show HER

Established in 2008, Leith-based charity Strange Town uses theatre and the arts as a creative catalyst to nurture talent and increase access to opportunities for all children and young people, whatever their background or experience.  

Founded by local Directors Steve Small and Ruth Hollyman, together they set up Strange Town with a mission to increase access to life-enriching experiences in the arts for everyone, offering accessible activities, a range of bursaries and financial assistance for young actors who are at an early stage in their careers but often find the financial outlays prohibitive to launching their careers. 

The organisation has expanded across the last 15 years and now reaches over 2,000 local young people every year. Activities include youth theatre classes, holiday programmes, a touring company and agency support for young actors.  

The charity has helped develop the careers of some of the Capital’s best-known local talent including Tallulah Greive and Lewis Gribben.

Strange Town proudly creates work of the highest quality that is both daring and entertaining, tackling subjects of importance to young people’s lives, such as consent, climate change anxiety and knife crime, vitally involving and commissioning emerging writers.  

The charity will mark the finale of their fifteenth year with a special three-night run of their acclaimed play ‘HER’, written by award-winning playwright Jennifer Adam.  

Initially touring secondary schools across the city, HER is an important play about the damaging effects of gender inequality, the truth about consent and asks; “how can you be the change you want to see in the world when you feel like the world is fighting against you?”  

Steve Small, co-Founder of Strange Town, said: “We are so proud of the activities and support we have delivered across the last fifteen years.

“Edinburgh is well-known as an epicentre for creative talent and opportunity; we have just had one of the busiest ever Fringe festivals where our city comes alive with performance and celebration of the arts, yet for many young people living here all year round these opportunities just do not exist.  

  “Arts organisations are struggling to sustain their support.  We are seriously under-funded in this country and without programmes like ours, young people, especially those from socio-economically deprived backgrounds would be unable to benefit from the life-enriching experiences of participating in youth theatre.  

“When young people join Strange Town, they are given the opportunity to connect with others in-person, to have fun, build key life skills, grow in confidence and feel a sense of belonging.  Many would never contemplate a career in the arts without our support.  

“Our touring company productions are carefully created to engage to spark discussion and debate around difficult subject matter.  We are delighted that we’ve been given the opportunity to revive ‘HER’ this October and encourage all local people, theatre-goers and those keen to learn more about us, to come to a show and help support our work across the next 15-years.” 

Her – Fri 3 February 2022 – Scottish Storytelling Centre, Edinburgh (© photographer Andy Catlin www.andycatlin.com)

Strange Town’s Touring Company will perform ‘HER’ at the Tech Cube in Summerhall for three-nights only Tues 8th – Thurs 10th October.  

Open to everyone age 14+, ticket can be purchased on the Summerhall website.  All proceeds go towards the charity’s vital work with young people living across Edinburgh. 

Creative Scotland announces Open Fund is to reopen

Creative Scotland is pleased to announce the Open Fund for Individuals will reopen for applications at 2pm on Tuesday 8 October, following confirmation of release of the necessary budget from the Scottish Government. 

By the time the fund closed on Friday 30 August, Creative Scotland received an additional 819 applications totalling £11.9 million in requested funding. As the fund prepares to reopen, we will be in touch with all applicants who submitted before the closure to advise them of their options.

Updates to the Open Fund for Individuals

The Open Fund for Individuals has been under increasing pressure. Since 2019, applications have more than doubled – from 628 to 1,395 in 2022/23, with funding requests increasing by £7.8 million to £21.2 million.

Notably, there has been a 42% increase in requested funding in the past year alone. However, during this same period, Creative Scotland’s budgets have remained at the same level, making this growth unsustainable.

To help address this, Creative Scotland is revising the Open Fund for Individuals to better meet the growing demand.

Updates will include the maximum award amount reducing from £100,000 to £50,000 and decision timescales extending by two weeks.

The updated guidance will be published on Tuesday 8 October.

Youth Music Initiative (YMI)

The YMI’s Access to Music Making and Strengthening Youth Music Funds will also be open for applications at 2pm on Thursday 10 October following confirmation of the funding from the Scottish Government.

Guidance for both funds and application questions will be available from this Thursday – 19 September.

Iain Munro, CEO of Creative Scotland said: “We recognise the time and effort that goes into applying for funding and know how vital these funds are for the sector.

“We understand how challenging recent events have been and sincerely thank everyone for their continued efforts in highlighting the value of culture and creativity.”

Review of Creative Scotland announced

ARTS FUNDING CRISIS OVER – FOR NOW

Culture Secretary Angus Robertson has announced a review of Creative Scotland to ensure its operations and structure are optimal to the needs of the culture sector, as part of this year’s Programme for Government.

The review, which will be the first since the public body’s establishment in 2010, will examine Creative Scotland’s remit and functions as a funding body, and how the overall impact of planned increases in levels of public funding can be maximised to support sustainability in the sector and in participation in the arts.

Full details of the review and its process will be set out to parliament in the near future, and will include seeking views from individuals and organisations from all parts of Scotland’s culture sector.

The Culture Secretary also confirmed that following a period of necessary due diligence, Creative Scotland had now received funding previously allocated to it in the 2024/25 Scottish budget, including £1.8 million for youth music, and £6.6 million that will allow its Open Fund to be re-opened.

Mr Robertson said: “Scotland’s culture is world-renowned and it remains integral to our nation and our economy. Over the past 14 years, Creative Scotland has had a significant role in supporting that role, distributing £65 million of public funding in the last year alone.

“With the sector having faced a number of new and enduring challenges since then, the time is now right for us to ensure Creative Scotland’s remit and functions remain relevant, in line with our commitments to invest at least £100 million more annually in the arts and culture by 2028-29, and to continuous improvement across all our public bodies.

“It is routine for public bodies to undergo reviews throughout their lifetime, and while that process is ongoing we are clear that we expect the organisations involved to take forward their business as usual.

“Creative Scotland is no different and they will be carrying on with their important work throughout.

 “In the meantime I’m pleased to confirm release of £1.8 million to Creative Scotland for youth music, and another £6.6 million, which includes £3 million towards its Open Fund and £1 million for Screen Scotland.” 

Iain Munro, CEO, Creative Scotland said: “Creative Scotland notes the intention to review the way the sector is supported, as announced by the First Minister in the Programme for Government, and we look forward to hearing more details.  

“We welcome the continued commitment to provide an additional £100m in funding for Culture and will work with the Scottish Government on the effective allocation of that funding, to the benefit of culture and creativity in Scotland.

“We also welcome today’s confirmation of £6.6m, originally committed to Creative Scotland by the Scottish Government at the start of this financial year, reinstating budget removed in the previous year.

“We continue to see unprecedented levels of demand for the Open Fund for Individuals and will process the high volume of applications we have received. With the budget now confirmed, we will work to re-open this fund.

“We are sure today’s confirmation of the release of this funding will be welcomed by the creative community of Scotland.”